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#re: the tag on my last reblogged post. decided to make that point its own post!
iphigeniacomplex · 2 months
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লিখি লোৱা, মই এজন মিঞা ("Write Down 'I am a Miyah'", 2016) by Hafiz Ahmed, translated from Assamese to English by Shalim M. Hussain, began a movement of resistance poetry among Assamese Muslims of Bengali descent, referred to as Miya Poetry after a slur used to describe this community. From Abdul Kalam Azad, for Indian Express ("Write...I am a Miya", 2019):
This poem went viral and other young poets started responding to him through poems. The young poets also started reclaiming “Miya”, a slur used against us, as our identity with pride. This chain of Facebook posts continued for days, reiterating the violence, suffering and humiliation expressed by our community. As time passed, more poets wrote in various languages and dialects, including many Miya dialects. The nomenclature ‘Miya Poetry’ got generated organically but the poets and their associates have been inspired by the Negritude and Black Arts movements, and queer, feminist and Dalit literary movements, where the oppressed have reclaimed the identity which was used to dehumanise them. The trend transcended our community. Poets from the mainstream Assamese community also wrote several poems in solidarity with the Miya poets while some regretted not being poets. Gradually, this became a full-fledged poetry movement and got recognised by other poets, critics and commentators. The quality and soul of these poems are so universal that they started finding prominence on reputed platforms. For the first time in the history of our community, we had started telling our own stories and reclaiming the Miya identity to fight against our harassers who were dehumanising us with the same word. They accused us of portraying the whole Assamese society as xenophobic. The fact is we have just analysed our conditions. Forget generalising the Assamese society as ‘xenophobic’, no Miya poet has ever used the term ‘xenophobic’ nor any of its variants. The guilt complex of our accusers is so profound that they don’t have the patience to examine why we wrote the poems.
Amrita Singh, writing for The Caravan ("Assam Against Itself", 2019), detailed the political backlash against Miya Poetry, in particular the above poem.
On 10 July this year, Pranabjit Doloi, an Assam-based journalist, filed a complaint at Guwahati’s Panbazar police station accusing ten people of indulging in criminal activities “to defame the Assamese people as Xenophobic in the world.” Doloi claimed that the ten people were trying to hinder the ongoing updation of the National Register of Citizens, a list of Assam’s Indian citizens that is due to be published on 31 August. The premise of Doloi’s complaint was a widely-circulated poem called, “Write down I am Miya,” by Hafiz Ahmed, a school teacher and social activist. “Write. Write down I am a Miya/ A citizen of democratic secular republic without any rights,” Ahmed wrote. The police registered a first information report against Doloi’s complaint, booking all ten persons for promoting enmity between groups, among other offences. [...] At the press conference, Mander emphasised that people in Assam are in distress because of the NRC’s arbitrary and rigid procedures. “One spelling mistake when you are writing a Bengali name in English … that is enough for you to be in a detention center, declared a foreigner,” Mander said. “If you are not allowing this lament to come out in the form of poetry, then where is this republic of India going?”
Ahmed's poem is influenced in structure by "Identity Card", a 1964 poem by by Palestinian poet Mahmoud Darwish which uses the symbolic figure of the Palestinian working man to confront Israeli occupiers. Darwish's identity card, a symbol of Israeli subjugation transformed into a cry of Palestinian national identity, is reshaped by Ahmed into the National Register of Citizens for Assam and the accompanying fear of statelessness and disenfranchisement for the Miya people.
This solidarity between writers from oppressed groups is, of course, not one that ends with Darwish and Ahmed, nor with the Black, queer, feminist, and Dalit influences of Miya Poetry. As long as there is oppression, there will be companionship and recognition reflected in art and activism. On December 13, 2023, Black Agenda Report reprinted Refaat Alareer's "If I Must Die", acknowledging the connection between Alareer's poem and "If We Must Die" by Claude McKay, written in 1919 in response to the Red Summer white supremacist riots. In 2000, Haitian community activist Dahoud Andre translated "If We Must Die" into Kreyòl, and the Black Agenda Report editorial honors Alareer in a similar way, reprinting "If I Must Die" with an accompanying Kreyòl translation. (POEM: If I Must Die, Refaat Alareer, 2023.)
Transcripts under the cut.
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[Hafiz Ahmed Transcripts (Assamese and English):
লিখি লোৱা, মই এজন মিঞা
লিখা, লিখি লোৱা মই এজন মিঞা এন. আৰ. চিৰ ক্রমিক নং ২০০৫৪৩ দুজন সন্তানৰ বাপেক মই, অহাবাৰ গ্ৰীষ্মত জন্ম ল’ব আৰু এজনে তাকো তুমি ঘিণ কৰিবা নেকি যিদৰে ঘিণ কৰা মোক?
লিখি লোৱা, মই এজন মিঞা পতিত ভূমি, পিতনিক মই ৰূপান্তৰিত কৰিছোঁ শস্য-শ্যামলা সেউজী পথাৰলৈ তোমাক খুৱাবলৈ মই ইটা কঢ়িয়াইছোঁ তোমাৰ অট্টালিকা সাজিবলৈ, তোমাৰ গাড়ী চলাইছোঁ তোমাক আৰাম দিবলৈ, তোমাৰ নৰ্দমা ছাফা কৰিছোঁ তোমাক নিৰোগী কৰি ৰাখিবলৈ, তোমাৰে সেৱাতে মগন মই অনবৰত তাৰ পিছতো কিয় তুমি খৰ্গহস্ত? লিখা, লিখি লোৱা মই এজন মিঞা গণতান্ত্ৰিক, গণৰাজ্য এখনৰ নাগৰিক এজন যাৰ কোনো অধিকাৰ নাইকিয়া মাতৃক মোৰ সজোৱা হৈছে সন্দেহযুক্ত ভোটাৰ যদিও পিতৃ-মাতৃ তাইৰ নিঃসন্দেহে ভাৰতীয়
ইচ্ছা কৰিলেই তুমি মোক হত্যা কৰিব পাৰা, জ্বলাই দিব পৰা মো��� খেৰৰ পঁজা, খেদি দিব পাৰা মোক মোৰেই গাঁৱৰ পৰা, কাঢ়ি নিব পাৰা মোৰ সেউজী পথাৰ মোৰ বুকুৰ ওপৰেৰে চলাব পাৰা তোমাৰ বুলড্‌জাৰ তোমাৰ বুলেটে বুকুখন মোৰ কৰিব পাৰে থকাসৰকা (তোমাৰ এই কাৰ্যৰ বাবে তুমি কোনো স্তিও নোপোৱা) যুগ-যুগান্তৰ তোমাৰ অত্যাচাৰ সহ্য কৰি ব্ৰহ্মপুত্ৰৰ চৰত বাস কৰা মই এজন মিঞা মোৰ দেহা হৈ পৰিছে নিগ্ৰো কলা মোৰ চকুযুৰি অঙঠাৰ দৰে ৰঙা সাৱধান! মোৰ দুচকুত জমা হৈ আছে যুগ যুগান্তৰৰ বঞ্চনাৰ বাৰুদ আঁতৰি যোৱা, নতুবা অচিৰেই পৰিণত হ’বা মূল্যহীন ছাইত!
Write Down ‘I am a Miyah’ Hafiz Ahmed, 2016 trans. Shalim M. Hussain
Write Write Down I am a Miya My serial number in the NRC is 200543 I have two children Another is coming Next summer. Will you hate him As you hate me?
write I am a Miya I turn waste, marshy lands To green paddy fields To feed you. I carry bricks To build your buildings Drive your car For your comfort Clean your drain To keep you healthy. I have always been In your service And yet you are dissatisfied! Write down I am a Miya, A citizen of a democratic, secular, Republic Without any rights My mother a D voter, Though her parents are Indian.
If you wish kill me, drive me from my village, Snatch my green fields hire bulldozers To roll over me. Your bullets Can shatter my breast for no crime.
Write I am a Miya Of the Brahamaputra Your torture Has burnt my body black Reddened my eyes with fire. Beware! I have nothing but anger in stock. Keep away! Or Turn to Ashes.
]
[Mahmoud Darwish Transcripts (Arabic and English):
سجِّل أنا عربي ورقمُ بطاقتي خمسونَ ألفْ وأطفالي ثمانيةٌ وتاسعهُم.. سيأتي بعدَ صيفْ! فهلْ تغضبْ؟ سجِّلْ أنا عربي وأعملُ مع رفاقِ الكدحِ في محجرْ وأطفالي ثمانيةٌ أسلُّ لهمْ رغيفَ الخبزِ، والأثوابَ والدفترْ من الصخرِ ولا أتوسَّلُ الصدقاتِ من بابِكْ ولا أصغرْ أمامَ بلاطِ أعتابكْ فهل تغضب؟ سجل أنا عربي أنا اسم بلا لقبِ صَبورٌ في بلادٍ كلُّ ما فيها يعيشُ بفَوْرةِ الغضبِ جذوري قبلَ ميلادِ الزمانِ رستْ وقبلَ تفتّحِ الحقبِ وقبلَ السّروِ والزيتونِ .. وقبلَ ترعرعِ العشبِ أبي.. من أسرةِ المحراثِ لا من سادةٍ نُجُبِ وجدّي كانَ فلاحاً بلا حسبٍ.. ولا نسبِ! يُعَلّمني شموخَ الشمسِ قبلَ قراءةِ الكتبِ وبيتي’ كوخُ ناطورٍ منَ الأعوادِ والقصبِ فهل تُرضيكَ منزلتي؟ أنا اسم بلا لقبِ! سجلْ أنا عربي ولونُ الشعرِ.. فحميٌّ ولونُ العينِ.. بنيٌّ وميزاتي: على رأسي عقالٌ فوقَ كوفيّه وكفّي صلبةٌ كالصخرِ... تخمشُ من يلامسَها وعنواني: أنا من قريةٍ عزلاءَ منسيّهْ شوارعُها بلا أسماء وكلُّ رجالها في الحقلِ والمحجرْ فهل تغضبْ؟ سجِّل! أنا عربي سلبتُ كرومَ أجدادي وأرضاً كنتُ أفلحُها أنا وجميعُ أولادي ولم تتركْ لنا.. ولكلِّ أحفادي سوى هذي الصخورِ... فهل ستأخذُها حكومتكمْ.. كما قيلا!؟ إذنْ سجِّل.. برأسِ الصفحةِ الأولى أنا لا أكرهُ الناسَ ولا أسطو على أحدٍ ولكنّي.. إذا ما جعتُ آكلُ لحمَ مغتصبي حذارِ.. حذارِ.. من جوعي ومن غضبي!!
Identity Card Mahmoud Darwish, 1964 trans. Denys Johnson-Davies
Put it on record. I am an Arab
And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about?
Put it on record. I am an Arab
Working with comrades of toil in a quarry. I have eight children For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your door, Lower not myself at your doorstep. What's there to be angry about?
Put it on record. I am an Arab.
I am a name without a title, Patient in a country where everything Lives in a whirlpool of anger. My roots Took hold before the birth of time Before the burgeoning of the ages, Before cypress and olive trees, Before the proliferation of weeds.
My father is from the family of the plough Not from highborn nobles.
And my grandfather was a peasant Without line or genealogy.
My house is a watchman's hut Made of sticks and reeds.
Does my status satisfy you? I am a name without a surname.
Put it on record. I am an Arab.
Color of hair: jet black. Color of eyes: brown. My distinguishing features: On my head the `iqal cords over a keffiyeh Scratching him who touches it.
My address: I'm from a village, remote, forgotten, Its streets without name And all its men in the fields and quarry. What's there to be angry about?
Put it on record. I am an Arab.
You stole my forefathers' vineyards And land I used to till, I and all my children, And you left us and all my grandchildren Nothing but these rocks. Will your government be taking them too As is being said?
So! Put it on record at the top of page one: I don't hate people, I trespass on no one's property.
And yet, if I were to become hungry I shall eat the flesh of my usurper. Beware, beware of my hunger And of my anger!
]
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lyraeon · 11 months
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was gonna put these tags on that last reblog re: scars that look like self-harm but aren't but I decided I'd gotten too personal so I just pasted it here and then kept expanding lol
wonky line breaked cuz it was tags at first
my two worst scars that're visible in normal clothes are where a broken table top sliced my leg open (I didn't notice I'd cut anything but my pants for like an hour bc my edema was so bad it held it shut despite... well I def shoulda gotten stitches i'll leave it at that but it was 2007 and I had no insurance so it got a folded paper towel and some packing tape because I needed to finish loading the moving truck) ...and then actually the one related to the point of this post whoops ADHD moment which is FROM A PIECE OF CARDBOARD but on my wrist in a spot that I've gotten comments on it like nah fam I just reached into a box weird working at build a bear and when you have bad edema you get wide scars all the leftover scars from the more self-destructive parts of my life no one would suspect as such cuz I was so afraid of bothering anyone I was very hidden about it
and then decided I should move it to its own post so I got more into some darker shit from my past:
I doubt anyone who didn't do the exact same would notice or identify them hell I've had therapists not believe me they are (or that I was actually suicidal at any point let alone at the moment) and that was fuckin fun when it happened (cuz in 2006 depression was still something you didn't talk about and that people 'faked for attention' or 'are just trying to get ahold of drugs rather than face life' so a 19 year old sobbing her eyes out after flunking out of college and openly admitting to being barely keeping herself together? clearly just wants happy pills better call her a faker)
that said I'm still divided on the post in general I understand and agree with the sentiment and I've seen a horrendous situation back on FB where I was in a group that was like 'help me make small decisions' or something so people would post like yo do I want the green dirnk or the blue one or whatever there was one person who had a feeding tube so a couple times a week they would post asking to help decide which bandage-type things to use to hold it in place a lot of us actually looked forward to those posts too cuz they were so wholesome and the designs were fun in retrospect it was a little 'disability porn' or whatever the right term is for when people go 'oh wow if they can do it so can I!' but the person was clearly trying to share the experience of making the best of their situation? anyway one day a bunch of people went off on them for being triggering to their eating disorders by 'bragging' about having a feeding tube and that by allowing the posts the admins were promoting unhealthy behaviors or some crap like that basically saying 'yo this person clearly ed'd themself into having to have a feeding tube and it's reminding me of my time in the hospital' and like as someone who is triggered by some mundane things at times and has a severe thing with veins and hearts I get that unfortunately something like that can be triggering so I get why someone would want it warned but also like it's that person's daily experience and it's what they would look like out in public and regardless 1. they were being HORRENDOUSLY RUDE about it they didn't just go 'yo could you warn please this is triggering to me' or ask the moderators what the right course of action was this was like 5 people who'd clearly been discussing it in DMs beforehand who WENT OFF and had all those accusations which leads me to 2. the person didn't even have the feeding tube from anything ED related I don't remember the exact reason but they'd had it their whole life so the people going off on them weren't even going off about something that was actually happening the person was not glorifying their eating disorder as accused they were just trying to share something that brought them joy the conclusion olympics continues I guess
but situations where you have competing triggers or needs are always so damn tricky the example I still keep giving is having a roommate who needed their doors all closed whereas closed interior doors freak me out I have zero idea why they just give me severe anxiety I can't have my back to any entrances either like I will not even turn my back to the shower curtain even if the door is locked and I prefer not closing even like the bathroom door if I can get away with it no clue why! but coming upstairs and finding both my roommates' doors closed always made me nauseous which I recognized was a very unusual reaction to have and thus just lived with it especially because I knew at least one of them NEEDED their door shut for similar reasons and it was their room I guess 'the person whose life and space it is's need outweighs others' is a good general guide but like most things it's complicated idk why I gotta be so lmao technicalities about things but such is life
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brainrotmeta · 2 years
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lol
@occamshipper decided to flood me with responses instead of responding back. So I'll reply here. Mostly I want to talk about the way he argues as opposed to debunking him in general. He's basically a walking, talking fallacy.
occamshipper @brainrotmeta Congratulations. Your entire post was a display of complete lack of reading comprehension and an inevitable test of how many of your followers are equally illiterate that you couldn't differentiate my talk about CBS-WB coproduction of Winchesters from Jared getting his own spinoff. And the rest is you just making whiny emotional appeals so. Go off, I guess? Wave that Stupid Flag with pride!
In my last post with him, I actually addressed a lot of the claims he made. Mostly I focused on his claim that Jared got a prequel deal because he threw a tantrum at CBS. There's no proof of this at all. Instead of dealing the lack of poof, he decided to say I'm stupid and move on.
That's not how you make an argument or even have reasonable discussion.
It's also what people often end up resorting to when they know they've 'lost'. Aaron/Occamshipper does this to me a lot. When they don't have anything against my points, he calls me dumb. When he does have a point against mine, he's generally more reasonable and can refrain from calling me an idiot.
occamshipper @brainrotmeta like jesus christ it takes a special kind of dumb to try (and generally fail) to break that paragraph apart to nitpick and argue it (badly), realize I was talking about SPN, then come to the conclusion I was talking about JARED getting his spinoff, and then expect me to argue with [checks notes] your inability to read or follow the discussion? Yeah, no, Independence has nothing to do with that. Re-read the first paragraph, but slowly, before arguing w/it.
And he does. Aaron just makes up a reality that doesn't exist. He was talking about Jared. I'd say this is a form of gaslighting, but it's so incompetent and divorced from reality, that I sometimes wonder.
occamshipper @brainrotmeta You literally put the brainrot in your username, I can't explain what a perfect dunning-kreuger specimen you are, that you always enter a debate so woefully underequipped you can't even deduce which property I'm talking about about the shared production rights? And go off into looney tunes land connecting "Jared's tantrum got him his own spinoff"? What in the genuine fuck is your data processing disorder.
It's interesting here that Aaron can't even point to where I'm woefully underequipped. He doesn't point to any of my allegedly poor reasoning. It's also really funny he's denying that he implied the loon tunes logic of "Jared's tantrum got him his own spin-off," when that's exactly what he implied here:
And after all, Jared's tantrum whined its way into CBS getting breakout rights (without IP rights, just Jared Rights) to The Winchesters production, so if Jared Wants More Than Just Walker, they can... profit off that in SPN anyway??? while running Zorro??
(x)
Which, to be fair, might not be what he's implying. Who the hell exactly knows. It's incoherent.
occamshipper I AM DECEASED BRAINROT CAN'T TOLERATE THAT I WON'T SHARE HER INABILITY TO READ TO MY BLOG OPENLY AND CAN'T STAND BEING TAGGED POINTING OUT THAT HER ENTIRE ARGUMENT IS BASED ON FUNDAMENTALLY MISREADING EVERYTHING *BEFORE* ARGUING WITH SHIT SHE MISUNDERSTOOD, HELP
I can't tolerate that Aaron won't share my inability to read his blog openly? What does that mean. I can't stand being tagged in ways pointing out my argument is based on a fundamental misreading? Where?
occamshipper @brainrotmeta EXCELLENT WORK
Thank you. :) (/joking btw)
occamshipper What a genuinely dishonest coward it takes to try to block or remove those.
I posted on my main as opposed to my side blog, deleted it on my main blog after reblogging on brainrotmeta. I'm not sure how that accounts for blocking or removing? But this might just be on tumblr, which is a hot mess.
occamshipper RIIIIP lmaooo brainrot is actively hiding if I reply directly under her blog pointing out she literally made a whole assed post based on her inability to read. Like she misread it. Misunderstood it. Then argued with her own misunderstanding.
I did no such thing. I will say I had you blocked on main but I unblocked you for now. I think blocking on main can affect sideblogs, but it hasn't been consistent with me tbh.
occamshipper 10/10, can't do that when I reply under my own blog, @brainrotmeta
I'm just posting this to show I'm posting all of Aaron's responses.
occamshipper The living embodiment of dunning-kreuger, folks. I'm not going to subject you to spamming your dashboards with her arguing with her own inability to read, but I deeply invite you to look at @brainrotmeta's reblog, then laugh, and laugh, because of how bad she misread/misunderstood literally everything.
I think it's funny that he's accusing me of hiding from him, but is deciding not to reblog my points against him. If I'm so easy to argue against, why not do so? If I'm unworthy of your attention, why spam me with these responses?
occamshipper I'm just gonna. Chucklebomb the fuck out of these notes, thank you again for bringing comedy into my life, @brainrotmeta, with you once again illustrating you can't even track what property is being referenced in a given paragraph while trying to argue who said what about what spinoff oh my fuck holy shit.
It's also interesting he's deflecting from my major point. We've been having a back and forth on twitter about how the issues he's talking about aren't about Jared or a J2 competition with each other and then turns around not much later and makes a post about how much of manbaby Jared is and declares to the world that Jensen is way ahead of Jared in prequel development. That is attacking Jared and the premise of your Jensen is way ahead of Jared hot takes is based on competition.
They might have made more responses since I posted this, idk.
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potteresque-ire · 3 years
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Here’s my response to @pussyibo, who tagged me on a post about Gg’s Li-Ning brand endorsement. 
First of all, I’d like everyone to please read @accio-victuuri‘s wonderfully written, detailedly researched post on the Li-Ning brand, the Xinjiang cotton support rally on Weibo, and the narrative the state has spun on the issue. I would’ve provided similar information in my response as well—although no way I could’ve laid it out as clearly, as to-the-point as @accio-victuuri did—because this background is critical in explaining my thoughts on this issue.
I haven’t reblogged the Li-Ning ads, but I must confess that the decision had little to do with politics. I’ve always leaned towards re-blogging art than real people.
That said, however, Gg’s Li-Ning ads have, of course, crossed my dash. And I’d be honest and say this as well: I haven’t really found them—or by extension, the idea that Gg was endorsing the brand—offensive, precisely for the reasons @accio-victuuri laid out. Li-Ning is a legend in China; a highly decorated olympic gymnast, he was the national pride chosen to be the final torch-bearer and torch-lighter for the 2008 Beijing Olympics. His company, established in 1990, was among the first Chinese brands with name-recognition overseas and has won high-profile international sponsorships—rare achievements among Chinese-owned enterprises, even to this day. 
Based on Li Ning’s identity and his company being a National Brand, I’d be more surprise if the Li-Ning brand doesn’t use homegrown, “patriotic” cotton, before even considering the practical reasons—Xinjiang cotton being a domestic product that eliminates the costs of shipping, tariffs etc; that it’s of such superior quality that international brands touted its use—a reversal of the usual downplaying of their products’ Chinese origin, due to the common associations of “Made in China”=“Bootleg”,“awful quality”; that makes up ~20% of worldwide cotton production—ie. most Chinese families are probably already using products with cotton from the region (blankets, for example). 
From that perspective, therefore, I’ve viewed the endorsement as little more than a case of a high-profile Chinese celebrity endorsing a high-profile Chinese brand, named after a national hero and targeted towards the local market. I breathed a little sigh of relief for Gg, admittedly—imagine if his new endorsement over those same few days had been for a brand under the Better Cotton Initiative; he would’ve been flayed alive, if the antis’ words were knives.
(And who said they aren’t?)
As such, I also haven’t considered the Li-Ning brand as “morally inferior” to Gg or Dd, or, the other way around, that Gg or Dd are “morally superior” to the Li-Ning brand. I haven’t considered drawing a moral ruler along this axis. I either believe they’re all doing what their sociopolitical environment has taught them, guided them, demanded them to do, or I don’t. Li Ning (the person and the brand), Gg, and Dd all have a celebrity status attached to them. They’ve all flourished in that one sociopolitical environment—that one they also call home.  
Ultimately, Gg and Dd belong to China. They’re the product of the country, its all powerful, all controlling regime. No one can be isolated from their backgrounds—my background colours every word I say here; likewise, there’s no place I can draw a line and separate Gg and Dd from the Communist Red behind them. I wouldn’t have posted about China’s sociopolitical environment, researched on it as a GgDd fan otherwise. 
I either walk away from them all, or I don’t. I either stay a fan, or I don’t. The latter is my choice. Every minute.
Have there been instances in which news about Gg and Dd make me especially uncomfortable? Yes. Photos of Gg in PLA (People’s Liberation Army; Chinese army) uniform for AT, or Dd in police uniform for BAH, for TTXS still give me stomach churns every time I see them. A violent squeeze of the heart.
Visceral reactions that come from, I suppose, the amyglada. More organic, primitive than thought. 
I’ve seen those uniforms in RL action—uniforms worn by those who’re truly responsible for the labor camps and mass surveillance, the torture, the unreported deaths, the disappearances; uniforms Gg and Dd have expressed support outside their drama, their host roles:
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Translation: #I support Hong Kong Police too# (On red banner) “I support HK police. You can beat me up now.” What a shame for Hong Kong.
(Dd reblogged the same post originated from People’s Daily, the State-Controlled Newspaper).
I’m going to go on a quick detour and provide the backstory of this red little box, this piece of propaganda that is much more blatant than a clothing ad. I’ll explain why in a bit.
Here’s an article that explained the incident from which the quote was drawn, that occurred on 8/13/2019 during the Hong Kong Protest and the airing of The Untamed. Essentially, a Chinese state media reporter was suspected to be a spy among the protestors after taking photos, refusing to show his press pass (he was found to have one but not his own), and possessing a “I love HK Police” shirt; he was tied to the luggage cart and beaten up. The reporter said the quote in the red little box; he suffered mild injuries and was soon discharged by the hospital.  What was the background of this story, however? Why did the protestors beat up someone who could be from the press—who, regardless of their affiliation, protestors know should be protected? The protests began in June, 2019. Hong Kong had had another large scale protest in between September to November, 2014 (aka the “Umbrella Revolution”). Spies had always been an issue. Why didn’t a spy beating happen earlier?
Here’s an English-subbed documentary (warning: violence) that offers insight of the background—the fear and fury of the protestors. The subject is what is now known as 721 Yuen Long incident, or the evening Hong Kongers—even those who had not been involved, who had been unsure about the protests—lost their trust of the Hong Kong Police, once known as “Asia’s finest”.
That evening went like this. On 7/21/2019, the local mafia violently attacked the passengers of a late night train in Yuen Long station—passengers who weren‘t protestors (who wore black)—while the police ignored the multiple emergency calls from locals who’d spotted something suspicious, and didn’t show up on the scene while the beatings occurred. Evidences, which the documentary detailed, pointed to the Hong Kong Police, and the government that backed it, endorsing the beatings, therefore working with the local mafia to deal with the protests. 
By 8/13/2019, therefore, protestors were convinced that their opposition wasn’t beyond using very low blows to get their way. One could argue that they overreacted to the spy-reporter; the Western media, who had long trusted HKers to know what they were doing, expressed its disappointment, and the protestors soon apologised. The Chinese propaganda machine, of course, jumped at the chance of casting the protestors as bad people, and the online rally on Weibo ensued (It lasted for at least three days; Gg and Dd reblogged post about HK between 8/14/2019-8/16/2019).
That was, briefly, the story behind Gg and Dd’s Weibo reblog.
Why did I make a detour and write up this story? Because I’ve actually posted blatant propaganda on my blog—the Weibo post, with its red little box. However, does it still feel like propaganda with the story?
Therefore, I haven’t, and don’t plan on pressuring anyone to stop posting and re-blogging specific pieces of GgDd information—be it an ad as in this scenario, or propaganda material from films, series, government/state-controlled media announcements etc. That I believe everyone should set their own boundaries, be their own judge of what they’d like to share on their own blog aside, I think—and this is where my opinion may deviate from many—“canceling” falsehoods often isn’t the best way to deal with them. 
This opinion is likely, again, coloured by my background.
My observations have been this: “cancelling” is effective only if the cancelling force is, overall, significantly stronger than the force being cancelled. In the scenario that prompted this post, making Gg’s Li-Ning ads disappear from the dash is only possible if there are more fans who ignore the ads than those who post and reblog them. “Canceling” is therefore a competition of headcount, with tactics for sidekick—the side with more people, and people who are good at disseminating information, decides the outcome: whether the intended-to-be-cancelled material go viral within the fandom, or whether they die out.
I’d like to highlight this word: headcount.
This isn’t the most favourable kind of competition to participate in, therefore, if the potential opposition belongs to the populous country in the world, its members, people who may have participated in fan circles, which are essentially fan armies who’ve been used to organising, battling on social media for their idols. I’ve previously set up a hypothetical scenario, in which Dd’s supertopic members were encouraged by their government to scale the Great Firewall to Twitter, spread their support of Xinjiang cotton—a scenario that is not totally unrealistic, given that the Chinese government has previously mobilised fans for propaganda purpose. 
We’ll use this thought experiment again ~ please bear in mind, once more, that this is SJD; a figment of our imagination.
Since we’re talking about Li-Ning brand, let’s add Gg’s supertopic members to the mix. The total supertopics member count is 6.11 + 8.34 = 14.45 million, as of today (2021/04/04). 
Let’s say, only a tiny, tiny percent—0.01% of them are mobilised; that’s 1,400 people.
Is it possible to cancel the voices, the retweets of 1,400 in Gg and Dd’s i-fandom? Cut down another 90%, reduce the opposition headcount to 140. Is it possible?
There are also overseas Chinese who do not intend to spread propaganda, but believe in the story and have no qualms disseminating the information. There are also fans who wish to remove politics from fandom and pass all information along.
Here lies the frustration of those who’ve tried to raise their voice of concerns re: the policies and practices of the Chinese government on social media; and this is why I mentioned that my background informed my opinion. On social media, where headcount and whoever shouts the loudest, retweet etc the most wins the exposure game, it’s nearly impossible to win against the Chinese Communist Party (CCP)’s propaganda machine, if the party chooses to have the machine running. 
Their side has so many people.
One more RL example: here’s a scholarly article detailing how Diba (帝吧), an old, popular online forum in China with 20 million members, mobilised, collectively scaled the Firewall and engaged in a cyberattack of the Facebook page of Taiwanese President Tsai Ing-Wen on January 20, 2016 — the day of President Tsai Ing-wen’s first inauguration; they left a total of 26,000 comments against Taiwan independence, using Simplified Chinese (which China uses) for their font instead of Traditional Chinese (which Taiwan and Hong Kong uses)—ie, the commenters didn’t even pretend to be not from China. They were proud and open about their "Expedition”.
(China’s state-controlled tabloid Global Times—yes, the same one involved in the Hong Kong airport incident above—”concluded the campaign was a “fun normal incident” that showcased young people’s passion for politics”)
Is it possible to try to cancel something of that scale? Is it realistic?
Personally, therefore, I’ve always advocated for “immunisation”: rather than protecting a fact by wiping out its associated lies—the idea behind “cancelling” a message, not having it show up on the dash—I prefer to do so by allowing it to be visibly challenged, until observers are no longer easily swayed by falsehoods. I used Gg and Dd’s Weibo reblog re: Hong Kong police as an example—is the red little box propaganda, a challenge to the protests? Yes. Is it information that I deeply disagree with, something I wish I’ll never see again? Also yes. But by providing context to it, I’m hoping to turn it into a vaccine—something mimicking the virus, the potentially viral piece of information, but doesn’t function the same way anymore. 
Hopefully, this vaccine will also encourage stop-and-think moments that boost future immunity; hopefully, with a few more boosters, questions will come automatically with such red little boxes reappear— questions about the context, the purpose, the message. 
Questions like these, for this incident: why did the State media make this incident the “Gotcha” moment in the Hong Kong Protests, important enough for People’s Daily to make a rally-starting meme? Why was the reporter, Fu Guohao hailed as a hero, when he’d just got ... beaten up? 
What did People’s Daily, and the government behind it, want people to find when the red little box popped up everywhere on Weibo, including the Weibo of the fastest rising stars from the hit summer TV series? What belief could be expected to be instilled into the audience with this photo, published by China’s state TV station (CGTN), of the reporter tied up to a luggage cart and surrounded by black-cladded protestors?
Who looked like the strong, evil side? The meek, good side? Why, finally, was the tag about the Hong Kong Police, when the conflict was between the protestors and an alleged Chinese state media reporter?
By then, Hong Kongers were already suspicious that the Hong Kong Police had been infiltrated by China’s law enforcement arm, from hints from the different dialects the police used, how they handled the protestors etc. It was the start the final break down of Hong Kong’s autonomy. Their suspicions were not wrong. Now, with the National Security Law having taken effect since July 2020, Hong Kong’s transformation into a police state is well under way.
What does the tag #I support Hong Kong Police too# mean now?
[Please excuse my using many examples from HK because 1) I’m familiar with the details; and 2) it’s the only instance in recent history in which the outside world can see, with relative clarity, a large-scale protest against the Chinese government and its outcome.]
Here’s my humble wish: next time, when a government-sponsored memes like this get translated and posted, be it originally reblogged by Gg, Dd, or other c-ent stars, be it on Twitter or Tumblr, the vaccinated, immunised will pause and wonder: What’s the story? What’s being told inside the Great Firewall, and outside? 
If this happens, red little boxes on my blog, unpleasant as they are, are 100% worth it.
The Li-Ning ads are therefore worth it too, IMO, if they spark a conversation, a dissemination of facts and perspectives. To me, the latter is especially precious in this fandom, where significant language and cultural barriers exist.  Fans who move Gg and Dd’s news and candies from Weibo are the pillars of this fandom. Sieving through that website is hard, translations harder; it’s unfair and unrealistic to ask them to also be the background knowledge deliverers. 
I’ve tried to do a small part, but I’m ... slow. Very, very slow. However, even if the background isn’t available, I’ve found being careful, skeptical about the information is already a very good thing. At heart, this is no different from the lessons from media literacy here, except there are even more falsehoods and half-truths to wade through given the country of origin of Gg and Dd’s material, and trustworthy sources are not always available. Li-Ning brand is an example that things do not need to be blatant propaganda to carry a pro-CCP message. 
What can i-fans do then about the Xinjiang cotton situation, if competing against the Chinese government propaganda machine on social media appears to be a losing game?
My thoughts are these, at the moment. First, please consider not dwelling on the competition, especially within fandom. Remember: getting several fewer fans to buy Li-Ning brand isn’t going to change the big picture.
Instead, if this is an area of activism you choose to participate in—please consider channeling your effort to watching the companies in your country. Put pressure on sustainability & good practice certification companies like Better Cotton Initiative, make sure they don’t, can’t have it both ways. Xinjiang cotton is either certified or it isn’t. There’re suspicions of forced labor on its production or there aren’t. The answer should be a simple yes or no, not whether the office is in Geneva or in Shanghai.
This is an answer that we, as consumers, have the right to know. Transparency in China isn’t for us to demand; we can, however, demand transparency in our own country. Remember too: it makes a far, far greater difference for one international company to re-consider its cotton source, than for one fandom to do the same. 
Meanwhile, and again, this is my humble opinion—please do whatever you’re comfortable with, that is within your ability, to fortify your stance. Should you choose to speak out online, you’ll likely meet opposition. Responses on current events from the Chinese Foreign Ministry (you can also find the spokespeople on Twitter) can offer a glimpse of the counterarguments you may meet. How will you answer them? Here’s a clip of one of the spokespeople arguing that the US used to use black slavery to pick cotton in the past. If you’re American and this is presented to you—what would you say? (Does mistakes by one country in the past mean mistakes by another country in the present is automatically acceptable?) The opposition may also use vicious words, the most extreme of which is probably “racist”. If someone call you racist—if many Twitter users scream racist!!!!!!!! at you at the same time for your critique—can you stand firm? 
[The pro-CCP camp has been taking advantage of the West’s effort to move forward from its racist past to stop any criticism of the Chinese government. It already knows the easiest way to silence the criticisms is to call whoever makes them racist.]
[If everyone fears the racist allegation, allows the conflation of Chinese government and Chinese people to take root, will there be more or less anti-Asian sentiments in the long run?]
[I’ve been called racist by writing these metas.] 
The last thing I’d like to say is this: please be kind to your fellow fans who’ve kept mum, or been hesitant about making their stance known. Some may be closely connected to China, others may not be in a psychological / health space to deal with the politics. Also, and here’s my default way of looking at this: I disagree with the idea that anyone owes anyone else a declaration of their political beliefs. I can’t imagine this issue to be an easy thing to think about for many Gg and Dd fans, myself most definitely included ~ as a (former) Hong Konger, a uniformed Gg or Dd gives me an unpleasant visceral response, but at the same time, it also means I’m used to accepting, even genuinely liking people on the other side of this political ... Grand Canyon. I can imagine the conflict, the pain this issue may have caused some fans who’re not accustomed to the latter, as being a fan, IMO, is never purely logical ~ and I mean that in the best of ways. 
Passion is the magic ingredient that separates a fan and a consumer. It’s also what makes choices difficult, when conclusions from logic, political stance included, conflict with it. Some make the hard choices quickly; some, slowly. Some make them in one go; some, piece by piece. Some never make them, let time be the decision maker.
As Dd said so famously and wisely, about the conflict between passion and logic: 愛就是這樣,沒有辦法 Love is like that. Nothing can be done.
The only common denominator is this: we’re all made to love.
❤️.💛.💚.
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yoonia · 3 years
Text
❥ Content Creator Year in Review
☞ tagged by @yeoldontknow, @chillingkoo, @inkedtae, @onherwings, @moononthejoon, @kpopfanfictrash (my precious, talented bubs. I love you! Happy almost New Year!) and retagged by @flurrys-creativity @jimlingss 
⇀ first creation and most recent creation of 2020: I kicked off 2020 with the release of Carousel Epilogue (Yoongi). That was a defining moment for me because it truly felt like I was ending one specific era to start another. Which was true, by the way, because Carousel had marked the rise of my blog at one point and it had been a part of my long journey in writing fanfiction that releasing that epilogue and ending the series then had become a true turning point for me and my blog. My most recent creation was Blurred Lines (Seokjin, ongoing). I never meant this one to be a series, but somewhere in the middle of writing it, I felt like the story needed to progress in small paces to build up the momentum. I have always had a hard time writing for Seokjin, seeing the actual person himself has multiple layers that we tend to misidentify him with the persona he normally shows us in public. I simply wanted to show that part of him in this story, while creating a new persona for Seokjin that I’ve had in mind since way back then when I wrote Hazy. 
⇀ one of your favourite creations from 2020: I’ve mentioned a few favourites a while ago, but the one that sticks to me the most personally was Spotless Minds (Hoseok). I wrote this based on my favourite movie, Eternal Sunshine of The Spotless Minds, taking the original idea of introducing two characters who erased a part of their past but giving it a more in-depth backstory compared to the movie itself. I still added a few elements that you may find from the movie but written here differently: the beach house, the waiting room, the stages where Hoseok was slowly losing his memory, and I added a few things that may help readers who haven't watched the movie to understand the aspects of the story a bit better without having to go back and watch the movie first. What pleases me most about this fic was the writing style that I used then — the sequences of the scenes, the back and forth between the timeline to reveal all the twists and turns — and then putting them all together. It was just fun creating this one.
⇀ a creation you’re really proud of: Oh, this one is the hardest to decide. I can’t choose between We Are All Dreamers (Jungkook) and Never Falling (Jimin). WAAD was a bit challenging to me. I love soulmate aus and I believe I had gotten stuck on this story right in the middle of it until I decided to add Jungkook’s pov in it to help with the story’s progression. I’m proud of how it came to be (and I can’t wait to share the continuing story for it) and how I’d gotten through the process of writing it. NF took me quite a while to finish, but I love every single thing about it. The story building, the tension, the momentum, and I think the characters I created in this story have become the pairing that I have grown to care the most this year aside from Strip!Jimin and his OC.  
⇀ a creation that took you forever: The Half-Lycan (Taehyung) and Of Bears and Bonds (Seokjin). Both stories took a while to work on due to their part in the Shifters series, which required me to take my time in planning and working things together to make sure that the story and the timeline would line up perfectly with its origin story, Blood Moon Rising. THL was actually planned to be posted on Tae’s birthday last year, but it took me 6 months to finish. OBB was planned to be posted immediately as both stories correlated between each other, but then things happened and what was planned to be an extremely long one-shot had ended up becoming a trilogy (the original word count was 69k words lol). 
⇀ a creation from 2020 that received the most notes: The Half-Lycan, I think? I know it went over 2k notes while the others remain somewhere around 1k or less lol Idk man, I don’t keep up with notes. I’m grateful for all the feedback, the reblogs, and the comments, so I remember those the most compared to the numbers. 
⇀ a creation you think deserved more notes: Ravished by Two (Namjoon, Seokjin), Spotless Minds (Hoseok), Red Series (Yoongi). Seriously, I love writing for Hyung line, but they don’t get enough love from everyone :( I must add Bed & Boyfriend(s) (Taehyung, Yoonkook) too because I worked hard on that one and I need it to get some more love lol
⇀ a new fandom you joined and a creation you made for it: I’m starting to get into Stray Kidz and Ateez more lately. I haven’t made any creation for them aside from adding Wooyoung (Ateez) as a side character in Spotless Minds haha I did write Simon Says for Simon Dominic though. 
⇀ a creation you made that breaks your heart: Slow and Steady (Jungkook) took the front seat on this one. I’ve fallen in love with the original idea when it was sent to me for a commission. I knew it would cause a lot of heartbreak and it did spark some reactions from my readers that I enjoyed reading through once the fic was up. I just didn’t think it would hurt ME in the process as well :/
⇀ a ‘simple’ creation that you really love: Let’s see… Pay By Play (Jungkook), Red Lipstick (Yoongi, from the Red Series), the drabbles I’ve made this year for Carousel and The Stand-In. Can I really call these ‘simple’ tho? Hahaha 
⇀ a creation that was inspired by another one: Strip! (Jimin) was a spin-off for Bad For You. Though I had originally started this series since October the year before, I still have to mention this one because I only began working on the final chapter after I was done with Carousel at the beginning of the year. The Half-Lycan was actually inspired by its drabbles. I’d never intended to expand Blood Moon Rising’s universe into the series you are seeing now, but when I was writing Rapture during NaNoWriMo 2019, I began to imagine Taehyung and his wolf pack to become a part of Jimin’s story. Since I was already planning to introduce the members as a pack in BMR in future chapters, I decided to link the two universes together and have Taehyung from Rapture to have his own story before I get to introduce the others. This decision was what had led me to create the entire Shifter series universe. 
⇀ a favourite creation created by someone else: umm...I haven’t had a chance to actually read a lot of fanfics this year as I have gotten into original stories more and the year has been crazy busy. The ones that I’ve read and shared are listed in my side blog, @diaficrecs. But here are a few that I’ve read but haven’t gotten a chance to write down my comment or feedback on and they are now sitting on my rec blog’s draft until the day I can get my thoughts together T^T — Inner Needs by @avveh, Divine Intervention by @opaljm, Third Wheeling by @untaemedqueen, Molotov Cocktail by @yeoldontknow, Aphrodite in War by @jungblue, Always Trust In Pixie Dust by @readyplayerhobi, daechwita by @ironicarmy, and I have to mention the one I’ve been re-reading the most, When You Watch by @gardentulips 
⇀ some of your favorite content creators from the year: aside from the beautiful people mentioned above, here are my beloved, talented friends — @jamaisjoons @suqakoo @softyoongiionly @randombtsprincessa @hungline @guktro @underthejoon @gukslut @gukyi @floralseokjin @ladyartemesia @baebae-goodnight @hobidreams
⇀ and for good measure, another couple more creations of yours that you love: omg I don’t think I can mention them one by one so let me just drop my masterlist here, here, and here :) 
⇀ tagging: everyone mentioned above who hasn’t done this yet...and if you don’t see your name here, feel free to do this if you want to and add me so I can add new stuff on my to-read-list :)) 
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cbk1000 · 3 years
Note
hellllloooo Ma'am! very nice [which, yes, it is always surprising] of you to reblog this not that I made my request for you to do it subtle BUt the point is you did reblog it so now I get to be a nice welcome nosey presence in your inbox
First set of questions: [yes you're getting another set]
if you can answer specifically for kc fics that would be greatttt.
13, 14, 17, 18, and this one is very very important 22 AND TELL ME WHICH PART WAS IT DO NOT FREAKING LIE TO ME I NEED TO KNOW.
[Does complicated cult-y sign gesture]
byeee see you at the cult corporate meeting later ✋🏾
I actually was just scrolling through your blog looking at posts, got to the fanfic ask one, and had already decided to reblog it because I like getting those sorts of questions, and then I scrolled all the way down and saw your tags. lmao
13. Is there a trope you wouldn’t write if it was the last trope on earth? Absolutely anything that has to do with Caroline being submissive to Klaus.
14. If you were stuck on a desert island with only two characters, which would you pick? Kol because he'd be fun (albeit in a completely batshit, murderous way, but I wouldn't be bored), and Caroline because she would make sure my life had some semblance of order, and I feel like I'd need that on a desert island. Also she'd have scheduled day trips out to view a shoal or something.
17. What fic are you most proud of? That's usually whichever fic I'm currently writing, since generally during the writing process, I'm caught up in the sheer joy of creation, and afterward I'm like, "Wow, what a piece of crap; better write another one so that I can do better." But since you asked for KC fic, I'll say 'Wherewith to Sate Its Malice' because I love Sherlock, and I think I actually did a pretty good job adapting the TVD characters to fit that universe. Plus there were a lot of little tidbits from history and I also had a couple of books on the science of Sherlock Holmes which allowed me to incorporate some of the technology that would have been used at the time, and that was a lot of fun.
18. What is a line/scene you’re really proud of? Give us the DVD commentary for that scene. The baby pun. I don't think I need to explain why. lmfao (I'll add that the idea for this actually came from an anecdote in Herodotus' 'The Histories'. I definitely have a sick mind, but it gets a lot of help from history.)
22. Have you cried while writing a fic? I hate to disappoint your capital letters, but the answer is yes...and I don't know which part. If we're taking just the KC fic, the series was finished four years ago; 'Wherewith' is the most recent, but even that was done in 2019, which thanks to 2020 was 100 years ago. I don't really remember. If I re-read it, I would remember which parts affected me emotionally and how, but I don't want to do that because it'll make me cringe. lmao I probably did when Caroline lost her mom. Really, anything to do with Caroline grieving was always difficult for me to write. I also was kind of working through some existential demons about my own mortality while writing that series.
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Hey everyone,
My last post on this blog was almost exactly two years ago and I doubt anyone cares much about this message but I thought I would give some final thoughts before bidding this blog adieu. 
I started this blog in 2016 as a way to interact with other people in the OMGCP fandom and talk about a comic that meant a lot to me. In 2016 I was in ninth grade (freshman year of high school) and had extreme difficulty making friends at my new school. I was trying to balance high school, high level dance, and my struggles regarding my sexuality. I saw a lot of myself in Bitty and seeing representation in comics meant the world to me. Since I had no friends and was immersed in the toxic tumblr culture of the time, I thought that creating this blog would be a good idea. 
I joined the OMGCP fandom near its peak. I had actually already started reading the comic in 2015 but I forgot about it pretty quickly, until I rejoined just a month or so before The Kiss™. After that, I fell hard into the community in one of the worst ways possible. I brought my fanatic SuperWhoLock mentality into a small community with all the confidence of a 14 year old girl who thinks that stan culture is healthy. Looking back on this blog I have a lot of regrets, but I was 14 and having this blog actually helped me a lot. I got to share my dumb headcanons and even managed to make friends through it (shout out to the Bittyholtz twitter group chat). I got to talk to like-minded people and have friendly debates with them. In 2017 I got to meet Ngozi at a comic festival. I probably made a fool out of myself, I can’t remember, but I got to meet an artist I admired and now I own an original Kent Parson pin so it can’t have been that bad. 
By 2018 my interest in the fandom had plummeted and I stopped caring about the comic, the fandom, and this blog. This was in part due to the sporadic updates and lack of engaging fan content, but it was primarily due to the growing toxicity of the community and the way the updates felt...weird. All of year 3 was very touch and go for me. I would spend weeks elbow’s deep in the fandom and then a month doing the bare minimum to keep this blog alive. It felt as if the character development of Bitty and Jack up from the first two years had been scrapped, and in its place were caricatures and fluff. The rest of the cast had also lost their personalities. I still posted memes and joking headcanons, but I no longer felt connected with the characters or the story, with the exception of Kent Parson. 
This community has always had an issue with Parse to the extent that people have received death threats for liking him. It was like that in 2016 and it’s like that now. I always liked Parse because he was flawed and relatable in a more realistic way than other characters in the comic. As I previously mentioned I found Bitty deeply relatable in 2016, but that changed when Year 3 came out. Year 1 & 2 Bitty was a flawed character with endearing traits, Year 3 Bitty was a selfish mother hen with an ego. He was no longer relatable, and the rest of the cast seemed to have been shoved to the side to focus more on Jack and Bitty’s relationship. The Tadpoles weren’t given enough attention when I was still reading the comic, with their personalities being dumbed down to “confused” and “stand-offish”. This left Kent Parson as one of the most dynamic characters in the series, despite his little screen time. Kent Parson was relatable too many people, myself included. He was Jacks foil and gave us a glimpse into Jacks life before Samwell and how that haunts him. The treatment of Parse during the LVA @ PVD updates was the tipping point in my abandonment of this blog.
I didn’t read Year 4 until Ngozi posted the final update schedule for Check Please on Instagram and I decided to catch up before reading the finale. I was reminded of why I fell in love with so many of these characters and this fandom. I started getting back into the fandom and re-reading old favourite fanfics. It made me realize that it was always the characters I loved, not the story. Seeing how people fill in plot holes or write redemption arcs for discarded characters is incredible. I especially love seeing peoples responses to the finale of the comic. Personally, I found the ending lacklustre, though I did get a little teary eyed over this comic ending after all my emotional investment in it. A lot of my critiques have already been said in the OMGCP Critical tag so I wont bore you with them.
Despite starting this post by saying I’ll be bidding Check Please “adieu”, I don’t think that’s true. I’ll continue reading fanfic from this fandom and I’ll likely browse some OMGCP tumblr tags on occasion, but it will likely not be reblogged to this account. I’m debating writing a Bittyparse fic that I’ve been thinking of, and if I write it I’ll post it here, but don’t get your hopes up. This fandom is bound to die in a couple years, some tags are already being abandoned and accounts are rebranding themselves away from OMGCP. The peak period of this blog was a time of growth for me and I thank everyone who read my silly headcanons and ridiculous AUs. 
Anyways. Thanks for everything, Check Please fandom.
ttyl, Mel
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junetuesday · 5 years
Text
Mine.
Pairing: Tom Holland x Female Reader
Warnings: smut, couple of F bombs, fluff.
Word Count: 2638
A/N: This was originally meant to be a blurb to expand on this post as part of my blurb weekend that I sort of didn’t do in the end, but I got carried away as usual so here we are. I had fun writing this so do let me know what you think! You can barely even see the writing in these photos but I don’t really care, you get the idea and he cute.
Additional note re taglist: My taglist has grown quite a bit since I last posted a oneshot, so if you asked to be tagged in sweetener and you’re wondering why i tagged you in this, it’s because I only have one taglist! i know some people don’t read smut so if i’ve tagged you in something with smut don’t feel obliged to read or reblog if you don’t want to. that said, there WILL be smut in sweetener, and in general a LOT of what i post IS smut, so bear that in mind when deciding if you want to be added to/stay on my taglist!
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It started off innocent enough. You just wanted to try Tom’s cap on, maybe take a selfie or two in it, just because it had his name stitched onto it and you thought it was both hilarious and adorable, like his mum sewing his name into his school uniform or something. But he had to be awkward and not let you, something about his hair was a mess, and that only made you want it more. All day long you’d been trying to sneak up on him, grab it and run off, but to no avail - he always caught you at the last second. Eventually, you gave up in a huff. Or so you had him believe. 
The whole way home you made a point of not trying anything, keeping your hands where he could see them at all times. You waited until he stopped jumping every time you went near him, until you could touch his cheek and give him a quick kiss without him flinching, before you made your move. Tom was just coming out of the bathroom when you jumped out from behind the door, whipping the cap from off his head and tearing off towards the living room with it.
“Hey-what the fuck!?”
He chased you into the living room, but you had a head start, already behind the sofa by the time he reached the middle of the room.
“Give that back.” He tried to sound serious, his jaw tensing with the effort of holding back a laugh.
“Nope.” 
You put the cap on backwards, ‘T. Holland’ in white stitching on the blue fabric taunting Tom as he approached the sofa. Both of you were poised, ready to give chase in whichever direction the other lunged next. You leaned left, he mirrored you; he leaned forwards, you stepped back. You both moved off at the same time - you went to your right, he went to his. You squealed as your feet slipped on the rug, catching yourself before you fell and pushing off against the arm of the sofa, desperate to get to the spot were Tom had stood moments earlier - he’d surely have taken your place, and you’d be back where you started -- only he hadn’t. He’d doubled back instead, and you were about to run into him.
Sidestepping him to jump up on the sofa, you squealed again. Tom laughed as he tackled you, hands gripping the backs of your knees and pulling your legs out from under you so you landed on your bum on the sofa. You reached up just in time to catch Tom’s cap before it fell, your head hanging back off the arm of the seat. Left hand on your head and the other arm trapped between your side and the sofa cushions, you were powerless to stop Tom from climbing on top of you and tickling your sides mercilessly. 
“Stop it!” you giggled, high pitched and breathless.
“Give me my hat back.”
You squirmed beneath him, bucking your hips to try and get him off of you. One hand still attacking your ribs, Tom reached up to grab the cap from your head. You stretched out as much as you were able with Tom on top of you, arching your back and leaning your head as far back as you could go, just out of Tom’s reach.
Just because he couldn’t reach your head, though, didn’t mean he couldn’t get you - with your left arm reaching up to hold onto the cap, your armpit was an open target for More Tickles. Your arm jerked down the second his fingers touched the inside of your upper arm, trapping his hand against your body. 
“No!” You yelped, Tom’s free hand abandoning its assault on your ribs to grab the cap off your head.
A sickeningly satisfied smirk on his face, Tom sat back on his heels, running a hand through his hair to push it back before shoving his cap on top of the tousled waves. Scowling, you pulled your arm free from where it was trapped against the cushions to push yourself up, your legs still stuck between Tom’s thighs where he’d clambered on top of you. You had both your arms free now though, your scowl and his smirk switching when you pushed at his shoulders. Balanced precariously on his heels, on top of you, on top of the sofa, he toppled easily, falling back against the seat. You managed to pull your legs out from under him as he went, switching positions so you straddled him.
“Gimme!”
Stretching over him, you reached for the cap once more, but he kept you at arms length with a hand on either side of your ribs. You struggled, whining and pouting while he laughed, squeezing your sides and making you squeak. 
“S’mine!”
“But I want - AH - I want it!”
“Yeah, well it’s mine, so you can’t!”
Sheer determination clearly wasn’t getting you anywhere, and while you didn’t even really care about the hat anymore it was more about the principle of the thing, so you took a leaf out of Tom’s book instead. Hands darting under his outstretched arms, you dug your fingers into his ribs, tickling him relentlessly.
“Ow-aghhh” 
“What the -oof- fuck was that noise?!”
Tom’s elbows snapped to his sides to try and protect them from your prodding fingers, the sudden loss of his hands around your ribs making you slump down on top of him.
“You know I hate being tickled.” He pouted, squirming under you when you wiggled your fingers, your hands pinned between his arms and his ribs. “Stop it!”
“You tickled me first!” 
You nuzzled your face into Tom’s neck, playfully nipping at his skin. He tried to give another retort, but the words were overtaken by a high pitched yelp-come-whimper.
“I’m sorry,” you laughed against his shoulder, grazing your teeth over the patch of skin exposed by the neck of his t shirt, pulled aside in the fray. “I’m gonna have to ask again, what was that noise?”
Tom huffed underneath you, wriggling about to try and get away. Of course, you had him pinned down with a knee either side of his hips, so all his struggling did was rub his crotch up against yours, alerting you to a certain something stirring inside his shorts. 
Defeated, he let his arms relax, and you used your newly freed hands to push yourself up enough to see his face. You quirked an eyebrow at him, tilting your head and smirking.
“Sorry, alright, you were wiggling about-” he paused, doing a little wiggle of his own as if to demonstrate. “- all up under me!”
You stuck your bottom lip out, pouting in mock-sympathy. 
“Poor you. Like this, you mean, yeah?”
Pressing your body to his, you rolled your hips, his hardening cock nudging against your core. Tom’s face crumpled as you repeated your movements, a groan rising from his throat when you returned your lips to his neck. You peppered kisses in between nips of his skin between your teeth, sucking just enough to leave a trail of little pink splotches from his collarbone up to just below his ear, then a few more sporadic marks along the underside of his jaw. They’d fade quickly, by morning even, but you left them all the same, mine mine mine.
Your lips travelled from his jaw up to his lips, your hand cupping the side of his face to tilt it to yours. You kissed messily, little gasps and whimpers traded back and forth as you continued to grind on top of him, his hips rutting up against you. Tom’s hands roamed your body, coming to rest on your thighs just below your bum. His tongue explored your mouth lazily, gradually getting needier and needier as he felt the warmth of your core radiating through your knickers and his shorts, your bodies responding effortlessly to one another. 
He squeezed your ass when you pulled away, sitting up to pull your sundress off over your head. A pretty lace bralette covered your breasts, the periwinkle blue completely mismatched to the hot pink of your plain briefs. 
“Yeah,” Tom breathed, voice rough. “Exactly like that.”
Humming appreciatively, you leaned back down over him, his hands moving up and over your back as you went. Your noses were almost touching, your lips hovering over his, when you snatched the cap off his head and sat up again.
“Now we’re even.”
Tom sighed, trying to sound annoyed, but the smile on his face gave him away. Hands resting on your hips, he looked up at you, straddling his lap in your underwear and looking very pleased with yourself, your prize sitting proudly atop your head. 
“Did you give me a boner on purpose to distract me? Because if you did, that’s really cruel.”
You pushed his shirt up to expose his abs, fingers toying with the waistband of his shorts as you laughed. 
“No,” you shook your head, eyes flicking from Tom’s face to the straining fabric between your thighs and back again. “I just saw an opportunity and I took it.”
“Very resourceful.”
You hummed in agreement, your thighs tensing either side of his hips as you ground against him again.
“Might as well make the most of it though, right?”
Tom just laughed, pulling at your hips to bring your lips back to his. Your hands instantly went to his hair, tangling your fingers through the curls as you kissed. He groaned into your mouth as your hips rutted together, your wetness seeping through your underwear and dampening his shorts over his cock. Your teeth nipped at his skin over his pulse when you pulled apart for breath, his head tilting to the side to give you full access. His hands squeezed your ass as you sucked another mark onto his skin, fingers tucked under the hem of your knickers and digging into your soft skin. Pressing a soft kiss to your latest addition, darker and bigger than the others, you pulled away, getting up off the sofa to wiggle out of the last of your clothes.
Tom repositioned himself as you shed your underwear, tugging off his own clothes and moving so he sat upright, legs apart and back against the sofa cushions. By the time you climbed back into his lap, your arms looping around his neck and his hands skimming along your thighs, the only item of clothing either of you still had on was the cap on your head. You whined as you rested your forehead against Tom’s, both of you looking down to watch as his hand pumped his cock between your bodies. Lifting yourself up, you created enough space for him to guide his length along your core, spreading your wetness and teasing your entrance, tapping the tip against your clit a few times until you squeaked, your nerves hypersensitive. He chuckled, pecking your lips quickly before lining himself up with your entrance.
You breathed heavily as you lowered yourself onto his cock, rising and falling an inch at a time until your ass touched his thighs, your eyes fluttering closed as you moaned into his mouth in a desperate kiss. You rolled your hips, repositioning until you found just the right angle before you started to move. Hands on his shoulders to steady yourself and the tops of your feet resting on his thighs, your knees took most of your weight as your hips rutted back and forth. Tom’s hands gripped your ass, guiding your movements as you rode him. Your breasts bouncing with every movement, Tom set to work attacking your chest as you’d attacked his neck, nipping and kissing your skin gently and roughly in equal measures.
“Fuck,” he groaned against your skin as he shifted his attention from one breast to the other, the feeling of his teeth grazing over your nipple when he sucked it into his mouth making your walls flex around him.
Clenching as tight as you could, you arched your back and dropped your head back as you chuckled breathily, the sound breaking off into a whimper when Tom sucked harder on your nipple. Your head snapping back up, you moved your hand from Tom’s shoulder to his jaw, guiding his attention away from your chest and up to your lips. Your kiss got messier and messier as your thrusts sped up, pants and moans passing between your open mouths as your hips jerked back and forth faster and faster. Tom’s hands helped you keep the pace up, using you as leverage to rut up into you, and your head dropped back again when you felt yourself nearing the edge, gasps stammering from your lips each time his cock hit deep inside you.
“I’m-” was all you could manage to say, but that and how tight you were, walls pulsating around him, was enough for Tom to know that was his cue. 
You sucked on his thumb when he slipped it into your open mouth, closing your lips around it for a moment and moaning in anticipation when he pulled it away. Slick from your mouth, Tom’s thumb worked over your clit in short strokes, pleasure bursting through your body with the added stimulation.
Eyes squeezing shut as you came, your thighs tensed and your movements became erratic as you rode out your high with a loud moan escaping from deep in your chest. Tom’s nostrils flared as he focused all his attention on you, the sound of you moaning in pleasure and the feeling of you impossibly tight around him almost pushing him over the edge too. His whole body was tense, desperate for release, but he kept his eyes trained on your face as his thumb worked diligently, his other hand on your ass keeping your movements as steady as he could, his own thrusts up into you getting harder and more haphazard. It took all his restraint to keep from coming then and there, looking up at you with your lips parted, breathy moans floating out from between them, his name emblazoned across your forehead. Mine mine mine.
You dropped your head forwards as your orgasm petered out, resting your forehead on Tom’s. Your body was starting to slacken, your skin tingling and breathing heavy as you fought the urge to collapse down in a heap on top of Tom. Instead, you tightened your arms around his neck, murmuring encouragement against his lips between open-mouthed kisses while trying to match his thrusts. Both his hands were back on your ass, his fingers digging harshly into your muscles as he finally released deep inside you. Letting out a loud moan, he buried his face in your neck as his thrusts slowed to a stop, letting you carry on rolling your hips to gently drag out his orgasm. He wrapped his arms loosely around your waist while you both caught your breath, kissing your neck every now and then as you slumped against him. His fingertips brushed over your bare back, trailing up and down your spine as you toyed with the curls at the nape of his neck. After a moment spent with nothing but the sound of your ragged breathing and the electrical hum of the TV on standby filling the living room, you pulled apart. Sitting back on your heels, you hooked a finger under to tilt Tom’s head up and to the side, exposing the mess you’d made of his neck. 
“I’ll get you back for those, you know.”
You shrugged as you admired your handiwork - having Tom leave his mark on your body wouldn’t be the worst thing in the world. At least then you wouldn’t have to wear accessories with his name on for everyone to see you were his, and he was yours. 
* - * - * - *
taglist:
@starksparker  @bi-writes @softspideys  @thwippeter @cutiehollands  @loserparker @madmadmilk  @hollandlovely @spiderboytotherescue @hollandbaby @dtftomholland @cabbagebag @iknowisoundcrazy @spiderman-n @luvnyuh @parkerpuffwrites @thwip-it-real-good@positiveparker @ap93mcu @popculture-parker @bilkyrie @pineapplwz @thequeensardine @hollandroos @mikalaka @awkwardfangirl2014 @booksaremylife @learning-howto-be-myselfx3 @mcuspidey @summernykole @smashley816 @unicorn-princess-1999 @uwu-peter-parker-uwu  @shawnraulparker @curlyhairedparker @curlytoms @darlingxholland @smexylemony @musiclover1263 @hueppily @therealcap @alwaysafanficwriter  @timelock97  @trustfundparker  @bon-travail98 @babyplutoszx2 @xxtomxo @que-es-life  @spider-babes @expcto-ptronum @rosieredcheeks @laucontrerasv @sweet-baby-cakes @mismatchingsocks @rxsesinjune @toomuchdaegu @baebeepeach @killer-barnes @hauntedbysilence @fratboievans  @splashofbi @nicole-lynne @whydidichoosebiochem @parkerindustrys  @parkersvibes @tomhollandsbitch @summertime-acoustic @solarspidey @enchantingkittengaditor @hcneybugs @queenofthefangirls7 @fabtasticass @driftingtonystark @txmhoelland @applenter @little-hoseok @mayaisntfunny @toodeeptowake @dangerousluv1 @chubby-cheek-calum @awwyeaahh @aussie-mantle @spiderkat1248 @underoosjae @ultrunning @stormyparker @supernatural-girl97 @petersfreckles @tiny-parker @madeinthemidnightmemories @iamcalledsteph @bellsclarkee @iamscribby519 @captainsteverodgersgirl @jessjesstotherescue @just-a-littlebit-of-everything @littlebookbengal @danicarosaline @xplodingsocks @yourwonderbelle @tommyhollandaisesauce @spiderrpcrker @mellow-delight @danny-the-coolest @gennyld-blog @parkerstylesperalta @spidey-waffles11 @wisdomsprydexparker @hannahholland1811 @hufflepuff-wanda  @what–you–egg  @lexshead @thisismyblogthing @i-stan-brie-larson @ohmyquackson @tiny-friggin-human @deathofmissjackson @stop-wonder-think @alexs-mardy-bum @marshmallow-babe  @smolholland56  @relise-thefury  @stretchkingblog97 @1022bridgetp @nedthegay @jurassicparker @fairydustparker @altuniverse @rekrappeter @sofiarasines @misslexilouwho @kissykissykissykissykissy @tomshufflepuff @theideasofa-troubleminded @bearsbeetsbarnes @lala-florez @plxstic-rose @cancerous-lizard666 @quinjetboi @newsienewsie @crazy-bout-books 
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Note
how about some meta about Jett Reno/Tracy Pollard, if you feel like it?
OKAY SO my thing with this ship is that. Both of them are both very sarcastic and very open/earnest at the same time. Specifically, as well as being fairly straightforward about who they are and what they want to do and what they believe, they each place a high value on life, human and otherwise, in this very...I guess I would call it a very sincere way.
In what I think of as Tracy’s defining-character moment, the sickbay scene with Michael and Chris in the ep in which the Sphere is introduced, Michael characterizes the Sphere’s interference with their systems as a “virus,” prompting Tracy to tell her, “You’re attaching a known medical diagnosis to an unknown entity”—a medical-division counterpart to Michael’s science-officer reminder to Chris only hours before that “it is premature” to characterize the Sphere as a malevolent “spider” without knowing more about it. 
It’s an incredibly Star Trek-y characterization of Tracy, but also a complex one. In context, she isn’t being “woo” about the sphere being potentially not as malevolent as it seems, but rather the opposite—the topic comes up because of her grim reminder to Michel and Chris that “life support’s down to 60% percent, but who’s counting?” which prompts Michael to argue that “it is not logical for a virus to kill its host” and Tracy to deliver her attaching-a-known-medical-diagnosis-to-an-unknown-entity rejoinder. In other words, Tracy is urging caution, and potentially an adversarial viewpoint, towards the current threat to the lives of her crew—but doing so through a framework that suggests an underlying openness to observation, discovery, and resisting easy assumptions about the universe around her.
Meanwhile, Jett has a similar balance of being simultaneously pragmatic, sarcastic, and sincere in her integrity. She stays behind to care for the critical-condition patients on the Hiawatha, and jumps into dangerous situations again and again on the Discovery, from the engineering explosion to the time crystal, putting herself at risk to protect the people around her (and, unlike say MICHAEL, seems to be doing so as someone fully able to fairly consent to risking herself, rather than being unduly influenced by guilt/depression/the attitudes and sometimes coercion of those around her--but, ahem, anyway.) And, in true Trek fashion, she even forms a bond with a lifeform much different from herself—aka Paul Stamets—as they navigate their annoyance with and deep care for each other (the “I still don’t like you” “it’s mutual” hand-clasping scene before Jett stays behind have her brain blasted by the time crystal? I WILL NEVER BE DONE HAVING FEELINGS ABOUT IT). Jett cares deeply about the lives of the people around her. But she isn’t about to be, like, gooey about it.
In addition, Jett and Tracy are both very competent, and clearly value and respect competence in others. Not to mention that they’d have a lot to talk about on a professional level re: Jett’s foray into field medicine. 
And, last but not but not least, as that one gifset points out (linking in a reblog so Tumblr doesn’t auto-hide this post from the character tags)... they can bond over being partners in one of the noblest pursuits starship crew can undertake: taking the piss out of their commanding officer when he gives them gratuitously redundant instructions.
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Putting a divider here because all of the above is meta about canon, and the following is a headcanon, but: I will also mention that the backbone of my personal Tracy fanon is that she is innocent-until-proven-guilty of the Strap Michael To A Chair And Torture Her To Death Plan, and, as such, a big part of how I write her in fic is as someone who—like Culber with Lorca’s captaincy in s1 — is willing to be critical of systemic issues within Starfleet (or, at the least, to not take an active role in enabling them).
As well as being innocent-until-proven-guilty simply by virtue of not appearing in 2x10, I think this is a plausible extension of her canon character—no way would this thoughtful woman who cares so much about her patients and her colleagues and life in all its forms enable a plan to literally STRAP MICHAEL TO A CHAIR AND TORTURE HER TO DEATH—erm, sorry, still not over it. 
(Which, in fairness, is equally true of many of the characters who did appear in the ep going along with the plan, which is why I have to informally decide when writing any given character whether I’m writing something that is/is not consistent with tHE JOKE OF AN EPISODE THAT IS 2x10–okay, okay, I’m done now.)
Anyway, that headcanon is a big part of my own interpretation of Tracy’s character. I will go to the mat about Tracy having gotten as much canon characterization, by the end of season 2 as, say, Ellen Landry or Keyla Detmer did (said characterization is just less overtly noticeable because it’s largely professional and compassionate rather than antagonistic, and, in fiction, non-antagonistic characterization easily fades into the background as a default/non-characterization, despite the fact that—especially in a social setting as flawed as dsc’s Starfleet—it is anything but.) However, she is still very much a background character, so any major headcanons I come up with for her make a relatively large splash in how I individually write her.
As such, in my fanon, Tracy’s integrity and unwillingness to go along with the Time To Just Frickin’ Kill Michael plan is something that I see Jett being very attracted to/relieved by. Given that she’s someone who spent most of the war isolated away from Starfleet, I have to assume that Jett got one hell of a culture shock when she heard about what Starfleet had become (and/or had been revealed to be, depending on your interpretation—that degree of systemic violence and corruption Does Not Spring Up Overnight) by the time of her rescue. So, finding someone who sticks to what Jett thinks of as Starfleet values—compassion, integrity, openness—AND is extremely competent, AND is sarcastic? Jett probably has bluebirds fluttering around her head and little pink hearts in her eyes.
-
(Send me a meta ask!)
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iamtrashforash · 5 years
Text
“Problematic” Fanworks, i.e. Re: Last Reblog
A particularly prolific and highly talented artist-writer duo in the Banana Fish fandom has been getting aggressive messages that toe and occasionally cross the line to harassment, on top of actual hate messages.  The common grievances are that their fanworks often feature “controversial” pairings, e.g. Max/Ash and Foxx/Ash, and are sexually explicit in nature.
@silverquillsideas wrote a lengthy response to an anon ask regarding the matter, which I would highly recommend people to read.  I am mostly interested in the responses to @silverquillsideas post, which I find to echo similar sentiments (or “arguments”) found on Twitter and Tumblr.
[Fiction affects reality.  These fanworks contribute to the normalisation and/or romanticisation of rape, abuse, and pedophilia.  Hence, they are not allowed to exist.]
To “normalise” these things, I argue that the works have to present them in a normalised manner.  However, this is simply not the case.  The fanworks are conscientiously put behind age and NSFW filters (in this case, Privateer) and well-tagged with trigger warnings.  At one point, the artist even made a separate, viewable upon approval account for the more NSFW pieces, so that people who are interested only in the SFW or “sanctioned to be non-problematic” artworks need not be notified of the existence of the “non-sanctioned” artworks.  The experience is highly opt-in, and is by no means normalising.  The multiple filters and warnings highlight the paraphilic, outside-the-norm nature of the artworks.
Personally, I think this normalisation argument is patronising: it underestimates the ability of adults (especially -- let’s be honest here -- female adults) to distinguish between reality and fiction, and between safe, consensual sex and fantasy materials.
[Think about the children!]
This argument is often attached to the normalisation argument.  It is heavily undermined by the presence of the age filters.  Age filters are put up precisely because, in general, younger consumers lack the critical thinking to properly compartmentalise fiction/fantasy from reality.  When you click through an age filter, you are, in effect, declaring that you have the critical thinking and maturity to properly digest whatever awaits beyond.
[Fandom is a safe space!]
And still it remains, as long as we keep up the standards of proper age filters, NSFW filters, and trigger warnings.
[Why would you have these unhealthy fantasies when healthier fantasies exist? What is wrong with you?]
Sometimes, people ship things because they think it looks good.  It appeals to an aesthetic side of them.  Sexual arousal by visual cues is, unsurprisingly, greatly rooted in the aesthetics.  It does not need to go deeper than that.  An anecdote: I am, technically speaking, a Shingeki no Kyojin Eren/Levi shipper. Since I neither read nor watch SnK, for a long, long time, I did not realise Eren’s age and the age gap between the two.  Even after finding out, I could not stop aesthetically liking the ship.  When I ship them, I am not consciously and actively shipping a teenager with a middle-aged man.  I ship them because they appeal to me aesthetically: I like their visuals and the fandom’s depictions of their interactions in doujinshi.  I fancy that, for a lot of people, this compartmentalisation of aesthetics and age of the characters involved happens often.  Some people, however, seem incapable of internalising the idea that other people are capable of this mental separation -- a failure of the imagination.
(A tangent: I mean no harsh judgment on those who fail to separate character age from fantasies, but I think one does have to accept the personal limitations of one’s own tastes.  Personally, I find it hard to separate biology from shipping; hence, A/B/O fanworks are simply Not My Thing.  The common trope of feminising male omega characters tends to make my eye twitch.  But I am not leaving comments of how disturbed I am on A/B/O fanworks for their dissemination of wildly inaccurate biological facts and/or their tendency to reinforce a masculinity-femininity binary in MLM relationships.)
Regarding depictions of rape, assault, abusive relationships, etc., ravishment fantasies are very common; this is a fact.  Sexual arousal, fear, pain, and pleasure are incontrovertibly linked: they all belong to the response pathways of the “primitive brain”, having existed long before our ancestors began developing the cortex of higher thinking.  The arbitrary categorisation of “healthy” and “unhealthy” fantasies means nothing to something as basal as sexual responses.
[Still, these fantasies are disturbing.]
Some of them do disturb me.  However, again, the content creators have done their utmost to make sure the experience is opt-in by nature, with big warning signs attached.  If you think the content will disturb you, please do not engage with it.  Think of it as not buying pickle-flavoured ice cream when you know it won’t be to your taste and/or you are allergic to pickles.  The presence of pickle-flavoured ice cream might weird you out, but you have no obligation to consume it.  In the same way, it is unreasonable for you to demand the ice cream company to withdraw their product because the thought of pickle ice cream disturbs you, or to complain to the convenience store for allowing the pickle ice cream to be stocked on their shelves.  They released the flavour because they believe there is an audience for it out there, and that the release would bring some people delight and/or money.
[I have the right to announce how disturbed I am by these fanworks.]
I agree.  You do not, however, have the right to harass people over them, especially when -- I reiterate -- the creators have made the entire experience highly opt-in.
Also, I implore you to think of the practical consequences of your actions before you decide to send strongly worded messages to content creators:
No real person is harmed in the creation of fanworks.
On the other hand, your strong words may dampen the mood of a real live person who has decided to share their talents with the world.
In consequentialist terms, when you send messages like, “You disgust me,” to a content creator, the net result of your actions is....negative.  In other words, I am asking you, “Aren’t there better things to do with your time?”
[To depict Ash, a sexual abuse survivor, in sexual situations is highly damaging/insensitive/triggerring to CSA survivors.]
I have a very personal, by-no-means objective reaction to this particular extremist view.  Please just skip this entire section if rationality is what you seek.  I will even give you a TL;DR; it reads, “Fuck off.”
I had an entire essay planned on this for my own benefit -- think of it as bloodletting -- but I might as well say it now.  Banana Fish and Ash made me realise that I was the victim of a systematic pedophile, almost twenty years after the fact.  Ash and I had our fateful encounters at roughly the same age, in startlingly similar scenarios.
The realisation came more as a shock than I could ever have expected.  I struggle (note the present tense) with the endowment of the mantle of a victim.  I don’t know why Ash became the final piece to the jigsaw puzzle -- I mean, I had read Lolita cover to cover multiple times -- but I hypothesise that it is because his trauma does not consume most of his identity.  So many stories of abuse survivors are heavily focussed on how their experiences, well, fucked them up, but I -- I was so young that I got out without any visible mental and physical scars; all that is left are grimy fingerprints on a pane of glass, visible only when you breathe on it.  Specific parts of my body are weirdly off-limits in sexual situations, but I managed to ascribe those to “just how my body is” instead of “the parts he touched”.  Stories about trauma are certainly needed, but what my memory needed was representation in the manner of Ash’s.
Reading about Ash exploring his sexuality, especially in a healing manner that I will never experience due to my odd lack of apparent trauma, helped me a lot with coming to terms with the realisation.  I was devastated when an author abandoned an R18 fic of Ash reclaiming his sexuality with the help of Eiji, due to people messaging her with the argument above and claiming to speak for all CSA survivors.  Thankfully, the author returned to finish the fic, but the experience overall had been marred, and the author was clearly uncomfortable with having posted the fic at all.  It feels terrible to know that something that has helped me tremendously is regarded as disturbing by its own creator.
In other words, if you have used the above argument to harass content creators, please stop.
CLOSING REMARKS
I have none.  It is currently 02.30 a.m. in Japan.  Please feel free to comment with your own opinions and experiences; I will try to reply after I get some sleep.  I may edit this piece tomorrow, should my morning self violently disagree with my 02.30 a.m. self. 
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dungeoneering102 · 6 years
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Improving Cults
So recently I had a post about how cults should be designed (IMO). I mentioned the four cults present in the D&D module Princes of the Apocalypse and said how those were really bad examples. Due to some interest, I decided to make this post that elaborates on how I have altered those four cults to make them more realistic and interesting.
Why I Dislike the Original PoA Cults
In the original book, the Players are supposed to face off against 4 cults: the Black Earth, Howling Hatred, Crushing Wave, and Eternal Flame. Each of them have a leader (referred to as “prophet”) and work semi-together to summon super powerful creatures called “Princes.” The book also mentions that they all serve the “Elemental Eye.” Here are my problems with this set up:
We don’t ever get told what the Elemental Eye is. It seems to be just a pedestal or an unnamed entity. But it’s never explained.
The cults work together. This makes them all just fade into each other. There’s no drama because now the players are just fighting a large group that happens to have 4 leaders.
The cults all have the same goal but very little distinguishing elements in terms of their philosophy or approach to said goal.
So let’s try to fix this...
Elemental Eye
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I hate that this aspect is never explained. It was just so very vague and yet its what commands the four cults. Supposedly, the Eye has given the cults their power and influence. In turn, it will somehow eventually inform the cult leaders on what ritual to conduct to summon their respective Princes. The Eye does this only WHEN the Party kills the first two Prophets. So I changed it all around.
The Eye is a physical thing. It is a stone of great power, supposedly locked within the altar in Fane of the Eye dungeon. In my story, the Eye calls forth the four Prophets, but informs them that it will only choose the STRONGEST among them. This is important and I’ll discuss why below. But now it is a physical thing and once ONE of the Prophets proves themselves powerful enough, the Eye is gifted to this person. All others die upon touching the Eye.
Lastly, to get to the eye, each Prophet has to prove that THEIR cult is the strongest and has the most influence. They do this by getting the most recruits and building beacons across the valley. The beacons are something that you can see in the module’s artbook section, although they’ve been cut from the final game. I re-inserted them as buildings that would be a sign of the cults’ growing in power. Your PCs can stumble onto these as they explore the valley. The cult that proves to be most influential, gets to summon their Prince.
The Cults DO NOT Work Together
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Around the Renaissance Era, the Christian church had several divisions. New branches and sects appeared all over Europe, and started fighting over who is the TRUE CHRISTIAN church. They all believed in the same God and Jesus. What was different is how they worshiped these figures. The result was a complex political game fought between these powerful and rich churches over the souls of their followers and the influence over Europe. These conflicts ended with people fleeing Europe, the Catholic Church setting people on fire, and a very powerful shift in the politics of the time.
I think, that’s a pretty interesting story. So why are the cults of PoA just working together, with some minor issues between them? I say cut them the fuck apart. They are four individual cults. They believe in the same deity (the Eye) but go about worshiping it in different ways. They each have their own beliefs and philosophies that conflict with one another, and pit them against each other. Why do we do this? Because 4 DIFFERENT baddies is better than 1 four headed baddie. This conflict between the cults, allows the Players to play a large and complex game of politics, where they play off each of the cults against one another to get them to destroy each other. PCs might ally with one cult, only to get into a big mess and have ANOTHER cult offer them help in return for betraying their former allies. In the end, you get a Game of Thrones level game of politics and alliances.
Unique Cults
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Now all of the four cults want the same thing: summon forth their elemental daddy. The problem with this, they might just meld into each other and become very similar. So we have to differentiate them in three ways:
How they present themselves (identity).
What do they believe in (philosophy).
How they act during combat (gameplay).
If you distinguish EACH of these, you get distinctly diverse cults. Below is going to be MY breakdown of how I distinguish each of the Elemental Cults.
Howling Hatred Storm.
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Change that fuckin’ name. No one will wanna be a part of a group called “Howling Hatred.” Bad guy groups usually pick actually socially OKAY names, otherwise they won’t get any supporters. Let’s call them “Howling Storm” or “Howling Wind.” ANYTHING else but HATRED!
Identity/Philosophy. The wind is fickle and full of lies. The leader of the cult, one Aerisi Kalinoth, pretends to be a winged elf by creating fake wings using illusions. Their main outpost is filled with cultists who PRETEND to be knights. The whole thing reeks of deception and illusion. So I made that their selling point. Make your dreams a reality is the tag line for this cult. They convince people to join, so that when THEIR Prince is summoned he can blanket the world in an illusive state, where everyone’s best dream will come true. Of course, they will all live in a constant dream state, but it doesn’t matter. People who are depressed enough would be willing to fall into eternal sleep if it is guaranteed to make them and their friends forever happy. This is what Aerisi offers. She appeals to the desperate, the depressed, the lonely. She offers them to live out their dreams in an eternal sleep. Kind of like a suicide cult.
Gameplay. This is very simple. The cultists stay airborne as MUCH as possible. Forcing PCs to fight vertically, instead of horizontally, find cover, find ways to fly up as well, climb high structures, etc.
Black Earth
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Personally, the Prophet of this cult is my favorite. So to be fair, I don’t much to change about this cult.
Identity/Philosophy. For this cult I ran with the theme of burial. Marlos Urnrayle, the prophet of Black Earth, sells the burying of your past. Made bad choices in life? Did thing you regret? Forget about it. Bury that past, and on the dirt build your life anew. Atop the ruins of old, rise your new home. This would totally get the attention of past criminals and bandits, whose lives have been ruined by their own crimes. Now they can start anew, in an organization that accepts EVERYONE.
Gameplay. Another easy one. You should describe your cultists as being extra tough and hard to break. Maybe give some of them some earth powers, ripped out of Avatar: the Last Airbender. I let my cultists just call forth pillars and stone walls, while others would swim through earth as if it were water.
Eternal Flame
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Identity/Philosophy. Compared to the other cults, this one seemed more combative and militaristic. So I ran with that. Vanifer, the cult’s leader, runs a militia. Again, remember that the valley is without any leadership. She offers leadership. Her message is that she is building the army this valley desperately needs and she intends to bring peace and order to this valley, by force if need be. Her selling point is that she promotes discipline and order. People who lack any purpose, live messy lives, or need some kind of a leader-figure to tell them what to do, would fall into this easily. Think of veterans or troops, who after wartime cannot fall back into normal life as they need someone to order them around.
Gameplay. These guys are on FIYAAAA. Make their armor too hot to touch, make being around them uncomfortable. Allow them to be strategically more intelligent, using maneuvers to flank, surprise, and stun their opponents. This is a military organization, after all.
Crushing Wave
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Identity/Philosophy. This cult consists of smugglers and pirates. What do pirates stand for? That’s right, an anti-establishment way of life. So the cult preaches FREEDOM. But absolute freedom. In fact, anarchy. Gar seeks a world that he can drown, where only those deemed strong enough can survive and are thus freed from the shackles of social restrictions. This idea of absolute freedom without authority, of being able to live off your own merit and not having to answer to anyone, is something many would like. People who have been duped by corrupt officials, people who dislike the restrictions of society, or dislike social norms. The Wave offers them all a chance to be free of this.
Gameplay. I got Lovecraft vibes from the cult. his cult is led by Gar Shatterkeel, who almost drowned but heard a voice in the oceans that led him to safety. Borderline Cthulhu-esque. SO, I made them all weird and creepy. They talk strange, they walk strange, they tend to stare. Ultimately, while they all fight for absolute freedom, the irony is that they are being manipulated by a primordial entity that is slowly brainwashing them.
Last Point - Diversity
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In the book, all cultists (except the prophets) are human. That’s all fine and dandy but I don’t see why it needs to be so. I recommend you make the cults more diverse in their composition. Elves, dwarves, orcs, dragonborn, whatever you got. Not because YAY DIVERSITY or anything. Just because, I think it makes most sense that cults that fight for influence and power, wouldn’t discriminate based on race or gender. This, in fact, could be a selling point for them. Especially if you have racial tensions in your Fantasy setting.
I hope you all find this breakdown of how I modified the cults helpful. Please remember, that these are not “THE BEST WAY TO PLAY.” These are only the best way I found to play. You might find something that fits your campaigns and players better. Special shoutout to @ravenbane13​ (and everyone else who reblogged my last post) for encouraging this piece. I did go a bit longer than I wish, but hey, I hope you find some use in that wall of text.
The Unfair DM
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thatsjustsupergirl · 7 years
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ur post about fic & racism in the supergirl fandom really got me thinking (especially about my own biases so thank you) but also like, how there’s this incredibly pervasive but subtle new form of racism I haven’t seen b4 in other fandoms? Like on one hand u have this loud condemnation of how racist monel is & how he was a slave owner blabh blah but no corresponding attention given to the existing Black characters. 1/4
I get wlw not wanting to write m/f fic but a lot of the fandom doesn’t reblog (or make) any of the gifsets, they don’t meta for him they don’t call for more screen time for Mehcad. Same for M’gann. SO many posts talking about how awful monel is compare him to Lena and strangely don’t mention the Black female character who also came from an oppressive society to become a hero? And there are like, idk, 4 people? Who write or post wlw fic with M’gann in it? 2/4
Same with Maggie. A huge segment of fandom decided Floriana is white (even tho hollywood clearly won’t cast her in roles for white women) so they use that as an excuse to exclusively stan the very light skinned white wlw. And the way it carries over to the characters, like, okay Flo is white? but Maggie is absolutely treated like a woc in how parts of fandom aggressively ignore her & find ways to demonize her character while overtly supporting lighter skinned characters ¾
And that same part of the fandom doesn’t ever seem to create content for Lucy or Vasquez either. IDK this isn’t something u can probably explore with stats but ur post really got me thinking and it just feels really gross now bc I see all these posts condemning racism but there’s still this extreme perpetuation of privileging white characters at the same time? & I haven’t seen this particular trend in fandom b4 4/4
Oh, anon, this made my day. I have a bunch of notes waiting in a doc to address the whole Mon-El thing with regard to the racist undertones and the rhetoric used by the show to frame his storyline, and I will do my best to write it before the season comes back again, because I genuinely think they tried to aim high and just … missed completely. (But I make no promises because my thesis defense is on Tuesday.)
To your first point re: fandom attitudes – I was surprised in the early half of S2 when so many people came out of the woodwork making posts in the main tag like “wait, why did they get rid of Kara/James??” because, oh right, nobody acted like they cared for almost twelve straight months. If y’all were so okay with this ship, where were you to acknowledge its social significance when it was canon? Where are you now? Why hasn’t there been an outpouring of tweets week after week at the execs and the writers for sidelining an interracial couple in favor of what we’re getting, especially since the storyline literally handwaved away human trafficking and slavery as minor plot points?
Not only that, when there’s unrealized potential for a non-canon ship there is typically an outpouring of fic in response, and while there’s been a statistically significant amount of new Karolsen fic in S2 because it’s pretty easy to top zero percent, the writing there is not keeping pace with any of the other dude-involved pairings. 
And you’re right, anon: it is not possible to prove anything with stats. HOWEVER, thanks to the addition of these new characters for S2, I *am* at the point now where it’s possible to see correlation between character race and fan engagement with different pairing choices. And the bias is there, whether it’s in the het pairings, the femslash, or even the m/m pairings. The whole reason I started tracking fic outputs in the first place was that any attempt to have this conversation last year devolved into yelling and finger-pointing because “you have no proof!” that racial bias is a thing. Except, yanno, all the POC who live with it daily saying that it’s a thing. Well, congratulations y’all: your choices leave digital footprints behind that are pretty easy to follow and chart for everyone to see.
This isn’t actually a new problem, by the way – racism and preferencing of white pairing happens a lot, in almost every fandom. The only difference maybe is that I’ve experimented with quantifying it, which is not something that people usually do when they study fandoms or fan behavior.
It pains me to no end that M’gann has been so overlooked, because her story has just as many dark character beats to it as Lena’s, if not more, plus the added bonus of her sharing a sense of “otherness” with Kara in a way that few other people can. And there is no way the disinterest in that pairing isn’t about race, because there are a whole bunch of ships from S1 between white women who’d never even met each other in canon that have more romantic fics than M’gann/anyone.
And the nonsense about Floriana, which I’ll remind everyone again was started by a white girl, had a demonstrable chilling effect on interest in Sanvers as a pairing. Like. I can actually show that on paper. And you’re absolutely right with what you said above, which bears repeating: Maggie is absolutely treated like a woc in how parts of fandom aggressively ignore her & find ways to demonize her character.
There’s also a treatment of Floriana herself that reminds me uncomfortably of how people went out of their way to demonize Naya Rivera’s personal life whenever she reminded the world she was black instead of just “very tan.” And a lot of the rhetoric people are using to talk about Floriana’s racial heritage is almost verbatim the same as what you’ll find on white supremacist discussion boards about Italian people. I’d love to think this is an accident, but I’ve made some people pretty angry for pointing this out in the past, so I suspect it’s at least partially deliberate.
Lucy was another case that drove me insane, for two reasons:
The vast majority of femslash fans flat-out ignored her as a romantic choice even though there were a whole lot of good reasons to ship her with either Kara or Alex, and a whole lot less negative reasons not to. (And it’s not like Supercat was already dominating the scene before Lucy’s character was introduced. That ship only became popular after the movie Carol came out during the winter hiatus of S1.)
People had the same fight last year about whether or not Lucy counted as a WOC and ultimately insisted that the answer was no. But then people kept on ignoring her anyway like somehow dubiously legal boss/employee relationships, potential treason, and incest were more logical bases for attraction.
Also, to the people who have been like “oh yay we could’ve had Dichen as Maggie, a real WOC” like somehow this would have made the fandom love her more – you’re full of shit. If you mean that, why has there been so little fic about Dichen as Roulette? Like, last year there were a whole bunch of shipfics featuring Livewire. There was Kara/Siobhan. And yet … no dark scenarios of Supergirl/Roulette? No Alex ones? There were even a bucketload of those for each Danvers sister + Max Lord, and this fandom isn’t even that into dudes. You’re telling me no one is interested in this kind of hero/villain dynamic with the Asian chick and somehow that’s not also about race?
tl;dr I suspect that a decent chunk of this problem is the result of subconscious bias, but some of it’s not. And what’s really sad about it is that, for all the talk on Tumblr about representation being important, we’re really doing no better as media producers than Hollywood when it comes to race. If anything, we might actually be doing worse.
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ersonist · 7 years
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title: yesterday’s just a memory, tomorrow is never what it’s supposed to be
rating: t
word count: 2k1
summary: It’s not every day someone you know gets kicked in the head and forgets a couple of years of their life or modern AU amnesia fic.
a/n: I was checking my dash the other day and @hurricanedancer​ reblogged  this amazing post and mentioned in the tags wanting a fic. I was already planning to write something for Cassian Andor Appreciation Week (Favourite Relationship(s)) and this inspired me so I combined both. No such thing as too many RebelCaptain fics, right? Anyway hope you enjoy it :)
(I wrote the fic, but Bob Dylan wrote the title.)
Cassian wakes up to the blinding lights and whispers that are way too loud for his pounding headache. He vaguely identifies the place as a hospital but he’s not sure how he got here.
“Welcome back,” he hears a woman’s voice tell him in a British accent and his confusion deepens. Must be one of Kay’s relatives, he decides.
And then there’s a flurry of movement around him, people asking him questions, calling a doctor, squeezing his hand. It’s exhausting so he closes his eyes and lets himself fall asleep again.
The next time he wakes up the room is significantly darker and emptier. He notices a sole figure half sitting, half leaning on a chair next to his bed.
“What happened?” he asks, his hoarse voice slightly breaking over the last word.
“You don’t remember?” the young woman looks at him with a clear concern when he shakes his head no.
“You tried to be a hero, stopping a bunch of guys from stealing a car.”
“They clearly won,” he states, hesitantly smiling at her.
“Yep, you got your ass kicked,” she openly smirks back. She fluffs an extra pillow that doesn’t look hospital issued before helping him to lean back comfortably. She’s cute. Whoever she is, he thinks.
“So what’s your name?”
Her hands start shaking and he figures this was a wrong question to ask.
Amnesia sounds too much like something out of Mexican soap operas he used to watch with his grandmother. The neurologist tries to be optimistic but there are too many we don’t know and we can’t predict that for Cassian to share her positive attitude. His room is crowded again but he can’t really blame anyone. It’s not every day someone you know gets kicked in the head and forgets a couple of years of their life. Still he averts his eyes refusing to witness their pity. The problem is that except for feeling a bit weak, he is fine. The headache is gone, he can stomach solid food again and frankly all he wants to do is go home. Unless...
“Do I still live where I lived back then?” he interrupts impatiently. How much could his life have changed in two years anyway? A new girlfriend does not define his entire existence.
He doesn’t like the anxious looks they all share.
“More or less,” Bodhi finally informs him without actually replying to his question.
He lives with Jyn now. That’s the news everyone, Jyn herself included, was gently trying to break to him. Honestly he would’ve guessed the minute he stepped into his (their?) apartment. Hot pink bunny slippers weren’t exactly his style.
“It was an inside joke,” Jyn mutters defensively when she follows his gaze to the offending items, carelessly thrown near the living room couch. She picks the slippers up and stuffs them into the small closet in the hallway.
It’s the oddest thing in the world. This virtual stranger who has her things all over Cassian’s living space and sometimes watches him with fondness and love he doesn’t understand.
The uncomfortable silence stretches a bit too long for his liking. He did suggest crashing at Kay’s but they all thought he should re-familiarise himself with his usual surroundings. Plus Jyn seemed determined in showing how much this doesn’t bother her.
“You have an unusual name,” he points out, slightly cringing at how terrible he is at small talk.
“Like gin and tonic, right?” she laughs and he joins her.
“Please tell me men don’t use that as a pick-up line!” he jokes with more ease. He plops on the couch now covered with a soft, grey blanket and stretches languidly. Jyn doesn’t say anything for a moment, just plays with the sleeve of her shirt.
“That’s actually what you said when we first met.”
Trying to trigger lost memories is a perfectly acceptable treatment for amnesiacs and Cassian doesn’t mind it at first. That changes by the 10th minute of a powerpoint presentation fully prepared and presented by Kay.
“Halloween party last year. Picture taken at approximately 2 am as judged by your frankly obvious intoxication,” Kay comments the current slide with his usual mixture of amazing detachment and complete disgust. “Is your memory back now?”
“No,” Cassian groans miserably. “Could you please speed this up?”
Kay straightens in his seat, towering over the desk even more.
“I was preparing a shortened version if you wish.”
“How long is that one?”
“47 pages but it’s not proofread yet.”
***
“3 hours, Leia! 3 fucking hours!” he complains later over a cup of coffee. “He even gave me a bound copy!”
“I know you forgot some stuff,” she comments with a grin that was clearly supposed to look innocent but comes out more like a devious smirk. “but I thought you remembered Kay was more like a robot than an actual human.”
He sighs and stirs in a spoonful of sugar. You drink more tea now, Jyn informed him one morning over the breakfast. He knows they have silly matching mugs and one cupboard is full of a specific earl grey blend she apparently can’t function without.
“How are things with Jyn?” Leia asks nonchalantly as if she could read Cassian’s thoughts.
He shrugs because he’s honestly at a loss for words. How to explain to his old friends that it’s like living with a roommate that you never asked for? Except that there used to be an us with that roommate and the more he thinks he can fall for her, the more she probably falls out of love?
“I sleep on the couch in my own apartment and I’m pretty sure my mere presence makes her want to cry,” he admits in the end. “She’s erm... she’s something else though.”
Leia nods and smiles encouragingly at him.
“But I think I get it. I get why he fell in love with her,” he concludes quietly. He never planned on confessing this much especially since he’s pretty sure Leia will blabber it all to Han and one way or another it’ll reach Jyn.
“You talk about yourself in third person,” she settles for a joke instead and he’s immensely grateful for it. “They did recommend you a shrink, right?”
***
“How about you scroll through my instagram and ask me questions if you want?” Bodhi suggests during their lunch the next day.
Cassian agrees more out of politeness than an actual wish to go through yet another “let’s make Cassian remember things” session. He checks one post after another. Birthday parties, a trip to the beach, Christmas drinks at a pub nearby. They all have one thing in common. If Jyn’s present, Cassian looks like a complete dork in every single one of them.
“Seriously you’d think I’d stop with those ridiculous starry eyes!” he exclaims while practically shoving the phone into Bodhi’s face. “Just look at that one, for example! We get it, Cassian, you’re happily in love!”
“Actually that was taken right before you officially met,” Bodhi explains slightly embarrassed and Cassian goes completely red in the face. 
He tries to find a specific document on his laptop when he stumbles upon a folder simply named “porn”. Judging by the creation date this was done by Jyn’s Cassian (as he secretly calls himself) and frankly he’s slightly worried about its content. He knows it’s a bad idea idea to go through it now, especially with Jyn sitting a few feet away from him furiously scribbling something on her work papers, but the curiosity wins. He clicks on one of the files at random and gets a cheesy selfie of both of them outside his apartment. He clicks another. This one has Jyn cooking and frankly looking beyond annoyed. There are hundreds of pics in the folder and Cassian has a feeling they all have a similar subject. He finally clicks on one of the few videos. It’s a terribly cliché shot of a beach sunset that moves slowly to Jyn sitting close to the camera, a cocktail in one hand, her shoulders a bit reddish from the sun. Mi amor, she calls to him laughingly and it suddenly reverberates around the silent room. Cassian desperately shuts his laptop but one glance in Jyn’s direction confirms she’s heard it loud and clear. She stays silent for a few seconds, biting her lip in an obvious attempt to keep a straight face.
“Are you watching porn, Cass?” she asks before finally bursting into laughter.
He realizes he enjoys his new life about 5 weeks after the incident. Sure it’s still awkward when he bumps into Jyn freshly out of shower and he’s still confused by a lot of stories he hears about himself but his new (old) friends turn out to be great and it’s nice not to be so lonely in life. 
Chirrut and Baze, the married couple who lives 2 floors above him, come over with a pizza one evening. Jyn’s working late again and the apartment is a mess but Cassian finds himself liking them a lot more than he thought he would.
“We’d bring Chinese but we don’t like to add to stereotypes,” Chirrut informs him when Baze drops the pizza boxes on the table, shoving aside what looks like Jyn’s white scarf and a brown shoelace.
“Sorry about the mess,” Cassian apologizes, helplessly looking around what used to be his pristine, minimalistic apartment. “Jyn tends to just leave her stuff everywhere.”
Like her toothbrush inexplicably abandoned on the coffee table at least three times this week. Or one of her boots on the kitchen floor. Or her bra casually hanging from the living room chair.
“We know,” Baze chuckles and hands him a slice of pizza. “You mentioned this when she moved in.”
“But things are good between you two?” Chirrut asks shamelessly and Baze just rolls his eyes.
“Yes, all’s good. She’s good. I’m good. It’s all... you know... good.”
Cassian is sure he can’t sink any lower than that. He chews his pizza for a moment before deciding that yes, of course he can: “Do you happen to have any stories about me and Jyn where I’m not making a fool out of myself?”
“Not really,” Baze answers very frankly and Chirrut chuckles at that. “You did learn all the British monarchs in chronological order just to impress her with your knowledge on all things UK.”
“And I suppose she was-”
“Very much not impressed,” Chirrut finishes triumphantly and Cassian just sighs in resignation.
He’s cooking dinner one night when he hears the front door open. Jyn drags herself in, kicking off her shoes and shrugging off her coat  and before he can ask about her zombie-like state she wraps her arms around him and buries her nose between his shoulder blades. He can’t help it - he freezes, his whole body suddenly tense which in turn makes her freeze, her lethargy instantly gone.
“Sorry, I wasn’t thinking,” she mumbles and Cassian grabs her wrists before she can fully pull away. Neither of them dares to move until he can feel her slightly relax, taking a tentative step closer. He lets go of her hands and smiles.
“Any plans for Saturday?” he casually asks her.
She moves then and leans on the kitchen counter, looking at him with suspicion.
“No. Why?”
“I thought we could go out,” he says softly, trying to sound as reassuring as he can. “Dinner, movies. What do you say?”
“Like a date?” There’s still a trace of doubt in her voice. Like it’s a trap or a cruel joke. It hurts him more than he thought it would.
“Yeah, like a date,” he tucks a strand of hair behind her ear and their eyes lock.
“Cassian,” she whispers, the tension suddenly overwhelming and he can’t help but wonder if this is it. The perfect moment for a kiss.
It’s not.
“Are you trying to be suave now?” She manages to utter between uncontrollable giggles.
“Laugh all you want,” he declares grumpily, “but one thing that I’ve learned these past weeks is how much of a lovesick fool I was around you.”
She laughs even harder at that.
“No, please, mock me some more,” he continues, turning back to the now slightly burned dinner. “I was like a mix of a total dork, a schoolboy with a crush and a fucking stalker.”
He hears her still howling with laughter and he’s genuinely unsure if he’s more embarrassed by Jyn’s Cassian or the current Cassian. But when she puts her hand on his arm and tenderly kisses his cheek it stops mattering.
He gets his memory back two days after their second first date.
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knightofbalance-13 · 7 years
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Boss Battle: VS. Dudeblade
http://dudeblade.tumblr.com/post/160307778687/in-response-to-everything-you-said-here-i-decided
Okay Dudeblade, you want a battle? I’ll give you a battle.
A Boss Battle of sorts.
In response to everything you said here, I decided to take a page out of your book, and deconstruct everything that you wrote. Because, you know, it’s not like you did the same to me on multiple occasions.
So you’ve learned how to debate: Glad it took you several months to do so. Now you’re facing a veteran debater with a shit ton more experience at this than you do. Come back in about ten years.
Oh, and just so that you know that I’m calling you out personally, I’m using your full username. Knight-of-Balance-13.
This is dudeblade, from the rwde tag. And I, I am just a man, trying to enjoy the show that we all love
Then why have you not posted a single good thing about the show in over a year and even then you have gone back on some of your stances about teh show since then and haven’t gone back on any of your negative posts. And you have attacked the writers and numerous characters on the show multiple times. Your actions speak louder than words.
Now isn’t this just a lovely piece of work? It looks like that there was a whole lot of thought put into this one. I wonder what would happen, if I were to look at every single detail, and deconstruct it. To just, distort it and force my opinions here. Like how you do with most of mine.
And right away we have a problem: the way he structures his critique. He puts up a slab of text on screen and puts up a slab below it, a mistake I made for so long. You can go sentence by sentence and dismantle it that way, thus giving you more breathing room and a quicker pace to it.
On to the content itself, I haven’t outright shown malice towards a post and when I do I usually label it as a “potshot”. as I have done so before in the past. While it is true that I have been hostile towards posts, it has never gotten to the point of sadism as you are implying with both your tone and language. SO right off the bat you are presenting yourself as more hostile than I am 90% of the time and this is on the very first post of your very first rebuttal. Not a good sign.
Also: You say deconstruction which implies a professional tone (which is what I usually do) but then you’re lanuage shows you are going to be anything but. Seriously man, if you are trying to attack me, be outright with it. It just makes you look more honest in the end.
For starters, you also can’t be objective if you love the show as well. It’s a two-way street. This is something that is called a catch-22, a situation where there is no reasonable solution to the problem at hand, or where the primary solution, also contradicts the parameters. You want to know why people are so harsh? - It’s because the writers have no intent on listening. How would you feel if every time you tried to offer advice, it was ignored, and the person(s) you were giving it to kept making the same mistakes over and over again? - I’m pretty sure you’d be upset.
However in one of your posts and in numerous reblogs you have stated that just because you are critical of RWBY doesn’t mean you can’t be critical of it so your own words contradict what you say here for no other apparent reason that that argument now applies to me then.
And I have said in the past that you can be critical of something and still like it, it’s your INTENT that judges what is criticism. If your intent is to harm the creators then that isn’t criticism, it’s just hate. As I said in the quote you posted. Your tone and wording have shown that they are closer to hate than criticism (some going as fair to label themselves as hate) and thus what criticism you might have had fails on death ears because you are using the tone, wording and intent of a hater.
Not to mention the fact that you are the one who put the parameters there in the first place: the only evidence people have of Miles rejecting criticism is a meme from Rooster’s Twitter so it can’t be confirmed that was Miles and a link to a guy trying to shut up criticism and Miles calling him out so that’s actually a contradiction. You believe this is grounds for personal attacks despite the fact that the grounds for harsh criticism alone isn’t even met here. This shows you just want to hate.
How about this: Instead of going after the symptoms, you go after the cause. Reducing a fever isn’t going to magically cure the flu. But getting medicine will help cure the flu. I use this analogy, because it’s the best one that there is. But if you want to talk about blowing up information, you should take a look in the mirror. Because you seem to blow up every time someone wants Yang to express what happened.
... Those two definitions of blowing up don’t collorlate. One implies exaggeration but the other implies excessive amount of emotion. While one does cause the other, you didn’t link them. Might want to edit that.
And the only thing of proof you have to prove that is a piece of sarcasm and if that’s being treated as proof then I can point out that you told the writer’s that they were fired from breathing and thus telling them they should die. No matter what way you go with this Dudeblade, you lose.
And in a way, I am trying to cure the cause: the cause being that people are trying to pass off hate as criticism and I am here to criticize and have the actually criticize or shut up and let other people do it. So I still fit your bill.
You always claim that Yang expressing herself undermines the trauma Tai went through. When exactly did Tai get his arm cut off in a terrorist attack when he tried to save his partner? When was Tai’s goals of becoming a huntsman demolished because a terrorist group attacked the school? When did Tai lose his mother at a young age? - The answer is “Nobody knows.” (At least for that last one. The other two have the straightforward answer of “never.”) So far, I have only seen you undermine what Yang has gone through to make Tai’s life look worse in comparison. - Hypocrite, much?
So we’re doing this huh? Okay then: When did Yang ever lose a lover? When did Yang ever lose nearly lose a child? When did her child jump off into the great unknown with only a note? When did Yang have to protect Taiyang from Grimm while she’s depressed? When did Yang ever reach out to Taiyang but he pushed her away? That’s 5 questions that answer never to your two and each one can be answer as “Twice” at the very leats so that actually 10 -2. And that’s not even going into how Taiyang basically has a worse version of the other traumatic events and we don’t even know his backstory. So how about you sit doiwn and take a note from teh White Trailer, something I have been trying to get across showing how ridiculous it is to deem a person’s sorrow by using another (Everyone is entitled to their own sorrow.)
Also, note how he calls Adam a terrorist. This is going to boomerang on him later.
This is possibly the only part where I can at least, partially agree with you. There is a degree of arrogance from both sides. While it’s spread out in the rwde category; the anti-rwde, has it much bigger, but in fewer people. Both sides are to blame for this, and it’s not fair of you to put the blame solely on the rwde tag.
considering the fact that we haven’t suicide baited people, told people to go die, called people pedophiles, called people abusers, slander people, warp facts, sexism, racism and so much more, if we seem arrogant to you that’s probably an intense disdain for RWDE.
Also,”Abject failure”? That guy, (rerwby) is doing their best to fix some plot holes that were left from the writers neglecting to think ahead. Like how when (in canon) Jaune claimed to be from a family of hunters, it made very little sense that he hadn’t unlocked his aura. But in the re-write, he says that “those huntsman genes must have skipped me.” - Something that makes infinitely more sense from a story-telling perspective. Not to mention that I don’t think that word means what you think it means. I read it to day, and found it enjoyable. I’ve read worse stories, and the Re:RWBY story is not the absolute worst story ever. It’s doing its best to address plot holes, and made references to LGBT+ Representation in under three chapters, when the actual show hasn’t made a reference in over FOUR VOLUMES. Though, I’m willing to bet that you think he shoehorned that it for “moar views.” No, B1umenkranz actually made a positive reference to the LGBT+ community. Contrast actual canon, which has promised representation over and over again, but has yet to reveal who is part of the community at best, and is completely baiting at worst.
Yes because that kind of product’s first and fore most priority is that they need to be entertaining. And between the numerous failed attempts at visual humor, interjected dialouge, switched around lines and lack of description, it is a chore to sit through a single reading of Re:RWBY whereas I would gladly sit through Volume 1 of RWBY again.
Also, a lot of what you say here doesn’t work. The huntsman genes don’t work because genetics wasn’t Jaune’s problem, it was training. It created a plot hole as to why Weiss would think a nest is a temple, why Jaune tried getting into Beacon if something he could not control ect. And just because you have LGBT in it doesn’t eman it’s good: Mod Regalia a bisexual talked about this before (https://team-crtq.tumblr.com/post/160160464449/rwby-and-ships) and these exact problems show up: Yang and Blake have tacked on Chemistry when they have a netural at best relationship and Ruby’s sexual observation of Blake makes no sense considering she is stated to be uninterested at sex right now. Combine this with awkward dialogue, OOC moments out of the ass, unnecessary dialouge changes that ruin the jokes, a lack of detail, more plotholes, tacked on LGBT mentions and inconsistent narrative style and you have an inferior product.
Please refer to these three posts on why people are upset about the lack of LGBT+ representation. Now get off your high-horse. Damn, and here I thought that someone in the crtq tag would call you out on that one.
I match and raise your tag with several LGBT members who are just as sick of this as I am: @phoenix-theurge @tumblezwei @ula-star @mageknight14 @rainbowloliofjustice @takashi0. You, as a straight person, cannot claim to speak for these people who are closer to the subject and disagree with you.
Both sides are using Monty’s name in vain. Not just rwde. You have people who are claiming that “The writers are shitting on Monty’s dream” and then you have guys who basically say “You are hating on Monty’s legacy.” - Both are petty, and even I have a major beef with it. But don’t act as if Monty’s death makes his show safe from criticism. If that were true, then people would go apeshit whenever someone criticized a Disney movie. - Point is, is that both sides are guilty of doing this, and considering you got mad and upset that someone made a rwde meme post on the anniversary of Monty’s death, you aren’t free from blame on this part either.
In the main RWBY tag where every RWBY fan can see it, which is what I did. You also only have one example for me and two examples against you: It seems more like I’m an isolated incident than anything so that point does not stand.
Re:RWBY is structured like a book. They aren’t structuring it like a show. Books are different than shows, movies, games, etc. Do you really think that the Harry Potter films follow the books to the exact letter? - I don’t think so. So, maybe you should stop bitching, and start looking onto details. re:Rwby made their points clear, and you claim that they’re arrogant? - They only said that he thought his ideas were better. Gee, for a person who claims that the rwde tag takes things out of context, you sure seem to do that a lot. Plus, if you read his tags, you’ll see that he was very polite compared to your “Everything is wrong, and you should feel bad for writing this wrong” attitude that you seemed to project through your comment.
And RWBy itself is structured as a book and that is why I judge it so: It’s lack of detail and terrible story structure makes it a chore to sit through because the gags in RWBY use both visual and vocal aspects and both are botched by the writer who claims to be a better writer than Miles. He outright said that he could do a better job than Miles and failed to do so and so by your standards of attacking Miles over Soul Eater and LOK, I am still right. In fact, considering Miles never said he was better and Re;RWBY did, I would be more right by your standards than you all are. And then he blocked me and continues to mock me, so what?
Again, refer to the posts that I linked to earlier about baiting. I’m not going through the effort of re-linking them again. But I have a new one right here.
Said by a guy who has a noted hatred of Miles. By your own logic, all that does is discredit you.
Just because Yang was in a rut, doesn’t mean that it wasn’t ablest. Tai made it clear that Yang wasn’t worth his time unless she had two arms, and that is pretty much ablest. Also, if what you said was true about lines and screentime, then that meant that Penny was there for Ruby’s development. Pyrrha was there for Jaune, and Adam was there just to make Blake the definitive “good guy.“ Another reason why people are critical of Jaune is because he was the first character to get a two-parter arc to himself. It wasn’t Ruby and Weiss (who had their problems resolved by the end of the episode) it was Jaune. And considering that no other character that one of the writers voice has gotten the same treatment, it leads to the conspiracy theories that Miles gives more development to Jaune because of his ego. Also, to quote Mr. Enter, “Just because you bring one character down, doesn’t mean the other character is brought back up.” It doesn’t work like that. Making Jaune look weak in comparison to Ruby doesn’t automatically make Ruby a better character, it just makes Jaune look weak.
- In fact, Ruby’s character remains static. But here’s another thing: If Jaune really is there to make Ruby look good, then why is he the strategist? - If this were the case, as you so claim, then Jaune’s strategies would have been thrown out for Ruby’s much better worded, and thought-out tactics. In addition, he’s the ONLY one mourning Pyrrha. Pyrrha is apparently non-existent for the other characters. Pyrrha was put in a Schrodinger’s Cat situation when it came to the reason for her abrupt death. She was either killed to further everyone’s character, or she was killed to further Jaune’s character and his alone. Since no character brings her up aside from Jaune (and Qrow that one time), it comes off as if Pyrrha was killed solely for Jaune
The rut thing was about depression, not the disabled thing. Right off the bat, you’re moving the goalposts. And even so, I have shown that disabled people DO think it was a good portrayal as seen in the Meta folder on the awesome tag of RWBY’s Tv Tropes page. And even then, you have shown an intense and irrational hatred for Taiyang so you’re not allowed to talk. Just as well, you aren’t allowed to talk about Jaune because you have shown personal bias against him so that doesn’t work either. In fact, you’re biased against most male characters as you have admitted before so in reality, most of this is pointless.
And yeah, some characters are like that. Adam isn’t because he’s more used to show what happens when you fight an opponent long enough: you start acting like them. But Penny and Pyrrha? Yeah, that’s true. That’s also not a bad thing: Most mentor characters are this way and Pyrrha actually got an arc outside of Jaune. Hell, the most well known character from Gurren Lagann is Kamina, a mentor character with no purpose or menaingful character traits that aren’t “Make Simon Better.” And Gurren Lagann is one of the highest regarded anime of all time as well as a stated influence on RWBY so my comparison has some weight.
And that only works if Ruby herself is weak, she’s not. Ruy has very strong characterization in that she is an innocent, naive but determined and altrustic girl with a love of weapons and zero social skllls. And contrary to what you say, her character has developed. She has gone from denying that bad things happen in the world to accepting that they happen but still struggling to amke things better because its the bright thing to do. And this coincides with Jaune’s character as a foil to Ruby: he’s the tactician to her stradgest, she inspires people through actions while he does so through words,  she’s talent but naive whereas Jaune doesn’t have talent but is aware, Jaune gets more cynical while Ruby becomes more optimistic.
PS: I guess actions don’t speak at all huh? Ruby being sad at the mention of Pyrrha holds no weight to you huh? Good to know you have such a narrow view of things. No, you just put things in a damned if they do, damned if they don’t situation.
The only time I have ever heard of the opposite of Queerbaiting (Which Blizzard Entertainment invented, and was called Straightbaiting), was Tracer from Overwatch. Proof: https://ravenclaw-rebel3390.tumblr.com/post/155915548399/i-guess-overwatch-invented-straight-baiting
Okay and i be you rolled your ewyes at that. Now imagine how the five people I mentioned feel.
RWBY was marketed as a show about strong female protagonists. People didn’t sign on to watch Jaune (and only Jaune) cry about Pyrrha. I, myself am a fan of Ren. Jaune has had many lines over the course of the series, whereas characters like Ren, Sun, and Neptune have had very little. Also, Penny hardly had any screentime, and she was supposed to be one of Ruby’s close friends.
Once again, glad to know you have such a narrow view of things that Ruby being emotionally sad doesn’t work unless she says it.
And Jaune is the Deturagonist, so what? that’s like complaining that Gohan got too many lines in Dragon Ball Z.
Also: man Pain AKA a man can’t feel emotion over a woman. Nice to see such hypocrisy.
Right. Pyrrha totally deserves that label. After all, it’s not like she asked Jaune out multiple times, regularly ignored is rejections, and only backed off when she found out that he liked someone else and that affection was reciprocated… Oh wait, that happened… But it was Jaune doing it. Also, you were the one who undermined Yang’s trauma by claiming that she doesn’t know what it feels like to have people close to you abandon/die on her, when that’s been most of her life. Tai had absolutely ZERO joking tone when he said his insensitive comment, and you never seem to bring up the fact that Port and Oobleck were shocked by his comment. Why would they be shocked if this is supposed to be normal? It doesn’t seem logical to me.
Because you have a bias against male characters, we’ve been over this. You have outright stated it before and shown it numerous times. BGuit I’ll humor you:
Pyrrha also made advances at Jaune, just not directly. Nurmous Times as well. She ignored his attention to Weiss or ignored his lack of attention and only abcked off when Jaune was stated to like Weiss outright. So yeah, she does get that label if Jaune does. It’s called equality, something you seem foreign to.
Zero joking tone huh? Then I guess Church never joked once in the entirety of Red Vs. Blue because the tones were EXACTKY the same. Glad to see you’re blinder to sarcasm than an aspie.
And I guess if someone were to see the Reds And Blue or Rooster Teeth themselves,m they despise each other right? Or oif yous aw @ula-star‘s family you’d say that they are abusive too huih? Glad to see the world only works one way. (sarcasm)
Adam is an asshole. But Y’know what? - Weiss was the one who called “Controversial Faunus Labor” a “morally grey area.” Also, Adam is a minority, broken by the discrimination that he has faced. I don’t approve of his actions, not by a long shot. But the White Fang seem to be emulating the rwde tag (or maybe vice-versa), in which that side was sick and tired of being ignored when they were being peaceful, so they resort to brutal tactics. Weiss is also a racist heiress who somehow got over her racism overnight. From a storytelling standpoint, Adam deserves more sympathy than Cinder at this point. Unless both of them get an expanded backstory, they have both done some pretty terrible things, but Adam was forced to work for Cinder because she had power, and he didn’t. People tend to root for the underdog, especially if that underdog has been discriminated against. Adam’s story is more relatable to people because he’s a person who was sick and tired of peaceful protest being ineffective.
Let’s go through this, shall we?
1. Adam is also racist and to a degree that overshadows Weiss and Cardin (Name one time they6 demanded genocide. I can with Adam.)
2. Mind linking to that?
3. You comparing the rwde tag to the White Fang and called their leader a terorist shows that you pretty much know you’re trying to use fear to control people and thus cannot be listen to. Thanks for the confirmation.
4. And that’;s why Weiss was still weary around Sun because she wasn’t being racist to him. Also, she got over her racism, Adam hasn’t.
5. And no one forced Adam to try and blow up the train in the Black Trailer, abuse Blake, chop Yang’s arm off or call for genoicde either. Man, this is like a textbook example of Draco In Leather Pants. And weiss’ is a form of Ron The Death Eater as well: Big surprise.
Jaune has taken the protagonist role. He’s the only one mourning Pyrrha, and as that line chart stated, had Ruby not had that speech at the end, she would have had less lines than Jaune. Not to mention that we (the audience) already knew why Ruby was doing this. By having her do that speech, she’s simply stating the obvious. No audience member asked “Why is Ruby doing this?” - Because we already know. Ruby hardly did anything. It was primarily Jaune.
If Jaune is the protagonist, why did he immediately default to giving up his angst and sorrow to Ruby the minute she shows sorrow? Why would the entire Volume be using him to prop Ruby up? Why would the emotional scenes with him either use Ruby as the start and finish?
And the part about the lines thing doesn’t work because, again, 75% of Jaune’s lines go to Ruby because they were used to develop here.
And if she is staing the obvious there then you missed the obvious point about her development, the theme of the Volume and the emotional wrap up,.Also shows that no matter what, Ruby will always be secondary in your eyes to Jaune even when she isn’t/. Nice to see you again Sexism.
- Jaune gets hit. Jaune gets an upgrade. Jaune is telling the team what to do. Jaune is sick of losing people (which would have carried more weight if Ren were the one to have said it). Jaune is sad that Pyrrha died (Again, he’s the only one to be actively mourning her). Jaune catches Tyrian’s eye. Jaune calls out Qrow. Jaune saves Qrow. Jaune shows off his weapon’s new mode.
So is Ruby, so is Ruby and Jaune’s upgrade only made him get bitchslapped. Jaune can’t do anything else. Audienbce surrogate. Ruby is also saidf and he immediately stops being sad about Pyrrha to allow her to be. Tyrian immediately dismisses that and focuses on Ruby. In character for him, out of character for Ruby. So did Ruby.
And Ruby also had the focus of Salem and Cinder, 75% of Jaune’s lines where made to build her up, She is the fcous of the plotline and not Jaune, 2 out of the three scenes Jaune is notable in is centered around Runby, Ruby gets the final words, Rubty is the fcous of Yang’s plotline as well, Ruby does far better in combat that Jaune, Ruby is the reason WHY Qrow is there, Ruby is the reason WHY Qrow gets injured, Qrow is Ruby’s uncle and Jaune has no family in the story, Ruby is the butt of one joke whereas Jaune is the butt of three in the first episode alone. Yeah, doesn’t work/
Ruby showed off a neat aspect of her semblance in the first episode of the volume, and then it was never seen again. Ren comes across his ruined village, and we get only one flashback to it. Nora hardly does anything other than provide some relief, and acts as a means to keep Ren calm, and Qrow only gives us exposition. Then there’s the fact that Ruby only used her semblance in the finale fight a total of one time, whereas if that Grimm was as threatening as it was hyped up to be, then she should have been using it to tie the thing’s arms around a tree or something. - But nope, gotta have that ancient Grimm get killed by four newbies when other, more experienced fighters all fell to it. This just makes any hunter that’s not part of the main cast look pathetic in comparison.
Except for the numerous times she files into the air.
Ren and Nora got foreshadowing in Episode 2, 5, 6, and 9.
And semblances use up Aura therefore if she did one hit would break her aura as it did with Ren, The Nucklevee has more control over the arms than Ruby and all Jaune’s weapon did was get him bitchslapped.
Also: Name one Hunstamn in Ren’s village or any that fought the Nucklevee before the heroes. ot Ren’s dad, weapon isn’t correct. Not Xion, The bandoits took care of them and other Grimm weakened them down/ No? Can’t? Then I guess you have no argumnet.
Misuse in animation is a sin of itself. It’s a sad day when Monty (God rest his soul) forgets that Rapiers aren’t used in that fashion. It’s a poor decision that needs to end, and if RW/BY can’t be the trend setter and be the first time it gets used correctly, then why should it be exempt? - The lead animator was someone who studied fencing, this shouldn’t have been a thing in the first place. RWB/Y shouldn’t be a trend follower, it should be a trend setter.
Most of the Raiper usage cited in RWBy was from The White Trailer, Volume 1 and Volume 2. AKA when Monty was the animator. And even then, many trend setters WERE trend followers, they just diverged. NGE was a normal Mecha show for 16 episodes and yet it set the ENTIRETY of the deconstructions in anime after 1995. You fail using yet ANOTHER inspiration to RWBY.
The mention of trains is only mentioned in the exposition-filled bore-fest that is World of Remanent. If people need exposition about that from a filler spot that disrupts the action and flow of the show, then why shouldn’t they repeat what happened? - After all, they did it with the Schnee Heir twist. They revealed that Jacques wasn’t a real Schnee in the WoR, and then, in the following episode, they repeat it. Despite the fact that the twist was ruined by the WoR, they still thought it to be a good enough of a twist to repeat in the story proper. If they can do that, why can’t they repeat the train thing?
“Borefest”
“Likes on WOR are the sma eif jnot higher than normal RWBY”
Yeah, those don’t work.
Because it’s a part of the show? Okay then, whenever exposition happens in a show, you MUST skip over it because all it is is an inclusive version of WOR. What’s that? You won’t? Then no bitching about WOR.
- Also, Yang got used to the prosthetic in only a few weeks. Even FMA makes it a point to mention that their character getting used to their prosthetic in under a year is unusual. And if you mean to tell me that Remanent has the technology to make a prosthetic that can be gotten used to in under a few weeks, then why are they so stupid to make it so that you need four active towers to allow for cross-continental communication? - It simply doesn’t make sense. - Also, most PTSD victims take YEARS to recover (if they do at all). Yang getting better overnight (Putting on the prosthetic, and being able to use it like it was her original arm overnight) is insensitive to actual PTSD victims who lost a limb in a war, terrorist attack, or a freak accident.
And she had six months beforehand. That also means you wnat Yang to be out of the show for a year: Good to know.
Okay then: Do you want me o watch Legend of Korra and go through ever single plot hole in that show? Because considering last Airbender had quite a few, I’m sure I’ll be able to match you blow for blow. If not Korra then..basically any show ever? Or will you keep your standards.the same watching RWBY as you do everyone else and Not be a nitpicky asshole?
I believe that this is what you would call “a critique.” After all, I provided solid evidence as to why your reasoning is flawed, much like how you constantly did to me. And if this upsets you, then perhaps you could do us all a favor and keep it to yourself. And how about you don’t go whining to the rest of crtq that someone was being mean to you?
No, because you shown numerous times t5hroughout this study taht you have quite a few biases that you refuse to put aside as well as t5he fact that you amde it clear that you were attacking me rather critique, summerized by how you expect me to hold up to a standard that you yourself have rejected numerous times and didn’t follow once in this section. Meanwhile, I have.
And I wouldn’t do that to the crtq tag, I have higher standards than that. Nope, i’ll just my comrades talk you down while as Mod Quartz I will say nothing, thus giving you no ammo against me as a critic there.
I’d sure as hell appreciate it.
I’ll even be nice and not post this under the usual anti-knight tags (Though if someone else reblogs this, and adds those tags, I refuse to take responsibility for the actions of another).
Then why is Rwde a tag then? That is an anti-knight tag since so many people in the rwde tag dislike me, you7 are still singling me out for ridicule. And no, rwde doesn’t apply here as you are, in your won words, criticizing me. Meaning no RWBY and thus no rwde. Too bad about that huh?
And since you held me responsible for MSD even  after we said we didn’t approve of him: Nope.
Now how about you quit with the weak punches and actually do some damage.
Or
Is that all you got?
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ericathemad · 4 years
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Quarantine Questions
I don’t think I’ve ever actually been tagged for one of these before! So thank you @dxmedstudent​ for giving me a reason to do this and not play Animal Crossing.
1. Are you staying home from work/school? I am working remotely. I spent the first couple weeks of March going into the public heath labs for the COVID response, but then the higher-ups saw all of us crowded into a small conference room and decided they really needed to find a way we could keep working but away from other people. Of course, I’ve been working remotely almost 100% since October when our entire division got kicked out of our old building and had to wait for the new offices to be renovated. We were scheduled to move into the new space on March 23rd. Yeah....that has not happened.
2. If you’re staying home, whose there with you? I have my amazing spouse, LGL, here with me (apart from when he has to go into work at the hospital), as well as my sister and our other roommate. We haven’t really bothered to self-isolate from each other.
3. Do you have pets to keep you company? Of course! I can’t live with out my kitty-cats. My baby goblin king Lee is usually trying to climb on top of me while I’m working, and Wednesday mewls for attention whenever I emerge from my room for more tea. Our other house kitties, Hunter and Lula, are greatly enjoying having their mamas home all the time.
4. Who do you miss the most? Because of the social distancing rules, I’ve actually gotten a bit better about communicating more on text, WhatsApp and Discord, just because I know how isolated a lot of people are. I’ve probably texted and called my mom more this past month that I normally do in an entire season. But I really miss my co-workers. I haven’t been on regular duties since March 5th, and even though I had some cross over with them on response efforts, I miss the Skype calls and chats we’d have. I haven’t actually talked to my supervisor in over a month, and I miss having frank conversations about work politics and bureaucracy, and then jumping over into what video games we’re playing.
5. When was the last time you left home? I actually went to the grocery store this afternoon to get some provisions. It was the first time i’d been somewhere in over a week (apart from walks around the neighborhood)
6. What was the last thing you bought? My grocery stuff this afternoon. Got some ZzzQuil for LGL, cat food, a new toothbrush, some more oatmeal. Real boring stuff.
7. Is quarantine driving you insane or are you finally relaxed? HAHAHAHAHAHAHAHAHAHAHAHA!!!! This past week is the first time I worked less than 20 hours of overtime since the beginning of March. In all seriousness, there is some adjusting. I’m trying not to let the anxiety sink in too deep, but there have been times when working on contact tracing and interviews when I’m literally screaming at my computer screen, threatening to slap people who were going out and travelling all over while infectious. Thursday I was yelling at my computer while trying to debug some programming, so that was at least not due to human stupidity (apart from my own).
8. Are you a homebody? Most of the time, I really am. But social distancing and closing of non-essential businesses has really sort of hit home how often I go out for just little things. Doing a couple of hours work at the coffee shop. Running to the post office. Meeting up randomly for brunch or movies. Little things that are now completely off the table.
9. What movies have you watched recently? What shows are you watching? After not having seen a movie or watched any TV shows in probably 2 months, my sister made me sit down and watch the 1996 adaptation of ‘The Island of Dr. Moreau’ yesterday, and then the documentary about its making. That was certainly an experience.
10. An event that you were looking forward to that got cancelled? There were a couple of friends weddings coming up in May and June that look like they’re not going to happen now. I was really excited, especially because they’re LGL’s friends from his medical school days in India, and one of them I still haven’t me in person yet. I also miss going to the Underground with my dad. Raving with your dad is a real bonding experience, and I love the folks in the local trance community.
11. Whats the worst thing you’ve had to cancel? Just getting to go up and see my mom and dad every once in a while. Its never a scheduled thing, but not being able to go at all really sucks.
12. What’s the best thing you’ve had to cancel? Nothing. 
13. Do you have any new hobbies? Does Animal Crossing count? That’s about the only new thing I’ve taken up. Besides hanging my laundry in the backyard to dry. But that was out of necessity.
14. What are you out of? Nothing.
15. What music are you listening to? Strangely, I’ve been listening to a lot musicals. Going back to visit familiar music that still has a connecting storyline has been nice. I also have been using Spotify to find and explore more artists in the cyberpunk/retrowave and bluegrass genres. 
16. What are you reading? SOOOOOOO much fanfiction. I am grateful to all the writers who are using this time to pump out wonderful, fluffy content that doesn’t add to my stress and sadness. When I finally get to stop working for the night, I love curling up with kitty and LGL and just reading some light, fluffy stories. I also have about 15 e-books from the library I’m going to get to. Eventually.
17. What are you doing for self-care? My work actually implemented a new policy where we all get 30 minutes of paid wellness time every day. I’m trying to use that to take a walk every day and just experience the sunshine and air on my face. I’m also become obsessed with the nesting jays and ravens that live in the forest behind my house. I’m constantly taking pictures and videos, yelling for my sister to come look at them.
18. Are you exercising? I wasn’t really exercising before COVID. Like i said above, I’m trying to take time for daily walks. I’m hoping maybe to do some easy calisthenics or yoga, but then the work and tired takes over, and I’m just lying in my bed with my Switch.
19. Hows your toilet paper supply? At this point, I think any time one of us in the house goes out, we buy a pack, so we’re actually doing okay. But in a house with 4 people, you always are going to need more toilet paper.
20. Have you made any changes to your hair during quarantine? I re-dyed my hair right before shit hit the fan, so my roots are looking fine. I’ve been looking into the Curly Girl method, and might try some of the tips. But honestly, most days I get up, make some tea, throw my hair in a pony and just get straight to more COVID stuff.
I believe the standard form is to tag other people to complete this? From the last few people who’ve liked or reblogged my stuff, I’ll tag @heacher @chozobloodrites @lirulin @because-weareglass @tom90deg and @jspader But really, if anyone wants to do this, I’d love to read your answers!
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