Death!Reader and God!Brother head cannons
Note: you can thank @sherlockhomies-42 for this, my brain hasn’t known peace since I read their stuff about the reader being Death in Hazbin Hotel. And if I don’t get my thoughts out right now I might honestly combust. 🙃
Lore HCs:
- Before Hell, Earth, and even Heaven existed, there was nothing….Until by some cosmic miracle, God popped into existence. God started by building himself a luxurious paradise; the same paradise that would eventually become Heaven.
- God relished in his wonderful new home for a while, but quickly grew bored with being alone. So he began creating animals and other small creatures to keep him company. At first, this worked out great! But to an ageless, immortal being like God, several years felt like mere moments to him; and before he knew it, his beloved creations had become incredibly old and were in ever increasing pain and discomfort as they continued to age, and there was nothing God could do about it. All he could do was create life, and once life had been created God was powerless to do anything to stop it or take it away.
- Just when it seemed God would be forced to watch his creations suffer forever, another incredible miracle happened; you popped into existence. Sporting six mighty black wings and a set of horns gracing your head, you gently touched each of the suffering creatures, and with your touch each one FINALLY had their suffering come to an end as they died, and their now freed souls traveled down to a newly created realm to rest and wait for whatever came next; Limbo.
- God watched in awe as you gave his beloved friends what he couldn’t; an ending. God realized quickly, based on an instinctual pull he felt towards you, that whatever force had created him had clearly struck again, and brought you into existence.
- God was now in the presence of a being just as powerful as him, but while you may have been his equal in terms of how you both came to be and the sheer power you both held, your powers were VERY different from his; almost like they were the opposite of his. That’s when it dawns on him, you’re his sibling! His counterpart! If his powers are to begin and yours are to end, then you’re meant to bring balance to everything! After all, there can never be a beginning if there’s no end, and there can never be an end if there is no beginning.
- It’s then that you’re given your name; “Death”, and as both the younger sister of God and the only one capable of bringing an end to any life he creates, your very existence leads to you both creating balance in the universe for the very first time.
- As the first order of business, God started creating ageless beings, like the Seraphim and other Angelic beings. And with your input, he gave them the gift of sentience so they could all think, feel emotions, and communicate with each other and you and your older brother, and the ability to create just like him.
- At some point though, God started getting more lazy and careless, given he didn’t have to do much now that he’d created ageless beings capable of thinking and creating things themselves. He suddenly had more free time than he knew what to do with, and it culminated in him pretty much just sitting back in his fancy palace, and allowing allowing his children do as they pleased while he casually observed from time to time from the sidelines. (Dude basically just became super depressed because now he essentially had nothing to do, and felt like he no longer served any purpose in existing. He hasn’t told you or anyone about these feelings tho, just drinks himself silly everyday and vibes in his palace.)
- This annoyed you GREATLY as you now had to essentially step up and provide guidance to the Seraphim and other Angelic beings when they needed it, because your brother couldn’t even be bothered to do that. You started to resent God for his “hands off” approach to running things, while God began to resent you for being “nagging and controlling”.
- The resentment eventually boiled over when Lucifer and Lilith inadvertently created Hell, and the other Seraphim and Angelic beings banished them both into the realm they’d created. Outraged by what God’s lack of involvement had caused, you got into a nasty fight with him as you pleaded with him to intervene and FINALLY put an end to the chaos he’d allowed to run rampant for centuries. God vehemently refused, insisting that the Seraphim and Angelic beings knew what they were doing and didn’t need his input. Furthermore, God believed that the punishment was justified given it was their actions that caused evil to invade the Earth.
- You were getting NO WHERE in this argument, so for the sake of your own sanity, you returned to Limbo to continue your work of bringing death to those who needed it. Along with the new task of taking dead souls back to Limbo, where they would stay until you determined whether to send them to Heaven or Hell based on how the soul had behaved while alive.
- That’s how it went for centuries before you decided you needed a little break, and informed Heaven and Hell that you would be taking a well deserved nap. This would mean that they would need to work together to sort souls in the meantime, as your reapers would ensure that death still continued appropriately on Earth while you sleep. Heaven and Hell agreed to this, and with that you curled up in bed and went to sleep.
- Speaking of reapers, reapers are permanent residents in Limbo. They are neither Angels nor Demons, but they’re ageless all the same. God actually made the first reapers for you, so they’re essentially the Limbo equivalent of Seraphim and other Heaven born angelic beings. These reapers, often called “First Ones”, have sentience and emotions since they were created by God himself. So you typically have First Ones lead the other reapers.
- All the reapers you’ve obtained since the First Ones are Limbo’s equivalent of Sinners, often called “Hollows”. Hollows are souls who in order to avoid eternal suffering in Hell, instead opted to willingly relinquish their humanity entirely and become an undead being working for you. In giving up their humanity however, the souls lose their ability to feel anything whatsoever. They’re little more than robots; doing what they’re told and not questioning it, all while feeling absolutely nothing. They’re called “Hollows” because that’s essentially what they are, hollowed out husks that now only exist to serve you.
- Regardless of whether they’re a First One or Hollow though, they all have the same job; find the humans whom you’ve given death to, reap their souls from their bodies, and guide them down to Limbo and care for them until you’ve sorted them into Heaven or Hell. The only real difference is the First Ones are usually in charge of the Hollows, ensuring that the Hollows reap the correct souls and are doing their jobs.
- If you had only known what your absence would cause, you would’ve NEVER went to sleep. For as SOON as you were out, Heaven took it upon themselves to decide where the souls went, completely defying your orders that Heaven and Hell work TOGETHER to decide that. To add insult to injury, Heaven also became incredibly elitist and picky about who got into Heaven, and this resulted in a vast majority of souls being sent to Hell for even the smallest infractions. The unbalanced approach of sorting souls eventually caused the over population problem and subsequent annual exterminations.
- With Heaven’s incredible arrogance and Hell’s complicity in this, both realms are in for a VERY rude awakening when you eventually wake up prematurely and see what they all have done. You’re gonna read Sera, Lilith, Lucifer, Adam, Lute, AND God the riot act for fucking your shit up
Okay lore time over, here’s the silly, more generalized, shit you’ve all been waiting for!
- When making the Seraphim, God made them in your image. He really just wanted to show his love and appreciation for you in some way, and he decided the best way to that was by basing the physical appearances of his first sentient creations on you. Hence why all the Seraphim are beautiful and have six wings like you do. It was literally like a kid excitedly making a piece of macaroni art of their sibling and being super excited to show it off to them
- All of the beings directly created by God are considered his “children”, so they all refer to him as “father”. Given that you’re God’s younger sister though, it also technically makes them your “nieces/nephews/niblings” and it makes you their “aunt”. You get called “Aunt Death” or “Auntie Death” by them a lot, but you’re cool with it because you think it’s cute.
- You weren’t supposed to have any favorites, but you always did have a soft spot for Lucifer in particular. He reminded you a lot of how God used to be back when you’d first come into existence; so energetic and excited to create things. You affectionately called him your “favorite nephew”.
- You haven’t seen God since the fight you had with him after Lucifer’s banishment into Hell. You actually miss your older brother dearly, but you’re still so pissed at him that you don’t feel like talking to him for the foreseeable future. You temporarily go back on this decision long enough to chew God out for allowing his children to make a complete mess of your realm, and destroying the balance you worked so hard to create and maintain. You’re back to giving him the silent treatment after that.
- Limbo is ONLY accessible by you, Cerberus, dead souls, and your reapers. No one else is capable of entering Limbo, hence why everyone assumed that the exterminations were successful in getting rid of excess Sinners. In reality however, all the “killed” Sinners were really just getting yeeted back into Limbo for re-sorting since something that’s already dead can’t die again.
- The persistent wailing and cries of the millions and millions of souls who were now trapped in Limbo was eventually what managed to wake you up early from your nap. You were not pleased in the slightest.
- Despite having a very gothic and menacing appearance, you’re incredibly gentle and kind. You feel great honor in being the one tasked with giving everyone the ending they need and deserve, and you take pride in caring for the souls that may have to stay in Limbo for an extended period of time whilst you decide where they will go next.
- You take no satisfaction in having a send ANYONE to Hell. It doesn’t feel good to know that you’re condemning someone to an eternity of suffering, no matter how deserving of that punishment they may be. Hence why it can sometimes take awhile for you to decide where a soul goes, because you want to be sure you’re really making the right decision.
- You’re saddened by how much like your brother Lucifer has become after his banishment, and you wholeheartedly believe that the ONLY reason he hasn’t completely turned into his father is that he has Charlie to think of.
- You and God are both fucking MASSIVE in your true forms. Like, “skyscrapers BARELY reach your hips”, massive. You’re both capable of shrinking down to be able to better interact with people, but even at your smallest you STILL tower over most Sinners.
- You’re low key salty that Lucifer went and had a baby while you were sleeping, because you missed out on getting to play the role of “doting great aunt” while Charlie was growing up. You’re trying really hard to make up for the lost time by visiting frequently. Much to the minor annoyance of a certain radio demon who doesn’t like the feeling of being in the presence of someone FAR more powerful than him. He deals with it and is polite tho because it’s FAR better to have someone as powerful as you be an acquaintance than an enemy.
- You can walk the streets of Hell with complete impunity because everyone either knows EXACTLY who you are and goes out of their way to stay in your good graces, or they end up finding out real fucking quick that you are NOT to be messed with.
- That being said, your presence is generally more accepted in Hell than it is in Heaven. In Hell, you’re far more likely to be willingly approached and have a nice conversation with a Demon. Whereas in Heaven, everyone is scared shitless of you except for Emily and actively tries to avoid even making eye contact with you. It’s like pulling teeth just trying to get someone to tell you what time it is. Of course you can ask anyone in Heaven anything and they’ll respond because they’re too afraid not to lol. But they’ll look like they’re on the verge of fainting then entire time you’re talking to them.
- The aversion to you in Heaven gets better over time as you’re seen having friendly interactions with Emily, but most Angels still get a bit uneasy in your presence. Sera is one of them because she knows that you’re BEYOND pissed at her and she’s one more fuck up away from getting dragged to Limbo and being made into one of your reapers to serve you AND the souls she hurt.
- Much like sending souls to Hell, you get no satisfaction in turning someone into a Hollow. Completely stripping someone of their emotions and sentience is not an enjoyable experience, even if it does result in you getting more help in Limbo. Despite this, you’re still required to make this offer to all souls set to be sent to Hell. You do your best to explain though what the consequences of this decision are though, and thankfully most souls see what becoming a Hollow entails and opt to keep their humanity. However every now and then you’ll get few who insist that becoming a Hollow will be a better fate, so you end up with new reapers.
- Vox is BIG MAD that his biggest rival is now rubbing elbows with the LITERAL Goddess of death. Dumbass had no clue who you even were at first so he didn’t care, but as soon as found out you were Death, the ensuing meltdown he had knocked the power out for the whole Pride ring. Alastor is aware of how pissed Vox is about this, so he purposely goes out of his way to play up his interactions with you when he knows Vox is watching. He can practically hear Vox’s apoplectic screeching when he does it, and it brings him immense joy every time.
- You’re often accompanied by Cerberus; a massive, three headed, doglike beast. God made him for you as a gift AGES ago to be a bodyguard and companion for you. Not that you ever NEED a bodyguard, but the thought was appreciated all the same. You ADORE Cerberus, he is the goodest good boy that ever did a good in your book. Cerberus loves you just as much and loves to give you kisses and cuddles.
- Lucifer was dog sitting Cerberus for you while you slept. Cerberus was a little shit during this time because he missed you, so he would often purposely ignore any commands Lucifer gave him. Charlie loved him though and he was actually great with her, so Lucifer put up with it.
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bandaging/stitching up an injury with stonathan PLEASE i need more of them
The first thing Jonathan does when he sees him is let out a long, slow whistle.
“Jesus,” he mutters, crossing the living room in three quick steps. “What’s wrong with your face?”
“Got beat up by a racist piece of shit,” Steve mutters, leaning back against the sofa cushions and holding a bag of frozen peas to his face. Ow. “But don’t tell anyone. It can’t be good for my street cred.”
Steve’s got his eyes mostly closed, still, but he sees Jonathan’s face do a funny twitching thing, like he was about to laugh. “What street cred,” Jonathan says, and he doesn’t laugh, exactly, but Steve hears one in his voice anyway. “Your street cred died out a long time ago.”
“Yeah, okay, very funny. Chuff it up, Byers,” Steve grumbles, adjusting the bag of peas and trying to find another cold spot. It’s mostly room temperature now, sloshing around wetly with each movement, which is more disgusting than anything else. Steve lets out a frustrated noise. “Great. And now my peas are warm.”
“I’ll get you another bag,” Jonathan says, because right, this is his house, and Steve is getting blood all over his couch like the world’s actual worst houseguest. If his parents saw his appalling lack of manners, there would be some words to be said.
Well maybe about the bloody face first. And then the manners.
Maybe.
Jonathan opens the freezer door and stops dead in his tracks. “Steve?”
“Mm?”
“Why is there a– Jesus, I don’t even know what this is, and I’m a little afraid to ask– why is there a thing in my fridge?”
Ah. Right.
“Listen,” Steve starts apologetically. “Henderson was just shooting me these giant puppy eyes and going on and on about scientific discovery or some shit and honestly I didn’t really want to have to deal with taking it outside. Like, what do you even do with the bodies? Burn ‘em? Bury ‘em? Ritual sacrifice?”
Jonathan peers at him over the refrigerator door, and blinks. “What the hell are you talking about?”
“Ritual sacrifice,” Steve says again, waving a noncommittal hand in the air. “You know. You’re always listening to those broody, scary guys with the weird hair and the– uh, the guitars. You know.”
“I think you’re concussed,” Jonathan says simply, pulling a face as he presumably reaches around the Demodog’s body for the peas. “Did you hit your head?”
“I hit a lot of things,” Steve laughs, which is maybe answering Jonathan’s question.
“You ruined the good quilt,” Jonathan frowns, letting the door fall shut. “You owe me a new one.”
Steve extends his arm as Jonathan walks back, pressing the new bag to his face with a relieved sigh as he says, “Sure, yeah, come over to mine and take your pick. My aunt just took up quilting actually.”
Jonathan peers down at him. He’s still standing up, hovering, somehow managing to look uncomfortable in the middle of his own living room. “Did she really?”
“No idea,” Steve admits. “Haven’t heard from her since last December. I think she got cancer and died.”
“Steve,” Jonathan laughs, a little shocked, “that’s morbid,” and, okay, maybe Steve is a little concussed after all.
“Whatever,” he says, then pats the sofa next to him. “Sit down, man, it’s your house.”
Jonathan sits. Steve tilts his head back, presses the peas to the bruise he knows is blossoming a dark and vibrant purple around his eye. Jonathan’s watching him, silently observant like he always is. It should be unsettling. It used to be unsettling, back before Steve exchanged a proper, actual sentence with him. Now it’s kind of comforting, knowing that he doesn’t need to fill up the silence with meaningless blabbering.
Doesn’t mean he won’t do it anyway.
“You look like shit,” he blurts out, eyeing the way Jonathan’s shirt has gone all streaked with dirt and is still a little patchy with sweat. His hair is sticking to his forehead, and he looks like he’s been up for three days straight, but he still seems more awake than Steve is feeling. Alert. The usual slouchiness to his posture is gone, replaced by something less, uh, tortured. A little calmer, maybe. “How much do you sweat?”
“Well, we had to sweat the Mind Flayer out of Will,” Jonathan says casually, like he’s recounting a Saturday afternoon out on the town. “And we cranked the heat up to, like, a hundred thirty or something so yeah, I’m a little sweaty.”
Steve stares. “You’re kidding.”
“Nope.”
“So he’s– he’s okay then? Where is he?”
Jonathan plucks at a stray thread sticking out of the couch. It’s old upholstery, and Steve can see a smattering of old, faded stains across the cushions, but it’s soft and worn and comfortable, and nothing like the ones in Steve’s own living room. “Well, Owens is hurt so he had to call someone in and it’s a whole mess that basically means the fewer people the better for tonight.”
Steve isn't really sure who Owens is, and he can't really discern from Jonathan’s tone whether or not he’s supposed to be happy about this guy being unexpectedly incapacitated. “Ah,” he says anyway. “Is he okay?”
“Yes?” Jonathan offers. Steve watches him out of the corner of his eye. He fiddles with his thumbs. Steve wants to reach out and grab his hands, just to still them, calm him down. “I can go first thing in the morning, it’s just– Hopper has some pull and my mom is– well, she’s our mom, and– I don’t know, okay, I just look at him and I see this thing that had its hands around my mom’s throat and I think to myself, hey, that’s my little brother. You know?”
Steve feels a little blown away. A little– flabbergasted, maybe. He’s not sure he’s heard Jonathan Byers say this much at one time in his entire life, and as it is, he stops talking suddenly, biting down on his lower lip like he had more to say but just isn’t.
“Yeah,” Steve croaks, even though he doesn’t know. He’s an only child and he’s spent most of his childhood alone and he guesses he has the Henderson kid now, but that’s not the same. Jonathan and Will– they’re something else. He isn’t really sure what to say other than that, so he just reaches out, places a hand on Jonathan’s knee, and squeezes. Like maybe this can say something he can’t. “I’m sorry. He’ll be okay. He’s a tough kid.”
Jonathan looks down at Steve’s hand on his knee and then back up, meeting his gaze. Something flits across his face, lightning fast and then it’s gone. “Thanks,” he says, a little quieter than before.
Steve wonders if maybe he should move his hand, but Jonathan doesn’t seem to be all that bothered by it and Steve thinks, privately, that he likes the steady weight of him under his palm. Heavy and solid. Strangely anchoring. Maybe it’s the possible concussion talking. Maybe it’s not.
“Yeah,” Steve whispers.
A moment passes like this. The house is quiet. Everyone else has gone home, to the hospital, wherever they have to go, and Steve is here because he’d taken Dustin home and then thought about his own house– dark and empty and wholly more terrifying than any of the monsters or the blood or the douchebag assholes in open-front shirts and mullets– and he’d ended up here.
“Let’s get you cleaned up,” Jonathan says after a second. “You’ve got– it’s a lot of dried blood.”
“Sorry about the couch,” Steve says pathetically, as if he hadn’t been getting his messed up face all over it for the last thirty minutes. “You can get the blood out of it, I think.”
Jonathan is digging something out from under the sink– a first aid kit that looks like it’s been sitting there since the first World War. “Believe me,” he says. “It wouldn’t be the first time.”
Steve lifts the bag of peas off his face. This one’s starting to go warm too, and he blinks blearily in the living room light as he peels his particularly sore eye open. “Be honest with me, Byers,” he calls out after Jonathan as he ducks into the bathroom, then pops back out a second later with a clean washcloth in hand. “How many murders have you committed in this house?”
Jonathan laughs at that, sudden and sharp, and then he makes a face like he’s surprised with himself for doing it. It’s unexpected, the sound, and it’s even more unexpected the way something swoops low in Steve’s chest. Like it’s some kind of victory, making Jonathan want to laugh so badly that he surprised himself by doing it, like he really just couldn’t help himself. “Zero,” he says, making his way back to the sofa. “So far. Here– come here.”
Steve isn’t really sure where here is, because then Jonathan is sitting down next to him and their knees are touching and there’s not really anywhere he can go that isn’t already as close as he can physically get to him. So he just leans his head in a little, turns his face up towards the light. “Good?”
“Shit.” Jonathan makes a sympathetic noise in the back of his throat. He cups a hand around Steve’s jaw, tilting his face a little to the right. “He got you good, huh?”
“I don’t want to talk about it,” Steve mutters, and Jonathan lets out another one of those sudden, quick laughs. Steve bites back a smile. Good, he thinks, a little absently. Good.
“I see what you mean about the street cred,” Jonathan murmurs. “Nice bandaids, by the way.”
“Courtesy of your brother’s idiot friends,” Steve sighs, and then winces as the cloth makes contact with a cut on his cheek. “Shit. Ow.”
“It’s a little one,” Jonathan smirks. “How is it that you can’t deal with a little–”
“It’s the fucking rings,” Steve bemoans, this time focusing very hard on keeping his face neutral as Jonathan dabs the dried blood away. “What kind of asshole wears that many rings on one hand?”
“The kind of asshole that goes around punching people?” Jonathan offers, and Steve rolls his eyes.
“Very funny.”
“I don’t know,” Jonathan continues, ducking his head down and finding a clean spot on the towel. There’s a smile playing on his lips, even if he thinks Steve can’t see him. “I’m pretty sure I remember doing some damage even without any rings on.”
“Congratulations,” Steve says drily, “you’re better than the guy who rubs himself down with body oil before leaving the house.”
Jonathan laughs at this, a real, loud laugh, and Steve thinks, for a fleeting second, that he might like this laugh even better than the other one. “I should hope so,” Jonathan is saying, and then he’s leaning in again and dabbing at Steve’s forehead. “That doesn’t seem like a very high bar.”
“You should do that more,” Steve murmurs, watching Jonathan’s mouth twitch in concentration.
Jonathan frowns, then glances down, meeting Steve’s gaze. “Do what?”
“Laugh,” Steve says, the single syllable halfway out of his mouth before he has any inclination to, oh, I don’t know, maybe not say that? He’s thinking about the way Jonathan had lit up for a moment there, the way the weariness he always seems to carry around him sloughed off his shoulders, even if for just a second. What comes out of his mouth though, instead of any halfway eloquent manner of saying this, is, “It makes your face look nice.”
Maybe he is concussed. In a very real, serious way, maybe Steve Harrington is currently suffering from a grade-A concussion.
Jonathan looks a little bit horrified, but mostly kind of confused. He shakes his head. “It makes my– okay, you definitely have a concussion,” he says at last, which, yeah, Steve had been coming to this conclusion himself, actually. “So try not to get any major brain damage before we can get you checked out, yeah?”
“I’m trying,” Steve says, and then, “ow, dude, you can be a little more gentle, you know.”
“Sorry,” and Jonathan does sound a bit apologetic as he says this. He’s got one hand still cupped under Steve’s chin, fingers resting lightly against his jaw.
Steady hands, Steve thinks, closing his eyes as Jonathan wipes over them. Steady hands. A more gentle touch than he would have expected from someone so rough-looking. All broad shoulders and frown lines and a piercing kind of stare. “It’s just not coming off too easy.”
“Yeah, it’s dried down,” Steve says, “it’s been a few hours.”
Jonathan hums in acknowledgement and turns Steve’s face towards the light some more. “You should have cleaned it up before,” he says softly. “Your face is all swollen.”
“I told him not to hit the moneymaker,” Steve says in a deadpan. “He didn’t listen.”
Jonathan shoots him an exasperated glare, then hands him the squishy bag of peas again as he digs around in his ancient first aid kit. “Ice.”
“No, those are peas,” Steve says without thinking, and then Jonathan groans and drops his head into both hands.
“When my mom gets back with the car, you’re going to the hospital.”
“I’m fine,” Steve grins, placing the peas back over his eyes. “Seriously. My dad always said I had a thick skull.”
“I’m not sure that’s a compliment,” Jonathan says. He pulls out a tube of ointment, something thick and pasty, and beckons Steve forward again. “Come here.”
The ointment smells about as bad as it looks, and Steve pulls a face. “Dude,” he crinkles up his nose, “what the hell is that?”
“It’s gross but it works,” Jonathan says, frowning in concentration. He smears a thin layer of it over the cut on Steve’s forehead, all cleaned up now that the blood’s washed away. “Trust me.”
“Trust–”
The tube is almost empty. Steve swallows lightly and looks away.
It feels like he’s intruding on something, having Jonathan be so close to him. Being close enough to see the little spots where he’d nicked himself shaving, or how his hair is streaked through with a little blonde, the kind you can’t tell apart from ordinary brown until you’re really, really up close and personal. Which Steve– totally is. Oh, okay.
Steve swallows again, and closes his eyes.
“One down,” Jonathan murmurs, making his way over to a cut on Steve’s temple, “ninety nine to go.”
“He didn’t land that many hits,” Steve whispers, eyes still squeezed tightly shut. “Give me some credit.”
“Mike says you got him really good once,” Jonathan says, “so maybe there’s hope for you after all.”
It sounds like he’s smiling a little. Steve is tempted– so tempted– to open his eyes, just to see that.
He doesn’t.
“You just got lucky, Byers,” he says instead. “You caught me off guard.”
“And then I caught you off guard again. And again, and again,” Jonathan says, and he’s definitely smiling now. “Two down.”
Steve lets out a long, slow exhale. “At this rate, I’ll have graduated by the time you’re done.”
“You should be thanking me,” Jonathan huffs, but it doesn’t sound malicious at all. He strokes a thumb over Steve’s cheekbone, and Steve fights back a shiver.
“Thank you,” he says, as genuinely as he can muster, then opens his eyes. Jonathan is staring straight at him, eyes a little wide, cheeks a little red. Steve grabs his wrist, the one that’s right up by his face, and says, “That’s– I’m being serious, by the way. I’m not trying to fuck with you.”
“Sure,” Jonathan gets out. “Okay.”
“I’m sorry I made you hit me,” Steve goes on, and if he has a concussion after all, he can blame whatever he’s saying on that. And he must be, because it’s getting hard to think in a straight line, and every train of thought just keeps circling back around to this. Warm fingertips moving over his face. So gently, like Steve is– like he’s something delicate. Something to be handled with care.
“I– it’s okay.”
Jonathan doesn’t blink. It should be more unnerving than it is. He’s got pretty eyes, Steve thinks, from a little bit out of his body. They’ve got some green in them. A little gold, too.
“I was an ass,” Steve says, and Jonathan’s eyes dart between his. Trying to see, maybe, if Steve is trying to fuck with him. If there’s a punchline at the end of this, somewhere, and whether or not that punchline is him.
Whatever he’s searching for, he must not find it, because he sighs and says, “I know.”
“You–! Okay,” Steve mutters. “Low blow, but I guess I’m the one apologizing here, so I should be able to take it and not expect a–”
“I’m not mad,” Jonathan interrupts, and then moves down to Steve’s jaw. He hadn’t even known he got hurt there, but because he’s him, of course he did. “That’s five.”
Steve blinks. “You’re not?”
“We’re different people now.” Jonathan shrugs, dips a finger through the ointment and smears it across the skin there. The smell of something strong and medicinal hits Steve head-on, and he wrinkles up his nose. “You, me. You’re not a total piece of work, and I’m not a–”
“Brooding loser,” Steve cuts in, and Jonathan gives him a look.
“I was going to say guy whose brother went missing,” Jonathan says, and then he rubs the pad of his finger over a particularly tender spot– a deep part of the cut underlaid with a bruise Steve doesn’t even have to see to know is there– and Steve lets out a startled hiss of pain.
“Ah–”
“Sorry!” And he really does sound sorry, and Steve figures they’d just been having a nice little talk so it wasn’t, like, mean or an act of petty revenge or anything. “Shit, yeah, let’s get you a bandaid for that one.”
“No Star Wars?” Steve jokes, as Jonathan comes up with– thank god– a plain beige one.
Jonathan squints at him, peeling the paper backing off. “Have you ever seen Star Wars?”
“Not once,” Steve admits. “No one I know is into that sort of thing.”
“You know me,” Jonathan says easily, running a finger over the bandaid and then pausing. “I mean–”
“Whoa,” Steve laughs. He tries to go for casual, for good-natured, but it comes out a little too overeager, stilted. “Are you asking me out, Byers?”
Jonathan blanches. “I– no.”
Belatedly, Steve realizes that this joke might have been marginally more funny if it came from anyone but him. “I didn’t mean–”
“I know what you meant.” Jonathan traces his thumb over to the last cut, sideways across Steve’s upper lip. “And you didn’t mean it like that.”
Steve shifts uncomfortably. “Hey, man, look–”
“You can probably deal with this last one on your own,” Jonathan says, but doesn’t move his hand away. “Your lip is busted, but it’s not too bad.”
“Okay,” Steve whispers. He doesn’t move either. “Thanks for patching me up.”
“Thanks for being there today,” Jonathan says back. “I saw you with the kids. You’re good with them.”
Steve huffs out a small laugh, and it gets caught there, somewhere along the line between Jonathan’s thumb and wrist, still snagged onto the curve of his upper lip. “Oh that? It was nothing.”
Jonathan shakes his head. It’s minute, barely noticeable. “They look up to you. Dustin, especially. It’s sweet.”
“Yeah, well, someone had to step up. Not everyone can have a–”
Jonathan raises his eyebrows. “A what?”
You, Steve thinks, heart picking up pace suddenly. Not everyone can have you.
“They can’t all have–”
The word you never makes it out of his mouth, because then Jonathan is kissing him.
Steve gasps, because he has an open fucking wound on his lip and this is probably a thousand different kinds of unhygienic and an excellent way to spread another thousand different kinds of germs. And then Jonathan’s hands cup either side of his face and he’s pressing in so hard that it can’t be fueled by anything other than instinct and desperation, and then all thoughts regarding germs and sanitation and wow I’m glad he washed his hands before getting all up in my busted face fly right out of Steve’s head.
He’s warm, is the first thing Steve notices. The second and third are, in order, that he’s very broad and he’s very solid. It’s nothing like kissing a girl. There’s no give to him, no softness to the rigid muscles of his arms that Steve had no idea even existed. He’s gripping onto Jonathan’s forearms, apparently, which he doesn’t remember doing but he can’t find the state of mind to do literally anything else.
Jonathan’s arms are solid and rough and the muscles flex gently under Steve’s palms. He’s so solid, anchoring, and he’s holding Steve’s face like that again– like Steve is a delicate thing. Something that needs to be handled with a ginger touch, with appreciation, with trace amounts of tenderness.
Jonathan’s lips press into his once, then twice, like he just couldn’t help himself, and Steve makes what is maybe the most embarrassing noise he’s made in his life to date. This is good, he thinks. And he knows good. He’s Steve Harrington, okay, he basically invented it. But where the hell did Jonathan Byers learn how to kiss?
“Okay,” Steve hears himself say the second Jonathan pulls back. “What was–”
“Don’t freak out,” Jonathan says, sounding like he’s on the verge of freaking out himself. “Please don’t freak out. I need you to not freak out.”
“Who, me?” If Steve’s voice cracks, just a little, neither of them say anything. “I would never. Never ever ever ever– um. So why did you– not that I’m– yeah.”
“Like I said,” Jonathan says, “we’re different people now,” and he looks nowhere near as totally and completely thrown for a loop as Steve feels at the moment. His ears are bright red, though, and there’s a light dusting of pink across the tops of his cheekbones, and it feels like another victory, getting Jonathan Byers to blush.
“Cool,” Steve says faintly. His lip is throbbing, and he brings a hand up to his mouth and pulls it away to see red on his fingers. “Ah, great,” he winces. “Look what you did, man. You fucked my lip up again.”
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Boy King AU | Vettonso + Martian | 1.3k
There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead.
Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this.
He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs. Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!
Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair.
Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.
He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.
His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?"
Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–
The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs.
One would be hard pressed to determine which was higher on the totem of power and titles.
There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him.
"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"
Oh. Yes. That.
It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.
Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to.
Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly.
Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.
Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor.
Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step.
Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-
Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's.
He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.
Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before.
Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray.
He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further.
Jenson grinned at him wolfishly, and casually crossed his legs, "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"
Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of!
But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons.
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"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.
a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.
first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:
USNAVI: abuela, my fridge broke, i got café but no con leche
ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk
so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).
let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.
i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).
one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).
ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.
i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?
i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.
so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.
paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.
when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.
as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).
and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.
i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).
ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.
i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).
everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.
if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.
one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.
and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!
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