#how they write them as important as romantic relationships if not more

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

#dungeon meshi #delicious in dungeon #kabru of utaya #mithrun of the house of kerensil #dungeon meshi spoilers #dunmeshi analysis

[perfectlyoongi]

WALTZ OF POSSIBILITY

‧₊˚ ┊synopsis ... getting ready for your best friend's wedding brought up a possibility that could last an eternal life.

‧₊˚ ┊fandom ... bts. ㅤㅤ‧₊˚ ft. ... yoongi x gn!reader. ‧₊˚ ┊genre ... one-shot. ㅤㅤ‧₊˚ content ... fluff, established relationship. ㅤㅤ‧₊˚ word count ... 1k. ‧₊˚ ┊cole's note ... my 1st kpop work in years lol starting new & trying to get out of this writing slump !! i hope u like it ♡ eng is not my 1st language xx

In the comfort of your room, music played gently.

The sun shone brightly, warming the room through the window, painting the walls a hopeful gold. Between the rhythmic ballads on the record player and the chirping of birds that beat against your window, your room was enveloped in a cloud of soft comfort, which left you calm, which left you relaxed.

You and Yoongi were sitting on the bed back to back. Your hands were fixing your blue shirt, while you heard your boyfriend struggling with a simple tie knot. There was silence between you, but there was no embarrassment at all, for in the stillness of your relationship, you found each other.

“Do you know the groom?”

Yoongi finally stood up, walking to the mirror and focusing his attention on the blue fabric around his neck.

“I’ve only been with him once,” you sighed and pressed another button on your shirt before placing yourself next to Yoongi. “But from what she told me, he’s romantic.”

“Hm.”

Yoongi knew perfectly well what you were doing. Due to his distraction, your boyfriend had forgotten about your last date and he swore, when he arrived home with a bunch of wild flowers and regret in his eyes, he swore he would make it up to you. The most romantic date we've ever had, Yoongi said between kisses when you accepted his apology. But the date was yet to happen and, knowing your boyfriend, you always thought it was funny to tease Yoongi. And he let you tease him, because, quite simply, Yoongi loved you.

“The proposal was beautiful,” you smiled in the mirror when you noticed Yoongi's eyes darting towards your figure and, with a hand on his shoulder, you turned your boyfriend towards you and you held the tie that was driving Yoongi crazy.

“How was it?” Yoongi stretched his neck to give you more freedom of movement and, staring at the white ceiling of your room, he waited for your sweet words to gently cradle his heart.

“They went to the beach. Where they met, you know? It was sunrise, her favorite time of the day. They had just walked all night and just wanted to sit down. But while she sat, he knelt.”

You spoke with pride in your voice – finally, someone who took good care of your best friend.

Yoongi listened to you with passion in his ears – he swore he could listen to you talk for hours.

“Is that what you think is beautiful?”

Yoongi smiled when you finished tying his tie and walked back to the bed, looking at the two coats that were displayed there, trying to figure out which one was best to wear on that occasion.

“Are you going to tell me it’s not beautiful?”

“I think you would think it was cute for someone to propose next to a trash can.”

“If it’s something important to one of them…”

Yoongi laughed and you smiled. Yoongi's laughter continued throughout the room, grabbing the soft music and dancing with it among the sun's rays. You loved that sound.

“So anything is beautiful?”

“Yeah, basically.”

You spoke between small laughs, totally mesmerized by the wide smile that Yoongi wore so perfectly.

“So if I knelt down, here and now…” Yoongi turned his body towards you, starting to lower himself guided by his own words, resting one knee on the floor and looking at you. Bright eyes full of passion, wide smile covered in devotion. “And if I…”

“Yoongi, no!” You laughed in the guise of a scream, running towards Yoongi, holding his hands and looking at him with amusement. “Don’t you dare!”

“I just wanted to prove my point.”

Yoongi smiled when you helped him get up, giving you a small kiss on the cheek and sitting at the foot of the bed. With his hand still locked in yours, he gently pulled you towards him, making you sit on his lap.

You looked at Yoongi, smile on your lips. Your right hand caressed the silky strands of Yoongi's hair, lingering on his face, admiring his natural beauty. And Yoongi looked at you, bright eyes and indestructible smile. His hand held your waist carefully, the other resting on your leg as he made small caresses on it with his slender fingers.

The music continued to play, the sun continued to shine, but at that moment it seemed as if all time had stopped. In your boyfriend's lap, the world ceased to exist.

Being with Yoongi was comforting, something you needed even before you knew it. Yoongi's touch soothed your soul, cleansed your heart of any doubt or fear. Yoongi's look made you feel loved, made your simple existence something important to be celebrated. And Yoongi's words... Yoongi's words took you to the beginning of time, remembering a love so pure, so true, that it was repeated throughout history.

“We have to hurry,” Yoongi spoke gently, the words escaping what his heart really wanted to say. Let's stay here. Let's forget about the wedding. Let's love each other in the comfort of our home. Please! “We will be late.”

“Mhm,” you smiled fondly, your lips drawing a soft curve on your face. You stroked Yoongi's hair, moving the bangs away from his eyes, and gave him a small kiss on the forehead.

But none of you moved.

Still listening to the music that insisted on relaxing your room, you and Yoongi stared at each other, letting the strong emotions that vibrated within your hearts extend to your bright eyes and passionate smiles.

None of you wanted to move.

But it was your best friend's wedding, the day you would see her most beautiful and happy. You couldn't miss it, not that day.

“Just so you know,” you gently placed your hand on Yoongi’s face and brought your foreheads together as you allowed your smile to expand. “If you had asked, I would have said yes.”

You gave Yoongi a small kiss on the lips and got up to finish getting ready.

And Yoongi remained on the bed looking at you, completely mesmerized by your words, deluded by the possibility that could happen. And Yoongi stood there, smiling as he watched you get ready, keeping secret all the jewelry stores he had contacted looking for the perfect ring for you.

ㅤㅤ‧₊˚ feedback is appreciated ♡

#ship of bts 𐙚₊‧₊˚ #yoongi #bts #yoongi scenarios #yoongi x reader #yoongi fluff #yoongi drabble #bts yoongi #bts scenarios #min yoongi #suga fluff #suga fic #bts suga #suga #bts fic #bts gifs #bts army #bts x reader #bts fluff #bts imagine #bts imagines #yoongi imagine #yoongi imagines #min yoongi x reader #min yoongi imagine #min yoongi imagines #suga imagine #suga imagines

[devine-fem]

Hi! I saw that a little bit ago you said you might write an essay on jondami and if that's something you're still interested in doing I'd love to see your thoughts compiled in that way. No pressure though, I know it's a lot of work!

Okay, took me a bit but here it is: the long awaited essay on Damijon, get a snack and something nice to drink because this is going to be unapologetically long.

Misconceptions. Firstly, I don't know how else to explain that I personally don't exactly see Damian and Jon as children. I mean that they are older to me, and I feel this because with comic books when a character is a child that is their time for development and growing. With Robins they always have this inability to be allowed to grow up due to DC personally wanting Batman to always have a Robin in his arsenal. The thing with Damian and Jon is that they are made to reach a finish line. That finish line being Superman and Batman, which they cannot be before developing and growing into those mantles (if the writer is good and has common sense of course) first. We see that in DCeased, WW23 and other Damian books in the past that becoming Batman and Superman is an important topic for these characters, they have a long way to go. Admittedly, I do enjoy content as to where they are younger because that is where their dynamic peaked to me, I also think it's a very simple serotonin boost and if it's innocent then I really have no issue with indulging. But to me... that's not Damijon. Damijon is about friendship, Damijon is about always being able to seek and find in a certain person and I don't particularly care if this is platonic or romantic. It's important to remember that in canon, they are nothing but friends and I enjoy that all the same, but I also find it interesting to explore their dynamic if it was in a romantic context and that is what Damijon is all about to me. It's just "what would these two characters would do if they developed a different kind of affection towards the other." In my head, with as Damian is now, I doubt he'd be able to hold an intimate relationship without training wheels first and a very understanding partner. He's emotionally distant and he has this great fear of being abandoned which I think would suffocate the relationship. Children are confused and lost people who haven't found themselves yet and while Damian and Jon are both children... I don't exactly think there will be enough room for Jon's problems and Damian's problems as well. I also kind of struggle with wanted to rid them of their age gap, their age gap is just big enough to make it as if Damian has some authority over Jon. It makes it so eventually as Damian and Jon grew that Damian would be somewhat out of reach for Jon and perhaps, he could feel like he'd have to chase after Damian a bit when it comes to milestones and development. It makes them just a little bit more interesting and as I said, I don't exactly want to erase that.

A lot of people bring up the topic of maturity between these two but that would mean that Damian is more mature than Jon and you would know that this is not the case in the comics. The person who slings around insults is Damian, the person who acts brashly is Damian, the person or initiates fights is Damian. The immature one is Damian, he may act like he knows everything but he is a child, he’s incredibly immature and we should remember that.

Damian. It's particularly hard to describe both Jon and Damian separately for me at this point. To me they are something that should had never been separated. Something that comes as a set. Like one of them is missing the other when alone. The thing about Damian Wayne is that he spent his childhood years training to be a natural born winner. He never had a moment in Robin or Damian Al Ghul that let his life be truly his own. The thing about his relationship with both Talia and Bruce is that he feels as though he needs to earn affection and love, similar to how some children may feel this too after going through psychological abuse and neglect - this coming from both Bruce and Talia at times.

It should be noted that the comic that contains this panel is not a good representation of Talia and Damian's relationship but overall, this line is somewhat accurate and holds weight to their dynamic. Damian is someone who feels the need to earn his keep, it's instilled in his brain that basic things that others may get will not be given to him without him having to earn it first. Damian feels like he doesn't belong, like he's stuck between two worlds. He's burdened by constantly having a destiny, a path already carved into the ground for him. Jon. Jon is quite simple. His whole narrative revolves around similar themes as Damian to where Jon feels like he's not truly like his father but also not entirely like his mother. He wants to live up to being like his dad, but a lot of his own individualism gets lost in the process. He has this need to prove himself and make others proud. His upbring was simple and homey. Lois Lane and Clark thought that it'd be best to hide the fact that Clark is Superman and Jon is half kryptonian in order to provide him a mundane foundation as a person. There's not much to say about Jon alone because unfortunately his characterization was cut quite short. Let me talk about the age-up situation. Some people don't understand why this is such a bad thing for Jon's character, but I strongly believe that people of this opinion simply do not care about the character since this is character assassination in the most basic form. Jon's childhood was a very important part of his character as it is for literally all characters. That's where all his personality quirks and traits come in, that's where he can resonate with the audience the most, that's where his bonds with other characters are established. As Jon is now, he's being thrown into the finish line with no prior characterization. Jon's personality is going to be lost when writers pick him up, at times he even seems emotionless and purposeless. He is entirely unrecognizable to me. The only thing that has been established for him is his sexuality and his boyfriend and his solo revolved entirely around said boyfriend. The least they could do is make them good representation, but they aren't even that, sorry, it's jarringly obvious. And it's not just that its "getting in the way of my ship" because I don't want Jon and Damian to be canon, not really, not when this is how they treat a canonically queer character... look at what happened to Jon. I imagine that if they were to be canon then I'd find myself complaining about how DC can't do Jon and Damian's dynamic properly constantly. I don't have that much faith in them. It's disheartening that as a fan of him that I don't have as many good things of him that I do bad. The ship also suffers from this because it's literally about growing up beside someone and that childhood friends to lovers appeal.

Damian & Jon. A lot of time in Damian's stories because of his abrasiveness and offputting/distant personality, he finds it hard to make friends and sometimes it's not entirely the other person's fault. The thing about when he met Jon is that became a past time for him, he was someone who just wanted to be around - who actually went out of his way to be around him as well as they have a wholesome foundation for a friendship. Jon feels deeply for Damian as Damian feels deeply for him. Over and over again, Jon's life is threatened in some way which forces Damian to pull down his emotional walls and show that he does care for Jon.

It's established repeatably that Damian cares a lot for Jon because when he's in danger, he visually starts to panic. Even going as far as calling Jon by his first name which is rare for him because Damian calls everyone by their last name because he speaks very formally but when Jon gets hurt, Damian slips up to suddenly call him by his first name.

Damian was so shaken up that he accidentally calls Jon his friend afterwards, which is important to note because he has always refused to acknowledge their friendship for stubborn reasons. Also to note Damian's stubbornness I'd also like to mention the time where Damian refused to acknowledge Jon could join the teen titans, every time Jon proposed the idea, Damian shut him down till it came the time to vote on whether or not Jon does join the titans and Damian was literally the only person who raised his hand.

This was one of the moments I was most frustrated with Damian because all that arguing with Jon was truly just to annoy him and nothing more, he secretly believed Jon could join the titans the entire time but when it came down to it-

He only made himself and Jon look stupid and proceeds to brush off their friendship once again. I have to admit it is slightly interesting even when frustrating. As for Jon, yes, they bumped heads at first and Jon found himself getting extremely frustrated with Damian's attitude, but it was mostly because Damian is someone, he knows he's going to have to spend a lot of time working besides and he only wanted to be his friend while Damian seemed uninterested.

The thing about these two is that whether they like it or not, they will have to spend their entire lives beside each other. This is something no other dynamic in DC can really replicate. We know Jon feels deeply for Damian, it wasn't able to be verbalized often unfortunately but he has mentioned how highly he thinks of Damian, calling him "the strongest person I know" - stronger than him by far. He's one of the few characters that want to see Damian as he is and doesn't want anything from him, he just likes being around Damian.

And for Damian one of the few ways he knows to provide to Jon is taking him away and going on missions with him, it's kind of sad to think about how this is one of the few ways he knows how to express that he wants to be around Jon. He's gotten up in the middle of the night, went across the city and met up with Jon to hang out with him.

It's sad, yes, but also really sweet. A lot of characters assume the worst for Damian and think that he's bound to end up being the worst version of himself or think he's like a ticking time bomb ready to explode at any moment.

But instead, Jon refuses to acknowledge that Damian can be evil at all, denying entire alternate realities where Damian is slowly becoming the worst version of himself because he deeply believes that in Damian's heart, he could never be anything less than great. Their mantles. Not to talk about DCeased but yes, I will be talking about DCeased because that is the perfect example of how these characters function to me.

This comic showed his the long, excruciating, and lonely years these two would have to face in disaster. The trauma of losing everything, your family and your world and moving mantles to stop it but it being something they had to do together. Like a grave already buried in the ground for them but they laid in it together as kids and adults. If you truly want to understand this ship I deeply think you should turn on your brain and read DCeased.

How they contrast. Jon and Damian's are distinctly different, their personalities are different, their upbringing is different, and what they deeply identify with is different. This is why at times they may argue but at the end of the day, they have to share their life with the other.

How they compare.

At times where they may think they are alone or have no one to talk to then they will always have each other, they're supposed to, that's what their relationship is built on. Understand that in the most basic sense that these two are platonic soulmates. They will be there for each other at the beginning.

And at the end.

They share this great burden together, they share similar paths, fears, worries and goals. They will always be together even when one of them might not want to be because the worst thing you can be when all of these things are happening to you; is alone. Their lives tell the same story just in different places and perspectives, sometimes their most defining moments directly mirror each other.

They both feel like they don’t belong and like they’re stuck between two worlds as well. For Jon, it’s Krypton and Earth, for Damian, its Batman and Al Ghul.

Their mantles supply this destiny they share. It’s what will bring them together and pull them apart.

I feel the need to mention that Jon is one of two characters that sees Damian beyond the son of batman, Damian has said “Well, If I am almost Batman.” and Jon said “You’re so much more than that.”

Damian said “Do you have a better offer?” and Jon said “Well, I have you.”

… I have to love them.

Their relationship with one another platonically. They have the friendship to end all friendships. It quite literally transcends space and time. Regardless of if you like Jon and Damian being friends in the first place or not, you cannot deny that what Jon has done for Damian is not important.

Like I said with Damian, he feels as though the love that he receives has to be earned but when he met Jon, he was introduced to the idea that someone wanted to simply be around him, that someone wanted to be his friend and love him unconditionally. You cannot deny that this friendship helped develop these two in very good directions, not only are these two entertaining but they help each other progress by simply being around the other.

They give to each other what other people can’t. Dick Grayson even admits that Jon sees something in Damian that other people like to ignore. This is very important. Now Jon’s relationship to Damian could help him as well, knowing Damian could grant him an extra layer of empathy and understanding, it already does and he can use what he’s learned from Damian in the future.

Damian teaches Jon what it means to be a hero, Jon teaches Damian what it means to be a kid. Damian shows Jon what love has been and Jon shows Damian what love can be. It’s very compelling. These are two lost people who make each other feel accepted and normal.

The potential of their relationship romantically.

Imagining what it would be like if DC was capable of allowing these two to engage in a romantic relationship with the other is compelling. Firstly, I highly doubt that DC will ever properly portray these two’s relationship with the other if they did pull the trigger.

But in the fantasy world where everything is perfect, I think it’d be nice for these characters to have a relationship free of their narratives. To be allowed to be confused about their feelings and even reject them; to have us as an audience be able to watch these two slowly navigate it over time and especially with them both being same sex, I feel like DC just showing that they’re not afraid to portray that type of relationship between character directly under one of their biggest names is certainly heartwarming.

Jon coming to terms with liking boys and having a crush on someone the same gender as him while also struggling to have that perfect american life that his father’s narrative values so much and that confusing him.

Damian struggling with his feelings and allowing himself to not feel like he’s doing something wrong by falling in love with another person.

And perhaps this love being catalyst for them to want to grow up to be distinctly different from their fathers, to carve a path for themselves because they realize that they are their own person and can’t be entirely perfect for everyone else but just perfect enough for each other.

The wasted potential of the characters overall. Super Sons was a very important comic book, it supplied things for Damian fans that was starved of us. If you look at the internet before Super Sons you will see people complaining about how Damian's stories do not contain a certain element to it which was entirely fixed by Super Sons being created, Super Sons left much to be desired. I still think that series was meant to go on for way longer than it did and contain a lot of meaningful stories for the both of them so it's a real shame that it was cut short.

Unfortunately, even though some writers want to separate Jon and Damian, they’ll never fully be able to because of how engraved Damian is into Jon’s character. Damian is one of Jon’s core personality traits because overall, he is greatly lacking so they’ll never be able to be truly separated. It’s safe to say that his character is ruined and the only way for you to like it is to have bad taste in media.

Why I personally think it’s so good. All of these things I mentioned are not really given to you with other ships like Timkon, Superbat, etc. Nothing speaks to me like this and if you really understood it then you'd know that all of these things are entirely different. Damijon in canon is literally what people think Superbat is, the way that people want Clark to provide release and catharsis to Bruce is literally done for Damijon in canon. Between Superbat, Timkon and Damijon, Damijon evidently has the strongest bond/is allowed to have the strongest bond, these characters distinctly have an effect on the other that cannot be replicated with the others. Not to put these two ships down but it's evident, I've always been against the idea that Timkon and Superbat are similar to Damijon because they just aren't literally at all.

I truly believe that if Jon and Damian weren’t Superman and Batman’s sons then I’d still ship them anyway, I also think with unfortunately the way that DC is dealing with Jon’s character that if Damian was allowed to have a relationship akin to his with Jon’s something almost exactly mirroring Jon and Damian then I’d drop Damijon instantly… but… till that day.

Damian and Jon make each other happy in the purest way possible and till that stops I think I’m shipping that.

What to check out if you’re interested in it. I made a reading list for these two a while back.

#jondami #damijon #damian wayne #super sons #jon kent #supersons #jonathan kent #cosmicbird #superdemon #damijon essay #asks #dc comics #superfam #batfam

[writingquestionsanswered]

i'm currently trying to write a story with second chance trope. the story is about a friend group since childhood of 2 girls and 4 boys. the female mc and the male mc were developing feelings for each other, then the male mc left the country without telling anyone. after 3 years of no contact, he comes back. naturally, the female mc has a lot of pent up resentment towards him but she still has romantic feelings for him.

so, any tips on writing a second chance romance?

Second Chance Romance

There are five really important keys to writing a good second chance romance:

1 - Create a Sense of What Was - Even if the story starts after that first relationship (or almost relationship) ended, it's important to give the reader a sense of what that relationship was like. What drew them to one another initially? What were their interactions like? What strengthened their bond? You can paint this picture using a combination of flashbacks, memories recalled in exposition, memories recalled in dialogue, having the character look at photos or video, comparing present experiences with past ones, or even through snippets in dreams.

2 - Be Clear About What Went Wrong - The reader can't root for a second chance if they don't understand what went wrong the first time around. Specific to your story, you'll need to address not only why this character suddenly left the country without telling anyone and without contact, but how they rationalized the negative impact it would have on this person they were beginning to develop a relationship with.

3 - Be Clear About What Went Right - Sometimes relationships fail, even if their foundations are good, but that second go round isn't plausible unless there was something worth going back to. So, not only is it important to be clear about what was good about the relationship when you illustrate it in retrospect, you'll also have to show us those things are still there--or have the potential to be.

4 - Illustrate What Changed - The relationship failed for a reason. Whether there was hurt involved, poor timing, wanting different things, or some other obstacle to progress. So, you can't give this couple a plausible shot at a second chance unless you show us how the obstacles were removed or overcome. In the case of your story specifically, not only will you need to address why the character left in the first place, but why they chose to come home, and how they make amends for disappearing without notice or contact.

5 - Rebuild Relationship Upon Old and New - I like to think of it like this: imagine the concrete slab foundation of a house. This is what the couple built together in round one. But when they parted, the foundation was damaged in places (the amount of damage obviously depends on what caused the split.) When they meet up again, the foundation is still there, it's just got the old damaged parts and a lot of erosion from time and weathering. But it's there. So as they work through what went wrong and patch up their friendship, they patch up the damage from their split. Then, as they get to know each other again and the friendship reestablishes itself, the foundation gets cleaned back up and brought back up to pristine. And from there, they can build the walls of their healthy relationship.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

[bernard-the-rabbit]

"I couldn’t quite believe how much I seriously loved Aled Last, even if it wasn’t in the ideal way that would make it socially acceptable for us to live together until we die"

#i love how alice writes friendships #how they write them as important as romantic relationships if not more #alice really said friendship rights and i love her for that #anyway aled and frances are friendship goals and i adore them #my trashy art #aled last #aled radio silence #frances janvier #frances radio silence #radio silence #radio silence fanart #osemanverse #i imagine this is them coming back from an interview or an even #with daniel taking the pic

[sweetpapercroissant]

i don’t get the appeal of an incest ship if you’re only ever going to focus on the good romantic feelings and not the icky negative ones. the resentment the feeling of being trapped shackled wanting out and away from the person who knows so much too much about you since before you even knew to not allow it but at the same time you can’t imagine living in a world without them being away is like tearing a limb a piece of your soul you will never again be complete without them. no one else will ever understand you the way they do no one else will ever get so deep under your skin and you may hate it but you hate the thought of them not being there even more you can’t stand to see anyone else get to a part of them you didn’t and even worse when they get it before you. you push and you push and you push but when they let go it’s like you’re free falling and it doesn’t matter how far away you run you will never be far enough away because you carry them inside you everywhere you go. you tell yourself you want nothing more than to get away but they’re the only home you will ever have and you won’t ever let anyone get that close you’re already moulded to only fit in perfectly with them and you didn’t have a choice but this is who you are. there’s nothing you could do to make them let you go but there’s nothing you could do to make them let you go. you want to be so close to them you want to merge your bodies into one you hate how crowded you feel when they’re in the same room like they’re sucking in all the air and there isn’t any left for you and you want to get away so you can just breathe but you don’t even want to breathe in the air that hasn’t passed through their lungs first you hate that you feel this way you wish you could claw it out of your veins but then who would you be without it without them you want so much and it’s so ugly and you’re ashamed of how raw that need is how you want every part the good the bad the human you wish none of this had ever happened you feel dirty you never even had a chance to find something else be something else but then you look over and you love them so much so much and when it comes down to it nothing else was ever going to be enough for you anyway.

#and this is all still just one type of the different dynamics possible #and even then i haven’t covered everything #it’s all just one tight hot mess of feelings. and it’s so good #there is still much much more and i wanted to write it but it was just getting so long #this isn’t targeted at anyone person or fandom but i have recently noticed an increasing trend of (that is probably just my dash tho) #treating incest ships as primarily romantic and. that just takes away everything that makes them so engaging in the first place #to each their own i don’t believe in telling people how to enjoy their fiction but i just don’t understand it is all #you do you i’m not judging or huffy about it or anything. and obviously i’m not talking about #making fluffy feel good posts/art/stories etc about your ships #but treating these ships the same way and looking at them mainly through the lens of romantic relationships #will just leave you with a huge part of them missing #and you can’t really understand their dynamics and their interactions without that very important context (they were family first) #which is also the foundation of their relationship #.txt

[kalofi]

zl fic idea

hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.

4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut

ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.

so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 

finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 

theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 

he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 

zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 

hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 

he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 

his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 

zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 

he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 

so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.

—

thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 

zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 

zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 

that makes law pause. “what?” his voice comes out stronger than he feels. 

“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 

“what?” 

“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 

he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 

“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 

hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 

youre gonna owe me big time strawhat-ya. if i even remember this, that is. 

he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 

zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 

he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 

he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.

room.

shambles

—

zoro’s world shatters, differently than before, and then theres nothing.

—

he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.

he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 

work?

what the fuck is happening. 

its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 

he doesn’t understand what the fuck is happening. 

without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 

hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 

he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).

his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 

uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 

nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 

so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 

is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…

a lightbulb goes off. 

fucking shit he thinks. of course. of fucking course it would come down to the cook. 

he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 

(if it takes him nearly an hour to get there thats nobodys business but his own)

he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 

the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 

he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 

zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 

“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 

hes never been one for tact, forever blunt unlike his swords. 

sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 

he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 

zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 

its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 

“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 

he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 

the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 

“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.

“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 

“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 

the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 

he blinks. 

then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 

“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 

“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 

“holy shit. holy shit.” 

zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 

“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 

“you remember now though, dont you?” he has to be sure. 

“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 

“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 

“fuck you.” 

he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 

“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 

zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 

“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 

zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 

he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.

he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.

and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.

sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail

by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.

—

(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)

uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea

#devil fruits don't work like this but don't sweat the logistics. just read with your heart not your head #it starts off rough cause im kind of just rambling about my ideas then the more i go the more it just turns into a fic #let me know your thoughts in the comments or my inbox or whatever i love discussing stuff hehe!! #as you all know im an artist first and foremost but sometimes my ideas get a bit too big for my current drawing skills so i write them down #so heres that #one piece #zolu #theres no guarantee i'll ever like. srsly continue this but i rly rly like it as a concept im invested LOL #and i have a few ideas on how the rest of the crew would be found that ive discussed w friends #so perhaps if i find motivation and can outline. an actual plot progression and clean up this first part... #well who knows... XD #also im not a zs truther in fact my insta followers r well aware of my. certain feeling on the ship #HOWEEVVEERRR i do think zoro and sanji have such an interesting unique and important dynamic/relationship #that i enjoy studying outside of a romantic lens #anyway ive spoken enough . pls enjoy! or dont thats fine as well

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

#anyway. just some of my thoughts on this as an aromantic songwriter #ari opinion hour #this goes a good deal to reconcile my constant writing of love songs with the fact that none of them are romantic #which im fine with as long as im keeping them to myself but it DOES feel dishonest when i hide that theyre love songs. #however this did also go some way to convince me that maybe care songs is an alternative that i SHOULD use because it is more applicable to #me than the concept of love which MOST people do not have the same perspective on as i do and having different definitions of the same word #is an important barrier to consider in communication #i will admit i do think im clinging to my care songs being love songs due to my relationship with an organization to which love is very #important as i dont want to go back on my promises to that organization as it IS very important to me #anyway. can you tell ive been reading house of leaves by the fact that this appeared fully fledged in my head in fully academic language #but for real like thinking about it now and even my old love songs like most would probably think to see them that they would go in the #first category and they just. DO NOT. at least not the ones that were written after i was like Yeah im aro again #its interesting the ones i wrote in the brief period where i thought i WASNT aro in like mid hs those i WOULD put in the first category #even though like i do NOT think i was right about it being romantic #but the ones after i was like Yea im aro again are like. Thats definitely the latter #part of it is i did find a voice that was like genuinely Mine and wasnt just writing sort of generic love songs #love songs in the typical usage i mean so they were really more infatuation songs #but like i was still with the last person irl who i wrote these about divorced from like... my aroness because of how much i liked him #and i would still put those in the second category #so part of it is awareness as well #so. yeah. its interesting #i probably should just suck it up and start calling them care songs. even if people dont know what i mean to say that

[incesthemes]

hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️

omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately

i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother

that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have

(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)

anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that

#ask #sorry. i did not intend to write another essay about this #but as i said i am only capable of talking in essays. my apologies #to be honest the only reason i have so much to say about this is because i have seen some truly baffling takes about what sam and dean are #and every time i see one i have to sit here and think about it. like how did you arrive at that conclusion. what are you watching #mostly in terms of like. people saying sam and dean are not weird and codependent and enmeshed with each other #that's just blatantly not true because again. this show is about sam and dean and their relationship. textually subtextually metatextually #the concept of even having to defend their relationship as canon is as confusing to me as having to defend umm rubysam is canon #or something #like it happened. they were together in canon. we saw them have sex. you can't say rubysam isn't canon because it's right there #same thing with sam and dean. the difference is the nature of their relationship and the fact that i guess people don't want to like #think of it as canon when it's not romantic???? #it's such a no-brainer kind of thing. like the fact that i'm sitting here trying to explain myself is embarrassing me bc it's like #no shit sherlock #but again the only reason i am thinking about this so much is because i keep seeing people trying to deny or downplay their relationship #in the first place #which is BIZARRE to me #like idk i don't see people trying to deny that ummmm fuck. killua and gon hxh aren't canon friends #that they don't even like each other #wow i'm seriously rambling. apparently i have more to say about this topic than i originally conceived #idk man i get people are uncomfortable with incest but the point is that it's like. not. their canon-ness is not related to incest #they're just insane about each other and they are each other's most important person. they are more important than romantic pursuits #the uniqueness is that it trumps all other relationships and cannot coexist with any others. that's what's so canon about it #it's not just friendship. it's not just brothers. it's not just husbands. it's everything and nothing and so much more all at once #shrugs. sorry for rambling AGAIN #i hope i'm making sense here #supernatural #wincest #spn posting

[hexados-on-a-string]

spectragus dont get enough credit for being a sun and moon ship but like. destructive sun and moon ship. sun and moon ship but they're the forces of nature the sun and moon actually are. the sun is harsh and relentless and unpredictable in its evil but also it's kindness, the moon is sharp and cold and cruel, a harsh light that doesn't allow you peace, but can also guide you, a light in the darkness. even on nights with a new moon, with no light in the sky, the moon is always reflecting the sun, and it'll be that way until they come to their end.

#spectragus give me a dopamine high that any sort of drug couldn't even come close to giving me #its the loyalty. its the seeing each other at their worst and still staying. #its the being the only person still around who knows and understands what youve been through #its the being so important to each other's characters that u cant mention one without recognising the impact the other has on them #i dont rlly do shipping unless its funny but also im a huge gus fan so like. yea. plus my view on romance is a bit all over the place anyway #something something my skrunkles deserve complicated relationships that are more than romantic but something else #its the trust thats the most important thing to me. trust and loyalty and devotion and #im sorry but i would have exploded if i like. didn't write down these thoughts #anyways fucked up gay people who are a package deal and that is a threat thats them #ik the majority of my posts are hee hee funnie and i usually dont take things too seriously #but these two have taken up part of my brain permanently since i was 8. like. they just live there. rent free. #i am like rabid rn. i am feral and i am insane and i am crazy and there are so many things wrong with me #i cant even write down all my fuckin thoughts there's so many my brain is going to Explode pray for me #idk if u understand how important it is to me the times they show kindness even while at their worst #they're not good people but they have people they care about and they care abt each other and that matters SO much #i take 0 criticism on my posts i only take cash. however there is no possible criticism to be made bc i am RIGHT #also this all kinda sparked from me getting obsessed with a certain kh character who has a connection to the moon #who is also one of my favourite characters ever #and if u know who it is and u also like him ur very cool #im not tagging this w character tags. im like. very shy. but #i love gus i love spectra i love spectragus #anyways see u next time where i should hopefully have art maybe potentially #i found the brushes i used to use back when i did lineless art so i am rlly happy

[musical-chick-13]

What if I made this as off-putting as possible instead of romantic.

#I mean I'm very heavily leaning into the humor for this one but what if I made it funny AND creepy #then I wouldn't have to pretend I know how to write a functional relationship #(well. as functional as these two characters can be anyway.) #the problem is that most of my ideas are about analyzing relationships between characters #and some of them are fucked up with the romantic element unrealized (which is a lot easier to write because of. you know. personal history) #and some of them are about how mental illness interacts with one's relationships #but the rest of them are straight up 'how would these characters get together and build a relationship that works for them' #and I WANT to write those things because they're important to me and because I want there to be more fic for my unpopular ships #but the idea of ME trying to write something where the entire focus is people getting into a happy and relatively straightforward #relationship feels...laughable. #c2g is different because it's not like...straightforward at all? there are a lot of elements at play there. #and the characters are ALREADY together. and most of the fic really is just unpacking their psyches. #I wouldn't call it a romance fic? #but Deranged Oneshot is...probably somehow actually closer to that idea. #but like. what if it wasn't. #ugh maybe I DO post this one anonymously like I hate considering that but that might be the #only way it actually gets finished #(though. of course. I have to figure out how to get c2g finished too. because we are ALSO struggling there just #for different reasons) #mc13 writes #c2g #The Fic That's A Lot #(and others)

[thelostboys87]

realising this is silly in hindsight but the way i kind of just assumed people would not be interested in the grief and death and caretaking and historical aspect of lover boy LOL happy to be proven wrong. going to be obnoxious on main now

#literally no reason to believe this besides the beaulix novel that became lover boy got love when i introduced it last year #like i dont write based on what people find more interesting i just thought it was like. A Lot and Heavy #like at this point grief is so normal to me and then i've talked about it with other people and will be like Oh this is a lot actually #i am also realising how interesting it is for the grief to be around a friend...a lot of the AIDS grief lit i read for and about #with my diss was about lovers (which in itself is so important bc most of society denied people that relationship) #not that lover boy is Different or New because of it like parting glances is right there #but even then (spoiler) they're revealed to have been and still be in love with each other despite michael still being with robert #but even then the parallel between michael and roberts very domestic relationship to the love between michael and nick!!! #i love that movie and then when i rewatch it im like this is so mid..... #ANYWAY dont like to define bobby and beau by how close they are to romance but i like the idea of paralleling friendship and romance #and incorporating romantic elements to them without it reshaping them being friends #like they are in love with each other. no they would never be anything more than friends. etc #i think friends should be allowed to be in love with each other as friends #i was kind of worried the excerpt made it seem like a realisation that he was in love with his friend in THAT way #like no! he's just in love so deep it cannot be categorised

[loveemagicpeace]

🧚🏽Astrology Notes🧚🏽

🎸If Jupiter is in the first, fourth, seventh, tenth house, it should protect the person from major accidents. Jupiter in the 11th house means many friends. Jupiter in the 9th house means long journeys, usually paid for by someone else. Jupiter in the 4th house means that the person has a very religious family and that he will not live where he was born.

If Saturn is in the falling house (third, sixth, ninth, twelfth), circumstances may arise during that period, but you only become aware of them a few years later. If Saturn is in an angular house (fourth, seventh, tenth) at the time of birth, it sets a pattern that a person will follow throughout his life.

Saturn in the first, second or third house can indicate a burden on a person already in his early life. This is often because of the father. Saturn in the 4th house means that the individual will build a larger valuable property.

If the Sun is in a corner house (first, fourth, seventh, tenth), this means that the exercise of individuality will be visible to others. It makes the power that can bring you fame.

If the Sun is in one of the following houses (second, fifth, eighth, eleventh), this tends to give up publicity and the individual must progress on his own. If it is accepted by the public, it is not based on a personal initiative, as the main position of the sun sign would suggest. Follow-up houses often lead y dealing with other people's lives and/or their property.

If the Sun is in the falling houses (third, sixth, ninth, twelfth), this indicates that the individual thrives best behind the scenes. It makes an individual who serves. The beauty and strength of this individual are visible only to those closest to him in close contact with him.

Uranus is the planet that shows the clairvoyance of a person and the premonitions that a person has. But it is also a planet associated with astrology.

Mercury and Uranus: each aspect helps the person to communicate well. A person writes a horoscope.

Sun and Uranus: this is one of the more important aspects. No matter how aspected it brings a person great success in the field of astrology. And people will accept him as an expert and trust that person. You will become an authority figure, so you can make sure that you are honest.

Pluto rules kidnappings and gangsters. And many people do not know that pluto is also the co-ruler of Aries. So people who have a lot of Aries and act mysteriously is also part of it.

Cancer rising people are very sensitive when someone is rude to them. They take it to heart when someone is rude to them, especially authority figures. They are very used to home and family and it is difficult for them to be with people who are not their family for a long time. Let's say: if someone takes them to a doctor, they will always want it to be a person who is related to them.

Capricorn rising people are basically unaffected by things. And they are used to people being harsher towards them. are basically unaffected by things. And they are used to people being harsher towards them. They have tough skin and are generally not that personal as a sign. They look at things from a different perspective.

Aquarius Sun tend to want more friendly relationships than romantic ones. They don't like you controlling them or telling them what to do. But they are prone to long engagements. They also say that Aquarians do not like flashy and provocative clothes, jewelry and make-up. Although it all depends on what other signs a person has.

Venus:

Venus in Aries- are often selfish in love and will always put themselves first. And it is considered unstable venus.

Venus in Taurus- are very frugal with money. In love, however, they are loyal, deep and lasting.

Venus in Gemini- in love, they tend to flirt or have several relationships at the same time.

Venus in Cancer- are emotional and tend towards the domestic environment. They can be better parents than partners. This position is not always favorable for marriage.

Venus in Leo- love to spend, especially on people they love. They like attention. They are frank, honest and sometimes too kind-hearted.

Venus in Virgo-Venus falls here. They are artistic, but they are also emotionally closed. They tend to be critical. Once they commit, they don't let up.They are often disappointed in relationships and have several.

Venus in Libra- are young at heart, often indecisive. They are determined hosts. They often marry early.

Venus in Scorpio- are passionate, intense, mysterious, jealous. They strongly desire to know the hidden motives of others. He is quick to rate people. They can have a hard time forming relationships.

Venus in Sagittarius- are positive, sincere, passionate, irresistible. They are very idealistic, philosophical. They are intuitive, loyal and love a mystical way of life. They have many friends.

Venus in Capricorn- usually not open, they are calculating, serious, careful. They are often disappointed in love, so they are afraid of relationships. They can get married for the sake of society. They marry a person who can be quite different.

Venus in Aquarius - aloof in love, quickly establish contacts with strangers. They are usually more friendly than romantic. They tend to have multiple relationships.

Venus in Pisces- often fantasize about their love life. They are sensitive and also depressed. Music has a good effect on them.

The first house covers areas of life such as: early life impression, causes of financial losses, long journeys of children and their religious inclinations, friends of brothers and sisters.

The third house covers areas of life such as: incidental sciences, willpower, speech and hearing, reasons for moving away from home, long journeys of a spouse.

The fifth house covers areas of life such as: spouse's friends, grandchildren's long journeys, person's passions, ways of relaxation, cause of bankruptcy.

The seven house covers areas of life such as: the description and characteristics of a marriage partner, friends in other countries, rivalries, quarrels and fights, enemies and rivals, things that are the most difficult for a person to achieve, the outcome of diseases, the mentality of children, the later life conditions of the father in the female chart, later life conditions of the mother in the male chart.

The eighth house covers areas of life such as: natural death of a person, business friends, transition to the astral world, gateway to the spiritual world, acquisitions due to partnership, acquisitions due to marriage, investigation of lawsuits, short trips to work.

The second house covers areas of life such as: inner emotions and feelings, financial visions, the propriety of borrowing money, a person's ingenuity, the ability to be comfortable, what you give is what you get, family friends, time and reputation of children, inheritances and inheritances by marriage partner, cause of death partner.

The fourth house covers areas of life such as: family traditions, situations in later life, kitchen, causes of sadness due to love relationships, inheritances from other countries.

The sixth house covers areas of life such as: favors, small animals, attitude to diet, restrictions due to marriage, restrictions due to partner, working conditions, food, clothing.

The ninth house covers areas of life such as: rites and ceremonies, types of church, gains from spiritual experiences, gains from psychic experiences, the person's consciousness, the hygienic conditions of the person's home, the care or neglect of property, the mentality of the spouse, the health of the parent of the opposite sex, the end of the life of uncles, restrictions or losses in business, situations of children's romantic relationships.

The tenth house covers areas of life such as: the house of pride, reward karma, grief and loss of friends, long journeys due to money matters, children's health, the cause of death of loved ones, the end of the life of a spouse, money that you can earn from traveling.

The eleventh house covers areas of life such as: societies and organizations to which one belongs, punishments, fines that a person has to pay, the way money is spent, agreements in foreign countries, attitude towards entertainment of the spouse, potential cause of loss of property, health of uncles and aunt on your mother's side.

The twelfth house covers areas of life such as: a symbol of the most difficult battles, a symbol of the most difficult tasks, a symbol of accidents, losses, fate, enemies, hospitals, asylums, the house of spies, the cause of the end of romantic relationships, residence in a foreign country, how someone sleeps and relaxes, house hindsight, self-analysis, friends' finances, friends' acquisitions, closest point of contact with a person's soul.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah🧚🏽🪐🎸

#astrology #energy #zodiac signs #planets #my notes #astrological houses #astrology observations

[moki-dokie]

been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.

this is early edo period. 1600s. the japan you know now did not exist yet.

yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)

"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.

there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.

yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.

i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.

i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.

i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.

#blue eye samurai #i'm gonna bite people if i see complaints about queer anything in this show

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write. #i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

[cinnamon-girl-writes]

in a world of boys, he's a gentleman . . .

gentlemanly things the jjk men do ! feat. gojo, nanami, geto, choso, higuruma, yuuji, megumi

fluff, headcanons, dubious grammar

by @cinnamon-girl-writes

gojo

Im’ma be real, it was hard af to come up with something serious for this man

but I’m gonna go with: he always opens doors for you and never lets you open them yourself

whether it be your car door or a restaurant, he’s always there just a step ahead of you to make sure his princes doesn’t have to do any work <3

*coughs* he also does it to stare at your ass from behind *coughs*

nanami

opposite of gojo, i couldn’t stop thinking of gentlemanly things this man *wouldn’t* do— anyways

nanami is the man who compliments you on more than just your appearance <3

of course, he tells you how beautiful you are all the time

but the best thing about this man is when he tells you how smart you are, or how he loves that your jokes always make him laugh

he’ll compliment your dtermined attitude or your loving nature

if you’ve been working really hard lately, he takes notice and tells you that you’re doing great

overall just. 10/10

geto

soooo geto has a history (in canon) of feeling unneeded/underappreciated

SO wwhat i think he’d always do for his partner is make a deliberate effort to tell them that

every day he finds a way to tell you: you matter to me and i need you in my life <3

sometimes it’s random, like when you’re laying and the couch and he tells you

or sometimes it’s more of a show, like him taking you out to dinner just to show you he appreciates you

choso

while romantic relationships are a little new to him, he treats his relationship with you very seriously

that being said, he notices whenever you’re stressed out about something

so to help you with this, he takes on whatever tasks are burdening you: your kids are driving you crazy? he’s great with kids. the dishes on your counter have been sitting there for two weeks? don’t worry, he’s got it

overall probably one of the best on this list

higuruma

this man- *ovulates*

anyways . . .  like nanami he’s another epitome of gentlemanliness, however higuruma doesn’t have that much free time to spend with you because of his job as a lawyer

so when he is with you, he deliberatly asks you about how your day was. he’ll listen to every word you say and ask questions, wanting to get every detail out of you (and also, maybe he just likes the sound of your voice :))

but regardless, hearing about your day is very important to him

oh, you’ve got gossip about people he doesn’t even know?? he’s SAT

he listens to every detail, stopping you to ask questions and make sure he’s following the story

the KING of giving advice

yuuji

yuuji doesn’t necessasrily stick to formalities, but one thing he always pays attention to is the SIDEWALK RULE <3

like you swear this guy has a sixth sense or something because you literally never find yourself walking on the outside of the sidewalk

if you ever ask him about it, he just says he doesn’t do it on purpose but just always puts your safety first

megumi

poor megs didn’t really have a great example of being a gentleman growing up :( so this stuff is kind of hard for him

i would say in general he just has a pretty hard time with giving/recieving affection

but that being said, megumi puts a lot of thought into everything in your relationship

dates that he plans out are always extremely well thought out according to your interests and likes

his gifts are usually hand made, but if he does pick something out it’s very personal, usually something that you’ve been mentioning a lot lately

a/n: no i did not inclde toji because as much as i love his broke ass, for the life of me i could not think of one single gentlemanly thing about him

#jjk x reader #jujutsu kaisen #jjk #jujutsu kaisen x reader #higuruma hiromi #higuruma x reader #jjk higuruma #jujutsu kaisen higuruma #gojo #satoru gojo #gojo x reader #satoru gojo x reader #gojo satoru x reader #gojo satoru x you #gojo satoru fluff #gojo fluff #geto x reader #Geto Suguru x reader #suguru geto x reader #geto suguru x you #suguru x reader #geto x you #choso x reader #choso x you #choso kamo x reader #choso fluff #nanami x reader #nanami kento fluff #kento nanami x reader #nanami x you