#i’ve been rewatching a lot of his post coming out videos and they’re so good

[illvasque]

i love phils react videos just looking at dans face vs phil’s when they watch the lion guard he is all smiles and dan can’t even make eye contact with the camera.

#i love phil #i’ve been rewatching a lot of his post coming out videos and they’re so good

[darkficsyouneveraskedfor]

Looking for a Place to Happen

Warnings: non-consent sex and rape (series), age gap, general stupidity.

This is dark!biker!Sam Wilson x reader and explicit. 18+ only.  Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Series Synopsis: There’s lots happening in Birch and you find it all too amusing.

Sister series to Smalltown Bringdown, When the Weight Comes Down, Little Bones, and Fully Completely

Note: We’re starting Sam’s installment but this weekend I’ll probably only be catching up on my headcanons and drabbles because I’ve been a lazy bitch and I’m sorry to those who have been waiting.

Thanks to everyone for their patience and feedback. :)

I really hope you enjoy. 💋

<3 Let me know what you think with a like or reblog or reply or an ask! Love ya!

Chapter 1: I've got a job, I explore

💀💀💀

The sleepy town of Birch was awake. 

In those last weeks, the arrival of outsiders had roused the attention of many once passive residents of the timeless territory. Those brick buildings unchanged by the tick of the clock inlaid into the old tower above the library that chimed every hour on the hour. They still stood with only chips in the mortar but the air tasted different. The frost was more bitter and the sky more grim. An omen of something no one could predict.

It was the perfect setting for a screenplay. The isolated town with its unsavoury secrets and the visitors who threatened to bring them to the surface. It was inspiring to you, to imagine what was hidden behind the stern wrinkled faces of the town elders and under the jackets of those men who wore the cut of the local club. The bikers ruled the town covertly but everyone knew that Bucky Barnes’ palm was lined with the map of Birch.

As a bystander, an unnoticed observer, just another ant in the hill, you watched from the side and amused yourself with the drama of others. It was like a soap opera or another HBO hype machine. Those things you aspired to when you could be free of this ho-hum town.

The snows added to the natural gloom of the place. The deep heaps smothered the noise and harkened back to those days of colonial settlement. Forgotten, desolate, fearful. 

You ventured down in your heavy boots that stretched to your knees and pushed your chin down into your scarf. As a child, you ran and jumped in those piles, now you were out of breath just trying to walk past them.

You stopped in the bakery that doubled as the only café, a place where the owner, Babs, tried to to intimidate the last caffeinated trends. She was always a few seasons behind but you didn’t mind so much. 

You ordered the salted caramel mocha and waited patiently as the quiet woman fought with the steaming machines. She was older than you but you’d work with her for one summer during high school, only five years ago. She had the eyes of a child still, but there was something worn in her. As if she’d been exposed to far too much in her three or so decades in that place. She was a harbinger of what you didn’t want to become.

You thanked her for your drink and set out once more into the billowing winds. Birch winters were never kind but this one was crueler than most. Your teeth chattered as you blew the steam away from the lid and hugged it with your mittened hands.

You stopped short as you heard the familiar ding of the diner door across the street. You recognised the mechanic who kept to herself and once growled at you in the grocery store. She stormed across the street, followed closely and quickly by a black-haired man you’d only seen once before. He was one of those outsiders who came to deal with the club men.

You sped up as you sensed chaos brewing and pulled out your phone as you balanced your paper cup in your other hand. You flicked your camera on just as you got to the front of the shop and the man grabbed the mechanic. You let out an ‘oop’ as she turned on him and you aimed the lens at the couple as they fell into the snow, the man’s shoes giving little traction to his steps. 

You moved closer, stunned by the scene, and kept your cell phone rolling as you found a better angle around the snowy walks. As she choked him on the ground he elbowed her and she coughed as she rolled away. She snarled as he clamoured to his feet, slipping and sliding as he marched away.

You killed the recording and watched the man cross the street again, nearly wiping out as he did and when you looked back to the mechanic, she was gone behind the clattering door. You chuckled to yourself and tucked away your cell. It was prime footage for TikTok; with a bit of editing, it would be comedy gold.

💀

You stomped up the steps of your grandmother’s house, this time through the front door as you heard her chair rocking in the front room. You usually took the stairs in the back as you paid her to live on the upper floor of the duplex. You checked in with her daily, she didn’t get out much more than the occasional trip to the grocery store when you couldn’t or you dragged her out to join you for a tea at Babs’.

“You’re late,” she grumbled as you set your cup down and unzipped your coat.

“For what?” you scoffed.

“It’s after noon and you don’t even come down to say hello? A ‘good morning, nan’,” she harrumphed.

You chuckled and hung your coat before shoving your boots over on the mat. You grabbed your mocha and leaned on the doorway as you watched her crocheting in her chair, reruns of some court show playing from the boxy television.

“I was working,” you said, ��sent in some stuff for review. Hopefully not much work to be done.”

“I don’t know how you make money on that interweb,” she bemoaned, “I don’t trust it.”

“Maybe you’d trust it more if you used the Netflix subscription I got you,” you crossed your arms, “then you wouldn’t have to watch trash daytime TV.”

She shrugged and muttered under her breath. She could be crotchety but you liked her sense of humour. Your aunts and uncles never came around because they just took it as spite. You were the only one who knew how to handle the jaded old lady.

“Maybe you coulda looked out the window,” you snickered, “quite a show going on in town.”

“Hmm, what’s that?” she stilled her needles and reached for her tea stained cup.

“Just a fight. You wouldn’t believe it, that lady mechanic beat the shit--”

“Language,” she huffed.

“Anyway, she had this guy in a chokehold. It was awesome.”

“What guy?” she squinted at you over her glasses.

“I dunno. Some out of towner. Remember I told you about that burly dude hanging around the library?”

“There’s more?” she sucked on her teeth, “those bikers have never been good news and now they’re bringing in more.”

“Yeah, well, what’re you gonna do?” you sniffed as you took out your phone and rewatched the scuffle with the volume down. You shook your head and opened up your TikTok. 

“I don’t understand why you’re always on your dang phone,” your grandmother pestered.

“I’m not always on my phone,” you smiled at her smugly, “there are those time when I’m listening to you prattle on or you know, making you tea, oh, and cooking you dinner. What was it I did last week? Oh that’s right, I got Pippin out of the crawlspace.”

“I’m too old to be chasin’ that cat all around,” she huffed, “where is he anyway?”

“He’s your cat, I don’t know? Last time I saw him, I sent him back out the window for shredding my charger.”

“He knows you need to give it a rest,” she laughed to herself, “got your nose to that screen too much.”

“And what do you do, old lady? Crocheting doilies to put where exactly?”

She gave you that dry smile, the one that said watch it but carried a hint of humour still. You hit post and put your phone away as you waved off her irritation.

“Well, you know what, I sit all day at my computer, doing who knows what and you know what it got me?” you taunted, “a large mocha!” you sipped as you sat on the sofa and grabbed the remote, “and it’s paying my rent and putting bullet points on my resume.”

“Mhmm,” she scowled, “just remember, real life ain’t online. Those videos you’re always laughing at like hyena, that’s not reality. You forget it and it’ll come back and bit you. ‘Specially with those bikers.”

“Oh, nan, you know too well, don’t you? Didn’t you have a fling with one back in your hippie phase?”

“Two, actually,” she raised her brows, “I was young and stupid. Not like you, but still.”

“I love you too,” you chirped and sipped from your cup, flicking the station to Jerry Springer, “that’s more like it.”

💀

Your usual TikToks were sarcastic and dull complaints about your small town life. The response was less than pleasing but it gave you an outlet to vent. You liked to goof around and document the very specific type of weirdos that resided in Birch. But the video of the fight in the snow blew up your phone and made it difficult to ignore the buzzing as you went back up to your room to eke out the last of your captions for the ad agency.

When at last you could call your day hard-earned, you logged off and sent in your hours to the agency. Social media promotion was easy enough but the working gigs for a thousand different companies was tedious. You hoped you could build your portfolio enough to manage a single corporate page as you continued to chip away at your creative outlets.

You picked up your phone as you waited for Netflix to load on your tiny smart tv and flopped onto your bed, not two feet from your desk. You hit the icon in the upper panel of your phone and scrolled through the notifications, pausing to turn on another episode of the cable sitcom from ten years before. You snorted as you read each comment but the number under the video made your eyes round. The thing was bound to go viral.

As usual, you went down to help with supper. Pippin, the orange tabby, returned to cry at his dish and you fed him too. Your nan peered through her glasses at a crossword as she tasted the tangy pasta sauce. 

“More basil,” she snipped.

“Well, I asked if you wanted to help,” you muttered, “I think it’s good.”

“Hmmp, I need milk,” she jutted her chin out, “for my after-dinner tea.”

“You couldn’t say something like three hours ago?” you blinked.

“I could have but I didn’t,” she snickered. You rolled your eyes and she took another forkful of penne and filled in another line on her puzzle, “ah, no hurry, girlie, you know I’m patient.”

“Patient? You?” you chuckled as you took your plate and shoved it in the microwave to keep it warm. The ancient thing had a dial and the door stuck, “I’ll just go get it over with.”

“Don’t forget your mitts,” she called after you as you tramped into the front room, “it’s cold.”

You pulled on your knitted cap and matching mitts. You zipped up your parka and shoved your feet into the deep boots. You grabbed your wallet and buried it in the spacious pocket. You bounced out the front door and down the steps as the sky sent down another coat of powder for the night.

You went up White Forge Street and through the short path behind the diner that led to the main road. You glanced over at The Asp, the beacon of the dull town, and turned towards the grocer. Like anywhere in Birch, the store was outdated and stuffy. It felt like stepping into another time with the paper bags and chunky tills.

You went down the center aisle and stopped at the fridge to search through the frosted glass. Your nan only drank whole milk and the last time you carelessly grabbed skim, she whined that even Pippin wouldn’t drink it. She was particular but that was just her nature. You couldn’t say you were any less fussy in some instances.

You grabbed a jug and the door slapped closed against the worn rubber seal. You headed up the candy aisle and brushed your woolly thumb over your chin as you considered gummy bears or Reeses’ Pieces.

“Hard choice?” The deep voice jolted you.

You snatched the box of chocolate and looked over at the man in leather, his chin tucked down behind the collar as snow dusted his shoulders.

“Sure,” you said as you brushed past him.

The cut of the leather told you he was better not entertained. While you thought the men amusing, you weren’t stupid enough to engage with them. You rarely listened to your grandmother but she was wise in her own way. 

You knew a girl in highschool, she was fucking around with one of the club men in her junior year, she ended up with a baby and no support. You didn’t think he was into you that way but he could hardly have innocent intentions.

“How’s the old lady?” Clayton asked as he rung in your order at the end of the belt, you moved along with the groceries and pulled out your wallet.

“The usual, you know? She’s tryna quit again. Don’t know how long it’ll last.”

“Oh yeah? I’ll keep a carton aside for her,” he kidded as you felt your phone vibing in your back pocket.

“Don’t encourage her,” you swiped your card and punched in your pin, “although I don’t know what’s worse; the smoke or her sucking on those mints all the time.”

“Oh, it’s not the bitchin’?” he laughed.

“That, too,” you scooped up the paper bag and put your wallet away, “have a good one.”

As you came to the end of the first counter, you were nearly cut off by the club member as he swept around from till two. His own purchase of a car magazine and jerky was tucked under his arm.

“Ah, sorry,” he smiled, a sparkling smile, almost charming.

“No worries,” you continued on and he followed close behind.

“Those mitts look real warm. ‘Specially in this weather,” he said as you pushed open the door.

“Uh huh,” you kept on as your boots crunched out into the snow.

“You know where I can get a pair. Leather isn’t exactly thermal, you know?”

“These? My nan made ‘em. I’m sure Clayton got some hung up back there,” you looked across the street as you stepped up onto the ledge of snow between the sidewalk and the road.

“Am I bothering you?” he asked.

You looked at him dumbly and almost laughed in his face. You glanced back across the street then down towards The Asp.

“Sorta,” you answered.

“Make you a deal. Leave ya alone for your name.”

You eyed him. He was older than you like many of the Commandos. At least a decade, likely more than that. You chewed on your hesitation and cradled the bag more firmly against your side. His eyes strayed as he tried to see through the thick layer of your coat.

“Nah, I’m not s’posed to talk to strangers,” you said and hopped off onto the road.

You heard him behind you as he struggled to follow and as you came up to the other side, he came parallel with you and kept stride with you easily.

“I know you’re young but you’re not a kid,” he intoned, “what’s the harm in a name?”

“It’s a small town,” you stopped short of the end of White Forge, “I think I know enough about you to avoid you.”

“Oh ho, is that it? Well, I’m Sam, I’m not a stranger now, am I?”

“Not interested, Sam. Sure there’s women your own age over at the bar,” you nodded behind him.

“You wanna come see? Maybe have a drink?” he gave a crooked grin.

“You don’t give up, do you?” you shook your head, put off by his forwardness.

“Well?”

“Not tonight, Sam,” you turned around and headed down White Forge.

“Then what night?” he asked but you didn’t answer and he didn’t follow.

You turned down onto your street and refused to look back in case. It would be best not to mention the run-in to your nan, she was paranoid enough as it was. Besides, you’d forget about it by the end of next week.

#sam wilson #dark sam wilson #dark!sam wilson #sam wilson x reader #birch #series #sequel #fic #dark fic #dark!fic #looking for a place to happen #biker au #biker!au #au #marvel #mcu #captain america #avengers #tfatws #falcon #biker boys of birch

[feelingofcontent]

DNP Rewatch: The Story of How We Met

Date video was published: 12/19/2020 (X)

DNP Main Channel Rewatch: 431

PJ was the first “surprise” Stereo guest! Phil announced it was them on Twitter just ahead of the show on December 15. (Also, the title of this...if you weren’t aware of the Stereo shows and saw a notification for this, pretty sure you would assume a DNP video. Phil knew exactly what he was doing with the titles of these.)

0:00 - Phil was using the “coming up” teaser at the start of all his videos at this point. it’s fine and I understand why it’s useful for longer videos to get people to watch, but it’s not my favorite as I feel like it spoils some of the funniest moments

0:18 -  that picture from Japan had been Phil’s phone background at least since January

0:38 - love that PJ went with a clown nose for his Stereo icon 😂 and they’re coordinating with the red shirts. also Phil’s background lamp has been a different color for each one of the Stereo videos so far

1:20 - PJ’s birthday! I didn’t really watch PJ’s videos regularly before this, but the video they posted for this birthday made me start watching more

1:41 - “haunted, but like, galactically” Phil coming in with a strange but perfect description as always

1:52 - important clarification there 😂 he’s so right though...adulthood is being excited by kitchen tools and home goods

2:17 - it had been over 12 years at this point! 🥺

2:34 - fireworks effect!

2:50 - aww, nervous early-YouTube Phil

2:59 - I always forget that PJ is Dan’s age and several years younger than Phil

3:34 - Phil getting all the cat content from his Stereo guest between Seth and PJ here

4:06 - they’re just having fun with this, I love it

4:55 - PJ just immediately laughing at Phil’s very sad tree. They must have a pretty big monitor to be looking that far off to the side at Phil’s background

6:04 - the conversation keeps going on tangents but somehow it just works for Phil and PJ together

6:40 - aww, PJ sounds like a good cat parent

7:15 - love Phil remembering and referencing that from the quiz show, and PJ’s terrible pun

7:44 - you can see in PJ’s eyes that they’re remembering this incident

7:58 - Phil inserting the editing screenshot, lol

8:47 - that would be terrifying. it must have been a large bird

8:59 - poor Sophie. I would not want to be the one actually driving during that

10:14 - both of them with the gross bird stories, although at least this one is less scary and more funny

10:45 - yes very old fashioned but I like that Phil listened to him

11:19 - Phil knows a lot about various types of pigeons, somehow

11:38 - nooooo...being pooped on by a bird at all is the worst, but on your face?!

12:18 - gah. I didn’t ever need to know that

13:05 - Phil starting to do more with the app by this show

13:46 - “I’ve had too much sugar today” of course he has 😂

14:38 - Phil is so attached to all of his pets. I can’t tell if Norman was still alive at this point or not...they didn’t talk about him dying until January, but pretty sure that was delayed some

15:10 - Phil is so shocked and happy that the fish was okay

15:42 - this is a great one for PJ and Phil because they’re both such creative storytellers

16:26 - yeah, we do not have that in the US

16:56 - why is Phil’s ‘spraying’ gesture the same as his air quotes

17:01 - “vigorous polishing” and “rubbin’ the wood” nope nope nope! 😳

17:08 - Phil knows exactly what he is saying; he’s is failing at not laughing

18:13 - PJ’s specific accent really comes through on “buried”

18:51 - Phil is very intently listening to his story here...can’t wait to see where PJ is going with it

19:23 - yeah the flying feature is helpful, haha

19:47 - hearing “nipple tassels” come through live and then trying to figure out what Phil was going to do with that was a moment

19:57 - 😂 oh Phil

20:45 - the editing’s getting a bit choppier and sped up towards the end here; he’s trying to fit things in in under 30 minutes I’m guessing

20:57 - PJ’s just going to accept that “everyone knows” statement

21:48 - another “everybody knows” haha

22:38 - were they even doing winners for the previous rounds?

23:02 - ah, reference back to The Forever Train that DNP both participated in for PJ!

23:21 - I love them reminiscing and laughing

24:20 - ahahaha! the clip! Phil is almost unrecognizable in it, actually

24:31 - PJ appreciated that compliment. and Phil is self-aware

25:11 - interesting insight into PJ’s brain there

25:46 - of course Phil has a pee-related one and had to share it. of course.

26:28 - this is a great example of PJ just going right along with and expanding on whatever Phil comes up with

26:42 - Phil really does want everyone’s opinion on beards after that video. he asked Seth too. and he looks so shocked that they both have liked it

26:48 - would love to know which “some” PJ is referring too 😂

27:26 - well he had to know the audience would deliver on that request!

27:53 -  the full audio version of the show with PJ is also available on YouTube thanks to In Depth Bants!

28:15 - he must have been making bank from Stereo to do all that

28:22 - after-show bonus content! lol at Phil having the mustache filter on and the IMMEDIATE posting of the PJ beard edits

I love Phil and PJ’s dynamic so much. PJ is great at bouncing off of Phil’s sense of humor and they are so willing to jump 100% into whatever strange thing/idea Phil says. It’s so good.

#dan and phil #dnp #dnpRewatch #amazingphil #phil lester #amazingphil videos #The Story of How We Met

[simplepotatofarmer]

technoblade: a takedown - pt. 1

(not clickbait)

aka i go over every argument people make against c!techno one by one and determine whether they’re valid, false, or a mixture of both. i rewatched every single stream/video, including those on his alt channel, so i could approach this with the most information possible. i’ll be breaking this up into parts because there’s just too much otherwise. all about the characters unless stated.

techno believes in a ‘dog eat dog’ world - false

this is an argument i see used a lot when people discuss techno so i wanted to address it first. luckily, the stream in which he says this is only his fifth stream on the server. there’s one major reason why this argument falls apart and one minor reason that isn’t objective like the first.

first and most importantly: techno has never acted on this. even at the beginning - which is when this comment was made - he was helping his allies, from building railings to keep them from falling, making a potato farm, and all the gear he grinded for to equip his allies in pogtopia with. moving forward, he’s also helped out plenty of people: giving tommy a place to stay and items, telling phil to reach out to ranboo after doomsday, as well as giving both tommy and ranboo food when asked. there’s more, of course, but the point is he’s never once followed up on this statement. he teamed up with quackity to stop the egg. he spoke to niki about how he was giving anarchy a bad reputation because of the violence and wanted to take a different approach which he has.

when people use this argument to insist that techno is the villain, it doesn’t hold up because it’s merely taking one statement he made and upholding it as a main part of his character when his actions and later statements have shown that he doesn’t actually believe in this randian view point. objectively, i can’t see how this argument can extend beyond ‘well, he said it’. regardless of what he said during the pogtopia arc, he’s said the opposite later - wanting everyone to live free with no oppression or imperialism - and has never acted on it nor brought it up later. this take honestly seems disingenuous and was in fact the driving factor of this post.

second and not as critical, techno mentions multiple times during each of his first streams that he’s not sure who all is on his side. this is a reoccurring point for him. he makes the comment about wanting a dog eat dog world during the red festival stream, while speaking to bad and sam. the first part of the conversation is techno asking about state secrets since they’re (as far as techno knows) on manberg’s side. bad mentions schlatt killing cats and techno launches into a spiel about massive anarchy and the weak being huddled in fear, asking them how does that sound. bad says as long as there’s no cat murder, perhaps. bad then asks techno what his ‘single issue’ is and techno responds that he wants to destroy the government. to me, the context of the conversation, who he’s speaking to and what his opinion of those people is, is an important thing to consider.

techno’s ‘we’ll burn that bridge when we get to it’ comment means he was always going to betray pogtopia/l’manberg - valid but not how you think it is

i’ve seen people say that techno saying ‘we’ll burn that bridge when we get to it’ is a clear sign that he was always intending to betray pogtopia/l’manberg which, yeah? 

but i wouldn’t call it a betrayal. 

he says the ‘we’ll burn that bridge when we get to it’ line at the end of the ‘eve of revolution’ stream while he’s talking to quackity, ponk, and sam. the conversation is as follows:

techno, to quackity: i’m glad we could get to know each other. i heard you’re on our side now. i heard you betrayed schlatt.

quackity: yeah, that’s right. are you betraying anyone?

techno: no. i would never betray my personal ideals.

[some chatter from ponk and quackity]

sam: what does that mean? what if the people you’re fighting along [sic] have different ideals than you, though? doesn’t that mean you’d betray them?

techno: listen... we’ll burn that bridge when we get to it.

then techno states that he ‘said what he said’ when sam questions him about his choice of metaphor.

he actually uses the same malaphor at the beginning of the ‘revolution’ stream when they (quackity and tubbo) question him again and in that case techno definitely avoids the subject which isn’t a good thing but considering everyone was so worked up about the possible traitor, i can completely understand.

overall, techno is extremely upfront about his intentions. yes, there is definitely some miscommunication between all the parties because none of them were on the same page but that doesn’t make techno the bad guy here nor does it mean he betrayed anyone. he was upfront about his intentions from the start.

in his first two streams, he makes a joke that if they happen to set up a new government/president that he would just take that one down and it would be a never-ending cycle. over and over, he says that he wants to do destroy the government/manberg. when tommy mentions taking it back, techno says, ‘what do you mean, take it back?’ though this kind of gets lost in the middle of everything else - dsmp (lack of) communication strikes again. 

the takeaway that i see here a lot is that techno always intended to betray them because he knew tommy wanted to take back l’manberg and knew that he would go against them if they set up a new government. and this is true to an extent! he did know that tommy wanted l’manberg back and he did know that he would go against them if they set up a new government. but wilbur was also telling techno that he was on board with the whole anarchy thing. 

none of them were on the same page and that surely led to a big chunk of what happened and hurt feelings on both sides but that doesn’t mean techno betrayed anyone or that he was the bad guy for doing exactly what he said he would do from day one.

techno destroying (l’)manberg was wrong - it’s complicated

the first thing to address here is that for most anarchists, destroying a government isn’t a bad thing. in fact, taking down the government/state is basically our goal. now, i don’t speak for all anarchists, of course, but overall the general feeling is that violence in the name of overthrowing an oppressive government is not inherently bad. there’s no way to do a one-for-one here because it’s minecraft but the general sentiment remains. so while violence enacted against the state is a bad thing for people who aren’t anarchists, techno has no reason to and would not view it as inherently bad.  

but it did hurt people and techno himself acknowledges that fact. he’s acknowledged what he’s done when confronted about it. he hasn’t said he was wrong because understanding that it was hurtful doesn’t mean he believes he was wrong. to him, he wasn’t. destroying what he viewed as an oppressive system was the right thing to do, even if it hurt people.

(also this isn’t any kind of meta but i think it needs to be pointed out that wilbur had already set off the tnt and techno summoned two killable mobs which did plenty of damage but he didn’t say wilbur was the great who came before them for no reason.)

again, this is going to be the most controversial part of this post because i don’t believe destroying government is a bad thing and i don’t believe techno is wrong for believing that as well. there are better ways to address the problem and techno is adjusting his tactics but if another government was to be established, i don’t believe he would be in the wrong to destroy it because he’s an anarchist.

the tl;dr of this section honestly could just be summed up with ‘watch less marvel, read more ursula k. le guin’.

‘techno is the villain because he called tommy the hero’ - so very false 

this is a take i’ve seen that to this day i don’t understand.

techno calling tommy the hero does not mean he was setting himself up as the villain in any capacity. it was merely pointing out tommy’s habit of putting himself at the forefront of almost every conflict, trying to shoulder everything, no matter how it hurts tommy himself. the speech was directed at that and nothing else. it doesn’t mean techno is the villain, it doesn’t even mean there is a villain; there are more stories to be told than the classic hero-villain and the hero-villain narrative doesn’t always apply to stories. (i’d certainly argue that it doesn’t apply to the dream smp but that’s a different conversation.)

techno is to blame for tubbo’s death - false

i think this one has been done to death but what would a techno post be without it?

no, techno is not to blame.

he said over and over that he was outnumbered and believed that if he had done anything, everyone would’ve turned on him and ‘torn him to shreds’. even if that wasn’t the case, it is what techno believed. he had no reason to think that he could take the entire crowd out until he actually fired the rocket launcher. and remember, he tested the rocket launcher earlier during the festival on niki (who volunteered) and it didn’t kill her. when he realized the amount of splash damage it did, he gives a surprised laugh and then begins firing into the crowd. 

as for saying he was under ‘mild’ amounts of peer pressure, techno has a habit of minimizing. not just the things he’s done, but often situations that he’s been in that were stressful. he stated that he deals poorly with high stress situations and one of the cognitive distortions that can come with anxiety is minimization. techno doesn’t actually believe it was ‘mild’ peer pressure - it was a situation that caused him enough distress that he brings it up later at doomsday - but it’s easier to deal with a situation when you downplay it, it’s easier for techno to keep up that calm façade when he’s acting as if whatever happened wasn’t that big of a deal even if it was. again, the way he speaks about it on doomsday was clearly upset and emotional. 

the only person to blame for tubbo’s death is schlatt. he was the one pulling the trigger and techno was the gun.

if you made it this far, thank you for sticking it out! i spent so many hours rewatching all the streams, some of them multiple times, while taking notes to be able to do this. i’m extremely passionate about techno and i feel as if a lot of the arguments against him tend to miss the nuance of his character. this project is on-going and i’ll be going over the butcher army/retirement storylines next. feel free to submit any points you’d like to see addressed! 

#technoblade #dream smp #dsmp analysis #dsmp meta #tommyinnit #tubbo #quackity #dsmpblr #dream smp analysis #loyal does meta #this......is a lot #i spent so much time on it y'all

[jazy3]

Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn’t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first.  Until next time.

#free guy #free guy movie #free guy spoilers #review #Thoughts #critique #millie rusk #Walter keys Mckey #walter mckey #guy #free guy keys #buddy #antwan #mouser #ryan reynolds #Jodie comer #joe keery #taika waititi #lil rel howery #Utkarsh Ambudka #alex trebek #jeopardy #mariah carey #fantasy #it's so good #go see it

[ender-baggins]

Just watched 14x13 Lebanon.

Will preface with the fact that this was a bit of my commentary on the previous episode, and that I do think John Winchester was a crap parent

Lebanon was a pretty good episode, actually. I know some people hate it, and I started off prepared to seethe every moment that John was on screen. but then I managed to get one foot out of the John-crit zone and put it in Sam and Dean’s shoes, and looking at it from both perspectives? The episode has a lot of nuance to it.

Spoilers for this 14x13 Lebanon (obviously)

Overall I think the most important thing to remember about this episode: the theme is that some things are too good to be true.

I knew which episode it was, but I was surprised because I thought it has been in season 15, and then John didn’t show up for a while, so I thought I was wrong until the Pearl came up.

I gotta hand it to Jensen. When John appeared, there were so many emotions packed into Dean’s face in that first short scene, I had to rewatch it several times to get them. Part of it was simple shock, but I could also see… something a little like panic in his face, along with Waay too many emotions for me to name.

The conversation between Sam and John was… I started off mad and then focused more on Sam’s perspective and realized that… yeah, Sam isn’t the same person he was last time he saw his dad. And he didn’t get closure. He never got a chance to get real closure on it, and then here, he did, at least in some form.

Also, interesting thing I noticed- I could see the beginnings of how it could turn into another argument, and John said something that seemed a little accusatory, “you didn’t have a problem talking about it before you left,” and then Sam was like “nope, not gonna argue, not gonna do it, REDIRECTING-“ Which, after what Dean said in the scene before—

—Sam doesn’t want to mess this up for Dean. No way is he gonna start a fight, not now, not when they just got their dad back.

I don’t like the last line of Sam and John’s conversation: “But you did your best, dad. You – you fought for us, and you loved us, and… that’s enough.” Because honestly- it wasn’t enough. It wasn’t. And… dammit he could have done better. But then again, that’s Sam’s dad, and he’s been dead for over a decade, and sometimes people tend to put rose-colored glasses on over the past. So I’ll still happily condemn John’s parenting but I won’t condemn Sam just because he’s unable to see things for what they are in this case.

Now- my absolute favorite part of this entire episode is the section of Sam and Dean going to get groceries and noticing things are changed, and realizing “oh shit, what else is different?”

One, gotta love Dean for implying that Sam being a kale nut is a worse thing than Dean being considered a serial killer by society (which, it’s not like society is wrong??). Like, ah yes, wonderful priorities there, Dean. You’re a wanted killer with your face up in the town, but clearly Sam giving a lecture about the wonders of kale is a much worse thing. (If you can’t tell, I’m being incredibly sarcastic here)

And then here. Castiel’s appearance. I was screeching watching this. Completely freaking out- so much adrenaline. I bet if I’d taken my pulse it would have been skyrocketing-

This was followed by the scene of Castiel and Zachariah in the restaurant, which was Awesome, very clearly highlighting the difference that Dean and the Winchesters made in Cas’s life (later this will be relevant in the Confession - “You changed me, Dean”).

*cue me posting an unnecessary amount of screenshots*

Castiel unfurls his wings—

(Note the messy hair from flying around everywhere. Not the same as his old haircut, but they did what they could with Misha’s hair at the time)

Notice that Dean’s got the angel blade point down, and when he attacks Castiel, he’s using the blunt end to hit him, not the sharp end

(On the other hand, Sam uses the sharp end of the blade to swipe at Castiel. No judgement from me here, Sam sees this as “not our Cas” while Dean still sees this as “my Cas, I can talk him away from Heaven again.”)

Then, the most interesting thing here- when Cas pins Dean agains the wall, Dean’s not even trying to fight Cas here.

See how his hand settles on Castiel’s chest? Not really pressing, just touching. His other hand is gripping Castiel’s wrist, I imagine to try to remove enough pressure from his neck that he can speak. Trying to use his connection to Cas to get Castiel to stop hurting him. And it doesn’t work. Castiel stares him the eyes, not even a flicker of doubt or questioning.

You’ll note that I referred to alternate Castiel in this episode as exclusively “Castiel” and not “Cas.” Because it’s not Cas. Cas is the angel that saved Dean from Hell, and the angel that’s been by Dean’s side for 11 years (at this point in time). And this Castiel has not done that. So he is not Cas.

I’m reminded of the scene wayy back in season 5 where Cas beats Dean up in the alley for trying to give up and give in to Michael. There, Dean actually encouraged Cas to kill him, at the end, and Cas softens. Can’t exactly parse out the parallels there because my brain isn’t working, but there you go.

Now, probably my favorite conversation with John is this one, with Dean.

Right here. The way that Dean says “I have a family.”

It feels almost defiant. “I do have a family. I have Sam, Cas, Mom, Jack. My mother, my brother, my best friend… and I have a son, we all have a son. And beyond that, I’ve got Jody and Donna and Claire and the girls. I do have a family. Yeah, it doesn’t look like the apple pie life, the white picket fence, wife and kids, and yeah, our son is the child of Lucifer, and yeah, I’m in love with my best friend who’s an angel in a man’s body, and I wouldn’t trade him for any woman, and you’d hate that. But they’re my family. And I’m good with that.”

It’s proud, it’s a little defiant, it’s also a little bit of a reassurance, as we see from John’s smile afterward. I don’t think John caught the hint of a challenge in there.

I loved that moment. That might be my favorite line in the entire episode. “I have a family.”

I also like… Dean’s acceptance, “I’m good with who I am.” Part of that… I think it’s both a good thing and a sad thing and also a half lie at the same time. I think he’s good with who he is, in the sense that he’s accepted that he and Sam are the people that have to fill this role in the world, y’know, saving everyone. I think he loves the people he’s with, he loves his family and wouldn’t trade them for anything, not even having John back. No way would he ever trade Cas or Jack or Sam, or Mary, for anything else, ever.

It’s sad, though, because it’s like… he can’t imagine who he’d be if he had a different life. Yes, he’s had a few runs at an apple-pie life, but they weren’t happy, there was always something wrong nagging at him. He… I think he believes there’s no way for him to be happy, and that this is the best he could have.

I’m not even sure how to analyze the goodbye scene. I mean, the clearest thing here is just so much grief from everyone. They got a taste of their father back, and now he has to go back to being dead. There’s so many complicated feelings for both of the brothers, because of the complicated relationship with John, but in the end? They can’t help but love him, and they can’t help but feel grief at losing him. I won’t fault them for that.

In short, I wanna give Dean a gigantic hug and also give him therapy-

And then Cas coming back to the bunker when he did. I bet he sensed something and headed back to the bunker as fast as he could. Also, no clue what he experienced during the whole “Castiel and Zachariah are alive” thing. I imagine it’s possible there were two Cas’s running around for a bit? Because Mary didn’t get affected by the pearl. And Sam was there with his own memories, despite there being videos up of him doing things in the parallel universe. As for Cas, he’s part of Dean’s group of “people” so my guess is two Castiels running around for a little bit.

I like how Dean looks at Cas at the end. He’s relieved to have his angel back.

In summary-

The theme of this episode is “some things are too good to be true.” John came back, the four of them got their moment together, but John couldn’t stay. Things were good for that single afternoon, because everyone was just happy to see each other again, but it sent so much stuff into chaos that it couldn’t last, it had to be undone. And even then, if they’d tried to keep going with it, I know it would have degraded, the illusion of perfection would shatter, and they’d fall into old habits, old arguments and new ones.

And so it had to end.

#THIS IS NOT JOHN APOLOGISM #JOHN IS A TERRIBLE PARENT #HE MAY HAVE APOLOGIZED BUT THAT DOESN’T ABSOLVE HIM OF HIS ACTIONS #john winchester #spn 14x13 #spn Lebanon #dean winchester #sam winchester #mary winchester #castiel #jack kline #destiel #supernatural #Ender’s musings

[onlydylanobrien]

Coup De Main Magazine Interview: Dylan O'Brien on 'Love and Monsters'.

Dylan O'Brien really, really, really loves dogs. Fondly referring to his adorable co-star as "completely the star" of his new Oscar-nominated film, 'Love and Monsters, O'Brien's face lights up like a Christmas tree when reminiscing about the two Australian Kelpies, Hero and Dodge, who together portray his onscreen best friend, Boy (a.k.a. the best dog in the world).

At the heart of 'Love and Monsters' is this dynamic duo, with O'Brien as Joel Dawson, who in a post-apocalyptic world overrun by giant monsters decides to set off on a dangerous journey to reconnect with his high school sweetheart (played by Jessica Henwick), seven years after the Monsterpocalypse forced all of humanity into hiding underground.

An endearing tale of a wide-eyed boy and his loyal dog, we caught up with Dylan O'Brien to discuss 'Love and Monsters' which was filmed in Queensland, Australia...

COUP DE MAIN: Congrats on the Best Visual Effects Oscars nomination for 'Love and Monsters'! You're in the film, so for the purposes of this interview, I think you can own that.

DYLAN O'BRIEN: Thank you! Oh absolutely, I am nominated. I've been telling everybody: I'm an Oscar nominated actor now.

CDM: You did it!

DYLAN: Thanks! <laughs> It really is amazing.

CDM: It's funny that you filmed this movie back in March to May of 2019, but the whole situation of Joel finding himself separated from Aimee probably feels very familiar to anyone who started a relationship pre-pandemic that doesn't live with their partner.

DYLAN: Yeah, it's really weird. It's really weird how what we ended up going through when this movie was due to come out, how much it related to these themes that we're exploring in this movie. It's a very crazy coincidence.

CDM: Also, the sort of aversion to venturing out again into the outside world, that feels very relatable.

DYLAN: I know. Like when he first comes out of that hatch, he's breathing in the fresh air like it's strange. It's really strange.

CDM: I also thought of the current mask-wearing situation when Clyde says: "You can always tell in their eyes, just look at their eyes." People have had to do a lot of eye-reading this past year?

DYLAN: Right?! Oh, wow wow wow. I hadn't thought about that one.

CDM: One of my favourite things you've ever done is the 'Life Of A Hollywood Actor' video. What do you think the 2021 version of 'Life Of A Hollywood Actor' would look like?

DYLAN: <laughs> Thank you so much, first of all.

CDM: I rewatched it yesterday in preparation for this interview.

DYLAN: No way, thanks! That's really cool. Yeah, I love that character. I want to do something with him. What would the 2021 version be? I think he would definitely be taking the Oscar nom for himself, very seriously - like, the visual effects Oscar nom he would apply as being his, basically, and I think he'd try to bring that up and try to really ride that to get some work. He thinks this is gonna be a big career thing for him, and then he somehow fucks it up by being too overzealous.

CDM: Joel clings on to his memories of Aimee for seven years, replaying them in his mind so he can continue to relive them. Why is it that it's in human nature to mentally retreat into the past for comfort? And to look for a home in other people instead of building a solid home within ourselves?

DYLAN: That's really interesting... I feel like that's something instinctive, especially if you're going through a hard time or especially if something's shifted in your world negatively. I think there's uncertainty about the future and I always find in those situations a common link to wanting to find comfort in the past. I've gone through things, like times like that in my own life, and I've always found that when I've gone through a time like that, there's this level of uncertainty. I think it's human instinct and sort of this instinct to protect ourselves in a way. We're a wild species, aren't we? We're very emotional creatures. I think that's part of what makes humans so special. And instincts like that, to preserve and protect our heart and mind, and to hold on to things like that. And the way we're attached to memories like that and nostalgia. There's a reason these things are a part of our fabric. We're very emotional creatures.

CDM: Do you think that love or fear is a stronger emotion?

DYLAN: Whoah, that's pretty wild. I would say love - only because I feel like it has this sustainable power to endure over time. Whereas fears can be fleeting, and even if it comes quick, it's gone. But then also... yeah, I don't know. <laughs> We're getting deep. Real deep!

CDM: Is love an action or a feeling?

DYLAN: WHOAH. <cracks up>

CDM: I'm putting you on the spot, sorry.

DYLAN: No, no, I'm good! I love it! They're very interesting questions. I'm cracking up at you choosing me to answer these. Fuck. I mean, I think it's a feeling. I believe that, at least. I'm trying to think of ways it could be an action, obviously, but that's not love. I feel like if it's an action, it's something else. There are actions that come from love, but the love, it's a feeling. That's what I believe.

CDM: I always think about how in the TV show, 'Fleabag', The Priest says, "Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope," which I feel like Joel would also relate to.

DYLAN: Yeah! I love 'Fleabag'.

CDM: It's so good.

DYLAN: It's SO good.

CDM: Clyde says to Joel: "Good instincts are earned by making mistakes." Do you agree or disagree with Clyde's life lesson?

DYLAN: Yeah, I think there's a lot of truth to that, for sure. I think that mistakes absolutely help us grow, in many ways, in terms of instincts and stuff. Yeah, I think that's a wise and sensible perspective to have, especially in an apocalyptic wasteland.

CDM: Do you have any cooking specialities like Joel's talent for minestrone?

DYLAN: Yeah, I've got some go-to's. They're all my mom's, like the things that are nostalgic for me that I grew up with that my mom cooks, like her chicken soup. It's the first thing I do if I go on a job or somewhere where I'm going to be for a little while, just to feel like I'm at home, the first thing I'll do is I'll make a soup and then I'll have it in the fridge for the first week that I'm there. I'll make my mom's chicken soup and it's a really nice comforting sort of a feeling. And chicken cutlets. Two very chicken-y things!

CDM: There's a line I love from the TV show, 'The Good Place', in which one of the characters says: "Sometimes, when you're feeling helpless, the secret is to help someone else. Get out of your own head." I was reminded of it in the scene where Joel is forced to take action against a monster to help save not himself, but his dog. Excluding the life or death element, have you ever felt similarly that it's been easier to help someone else first in order to help yourself?

DYLAN: Yeah, sometimes to a fault. I think that that's something that's been a bit of a learning curve for me, interestingly enough, pretty recently as well in the last year or two, to sort of realise that I need to try to help myself sometimes a little more. I think I have an instinct to help the people that I love and want to be there for them, or even a stranger sometimes, over myself, which can definitely be an interesting quality, but yeah, I think that's helping yourself. Taking care of yourself is extremely important and I think that we all sort of go through our own path of learning the importance of that, and ultimately, too, if you want to be helping others and helping your loved ones, you actually need to be taking care of yourself, first and foremost. Everyone comes to their own kind of realisation over it. It takes time. It takes your 20s, sometimes more.

CDM: Do you miss your dog co-stars Hero and Dodge?

DYLAN: Yes! Yes!! I do. Yeah, I really, really do. And Zelie [Bullen] as well. Their mom and trainer.

CDM: Do you have a dog yourself?

DYLAN: I've got little dogs, yeah. I've got little babies. You?

CDM: I don't sadly, but it's my life goal to adopt a dog one day.

DYLAN: You should. Do you want one? You should get one!

CDM: I'm gonna just tell everyone: Dylan O'Brien told me to get a dog, so I'm getting a dog now.

DYLAN: <laughs> I'm just part of this major life decision for you, forever now.

CDM: Social media can be such a vanity project, but I love that you only have Twitter, and use it mostly just for helping give a platform to important human right issues and sharing your love for Taylor Swift and Harry Styles. What are your favourite Taylor Swift and Harry Styles songs?

DYLAN: Oh my goodness. Like ever? For Harry, from Harry's last album, 'Watermelon Sugar', obviously. I think my my favourite one of his though is... What's it called? I can hear it in my head. They sing it on 'American Idol' all the time.Falling'! That's a huge one for me. T Swift, I mean, it's amazing - give any of the rest of us like six months in quarantine and we look back on it and we're like, 'Shit, I should have done more,' but give Taylor six months in quarantine and she writes fifty hit songs. It's incredible. Off 'Folklore', I think 'Mirrorball' doesn't get enough credit. I'm a big 'Mirrorball' fan. I love 'My Tears Ricochet', and 'Mad Woman', 'Epiphany', 'The 1'.

CDM: Basically the whole album.

DYLAN: Yeah, I really liked that one. There's so many more, but those are my highlights.

CDM: You used to be in a band, Slow Kids At Play, right? Would you ever want to get back into music professionally again?

DYLAN: I still play all the time, and I still play with friends who play as well. Even those guys. They're all still my good friends. We actually had a reunion show in 2019 and it was really cool. We jammed in our friend's garage for our hometown friends. Music will always be a part of my life. I always try to not let it be one of those things that you lose in life. I think that's important to do. If it's not your primary thing, it's sometimes easy to. Often years pile up and then you're like, 'Oh, man, I haven't done this thing that I love in so long, like, I should build that into my routine.' So yeah, I'll always play drums and always jam with friends and play. And yeah, it'd be cool to be in a band again. Maybe someday. Or even just to play a show again, like even just to sit in for someone would be awesome.

CDM: Then maybe you can come to New Zealand on tour.

DYLAN: On tour?! I don't think I'd get to that level, but I like that you have aspirations for me.

CDM: Why is it important to you to use your platform for good?

DYLAN: I think that's influenced by the time that we're in. Also coinciding with a time that I went through in my life and just sort of getting older. And for me, it just feels right in terms of the things that I want to use it for, or try to support, or bring to life, or amplify, or bring a light to, and I guess it's influenced by my own learning and growing and trying to be more involved in this stuff and educate myself on it. It sort of just mirrors that a little bit, and I do think it's important.

CDM: Thank you for your time today. And thanks for telling me to get a dog.

DYLAN: Go do it! Send me a pic when you get them. It was such a pleasure talking to you, thanks so much.

#dylan o'brien #love and monsters #love and monsters press #love and monsters netflix press #taylor swift #harry styles

[jade-it-queen]

Jade. The fate of female character in Mortal Kombat

It’s been a while since I posted anything on my blog cause I’ve been busy with my life and rapid changes in it. During this time, I’ve watched the new 2021 Mortal Kombat movie as well as the new animation Battle of the realms and also rewatched the Story Mode of MK11 a few times. As you probably can tell, I have a lot to say.

JADE. MILEENA. KITANA. SONYA.

Skip this if you don’t want to read my very important (and long as sh*t) rant about female characters in MK.

DISCLAIMER. This thing is going to sound extremely feminist and women-supremacist or whatever. By saying things that I’m going to say, I by no means think that male characters should be weak or lacking. If anything, it would be nice to have some godforsaken EQUALITY. I’ll explain further later.

Part One: Mortal Kombat (2021)

There’s no Jade in this movie. 

The end. That should be the sole reason I dislike it.

However, it might be better this way since the Nitara and Mileena portrayals in this movie are... questionable to say the least. Okay, y’all been robbed. If MY JADE would be brought into this movie to BE THERE for like 4 minutes of screen time only to get absolutely brutal FATALITY I. would. be. pissed.

More than I already am and that means something.

Sure, there’s a possibility that she’s going to be present in some of the upcoming movies because this one is definitely not the only one they’re going to make. But do I want that? Yes. And no.

Mortal Kombat movies (and Mortal Kombat in general) have a problem with women portrayal in general. The target audience for them are MEN, potentially heterosexual men, who want nothing more than bloody gorey fighting scenes with occasional sex scene here and there. To achieve that, they need a female lead, an attractive, kinda kick-assish but not too much, to not overshadow the absolutely badass men characters. Girls tend to be “independent” (because God forbid they’d want to express interest in the male leads before the time is right), sarcastic, laid back and sometimes even bitchy. Because, you see, they are fighters. And they are Sonya Blade. They need NO MAN. They just need plot armor, bigger than America itself. And if they’re not Sonya Blade, they are... non existent. They are there, but they are never really there. Here, let me walk on screen for a couple seconds. Let me sit beside Very Important Male Character (aka Shang Tsung) for a couple of seconds, looking absolutely gorgeous. Let me have a fight scene in which I make choices so f*cking stupid there’s no potential explanation to it. I exist in this movie to make people that love me (this character) to come into theatres in hopes to see some good action and interesting plot.

Now, I wasn’t born yesterday, I know how the world works. It’S bEeN LiKe ThAt FoReVeR, gEt OvEr here iT. Yeah, it’s been like that forever and the result is a mediocre movie that pleases neither the casual viewer, nor the actual Mortal Kombat fan. I don’t know, there might be guys who just saw Kung Lao’s fatality on Nitara, thought to themselves “Neat” and went on with their lives. But I exited the cinema with a sour taste in my mouth, feeling like I’ve watched one of the “fighting genre” films based on video games that had nothing worth remembering. Well, besides Kano. He was my favourite part of this movie and I  normally can’t stand the guy :’D

Would it really help if they changed the way the women were portrayed? I mean - is that the ACTUAL problem of the movie? No, women being the eye candy and barely something else (if they’re not Sonya Blade) are not the only problem it suffers from. It’s that MK has been going the same route, retelling the same goddamn story for the millionth time. It’s always THE SAME. The only thing changing is who’s gonna get brutally killed. But - of course - out of the “disposable” character pool. It’s never Sonya (because you need our female lead or else there would be no female characters in the story), who ya know could be killed by Mileena but magically WASN’T. Because Mileena FOR SOME REASON was like: Ya know what? Naaah. Even though Sonya’s from Earthrealm and is actively trying to stop you. If anything, kill her because she annoys you. BUT NAH. It’s never Liu Kang because he’s the Chosen One. But killing Kung Lao is fine, he can die so Liu can awaken or smth. It’s not the main character because how else can you portray THE MAGIC OF LOVE AND FRIENDSHIP? Ya, that’s what I thought, don’t even think about it.

You have an amazing universe, filled to the brim with SO. MUCH. POTENTIAL. Let go of the same boring plot line and show us Kombat from another perspective. Change something. F*ck, go all feminist route and make a story center around Mileena dominating the world. Try with different versions of the same story, making it center around different character each time. 

SURE, YOU’LL PROBABLY LOSE SOME VIEWERS BUT TIMES ARE CHANGING, AND MOST OF US ARE TIRED TO PAY FOR THE SAME STORY OVER AND OVER AGAIN.

Part Two: Mortal Kombat Legends: Battle of the Realms

Jesus f*cking Christ.

To say this film was rushed is an understatement. While I was watching it, I was like: TF? Everything happens all at once, we have Kuai Liang-Scorpion story line, we have Outworld’s attack, the tournament, not to mention the final fight that should be whole another movie. I felt like no story line was properly laid out, some of the characters died before I got to even know them and the battles were... disappointing. I believe they needed to push this movie out so they squished in everything they had and just went with it. 

But, again, this movie just repeats the same things as its live action version. Let me lay it down for you:

Kung Lao dies (because yes)

Sonya Blade lives (because yes)

Jade is just there (more of it later)

disposable characters are disposed of

Liu Kang is badass and always wins

You watch it and feel like you’ve already seen it before. Sure, gore is fine, human Raiden is precious and need to be protected at all costs and adrenaline is pumping (I guess).

BUT NOW.

You know what’s coming.

JADE.

JADE.

My f*cking piece of sunshine, the gorgeous goddess of beauty and kombat, the woman who owns my heart.

She’s there for like not even a minute.

Words can’t describe how f*cking PISSED I am by this portrayal. These motherfrickers put her in EVERY SINGLE POSSIBLE SNIPPET OF THIS MOVIE. HER BATTLE WAS IN THE TRAILER, ONE OF THE SNEAK PEEKS WAS A SCENE OF HER AND KITANA.

TURNS OUT EVERYTHING I SAW BEFORE THE MOVIE WAS RELEASED... WAS EVERYTHING I WAS ABOUT TO SEE OF HER!!!!

THEY MADE ME HYPED UP FOR NOTHING!!!!!!

I know I’m not the only one riding this trolley. Li Mei was there just to be killed. Kung Lao had a f*cking single dialogue line and then BAM, fatality, buh-bye. But I was watching everything of this movie, being so enormously happy that I will finally see Jade in the movies, FINALLY! Only for her to be present in a single scene, get her ass kicked by Liu Kang (what’s new) and then she’s never seen again, even when the whole f*cking world is breaking apart.

Again. She’s just there. Ladies and gentlemen, one of the best Shao Kahn’s assassins, gets her ass kicked in fourty seconds. They NEVER let her speak ffs. She just spews some general villanous sh*t and proceeds to step on Johnny. Then, she just goes Observer mode as Kitana “betrays” Shao Kahn, gets tied to the column and then the world is ending. 

WHERE THE F*CK IS SHE?!

If you hype me up for her every chance you get, at least GIVE ME what you’re advertising. This is a scam. This is criminal offense. And homophobic. She is more than a revealing outfit and Liu Kang’s punching bag. I’m SO. F*CKING. TIRED. OF THIS. SH*T.

Kitana. The rebellious princess of Outworld... turned damsel in distress in this movie. Her role is so effing bad it hurts me to my core. You see her as a general being so badass and independent... oh right, we need Liu Kang to save her because he needs to maintain his hero look. And we need two kissing scenes. How do we get there? Oh, right, let him save her, because you know - that’s what makes wahmen kiss you. 

ARE YOU NUTS?!

The movie started just fine, with Kitana being in charge with her right hand, Jade. Then, obviously, they water her down and soon she is a princess in a tower (in this case, princess on a column) that needs her buffy sexy man to save her. Oh, and she can’t resist him - you know, every normal girl’s reaction to getting untied is to kiss a guy you’ve known for like a few hours but seen before and you’ve talked like three dialogue lines in total. Sure.

Kitana just gets the unfortunate role of a female main character. She’s Liu’s love interest and that makes her take the role of a strong (but surface level, only) woman who still needs her hero to free her. Classic damsel in distress story, with Kitana being the princess, Liu being the Prince charming and Shao Kahn as the dragon (lul). Of course, they try to cover this up by making Kitana a general, letting her win a few fights but it won’t matter in the end. Some say that women want to believe in fairy tales but the more I see fighting games’ lore, the more I say it’s the men who want to believe them. 

Is it necessarily bad? No. But it’s boring as fuk.

I would like to ask the directors to stop being so afraid of upsetting the target audience. Target audience can change and sometimes it comes out better than originally planned. My Little Pony was designed as a child’s cartoon but it was the creepy men who made it reach the top. Morally? Questionable at best. But business is booming, right? And that’s what they care for, right?

All I’m trying to say is these days women and gays are the future.

Thank you for today, more to come. I’m going to rant about the Story Mode.

#Mortal Kombat #mk jade #kitana #nitara #mileena #battle of the realms #female #commentary #article #mortal kombat movie

[h3rmitsunited]

Socially Distanced Dirk

For those of you interested, I don't have a copy of the video, but I was able to rewatch the short via a copy that is not mine and I wouldn't feel comfortable sharing their copy and wrote up a transcript of it. I'm sure Arvind Ethan David will share at least the short with ticket holders if they can't resolve the lecture videos issues, so someone will likely post a copy at some point, but in the meantime here's the full video transcript.

"Socially Distanced Dirk" Transcript (Video was approximately 4 minutes long)

[Video begins with Dirk Gently, portrayed by Samuel Barnett in his iconic yellow leather jacket. There is a tower of playing cards in front of him on a table. He tries to place the Panic Pete squeeze toy on the cards and it falls apart. Dirk sighs and closes his eyes.]

[Title screen, black background with white text. It reads "Socially Distanced Dirk Starring Samuel Barnett and Hannah Marks, Written and Directed by Arvind Ethan David].

[Dirk begins speaking before the title screen ends, and it slowly fades into a front facing shot of Dirk, still in his yellow jacket, speaking to the camera.]

Dirk: They say you can become good at anything in ten thousand hours. Well, as a holistic detective, I was already quite good at quite a lot of things, and I've never spent ten thousand hours on anything, until lock downs... Locks down. Locks downs? Is it like solicitous general or knights templars? There's been so many, and we know so little about them.

It turns out ten thousand hours is really, really, really long, but not long enough to become an architect [he holds up the remains of his failed card tower], or a master bee keeper.

[Dirk sighs again, and a ring tone chimes in the background signalling a video call coming in, Dirk looks down.]

Dirk: Oh! This could be a case. [His demeanor perks up as he clicks to answer the call.] Dirk Gently's Holistic Detective Agency. No case too small, no be too buzzy.

[Dirk is shown on the left of the screen and Amanda's video shows up on the right after Dirk finishes his greeting. Amanda is wearing a blue surgical mask and her gray leather jacket from the end of season 2, and appears to be calling from outside. Dirk's name is labeled as Not Dirk Gently (Incognito) and Amanda's is labeled as Rowd3.]

Amanda: Bees? Dirk, why are you talking about bees?

[Dirk's eyes widen as he realizes it's Amanda and he looks excited and happy to see her as he talks.]

Dirk: Amanda? Oh, Amanda! It's so good to see you! [He claps his hand a little at the bottom of the screen. It's very cute.] How are you!? How the- [he looks shocked] Amanda? Stop.

Amanda: What?

Dirk: [he whispers] You're out...side.

Amanda: [sort of exasperated] Yes, the Rowdies and I are working the case.

Dirk: [he leans back from the screen, talking quickly] Case what case why don't I know about the case. Has Todd been leaking proprietary Holistic Agency information? [he looks suspicious]

Amanda: Dirk.

Dirk: Yes?

Amanda: You know all about the case. We've been working on it together for months.

Dirk: Have we?

Amanda: Yes! It's why you went to England. Farah said she can't get a hold of you, and we've all been really worried.

[Dirk looks thoughtful and then leans back in realization.]

Dirk: [Dirk explains this with typical Dirk Gently flair and expressions] Ahh. Yes. You see, well. I got here, and then I sort of got locked in, along with everyone else. It's possible, I forgot to do the...uh

Amanda: Investigating?

Dirk: Yes. Sorry.

Amanda: Dirk, are you okay? [her tone is concerned]

[Dirk sighs and slumps his shoulders.]

Dirk: England is being very anti holistic at the moment. It's most disconcerting.

Amanda: Anti-holistic? [Dirk is shaking his head and looking to the side.]

Dirk: They're de-connecting, against all the logic of the universe, the English people have decided to unholistify themselves  and become disconnected from everything that matters. It's very upsetting, even without the locksy-downsies. I've been drinking an awful lot of tea.

Amanda: Dirk, of anyone, I know how annoying it is when people keep asking you this, but are you okay?

Dirk: Oh, absolutely! N-no one has shot at me or electrocuted me or tried to feed me to mad carnivorous rhinoceroses for absolutely months now. [he smiles, but then it changes to a frown] It's really quite boring.

Amanda: Rhinos aren't carnivores, Dirk. They are beautiful, wise, and gentle animals. Magical really. But I meant with, you know, the virus.

Dirk: Oh, indubitably. IndubitAbly. Inbubitably? If knowing everything is connected teaches you anything, it teaches you to take pandemics pretty seriously.

Amanda: Good. Good, show me your mask.

Dirk: [defensive] Show me your mask. [Amanda, who is still wearing her blue surgical mask, just points at it] Oh, yes, right. It's a good one. Hang on!

[Dirk leans down off screen and leans back up with a realistic rhino mask covering his whole head.]

Dirk: Here it is!

Amanda: You're bored out of your mind, aren't you?

Dirk: [from inside the rhino mask] The spirit of Pepe guides me.

Amanda: Bye Dirk! I miss you.

Dirk: [quickly pulls the mask off] I miss me too. [he smiles] Amanda!?

Amanda: Yes?

Dirk: Remember. Everything- Everyone is connected. [Amanda's video goes off, and it's just Dirk speaking to the camera now.] That means you too. Keep strong. Dark times call for close connections. Be there for each other.

[Amanda's video comes up on it's own. Hannah pulls her mask down to her chin to talk to the camera]

Amanda: It's going to be okay.

[Both videos are on the screen now. Amanda waves and puts her mask back on.]

Amanda: Bye, Dirk.

Dirk: [he waves back and smiles] Bye Amanda.

[Both videos go off and now the screen is black. There is a clicking noise as small white text starts appearing at the top of the screen. The text appears like old computer typing. It reads, 'END LAPTOP FEED. CONCLUSION: PROJECT ICARUS REMAINS ACTIVE. CONTINUE A WATCHING BRIEF.' Large text appears in the center which reads FIN. (For Now) Short credits play.]

#Dghda #Dirk gently #dirk gently's holistic detective agency #socially distanced dirk #Douglas adams

[derivativealigner]

Well I haven’t watched sp all the way through for about a decade now, so I thought it was time

Sometimes I wonder how accurate the fandom is when it comes to how we interpret the characters. Like, why is Stan a football star so often in fanfic and why’s Kyle always the smart one? So I thought I’d rewatch the show and make notes along the way to see where the source of all these interpretations is. I also wanted to see if I could get some fun info to analyze, but season 1 is pretty sparse in that regard so there’s not too much of that in this post, but I’ll make a post for all the other seasons too as I watch them

In summary, it’s established in season 1 already that Stan’s a star quarterback and an animal lover, Kyle’s an A+ student, and Kenny is poor and knows a lot about sex and doesn’t have many qualms about doing crazy shit. Cartman is a bit weird since he’s mostly just a naive brat in this season, but he and Kyle have a mildly antagonistic friendship already

I have all my notes under this cut. They include a bunch of small details and other observations. I also listed every Kenny death just because

Ike has freckles

Cartman says “Weak!” and “You guys” and “Seriously” a lot from the start, also “Kickass!” He doesn’t say weak or kickass much in the later seasons iirc

Stan says “Dude, this is pretty fucked up right here” three times in this season but they dropped that catchphrase pretty quickly

Bebe got named in episode 2

Stan’s been an animal lover since s01e03 Volcano since he won’t shoot a bunny or anything else. He does shoot Scuzzlebutt at the end though

Cartman’s a pathological liar but in a childish way

Randy got named in s01e03 Volcano (and it only got worse from there)

The mayor went to Princeton

South Park is next to Mt. Evanson

Kenny will literally drink gasoline

Stan’s a star quarterback in 3rd grade

Clyde’s voice is wrong as hell in S01E04 Big Gay Al’s Big Gay Boat Ride and he has a dog, Rex

Garrison says Kyle is an A+ kid

Shelly seriously abuses Stan, punching him, throwing him, maiming him with a lawnmower

Cartman had a pot-bellied pig called Fluffy

Cartman’s mom smokes crack and has sex with strange men

Dr. Mephesto is probably a Buddhist since he says “Thank Buddha” instead of “Thank God”

Clyde’s voice gets kind of fixed in S01E06

A guy called Mr. McCormick is killed in a protest, launched and splattered against a network building. He doesn’t look like Kenny’s dad though

Zombie Clyde attacks Bebe, rude

Wendy gave her costume contest prize (2 tons of candy) to hungry children in Nairobi

Cartman’s mom is on the cover of Crack Whore magazine. “Back do’ ho… Five on one action!” is the headline

Cartman genuinely cries at Kenny’s grave after the whole zombie thing but gets over it because of candy

Stan knows his mom’s credit card number and has no problem using it to adopt an Ethiopian child (the boys wanted a watch that came with the adoption, they weren’t doing it to be nice)

Cartman calls Stan a vas deference, Stan doesn’t know what that is so Kenny says “Dude, it’s a pipe for your peepee” (according to a transcript). Kenny sure knows male anatomy

Kyle sniffs Kenny after Cartman asks why poor people smell like sour milk and Garrison says “idk eric they just do”

Cartman thinks poor people should die and decrease the surplus population

When the boys get Starvin’ Marvin delivered to them, Cartman says “Hey mom, we found an Ethiopian, can we keep him?” and his mom says “Sure, hun.” She rarely says no to Cartman

Kenny’s dad is an alcoholic who drinks scotch according to Cartman. I mean, Mr. McCormick is seen drinking in multiple episodes and has a hat that says SCOTCH so it’s probably true

Kenny’s family says grace

Craig’s first appearance is S01E09. Also, S01E09 is the first time Kenny doesn’t die (Coincidence? I THINK yeah but it’s still fun)

Clyde got named in S01E10

Clyde and Bebe both spit on Pip’s face, friendship goals <3

Cartman and Kyle have their first fight at Cartman’s birthday party because Kyle didn’t give the right gift. Cartman slaps his face and  screams “I hate you! I want you to die! Die!” while on top of Kyle who’s not really fighting back

Satan throws a fight with Jesus after everyone except Satan bet that Jesus would lose, which leads to Satan winning everyone’s money. Mr. Garrison says “What a mean thing to do!” and Jimbo says “He is a jerk!” and I thought it was quite a laugh so I wrote it down

In S01E11 Tom’s Rhinoplasty Bebe and Wendy are sitting in the swings together and generally appear together throughout the episode, then Bebe gives Wendy a makeover so they’re bffs obviously <3

Craig first appears in the classroom, though not sitting down, in S01E11

Wendy’s not happy about Ms. Ellen taking Stan away from her, she says “Don’t fuck with me! Stay away from my man, bitch, or I’ll whoop your sorry ho ass back to last year!”

Kenny gives Ms. Ellen a scrumptious looking sausage as a valentine’s gift and giggles deviously. Wendy’s gift to Ms. Ellen is a dead animal

Even Kenny doesn’t know what a lesbian is

Wendy’s grandma died in S01E11

Wendy gets Ms. Ellen killed by hiring the Iraqi government (?) to put her in a rocket and shoot it into the sun, then she and Bebe have a pool party (very cool, they wear sunglasses 😎) and watch the rocket hit the sun

Cartman and Pip play a game of kicking each other in the nuts until someone falls. Cartman calls it “Roshambo”

Kenny has a sack of marbles

The boys aren’t fans of Barbra Streisand, but Stan is a fan of the Denver Broncos quarterback John Elway (he’s not a quarterback anymore, he’s an American football executive and the president of football operations for the Denver Broncos of the NFL according to wikipedia.)

Officer Barbrady is a fan of Fiona Apple (who was 20 at the time and had only one album released called Tidal)

Ned knows how to pilot a helicopter

Kyle’s mom is a fan of Streisand unlike literally everyone else, she even gets an autograph from Mecha Streisand

The boys are fans of Robert Smith, the lead singer of The Cure. Stan says “Robert Smith is the greatest person that ever lived!” and Kyle says “Disintegration is the best album ever!” and Cartman says “Robert Smith kicks ass!” and Kenny’s dead so he doesn’t get to have an opinion

Cartman has tea parties with his toys: Polly Prissypants, Clyde frog, Peter Panda, and a dragon called Rumpertumskin

Kyle wants to make fun of Cartman for the tea party but Stan stops him because he’s concerned that Cartman needs help

Craig is in front of the school counselor’s office in S01E13

A young miss Cartman drinks like a motherfucker at the 12th annual drunken barn dance where Cartman was supposedly conceived

Stan lets Cartman borrow his bike like a good friend

Garrison wanted to have a threesome with Chef and Cartman’s mom. I don’t know why I’m making a note of this but uh… yeah.

Cartman’s mom has had sex with everyone at this bar that Garrison’s drinking at, including principle Victoria, the mayor, Father Maxi, and Jesus (and maybe Kenny’s dad since he’s at the bar but the camera doesn’t pan to him when Garrison says they’ve all slept with Liane). Later Gerald Broflovski is a possible father to Eric, so he fucked her too. Also Mr. Mephesto and his friend Kevin, that little guy, are candidates along with a lot of other people, including the 1989 Denver Broncos (and Mr. Tenorman is included in that later)

Cartman doesn’t make fun of Kyle for being Jewish much at all in this season even though the Christmas episode is all about Kyle not celebrating

Clyde and Token appear very early on and Clyde has always been in the classroom (along with Bebe, Red, Kevin Stoley, Wendy, and Pip and uhh DogPoo too I think). Craig appears later in the season and Tweek’s not in season 1 at all, so Craig’s gang isn’t really a thing yet

And here’s a list of the ways Kenny died in this season. He dies in every episode except episode 9, and he dies twice in episodes 2 and 3. Altogether he dies 14 times

S01E01 Killed after alien shoots him, cows stampede over him, then cop runs him over which finally actually kills him

S01E02 Killed in a play by a falling teepee, then a second time shot by Garrison which sends him in the air and he gets impaled on a flagpole on the way down

S01E03 Killed by a volcano rock that burns him then rolls on him but he’s alive again in the end but gets shot by Ned’s gun that he drops and it accidentally goes off

S01E04 Gets his arms and head torn off in an American football game

S01E05 Stan’s clone punches Kenny into a microwave where he gets cooked alive

S01E06 Death touches Kenny

S01E07 Kenny gets crushed by a Russian space station and turns into a zombie because he gets Worcestershire sauce in his veins, then Kyle chainsaws zombie Kenny in half, then zombie Kenny rises from his grave and is crushed by a statue and a plane

S01E08 Kenny is killed by a bunch of turkeys. His eye gets plucked out. It’s dark blue

S01E10 After Kenny gets turned into a duck-billed platypus, Jimbo and Ned shoot him

S01E11 Ms. Ellen throws a sword through Kenny’s face

S01E12 While Mecha Streisand and a giant robot Leonard Maltin fight, Kenny plays with a tetherball and gets the rope wrapped around his neck and it strangles him

S01E13 Kenny gets stuck on a go kart and it drags him around but stops and he’s still alive! Too bad the go kart stops on train tracks and a train runs him over. Stan’s grandpa sends a video of the event to America’s Stupidest Home Videos and wins $10,000

If you read all that, first of all hello. I’m not new to the fandom even though this is the first thing I’ve posted on this tumblr blog. I’ve been writing a fanfic called Caffetamine though so I’m not a complete non-entity. Anyway, I’ll watch season 2 soon and post my notes on that too probably.

#south park #sp rewatch #i made way too many notes #kenny used to get dialog in almost every episode #poor kenny #he really gets shafted later

[fencesandfrogs]

hi my name is matthew and i have some thoughts about haes

okay disclaimers: i’m a little jumpy around the subject so while i don’t feel i’m being unnecessarily harsh/unfair, if ur firm on haes w no yielding, and you don’t want to argue about it? either skip this or don’t respond. i don’t really care. but i’m putting the body under a read more.

[3k words, 10 minute read. sections headers, some text italicized for emphasis/some readibility. no images/videos, a few links.]

second disclaimer: i’m not planning on going heavy on sources. i will happily provide sources to people who want them, and i haven’t written the actual post yet but it’s unlike me not to cite anything, but doing an in depth well researched and sourced post on this type of subject is not something i’m up for right now.

like i said, i’m jumpy around this subject. and on the off chance someone decides this post is Bad and i must be banished to the Bad Blogs Bin, i’d rather not put a lot of work into it.

third disclaimer: i’m not particularly interested in reading X study that says actually no people who way 700 pounds are healthy and people who weigh less than 200 are going to die early deaths. i know that’s a straw man i needed to a) get it out of the way now and b) i just am tired all the time and don’t have a ton of itme for it. that said, if you do send one to me, i will probably read it at some point, and i may or may not provide my thoughts.

right then. moving on.

with no more waffling, my thesis is as follows: weight stigma is bad, however obesity is killing people and i really would like people to stop pretending it doesn’t.

i. really hate that that’s a controversial opinion. i mean i hold a decent number of somewhat controversial opinions, most of which i keep to myself because i’m a firm believer that what i think about something should not interfere with how other people live their lives. as a noncontroversial example, i think mormons are in a cult. children, being minors, being indoctrinated is a problem, one i myself am not dedicated to solving because i have other issues but as far as adults involved, that’s their business.

(*please note that i’m not expanding on my thoughts because this post is about haes but i do have a more complicated opinion i’m just trying to demonstrate something please don’t at me about cults i know that they’re bad and adults in them also need help getting out that’s not the point of this post & i’m anxious enough so like, please.)

anyway so. obesity. is bad. it is bad for your health. if you are obese, you are not healthy. that said, i am not going to tell you to lose weight. no one should tell you to lose weight except for your doctor and maybe your immediate family, and that should be from a place of “you are not living your best life and i care about you.” i, an internet stranger, along with pretty much everyone you know, does not get to tell you about how terrible your life is and what a horrible person you are for existing, because you are not a bad person for being overweight. you do not deserve discrimination or mistreatment. even if you’re not actively trying to lose weight. it doesn’t matter. you are a human being like any other and i will fight like hell for you.

i’m not planning on going heavy into eating disorders because a) that’s a triggering topic for me and b) it’s going to muddle the point i’m getting, but since it is a large part of the arguments re. haes, it’s certainly going to come up, so i’d like to list the officially recognized eating disorders.

Anorexia Nervosa (AN)

Bulimia Nervosa (BN)

Binge Eating Disorder (BED)

Other Specified Feeding and Eating Disorder (OSFED)

Pica

Rumination Disorder

Avoidant/Restrictive Food Intake Disorder (ARFID)

Unspecified Feeding or Eating Disorder (UFED)

Other (aka “we are considering making this its own category but for matthew’s purposes it fits into AFRID or UFED well enough because the details aren’t important”)

so yeah. we’ll circle back to this.

section one: haes

haes initially stood for heatlh at every size. that doesn’t really matter anymore because people say healthy at every size now, however, the distinction is important. because.

okay. when i say being obese makes you inherently unhealthy, i am not saying you are having health problems for being overweight. i am saying you have a chronic illness. i have asthma. that makes me inherently unhealthy. i don’t necessarily have an health problems because i am asthmatic, but i have a chronic illness and it certainly would, say, make me more likely to die from covid. that is a fact. saying healthy at every lung functionality would not change that.

but you know, i can still be active and like smell plants and interact in the world like anyone else. i just try to keep my inhaler near by.

so similarly, if you are overweight/obese (i’ve been saying only obese because its less letters so i’m sticking with that), you can, like, live ur best life and take care of your health. you can feel good about your body and eat good food and move and again, i really don’t want anyone reading this to feel that i think everyone who’s obese needs to lose that weight because adults can do whatever they want.

what i’m angry about is that a good thing (encouraging people to make good choices no matter what so they can feel good in their bodies) got turned into a bad thing (telling people they don’t need to change what they’re doing because they’re perfectly healthy).

section two: but what about...?

see my third disclaimer. but as a fast rundown of things i probably won’t talk about in detail later:

the obesity paradox is a specific thing about a specific type of illness in the elderly. it’s also not about obesity, it’s about being slightly overweight. it’s a complicated thing, but it’s not true most of the time

sumo wrestlers have major health problems as soon as they stop exercising like crazy.

did you know there are countries where girls are force fed to become overweight? diet culture goes both ways

if you want to say healthy at every size, you have to mean that every. that means you are not allowed to say shit about underweight people. i’m sorry, is someone you care about wasting away? are they 5′10 and weigh  90 pounds and their hair is falling out because they aren’t eating? i’m sorry, you said people are healthy at every size. you can’t make fun of skinny people. you have to suck it up because you can’t have your cake and eat it too.

section three: self care

a hypothetical that is blindingly obvious to where i’m going: if a small child wants to play with a knife, are you caring for them by giving into it? what if they want to drink some vodka? what if they want to run away from home to live with a stranger in a white van?

i really really hope all those answers are “no, you’re neglecting that child, and also possibly actively harming it.”

so my point is pretty obvious: giving yourself something because you want it does not mean you are caring for yourself.

you know what i want  to do all the time? sleep and rewatch twilight every day. but that makes me feel worse. so even though it’s terrible and i hate it, i have to take care of myself (because there is only one of me that i ever get) and go outside and talk to people and eat something that isn’t popcorn because you need protein to live.

(sorry i tried to keep nutrition out of that but i have to actively seek out sufficient salt and protein due to my campus doing a lot of low sodium food, which is bad when u actually need to eat a good amount of salt to keep ur body working, and also i’m vegetarian. so i’m constantly making myself seek it out.)

that doesn’t mean self care is always supposed to be work, but i mean. i’ve always not really gotten into it. i think because i’m hella depressed and i’ve been depressed long enough i can recognize it as this separate entity when it comes to a lot of the mental stuff. like, why do i feel like everything is meaningless? that’s just the depression.

but i digress, this isn’t about me. [proceeds to talk about me again]

one phrase i like a lot for myself is “bad food makes me feel bad.” now, i’m not a fan of putting moral judgements to food. but this works for me, personally. sure, eating a bunch of ice cream right now is good, but it’s going to suck when my stomach flips the fuck out because of all the sugar. and so it seems quite obvious to me that eating that ice cream is not, in fact, caring for my body.

and i think we’d collectively be a bit better served if we could learn to distinguish between self-care and self-kindness. ask anyone who does caregiving (childcare, nurses, etc): it is hard, often thankless (at least for children they’re devils who don’t realize that their toys will get wrecked if they don’t pick them up) work. you care for them not by doing what they want, but what is best for them.

section four: diet culture

as i’ve already played my hand up above with underweight vs haes, i think it’s kind of obvious that i have strong feelings about underweight not being healthy also. so i just want to take stock of what is and isn’t diet culture, and what i think about it. this is probably the most subjective part of this essay.

things i think are diet culture

people trying ridiculous diets. obviously diet culture in the purest sense. it’s real dumb. you need all the food groups to live. sometimes it’s okay, like cutting out sugar, but i’d say its a net negative

not trying to do lifestyle changes. that’s the sustainable way to lose weight. so. yeah.

weight cycling. actually still up for debate if this is bad. this paper says no, along with a lot of others, but i’m not sitting down and reading through all of them, and all of the ones that say its bad, to offer my opinion. i’m leaning towards “it’s better than nothing,” but we’ll see

a lot of other stuff i’m doing this off the top of my head and trying to avoid issues w eating disorders so.

things i think aren’t diet culture

women being pressured to look a certain way. that’s been going on for a long time. being skinny used to be bad. it’s a fact of the patriarchy.

most things? idk i have this impression that like, anyone exercising or eating healthy is a part of diet culture, when in reality, people just have different lifestyles. (also, again, if you’re going with haes, as in HealthyAES (hyaes?) you can’t call it unhealthy or you’re not respecting that damn E)

in conclusion: diet culture has issues, but the correct response to them is not “fuck you, i’m eating fourteen pounds of sugar.” eat fourteen pounds of sugar because you want to. (also it should be fat because if you really want to stick it to the man you should be eating fat, big sugar is responsible for a huge amount of todays dietary problems, both on the under/overweight side)

section five: discrimination

yeah no fuck people who discriminate about fat people. that’s all i’m just moving along to a transition since i was drifting away from my point about health.

section six: weight stigma

...is not responsible for your health issues. being obese is. accept the consequences of your lifestyle.

well. okay. that’s a little unfair. accept the consequences of not treating your chronic illness. and i feel i’ve probably lost people for calling obesity an illness but that’s the whole point of my post.

just like carrying externally heavy objects hurts your joints, so does carrying a lot of weight inside. fat does not cushion your organs, it kills them. getting rid of weight stigma will not make these issues go away.

the treatment for obesity is eating the number of calories you need to sustain a healthy weight at your current exercise levels. (*please consult with your doctor this is more complicated when you have to lose a lot of weight.)

section seven: cico. or, why your metabolism is fine

your body does not break the laws of thermodynamics. it cannot magically create more energy out of a given amount of calories.

there are issues with calorie counting, yes. i think it’s usually done in an unsustainable way that isn’t teaching people to make decisions, just to do math. it can be hard to get an accurate count.

but you are not a miracle of science. you have not discovered how to create and destroy energy. i’m sorry to be the one to break if to you.

if you don’t believe me, if you’re really sure your metabolism is different, go on and get it tested. tell your doctors. because it’s a major problem if it’s not working right.

similarly, i’m sorry, but if someone is the same height as you and a (very, like, +- 50 pounds) different weight, and neither of you have exisitng health conditions, you are not eating the same things/doing the same exercise. you have not broken the laws of physics.

possibly, one of you have untreated celiacs or something of the ilk meaning your body is actually malfunctioning. but if that’s true, i excluded you already, so shoo. get out of here and play in the sun with the other kids.

if you don’t believe this, there’s not much i can do to convince you. but i encourage you to count your calories for a month. find some tdee calculators. weigh yourself. make sure you count everything, it all goes down. check the math. (you can do any amount of time but a month is what you need for weight to be meaningful imo otherwise you’re just proving weight fluctuates a lot).

section eight: cico. or, why counting calories is not disordered eating

it can sure be a symptom of disordered eating, and it can certainly make disordered eating worse, but it isn’t an eating disorder.

also, assuming you’re not trying to verify the laws of thermodynamics, i don’t think counting every calorie is necessary. i have approximate values (500/meal, and around 300 in snacks), which i try not to go over or under.

yeah. i actually use calorie counting to make sure i’m eating enough in one sitting. some of my medication screws with my apetite and then i only eat like 300 calories and suddenly its like 11 and i need to go to bed but i’m hungry but eating before bed makes me feel terrible and it sucks.

but hey, according to some people, avoiding that is unhealthy.

okay i’m moving on before i get salty because the next section is touchy

section nine: eating disorders.

the three main eating disorders are listed way up there. they’re the first three. AN, BN, BED.

oh, yeah, binge eating? that’s actually disordered eating too. it’s not normal.

i’m not going to elaborate on the point because i absolutely know i can’t do it without getting really fucking angry that people call calorie counting disordered eating, like i haven’t watched a fifth grader eat one meal a day because she’s scared she’s overweight. like i haven’t watched a sixth grader cram food into his mouth until he’s sick because he’s worried he’s not bulky enough for sports. like i haven’t watched an eleventh grader tell me he hasn’t eaten anything since lunch yesterday, but it’s fine, he doesn’t want his mac and cheese anyway, since he needs to lose weight.

you think someone keeping track of some numbers is an eating disorder? then either you’re lucky enough to never have to deal with eating disorders on a personal level, and i’m very happy for you, or you have, and you should maybe reevaluate that.

alright i’m cutting myself off now whoop.

section ten: intuitive eating

you know, much like haes, i want to like this. it fits in with my bad-food-makes-me-feel-bad mentality. i’m angry and tired and hungry because i ate like, a late breakfast/early lunch and now i need to eat again because if i don’t eat every six to eight hours i have a medical condition that makes me feel like shit (an aside: unless you’ve been told by a doctor, you don’t need to eat every 2-3 hours. unless you’re a child or have an applicable medical condition, you can probably eat one meal a day and be firne.)

but much like haes, it now has a meaning i can’t in good consience endorse. i can’t stand for a movement that tells people who acknowledge weight makes their joints hurt that they just need to keep eating until they feel better.

section eleven: conclusion

i have a lot more thoughts but again i’m hungry. i meant to talk more about IE and my problems with it but maybe that will be its own post.

i won’t say i’m happy to talk about this because i can’t promise i am (see: eating disorder issues.), but i will most likely respond to constructive discussion if someone sees this and wants to. i can also provide sources. i hate going, “sources available on request” but i tried to provide some stuff for some of the heavily disputed/i already had a source for it and didn’t have to dig through google scholar to find information that’s been peer reviewed.

and i do sincerely wish everyone, at any size, that they fracture the disconnect between them and their bodies (oop didn’t talk about that either another time then) & that they find peace with who they are, and that they get to live happy & fulfilling lives.

#fatphobia #anti haes #obesity #health #haes #i don't know how to tag this lmao sorry if i have a bad tag #q #mine #txt #7th #February #2021 #February 7th 2021 #essay #long post

[artificialqueens]

Level Up, Chapter Eleven (Branjie) - Holtzmanns

“I don’t think I could come up with anything negative about you.”

Brooke’s eyes are sincere as she says it, and Vanessa’s heart starts to beat just a little bit faster. Vanessa’s a person who’s always on the go, not one to slow down if she doesn’t have to but Brooke has the ability to make her world pause for just a second. Brooke changes Vanessa’s focus from what’s in front of her to solely her, and Vanessa almost wishes she could keep it there forever.

It’s never that hard for Vanessa to come up with words to reply with, especially not towards Brooke, but her brain feels like it has shuddered to a stop, pressing on the brakes because the small smile on Brooke’s face is more important to focus on. She could say something stupid, something funny, maybe return the sentiment but she doesn’t get a chance to decide on what to do before Yvie lets out a scoff.

“Except for your dislike of Chicken Little. That’s a negative if I’ve ever seen one.”

AN: Hi, I'm still alive, I promise. Popping back into this lovely fic nearly eight months later (a new job, a new apartment, a new city, and a new cat later too) and I love it just as much as I did in January. Eight months is good for plot to marinate and develop and I'm excited to get back to writing this fic again. If you're still around for this journey, thank you and know I'm so grateful for it. Please do tell me your thoughts if you read! Thank you writ for betaing ily <3

“So you have that interview with Glamour, I’ll set it up for some time this week, and Teen Vogue wants to do something on their Youtube channel. Who knew that was a thing? I’m working on Adidas’ rep to finagle a sponsorship outta them, and Under Armour on the backburner just in case-”

Vanessa bursts through the doors of the gym while Detox continues talking in her ear, not at all apologetic about the way that she has to interrupt her as she ambles towards Brooke’s office. “Just reached the gym. We’ll have to continue this later, ‘cause training waits for no one, right?”

“I see exactly what you’re doing, but I’m not mad at it. Go work on building those boxing skills that’ll keep lining your pockets for years. Toodles!”

Vanessa lets out a snort when Detox hangs up the phone. “Toodles? Who the hell says that?”

“Detox?” Brooke looks up from her book, an amused smile on her face. “I know that trick.”

“What trick?” Vanessa squints her eyes as she sits down, trying to read the cover of Brooke’s paperback. “Are you reading Chicken Soup for the Soul? ”

Brooke waves a hand. “Doesn’t matter. And the trick of dipping out of Detox’s phone calls. Why else would you get to the gym so early?”

“Oh, come on. I’m early sometimes. Occasionally,” Vanessa grins, and Brooke doesn’t buy it in the least from the way she raises an eyebrow. “Okay, maybe not. I like Detox, I really do, don’t get me wrong. She’s hysterical and good at her job, real good at it, but damn.”

“Detox works hard,” Brooke nods, understanding in her eyes. “It’s a lot to handle sometimes.”

“She cranks up the exposure by a million and targets it in specific places and it works, ‘cause I have a lot of followers and deals now but…”

“But what?”

Brooke leans forward, pushing her book to the side as she looks earnestly at Vanessa. It’s striking, sometimes, how Brooke gives her full attention. How much she cares sometimes.

It’s nice.

“It feels real wild, y’know? Like all I did was become a meme, and now my face is going to be in a Spotify commercial. How does that jump happen?” Vanessa shifts in her chair, letting out a sigh. “It’s only been a few weeks.”

It’s as if Vanessa is riding in a car that’s only getting faster and faster, not quite in control of the steering wheel or knowing when she’s going to be able to stop. Sure, the ride is fun, but it also feels like she’s driving without a license, as if she’s skipped the learner’s permit stage and hit the highway instead.

“She wants to capitalize on it as much as possible. Keep you in the spotlight even after the next big meme rolls around,” Brooke shrugs, before pausing for a second, a look of concern in her eyes. “It’s not too much, is it? I can always talk to Detox with you if you feel like it’s overwhelming-”

“Nah, I’ll survive,” Vanessa shrugs, giving her best reassuring smile to Brooke. “Lush sent me some free shit the other day. I like goodie bags.”

Brooke snorts. “Fair enough. Bath bombs are a reason to keep going.”

“Want some? I got enough for a month's worth of spa days.” Vanessa makes a mental note to bring some of the freebies for Brooke on their next practice. She’s earned half of everything, at least.

“You have any of the sakura ones?” Brooke is tentative with her question, and Vanessa nods enthusiastically.

“You’re getting all of ‘em.”

“Now, hold on a second-”

“It’s six. Don’t we have practice to start?” Vanessa’s up and out of the office before Brooke can protest any further. “I’m gonna go change.”

Practice is nice. Practice feels familiar amongst all the new chaos in Vanessa’s life. It lets her turn her brain off and get away from the people that recognize her out in public, the way her Instagram is now solely for sponsored posts. The way she feels like a caricature of herself, almost, because others have an opinion of who she is based on a ten second video clip.

But practice isn’t like that. In the gym, Brooke is the same as ever, pushing and pushing her until sweat is drenching her back and her mind is spinning and she feels more alive than she ever has. When Brooke throws moves at Vanessa that she has to work in overdrive to block and counter with some of her own, it’s familiar. Even though she’s tired and gasping for breath, it’s what she knows how to do, and in an environment that isn’t unsettling or foreign.

The best part about it? Vanessa can still feel herself learning. Growing. Stepping up to the challenges that Brooke throws at her. Sure, she’s not aching to get back into the competition ring anytime soon, but the approving smiles from Brooke when she gets in a good hit or when she avoids a shot that would previously knock her on the ground gives her a thrill every time.

The end of practice leaves Vanessa with a new sense of longing that’s only been present the last few weeks, since this whole meme mess has started. Leaving the gym is hard, because it means Vanessa has to go outside again, pull her hat down when passerby on the sidewalk give her a second look. She has to unlock her phone and pretend to be busy, but then she’s faced with comments pouring in on every social media account that she opens. She can text one of her friends but it’s hard to continue a conversation, really, after it starts with a rousing Miss Vanjie, no matter how much in jest.

Being outside the gym means that she’s reminded of her new loss of normalcy.

She takes her time switching back into her sweats after she showers, dragging her feet as she leaves the change room with her gym bag slung over her shoulder. When she squints her eyes she can see Brooke at the far end of the gym, teetering on a stool as she repositions one of the crooked banners. Brooke turns around almost as if she can tell Vanessa is there, a good natured smile and an easy wave following immediately.

“See you tomorrow.”

“Need any help?” Vanessa’s stalling a bit by asking, but maybe Brooke really could use a hand with the banners, or at least an extra set of eyes to make sure that they’re nice and straight.

She’s just helpful, that’s all.

Brooke, to her credit, doesn’t call Vanessa out for it as she squints, admiring her handiwork. “I think they’re as aligned as they’re ever going to be. I’m going to get ready to leave for the night, too.”

“Oh,” Vanessa doesn’t mean to sound a little disappointed as Brooke jumps off the stool, fiddling with the jacket that’s slung across her arm. “Already?”

“It’s almost eight thirty,” Brooke points out, padding past Vanessa towards her office door and grabbing her coat off of the hook. “You’re not tired and ready to go home yet?”

“I just…”

Vanessa trails off, looking down at the ground. She’s not sure what to say, really. All that’s waiting for her is her apartment, but she can’t mindlessly scroll Twitter or Instagram before bed without seeing her face again. She needs to reply to her friends’ texts, but the notifications are piling up on top of one another like a mountain that she’s not really sure how she’s going to climb.

Vanessa just wants to avoid it all.

Brooke pauses, and each second that passes makes Vanessa’s heart constrict because maybe she should just try to explain, but she doesn’t know how to and it feels like too much-

“C’mon. My roommate and I are having a late dinner and rewatching Chicken Little. Are you in for a nacho night?”

Brooke’s looking at her expectantly and Vanessa wants to say yes, but what pops out of her mouth is what’s pressing on her even more. “Did you say rewatching Chicken Little?”

“It’s a good movie!” Brooke’s defensiveness makes Vanessa crack a smile despite how restless she feels, how much she’s fidgeting while standing in place. “Come over and you’ll see.”

“Y’know, we haven’t talked about movies before, but this recommendation is making me question what your taste is like,” Vanessa lets out a giggle, when Brooke’s mock offense takes over her face as she puts a hand to her heart.

“The disrespect. You’re not getting nachos with those kinds of statements,” Brooke grabs Vanessa’s gym bag, slinging it over her shoulder as she holds the door open. “Now c’mon.”

Brooke’s apartment is not what Vanessa expects - there are colours and tapestries lining the walls and even one on the ceiling, and she’s pretty sure she sees a bong on top of the refrigerator. It’s pretty, though, with the art splashed across every free surface and the shelves filled with books upon books, piles of even more on the actual floor. Vanessa has to resist the urge to go and sit down on the wicker chair in front of the television that’s suspended from the ceiling.

“Yvie’s the one behind the decor.” Brooke has a knowing smile on her face and Vanessa can feel her cheeks heat up, from how easily Brooke can read her mind. “Moved in a few years ago after she broke up with a long term partner. Never really got around to adding things of my own to the walls.”

Vanessa snickers before she can even get her joke out properly. “What would you add? A Chicken Little poster?”

Brooke, for her part, doesn’t miss a beat. “Nah. A poster of your meme.”

“Wow-”

“I know we were thinking nachos, but picture this. Chicken nuggets while we watch Chicken Little.” A girl with bright green hair pops her head out from behind a door, waving at the two of them.

Vanessa waves back, her eyebrows lifting higher and higher on her forehead when she realizes how tall the girl is as she walks closer. Even Brooke has to look up at her which is a strange sight on its own, considering how much Brooke towers over Vanessa.

Then again, Vanessa’s used to being the short one.

“Vanessa here is doubting the movie’s genius,” Brooke raises an eyebrow, and the girl lets out a fake gasp.

“Um, not a movie. Chicken Little is a film. An artistic masterpiece.”

“Are you two the presidents of the Chicken Little fan club?” Vanessa asks, as Brooke sticks her tongue out at her.

“Yes. And no, you can’t join.”

It’s interesting how Brooke’s work demeanor has dropped now that she’s in her own apartment, her normally squared shoulders a little more relaxed. It reminds Vanessa of when they went roller skating, seeing how much fun Brooke had while pulling her around the rink.

Vanessa wants to see more of it.

Brooke points at her roommate as the girl sticks out a hand. “Ness, this is Yvie. Yvie, Vanessa. I’m coaching her.”

“You’re introducing her as if I haven’t heard you talk about her every single day for the last however many months,” Yvie drawls and Brooke’s sputter is immediate, making Vanessa’s breath hitch a little in her throat.

Brooke talks about her?

Yvie pats Brooke on the back as if she’s choking on her water rather than on some words, sticking her other hand out for Vanessa to shake. “You’re Brooke’s favourite student. Also her only student, technically, but still a favourite nonetheless.”

Brooke’s cheeks are bright pink and Vanessa can’t deny that the sight is adorable, seeing her flustered for once. Still. Brooke probably recaps their training sessions and nothing more.

“As long as it’s mostly positive,” Vanessa shrugs, and the way Brooke emphatically nods makes her feel better than she wants to admit.

“I don’t think I could come up with anything negative about you.”

Brooke’s eyes are sincere as she says it, and Vanessa’s heart starts to beat just a little bit faster. Vanessa’s a person who’s always on the go, not one to slow down if she doesn’t have to but Brooke has the ability to make her world pause for just a second. Brooke changes Vanessa’s focus from what’s in front of her to solely her, and Vanessa almost wishes she could keep it there forever.

It’s never that hard for Vanessa to come up with words to reply with, especially not towards Brooke, but her brain feels like it has shuddered to a stop, pressing on the brakes because the small smile on Brooke’s face is more important to focus on. She could say something stupid, something funny, maybe return the sentiment but she doesn’t get a chance to decide on what to do before Yvie lets out a scoff.

“Except for your dislike of Chicken Little. That’s a negative if I’ve ever seen one.”

The platter of chicken nuggets that Yvie places on the coffee table with a flourish is impressive, to say the least. There’s a little bowl of ketchup on the side, along with sweet and sour sauce and something that looks to be...ranch?

Whatever it is, Vanessa’s nose wrinkles at the sight. “Which one of you eats ranch with chicken nuggets? Is that legal?”

Yvie’s cackle and Brooke’s flushed cheeks tell Vanessa all she needs to know as she plops down beside Brooke on the couch, nudging her side. “Really?”

“The flavour combination is great!” Brooke mutters, grabbing a chicken nugget and dipping it in the ranch for posterity, holding it up close to Vanessa’s face. “Try it.”

Vanessa scooches herself towards the edge of the couch, away from the chicken nugget and the ranch that’s slowly dripping down like a melting ice cream. “Absolutely not.”

“It’s delicious-”

“It’s cursed-”

“More for me, then,” Brooke tosses the chicken nugget into her mouth, and Vanessa’s not sure, really, how she’s handling the flavours together without puking. “You’re missing out.”

“Very happy to miss out on that, thank you very much. I’ll take the ketchup.”

It turns out that Chicken Little isn’t so bad with Yvie and Brooke peppering in commentary as they watch, and Vanessa finds herself getting swept into the plot, as ridiculous as it is. The glass of cider that Yvie’s brought for each of them is making Vanessa feel a little more relaxed, her shoulders not as stiff anymore as she leans against the back of the couch. It’s fun to watch Brooke’s face, really, and the way she lights up while quoting the movie as it plays.

Vanessa makes a mental note to invite Brooke over to watch more movies. Better movies. Expand her palate. Chicken Little cannot be at the top of Brooke’s movie pyramid, not when there are better choices available, like Pretty Woman. Sure, Vanessa’s not exactly a film connoisseur herself, but still. Anything beats Chicken Little, right?

Maybe it’s just the cider settling in, maybe it’s the full stomach of chicken nuggets, but...it’s nice. Comfortable. Vanessa pulls her feet up behind her on the couch before grabbing a throw pillow to hug on her lap, and really, she could fall asleep right where she’s sitting, even to the dulcet tones of the main chicken character screaming about an alien invasion. Brooke looks over as Vanessa settles herself more into the couch, her expression unreadable but then she reaches over the back of the couch, grabbing the throw blanket behind them.

“Wanna share? It’s kinda cold.”

It’s not cold and Vanessa knows it, she knows that Brooke does too, but Brooke’s face is soft and tentative and adorable and sharing a blanket with her would make the couch situation even more cozy.

Plus, she can cuddle with Brooke, because Brooke is tall and thus is a tall, comfortable cushion to lean against.

Brooke throws the blanket across both of them and Vanessa scoots closer to her so that their laps are covered, the fabric fuzzy and warm. The side of Vanessa’s upper thigh leans against Brooke’s and she’s not sure why she’s so hyper aware of the fact, or why Brooke’s arm across the back of the couch makes her want to snuggle in even closer.

It’s just Brooke, after all. Brooke, who’s seen her when she’s all sweaty and about to collapse on the gym floor. Brooke, who had been there at her worst after the last tournament and still wants to coach her and spend time with her. Brooke, whose secret love for Twilight will never fail to make Vanessa laugh.

If it’s just Brooke, then why is Vanessa’s heart taking flight in her chest when Brooke starts to absentmindedly trace patterns on her palm? She doesn’t know why Brooke’s touch is lighting up a pattern of sparks on her skin either, or why Brooke’s side is so comfortable to lean against. Why Vanessa almost wishes that the movie could go on forever, so that she can stay warm and safe under Brooke’s arm that’s now draped across her shoulders.

Maybe Vanessa doesn’t need answers for all of those questions, not yet, not if finding out the answers would mean disrupting the delicate balance that hangs in the air between them. Brooke shuffles a little bit and when Vanessa’s head ends up against her chest, she can feel the way Brooke’s heart is beating, surely faster than any heart should. It’s a contrast from how seemingly relaxed the rest of Brooke’s body is, how her arms around Vanessa aren’t tense, restricting, but rather grounding, pulling her down.

Leaning back against Brooke is warm, familiar. It’s a feeling of home in a situation so novel, so different from how they usually are, like pulling on a sweater that Vanessa’s not sure how she’s ever lived without. Maybe, just maybe, Vanessa doesn’t ever have to take it off.

Vanessa doesn’t realize that the credits start rolling on the screen until Yvie rolls off of the lilac armchair, reaching for the remote on the coffee table. She lets out a yawn, stretching her arms up high before shutting off the TV. “I, for one, am exhausted. And as fun as this was, it’s my bedtime.”

Brooke snickers, and Vanessa can feel the way her chest reverberates underneath her. “You and I both know you’re about to go Facetime Scarlet.”

“That’s what bedtime means,” Yvie wiggles her eyebrows, and Brooke’s noise of disgust is immediate.

“Horrifying. You two better keep it down this time. My ears still haven’t recovered from overhearing you both last week,” Brooke shudders as Yvie cackles, shutting the door to her bedroom with a click.

Vanessa turns in Brooke’s grip, shooting a questioning look. Surely Yvie can’t be louder than the average person on Facetime. “Overhearing what?”

Brooke makes a face, the haunted look in her eyes almost comedic from the way that she sighs. “Let me put it this way. Yvie and her girlfriend are in a long distance relationship, which is hard on them for a multitude of reasons. One of them being their libidos.”

“Their libidos…” Vanessa trails off, her face falling when she realizes what Brooke means. “Oh no. Not that. Tell me not that.”

“Exactly that. They’re quieter over Facetime than they are when Scarlet visits, at least. That’s a blessing.”

Vanessa shudders. Sure, she’s not exactly quiet in bed either, but the thought of people on the other side of the wall being able to hear everything is horrifying, especially because of the fact that she lives with Alexis. Her sister does not need to know details about her sex life, that’s for sure.

Still, Vanessa wonders how loud Yvie must be. “How do they even make so much noise with phone sex, anyway? Yodel?”

“Mating calls that would fit in perfectly in a National Geographic documentary,” Brooke lets out a snicker, her hand clapping over her mouth when Yvie lets out an ‘I heard that!’ from behind her bedroom door. “Still, glad I’m not about to suffer through overhearing it alone. You’ve saved my evening.”

Vanessa snorts, pulling back from Brooke’s embrace to face her, leaning against the back of the couch. “Glad to be of service.”

Brooke is softness and kindness and contentment all at once, and the easy smile on her face is one that Vanessa feels so lucky to see the longer and longer that she knows her. It’s moments like these that Vanessa wants to hold on to forever - when Brooke’s guard is down, when her posture is relaxed and she’s looking over with eyes that Vanessa could drown in. She wants to package up this version of Brooke that isn’t tethered by reminders of her past, or with upholding a legacy that defines her whether she likes it or not. At times like this, Brooke isn’t a boxer with her father’s last name, or Vanessa’s coach responsible for facilitating her success. She’s just Brooke, a girl whose gaze is so mesmerizing that makes Vanessa’s breathing hitch in her throat without even realizing it.

Brooke holds out a hand and it’s almost second nature for Vanessa to link her fingers with hers, their hands fitting together in a way that doesn’t make sense, not when Vanessa’s hands are so much smaller. But Brooke’s grip is an anchor that keeps her from floating away, one that centers her and lets her focus on the upward curve of Brooke’s lips, the softness of her eyes when she smiles.

Except then Brooke’s brow is furrowing, a hint of concern in her eyes that Vanessa wants to brush away for her. “You okay? You’re quieter than usual.”

Vanessa can feel her face heating up as she stutters, pulling her eyes away from Brooke’s face to focus on the stitching along the couch cushions. “I’m fine. I...nothing.”

She can’t exactly go out and tell Brooke, someone who’s a coach and also a friend for that matter, that she’s just a little bit mesmerized by her face. Not something that’s likely to go over well.

Vanessa’s past relationships have been nothing short of peacocking, making herself known to those she’s had an interest in because they’d inevitably chase her right back. She knows her worth, knows how to go after what she wants, but…

What does she even want, now?

She doesn’t want Brooke, she can’t, not when Brooke is her coach and someone who’s becoming more and more important towards every aspect of her life, someone who she texts when she wakes up in the morning and who she’s messaging as she’s falling asleep.

Brooke’s not the type of person that Vanessa can parade around and go on a few dates with while drinking the cheapest wine on the menu for shits and giggles. She’s not someone that Vanessa can let go of easily, the way she’s had to with previous relationships that didn’t work out. Brooke is different from them.

She’s not disposable, not someone that Vanessa wants to let go of from her life. She isn’t someone that Vanessa can let go of at this point, because the thought of not seeing her amused expressions in the gym or the pride on her face while they’re training is too much to deal with. Vanessa’s only beginning to read through Brooke’s pages to learn more about her, and finding out little details that make her want to melt and pull Brooke just a little closer to her heart.

Brooke is too important.

Sure, Vanessa’s breath hitches in her chest whenever Brooke pulls her closer, and maybe Brooke’s smile is enough to drown out any background noise buzzing around them, but Vanessa also knows that she falls hard. And fast. She’s impulsive, following what her heart tells her to do and most of the time, she can deal with the consequences because she knows she’ll be able to get back up again.

But if this is a miscalculation? If saying something means that they’ll end up in pieces that neither of them will be able to put back together?

It’s too big of a risk. At least, for now.

Vanessa can’t be the one to take the jump off the cliff, not yet.

So she smiles, puts on the most reassuring expression that she can, hoping that it’s enough to soothe the concern that splays itself across Brooke’s features. “Really, I am. Just thinking about all the press shenanigans that Detox has lined up for me tomorrow.”

It’s enough for Brooke’s features to relax just a little bit, the smile on her face almost nostalgic. “I’m glad it’s you now, and not me, on Detox’s receiving end. She’s ruthless in the best way.”

“That’s one way to put it.”

There’s a sinking feeling in Vanessa’s chest by going for the cop out, but...she has no other choice. It’s not the way she normally handles situations like this, a fact made clear by how much she has to push down the butterflies in her stomach, and hide them behind a door so that they don’t escape and ruin stakes that feel too high, too much of a risk.

Still, Vanessa’s a bit of a sucker for punishment, and so when Brooke pulls her closer into a hug, it’s as easy as breathing to snuggle into her and rest her head against her chest, because Brooke’s arms are warm and safe and manage to slow her thinking down just a bit.

Part of Vanessa feels like she can handle it and hold herself back from doing anything stupid, if only to not mess everything up. She can be this close to Brooke and not have her chest split in two and maybe it’s a blessing, and something that she has to hold on to. Except that by leaning against Brooke, she can feel how fast Brooke’s heart is beating, threatening to escape from her chest before she can possibly stop it. It’s a contrast from the gentle way that Brooke’s fingers run through her hair, betraying the calmness on the outside that she’s trying so hard to convey.

Maybe Vanessa’s not the only one holding back. Maybe Brooke also feels it, maybe she’s also teetering on the bridge that Vanessa’s trying her best not to lose her footing on, and the thought gives Vanessa pause for a second, because maybe the risk is one they can manage, something they can work with...

No. No.

They can’t.

Not if it would lead to everything falling to pieces around them, not if it would mean no more training and no more Brooke in general. Because that’s how relationships always seem to end, don’t they?

As much as Vanessa has always wanted the romantic movie ending and a kiss in the rain, it hasn’t happened to her yet, much to her teenage self’s disappointment. There’s too much on the line to see if Brooke will be the one to veer her onto a different path and change the outcome.

So, Vanessa has to be happy with what she’s getting now, this friendship with Brooke and the coaching and accept it for all that it’s worth. Because Brooke’s important, maybe the most important person in Vanessa’s life and she has to take what she gets.

She’s lucky enough to have it in the first place, after all.

#rpdr fanfiction #vanessa vanjie mateo #brooke lynn hytes #branjie #lesbian au #boxing au #boxer au #level up #holtzmanns

[spongebob-connoisseur]

almost every cartoon youtube channel use to always rubs me the wrong way usually the way they review "modern" spongebob was going to cause the apocalypse and then rob you and then when hillenburg returned people started warming up and being a bit nicer to spunch bop but i really wonder is that they simply picked up spongebob again because of hillenburg and actually saw more modern spongebob episodes instead of cherrypicking the weaker eps hmm

in general about cartoon youtubers usually these days i feel like the early 2010s and some mid 2010s a lot of cartoon reviewers were a lot more negative for some reason but i am glad a lot more seem to have cool down and actually be a bit more positive and give real reviews and criticismm and i like the review more when they say things like "i personally didn't enjoy this but if you did i am glad you liked it!' instead of saying "this is bad because it's bad and the crew for these are horrible people and whoever actually likes these is cringe and that is fact"

You're very right! I've got more to add on this. I remember watching a lot of cartoon reviewers when I was younger. I stopped watching spongebob some time around 2011 because I just wasn't a fan of the episodes. So years later when these cartoon reviewers started popping up swearing they have an explaination as to why spongebob isn't good anymore, I believed it. I was a kid but still. There's a lot of holes in their arguments. They'd put out video after video of the same thing. Spongebob isn't good anymore because the creator left and the people working on the show now is bad. Only like the first 3 seasons otherwise you're a stupid kid.

That's dumb. Hillenburg didn't completely leave the show. He still had some work on the show. Reviewing episode plots and scripts. There's a lot of good moments post season 3. Some people straight up think some moments from post movie episodes are classic episodes and I've caught this often. The newer episodes have a lot of qualities older folks would enjoy. It isn't going to be exactly the same as the classics in tone and its understandable if you're not a fan but gosh these people have no respect.

In the early 2010s I feel like it was clickbait. It was something that can easily to get a microphone and talk about how modern spongebob is ruining the world to get a lot of likes. It appeals to the largest demographic and so why not? Its funny because most of the time they meant 6-8 and even those seasons aren't that bad. They have some weaker episodes for sure and that can be for a multitude of reasons not just "new writers bad". Even I'm wrong since I shat on those seasons before, only to find out recently from some rewatches. They aren't that bad. I mean when there's a bad episode like yeah its not great. But I think my main issue was I just didn't like the tone of the newer episodes. It was purely subjective and I couldn't see that for so long. It makes me laugh how blind I was. They're so creative too and do so much but I couldn't find myself liking them because I didn't like the chubby cheeks design on spongebob, I didn't like how slow some episodes are. Blah blah subjective stuff. And I couldn't see outside my bias. The Hot Shot is a genuinely good episode from season 8, Spongebob's Last Stand is one of my favorite SB episodes of all time, The Sponge Model is so weird, I can't help but laugh.

I'm getting off topic but I really wish it was as easy to say that they're changing now. I mean YouTube cartoon reviewers, the ones who especially shat on spongebob during the early 2010s started to turn around and enjoy the show post movie. I largely assumed it was tone change in the episodes. They started to become more spunky and goofy. Maybe that just appealed to them more. A new feel made them have a bit of change of heart. Especially watching season 9a and season 9b there's a big difference in feel.

But also like you said, they were probably only open to change because Hillenburg was now said to work on the show. Which he's always have been. Just now he's more involved than before. But since his passing, err some people have been pretty rude. I know even before people sent hate messages to the crew on spongebob. Largely fueled by those irresponsible youtube cartoon reviewers who acted like modern spongebob was the root of all evil. But now a days I feel like its too common. Probably because of all the misinformation around kamp koral, Hillenburg's passing, and also some people's dislike with the expressiveness post season 10. It's been fueling a lot of hate.

I get people not liking the expressiveness. Its not for everyone. But gosh it really isn't as bad as people make it out to be. And I hate keep running into the amount of hate people flooded the crew with. I hate even more whrn the movie came out, people acted like it was ruining the integrity of spongebob even though Hillenburg worked on it and pitched what is the main plot of the movie. And actually getting in arguments because people think I was a "movie defender" for stating the facts. They all acted shocked when they found out Hillenburg approved of the movie and Kamp Koral when Vincent Waller officially came out and said it. But for a long time, the facts were there and readily available. I admit I was wrong before since I also fell for the misinformation but even after a while, I just didn't want to fuel the hate because it drove people to do crazy shit.

Its also interesting seeing people's biases. I remember seeing a review where someone was review of sponge out of water and the person's review is essentially "I think its bad and if you like it then you should feel bad about it" someone needs to knock their ego down a bit. They were right earlier in their video that they didn't like it and didn't need to explain to people why they didn't like it. And that's right and I wish more of the internet would accept they don't need an elaborate reason to dislike something. But gosh that was a bad take.

And its funnier when the 3rd movie came out, they made a video acting like the film was hell on earth and remarked that the 2nd movie at least has some qualities and is enjoyable. Like before they weren't telling people they should feel bad for enjoying the 2nd movie.

Or how seasons 4-8 was considered modern spongebob. People shat all over it. Then when seasons 9-12 came out. They act like 4-8 is apart of the classics. Like season 8 is the last good season. It kinda feels like a joke. Or maybe they finally got over their blind hatred for those seasons and now found something new to hate because they can't let go that the classics era is long gone. I remember watching a review where some guy was just acting like seasons 9-12 is hell and was like "look how they massacred my boi" mans really was just drawn with an interesting facial expression. Calm down. And then he later admitted he never watched the modern seasons because he doesn't have the strength. He was just going off a random clip.

It gets frustrating. Tumblr here is very tame but on twitter or wherever else, some people really don't know how to behave and do research for themselves. They act like Hillenburg is some kind of god who will save the show and while shitting on the exact episodes he worked on. His name is literally in the credits before each episode.

They're like "oh I would fire all the current writers and hire the ones who worked on the classic episodes" the ones who worked on the classic episodes are working on the show now. What are you going to do? Fire them and hire them back on??

This turned into a long rant but uhh I just had a lot to share. It just gets on my nerves since the patrick show coming up adds more hate to deal with. I haven't the energy. If you have a problem with Nickelodeon's corporate decisions then deal with the executives themselves ya kno? But it wouldn't matter because people are really biased. Especially with the lasting effects of those early 2010s cartoon reviewers.

#spongebob #spongebob squarepants #sb #spongebon squarepants #the spongebob connoisseur #spongebob meme #Ask

[mostlymovieswithmax]

Movies I watched in June

Now I think I’m comfortably in a rhythm to get these posts out. For one, I’m writing up short reviews either straight after watching a movie or sometimes it might take a few days. But June was a fairly good month in terms of the amount of films I watched. I got to go to the cinema quite a bit which is always fun. Anyway, let’s get on with it! If you’re looking for something good to watch (or maybe even something bad), I hope this list can help in some way to introduce you to new and different movies that maybe you’ve never heard of, or were thinking of checking out. Here is every film I watched from the 1st to the 30th of June 2021.

Bo Burnham: Inside (2021) - 10/10 Everyone was going off about how great this film is. An hour and a half of Bo Burnham in lockdown, singing songs and being upset is definitely a powerful hook and I have to agree with the general consensus because Inside blew me away. More thoughts on this in my podcast: The Sunday Movie Marathon episode 34.

Bo Burnham: Make Happy (2016) - 7/10 After watching Inside, I figured I’d rewatch some of Burnham’s older stand-up shows on Netflix. Make Happy is a lot of fun, injected with a lot of introspection from Burnham that really makes the special stand out, despite a lot of gags that just didn’t land for me.

Bo Burnham: What. (2013) - 6/10 It’s plain to see just how much Bo Burnham has grown over the years and how he has honed his comedy and music. ‘What.’ is a good stepping stone in the comedian’s career, showcasing loads of promise in him from a young age. There are some jokes that haven’t aged as well and some that straight up dragged, but overall the show is still enjoyable.

The Conjuring: The Devil Made Me Do It (2021) - 3/10 Packed theatre for this one, obviously. People love a Conjuring movie, and I’d also say people love a good scare… but this movie isn’t scary, or good for that matter. More thoughts on episode 35 of the podcast.

The Conjuring (2013) - 6/10 After the horrendously disappointing debacle that was the third Conjuring movie, I decided to watch James Wan’s original movie and man, if this wasn’t better in literally every way. I don’t tend to love James Wan movies but I can’t deny he’s got so much talent in how he makes movies and it makes The Conjuring a lot more fun to see competent filmmaking in the horror genre in a way that actually creates an eerie atmosphere with creative uses of camera-work and editing.

A Nightmare on Elm Street (1984) - 8/10 Normally I’m not big into the old slasher movies. I appreciate that for the time, perhaps they hit differently, but now I just don’t tend to connect with them. Wes Craven’s ‘A Nightmare on Elm Street’ is a bit of an exception. Don’t get me wrong, it’s not particularly scary, though it does employ a lot of interesting techniques and designs. Undeniably, the design for Fred Krueger is a staple in cinema, with the striped jumper, hat, scarred face and knives for fingers not leaving the mind of the general public any time soon. Elm Street doesn’t have too many kills but when it does, it is so effective and fun to watch. Craven was one of the greats, truly.

One Cut of the Dead (2017) - 8/10 This has to be one of the most engaging zombie movies I’ve seen in a long time. There’s a lot to spoil with One Cut of The Dead but I won’t go into that here. It is clever and funny, subverting expectations in ways I really didn’t expect. I really cannot recommend it enough.

Dave Chappelle: Sticks & Stones (2019) - 8/10 Since we’re watching Chappelle's Show for episode 45 of the podcast, I wanted to get an idea for what I was in for, so I watched Dave Chappelle’s stand-up show from a couple of years ago. Yeah, really funny, which I suppose is what you want from a stand-up special, but what makes it better is Chappelle’s commentary on the world at large and how he’s able to combine humour with intelligent criticism.

Fear(s) of the Dark (2008) - 4/10 A few years ago I think I watched this animated black and white anthology film on a New Year's Day when I had foolishly decided to pull an all-nighter and then go out with mates for ice cream. Never again. But I’d forgotten what I thought of this movie and decided to get the DVD for cheap on eBay. Perhaps I am doomed to watch Fear(s) of the Dark only when I am tired because I popped this on when it was nearing midnight. I was lucid enough to understand what I was watching though… and it was quite boring. These short films emulate the filmmakers’ nightmares - an interesting premise in theory, but pretty weak on execution.

The Bourne Identity (2002) - 3/10 We marathoned the first three Bourne movies for The Sunday Movie Marathon podcast, episode 36 so check that out for my expanded thoughts on this, the best Bourne of the three.

The Bourne Supremacy (2004) - 2/10 Immediately after, we did the deep dive into Supremacy, the second Bourne and the worst of the three (albeit by a very slim margin). Check out episode 36 for more.

The Bourne Ultimatum (2007) - 2/10 I really couldn’t care less about these terrible movies. It was a horrible chore to sit through them. Ultimatum was also rubbish. More gripes and discussion in episode 36 of the podcast.

The Father (2021) - 10/10 Another trip to the cinema for this masterpiece. I tried very hard not to sob loudly in the theatre where aside from myself, the audience totalled three people. More discussion of The Father in episode 36 the podcast.

Drag Me To Hell (2009) - 2/10 I’m pretty shocked that Sam Raimi directed this. Usually when I watch one of his films, I can see his staple of fun gore, practical effects, crazy camera movements… but there was none of that here. It just felt like a really bad horror, indistinguishable from the regular affair, with no personality or passion. Drag Me To Hell might even have been one of those movies I’d avoided in the past when I was younger because it seemed too scary but no, it was just boring and bad and I feel like there’s something I’m not getting out of this that other people seem to be.

Moonrise Kingdom (2012) - 8/10 At this point, I feel I have to admit Wes Anderson as perhaps my second favourite director. His movies are just so nice and beautiful to watch. Moonrise Kingdom is a quirky love story between two kids and honestly, with any other director, could have been handled poorly because the story is quite simple. But Anderson injects so much of his signature style and personality into the film. A powerhouse of actors with the likes of Frances McDormand, Bill Murray, Bruce Willis and Tilda Swinton, among a few of Anderson’s regulars, make Moonrise Kingdom a breeze. Good for a dark day to lift the spirits.

Nobody (2021) - 8/10 I needed something to fill an otherwise uneventful day, so I hopped on a bus and booked a ticket for Ilya Naishuller’s new action movie, Nobody. The film started and to my annoyance, the lights in the theatre were still on. When I go to the cinema I don’t really want to see the other people sitting around me, so I got up from my seat, abandoning the first two minutes of the film to find a member of staff to turn the lights off. After showing them that the lights were in fact still on, I took to my seat and watched the movie for what felt like a little while before the lights went off. Nobody is a really fun action movie. Perhaps similar in a lot of ways to John Wick, but with more personality to the main character. More thoughts on episode 37 of The Sunday Movie Marathon podcast.

The Darjeeling Limited (2007) - 8/10 After procuring the Criterion blu-ray from my local hmv, I delved into all the supplements it had to offer, including a making-of documentary, chats with the director, and a gallery of polaroid pictures from when they were shooting the film in India. The Darjeeling Limited is perhaps not peak Wes Anderson, but I do kind of love it. It makes me want to go on a journey to another country with my brother and sister, perhaps in ten to fifteen years. Here, the main characters are three brothers who travel to India seeking some kind of spiritual experience. Things don’t seem to work out that way, however, because I’m not sure how spiritual an experience you can have when you plan out an itinerary to schedule it. Fantastic performances all round and of course, beautiful direction and cinematography.

Face/Off (1997) - 3/10 Was I supposed to laugh? Maybe I was just too tired but I really couldn’t stand Face/Off. It didn’t feel particularly special and despite a couple of fun ideas, it was mostly quite boring.

Luca (2021) - 5/10 The new Pixar movie leaves a lot to be desired. The animation is really second to none and I can’t fault how beautiful the movie looks, more so when it’s set in this little Italian town than under the sea. The story is so uninspired though, with the basic premise being that the protagonists want a Vespa so they enter a competition to win the money to buy one. Also they’re fish that turn into people on dry land. Maybe that’s enough for some people, but I couldn’t shake the familiarity of Luca. It never went in any interesting directions and basically did exactly what I figured it would do. I don’t believe it’s out here to subvert expectations but I would like some creativity when it comes to the writing. Perhaps if I watched it again, I might like it less. It was pretty dull.

Punch-Drunk Love (2002) - 10/10 I’m a little disappointed with the Criterion blu-ray for Punch-Drunk love. It’s supplements host a couple of low-quality deleted scenes that were clearly deleted for a reason, and some weird artsy music videos that incorporated footage from the movie. I was quite shocked at how low-effort it all seemed. The movie itself is fantastic though and I do believe it to be Adam Sandler’s best performance (and I really liked Uncut Gems). He portrays a man who is constantly put down by his family, clearly has some kind of social disability, and on top of it all he’s getting scammed by a sex line. Amongst all this, he’s trying to navigate a new relationship and it’s so sweet to watch all the interactions between Sandler and Emily Watson. It’s a perfect melding of romance, comedy and anxiety, beautifully directed by Paul Thomas Anderson.

Fargo (1996) - 9/10 Another movie you wouldn’t expect to be so funny, especially since it’s based on this horrific true story about murder, deceit and money. But the Coen brothers know how to handle it. Excellent performances, beautiful colour palette, and a story that just gets more and more insane as it goes.

House (1977) - 7/10 House (or, Hausu) was a recommendation for episode 37 of The Sunday Movie Marathon podcast so check that out for more discussion. Generally speaking, this Japanese horror/comedy was bonkers. Insanely creative and abstract (which at points can detriment the film) with an almost Balamory-esque presentation. I was happy to find that the comedy was not lost on me at all; this is a hilarious film, albeit maybe not all the time.

The Princess Bride (1987) - 10/10 I reviewed this in my May wrap-up but this time around, I had recommended The Princess Bride for the podcast, the discussion for which you can listen to in episode 37. It all clicked this time around. It is such a fun, warm movie with a lot of laughs and superb production.

This Is Spinal Tap (1984) - 8/10 Another Rob Reiner joint, a few years before The Princess Bride. This Is Spinal Tap is lauded as a masterpiece in comedic cinema and I might agree; this movie is hilarious. Shot in mockumentary fashion, it follows a band playing shows and trying to get gigs, coupled with the inevitable screw-ups of live performance and creative disagreements. It lost me every now and again but it’s still a must-watch.

The Hunchback of Notre Dame (1996) - 6/10 A decent Disney flick but certainly not their best. One highlight includes the villain singing a lament about wanting to have sex with Esmerelda and calling her a witch for giving him a boner.

Ponyo (2008) - 4/10 Not sure if I’ve ever disliked a Miyazaki movie before but I did not vibe with Ponyo. It came across as very baby and as such, there really wasn’t much to read into. The animation is fantastic as always but so much of it felt specifically tailored to a younger crowd.

Roman Holiday (1953) - 9/10 Classic romance at its best. I had heard on a podcast that this was the sexiest movie the guest had ever seen and while maybe not in the traditional sense of the word, I do get where they’re coming from. I was tearing up with just how lovely it all was, following a princess who runs away and spends the day with a man she meets in Rome (where it was shot on location), doing all the things she’s wanted to do but never could because of royal responsibilities. Fantastic performances from Audrey Hepburn and Gregory Peck who sell the chemistry of the characters so well.

F9 (2021) - 2/10 I’ve never seen any of the Fast & Furious movies and after watching the ninth in the series, I don’t want to. This is basically the Vin Diesel show; we watch him drive cars fast and punch people a lot. Wow! I don’t really understand what it (and forgive the pun) driving people to see these movies if they’re all in this same vein. As far as I can tell, F9 is the goofiest of the series so far and I’ll admit I had a chuckle or two at some of the truly implausible moments, such as a part where one of the team gets shot by about ten men with machine guns, yet manages to kill them all without being affected by the bullets… but overall, in this two-and-a-half-hour experience, I was largely bored.

Shaolin Soccer (2001) - 7/10 I love this movie! Shaolin Soccer is so much fun; it is goofy and out there and completely crazy, all by design. Steven Chow knew what he was making when he set out to craft this insane story of a group of guys using Kung-Fu to play football. The basic story itself is nothing new but it’s elevated by the infectious comedy and implausibility of what’s happening. Balls are kicked into space and across fields so fast the very ground is torn asunder. A man eats an egg off a dirty shoe. This is cinema.

Casino Royale (2006) - 7/10 I had seen a trailer at the cinema for the new Bond movie and I have to say, I’ve never really given 007 the time of day, aside from a few of the very first movies I’d tried watching a while ago. But the new trailer kind of got me hyped, so I wanted to watch all of the Craig era Bond movies, starting with Casino Royale. I had a great time! Even though there’s not loads of fighting or weapons or fast cars, the meat of the movie actually comes from this poker game Bond is playing against the villain, played brilliantly by Mads Mikkelsen. I was surprised to witness a bit of cock-and-ball torture in this 12-rated movie but I would be lying if I said it didn’t stick with me.

Quantum of Solace (2008) - 5/10 Immediately after Casino Royale, I jumped into the second of Daniel Craig’s Bond movies, Quantum of Solace. Sadly it’s quite weak, with not much going on aside from the general Bond fare. Mathieu Amalric’s villain lacked a lot of menace or motivation and generally, I’m not super worried about a brilliant story in a Bond movie, but even the action felt weak in this. Quantum of Solace didn’t exactly upset me but it failed to wow me in any way either. The saving grace of the movie is certainly Daniel Craig as the hero, capturing Bond and what he’s supposed to be.

Skyfall (2012) - 6/10 A marked improvement from its predecessor, Sam Mendes helms Skyfall, Craig’s third outing as Bond. Skyfall delves into Bond’s past as he seems to be slipping a bit, not as much the expert operative he once was. It would have been nice to see more of his fall from grace, as they don’t really show us how he’s become less efficient as much as they give other characters expository dialogue telling us how he drinks and does drugs and is haunted by childhood trauma. For me, that’s where the meat of the story lies and I would have preferred more of a character piece if indeed they were delving into that side of the character anyway. That being said, the fights are still better choreographed than the last instalment and the colour grading and scenery is often very visually interesting. Everything in Skyfall is better than its predecessor and it’s surely thanks to Sam Mendes who does a great job at directing.

Howl's Moving Castle (2004) - 8/10 Another go round for Howl's Moving Castle, as this was a recommendation for my podcast, The Sunday Movie Marathon. My opinion, I feel, is unchanged. It's a fantastic film, and you can listen to more of what I have to say in episode 37. The Twilight Saga: Breaking Dawn - Part 2 - 3/10 A pretty poor end to a poor series of movies. I'm surprised I've watched the Twilight movies as many times as I have but I also know I'll watch them again. Part 2 I watched with the YMS commentary track on YouTube which, again made the experience a lot better. But otherwise the series seemed to get better as it went along… until the last movie. Ultimately my biggest problem with it is that nothing actually happens and the plot feels like a late addition rather than a natural progression of the story. It’s basically a whole movie of set-up to a payoff that doesn’t even canonically happen. A big thing with YA adaptations in this era was making a final book into two movies, regardless as to whether it needed that much time or not. Breaking Dawn does not need to be two movies at two hours each. About ten new characters are introduced here and the film is afraid of killing even one of them off. It's the last movie! We're not going to see these characters again! Kill some of them! There's just no emotional weight to any of it and I hate to say I was disappointed with the ending because I have such low expectations for these films but man, this was so unsatisfying.

Frances Ha (2012) - 8/10 Life is hard. And I hate this movie because it shows me so much of what terrifies me about being alive. And I love this movie because it shows me so much of what I’m alive for. Noah Baumbach’s brutally honest depiction of growing up and fending for yourself struck me in a way I wasn’t expecting and I think it’s because I’m at a point in my life where I’m worrying a lot about how it’s all going to turn out. The titular character is burdened with the stress of working low-paid jobs and paying rent while juggling school and making time for her passion of dancing as she tries to connect with people she’s lost, as temporary friends and housemates come and go. She feels like a lonely character despite often being around a lot of people. Frances Ha is fantastic and heartbreaking and uplifting… but it made me feel bad so I hate it.

#june #movies #wrap-up #film #follow for more #Twitter: @MShukster #bo burnham: inside #bo burnham: make happy #bo burnham: what. #the conjuring #the devil made me do it #a nightmare on elm street #one cut of the dead #dave chappelle: sticks and stones #fear(s) of the dark #bourne #the father #drag me to hell #moonrise kingdom #nobody #the darjeeling limited #face/off #luca #punch-drunk love #fargo #house #the princess bride #the hunchback of notre dame #ponyo #roman holiday

[logically-asexual]

okay i'm already procrastinating and i don't plan on sleeping any time soon so here we go.

☆ ✩ my personal ranking for every season 1 Sanders Sides episode. ✩ ☆

i think it's going to be pretty similar to @dukeofonions' but let's see if i find something new to contribute haha. i see you didn't include that one about Patton in the Big Game or whatever, so i'm not including it either xd. also i think i'm going to count Accepting Anxiety as one episode only.

edit: i finished and now i dare you to drink a shot of water every time i say the word spanish or a version of the word comfort and become very well hydrated.

#16 I'm in a Disney Show

(i agree with dukeofonions here) i always forget this episode exists. it was ok in terms of being happy for real life Thomas but as a Sanders Sides episode it didn't do anything. the sides were just giving their opinions but it wasn't very funny or interesting. also i'm bitter because it made me look up the episode he was in and i didn't like it at all. i don't know if i'm too old for those Disney shows now but Thomas was literally the only good part of it, everything else was really dull and boring imo. a waste of time.

however, Logan supporting clickbait is one of the funniest things ever, and i'll never forget it.

#15 Becoming A Cartoon

i didn't hate this episode but it was just .. meh.. you know? several factors contribute to this. one, i couldn't feel much nostalgia for Butch Hartman's shows because i watched them in Spanish, and everything feels really weird when they speak English, i don't like how my old cartoons sound in English. two, it was disappointing to me because we were all desperately waiting for Plot™ and instead they give us this short episode about nothing (oh how the tables have turned now it's the other way around haha). and three, i didn't like the style of the animation :/ their faces and expressions freaked me out, Roman's douchey face still haunts me.

#14 Way Too Adult

here i'm biased because i don't like Patton much, and i didn't back when i watched the series the first time either, so this video was a little disappointingwithout the rest. also it wasn't relatable to me because i am still too young and dependent on my parents haha. but Patton is funny and it's funny to laugh at Thomas' struggling.

#13 The Dark Side of Disney

i've never been a fan of Disney movies. i actually never watched Mulan or the Lion King or Aladdin as a kid, so meh. i liked the ending, though, it was cool to see Virgil have fun and be right for once. it does make me a bit uncomfortable because the way Thomas tries too hard with Virgil's mouth movements and his low voice reminds me of a guy that had made me v uncomfortable not long before watching that video. so an icky feel overall.

#12 A New Year of Lying to Myself

this video was actually kind of fogettable to me. i had a hard time connecting the voices in the song to the characters and idk. i don't love it nor hate it, just .. neutral.

#11 My True Identity

pretty much the same opinion as dukeofonions, again. it's a good introduction and it's good that it was the beginning of it all but on its own it's not very special. i think it's awesome on Thomas to have come up with such a clever idea, like choosing the dad, the teacher and the prince and putting them together and match them with thoughts?? that fit so perfectly?? it really is just very impressive when you think about it, that it was just a random idea he had for a short 5 minute video.

#10 Taking on Anxiety

i liked this video a lot because when i watched it i had recently been a lot on tumblr, and found out through relatable posts that i had anxiety. so watching this video was really fun and it made me happy to feel so seen, specially the intro when Thomas just talks about what it's like to have Anxiety and Virgil is so smug about it.

- ★ -

okay now that those are out of the way things are going to get hard... all the following i love with all my heart so i'm going to rank them based on the smallest things.

#9 Growing Up

once more, Patton isn't my favorite. so that's why i'm putting this here, plus the echo at the end askjhsahg, but i love love this video. i remember we were waiting and oh so ready for the angst of nobody taking Patton seriously. and we received!! i love that though Roman and Logan are antagonists here, they're both so happy about Thomas wanting to have a healthy life. and i just adore the way Logan admits his mistake at the end and asks Patton directly. my heart... also aw.. the nostalgia. i remember none of us knew how to spell Patton's name and were writing it in very funny ways until Thomas and Joan told us lol.

#8 The Mind vs The Heart

when i watched this video the first times i didn't like it much, because i only had eyes for Virgil, but later i came back to it and loved it. so taking that into account i'm putting it here. logicality was the first ship i ever shipped in the show because i saw a gifset on tumblr of Patton screaming "what do you know about love?!" and Logan "apparently more than YOU" and the caption said "MARRIED", and i thought hey yeah... anyway. i love them. they're both my dads since that day.

this video is so so so relatable and i love it. Logan and Patton are so much fun arguing and i love how they compromise at the end and work together. im reconsidering.. i might move it higher? no, fine i'll leave it here.

#7 Making Some Changes

this video was absolutely hilarious. i personally couldn't see it as the Sides still once they were acted by Thomas' friends, i enjoyed it more as that bunch being silly and trying to be the sides but failing in so many ways, while sometimes nailing stuff suddenly. i really don't take this one too seriously as an episode. except Joan!Logan and Valerie!Logan, my beloved... i love how Joan acted as Logan and their voice and that they kept their ace ring on.. there's a reason i had them as my icon for so long. and Valerie looks a bit (a lot) like me with the glasses and dressed in dark colors, plus she spoke Spanish and there's .. no words to describe the joy i felt when seeing/hearing that. wait i'm getting emotional...

#6 My Personality Q&A

when i watched this Virgil was my favorite side and i didn't care much about the rest lol. when i heard his answers i related to him SO much it was scary, and also his voice is so soft and it was all very comforting. it was also when i first starting looking at Logan with more attention, because when he brought up Big Hero 6 and Fall Out Boy and said he didn't sing and would recite it like a poem? it only took a couple seconds but my brain said "me" and never went back.

now this video is a little underwhelming to watch for me, most of the appeal for me was in finding out the answers, and also watching it when we didn't know a lot about the sides. now we know more and want to know more so it's not as fun to me as it was first.

i wish so bad they'd do another one, although i know it would be more difficult with a much bigger audience, i think they can manage and i just need it. the chaos.. the energy.. they all being so savage with each other, learning little random facts about them you didn't expect.. i need it.

- ★ -

oh boy top 5 here we go. the next three are practically a tie. i can't choose.

#5 Alone on Valentines Day

i love Valerie, and the idea of this video was perfect and so perfectly excecuted. every side just giving their crazy opinions on how to woo a random stranger, i laughed SO much. first with Logan speaking simlish out of nowhere? at that point i didn't know practically anything about the sims except that it was some video game and the whiplash of Logan going AYO and the rest killed me. then when Roman whipped out that dialogue in Spanish??? my life was completed. i've never felt more happy than i did in that moment gosh. just the hilarity of Roman's drama, the shock of them speaking Spanish suddenly like that, the absolute JOY of seeing a creator i like speak (may i say) perfect Spanish, the other characters' faces after that.. never been happier.

also the conclusion was so cute. Virgil solving the whole problem without wanting to. i loved it.

#4 Am I Original

i think this video speaks for itself. it was fun to watch them all do the ideas Roman had, plus Logan and Virgil nodding at each other, (i love them so much), plus the angst at the end of Roman's perfectionism, plus Roman's just perfect name. this video has it all.

i think Thomas posted it kind of late at night and i watched it at 7am in the classroom as i waited for my classmates to arrive and the class to start. (i usually was like 40 minutes early to school due to mom’s work). i had to contain my laughter and it wasn’t easy.

#3 Losing My Motivation

i started loving this video after a while, when Logan passed Virgil in the position for my favorite side. but once he did this episode was beautiful. it's so funny and i love Logan and Patton's dynamic so much. and the video also so damn relatable in general. i felt so seen with it because they named all the problems i have when procrastinating, down to Patton's vague explanation of his feelings, it's exactly how i feel every time i want to do stuff. and the plot twist! i can hear the dramatic sound effect and see how they all turn to Logan clearly in my head, and it always makes me smile. plus there's so much Logan angst that can be dug up and overanalized. i love to watch it over and over.

#2 Accepting Anxiety

this video was perfect. everything we wanted. we knew it was coming and it delivered perfectly, better than any fanfic done in the waiting time. the week between the parts was agonizing but in a fun way somehow. i remember precisely when i was watching part 2 in my living room. i screamed. and i cried, a lot. i was feeling terrible at that time in my life and Thomas was such a comforting presence and i can't begin to describe how this episode made me feel.

and later it is always fun to rewatch with all their different reactions to being in Virgil's room, the energy of that was on point. Thomas is such a great actor and the characters where just amazingly performed. plus it gave so much to talk adn think about, the idea of the rooms, lots lots of insight into the characters, foreshadowing, so much. it's just perfect i have nothing else to say.

#1 (for purely emotional reasons, ironically) My Negative Thinking

i think Accepting Anxiety is the best episode of the season objectively but my favorite is My Negative Thinking. because i love Virgil and Logan so much and seeing them argue together was and is great. the comfort.. i can't repeat that word enough throughout this post. it's such a soft video while not being overwhelming with Patton and Roman's outbursts. just quiet (mostly) and clear and with perfectly timed humour.

Logan my beloved.. learning spanish... helping me with my own anxiety.. and their debate was so good. and the fact that they were friends i- i can't. Virgil didn't think Logan liked him and Logan told him explicitly that he did and the casual softness of it i cant even. Logan is happy that he tried.. it's just marvelous. Virgil and Logan as best friends will always be my favorite pair, and their dynamic will always be what i strive for in any relationship i might form, with both sides silently comforting each other within their own limits and realistic perspectives. so nice.

- ★ -

so yeah. that's all. thank you if you read all the way up to here. ♡ ♡ ♡

#sanders sides #thomas sanders #logan sanders #virgil sanders #patton sanders #roman sanders

[definitely-not-karen]

My unnecessary and irrelevant reviews about the transformers media I have consumed.

Please let me have this. I was doom scrolling and transformers is my comfort fandom.

G1: I have not watched all of it, I do plan on doing so but I did watch it when I was younger and does invoke nostolgia. I watched it on Teletoon Retro (does that even exist anymore?) ((just googled it, rip teletoon retro)). For some reason I really like the episode The Ultimate Weapon. I am a huge fan of First Aid and it was because of this episode and I have no idea why. Rodimus is the main character of that episode with First Aid just having a very prominent role in the side story of that episode. I really liked the Aerialbots and their storyline with the time traveling and the not knowing if they’re on the right side was really cool. Honestly the animation errors and weird inconsistent story are part of the charm I guess.

RID 2001: another show I’ve only seen tidbits of. I watched this one via random episodes illegally uploaded to YouTube in the early to mid 2010s and now all those videos are taken down. As a lover of camp, this is camp. I love it. Transformers as a concept is pretty camp (which is why I adore it) and I definitely will watch all of this one day. Though Sideburn is cool and all, I do wish he didn’t chase a red sports car every episode. Otherwise he’s one of my favourites cause himbo rights I guess.

Transformers IDW 2005: So... I read the entirety of the idw comics purely because I found out Thundercracker was a screenplay writer and I wanted to read the entire story so I got the complete context of his development from scary fighter jet to an Oscar winner. I was not disappointed, I was met with queer and trans representation of all sorts, a diverse storyline with action filled parts, comedy elements, slice of life, political drama, adventure, horror, and the best road trip through space. Honestly I was not expecting transformers of all things to have queerness represented so casually and quite well in my opinion (though technically they are guilty of bury your gays, I don’t count it cause there was a clear reason for that death) Thundercracker was marked as one of my favourites cause of this series. I did experience a wonderful story because I wanted to see how he got his happy ending. My biggest criticism of idw transformers is that I love their interpretations of characters and sadly I know I’ll probably never get to seen them like that again. But if I want to experience those characters like that, I’ll just re read it I guess.

Transformers Animated: I have watched the entirety of this great show twice and it still love it. Funny characters, a human character that has a purpose, and a fun change to the formula, Transformers Animated has one of my favourite Optimus and made a Bumblebee so lovably loud they had to take away his voice so he wouldn’t become too powerful. Loved all of the characters except the human villains, Headmaster did not age well and I wasn’t in love with Ratchet’s design but his personality more than made up for it. If you want more animated, I love Transformers ReAnimated the void is filled by that series and channel. While I wish it got another season, it’s ending was satisfying enough I guess.

Transformers Prime: Smokescreen is great and was underutilizes -100/10. Just kidding, kind of I really enjoyed Prime. I’ve only watched through it completely once cause when I was a child I did not like the designs since apparently as a child I was a G1 loyalist I guess. Though now Prime has one of my favourite styles that still holds up today. Dramatic story with actual character development, I can over look that the plots a tad slow. I wish Breakdown was utilized more and it also could have benefited from an extra season but the movie wrapped it up much better than animated’s ending. Knockout is an amazing character and I was spoiled while I was watching it that he turns Autobot though I didn’t realize that wasn’t until the literal end of the series. Would’ve like a completely fleshed out Breakdown and Knockout or at least Knockout redemption arc but there’s always fanfiction I guess.

Robots in Disguise 2015: I didn’t hate it? It definitely helped that I watched this before Prime for some reason. I liked the designs, Sideswipe... himbo rights. Biggest flaw is the lack of character growth. I just want nice things for Sideswipe, Strongarm and Fixit. Grimlock was fun, I like Bumblebee trying to be a good leader and Optimus should have stayed dead. The crossover and referenced to Rescue Bots was fun and Blurr and Sideswipe was the rivalry I didn’t know I needed. But the one I really needed was Smokescreen in there too. The ending arc was interesting though not executed the best and Steeljaw did a lot of the heavy lifting for the villain side to a point where they over utilized him and his character suffered as a result. Windblade was not as bad as people online said she was, splitting the group up into two was stupid cause I’m bitter and still don’t want Optimus there. Also long list of underutilization: Denny and Russel Clay, Jazz, all the characters from prime except Optimus and Bee, Jetfire and Jetstorm, More Rescue bots, and many more! Like that girl that’s Russel’s friend that I literally don’t remember because I’m pretty sure the writers forgot about her! Anyways, in retrospect the show probably wasn’t great but I liked it I guess.

Rescue Bots: This show is way better than it needed to be. I actually love the no Decelticons and war. I’m a sucker for slice of life and especially slice of life with a twist. Human villains that were actually interesting, actual character development, continuity (somewhat), great human characters all while being target for children. I’m so happy I watched this show while I was kind of the target age and rewatching it for the third time was great cause some of the science jargon actually made sense to me. Satisfying ending too and honestly it can just appeal to everyone. Love all four of the main rescue bots and constantly wish they made evergreen designs and toys for them so they could at least make cameos in other transformers media. Sometimes it’s nice to have transformers being wholesome I guess.

Rescue Bots Academy: ... I was not the age democratic for this show and I somehow still liked it? Maybe it’s the fact that I’ve been gravitating to more wholesome content due to current events but it was actually good? Love all the students, I do miss the old crew and characters like Doc Green and Frankie are under utilized and the Burns family is almost nowhere to be found :(. Once again there’s some actual character development and Hot Shot’s mentor relationship with Heatwave is super sweet. Also actually having positive post war Decepticon and Autobot relationships in this children’s show? Woah. Biggest issue is like RID 2015; the lack of continuity and characters completely disappearing. Perceptor was fun and I was not expecting him to appear. And I love me some microscope dude. It was a good send off for the aligned continuity I guess.

Cyberverse: ending too soon. I was about to be upset that bumblebee didn’t have his voice but he had his voice in his head which was great. Episodes like the velocitron one was really good and it definitely got better with each season and peaked in the Quintesson arc and then rolled to the cancellation date. Thundercracker shouldn’t have been killed off but I’m very biased. Seeing the rebuilding of Cybertron was cool. Windblade and Bumblebee had a fun relationship. I really liked this iteration of Grimlock. Perceptor was super interesting but then they did nothing with him after the Quintesson arc which was a shame and I would have liked to see better relationships between the Autobots and Decepticons after the team up. Also wholesome Whirl was fun. Honestly this needed one more season so bad. I just think it could have been great if it got one. But it’s still good I guess.

War for Cybertron: ...let’s see how I feel after Kingdom comes out but right now, meh. For me my favourite transformers characters usually end up being side characters due to me wishing they had more screen time so in this case, Red Alert is great please show me more of Red Alert. I get what all the people are saying about the voice acting and whatever but I can look past it (though please give us Peter Cullen or let the current VC make his own Optimus voice). But one thing is that all the YouTube reviewers be saying that I completely agree with is that it’s dark. Like lighting wise. I occasionally had trouble making out what was happening because it was dark. Honestly my biggest issue isn’t a fault of the show. I like development of multiple characters to be shown so I can fall in love with a multitude of characters but due to short seasons, it makes sense to focus in completely on one character at a time. Siege in my opinion at least let me see more of the background characters rather than Earthrise but I’d probably like Earthwise more if I was a bigger fan of Optimus. I’m going to watch Kingdom but I’m not expecting to be wowed I guess.

In conclusion, I should watch Beast Wars, I’m going to re read the ending of Lost Light again and revel in the melancholic ending I adore and I really like Thundercracker and First Aid. One great thing about transformers and other franchises that have been around for awhile, if you don’t like the current thing, there’s plenty of last media and you probably won’t need to wait too long for the next piece of media you’ll hopefully like.

Please be good idw 2019, I’ve read a bit of you and I have a scrap of hope. Oh please please please be good. Give some characters the Thundercracker treatment.

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