#i will post the character line up in a bit | Explore Tumblr Posts and Blogs

felicjana050896 · 3 days

Text

A few words about Charlastor

Today I saw this post:

(Sorry, I can't post the link, Twitter doesn't want to work on my computer today :\ )

I will quote it here because it made me think again:

Currently, the closest person to Charlie is Vaggie, while Alastor invades her space, Vaggie and Alastor are opposed to each other, Vaggie wants to run a hotel for Charlie (her whole life is based on Charlie...), while Alastor has his own reasons (more on which later we don't fully know) and the two are portrayed as opposing forces pulling Charlie, Vaggie in one direction and Alastor in the other. Charlie's relationship with Alastor will deepen in future seasons (which the author wrote about, that Alastor and Charlie are the main characters of HH and what we see after the pilot), thus distancing it from Vaggie, which we see already in the first season (and what I wrote posts about ), that Charlie's relationship with Vaggie will surely deteriorate as it goes on, their quarrel over Vaggie's lie was, in my opinion, just the first glitch in their relationship (although not very well written in my opinion anyway), at some point in the story Charlie will had to choose between Vaggie and Alastor (and Niffty):

And considering the other screenshots, they are either forshadowings only to the fact that in future seasons Charlie will be getting closer to Alastor and away from Vaggie, or they may generally herald Alastor's victory over Vaggie, it depends, they are definitely confirmation that the further the seasons, the more Charlostor's content we will have than Chaggie's, the only question is which one will be the endgame?

Alastor stealing Charlie:

Significant bed scene, Vaggie wakes up without Charlie, alone, and Charlie is later in bed with Alastor on a heart-shaped pillow:

Besides, I read about Zoophobia and old sketches of Alastor and Autumn, and in my opinion Autumn reminds me a bit of Charlie... but in order.... First, let's go to Roo or Eve (if you prefer), well, I saw one Tik Tok and I definitely agree with it:

Charlie actually resembles Eve much more than Lilith, it always surprised me that Charlie has more father-like features both in appearance and character, and has none of Lilith's (especially when it comes to her ahem... physical qualities...), but I thought they just made her a typical "daddy's girl" and that's it... but if Eve is Charlie's mother and not Lilith..., we still had Lucifer's comment that he stole from Adam both wives, both Lilith and Eve, and although he married Lilith, he probably slept with Eve..., then the only question arises: why did Lilith decide to raise a child that was not her own?

Roo (Eve):

Charlie:

Lilith:

Lucifer:

Charlie and Eve (Roo) have exactly the same nose, the same lines under their eyes (Charlie in his demonic form has them) and the body sharp is the same, Lucifer by the way does not have a nose (:D), Lilith has a completely different nose, only Eve's nose matches Charlie's....

Moving on, we know that Alastor made a deal with someone, many people speculate that he made it with Lilith, but there are also people who believe that with Roo and I, although I also considered Lilith at the beginning, it was thrown in our faces this 7-year break (that Lilith has not been in Hell for 7 years and Alastor disappeared for 7 years), seems too obvious..., moreover, we know that Lilith had a contract with Adam (end of episode 8), and Adam did not know Alastor, so how could Alastor have an agreement with Lilith and be with her for these 7 years in heaven, if Adam didn't know him at all..., while Roo..., and this is where the issue of Zoophobia begins, i.e. Viv's first idea, where most of the HH characters came from:

In Zoophobia we had the so-called KayCee, i.e. chaos itself and the main antagonist, interestingly KayCee liked apples (a reference to Eve and her picking an apple from the Garden of Eden, the first sin?):

KayCee had white hair, horns, and the original Alastor was in love with her:

So KayCee is nothing other than the prototype of Eve.

Moving on, the original Alastor was also obsessed with Autumn, the character of Zoophobia, a blonde deer:

Autumn is a very helpful and good-hearted character and: ,,Although outwardly he appears mature and rational, in reality he is extremely insecure, suffering from low self-esteem. Autumn continues to seek recognition and thanks from others for a little help from him, showing that he needs the appreciation of others. Autumn is also very sensitive and short-tempered: in the webcomic, when Rusty teases him about the little antlers, Autumn explodes in anger and violently scolds him."

Doesn't this in some way resemble the description of Charlie..., a girl with a good heart, wanting to help everyone, and also sometimes quick-tempered (when, for example, heaven rejects her or when Susan pisses her off :D )

So we have Eve, who used to be KayCee, and Charlie, who has a lot of Autumn in her, and if it turns out that Charlie is actually Eve's daughter, Charlie will be a combination of KayCee and Autumn, considering her appearance and character traits are taken from both, two characters that the original Alastor was crazy about ;)

And finally, some shots of Charlie and Alastor:

And remember about Niffty and KeeKee, they are very important, after all they are in the HH logo :)

KeeKee, a pet belonging to Charlie and Niffty, Alastor's ,,pet" ;)

Sorry for the long post again, but I just can't keep it short :D

Thank you for reading and have a nice day, evening or night :)

#charlastor #hazbin hotel #radiobelle #alastor #charlie morningstar #charlie x alastor #anti chaggie #niffty #keekee #zoophobia #eve #roo #lilith morningstar

50 notes · View notes

comradekatara · 2 days

Note

Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.

okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.

the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.

sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.

sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.

but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.

the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.

anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.

in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3

#suicide /#writergracethepanda #asks #analysis #sokka #sokkaxsuki #cinematic masterpiece the boiling rock part 2 #(technically i use that tag to talk about maizulee but swagever)#this post is basically just stream of consciousness unstructured rambling so i hope you find it valuable in some way...#at this point i've given up on trying to do Readings of and make Arguments about sokka #and i'm just rambling. i posted a whole fucking. ACTUAL essay about him yesterday and no one read it #but this is not that. this is. who even knows. it's certainly not an ''essay''#my thesis statement: i love sokka so much #my body paragraphs: hes a weak willed mentally ill fucking IDIOT #just trust me ok. trust the process

51 notes · View notes

natt-writes · 14 hours

Text

~5 Writing tips that actually help~

When I first started writing I had literally no skills what so ever and all of the writing websites I would find were so painfully basic that I really didn’t get much from them. After working on a book series for over two years straight I have finally learned some skills which will definitely help beginner writers, so enjoy! (These tips are meant for fiction books, especially fantasy. so if you’re writing nonfiction a decent amount of these won’t apply to you. Sorry!)

Find your writing voice.

one of the biggest issues I find in things written by beginners is a lack of emotional connection with the narration. Sure the story can be great, but without personality, without looks into the characters minds, without little quips here and there, it really isn’t all that interesting. Something that really helped me to realize this was a book called the tragical tale of birdie bloom. It’s a kids book but it honestly has such a good narrator (and storyline tbh) that you can look past the little kiddy-ness. I recommend you check the book out if you’re looking for some inspiration. I will be making a post about how to develop your writing and character voices soon so if you want some extra help with that, stay tuned!

2. Get to know your characters.

I know that you all probably already know this, but characters are one of, if not the most important part of a book. Readers don’t want to read about a flat, boring character who just feels like a vessel for the horrifying amount of trauma you add to your story. They want to read about people that feel real, people with flaws and feelings and hobbies and backstories. When I wanted to develop my characters I started going through the drafts, the plot outlines, everything and seeing what the characters did, said, felt. Then I took their basic backstory and started lining things up. Like if a character decided to get into a fight with another character, I would see what had happened to them that might have caused this. Maybe they had been abused as a child and thought that any disagreement meant they had to fight for their life. Maybe this person reminded them of a former enemy. After you start to figure out what connects the characters to the big plot points, you can then start to develop subtle things. You could start writing something, realize this situation would have triggered a character, and then drop subtle hints towards them feeling uncomfortable. Go nuts with it, after all you can never over-analyze a character.

3. Describe things uniquely.

Descriptions are what help us to understand what’s going on in a scene. They can tell us about the tasty drink a character is enjoying, the slick dress that someone is wearing or the way a characters muscles tense when a certain someone enters the room. But sometimes descriptions a fall a bit flat and that can ruin the experience for the reader. Something I always try to remember is to try and come up with new words describe something, for example; “her eyes were a beautiful shade of brown.” Is a very basic and over used description, instead you could try; “her eyes sparkled as she sat across from me, gleaming a rich chocolate shade as the light from the candles reflected off of them”. This is a much stronger sentence as it gives both environment hits and a description of the eyes, all while staying away from overused terms. I often see this theme in stories written by beginners, things being described in a very straight forward manner. And of course this is ok once in a while, especially if this isn’t a very important topic, but it still sounds better when you branch away from that basic sentence structure. I always like to use descriptive sentences to push things forward. Here is another example; “she was wearing a fluffy green dress with lots of lace. She walked over to the door and opened it.” Vs “the lacy trim of her green dress dragged on the floor as she walked towards the door. She smiled wide as she held it open, inviting her guests into the building.” Making strong sentences is very important, so please toy around with different words, structures, etc, until the sentence fits the type of book you’re trying to write.

4. Make trauma realistic.

Yes, even if you’re writing a fantasy book, characters experiences have to be realistic. Something that always gets on my nerves is when writers come up with a good idea for some trauma, so they just give to a character, even when it doesn’t suit them at all. if you are going to give a character trauma you need to explain it, set it up so it actually fits into their character arc, then have the character actually be affected by it. They can’t just randomly be like “I got shot by a dude.” And that’s it if there is no way that character could have gotten shot given their life experiences. Also if you want a character to be relatively unaffected after an extremely traumatic event you have to plan it out so that they have a specific and consistent trauma response that makes them not react shortly after an event like that. Characters are supposed to be like people, and no two people react to trauma the same way, so you do have some leeway if necessary, but people also don’t just stay the same after something horrible happens, they are affected by it and that has to be accurately portrayed. This does get easier the more you get to know the characters though, as soon you will know how they react to things and how to plan trauma that suits them.

5. Make a plot outline.

I cannot stress this enough, make a plot outline. Making a plot outline literally saved my book, and they are really easy to make! I recommend you download a spreadsheet app like XL spreadsheets or Apple numbers but you could even use google docs if you want. You want to put in all the chapters and then give each chapter at least six spots to write scenes. Add a spot for adding the main event of the chapter/a summery of what you have to write. This will help you to understand what you have to write for that chapter and how it fits into the next chapter. After that you start to fill all the scene boxes in with your plot information. Having a plot outline is great as it can be super vague and messy, but still hold all your ideas. It also helps to prevent unnecessary rewrites later, as you can just edit the plot outline before you start writing the first draft. You can even make a plot outline after you’ve started writing your book. That’s what I did and I promise, it still is very helpful. (Example of a plot outline below.)

27 notes · View notes

longing-for-rain · 3 days

Note

you know what i noticed about kataang shippers is that, they have made multiple blogs (even titled in the url) fully dedicated to bashing zutara. like whole blogs full of nothing but hating zutara and everyone who ships it.

i don't see the reverse. yes, there are zutara blogs with lots of aang/kataang critical posts. but these blogs also have content that's focused on zutara (posting about the ship you actually do like! imagine that!) and most are content creators as well. i can't think of any blogs that are purely anti-kataang or even mostly anti-kataang.

idk to me it just seems like zutara shippers are better about staying in our lane and enjoying what we like instead of devoting *that* much energy to hating ✌️

Oh definitely, I think in the past few years I’ve seen two blogs called something along the lines of “Zutara isn’t canon” and post nothing but angry anons whining about people shipping Zutara. And of course, the “fandom police” guy who is very obviously a right winger poorly applying social justice concepts in an attempt to win ship discourse, and who thinks anything non-canon is stupid.

It’s funny because how do you miss the point of fandom this badly? It’s transformative. There are only so many ways to tell the exact same story. There is a reason why it’s very common for non-canon ships to be more popular among fans than canon. It taps into the creative aspect that so many of us enjoy.

And for Zutara specifically, I’m actually glad it isn’t canon. I like that it’s open-ended and that I’m free to write it however I want, because to be completely honest, I think the creators would have completely botched it if it was canon. I mean, I actually like Maiko quite a bit too but I don’t like how rushed their ending felt. I don’t like how it felt like Mai reappeared to be Zuko’s prize. And given the straight up creepy things I’ve heard the creators say about Zutara over the years, I have no doubt they would have made me hate it via poor writing.

Plus you’re right, at the end of the day, fandom is about enjoying what you want to enjoy. Making entire blogs dedicated to telling people they’re stupid because they don’t adhere to canon as if it’s a religious doctrine doesn’t seem like you’re enjoying yourself too much. Sure, I’ve made posts critical of tropes, characters, relationships, etc. that I don’t like, but ultimately I spend my energy on what I actually do like.

#anti kataang #zutara #atla #avatar the last airbender #ask #anon #fandom salt

43 notes · View notes

sofia-not-sophie · 2 days

Text

In honor of Jason's death day I am posting a bit of a wip that will eventually turn into a Red Hood Bruce AU. (Yes there is only half an hour left today shhhh). Let me know if anyone would be interested in reading more of this kind of thing!! (Character Death tw for the whole of the text coming up, also minor panic attack of a non pov character)

Presenting:

Crossing That Line

Dick frantically punched his security code and the code for the watchtower into the zeta. Batman had sent multiple distress signals using his justice league and batcave beacon in the last ten seconds. Then all of his biometrics trackers went offline and new distress beacons stopped coming in. Bruce had been dealing with a justice league level threat for the past few days, so Dick had been taking the opportunity of a Bruce-less manor to spend time with Jason. He wasn’t looking forward to staying to babysit an injured Bruce, but at the same time Bruce was his sort of not really dad, right?

Dick wasn’t sure how long he had frozen once he saw the biometrics readings stop, but his training kicked in eventually and he was now on his way to see what he could do to help. Even if that was just standing by while someone else handled Bruce’s injuries.

He reached the watchtower and ran to the medical wing. The Justice League were all inside. Superman was sitting in a chair with yellow sunlamps trained on him, a bloody set of tears marring his suit, clearly his own blood, as Dick could see the injuries on his skin slowly healing themselves under the sunlight. He looked quite literally green around the gills, kryptonite then.

The others were around in various states of injured, but none of them were as severe as Superman’s injuries. Flash was helping Green lantern wrap a wound that probably had already been stitched up, but everyone else looked fine.

Then Dick noticed that Diana was standing at the end of a bed that had a sheet over it. There was clearly a body underneath. And Batman was the only person unaccounted for.

“Dick.” Clark said, his voice breaking.

Dick couldn’t say anything, he wordlessly moved over to the bed and pulled back the sheet. The cowl was still over Bruce’s face but it was severely damaged. Burns and scrapes and soot covered what parts of his face were visible. Dick put his ear by where Bruce’s heart should be and listened for a heartbeat.

Nothing.

Dick checked Bruce’s pulse.

Nothing.

“What happened?” Dick asked, becasue if he didn’t he might just get lost in his own thoughts and memories.

“Lex and the Joker.” Clark said, “They were making some sort of space laser together. I’m not sure to what end. I went to confront them while the others handled the guards. B, he went to dismantle the weapon. But there was a failsafe bomb. We couldn’t— We weren’t able to get to him. Not until after.”

A beep sounded someone arriving at the zeta station. A few seconds later Jason burst in in his full Robin outfit. Wait, Dick was still in his sweatpants. Not even a mask. What would Bruce say?

Dick wished he could hear Bruce tell him off for being in civilian clothes in the watchtower.

“I saw the distress record and your zeta logs.” Jason said, “What happened?”

“Jason.” Dick started and stopped, trying to put himself in between Bruce’s body and Jason.

“Can I at least see B? He’s my dad too you know.”

“Jason something really bad happened.” Dick felt the words spill out.

“What’s wrong? Where’s B?”

“He’s gone, Little Wing.” Dick bent down slightly to meet Jason’s eyes, or rather the white lenses of his mask, at level.

“No! He can’t be. He’s Batman.” Jason then seemed to notice Bruce’s still uncovered face on the bed. Jason ran the same tests that Dick had, adding in checking for breath fog on the edge of a batarang for good measure.

Jason finally pulled the sheet back over Bruce’s head and turned from the bed, he looked about three shades paler than normal. His breathing was racing and Dick noticed Clark looking at Jason with concern.

Shit. What did Bruce normally do to help with the panic attacks?

Dick silently tugged Jason to sit on the floor with his back against a wall. “Breathe, Jay. It’s gonna be alright.”

“Where am I going to go?” Jason whispered, still in a panic. It seemed to be more to himself than to Dick but Dick answered anyway.

“Breathe. You’re not going anywhere. You stay at the manor, I’ll move back in. You’re not going to get kicked out. Can you take a deep breath with me?”

Dick guided Jason’s hand to the front seam of the Robin costume so he could feel his own diaphragm move. Dick counted as he breathed in and out and slowly Jason’s breaths started to match his own.

“He’s gone.” Jason whispered.

Dick didn’t know what to say.

“How do we tell Alfred?”

Dick hadn’t thought that far ahead.

“I can tell him.” Clark said, “You kids shouldn’t have to worry about that.”

Dick nodded. Where was his voice? Part of him wanted to say that he should deliver it, he’s family, or maybe that he wasn’t a kid anymore.

“What do we do then?” Jason asked.

“Let’s go home and get you into some pajamas.” Clark said.

“I don’t want to leave him.” Dick said, looking at the sheet covering Bruce. “Alfred should have codes for the zeta to use in case of this specific issue. Have him bring the contingency files for a code dark night.”

Clark nodded and stood up. He still looked uneasy on his feet, but he got Jason to the zeta point. The rest of the League took the hint and made themselves scarce, leaving Dick alone with Bruce.

The sense of deja vu was sickening. It brought him back to the first minutes after his parents’ fall. Dick was the first one to get to them and for what felt like hours it was just him and his parents’ bodies in the middle of the ring. It hadn’t actually been that long until there were police and someone else in the circus, Dick couldn’t even remember who, was pulling him away and trying to comfort him. And then there was Bruce. Who Dick had talked to briefly that day, back then he had just been a random stranger offering condolences. Now…

Dick looked back at the sheet.

Bruce was dead.

What the hell was Dick supposed to do now?

#this is still wip so it's a bit messy still #but I wanted to share something since it's been forever since I've posted writing on here #Crossing that line au #batfamily #bruce wayne #batman #jason todd #robin #dick grayson #nightwing #red hood #dc comics #dc #appie is a writer!

25 notes · View notes

molagboop · 16 hours

Text

Examining Chozo Anatomy: Arms

Welcome to my deep-dive into Chozo anatomy. Today, I'll be discussing features present on the arms and hands of our feathery fellows.

This post exists simultaneously as a reference for artists and as a fascinating look into the world of Chozo anatomy for all audiences. Whether you're here for references showing how Chozo arms are built or you enjoy taking a peek at Metroid Dread's character models out of game, I've got you covered!

You'll find plenty of images and a full breakdown of the anatomical structure of Chozo arms beneath the cut.

First, a quick overview: from a musculoskeletal standpoint, Chozo arms are built exactly like human arms, diverging at the hands. Chozo hands look like bird feet that evolved in much the same way our hands did.

Part 1: Elbows

Dread Chozo have feathers protruding from their scaly elbows.

Underneath every fountain of large plumage is a soft bed of down. This manifests in patches of plush, miniscule feathers that are grouped together somewhat densely.

Our subjects appear to have primarily smooth skin occasionally interrupted by spots of down from which plumage arises, but I think Chozo that are feathery all over are neat. The concept art and 100% gallery rewards seem to paint a picture of softer Chozo with more feathers all over their bodies (save for their plated arms and hard beaks), but the in-game models appear smooth. We're all familiar with Raven Beak's bald head (which many of us have expressed a desire to slap), but perhaps that head is covered in a fine layer of velvety feathers?

I managed to remove Quiet Robe's left pauldron and embroidered sleeve, so I have a fuller view of his whole arm, including the base of his feathery neck.

Quiet Robe's shoulders are quite smooth. If you want to give peepaw Robe fuzzy shoulders, I certainly wouldn't complain: you don't need to remain 100% on-model, especially considering there's a gaping hole in his back underneath that miter, and the front of his robe hides the abyss instead of an old man's breast. Corners were cut to prevent obtrusive clipping in cutscenes, whose animation plays out in-engine through scripting while the game is running (this is how the game manages to transition seamlessly from a cutscene into a boss fight).

If you'll direct your attention back up towards our Zero Mission concept art, you'll see that the Chozo of yore had spiked forearms/elbows. Those structures may indeed be feathers (upon closer inspection, they do seem feather-shaped: all three characters appear to display different variations in feathering, particularly in the shape of the feathers and how densely clustered they are), but the older designs also appear to possess a carapace of sorts?

The segments between their limbs are more pronounced, sort of like a beetle's exoskeleton. I'm not sure whether to think older Chozo designs had harder skin with feathers situated in specific locations (notably around the face and shoulders), or if our good chums are just skin and bones. Maybe the discs defining their wrists, ankles and elbows are just particularly bony, and I'm misreading their forearm feathers as spined protrusions.

Whatever the case may be, the older designs are charming. I find myself drawn to them despite the focus on submersing my own Chozo in fleshy, feathery pseudo-realism.

Part 2: Forearms and Hands

Like the feet of real birds, the tops of Chozo forearms are lined with rows of hardened scutes. Quiet Robe has cracked, chunky, pronounced plating that seems to show a bit of wear: a hallmark of aging.

Chozo hands consist of three fingers and a thumb. Their digit count is consistent with the amount of toes that most real birds possess. Interestingly, Quiet Robe's knuckles are particularly pointed and pronounced, where Raven Beak X's aren't*. They remind me of jagged little spurs: useful in hand-to-hand combat.

RB-X may not have raised knuckles, but the real Raven Beak's power suit has white knuckle guards that indicate his own might not be so different from our gentle friend. They could also exist to give his armored fist some punching power despite a lack of biological spurs, but this is all speculation.

The palms of both Quiet Robe and RB-X's hands appear to match their inner elbow patches: Quiet Robe's palms are bathed in a violet hue, while Raven Beak X has pink flesh. This is more apparent on RB-X than on our Thoha chum, but that coloration appears to extend some ways down the underside of the forearm.

Part 3: Those Weird Patches of Skin on the Inner Elbow

One thing you'll notice is that Chozo have patches of flesh on their inner elbows, under their arms, and between their fingers.

This flesh tends to differ in color from the rest of the skin. Quiet Robe's are darker, with more saturated red-violet hues.

The patches under the arms run in tandem with the serratus, the muscle on the sides of the torso that reaches inward towards the abdominals.

I tried to take a less weird shot, but couldn't figure out how to position the bones in a way that would provide a decently lit angle without warping the model horribly.

RB-X's patches are stretched, perhaps a quirk relating to its size or an abridging of the feature via the X tampering with the related genes to suit its fancy. I've likened their appearance to the gliding membranes of animals like flying squirrels... not that these are likely to assist the creature in any gliding with how little surface area they inhabit, but their dimension and the way they resemble some sort of connective tissue spanning between the segments of each limb is certainly evocative. It's like having webbed feet, but instead of the webbing being between one's toes, it's situated between the bicep and the forearm.

I'm unsure of whether to write their appearance off as something only RB-X has, or to take them into consideration for Chozo morphology. I've entertained the thought that some Chozo's inner and under-arm patches do manifest more like this (flattening against the body when the arm is extended and stretching as above when the elbow is bent), and how one's flesh appears is a matter of genetics, or perhaps a feature of aging.

As humans get older, some sections of skin begin to loosen and sag. I don't imagine this is much different for Chozo: Old Bird and Grey Voice certainly have their fair share of wrinkles in the manga. At first, I thought the way RB-X's flesh stretched between its limbs looked somewhat taut and uncomfortable, but the more I think about this from the lens of aging, the more likely it seems that these sections could be spots of loose skin. Perhaps this isn't an X-borne bug, but a feature? Who knows.

It's a lot harder to see the patches between the fingers on Quiet Robe's model, but they're present with a great deal of clarity on Raven Beak X.

I think I mentioned this in my post about Quiet Robe's model, but these patches remind me of an anatomical feature seen in older official works (like the concept art for Metroid: Zero Mission). Older depictions of the Chozo had defined, segmented structures on the biceps and the underside of the forearms.

Also of note is the fact that these structures appear on the legs of older Chozo.

Now that we've covered in-game examples, I'd like to give more examples of this feature in concept. First off, you can see these patches in the gallery reward for 100%'ing Burenia in Dread. Upon closer observation, the prisoner on the left appears to display these patches.

The underarm patches are obscured, as their arms are resting pretty close to their torso, but you can barely see the pink patch of flesh running along the serratus and disappearing beneath the arm. The elbow patches are a little clearer.

It's very difficult to see, but I think the coloration around the prisoners' knees may also show some stray sections of pink, matching the leftmost prisoner's inner elbow. Dread's interpretation of the Chozo could possibly have similar patches behind their knees, but I don't see it. It's all up in the air: I say do as you please in that department.

Now for our last example of shirtless individuals in Dread's key art: this hunter** from Ghavoran's 100% completion reward. The inner elbow is a bit obscured, but the modified serratus is clear as day.

The odd patches on Chozo arms were an anatomical subject I wanted to present in-depth because they've changed over the course of two decades: they moved from the sides of the biceps and forearms to the inner elbows and under the arms. Dread does a few things differently from Prime and Zero Mission, which is not a bad thing!

When illustrating characters of a fictional species from existing media, I like to take different depictions across generations into account. Morrowind's Argonians are unlike those we see in Skyrim, and the differences are even more staggering between Arena and Daggerfall! The Chozo have also undergone a few design changes between installments, though admittedly, there's far less whiplash between the Chozo of Dread and Zero Mission than there is between the Argonians of Daggerfall and Arena.

In both cases, the older depictions of the species in question aren't rendered "obsolete" or "not canon" by the newer designs. I'm of the opinion that these discrepancies merely open up more opportunities for interesting and diverse characters. I love seeing Argonian characters with digitigrade legs as Morrowind NPCs had, but the plantigrade layout on characters from the rest of the series is just as fine.

You could give your Chozo the arm structure of older designs, adhere to the more recent arm flesh patch conventions, or toy with a mix of the two: the world is your oyster! You could opt to omit them entirely! Don't let the most recent iteration of the canon hold you back: it's always worth taking a hint from earlier designs when you're playing in a sandbox with decades-old franchises.

I'm not here to say "this is how Dread does Chozo: adhere to the most recent canon or perish": I'm here to show you what Dread does so you can take these design choices into consideration when drawing your own interpretation of this species. Take liberties, and take them often! If you want to remain on-model, that's also fine.

That wraps up our investigation of Chozo arms, but if you notice something I neglected to mention, feel free to point it out!

**Possibly Raven Beak? Who knows: he's old and grey, this one's grey. Maybe these soldiers are out on a hunting trip with the boss, or perhaps he's proving his worth as a warrior by slaying Corpius' uncle solo and cuirass-less. There's no way to say for certain who this is or what's going on: Mawkin culture isn't elaborated upon much in writing during Metroid Dread. I make up my own lore as I go.

*If RB-X's form is an accurate depiction of Raven Beak's pre-death arms. Who knows, maybe his physical form has crusty armored old man scutes like Quiet Robe when Samus piledrives him into the surface of the planet, and the arms we see in-game are the product of the X parasite choosing the more glamorous, younger Raven Beak's smooth baby arms from the pool of genetic material it extracted from his still-writhing form. We'll never know.

#Chozo #Metroid Dread #blender shenanigans #chozo anatomy #Quiet Robe #Raven Beak #RB-X #Raven Beak X #post created February 23 2023 #Metroid

21 notes · View notes

tulipsforvin · 19 hours

Note

Hiii, how are you? I love your writing sm, especially your Mycroft fics. I didn’t even like his character that much until I read your fanfics about him ^^

So can I request a jealous Mycroft Holmes x trophy wife reader? Something similar to your last post or maybe a continuation?

Thanks sm <3

✦ YOU BELONG TO ME ‧₊˚✩彡

🌷: HII im good :) thnx sm for the kind words !! have a nice day/night

🌷: F!TROPHY WIFE READER x JEALOUS MYCROFT HOLMES

⚠️: such a cliché 🙏, somewhat suggestive at the end.

surely this was to be expected; you were in no way lacking. the attention your beauty and elegance brought with you was only one of the many implications that came with marrying you. he could handle it, couldn't he? surely he could. you were his trophy wife, an accessory to be shown at the best.

but that position didn't quite please you. no no, you wanted more. you wanted all of him, him and his affections, every bit of his attention. you wanted to be more than just a mere prize to him. which is why..

“right! and then he said—” music & loud voices dipped in cheery laughter blur into the background.

watching yet another group of men group you crowd you for the umpteenth time this night—something began to rise within him. anger, frustration, disgust.. he wasn't sure what it exactly was. perhaps a mixture of them all. all he knew was that it made his stomach feel hollow, his chest burn with something foreign and bile crawl up to his throat.

you high five a nobleman. that noble looks too happy over mere skin contact. the muscle under his eye twitches slightly. ‘really?’ he wishes to say out loud. he's the one who brought you here. you're his wife.

“..mr. holmes.”

“mr. holmes.”

“mr. mycroft holmes.”

mycroft snaps out of his thoughts. “ah.” he blinks. his dark eyes smoothly shift back to the man infront of him. “apologies, secretary general. please continue.”

“...” the secretary general scans mycroft's face for any expression hinting to why he seems so out of it tonight. mycroft is too clever not to notice so he arches an eyebrow and the secretary general clears his throat. “ahem. as i was saying, if we are to implement better rules and regulations then..”

the secretary general's voice fades into the background for the second time this night. mere background noise to mycroft holmes—the man known to be devoted to his work. well.. not tonight though. there was something else bothering him.

“you're so beautiful, miss. (name)!” the man infront of you chirps, a patch of hair on his chin for a beard.

his beard doesn't even connect, mycroft scoffs under his breath, thinking to himself. if you can even call it a beard—it's just barely visible stubble. barely there.

“oh thank you!” your hand pats his forearm lightly.

what on earth are you doing? he wishes he could say.

he glances back at the babbling man infront of him; not a stop to his endless tirade of words. he sighs.

“mr. holmes, are you okay?” the secretary general says, tilting his head to the side by the slightest.

“i am.” mycroft replies curtly, not even looking at him. his attention is somewhere else entirely. on you, to be exact. and that rat looking bastard besides you.

“i should be the one thanking you for attending. otherwise i wouldn't have been able to meet you.” the nobleman's gaze falls to your neck where a beautiful pearl necklace rests. “such a gorgeous necklace, i must say.” he uses it as an excuse to caress your neck with the back of his fingers.

mycroft's face darkens visibly, a vein protruding on his jaw as he clenches it. his eyebrows furrow, forming a small line in the space between.

that's enough. he thinks. he doesn't like that. no, not at all. why aren't you saying anything to that bastard?

instead of pushing the nobleman away, it felt like you were encouraging his actions, letting him do as he pleases with you—and that really irritated mycroft.

a server carrying several glasses of sparkling wine walks to each group of people, asking them if they would like some. when the server comes to you, the nobleman alongside you picks up two glasses.

the man is cheerful as he speaks to you, obviously feeling quite joyous at the chance of being able to talk to someone as beautiful as you. “here, miss. a glass of champagne each for you and for me.”

“thank y—”

in mere seconds mycroft has excused himself and began striding to you, footsteps large and distanced.

“thank you.” a man's hands, large and veiny slithers into the space between you and the nobleman. and when they pull back, they retrieve the two glasses of sparkling wine from the nobleman.

your neck snaps around to the deep, familiar voice behind you. you look up to see a tall and looming mycroft, annoyance plastered across his face, hand you one glass and keep the other to himself.

“mycroft!” you smile up at him, eyes glittering. you take the glass of champagne from him and sip at it.

“o-oh,” the nobleman falters, stepping back instinctively. “good.. good evening, mr. holmes.”

“evening.” mycroft's voice is low and rumbly. an arm travels to your hips and he pulls you in close to him.

“fine banquet, isn't it? i quite like the atmosphe—”

“yes, yes.” mycroft hums dismissively. “pardon me, but me and my wife have somewhere to be.”

that's all he says before he's practically dragging you away, a firm hand still grasping onto your waist—not even letting either of you bid farewell to each other.

“we do?” you peek up at him as you're walking away.

“yes.” his voice is quiet. tight. firm. growly. everything sexy. “i feel as if a little disciplining might be in order.”

you gulp thickly at his words as he leads you to the bathroom. but this was what you wanted, after all.

you can't help the small and subtle smirk that appears on your painted lips. “ofcourse.. darling.”

#mycroft holmes x you #mycroft holmes x reader #mycroft holmes x y/n #moriarty the patriot #yuukoku no moriarty #moriarty the patriot x you #moriarty the patriot x reader #yuukoku no moriarty x you #yuukoku no moriarty x reader #mtp x reader #mycroft holmes #mycroft holmes mtp #mtp mycroft holmes

23 notes · View notes