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#i have a lot of emotions about this quest ok
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oughh......
#laya plays dragon age#da2#oc: liam hawke#this happened a bit ago already & i wanted to draw sth for it but idk if i will finish that#but i gotta yell abt them anyway because OGH.#i have a lot of emotions about this quest ok#bartrand was the perfect scapegoat he was perfect to direct all the rage and pain at all these years#years of imagining gleeful revenge while bartrand is gloating and laughing like an evil soulless bastard#and then you meet him and he is just. a pathetic husk of a man with barely any own will left#and whats worse. varric is so so torn up about it#varric. the guy who never makes anything about him and who will always handwave and joke when something hits too close to home#drops all efforts to be smart and is just. desperate. begs hawke to not kill his brother#and liam wants to want bartrand dead so bad. he wishes he could look him in the eye and enjoy taking his life#and he knows varric will listen to him if he insisted. he knows when it comes down it it varric will yield to his decision#but he sees this broken guy who is barely the villain he kept projecting onto him and he sees varric and he sees two doomed siblings#and knows what its like to lose your sibling to your own blade#and he cant do it#and he hates it so much. but he wont do it.#and its the reason why i cant decide who dealt the killing blow for bethany bc it makes this scene juicy in different ways#if varric kills bethy its equally wanting to spare each other their siblings blood on their hands#as it is taking some form of revenge (on liams part). we both killed each others siblings. now we are even#the revenge part would still be there if liam did the blow on bethany himself. you made me do that and now i will take bartrand for it#but its also much more i know what its like. i wont make go through that too#if varric killed bethy and then also bartrand it would be more#''its my fault she is dead. i will take the revenge she/you deserves if you tell me to even though it will hurt me#dunno. all good variations i will. have to rotate them in my head more#or maybe just never decide idk they can be in canon limbo forever#anyways thats it for shouting into the void about them for now it Will happen again
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bhaalble · 7 months
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This isn't a fully fleshed out thought yet but I do feel. Weird. About how Wyll's arc antagonist is handled compared to the others in the party. Like imagine if you just had Cazador or Viconia at camp hanging out three feet away from Shadowheart or Astarion's bed.
Like ok in the interest of absolute fairness: the closest in terms of scale to Mizora is Gortash. In that both have harmed their respective companion, taken advantage of their trust, and isolated them from their loved ones. However, in contrast to someone like Vlaakith or Mystra or Cazador, they don't wield intense physical and spiritual pull over their victim. Karlach and Wyll have a little more freedom to act against them even without player help than say, Shadowheart or Lae'zel. They also entered into their circumstances at least PARTLY by choice. Obviously this doesn't excuse anything that was done to them, they were both young and vulnerable and had that taken advantage of. Its just a little different than "literally owned me for two centuries" and "has been my goddess and my mentor since I was a child and later we developed increasing intimacy in even more personal ways".
And the game let's you go pretty far with siding with Gortash! Far more than it lets you do with Mizora even. But the thing is you can still. Kill Gortash. In like a half dozen different ways. And also! Again! Even if you maintain a positive relationship with Gortash until the end. He's not in camp at the foot of Karlach's bed. You can't hook up with him ten feet from Karlach and have her walk in on it.
This isn't even me saying it was bad to have either of these things. Not every abuse story has to end in "kill your abuser" there's room for a lot of good options. But as an extent of Wyll's quest overall feeling a little underdeveloped. Its weird to me that we generally don't get a lot of the catharsis and grief and intense emotions that we get from the other companions when they confront their abusers. There's not a lot of processing for Wyll about everything he went through! He gets a little "nyah nyah" moment if he saves his father from Mizora but even then. Whether he chose in the first place to save his father or himself wasn't even truly up to him! It was player choice in either direction with no option to even ask him what he actually preferred.
I do genuinely understand: Wyll is a character who doesn't seem to particularly enjoy self-pity. He's very consistent that he doesn't regret pacting with Mizora and that he wants to give his all to his father and the Sword Coast. He doesn't have to be Astarion 2 to be Good Character Writing. But the absence of those big cathartic character moments really do contribute to Wyll feeling like an afterthought character writing wise and make me wonder again what was initially planned in EA
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layla4567 · 4 months
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Sweet as Peaches
Sanji Drabble (SFW)
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Sanji had recently bought fresh fruit, including blueberries, strawberries, pears, and peaches. Lots of peaches, your favorites. And certainly he knew it, which is why he had bought them, if Nami had her tangerines, you had your peaches. The blonde cook was in the kitchen as always, there wasn't a minute where he wasn't there preparing something delicious. You were near Nami's tangerine trees with her, cleaning and caring for the beautiful and healthy trees.
"You have to clean the leaves gently so they don't break, like that, see?". You said to the redhead as you ran a clean cloth tenderly over the green leaves.
She looked at you attentively and nodded while caressing the large, round tangerines. He took out one that was very ripe and smelled it, closing his eyes while smiling. Suddenly Luffy came trotting up to the two of you with that cheerful and characteristic smile.
"Sanji brought food!! Well, fruits actually"
"Oh yeah? And what fruits did he bring today?" . You asked without looking at him, concentrating on the leaves of the tangerine tree.
"Oh many, pears, blueberries, strawberries, raspberries, peaches, bananas-"
When you heard the words peaches, you stopped cleaning the leaves and opened your eyes in surprise, looking at Luffy, unable to contain yourself, you exclaimed.
"Peaches!? You said peaches!?"
"Yes, why the quest-?. The captain couldn't finish the sentence because with a happy squeal you jumped up, dropping the cloth and ran to the kitchen giggling. You stormed in where Sanji was standing washing and peeling the fruit. First he heard your melodious laugh and then he was slightly startled when he saw you but soon a smile appeared on his face.
"What is the reason for your lovely visit, petal?". He said almost laughing.
You sat awkwardly on a stool and almost fell on one side with excitement, catching your breath and without stopping smiling you rested your elbows on the bar and looked at him mischievously.
"A little bird told me that you bought fruit, especially peaches."
Sanji looked at you with the eyes of a lover, he loved it when your gaze had that sparkle of emotion, laughing softly he replied "And by any chance does that little bird of yours wear a straw hat and talk up a storm?"
"Exactly!". You said, laughing amusedly and infecting the cook. You looked around the counter looking for the fruits until you saw them in a bowl near Sanji's cutting board. Then your gaze went to his white hands, his velvety fingers peeling the fruit and caressing the peel while he skillfully and firmly manipulated the knife. Then your eyes fell on his face until he looked up, feeling himself being watched only to meet your puppy eyes. You only used them when you wanted something.
"Oh no, I know what you're trying to do and puppy eyes won't work this time."
"Please Sanji!" You begged, putting your hands in prayer, the blonde boy closed his eyes and smiled, shaking his head. He loved when you called him by name with your soft, musical voice.
"Ok ok you win, my blossom." Sanji brought the bowl of fruit to you and you quickly grabbed a plump, reddish-spotted orange peach. With your nails you began to peel a part until you reached the fresh pulp. You were very hungry so you put a big piece of peach in your mouth.
You looked like gluttonous Luffy eating that fruit as if you hadn't eaten in centuries. You sucked the pulp, tasting its juice, making noise. Sanji looked at you funny while he continued peeling the other fruits. You took the peach out of your mouth finishing chewing and licked your lips, a little of the yellowish liquid had escaped from the corners of your lips and had stained your chin.
The blonde boy looked at you with joy and without saying anything grabbed a kitchen towel and leaned towards you. You looked at him confused, a little self-conscious about his closeness and he moved his hand towards your chin, cleaning it without stopping to look at your eyes or smile.
"You were a little dirty but that's it." He said sweetly
"Thank you, do you want some by the way?" . You asked him, holding out the dripping peach that you still held in your hand.
"Mmh, okay, why not?" He said smiling flirtatiously
You were going to give him the fruit when suddenly he came even closer and connected his lips with yours. You opened your eyes in surprise since the least you expected was a kiss from him. After the shock, you closed your eyes while both smiled on each other's lips. Sanji savored you as if you were the most delicious dessert in the world. You allowed his tongue to touch your lips so he could taste the nectar of the peach and you deepened the kiss, wishing it would never end. Suddenly, when everything seemed perfect, Luffy came violently into the kitchen, scaring the two of you away, abruptly separating and blushing up to your ears.
"So?! When will the food be ready?! I'm starving!"
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wufflesvetinari · 2 months
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ok fine, wyllstarion rec list
the demons bade me write this. i have a lot of Thoughts and Feelings and a fabulous bookmarks list. come with me....and you'll be.......in a world of pure wyllstarion nation
note that this is like. an intermediate/advanced, 201-level list. i am trusting you, and assume you've already read asidian's body of work. you've read nothing is safe. you're reading Nothing Like the Sun &etc. Really anything that appears on the first two pages when sorting by bookmarks/kudos is disqualified due to pre-recognized excellence. (you could, however, go read them again)
are you back? good. now read:
"We Happy Few" - @geometea. listen to me. listen. i am looking deeply into your eyes. read this fucking fic. it's hard to shill without spoiling anything, BUT: wyll is a still-pacted grand duke. he used to have a bunch of unresolved romantic tension with astarion and now hasn't spoken to him for 15 years. now take that premise and add body horror, beautiful ominous surreal images, and SURPRISE BIG EMOTIONS. just trust me on this one, guys
"Crossed Blades" - @rebelontherocks. this is a...i think i have to call this a cozy sex romp. wyll and astarion are married, wyll is a busy duke, astarion needs more enrichment, astarion invents a very silly sex game by roleplaying teenage-wyll's smut books. wyll is So Deeply Into It. i love this fic for its characterization, its banter, and its commitment to paralleling character psychology to what sounds like an absolutely wild in-universe smut series (that is sketched with an impressive amount of detail and care tbh??).
"Comfort" - @acephalouscreature. short and sweet. wyll is injured and everyone expects astarion to take care of him. luckily, astarion has a dastardly plan to fake feelings for wyll by thinking about his feelings for wyll. you sure fooled them, astarion!! also featuring: astarion trying to figure out how to comfort someone by thinking about horses
"False Compare" - @jellyfishline. i'd recommend checking out their work generally, but i fell in love with this one first. wyll writes a sonnet! astarion is mean about it until he isn't! deeply in-character with an emphasis on how each of them communicates affection. gorgeous prose
"how to escape the torment nexus" - @ushauz. this series is incredibly unique, set in a fucked-up bad end where wyll is a lemure, astarion is still on the run from cazador, and almost everyone else is dead. where this really shines imo is wyll's POV: he's been through literal hell, doesn't remember his life, and is wading through his unconscious attachment to astarion like a foreign language. (side note also read Heart of Stone for a great lae'zel character piece)
"An Acorn in the Moonlight" - @anonyhex. this is one of the first wyllstarion fics i ever read and it has a special place in my heart!! it's particularly cathartic to read for Wyll reasons, including him actually getting to Have Emotions about what Ulder put him through. and they are so sweet with each other!!
"temporal displacement" - @purplecatghostposts. ok this came out like. yesterday but listen, i LOVE outsider pov of an astarion who's learned to show affection somewhat, seen from the eyes of someone who doesn't know his history and has no reason to suspect All Of That. and when that "outsider" is a dying 20-year-old wyll who just saw astarion step out of a time portal. well.
"nothing to make a song about" - themortal. for when you want something meaty and casefic-adjacent, set in a post-canon where wyll is the blade and not the duke (for once). contains bonding on the road, getting romantically snowed in together, and Symbolic Fetch-Quests.
i am also watching closely: "One of Those Prince-Types" by @lesbianralzarek and "sigh no more" by @tomorrowsrain. both are one chapter in and promise to be meaty, with execution that already feels very very promising
SPECIAL MENTION TO "Like Death (or Birth)" by The_Dancing_Walrus, which has some fraught implied background wyllstarion and is just generally completely baller. astarion kind-of sort-of accidentally adopts yenna, who got fucked up by her time as a potential sacrifice to bhaal. it works! i promise it works
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pjoxreader · 1 year
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The continuation with Ex-Reader and Percy, Jason and Nico?
After the events the Reader saving them from monsters, boys heal and in the midst of that hear that Reader got a prophecy that summarises to “you go on the deadly quest, alone, with no help. Good luck!” Reader just shrugs and begins to prepare to leave the Camp. How would the boys react?
Ex-Reader Gets Sent On a Solo Quest
((Your idea's are always amazing had a lot of fun with this one!))
Percy Jackson
-You were pissed and that was putting it lightly. Percy was still in recovery so you weren’t able to go chew his head off for being dumb. What kind of idiot lets go of a cliff and tries to fall to his death? Thankfully you were there with Blackjack but that still didn’t make you want to yell at him any less. Of course you wouldn’t be able to do that as you were summoned for a quest, a solo quest that you were currently packing for.
-”What!?” Percy asks in surprise as Will explains that you were being sent on a solo quest. Will has to try and keep Percy down on the medical cot as he immediately tries to get up. “You need to rest, I just figured you’d want to know.” Will says sternly.
-”When do they leave?” Percy demands. Will looks at Percy but staring into those eyes he realizes Percy was just going to end up leaving anyway so he sighs heavily giving in. “They leave tomorrow morning at dawn. So sleep now so you have energy to go say goodbye.” he forces Percy’s head back into the pillow who sighs heavily. How was he supposed to sleep knowing you were going to be in danger?
-The next morning rolls around and sure enough Percy was waiting for you at the gates. You adjust the straps on your backpack and look at him. “Percy.” is all you can find yourself to say. You had this whole scolding planned in your mind but now that you were standing in front of him you couldn’t remember it at all.
-”How long have you been waiting here for?” you ask, seeing the bags under his eyes. He smiles sheepishly at that “Longer than I’d liked to admit… But I couldn’t let you go without saying goodbye at least…” You make your way to his side looking up at the gate realizing this may be the last time you see camp, you look out at the different cabins glowing in the sunrise.
-”You should sleep, Percy. You need to get better.” you scolded softly but there wasn’t much anger in it. Percy gently takes your hand, his eyes focused out at the camp with you. “I know. We’ll all be waiting for you to come home safely… And if you ever need help…” you huff a little laugh at that “you’re only an Iris message away.” you squeeze his hand in reassurance. “I can do this.” you insure. Percy gives you a smile but you can see there’s sadness in his eyes. “I know…” 
Jason Grace
-Things were… Awkward at camp to put it lightly. Jason had to stay at camp half blood while he recovered. He was out for two whole days but it seemed he had woken up this morning. The morning you were leaving on your quest. 
-You had hoped that you’d be able to sneak off without him noticing and be on your way on your quest. The last thing you wanted to deal with was all of your complicated emotions with Jason… But deep down you knew there was a small part of you that was hoping he’d see you off. 
-Sure enough there he was staring off into the sunset, the sun sparkling in his eyes making them look like a war of gold and electric blue was being waged in his eyes. “Jason.” you say gently, those stern eyes turning to you and softening. 
-”So… You’re being sent on a solo quest?” He asks softly as if it wasn’t obvious. But you play along anyway, nodding at that as you make your way to the gate. “That’s the plan, yes.” You could tell he was thinking about something deeply, his nose would get this little crinkle when he was debating something heavily. 
-”Just spit it out Grace. I don’t have all day.” you complain fondly to him. He lets out the breath that he was holding. “Just… Be safe ok?” he looks at the ground sadly. You huff a little at that, lightly flicking his nose to get him to look up again. “I’m always safe doofus. Today won’t be any different.”
-You two both hesitate for a second but you give Jason a hug to reassure him before you turn and leave quickly with that, one final wave of goodbye. Jason tries to hide his blush but does wave back. That… Wasn’t what he wanted to say but… Maybe it was for the best. You needed your full focus on the quest. Not him. He could only hope you’d come back safely.
Nico Di Angelo
-Nico hated being stuck in the infirmary. There was nothing worse than sitting around being forced to sleep and just waiting on his wound to heal. To make things worse he knew that you were being sent on a quest today, so that made his brooding even worse.
-Not only was he stuck there he was stuck with his own thoughts, which was never good. It could be focused on a lot worse things, still thinking about you non-stop hasn’t been easy. The way you would smile at him, the way the sun reflected in your eyes… Ok, he really hated being stuck with his thoughts.
-He makes his way out of bed getting his jacket on as he makes his way out of the infirmary. Thankfully there was no one standing guard as it wasn’t exactly normal for patients to break out. He’d have to find you before you’d leave for your quest. -He spots you heading towards the gate and shadow travels quickly there, not wanting to miss his chance of saying goodbye. You look over seeing Nico appear being one of the few people who doesn’t jump when he suddenly appears. “Come to see me off?” you ask, leaning against the camp sign with a soft smile.
-”I… yes… And there’s something I wanted to tell you.” Nico hesitates for a few seconds. Was there? He honestly wasn’t sure it just slipped out. He could feel his heart racing as you raise a brow for him to continue on. ”Don’t die.” Nico decides on. 
- There’s an awkward silence in the air for a few seconds before you snort, bursting into laughter. “You really came out to tell me to not die? I mean, that is in my plans for the quest, yes. Right up there with beat the monsters.” you tease. Nico huffs in annoyance and embarrassment at that, looking away to try and hide his blush. You smile fondly kissing Nico’s cheek as you make your way out of camp waving bye leaving a bright red Nico behind. Deep down you missed seeing him so flustered, not that you would ever admit it out loud.
~Masterlist & Rules~
Like my writing? Please consider sending me a Ko-fi! ☕
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shapelytimber · 1 month
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Wdym it's been 5 months ? Anyway, here is the end of my little comic serie about this niche Skyrim mod
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*Insert me 100%ing the 4th arc of the hit mod 'vigilant' for the elder scrolls V Skyrim with little difficulty having a grand ol' time*
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I messed up my files so Teldryn divorced me while I was away ckgkckkc And you know what good for him, he got a cottage and a kid out of it
[PART 1] - [PART 2] - [PART 3]
[COMMISSIONS]
If you're interested in my thoughts about this mod, you can read that below (it's fucking long so I'm sparing you all just here for the art to have to scroll through all that) vvv
A fantastic mod for sure ! I had so much fun, the voice acting was (for the most part) quite impressive, the music !!!!!!!!! Excuse me who gave this mod permission to have this fucking banger of an ost ???? Loved the new environnements, and there was so much of them !! Especially in act 4, I felt that all the locations had a unique and gorgeous aesthetic (frankly it was the most fun I had doing dungeons in skyrim... the bar is on the floor tho- if I ever see another nordic tomb or draugr I'll not be responsible for my actions), and fucking impressive mise en scene.
And the fights were so fun ??? In skyrim ?? Incredible.
But I still have some problems with it- first let's get the elephant out of the room : act 1 and 2... Boy oh boy were they not so great- I get that the begining is a slow burn to 1) get to know the vigilants of stendar, and 2) drive home the fact that the vigilants are quite incompetent and stendar hates them. Ok this is cool ! And they definetly were some highlights, like with the story of the three kajiits (I'm not good with remembering names (forshadowing for later-)), the ending of act 1, and uuuuuuuhhhh underground windhelm looked sick in act 2 !
But the quests in general were not very fun, at least not fun enough to distract me from the parts of the scenario I understood- which were kind of sexist and not that interesting (the sexism doesn't get better with act 3 and 4 but at least I'm having fun)- like I don't expect great women characters, this is still a tes mod, and it definitly doesn't get to "the man writting this is a fucking creep and I'm not playing this any longer" territory... But all the women we interact with are either : prostitutes, mothers/wives, or abuse(it's nearly always rape) victims- like I don't really mind that the first quest is to track down a vampire prostitute who propose to show me her sweetrolls, but it gets pretty tiresome after a while (and kinda ridiculous, like do all the big musley men I'm fighting in act 4 have to angst about their wives ? Can't a big musley woman angst about her partner too...). The worst one is Lamae Bal. From the charadesign, to the dialogues with her, to her story- hated that.
And also we don't have much dialogue choices and ways to influence the story in these 2 (3) first acts. Which I understand like this is a lot of work for fan content, but it's such a stark contrast to act 4 it's a bit jaring.
But speaking of the story... I get this is a very thoughtful and well researched story. A lot of work reading the tes wiki as been done by the author... But I, on the other hand, did not read the entire extended lore wiki- and I admit I was not understanding any of it during Act 4. Like I got a general idea, and the epic, dramatic and emotional moments were still impactful ! But I really don't think the author did a great job getting the story accross, and the more the mod progress, the more this problem becomes relevant. The recuring problem of tes games is that they have really deep interesting lore that we rarely get to see in the games ; the problem of this mod is that we get presented with this lore as if we already knew it.
And after watching an explaination of the story, it's such a shame because it's really good !! And well written ! But I don't think I should need a youtube video to understand it...
Also omfg I am not good with names mod please- everything has like 2-3 different weird fantasy names (but it's never explained it's the same thing, and what the thing is is never explained-), there is a billion men characters with weird ass long names, and the mod expects me to remember them all 5-6 hours after they got killed ??? I don't remember them 5 seconds after I'm done talking to them-
But I had fun playing it, and that's what matters <3 and I'll never get other twink molag bal <3
Also, my mage dragonborn is even more op now omg I can summon an army of 8ft musle men + molag bal + Jyggalag ??? The only fight I had a bit of trouble with was Pelinal's, the rest got obliterated easily (by Pelinal) kgkgkfjfifb
I'll probably need to nerf Elaris at some point in the future-
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latenuitrambles · 8 months
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𝕭𝖗𝖔𝖐𝖊𝖓 𝖍𝖊𝖆𝖗𝖙𝖘 ( lyney x reader angst )
Note: so since the request only said angst I decided to go with angst no for comfort ( not sorry tehe) some minor spoilers for the first Fountaine archon quest if you haven't completed it yet ! As always criticism appreciated!
Requested by @heartsbyvalentina
thanks a lot <3 I'm sorry if this isn't what you exactly had in mind or if you wanted more angst with a happy ending T-T
TW: neglect, drifting apart, hurt no comfort, lyney is fatui because I love how much there is to explore with that. Not proofread :( so might be grammatical errors.
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Your POV
The past few weeks had been tough. These days it seemed like lyney just didn’t have time for you at all. You had always known about his …..work. The one he didn’t talk about in public. He had told you when he confessed to you because he didn’t want your relationship to be founded on a lie. And you had understood. You were ok with the fact that he might sometimes not have time for you because you knew he did it all with good intentions. But these days it had become worse. Between his missions that had seemed to increase in quantity and his preparations for his show at the Opera, you couldn’t even catch a glimpse of his face properly. Lyney was up before you and returned long after you had fallen asleep. No more dates, no more him having silly magic shows just for you, even the way he talked to you seemed distant these days. You had tried to talk to him but he was always in a rush and put it off. Today, you decided you were finally going to confront him. 
It was way past 3 in the night when you heard the bedroom door creek open. Lyney entered and he was shocked to find you awake. “Why didn’t you fall asleep dear, you know how important sleep else you'll get dark circles on your beautiful face, mon amour.” Even now he was trying to sweet talk you. The grim look on your face didn't budge, “We have to talk about something, lyney. It seems as if these days we never even talk properly. I miss you. I understand you have certain duties but I can't go like this. It feels we are more like roommates than lover these days.” His face darkened. And yet he didn’t say anything. “You can talk to me about it, at least tell me what's wrong so that I can at least understand. Please lyney, I love you, I want this to work, I WANT US TO WORK. But not if you keep shutting me out and pushing me away.” A look of guilt flashed on his face before he masked his features again. “I can't tell you what is happening. You know I can't betray the House. Not after all it has done for me. And I had been thinking about this for a while, but maybe we should take a break.” You looked at him in shock. He couldn’t be implying what you thought he was. “So, this is it huh you choose the House over us?” He slowly nodded his head as he avoided your gaze. “I'm sorry mon amour but I have duties I cannot ignore, and you are a distraction. I hate that it had to be this way, but the House comes first.” You couldn’t believe him, you felt sick like you were gonna collapse. The tears in your eyes stung, threatening to fall. And so, you did exactly what he asked you to do, you walked away. 
Lyney’s POV 
He watched you as you walked away, keeping his own emotions at bay. He loved you, he truly did, but he could not risk you getting hurt. Not with the upcoming ‘plan’. Everything was going to finally begin, all the big plans they had set in motion. It was finally time. So, he had to let you go, both for your own safety and to make sure he was ready to sacrifice whatever it took for the plan to succeed. He had recently discovered that he was chosen to be ‘Fathers’ successor. That would put you in so much more risk. He could not do it to you, let you carry this burden. You deserved someone who could give you a safe life, not someone like him. For a second, he let himself wonder what it would be like was he not from the House, if he was just a normal Fountaine citizen. But alas, wondering gets you nowhere, because he did have duties, duties to the House, to ‘Father’, and duty to save the people of Fountaine. “For the greater good”, he repeated I his mind, over and over again, as he watched you walk away from his life.
End note: it seems I got carried away. Initially, I was gonna do a simple argument, but this idea struck me and I just had to write this. I love the lyney and the house and now he's probably the next harbinger ( he mentions the successor thing in his character story!) if it wasn't clear this is roughly around the time right before the archon quest starts hence the mention of his upcoming show at the opera!!! the plan is referring to the big fatui plan with the tampering of the Oratrice and Childe getting arrested. it is probably a very intricate plan and hence I wrote it like this. hope you liked it<3
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dutchdread · 5 months
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A small rant
I've noticed that a lot of places that discuss the LTD are less focussed on analyzing and explaining final fantasy VII, and more focussed on throwing insults at either the characters, or the people who support them. I think I've done a fairly good job at making sure this place stays relatively matter-of-fact, and despite believing that "Cloti" is the only interpretation of the story that makes sense I am usually pretty positive about Aerith as a person, and more importantly, as a character. My stance tends to be that the only version of Aerith I think is fundamentally unlikable is the one presented by Cleriths. So permit me to slightly backtrack on that as I ask:
Am I the only one getting sick of Aeriths character?
And I don't mean "the only Cloti supporter who is sick of Aerith", I mean isn't the general fanbase of the game getting sick of her?
I ask this because I was watching the new Rebirth trailer, and I couldn't help but roll my eyes during the scenes where Aerith sings, or where it tries to survival-bait the viewer. In FFVII Aeriths death plays only a small part in the grand scheme of things. It neither prevents nor causes holy, holy was summoned before she died and is actually held back by the will of Sephiroth, which is the bulk of the external plot. And it doesn't cause Clouds mental break, which was an inevitable outcome of his history with Tifa, Sephiroth, and Nibleheim.
So why does the trailer make it feel like Final Fantasy VII is the story of Aeriths potential death? I thought the point of Aeriths death was that it comes suddenly and unexpectedly, without a large fan-fare, leaving nothing but a hole in its wake. I thought the point was to show a death that wasn't like "in hollywood". So why does her death now get it's own musical accompaniment and stage play?
Aerith was once a normal girl with a big destiny, one that she was as unsure of as any of us, she was just a person, just like us, with maybe a hint of something more. She got angry, she could be petty, she could be clueless. In another words, she was human.
But what is she now?
Aerith is now Jesus and Mary all in one. Fans got so upset at her death that Square-enix felt the need to include her in everything and every time Aerith became a bit less human, and a bit more idolized, until in remake she became a walking, talking, deus ex machina. In advent children she was presented as almost angelic, giving guidance to lost souls both good and bad and healing the children. But it was still ok because most of it was centered around Clouds psyche. The problem isn't with Aeriths death having importance to Cloud. The problem is square-enix trying to milk Aeriths death for all it's worth, making it into a soulless spectacle.
Aeriths death is now the horror monster that loses its terror once you see it. It's everywhere and everything has to revolve around it and because of it it's no longer a good story, but cheap emotional manipulation.
Within the remake Aerith is no longer the playful and innocent GIRL she once was. She's Gandalf the white, come back from the dead to pass down quests and wisdom from up on high. Step aside Cloud, this is Aeriths story, all you other side-characters are only here for back-up. Aerith is now a self-insert fan-fiction character. She has no flaws, everyone loves her, her death is more important than those of other people, the universe, time, and destiny will all bend to make sure the Mary-godessue doesn't die. Because everything has to revolve around her you know? So yeah, of course Aerith can sing! Who cares that there was never before any indication of this. Sure, Tifa will probably get to play the piano, but here is the thing….Tifa being able to play the piano has actually always been a part of the game! Since when is Aerith suddenly a broadway performer? Probably since the same time that she became a picasso at random wall art.
Years of fan obsession have deified away everything that once made Aerith interesting. The grand story of Final Fantasy VII, the quest to save the planet, and the internal heroes journey about accepting the past and the true self. Clouds backstory and struggles, it's all overshadowed by the once irrelevant plotpoint of "will Aerith die?".
Like with Sephiroth, fan obsession has caused square-enix to destroy all sense of mystery, magic, and restraint in order to "give fans what they want", even if it ruins the product.
While I think the cheap spectacle of hyper focussing the marketing and potentially early game around Aeriths death have already essentially poisoned the remake, making it into a mere shadow of what it could have been, I still believe that Square-enix has enough integrity left to actually kill her and move focus back on what actually matters. But I have to say, at this point it's not even just because I want the story of FFVII to be protected and experienced as it should be. But also because I am just getting sick and tired of what Aerith has become, and would now consider Sephiroth stabbing her as a mercy killing for what's left of her character.
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whatbigotspost · 1 year
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What I wish I could get people who didn’t grow up in highly controlled, abusive environments to understand is that when the very people who are forming you are really fucked up and bad, you are FULLY incapable of knowing that as a kid.
You’re not capable of “damn my dad is really not ok” or “mom is toxic” for a long time. It’s years and years of “this is life. That is my dad. That’s my mom. It’s just how it is.” It often takes PAINFUL moments of realization to get to even questioning if your life isn’t normal. In fact, in my experience, it takes many painful moments to eventually get you there. Someone at school making fun of your parents, for example. Or some outside caring adult noticing things they seem worried about w/ you. Or a particularly extreme incident of abuse that shakes you. Or reading/hearing someone recount abuse they survived and you get the sick realization it’s like a mirror for you.
When your primary caregivers are your means of survival, your brain wraps you in many many many protective layers of denial and whatever the fuck else it needs to so that you can get through it. Many folks like myself will spend more time healing ourselves as adults from our childhood than we spent in the childhood of trauma itself.
Also, let’s be real, an implication I’m making here is that a lot of folks don’t even pick at the thread of “was I abused?” because it’s too overwhelming all together. Or even “was my childhood kinda fucked up?”
Spoiler alert. If your childhood was kinda fucked up, it’s better, in the long run, to acknowledge and address that. Anyway, this is my characteristically long winded way of wanting to recommend some books on the subject that I have found deeply relatable and meaningful:
•Jeanette McCrurdy’s memoir I’m Glad My Mom Died: If you’d be up for an unflinching look at a deeply difficult childhood that includes physical, sexual, and emotional abuse and neglect and disordered eating in the Disney-universe, this is your read. Thinking about what McCurdy has had to overcome chills me to my core but the feelings she shares in words felt deeply relatable and I know they will help many.
•Ashley Ford’s memoir Somebody’s Daughter: I’m biased to love her because she’s a fellow Hoosier but you will love her too. Incredibly well written and deeply moving, Ford’s memoir covers her childhood with an abusive mother, a father in jail for rape, and survivorship of her own rape, as well as her place thriving now. She offers us such meaningful processing of her story. (And just writing style wise, this one is a mega fave.)
•Grace Cho’s memoir Tastes Like War: this one is a deep dive into Cho’s upbringing with a mother (who like one of my parents) has schizophrenia. I found her account of having a first hand seat to a parent’s mental health decline too relatable. The components of her story that focus on her mom’s experience of war and immigrating from Korea and the role that Korean food plays in their lives, are moving beyond words.
•Tara Westover’s memoir Educated: having been raised in a very isolated, survivalist Mormon family and tiny community in Idaho, Westover shares her personal story of a quest for escape and education. Although my family was nowhere nearly so unusual and isolated as Westover’s, I feel what she chronicles will highly resonate with anyone raised by someone who seeks to keep you away from “mainstream influences” or who is any level of survivalist.
Obviously, these are heavy reads and DO NOT check them out if you don’t feel in the right headspace. Each one moved me to tears multiple times. But if your awful/strange childhood and leaving it (them) behind makes you feel alone trust me YOU ARE NOT ALONE ❤️
I also recommend these reads for anyone who wants to see at an anecdotal level what are experiences of people raised in highly abusive environments and/or raised by parents struggling with mental illnesses and/or people raised in high control situations. Chances are you know/love someone who fits that description and you may gain helpful insights.
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thewertsearch · 8 months
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[ there was more to this ask, but some was spoilers 😆 - C ]
Ooh, that is a fun challenge! I might make this a bigger Title post, actually, because it's been a good while since we've had one of those.
...alright, I just finished, and this one kind of got away from me. I hope it's ok that I sort of hijacked your post to talk about Aspects as a whole - but rest assured, I did answer the original question. Let's get into it!
Unfortunately, it might be kind of difficult to make Class guesses. My theory is that they're Sburb's take on RPG party roles - and for obvious reasons, we haven't seen how any of the non-Player characters would fit into a Sburb party. A full analysis of the hypothetical Midnight Crew, Exile and Guardian sessions would be fun, but it's a little out of scope for this question.
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Personality certainly seems to be a factor. I don't think it's a coincidence, for example, that the Seers are the most inquisitive members of their respective parties. Dave and Karkat both hide their true emotions behind a persona - but then again, so do Feferi and Jade, two happy-go-lucky Witches with incredibly dark backstories. Dave may be the worst offender, but half the cast is hiding behind some sort of facade.
John, for his part, doesn't seem to have anything in common with Equius - at least, nothing I can see. I might dig a little deeper for human/troll Class parallels once we've seen more of Equius and Feferi, but our sample sizes are so small that it's going to be hard to tell which shared traits are intentional.
Anyway, none of the other classes feature a pair of Players that I could toss into a Venn diagram, so we're at a bit of a dead end.
I suppose I could approach this from another angle, and try to extrapolate a Class from each character's life circumstances - for example, by speculating that Grandpa's inheritance of the Betty Crocker brand makes him a potential Heir - but that's clearly not an accurate method, given that literal heiress Feferi is a Witch.
See, Classes are a tough nut to crack! The main issue here is that the comic has given us very little to work with - it's been tight-lipped on Titles in general, and there's been almost no exposition on Classes specifically.
It might be easier just to try and assign Aspects to each of the non-Players - so that's what I'm going to do. I'll also take the opportunity to put forward my best guess for what each Aspect means.
Without further ado:
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Time means time.
This one seems extremely straightforward. Not all the Aspects are quite so literal - Breath, for example, seems more closely related to wind than the body function it's named after - but Time is about engaging directly with its namesake. It may have other meanings as well, but we haven't seen any yet.
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If you wield Time, then you're the session's designated time traveler - which is a lot less cool than it sounds, because it means you're on Doomed Timeline cleanup duty. Enjoy the corpse disposal!
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Both of the comic's Time Players have fashioned their own personal time machines out of musical instruments. Music seems to have some connection to Time - which makes sense, since it's an art form of pitch, rhythm and beat. Music is time.
We can also talk for a second about Dave's Quest. As we'll see, each Land Quest seems to directly concern the Player's Aspect. Dave's Quest is to...
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...um.
Well, one of these is Dave's Quest. The LOHACse is the only one of the two which is directly related to Time, but I've speculated that Dave's sword-in-the-stone quest will involve him rewinding Caledfwlch to an earlier point in its timeline. Plus, the Caledfwlch quest also speaks to Dave's Class as a Knight, so I think it's the real one.
For the sake of completeness, let's also talk about the Time Lands. Each Land always seems to feature one trait which either directly or obliquely references its Player's Aspect. LOHAC is self-explanatory, but Aradia's Land of Quartz and Melody is an interesting case, as its 'Aspect trait' could be either of its two descriptors. Quartz could reference the quartz in a modern clock, and Melody could reference the musical connection I mentioned above.
I can't think of any non-Players with particularly strong ties to Time - aside from the Felt and Lord English, who we know very little about. Let's say they're all Time Players, and English rules over them as a Prince of Time. As a mob boss and destroyer of worlds, he undoubtedly shares some of Eridan's megalomania.
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Space... well, we actually don't have much for Space. We haven't seen Jade or Kanaya do anything with their Aspect, nor do we know anything about their Quests.
We do know that both Space Lands contain the Forge, so maybe there's something to that. Presumably it's going to forge something, and I think it's probably where you're supposed to create the universe. If your task is literally to create Space, it makes sense that a Space Player would take point - but that begs the question of what would happen in a session without a Space Player.
Maybe the game prefers a Space Forge, but it can spawn on another Land in lieu of one - or maybe Space is the 'default' Aspect, and it's actually mandatory in every session.
As far as Space's symbolism is concerned, my assumption is that it's as straightforward as Time, but we'll need to see more.
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While I'm here, I guess I should dip my toe into this hot mess.
Yes, LOFAF's Space Word does appear to be Frogs. Yes, that does imply that Kanaya's was also Frogs, or something equally mysterious. No, I do not know what this could possibly mean.
These frogs are apparently heralds for their god, Bilious Slick, whose shadow has been looming over the comic for months now. I guess their appearance on the Space Lands implies that Slick is Space themed, which is at least consistent with my theory that he's the final obstacle between the Players and their universe.
Moving on, because I give up.
(Oh, and if anyone's a Space Player, it's Bec. You could also make an argument for Mom Lalonde, since her home was fitted with an observatory, but that's very tenuous. We don't know much about Space, so I don't know how else to tie a character to the Aspect.)
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There's a lot going on with Light.
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All Quests so far have had ties to the Player's Aspect, so whatever Jaspers thinks he's talking about here should have something to do with Light.
Jaspers... seems to be talking about different ways to represent information, and instructing Rose to find a particular DNA sequence. (I have to assume this isn't the MEOW sequence, because I don't think Sburb wants Rose to fill LOLAR's oceans with First Guardians.) So, it sort of looks like Light is information, doesn't it?
Well... maybe. See, things are are complicated by the fact that Dave's Quest above was also Knight-themed, so this spiel from Jaspers could be partially Seer-themed. How can we tell which is the Seer stuff, and which is the Light?
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Recently, Rose said this, seemingly confirming that her Title is about information ('knowing shit'), and also implying that the 'knowing' is a Seer thing.
This allow us to compare her to Terezi, the other Seer. As we'll see below, she specializes in discerning people's personalities and motivations - literally, seeing into their minds - so it sounds like being a Seer is about perceiving or 'seeing' things that relate to your Aspect.
Rose, the Seer of Light, should therefore have an advanced perception of Light - but just what is Light? What can Rose see?
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Well, she says she can see 'the big picture'.
I think Rose's powers allow her to zoom out, understand the broad strokes of a situation, and see how it all ties together - and I think that is the essence of Light.
Dave wonders how he's going to navigate the Furthest Ring's twisted-up space, so she scans the overall situation with her Light powers, and vaguely understands that it won't be a problem. Dave will be able to play his part.
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However, if he asked why, exactly, it won't be a problem, or how he's going to do it, she'd be stumped. That's not her department.
I think I sort of understand what Light means now, but I can't think of a succinct way to describe it. The zooming-out Aspect, maybe? The everything-is-connected Aspect? The don't-sweat-the-details Aspect?
Guys, I think I'm starting to understand Homestuck!
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Ah, shit.
Yeah, I don't know how Vriska or her powers slot into this interpretation. As the Thief of Light, I guess she'd be stealing... the bigger picture... from other people? And that lets her take their luck, somehow?
I guess when you give yourself 'good luck', you are sort of improving your situation in the general sense, rather than the specific. You don't know the details of how your luck will manifest, but you don't really need to - all you need to know is that it'll be good for you.
I don't know. This is getting messy, and more than a little abstract. I'm sure Vriska will be doing a lot of luck-stealing, so we'll hopefully learn more as we go.
At least the Land of Maps and Treasure fits Light-as-the-big-picture. A map is, literally, a big picture.
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A flurry of disquieting happenstance is related to the ADORED SOVEREIGN. With no other options, her counsel is all that is left to be sought. Abdication is never ideal. But in the face of inevitable conquest, conceding ground can supply the only remaining advantage.
WQ, then, seems like a good fit for a Light Player. After listening to PM's full report, she seems to understand how the pieces fit together.
The Queen knows that Jack wants her dead, and clearly understands how dangerous a Player item can be, in the wrong hands. She doesn't know what's in the package, or what Jack will do with it - but she doesn't need to. She can see the writing on the wall, so she retreats.
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I did a bit of Breath research for this post, and landed on the above quote. I think Breath is about direction and destination.
TT: John? TT: Are you there? -- tentacleTherapist [TT] is now an idle chum! -- EB: hey, yeah i'm here! EB: and not dead i think. TT: I know. TT: I've been watching you scramble through the house like a lunatic. TT: You should have answered me sooner.
John's a meandering kind of guy. He's wandered haphazardly around the session for three thousand pages, but he always seems to reach his goal. Despite not knowing where to go, he always seems to be where he needs to be.
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John's Quest as the Heir of Breath has been explained in detail. He needs to unclog the pipes of LOWAS and defeat Typheus, freeing his Land's fireflies from their cloudy prison. In essence, John's Quest is to give these bugs a new direction, allowing them their full axis of movement once again.
There might also be some Heir stuff in this Quest, but its ultimate goal seems to align pretty well with that Breeze quote above, so I'm willing to accept it as Breath evidence.
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AG: Have you ever tried to fly? I 8et you haven't! AG: How a8out we take to the skies, Pupa! AG: Hahahaha, oh you like that idea, Pupa? Yes, you do. I can feel it in your simple, mallea8le 8rain. AG: You want to fly so 8ad!
Breath might also have something to do with agency - or at least, the ability to choose your own actions. John's freedom-themed Quest isn't the only example of this - Tavros's entire arc is about how Vriska keeps denying him agency, while pretending she's doing the opposite.
(I'm going to avoid comparing Homestuck to other works, because this post is long enough as it is, so you're just going to have to imagine the twelve paragraphs of Deltarune meta that would otherwise be placed here.)
AT: bECAUSE THE ONLY TIME i EVER HAD FUN PLAYING THIS GAME WAS WHEN i WAS ASLEEP,
Tavros just wanted to do his own thing. He wanted to ignore the game and float around Prospit, away from everyone's expectations - but he was denied this opportunity, again and again. It's no wonder that he's on a bit of a high right now, after being granted the freedom of his new robo-legs.
As for potential Breath Players - well, CD reminds me of John a little, but he seems a lot more likely to stay on task. I don't know what Aspect he'd be assigned.
Now - we're onto the Aspects we've only seen in trolls. We don't have as much for most of these, since we haven't seen any troll Quests, nor any Aspect powers sans Vriska and Terezi.
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Terezi, the Seer of Mind, deals in personality - or maybe, more generally, vibes.
CG: WE'RE NOT EXILING JACK, HE'S COOL. [...] GC: [...] 1 DO NOT G3T 4 GOOD F33L1NG FROM H1M! GC: H3 K1ND OF CG: STINKS? [...] GC: W3LL GC: SORT OF GC: H3 DO3SNT SM3LL B4D 4CTU4LLY GC: H3 SM3LLS R34LLY CL34N 4ND SH1NY 4ND D4RK D4RK D444RK L1K3 4N O1L SL1CK 4ND TH3R3 1S 4 T1NY H1NT OF L1COR1C3 TH3R3 TOO GC: 1TS MOR3 L1K3 GC: TH3 W4Y H3 MOV3S GC: 1 SM3LL H1S SMOOTH MOT1ONS 4ND TH3 W4Y H3 SQU1NTS H1S 3Y3S 4ND 1T G1V3S M3 TH1S R34LLY N3RVOUS F33L1NG
When she smells someone, her Mind-enhanced perception doesn't just tell her what they look like - it also seems to communicate that person's essence. Terezi can see the idea of Jack Noir, here. She's smelling what it feels like to be inside his head.
GC: TH3 D4Y 1T H4PP3N3D W4S TH3 F1RST T1M3 1 3V3R H34RD FROM MY LUSUS GC: SH3 WOK3 M3 UP, 4ND 3V3R S1NC3 H4S B33N T34CH1NG M3 4 D1FF3R3NT W4Y TO S33 GC: 4 D1FF3R3NT W4Y TO P3RC31V3 3V3RYTH1NG 1 GU3SS, NOT JUST 1N 4 S3NSORY W4Y
Terezi is also a naturally perceptive person, so it's sometimes unclear whether her reads are due to Seer clairvoyance or her own deductive abilities. As a general rule, I'll only treat her insight as a Mind power if she explicitly refers to her sense of smell as its source, since that's the avenue for her supernatural perception.
GC: T3LL M3 YOUR R34L N4M3!!! >:[ TG: ok lets say its TG: dave why not GC: D4V3! GC: TH4T SM3LLS L1K3 TRUTH GC: 1 W1LL D3C1D3 TO B3L13V3 1T >:] TG: fuck
Therefore, I'm pretty sure her powers do, in fact, allow her to detect lies. Mind, then, might be related to the concept of truth - as in, your Mind is the truth of who you are, stripped of all illusions.
I was initially going to place Droog here, since he seems to be the only Crew member with his head screwed on, but I no longer think Mind is about being rational or analytical.
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Blood is the first Aspect I don't really have a guess for. Maybe it's got something to do with genetics - Karkat is a carcinoGeneticist, after all, and a mutant to boot.
Spades Slick is blood brothers with a Knight of Blood, and he's got a lot in common with Karkat, commanding his party with a moderately annoying leadership style. I'll put him here on the strength of those parallels, and I can revisit it when Blood is explained.
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We don't know much about Nepeta, so we don't know much about Heart. Shipping is all about drawing them, though, so maybe Heart is about romance - or, more broadly, relationships and connections.
Nepeta's Land of Little Cubes and Tea is a lolcat joke, so it might not conform to the Aspect Word pattern. I guess, since the cubes are sugar cubes, it might be a pun on 'sweetheart'? Who knows.
I'll put Hearts Boxcars here, and not just because of his name. He's the only member of the Midnight Crew with any interest in shipping.
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Feferi revived Sollux with a kiss, so Life is probably healing, as it is in many other element systems.
How her Land of Dew and Glass relates to Life is a mystery. While dew can refer to condensation on any surface, it's often used to describe the water droplets which accrete on grass and other flora. That's kind of a connection to a living thing, but feels like a stretch and a half.
Let's also put Nanna here, since she's the only true healer in the cast. I don't know why the other sprites don't use the healing beam.
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Our Void Player is in a Land of Caves and Silence - a hole in the earth, and an absence of sound. Void seems to represent negation, or a lack of something.
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Also - this might be a reach, but Scratch describes the gaps in his clairvoyance as 'pockets of void', so perhaps Void also has something to do with uncertainty - aka, a lack of information.
Most of the Guardians could go here, really. Bro seems the best fit, since he's constantly hiding from Dave, and completely vanishes for most of the session.
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When a timeline is marked for destruction, we say that it's doomed.
Doom seems to represent death, obliteration and entropy. Sollux Entered into the Land of Brains and Fire, and I think it's pretty clear that Fire is the trait which is tapping his Aspect.
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Doom may also be the Aspect of prophecy. After all, Sollux is a prophet of Doom - so maybe he's a prophet because of Doom. It could also be related to his nature as a Mage, but Mages haven't been explained, so I can't speculate.
I originally thought that Sollux might be a Seer - but the Seer Class seems to be about gathering information related to a particular Aspect, rather than directly divining the future. Maybe a Seer of Time could see future events, but it's certainly not a default ability of the class.
Grandpa seems to have some ties to Doom. He prophesized Jade's death to her when he told her about her dead Dream Self - plus, he's a hunter, with a house full of corpses. Also, his entire presence in the session is overshadowed by the spectre of his future death. This is probably the Aspect guess I'm most confident in.
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I guess there's also Hope, a brand-new Aspect with no lore. Eridan's 'hope' would seem to be expressed in the fact that he constantly hits on people, hoping in vain for a yes. Thankfully, we're not aware of any non-Players like that....
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The mail is the one final hope for resurrecting a dead planet from its ashes, and the letter carriers are the brave soldiers of God in this righteous crusade. They are the defenders of the light of knowledge, free communication, and the exchange of ideas. They are the bold toters of all those little papery conduits of freedom, the white postmarked angels that whisper a message on their deliverance, a promise to the yearning: "There is hope yet."
...but PM is pretty much screaming about hope in her mail monologue, so we'll put her here.
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ORDER IN THE COURT. YOU WILL HAVE ORDER IN THIS COURTROOM. IF EVERYONE DOES NOT SETTLE DOWN YOU WILL CLEAR OUT THIS COURTROOM, YOU SWEAR TO GOD.
It's hard to classify the Aimless Renegade. He's all about crime and punishment - which is certainly a Terezi trait, but I don't think it's a Mind trait.
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As for Dad, he has a well-established gentlemanly personality, but I don't know what Aspect is the most 'gentlemanly'.
I could try and classify more obscure characters like FedoraFreak, the Pen-pal, Jaspersprite or the Hussie self-insert, but I'll tell you right now I don't have any guesses. Still, that was fun, and it was a good opportunity for me to update my thoughts surrounding the Aspects!
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to me the magicians is largely a show about how terrible it is to be 23 both in the sense that it sucks so bad and in the sense that 23-year-olds suck so bad (confidential to 23-year-olds reading this: not you, dear, but also, check back once you've gone through your saturn return), so it's very rare that any of the characters do anything that actually bothers much less upsets me because i'm like, the terribleness is the point and much of the joy for me. but we all have our individual pressure points so for the sake of the historical record here is a complete list of times the characters in the magicians do something i dislike:
julia: in the pilot when she tells quentin "you're good at so many things, just pick one!" to me that is not only the meanest thing julia ever says or does to quentin it is maybe the meanest thing anyone ever does to anyone at any point on the entire show. like julia i love you more than life itself but can we maybe let a bitch live
quentin: there's a specific quality to the all-in earnest dorkiness with which he approaches the quest that i just cannot handle. it makes me want to walk into the screen and place my hands on his shoulders and look him in the eye and say "this is why you had no friends in high school." like at a certain point your inability to read the room becomes my problem and that's the point at which even though i would very literally lay down my life for yours i cannot even look you in the eye
alice: when she's super obnoxious and condescending to harriet about signing/communication/etc. this one gets an asterisk because i actually think that scene is good writing in that it's in character with what we know of alice and her flaws to be super weird about a deaf person and i think she is meant to come across as unpleasantly in the wrong and i like it when a show gives its protagonists such genuine types of behavioral errors. but it does make me viscerally uncomfortable to watch
josh: one of the less sung about hate crimes near the end of season 4 is josh chuckling to himself about how margo thinks she's mad at him but really she's mad at herself because he like superhumanly divines her emotional architecture because they've banged twice or whatever. this one gets an asterisk in the opposite direction because i feel like everything i (a known proponent of Josh Rights) enjoy about josh is down to the joshness of josh and everything i don't enjoy about josh is bad writing fueled by heterosexuality brain poison so it feels like i'm holding it against him unfairly when actually the real josh would not do that and it's just that the writers are bad. but that moment makes me feel like we need to send him to the guillotine immediately so on the list it goes
kady: kady doesn't matter enough to rise to the level of bothering me. sorry kady i love the version of you that exists in the universe written by writers who gave a shit
margo: i feel like i had one for margo at some point but i can't remember what it was. i guess i wish she were a little less anti-democracy once established upon the throne but i also read a lot of that as an outgrowth of her habit of being the tough bitch partly because she's worried about eliot getting his ass killed so.... eh
penny: literally nothing ever not even once not even for a second. i tried to think of one and i couldn't. and like i know that he does things on screen that are morally bad or simply not nice or whatever. but i'm like physically incapable of being upset by penny he brings me too much joy it cannot be cancelled out by ethical qualms or empathy for anyone else i'm a simple woman i see his beautiful face and i am at peace. he deserves to be a huge asshole to everyone all the time for no real reason, as a treat and also because it's soooooo funny. i would not want him to change a thing
eliot: ok like literally mind your business about margo's bush this is not being an ally!!!!!!
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guardianspirits13 · 4 months
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Ok now for a list of things that I'm kind of iffy about or wish they had kept from the books. It's worth noting that I can't think of a single show exclusive scene they added that I did not like, and most of the changes were integrated flawlessly.
Starting out, the pacing. I'm hoping this gets better with time, especially given that the second episode has much more time to breathe. The whole first episode felt a little cramped, and some of the exposition felt a bit... exposition-y. I don' t think there is much they could have done to get around this though so I'm not gonna dwell on it.
As a fan of the series, I love how they introduced the structure and function of the PJO world with the intro, but I think the jump from "Percy sees things" to "everything is all real" felt a bit abrupt. I am curious what first time fans think about this, and again the first episode covers a lot more ground page-wise than ep 2.
Manchild Gabe... I am not sure how I feel about this. In the books he seemed downright threatening and even with Percy's 12yo bravado, he was still an intimidating figure. His bickering with Sally seemed more like your typical dysfunctional relationship than a power imbalance... both can be harmful in their own way, but I'm still undecided on how much giving Sally a bit more agency in her relationship with him effects the larger story. The whole "not all monsters look like monsters" thing works well in the books with Gabe, but I guess they were redirecting it to foreshadow Luke's betrayal? I'm not sure.
...which brings me to Sally. I was unsure about the casting, but she has earned her stay to me. I always imagined her as a bit more subdued, especially with the more intense iterations of Gabe. She's kind and gentle and has a rebellious streak, but as worried as she might be for Percy she hides it inside of herself. I think her being a bit more expressive as a character works in this setting though, especially since we aren't seeing her through Percy's kid colored lenses. She feels a bit less like the perfect, kind, and understanding mother Percy sees, and a bit more like a real-life single mother trying to keep some of that childhood wonder alive despite everything. She does seem younger than I would have expected, but that's a nitpick on my end. I think she is one character that I will always have a separate book/show counterpart for in my mind.
Ok. Now for Clarisse. Out of all the characters I was skeptic about, I think she's the only one who didn't win me over. This is a writing issue, nothing at all to do with the actress. She was characterized more as a 'queen bee' type mean girl than a bully who picks fights just to feel worthy of her father's approval. She would be better fit for a vindictive daughter of Aphrodite than a daughter of Ares. My mind might be changed in the future but we got most of her scenes in these first two episodes so I'm doubtful. The one moment that had potential was when Percy broke her spear, but the Clarisse I know would not back off just because there is an audience.
There was no hellhound... I was kinda looking forward to it, and it does emphasize that even camp isn't really safe for Percy and is a catalyst for both his quest and the idea that there is a traitor. I can kind of see why the cut it for thematic purposes so Percy feels safe for once in his life, but that's only if I squint.
The scene cuts. I know, I know they're supposed to mimic book chapters. I get it. But it just doesn't work for me, it feels like there's a lack of establishing shots and the black screen is long enough you think the tv is buffering. It's an interesting idea in concept, but the execution falls flat.
OH also as far as things that were missing- the 3 fates. I know this is in the show since it was in the trailers, but I'm curious as to where they're gonna put it now.
Anyways minor nitpicks aside these two episodes were an emotional roller coaster and absolute masterpieces of television cinema.
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ajbullet · 4 months
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My thoughts on episode 3 of PJO: (spoilers)
I so enjoyed doing this for the first two episodes and the response was great, so hey, maybe this will be an entire series thing
-The oracle was amazing. It was a perfect mix of creepy yet humorous with Percy’s perfect voice crack and “you’re a Halloween decoration” line. Having just reread the book, I wouldn’t have remembered that the prophecy came from Gabe so that was a really cool, book-accurate detail I enjoyed.
- The WAY PERCY CHOSE ANNABETH! I freaked out. Cause you know in the book Annabeth is just like “I’m coming” and that’s that. To see Percy go out of his way to CHOOSE her for his quest was so special to me and I loved it (even tho it was for a different reason than I originally thought.)
-Annabeth’s reaction to getting picked was perfect. This is a girl who has waited YEARS for a quest and in no way do I think she was expecting to be picked. Hoping, of course. But Leah’s expression of shock then excitement was perfect
- Grover talking to the horses
-Percy picking Grover
-“I’m going to back the best snacks” The snacks in question being tin cans
-Bro give Thalia a break Percy, wth 😭. He came at her so hard for someone he hasn’t even met. Which was hilarious and so Percy-like, but dang. I thought Annabeth was gonna kill him right then and there.
-“She met a Pinecone’s fate” Like this boy…🤭
-I loved watching Leah’s expressions the whole time the three of them were traveling to the bus terminal. I will never get over how subtle she is able to make her thoughts appear on her face. Like you could clearly tell she was taking everything in for the first time in 5 years, while still trying to remain calm and seem in control in front of the other two
-THE BICKERING OMGS. I wasn’t ready for the arguing, but it fits so well. It MADE SENSE. Like none of these kids know just how much they can trust each other and their all scared and they don’t really know what they are doing so of course they are going to fight and argue and take out their emotions on each other.
-Grover’s consensus song was perfect. I had no idea why he was clapping at first and when he started to sing I was scared because it had potential to be really cringy but I honestly think it fit his vibe and was cute.
-ok, so for the scene with Annabeth in the store, I loved of course cause it was my girl and I originally watched it as a kid with a lot of money placed in front of infinite candy and she couldn’t just pick ONE so she got them all and it was adorable. But I’ve also seen posts talking about her trying to read the wrapper and since she’s dyslexic she couldn’t tell what flavor was what so she got all of them, which would also make sense and is a perfect subtle detail. Now I just saw one post that said she was trying to pick the perfect candy to make Grover and Percy LIKE HER and that just about broke my heart. Feel free to comment or reboot with your opinions because I’ve loved seeing all these different takes on that scene. All I know is it was awesome and the contrast between a girl picking candy and immediately sensing something is wrong and putting up her guard was a perfect way of showing how life is for demigods
-The invisibility cap!!!!
-“We’re lost in the woods, somewhere in New Jersey and we’re never gonna make to LA” was all I could think about
- again the BICKERING. Annabeth calling Percy out. Her asking what he’s afraid of. Grover trying so hard to keep the peace. (As a middle sibling, I felt that in my soul). “He was my protector first!” Loved that. Just the whole conversation was so interesting
I’m gonna make a part two because I have so many more thoughts on Medusa and her story and I’m hungry so I’m gonna go eat.
Part two:
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minas-linkverse · 4 months
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Ngl I was going to ask about Breath of the Wild but I’d thought you’d get a million of those asks lol. I was also torn between asking about Wind Waker, so whichever one you want to answer more is chill!!
haha yea I thought I'd get a million asks too! Somehow even now this remains the only botw ask, I guess people just figured it must've been sent already 😅
Now to actually share my thoughts on botw... Man I hope people don't get mad at me.
I did not like it!. The first play through I had was mildly exciting simply due to there being a whole unknown world to see, but after a while that gimmick wore off. I knew that if I made my way to the cool looking mountain or interesting abandoned building I'd just find a bokoblin and/or a chest with a gem. Whats the point of a gorgeous expansive world when all I find is the same...! 😫
Oh wow! A town with a whole new atmosphere and culture I sure wonder what I'll get up to h- Ok they have the same shops with slightly different items. Ok cool. There's like a few small quests for more inventory filler I don't really need. Cool cool.
I understand that the game is really fun for some people, they'll do quests just to get to play more of the game. They want all that extra stuff to upgrade armour and really get into the nitty gritty mechanics of the game... But I did not. It was not for me.
Also ouugh the puzzles...! My favourite part of Zelda games is the puzzle solving, but these were in no way satisfying and often more fun to just break. Why would I bother even trying to get into the devs heads when A) I could just break it and B) I have too many options to consider! I can't possibly get a clean eureka moment when everything from monster guts to just climbing could be the solution...! Where's the engaging simplicity of knowing exactly what you have and following the devs' clues to reach the solution!! Waaaaaaaaaaaaa--
I also disliked the story, all the interesting bits in it happened a 100 years ago and I feel like I arrived late with a starbucks. I also will not get over the weird ending cutscene!! After countless fascinating memories of Zelda having very complex emotions at Link... What do you mean you're just going to have a vaguely romantic "Do you still remember me?" YEAH I DO, I thought u disliked me! Which is a fascinating story direction I would've loved continued but OK! I guess we're ignoring that! Women cant be angry that makes them less cute and marketable, I guess!!!!
I... Sorry this is so ranty, I've been holding it in a long time. I think there's a lot to love in botw and I wish I wasn't so sour about it. Other people's love and excitement for it is wonderful and I hope they keep making the art they love. If its your first game in the series and got you into it, that's nothing to be ashamed about. I'm just a grumpy old man waving at cloud /ref.
Honestly I think botw could've been wonderful if it was a new IP. It feels all the Zelda stuff was sort of glued onto a concept that wasn't prepared to carry that mantle. It would've been better off with a new exciting world and cast of characters. It still wouldn't be a game I much care for, but the freedom that could've granted the developers would've been a treat to see.
It's worth adding that even though I dislike botw, I want to treat the characters of that game with respect and care in my comic. I may not love them in game but I can see the passion others have and I am committed to make something worth their time. Your special guys are safe with me. I have 0 desire to dunk on them, and instead wish to honour the love you all have. In a way I'm learning to love them myself through that.
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fizzlewizard404 · 1 year
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Ok, the more I've thought about it, the more I think I understand why the conclusion they gave the Collector was so off to me. And I think it was mainly two things; the execution of it, and the vagueness of it. Let me explain.
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Disclaimer! I am not claiming to know everything about writing or how to do it, so take this with a grain of salt ^^
(Major spoilers below!!! You've been warned!)
First of all, I feel the need to clarify that, a lot of the vagueness here does probably have a little bit to do with how much time they had left for this. (The shows cancelation and all that.) The crew had about, like, 10 minutes to properly wrap everything up? So they needed to make it fast enough to fit as much in. With a good majority of the characters and the conclusion of their arcs, there just isn't that much to go that in depth into.
Luz? She can properly travel between both realms now, her insecurities and guilt complex have been dealt with, and she can properly be herself around the people she loves.
Eda? While, she does still have to deal with the curse, shes properly accepted it as a part of her, and feels free to be around the people she loves.
King? While he's definitely still got a lot to learn about himself, he's more free to do so than ever and has the support and help to do so from the people around him, and those he loves. I can go on with basically everyone else, but I think you get the idea by now.
The more I think about it, in theory/concept, I think having the Collector go back to space can work. But you have to establish three main things in order for it to do so.
1) Give us enough of an idea for what exactly he will be doing in space to grow as a person. Presumably, to me anyway, I feel like they're most likely on some kind of quest to undo as much of their siblings's doings. Until, potentially facing them directly again.
2) Make sure to note that the Collector is fully aware of the fact that he has a genuine and loving support group/found family that he can return whenever he feels the need to see them again. And especially make it clear that they do just that when they can. Not too often, but still somewhat regularly.
3) Inforce the fact that the aforementioned support system/found family (Luz, King and Eda, though this can include others later on) really do care about the Collector's well being and that they are willing to be there for him when they can be.
Alrighty!! Now that I have those things out of the way, let me explain how the show messed up properly showcasing them, despite how expertly everything before this was handled.
When the epilouge's beginning starts after Luz has finally put an end to Belos's evil-doing, we get to see everyone slowly start getting use to the new circumstances of their home. None of it can ever be the same way it was before, but that's definetely for the better in most cases. After all, everyone's gone through a lot as of recently. Especially this episode.
Including, (and in my opinion, most of all) the Collector. For the last ??? amount of years, everything in their life has been... stagnent, inauthentic and overall not great. Even during what we saw during For The Future. Despite it's happy, cheery and colorful surface, it was only really a facade to mask the lack of actual care and support that Collector has in his life.
The stories and adventures he plays out with King are like his own interpretation from a game of broken telephone. They can only really immitate the genuine experience and connection formed when the real thing happened. All the denizens of the Boiling Isles are reduced to a sparkly, cute puppeted version of themselves. Lacking any real emotion in order to go along with the tone of the story.
Realistically speaking, King is the only somewhat genuine thing in the Collector's world. He's the only person that they can trust and talk to. Sure, he techically has his distant, idealized connection with Eda, but she's (at least to the Collector's knowledge) always stuck as the owl beast. So that's kind of impractical for him.
In all of these stories and games of pretend, the Collector takes what would otherwise be Luz's role in King's life. They're jealous of the relation she's had with King for so long. Collector knows that while he's close to King, they can't be as close to him as Luz.
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Going by this information, we can come to the conclusion that the Collector desperately wants to have real friends, and people who won't use him or lie to him. Much like how his (presumably) distant, but still likely very ill-intentioned siblings, the Archivists did. First so they wouldn't have to deal with him, and later to take all his friends away. This pattern continued with Belos, which also lead to betrayal and abandonment for the Collector.
For his entire life, Collector has struggled grasping empathy and the overall concept of death. He said it himself, clear as day. "Toys break all the time! You just fix em'!". There is a fundamental misunderstanding for him in this regard that they are unaware of.
As for the struggle with empathy, his status as an all-powerful immortal tends to make him kinda unapproachable for most non-immortals. So in order to actually play with people who he wants to play with, but are afraid of him, he forces them to do so against their wills.
Near the beginning of Watching and Dreaming, Luz and Co. are finally able to try explaining what it means to understand other people to the Collector. And after a bit, it seems like they're finally starting to get it. Kindness and forgiveness! Who guessed it was that easy all this time?? Soon after this, the Collector tries applying his newly found morals towards the first person they can. Unfortunately for everyone, that person is the furthest thing from somebody who can be reasoned with.
The Collector starts to feel as if they can finally fix things, only to nearly get blasted by Belos, mere seconds later. Thankfully, Luz swept in to safe him and tries explaining to him that he did do the right thing, just... not with the right person. Soon enough, we find out that Luz did get grazed by Belos's power. She immediately starts disintegrating and disappearing before everyone, but more specifically, before the Collector's eyes. Moments after this, Collector is... scared, but mainly confused. King and Eda are completely speechless, only being able to stare ahead of them. The Collector tries to bring Luz back, only for nothing to happen. Things go from bad to worse when King and Eda lose themselves entirely and start fighting off Belos.
In this moment, right before Luz comes back with her titan powers, the Collector is about the lowest they've been in forever. Having just realized that they can't just fix everything with the snap of their finger, and completely powerless to do ANYTHING. King and Eda are there, but they're not there. Luz is gone. There's nowhere they could go from here. It's hopeless.
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A bit after Luz comes back, the Collector decides to do something with their currently fading power and help everyone in the Archives (yknow, from falling hundreds of feet in the air towards their certain deaths).
After Belos is defeated and all the goop goes away, the Collector gently falls onto the floor of the Archives, exhausted. The moment they see Amity (someone he doesn't know well, but knows is close to Luz) walk towards him, he covers his head, expecting for her to start scolding or even attacking him. But she doesn't. She reaches her hand out to him as a friendly sign of peace, and understanding. His face literally lights up when this happens.
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After all of this, while I think that Collector really can't be in the Isles all the time, considering how many people probably won't be that ok with having him around all the time after what he did, it's still obvious to me that they do finally have people who they can lean on and properly be better around. Luz, King and Eda.
...Too bad that their send-off scene doesn't make any that clear!! Like, whatsoever!!
While, yeah you can say that the main trio are DEFINITELY also exhausted after everything, I don't think that would make them all of a sudden be totally fine with the Collector leaving into space on his own.
Firstly, unless we can assume that what I said earlier about him undoing the Archivists's damage where he can, it seems like he's just, isolating himself so he can't hurt anyone until he feels worthy enough to ~maybe~ go back to the Boiling Isles eventually? You know. Like the same thing Luz wanted to do in Thanks To Them because she felt like a burden onto everyone around her? But there atleast, the show made it clear that everyone seeing Luz confess to this, had a problem with it.
During this scene. We don't see anyone other than King go after the Collector. Sure Luz is looking, but that still doesn't count for much. The phrasing of King's last onscreen words to the Collector are "I hope I see you again" before he gives them François. The way this was worded makes the idea of King giving François to the Collector seem more like an almost permanent goodbye gift. Like, the two of them won't be seeing each other again, or at least for a LOONG WHILE.
I think that adding on a "soon" at the end of "I hope I see you again" could've made it a lot better, and make it more obvious that François being given to the Collector is to remind them of their newly found family and that they will be there for him, wherever he is in the universe. Which I feel is way more fitting coming from King. Like his own version of "I don't know what the future holds, but it would be so cool if you were in it" to the Collector.
One thing that I feel like made everything make way less sense is the "No one argued" line from Luz. It makes literally no sense to me considering everything they've been through together? Like?? You'd think Luz and Eda would atleast ask him if he'll be okay going away on his own?? Considering that Luz was able to recognize where the Collector was at the beginning of the episode, it feels extremely out of character for her not to recognize what they're going through here, especially when taking into account that she went through something VERY similar as of very recently herself??
As for Eda, she just kind of, lays back away from the whole situation to begin with? For some reason? Which also feels weird to me since she was also open to being there for him earlier in the episode? She's grown enough at this point to know what to say to kids when she can tell they're not doing well at the moment. Not to mention how she would also probably be able to recognize the Collector trying to isolate themselves as something she's also gone through to protect the people she cares about!! She's fully aware it doesn't work out well when you have absolutely no one by your side! So I feel like having her atleast also reminding the Collector that they're all here for him would've meant a lot more.
As for why all of this came off as really jarring to a lot of people (i'm mainly using myself as an example here btw), The Owl House has always been a show that's overall narrative message has been about found family for different people. The main example I'll be using here is for neurodivergent people. Whether or not it's something like ADHD, autism, or any kind of personality disorder.
The Collector, to me anyway, is extremely ND coded in a few ways. So, in a way, to me personally, having it seem like nobody out of the main trio was actually concerned with the Collector's well being in this scene, felt... jarring? It gave off the message of "neurodivergent people deserve love and belonging, unless they have unstable emotional regulation and struggle grasping empathy, in which case it's okay if they isolate themselves from the people they love because those loved ones don't care about them enough to where they would have a problem with the person isolating themselves", which would be ridiculously insensetive and insulting from what's otherwise such an open-minded and emotionally mature show. I read it this way when I first watched the episode when it aired, and I feel safe to say that it was not what I needed to hear at the moment. I feel like I'm doing better now, and I understand why it hit me the way it did considering everything I mentioned earlier.
I'm not calling anybody who worked on TOH ableist for any of this, and I want to make that clear. This was obviously unintentional on their end and I'm glad that I can understand that now. This show has been here for me and so many other people through so much and other than this on gripe I have with the Collector's send-off scene, the finale was everything I could've asked for and more. That's all.
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lightbluedevil · 6 days
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Spoilers for Arlecchinos story quest!!
Just wanted to share some of my thoughts
Prepeare I have a lot of thoughts
So we get to hang out with Arlecchinos dead girlfriends (Clervie) six year old spirit so that we can set her free
Clervies nickname for her was ”Perrie”, I can’t with this doomed yuri 😭😭
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”Friend” you mean girlfriend??
I loved how Arlecchino and Childe just casually trash talked about the other harbingers
She is very good at leading the conversation where she wants it to go, although she doesn’t lie, she just leaves information out and twists words but never straight up lies
She is not from Fontaine, like not born there, but I suspected that already, she might very well be from outside of Teyvat, I have to read her character story to learn more about her
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Neuvillette let her kill evil men, she deserves that right
Arlecchino suppressing your emotions is not the way to go, but I have been thinking if her emotions are somehow tied to her curse and powers, especially anger and sorrow
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Her battle was scary aaaa, but she looked so cool, the name ”Cinder of two worlds’ flames” also could mean that she is from outside of Teyvat? Maybe, idk
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And whats with the crimson moon??? And I’m just wondering about the X in her eyes, usually it means that someone is dead but she isn’t sooo?
She doesn’t like to wear dresses, I have to analyze more about her being really lesbian coded lmao
She wants people to have false beliefs of her, so that people will think she is worse than she actually is, not sure why yet, she is pretty powerfull so she doesn’t need people to be afraid of her. Maybe if people think she doesn’t care so much about her children it can’t be used against her.
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She is proud of Lyney 😭😭😭😭
She doesn’t want the children feeling like they own to her for rescuing them, she wants them to choose to stay. She feels really strongly about family, not related by blood but by choise. Found family really.
And she told us what Clervie said to her; "For the last sixteen years of my life, I've done everything I can to fight for freedom. But now, I realize that the only freedom I truly possess is the freedom to choose to die."
So Arlecchino did kill her but out of her request
Ok great just lovely
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