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justanotherwriter140 · 2 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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justanotherwriter140 · 2 months

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Kung Fu Panda 4 - Edited

A really, really long discussion post.

It’s been a hot minute since I’ve expressed an explicit opinion on anything, hasn’t it? Actually, I don’t think I’ve ever done a hot-take post. I guess now is as good a time as any to write my first one, given our current situation…

So, the elephant (panda?) in the room: CinemaCon.

While we’ve hardly even had twenty-four hours to process this new information, I know that there are already a lot of strong opinions out there, and many of which are displeased. I don’t think I’ve seen anyone who’s necessarily happy about the news we received yesterday, and while everyone has differing reasons as to why they’re not thrilled, I think there are a lot of common factors among the skeptics. IMO, all of the concerns I’ve heard since the announcements have been understandable. Here’s a list of the most significant concerns:

Chen/Fox Warrior

A replacement for the Dragon Warrior

A villain whose “power” is (potentially) resurrecting past villains from the dead

The Furious Five and their relevancy

Director Mike Mitchell

Many fans are finding themselves confused with this alleged plot, mainly because (to put things bluntly) it doesn’t make any sense. I have a plethora of questions in regards to the second bullet alone, imagine how many I have in total!

You won’t have to imagine, actually, because I’m doing you all the favor of writing down my every thought. Strap in, folks!

First of all, who is Chen (?) and why is she relevant? While these are things that will, without question, need to be answered in the upcoming film, I’m still feeling apprehensive. Why would Po choose her as the next Dragon Warrior, a title that for three consecutive movies has been regarded as the highest possible title that any living being in this universe can achieve? What makes Chen the next Dragon Warrior, what makes her eligible? The Dragon Warrior is essentially OP at their full potential, and if we’re assuming that this title can in fact be passed on, why would Po give this power and influence to someone he meets in the same movie in which he makes the life-altering decision to seek out an heir? Why wouldn’t he at least choose someone he knows closely, rather than someone he initially doesn’t get along with (as stated in the plot description) and likely doesn’t trust? In my mind, the movie could only justify that choice with some sort of “message from the universe” making itself known to Po and telling him to choose Chen as his successor, but if that’s the road the writers end up going down, then I’d have to reiterate: why?

Backtracking for a second. We have never had any reason to believe that “another” Dragon Warrior existing is even a possibility, forget the concept of them co-existing with the current and original Dragon Warrior. Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

Let’s set all of that aside for a moment, because I have a follow-up question: why in the world would Po be finding a replacement so soon? Yes, the alleged plot states that he’s been given a promotion and therefore wants someone else to fill in for him as the Dragon Warrior, but that doesn’t make sense to me. Why would Po’s new status (as something along the lines of the “Spiritual Leader/Master” of the Valley of Peace) hold him back from being the Dragon Warrior? If there’s something else behind him wanting to leave the role behind, I’m listening, but right now it feels very unbelievable. Why is he doing this so early in his life? He’s been the Dragon Warrior for four or five years at most, why is he throwing in the towel so soon? He’s young and has so much ahead of him, especially after all that he’s done. He’s built prestige and respect over the years and he’s so proud of his role as the Dragon Warrior. I’m confused!

One could make the argument that Po wants to settle down, which I’ve seen a few times on different social sites as a suggestion. However, he has shown no interest in such things in the past. He’s always excited to travel and see new things, so to see such a sudden change in attitude and priorities would likely have to be the result of a drastic occurrence. Po is not giving up his title as the Dragon Warrior, at least not with the way things are now. I’m not necessarily adverse to bold decisions being made in sequels, but this is probably too sharp of a turn for me to be okay with it.

Is it even possible for Po to no longer hold the title? If we reference what I stated earlier, about the title being not so much a title but rather just Po himself, could we even consider that Po can just spontaneously decide to not be the Dragon Warrior anymore? He was chosen by the universe; can he UNO reverse card the universe?

So many paragraphs, and I haven’t even gotten around to discussing the villain or the Furious Five. Let’s see how long I can write before my passion-induced rant starts to fizzle out!

In regards to the villain, I’m conflicted.

On the bright side, I’ve been rooting for a female villain for as long as I’ve been in the fanbase. A female villain could add something really new and fresh to the series, giving fans a new perspective and experience altogether. The only canonical female villains in the KFP universe as of right now are the Wu Sisters, who are some of my personal favorite villains to ever come out of the franchise.

Additionally, rumors suggest that the chameleon can shape-shift. The idea of a shapeshifting villain (who potentially possesses dark magic, or something similar) is admittedly really cool. In an unreleased (unfinished) discussion post, I go into detail regarding the advantages of a manipulative villain. If the chameleon is as manipulative as her shape-shifting powers suggest, she could actually be pretty interesting to watch. Of course, being me, I’d prefer emotional manipulation over anything else, but that’s still a possibility!

In the plot description, it’s stated that the chameleon has the ability to “summon” villains from Po’s past. While it’s been assumed that this is in reference to full on resurrection, there’s still some wiggle room for speculative variation. There are disagreements and conflicting information on whether or not the chameleon can actually revive Po’s former adversaries, as some claim that she has the ability to resurrect the dead (perhaps via dark magic), while others state that she simply takes on their form to mess with Po.

Let’s assume that the chameleon is legitimately able to bring back villains that Po has done away with in previous movies. Isn’t that an incredibly easy way to make it seem like Po is going to experience difficulty in defeating this movie’s opposing force? While I’ll admit that coming up with someone/something that will make Po falter and struggle was never going to be an easy task, especially at this stage, I can’t help but feel as though there’s a bit lacking in the creative department. It’s also a bit insulting, to be honest, because if this new villain has to rely on the reputations and powers of previous villains to put up a fight, then is this a villain worth paying any real mind to? Does she pose any kind of true threat?

Personally, I hope that the whole resurrection theory is false. I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po’s character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

For a while, there were theories floating around that suggested that Kung Fu Panda 4′s villain would have some significance to Tigress. The thought process behind this follows a “villain formula” of sorts; each movie villain so far has been connected to a main character through that respective character’s past. Tai Lung was Shifu’s failed prodigy; a fallen angel archetype. Shen killed Po’s mother and led a genocide on his people in a feeble and desperate attempt to save himself from his own fate. Kai was Oogway’s former fellow warlord and brother-in-arms, seeking revenge for the betrayal he felt had been enacted upon him.

I am a full-fledged supporter of the next villain having a connection to Tigress. Unfortunately, though, it doesn’t seem likely given the information we currently have. This chameleon, from what we know at this point in time, has absolutely no connection to Po or anyone in the main cast. I’d even go as far as to say that there’s more of a reason to believe the chameleon will have a connection to Chen; mainly because I think that if Chen needs to be integrated into the main cast, that’s the way the writers are going to go. The problem with this, however, is that it doesn’t make that much sense given how significant of a character Tigress has become in the franchise.

Take everything I say with a grain of salt, though, because in truth, we really don’t know that much about our new villain. This chameleon could very well have a connection to Tigress! We won’t know until the time is right, I suppose.

I’ll use Tigress as a segue to talk about the Furious Five, because unlike in the third film and god-forsaken TV shows, they’re actually relevant here! Personally, I think that the Furious Five still have a bit to offer as characters, for found family feels and to act as nostalgic plot devices if for nothing else. I love the five, and while I can understand if the upcoming film’s story doesn’t call for their involvement as frequently as in KFP 1 and 2, I would still very much appreciate their presence throughout the movie instead of being totally cast aside like in the third movie.

That said, though, I have a different opinion regarding Tigress. She has always stood out as the most significant member of the Furious Five (to both the audience and Po) and has been very impactful to Po and his journey; she was especially important in Kung Fu Panda 2, during which she was shown coming out of her shell and showing something akin to affection towards Po. Their interactions were later described by Guillermo del Toro (who I believe worked on the movie as a creative consultant) as possessing “the hint of a romance.” Whether or not the fourth movie will decide to capitalize on this idea is fully up in the air. It’s been stated by former directors that the theme of romance in KFP would only ever be applied in a comical fashion, but those directors may no longer be involved at all. I’m a Po and Tigress enjoyer, but I’d much rather KFP 4 be a good, solid movie than it being weak and trying to hold itself up with a shallow romantic subplot with Po and Tigress. I would also hate (with the fury of a thousand suns) to see Tigress’s character reduced to that of a love interest; she’s strong, capable, independent, and totally awesome. If she has a larger role in the fourth movie, I’d watch her being a cold-hearted badass a thousand times over before I sit through two hours of her being overtly out-of-character for the sake of a “classic romance” with Po. A relationship between them could work, and I’ll be supportive of it if it’s done well, but it doesn’t and shouldn’t have to happen for the movie to be emotional and impactful and mean something.

I have an unfortunate yet strong suspicion that the Furious Five will be tossed to the curb in this movie, and I really hope I’m wrong, because they’re fun characters that help encapsulate the original feel of the franchise. They’re a key part of what gave Po his beginnings in the world of martial arts, and they’re also the people he desperately wanted to be like throughout his childhood (and young adult years). They’re his best friends, and while I want Po to have adventures of his own, I don’t want his origins to be forgotten in favor of new characters. I want the nostalgia, alright? Is that wrong? No, and if it were, I wouldn’t want to be right. Speaking of long-time characters, what about Shifu? I can’t help but wonder what he’ll be up to during this whole debacle. Meditating, perhaps? I hope nobody in the writers’ room decides it’s Shifu’s time to go, which has been a growing concern of mine since learning of Po’s ambiguous “promotion.”

The movie’s director, Mike Mitchell, has been involved with KFP before, but not to the extent of previous directors. While I know little information about him, I want to give him the benefit of the doubt and I’ll maintain that sentiment until the movie releases. A potential (confirmed?) co-director is Stephanie Stine, the director of Raya and the Last Dragon.

Final thoughts, summarized:

The plot is kinda off and contradicts both Po’s character arc and the other movies

A female chameleon is the villain, which is maybe the only aspect of the movie I can get behind

The Furious Five and Shifu may be completely ignored (again)

The whole “passing of the torch” storyline does not work given Po’s situation

Chen’s character doesn’t make sense

I’m not familiar with the director(s)

If you took the time to read this post, kudos to you. I hope I was able to help you arrange your thoughts regarding this news, because I’m still a bit scatter-brained myself (which is a feeling that I think we can all relate to at the moment). I’ll likely add more to this post over time, whether it be via re-blogs or simple edits. I think of something new to add to this post every few minutes, which I’ve been doing for a few hours now…

Let’s end on a positive note, because I know I was a bit of a downer here:

The title looks pretty cool, I’m not gonna lie. I like the scale texture!

#it feels rewarding in a devastating sort of way #i've won but at what cost #or have i

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