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#i probably should have mentioned that

inkskinned · 10 months

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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME #there is no replacement here bc i am not filling a position. i am just writing #and the writing is what i need to be doing #writeblr #this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to #edited for the typo wrote it and then was late to a meeting lol #i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means #i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong #i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse #i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO #i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness #and i would still be writing pretentious angsty poetry about it #im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us #i'm saying. you could take away our jobs and we could go hungry and we could suffer #and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work #even if it means being miserable #but i will not give up this thing. for the whole world.

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phoenixkaptain · 1 year

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I wanna talk about You Boys Play Games Very Well because it is the funniest story I’ll ever read in my life.

First things first: Ling Meng. MengMeng. The best boy. He’s just like me fr his head is full of only video games and food. He also puffs out his cheeks like a pufferfish when upset and that’s just too relatable. Anyway, he’s also super tiny but calls himself Lemon Daddy, and I can’t explain to you how funny it is when he does a face reveal and everyone is so upset and thinks he’s underage-

And Shan Zhu! (His brother’s name is Shan Zha and I know it’s written in characters not English, but in English it’s equivalent to naming one kid Charles and the other Charlie, it cracks me up and the author definitly knew this, okay, they knew-) Shan Zha played one game when Lemon Daddy told him to take things more seriously and he went “…he’s got a point” and became one of the top players. Because someone on a game told him to take things more seriously.

I have a lot to say on Shan Zhu, okay, he is the funniest love interest of all times. First of all, his nicknames include Mango, Mang God (God Mango), Mangosteen, and Apple. He’s called Mango because his name Mangosteen got mispronounced. He started a small account, Apple, because Ling Meng thought Mang God was going to the same school as him and started a tournament to see, and Shan Zhu joined because he wanted the second place prize.

WHAT - you ask - WAS THE SECOND PLACE PRIZE? I’m so glad you brought it up! Ling Meng told everyone it was his nudes, but it was actually a picture of him in the bath from when he was a baby, but yes, Shan Zhu joined a tournament under a newly made account name just so he could deliberately throw the match at the last second and win Ling Meng’s naked photo (which is especially funny because he’s called a walking calculator; he does wildly impressive math all in his head in a couple of seconds and so he deliberately did the math to make his missiles miss, his talent level is off the charts). WHY - you ask - did he do ANY OF THIS? Because he got told by Lemon Daddy to take thing more seriously, then the second time they met, Lemon told him “You boys play games very well” and honestly, who wouldn’t be smitten?

(Also, they made a bet and he did manage to get Ling Meng to try and buy condoms at the school store, so- Look, just read the novel, it makes sense, definitely, just read it-)

But Shan Zha (the most obvious man who has ever existed) and Ling Meng (the most oblivious man who has ever existed) are not the best characters, that honour goes to Xiang Jiao, or Banana, or Guava. Guava is the absolute best character of all time, because he has the biggest crush on Ling Meng yet does absolutely nothing about it. The multiple scenes where he just asks Mango and Apple (which are the same person) if he wants to go pro are very funny, because Shan Zha responds with a no every time, but Guava keeps asking.

Guava has a shit ton of money and uses it almost exclusively to send it to Ling Meng. My favourite part is when someone asks him his hobbies and his coach mentions that he’s been watching a streamer lately (Ling Meng) and Guava says it’s an entertainment streamer (he isn’t really) and says he watches because it’s funny and the coach says “He’s never laughed once.”

Also, Guava asking Ling Meng for his autograph is just hilarious.

Also also, the sex scenes are entirely fruit and rollercoaster metaphors. I don’t know why. But I like it a lot.

So yeah, 10/10, recommend, read You Boys Play Games Very Well, it’s all worth it for Guava being the biggest Lemon fan, and Shan Zhu being the biggest Ling Meng trumpet blower and defender. (Ling Meng is good at everything. Promise, he definitely is, would the extremely biased and smitten Shan Zhu lie to me??) And the chat is pretty funny too. Very good, very funny, so funny, like honestly I laugh so hard every time I read it.

#cnovel #you boys play games very well #ling meng #shan zhu #xiang jiao #the inane ramblings of a madman #long post #novel #listen i realize i didn’t bring it up #but this entire story is interspersed #with incredibly detailed sections #of gaming footage #the crux of the story is the gaming #i probably should have mentioned that #but oh well #better late than never #please read so i can talk to someone about please

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theminecraftbee · 7 months

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-slamming bolt upright in a cold sweat- what do you mean verbal contracts cleo. what do you MEAN verbal contracts cleo. artists if you're doing commercial work you're A) charging much higher rates and B) making them SIGN A CONTRACT, right? right? you understand why that's VITAL, right? why having a written contract is VITAL for commercial work? you understand? you make them sign a written contract? please if you go looking in proper artist/graphic design circles i'm sure you can find a basic form that's legal in your locality and doesn't require you talk to a lawyer but if you're doing commercial work you're MAKING THEM SIGN A CONTRACT RIGHT--

#stream liveblogging #sorry someone in a chat in my discord mentioned cleo said they were using verbal contracts and my raised-by-lawyers self sat bolt upright #artists: you can get away with just an email chain with a noncommercial commission #but if you're doing someone's branding/merch/commercial work #you've both GOTTA charge WAAAAY more #and you've GOTTA have a contract #and you've GOTTA check out the rights stuff (hint: you aren't giving them perpetual rights to the design unless you're charging out the ass #i'm not an artist or a lawyer so i don't know the exact details of how this should go down but #ohhhhhhh my god.#anyway this isn't supposed to be discourse i am certain basically every youtuber does this. unfortunately.#and i don't BLAME the ones who have because they just probably hadn't realized/assumed the people they were commissioning would know #but i'm just losing my marbles for a moment don't mind me.#oh my god.#ANYWAY BACK TO MY NORMAL SCHEDULED POSTS--.

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turtleblogatlast · 2 months

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Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #rise leo #rottmnt headcanons #am I looking too much into things? almost assuredly yes #I actually appreciate how tim immediately goes ‘it’s not your fault’ as well? like he could’ve just blamed this 15/16 year old but he didn’t #but yeah this moment got to me a little mainly because it made me realize that Leo…DOES take responsibility for things a lot #he messes up a ton yeah but he says sorry at a pretty consistent rate #and y’know thinking about it #THIS IS TINFOIL HAT TERRITORY BE WARNED #he’s mentioned being betrayed by his brothers before - I wonder if it was something as simple as taking the fall for like #breaking something of Splinters or whatever #point is it wouldn’t be out of the ordinary for him to get the full blame for something only partially his fault #or not his fault at all in some cases #like in bug busters where Raph gets mad at Leo for not getting captured with them #(I understand Raph’s mindset here a ton - Raph’s the leader and he’s likely lashing out so I don’t blame the poor kid)#but this plus the moment at the beginning of the movie #where only Leo is reprimanded despite Mikey and Donnie having full autonomy to join the fun pizza stacking #make no mistake this is not at all a diss on everyone else!!! it’s just something I noticed #I think that “it’s not about you” doesn’t just pertain to being arrogant and wanting the spotlight #I think it’s also about how responsibility is meant to be shared #and like #Leo DOES mess up a lot! so he’s honestly probably used to having the blame because it is often at least somewhat warranted #he’s specifically described as being good at apologizing after all #tldr: Leo messes up a lot of the time so he is very used to blame and attention both good and bad #even when the full blame should not be solely on his shoulders

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egophiliac · 15 days

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I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)

the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!

and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL

I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔

#twisted wonderland #twisted wonderland spoilers #i...am unsure if maleficia's name gets mentioned pre-part 6 so i'm gonna go overboard on the spoiler tags just in case #i-i just want to be careful okay #twisted wonderland episode 7 spoilers #twisted wonderland book 7 spoilers #twisted wonderland episode 7 part 6 spoilers #twisted wonderland book 7 part 6 spoilers #well if nothing else i'm happy i can stop calling him revaan. that was getting too silly.#and seeing baur finally twigged the reference for me (somewhat embarrassingly late)#me: (looking at a crocodile man whose name is literally written bauru) HMM I JUST DON'T KNOW #(i assume they went with 'baur' instead of 'bauru' to make it more of a reference and less...literally the name of a municipality)#(and also a sandwich according to wikipedia?)#(no actually he should have been bauru that would've been incredible) (sandwich grandpa)#i might call artistic license and use something like 'the briarlands' instead of 'briarland' though if it ever comes up #(it looks like we're going to be leaving the pre-valley timeline soon so it probably won't) (but i just want it on record)#i actually do like it being more unique than just 'briar country/kingdom' but i think the plural adds more of that ~fantasy flair~#...also this is how i find out that trey's magic name is different in eng?#(wow i really do not pay attention huh)#'paint the roses' IS the actual translation of his magic (薔薇を塗ろう) so it's not...COMPLETELY different at least?#i...guess they went for the more immediately obvious reference...? weird

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russenoire · 1 year

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that scene in season 1 where teruki hanazawa exorcises ekubo mid-sentence... and shigeo's eyes widen in shock?

i really want to talk about it, specifically the explosion meter accompanying it.

normally, when the teenager's emotions aren't obvious to the audience, that meter relays to us a sense of what he is actually feeling. but we cannot trust the meter here. we see it jump up a few points at teru's 'psycho wave' sending the sleazy ghost to the shadow realms, and remain steady at 50% upon shigeo's recollections of the spirit's unsavory nature. the boy outright tells teru that he isn't bothered. and it's funny!

but shigeo isn't being honest with himself here either.

his face briefly gives his feelings away before resettling into its normal flat affect. (to be fair, what he's really feeling isn't teru's business. this kid is trying to provoke a fight out of him, after all.) after he's basically tortured into exploding, shigeo spends three hours in the pouring rain, searching everywhere for ekubo.

three. hours.

these are not the actions of someone who isn't bothered. letting himself get drenched to the point of sickness,

even though he literally holds the power to shield himself from it,

reads to me like unconscious self-punishment for allowing all this to happen.

after a large chunk of his short life spent denying and fearing them for good reason, shigeo's first impulse is often not to use his psychic powers -- even after his integration at the story's end. i wish this was discussed more, because many watchers cannot fathom why this boy with world-breaking psychic abilities would ever refuse to use them.

also: the explosion meter lying to us / representing shigeo's detachment from his own emotions alexithymia may occur elsewhere in the series as well, especially when he's not close to an explosion; i'm reminded of the tiny dent ritsu's provocation of him makes in it a few episodes later.

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justanotherwriter140 · 2 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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vio1315 · 1 year

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I feel the need to remind people,

There is nobody Jesus is unable to save

I feel it comes up far too often that I am researching a mental illness or behavior or types of people that people will comment how such people will never be saved, never come to Christ

And I honestly think this is an evil thing to say, let alone publicly, let alone where a record of it is kept for all to see for however long the website is running

Do you have any idea where people who are struggling with all manner of things and looking for help are going to end up? On those exact pages. Do you know where they might look for more information when the article/video/etc waxes on about how rare it is for these people to change or find help? Right in the comments.

How dare the people who post this stuff. To take away the only real hope for the lost. To say ‘this is where everyone can find peace for their soul except for you.’ ‘only those good enough can be Saved’

I have seen people mention being in absolute despair because there’s no help for them even though they want to change. There’s no need to make this even harder.

No sin, no mental illness, no habit, no personality type, no mistake, no past is going to prevent people who put their faith in Jesus’s death and resurrection from being Saved, so stop trying to turn them away and discourage them.

#Vio's Personal #Now obviously I don’t assume any of my followers have done this #I just find it infuriating #I should do more about it probab;y #I still remember Years ago when I was looking for help about why reading the bible was something I never wanted to do #(I honestly still struggle about it A Lot but at least I better understand why now)#and someone had mentioned that people who don’t want to read the bible probably aren’t saved #utterly soul crushing #It didn’t impact my decisions or any such but #some comment on there for years and years that they forgot about #And just devastating for no reason #And that’s nothing compared to what people say about some mental illnesses #What value was there in saying that? Would it be worth it if even one person was dissuaded from pursuing the Truth from it?#The things you say can impact people. Act like it

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themyscirah · 6 days

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Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

#its like youre unable to root for her in any form. which is annoying bc shes actually awesome actually #also having her say “actually im the good guy fuck you'' w/o any actual deep analysis of her psyche or whatever while doing these things #doesnt count as development or showing shes 3 dimensional. its just having 2 dimensional waller say shes right when everyone is obviously #supposed to believe shes wrong #anyways i want real waller back please i miss herrrrrrrr #anyways hope mr john ridley has read secret origins no 14. i know its from 1987 but please guys please. my only hope #also it was a few months ago but i think they tried to push certain elements of a diff backstory in dream team and sorry but fuck that. and #any mention of another waller background like my eyes are closed sry. im a preboot truther #actually im just ignorant of most squad comics outside the original series. im gonna do a readthrough and become knowledgeable on other #stuff i just need to find time. so if im wrong then sorry if its smth factual and if you disagree with my opinion then uh sorry for ur loss #anyways shoutout to the time i had a nerd night w my one friend and she was asking me abt dc and said my favorite villains and i said waller #and silver swan. and she had a “yuck WHY” to waller and a ???? to silver swan. love shouting out my faves and explaining them to the less #informed. didnt say a number 3 but would probably be parallax ig. idk hes kind of slay. or maybe someone else honestly i like hal but waller #and nessie are blorbo level for me i could think abt them for hours #or maybe it wouldnt be parallax actually idk who my 3 would be. hes definitely up there but way below the other 2. maybe the cheetah #interpretation that i personally have. v different from the popular cheetah interpretation esp rucka vers actually. much closer to the pérez #and esp develops some subtext there surrounding barbara and the exploitation and theft of sacred cultural artifacts and pieces but also #like british colonization a lil bit #but i actually despise the cheetah that lives in my head but think shed be interesting to use narratively and see diana fight #vs the other guys who i find interesting and sympathetic and like for themselves #whereas my fave interpretation of cheetah can rot in hell #i got off topic here #blah #swishy rant #also disclaimer that w the main character ik dreamer is the main character of dream team. im talking more in general and that amanda should #always have a huge role as shes the main character of the squad and yet is treated like its villain and not its protag #sui sq

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