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#i wish i was good with words
seagull-scribbles · 5 months
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If I don’t survive the night,
If I make it to the morning-
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emotionaldreamer · 1 year
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I really want to write some fics but I suck at words 😭. I have the ideas just not the skills like all of you incredible writers 😭
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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christakisbang · 7 months
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hypogryffin · 3 months
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this bit too. why is cut content akechi like thsi all the time
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stormyoceans · 5 months
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feeling incredibly normal about mork flirting with day in this episode by using all the senses aside from sight
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nikki-rook · 7 months
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from page to screen - Good Omens
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lululeighsworld · 17 days
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it was literally their moment and they just let us watch
(if you need me i'll be marinating in this for the foreseeable future)
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fandom-trash-goblin · 1 month
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i wish i could save my mother.
@/veniennes on tiktok // Elena Poniatowska, from "La Flor de Lis," published c. January 2011// love drought - beyonce // Athena Farrokhzad, "My Mother Said" // Oleander, by Janet Finch// Hannah Green from "Night Terrors" // Sharon Olds, “Holding To A Wall, Treading Saltwater” // Kyung-sook Shin, Please Look After Mom // take care: mothers, daughters, and inheriting self-hatred by Ella Wilson // tumblr user honeytuesday // Marge Piercy from "our neverending entanglement", Made In Detroit // Honey Girl, Morgan Rogers// supernatural season 12 ep 22 // Silas Denver Melvin, from Grit: Poems; “Twenty” // Hayan Charara, from Mother and Daughter
for @shestrying
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nonranghaes · 7 months
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"hey, yo... if i make this shot... you gotta go out with me, alright?"
mark smiles at you brighter than any star in the sky as he continues to bounce the basketball. it's just the two of you now--the rest of your friends have gone their separate ways. it feels like nights always end with just you and mark nowadays. not that you're complaining: you adore the guy. you just smile at first, knowing that you'd say yes regardless of this silly deal (and the twinkle in mark's eyes tells you that he knows this, too: he just needs to show off).
"alright," you say, hands tucked into your hoodie pocket. "go for it."
he swells a little with pride before he takes the shot... and immediately misses. his smile falls into genuine, unabashed shock as he turns to you. you're already cackling, turning to run after the ball before it can get too far away.
"yo, i practiced! i literally practiced and got it--the guys can tell you! i'm good at this, i swear--"
you calm down, smiling at him as you hold the ball in your hands. "okay. so if i make this... you gotta go on a date with me."
mark smiles wide, so cutely flustered but he nods. "alright. bet."
you line up the shot, taking a deep breath. after a moment, you throw the ball through the air, watching as it just barely bounces off the rim. it sends mark into endless cackles, and you immediately rush toward him, burying your face in his jacket as you laugh.
"oh my god," he gasps out between cackles, arms wrapping around you. "i wish i got that on camera." he squeezes you tighter. "alrightalrightalright," he says too many times, blending together as he draws back from you just enough to see your face. "c'mon. i'll buy food."
(donghyuck later reports to the group chat that both of you are indeed idiots, having heard the story from mark... but at least you're idiots together now.)
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dankmaths · 22 days
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I'm like 90% sure if I don't get more of your ghost au I may just implode so like 🥺👉👈
not necessarily my AU but i ended up drawing smth based on a scene from @novethegreat's fic, "In Love With A Ghost". ooohhhh you wanna read it so bad ooooohh
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+more google doc delusions ive had in my head for a long time and havent been possessed to draw under the cut please work god please
i like to think once yosuke gets over the whole undead roommate thing he starts to feel bad for leaving yu at home all day. (like a pet dog.....) so at some point he invites chie and yukiko over. maybe it’s a study session. but at first yukiko can’t make it so it’s just chie. yosuke tells yu to stay put in the room since chie is scared of ghosts (just like yosuke she’ll never admit it though lol). chie says that she and yukiko have been working on a new recipe and offers to cook which yosuke shoots down Very quickly, offering to cook himself, since a "friend" of his has been teaching him-- he very conveniently leaves out the whole undead roommate thing. but when he’s preparing the food he accidentally cuts his finger. yu forgets what he’s told and rushes through the walls into the kitchen scaring chie on accident.
yosuke: OW shit
yu: (phasing through the wall) yosuke! are you ok?
chie: yosuke! are youuuuuuUUUUAAAAAAAGGGGGHHHHHHHHH
yukiko, the occult lover, is unable to see/hear ghosts… but when she hears abt "OHHH HANAMURAS APT IS HAUNTED ITS SO SCARY ITS AWFUL!!! i mean the ghost didnt kill me or anything he was actually pretty polite but its AWFUL!!!!!!" from chie, she gets sooo excited and begs yosuke to invite her over (for the ghost obviously not for yosuke. which is a bit of a blow to his ego LOL). and she comes in with a ouija board so she can talk to yu
yukiko: so. where is it?
yosuke: his name is yu. damn, not even a hello.
yukiko: well, where is he?
yosuke: …right over there.
yu tries to play along bc he thinks its fun, to yosukes exasperation. however he has trouble staying solid for very long so it takes foreverrrrr. but basically i think yu and yukiko writing each other notes to communicate like point blank pen pals would be cute… also when the others are around who can hear yu, playing telephone with what he says to yukiko and fucking it up (on accident OR on purpose) would be rly funny
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vic-does-battlecats · 27 days
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Minor spoilers for the already revealed chapters of the next A Starless Clan book Wind
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gentlebeard · 4 months
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Wake up in the morning feelin’ like Stede Bonnet // The party still won't stop on The Revenge
For @bizarrelittlemew 💕 Show: Our Flag Means Death - Season 2 Music: TiK Tok by Kesha YouTube || Season 1 Version
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The Hunger Games Renaissance. The Ballad of Songbirds and Snakes (2023), dir. Francis Lawrence
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crabussy · 4 months
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IS ANYONE ELSE FEELING KIND TODAY!!! IS ANYONE ELSE FEELING GENEROUS TOWARDS OTHER PEOPLE!!! IS ANYBODY ELSE BEING KIND AND TRYING TO UNDERSTAND EVEN WHEN ITS HARD!!! IS ANYONE ELSE ASSUMING THE BEST OF OTHERS INTENTIONS AND RESPONDING IN KIND!!!! CAN ANYONE HEAR ME
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fazedlight · 25 days
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Why am I obsessed with the rift?
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From my first fic to the many many many many season 5 fics I've written, to the fic where the whole thing could've been averted in season 2, to my no-villain-era-for-Lena in season 3 (twice) and season 4 fics......... I seem to have developed a bit of a rift pattern.
A reasonable person might ask: Why?
There's something that itches in my mind: I think either woman would've been fully justified in walking away from their friendship, and yet they ultimately didn't.
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It starts with Kara, who is ultimately a fractured person. She deeply values the truth, and yet she's forced to live with various lies, unable to be her full self.
Her identity is in the in-betweens. She feels adrift between two cultures, she knows her alien state while reaping the privilege of passing, she hides core aspects of herself on a daily basis. I'm sucked into the rift, in part, because of who she is and how she struggles to put it all together. I think her frustration will resonate with anyone who's stuck in the in-betweens.
Kara's struggle for identity plants the seed for the rift. The bigotry of society meant she had to have a secret identity in the first place, and keeping the secret from Lena was certainly reasonable for a time.
We can debate endlessly about when Kara should've told Lena - I think it's really hard to find the line between "too soon" and "too late" - but it ultimately doesn't matter. Because it's Kara's kneejerk reaction to Lena's kryptonite that forms the first sort of betrayal, not the secret itself.
Kara screws up - she says something she regrets, she doubles down when threatened and scared. These are common mistakes... but we have super-level circumstances, so we get super-level consequences. And the engine she has inside her that fears loss (which she's suffered to a level that is unimaginable to anyone on Earth) kicks in. She can't lose another person she loves.
But who is she holding onto?
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In the series, and in flashbacks, we watch Lena's progression from idealistic techie to cynical recluse. While she's experienced loss and isolation, that's not the cause of her shift.
It's in experiencing her idol and protector become the madman who kidnaps her. It's in realizing her best friend has betrayed her by taking the one thing that could've saved her brother. It's in moving to a new city to start over, and meeting a mentor who uses her to start a global invasion. It's in her partner in scientific discovery being a pawn to her brother, colluding behind her back.
And then there's the final downfall. Her new best friend - her trusted confidant, her hero, the one who made her feel not so alone anymore - is the super who denigrated her, maligned her, spied on her. Lena had two important people in her life at that point, and she sacrificed one for the other... only to find out the other was a lie.
With betrayal after betrayal - Lex and Andrea and Rhea and Eve and Kara - she loses faith that anyone is above their worst impulses.
So she falls to her own.
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How can good people do bad things?
There's a saying I heard around MIT sometimes: there are no technical solutions to social problems. It's easy to forget - when you're surrounded by people seeking to improve the world via science and engineering - that you can't solve humanity via technology or logic or rules. Lena forgot this.
Myriad marks a shift in the rift. Kara lied to Lena, antagonized her, spied on her - but her wrongs were directed towards Lena. Lena's initial response - the petty manipulation and the plan to out Kara - were directed back at Kara.
But then the rift fundamentally shifts.
At this point, Lena's wrongs are no longer just about Kara - she's trying to brainwash the world. She mindcontrolled Malefic and enslaved Eve. This went beyond the fallout between two friends.
It's clear that her intentions are still good here. She's not a megalomaniac like her brother, she's not forming an us-vs-them mentality like her stepmother. She's an anti-villain at this point in the story - desperate to find what's true, in a world full of lies.
It's a hard line to walk, acknowledging Lena's trauma and well-intentioned motivations while realizing she's still ultimately culpable for her own actions. But it's important to try to balance, because Lena is still redeemable.
But getting back to the relationship itself - Kara played a large role in pushing Lena to the edge of her trauma, which was entirely motivated by Kara's own trauma.
You hide things so you don’t lose people. I run from people who hide things. I guess we were bound to explode.
Lena says this in my first fic mentioned earlier, and it summarizes the rift as succinctly as I can put it. Their traumas were incompatible, and their relationship should've failed.
And yet.
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Delving into how the CW screwed up the rift could be its own essay. They gave us a complex and layered situation, only to gut it with It's a Super Life (beloved/beloathed), the narrative retroactively justifying Kara instead of examining her foils, glossing over Lena instead of delving into her ethical blindspots. The rift was cancelled.
What does that leave us with?
Well, I guess it left me seeking the rift, over and over again. I'm certainly not the first author to do a rift fic, and I doubt I'll be the last. There seem to be a few different approaches:
Some authors delve into the nuance, having the two characters hash out what they've been through in a way that feels balanced and real. In particular, I love the @searidings fic with the birds i'll share this lonely view. I don't think I have the skill to pull off that type of story.
Some writers lean heavily on one "side" or the other, often with lots of grovelling. This never resonates with me, because at some point in a relationship there has to be the realization that it's "us vs. the problem", rather than "you vs. me". In my mind, these fics miss the layers of trauma that led to the rift.
Some authors make the rift not matter. If you put the characters through hell and back, the anger will lose its thrust, and they'll be left wanting to heal.
I fall into the last category.
There's a moment from permanence by @itllsetyoufree that I especially love, where - in the aftermath of season 6 - Eliza asks Lena why she forgave Kara. Lena can't answer.
We like to think we're logically driven. But in my experience, forgiveness - and a host of other emotions - never work that way. Sometimes "sorry" cuts it, sometimes it doesn't. A lot of times, forgiveness comes from the realization that someone genuinely wants to connect, and that the fallout was relatively unimportant in the grand scheme of things.
Of course, when your fallout includes extra levels of gaslighting and a bit of global brainwashing, making it relatively unimportant requires something drastic.
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That's where I end up landing. Putting my blorbos in Situations helps them see the other in a new light - see the other's genuineness, the other's fears, the other's love. Often times, this comes with the simultaneous threat to someone's life (though that's not necessary, especially if it's earlier in Lena's breaking point cutoff).
I do assume - and sometimes imply - that they're also having those discussions, working things out in the background. Because of what I put them through in my fics, I don't think those end up being explosive discussions. It's about figuring out the practical aftermath of what the heart already knows at that point.
Whether I deliver on that is ultimately up to the reader, but that's my approach. Because at the end of the day, love is about cherishing and understanding the person in front of you - flaws and and traumas in all. These stories are driven by loving both characters, and trying to see them the way they see each other.
The rift is a story about love and connection - how those things can't happen without embracing someone else's trauma and without understanding one's own imperfection. Because that's what's at the root of all of us.
And that's why I write the rift.
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