Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."
Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.
These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!
Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!
Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.
So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Thinkin about a DCxDP where Danny’s helping ghosts find peace while he’s laying low in Gotham.
Like, he moved away from Amity for whatever reason. Maybe the reveal went badly, maybe he just couldn’t stand staying any longer. For whatever reason, he’s in Gotham, because the rent is cheap and he’s nowhere near the strangest thing there so no one looks at him twice.
However, this city is cursed. Like, cursed beyond cursed. It’s actively alive with how many curses there are, and the ghosts there are extremely unhappy about it.
(Of course, that’s not a problem for Danny. His ghost side filters out the toxic smog and the chemicals in the water, and his human side gives a resistance to the rank ecto and the hexes that are actively trying to devour him.)
He doesn’t really want to do anything about it, to be honest.
He’s sick of playing hero, considering how it went last time, and he’s busy working at Waffle House or Walmart or whatever other store doesn’t bother doing a background check (in Gotham, that’s probably all of them), and maybe trying to find a way to get highschool credits that don’t immediately disqualify him from every college in existence.
Still, the ghosts know he can hear them. They know, and they keep coming for help.
So, hey, why not? He definitely can’t put this as experience in any sort of job application, but he really doesn’t have much else to do.
So, he becomes errand boy for a bunch of ghosts.
Sometimes he’s finding objects that are important to them, sometimes he’s giving evidence they collected together of their murders to the police, sometimes he’s getting them the last meal they never had, sometimes he’s just spending time with them like they’re not dead.
The ghosts don’t always move on, but they’re always more at peace. Occasionally they pay him back in charms and blessings and the locations of valuables that he can keep or pawn for cash.
Eventually, a new ghost shows up.
She looks like a shadow, like all the ghosts of Gotham, but she seems stronger than usual. She asks him for a favor that those who came before him were never able to fulfill.
She asks him to find her engagement ring, and give it to her son.
Easy enough, he thinks. It’s a bit of a pain to buy the ring from the seedy pawn shop it’s in (he would usually just steal it, but he doesn’t want to implicate her kid in anything, which she seems grateful for), but everything’s going mostly alright.
Then, she tells him who her son is, and wow, no wonder no one’s helped her yet.
He’s Red Hood. The guy who is(/was) the crime lord in charge of crime alley. The title sounds a bit stupid to Danny, but he’s still a genuine threat to a living person.
Good thing he’s not one of those.
And so, the next time he sees Red Hood out and about, he goes right up to him. The man seems mostly unbothered, but Danny does notice how his hand slightly drifts towards one of his many weapons.
He tells Red Hood outright that he’s there on behalf of the man’s mother, then just holds out his hand with the ring inside, dropping it into Red Hood’s open palm.
Then he leaves, not waiting for a response.
—
Jason has a mystery on his hands, and he might just cash in some favors from Babs and Tim to figure it out.
He’s got to find the guy who gave him his mother’s ring, and find out everything he knows.
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