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#but it might be the tablet itself
erigold13261 · 9 months
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I am so upset! I want to draw! But my tablet won't turn on! I am now drawing traditionally for the first time in a while! And I hate it!
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cinnamon-flame · 2 months
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Starlight's animus issues
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ratcandy · 3 months
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speaking about the fact that sozo seems the be the only one infected by the unnamed cordyceps-inspired fungus. irl, theres different splits (subgen) of cordyceps and each of them i think can only infect One Type of Host. like irl split subgen of cordyceps that seems to the inspo for sozo's parasite is Ophiocordyceps unilateralis, all of them in this subgen can only infect one tribe of ant called Camponotini, and cannot infect any others. i think?? (due to reproductive isolation yadayada) so i always sorta linked it in my head that "oh its only infecting sozo because it can only infect ants or something like that".
[or whatever, take my words with a grain of salt im a random autistic artist who graduated from highschool like two years ago,,,,,, that just happens to have a special interest in biology lol]
Yeah I sorta wondered that as well!! It could be that the type of cordyceps within game is just extremely specified to ant folk, in which case my theories get even more complicated because then anything could be going on there (the menticide itself causing the infection, a separate fungus causing the infection, the mutualistic stuff I mentioned,,,)
I just wasn't totally certain n didn't suggest it being super specialized since 1)
When I was taught very broadly about cordyceps, we were shown images of various insects getting infected from grasshoppers to beetles, so I wasn't certain how many generalized vs. specialized cordyceps were sporin around hdgKJSHG
and 2)
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I'm just Not Sure what to make of this in general
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Hate that post about Kai su teknon being a “fuck you” bc as far as I’m aware that’s an unlikely fringe take that makes a lot of jumps about the spread of curse tablets and the likelihood of Julius Caesar meaning that instead of the much more literal meaning of “and you child” at Brutus, with whom he did have a close emotional bond with. Plus like in a dramatic sense it is much more poignant for his last words to be bringing up the former tenderness now betrayed.
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ribbononline · 2 years
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Sorry for the non art post but
I’ve been having an issue with my Huion pen that it keeps disconnecting a LOT all of a sudden and I. Don’t know why. Restarting my computer fixes it every time but it’s getting very annoying constantly having to restart my comp once to twice a day. The pen doesn’t have a battery so that can’t be it, and I’ve already changed nib so that doesn’t appear to be it either. I’m working on Huion Kamvas 22plus connected to an 24-inch M1 iMac if that means anything??? Does anyone know what this could be about because it’s driving me insane a little
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aurorasulphur · 4 months
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Disclaimer: none of these answers are official, and may not work for your particular use case. If there is a specific feature that an unofficial app had that you don't know how to replicate on the AO3, let me know in the notes and we might can crowdsource a solution.
A lot of people used the Archive Reader app to access stories on Archive of Our Own, and have been upset that the app is now charging to read longer than an hour a day. AO3 (and its parent organization, the OTW) has made it extremely clear in recent days that this app is unofficial and that there *is* no official app. They encourage people to use the website.
However, there are MANY reasons you might want an app, and in a bunch of those cases, there are ways to do those things without having to provide your login information to a random person running an app. Here is a round-up of solutions to the most common reasons I've seen people give for wanting an app instead of the plain AO3 website.
These solutions are based on the following assumptions:
You know what Archive of Our Own is
You often or primarily access it through a mobile device running iOS or Android
You understand what a browser is
You understand what a browser bookmark is
You understand what a site skin is
Edits:
Edited to clarify that you must be logged in to use custom site skins
Edited to add more tips and tricks from the reblogs
Edited to add new entry about notifications/emails
Edited to add new entry about reading statistics and the tracking thereof
I need a widget on my phone's homescreen, not just a browser bookmark.
You can do this with any website, not just AO3! Instructions here: https://www.howtogeek.com/196087/how-to-add-websites-to-the-home-screen-on-any-smartphone-or-tablet/
I need Dark Mode.
AO3 has a default site skin for Dark Mode, it's just called Reversi. Find it here, or at the bottom of any page on the website. https://archiveofourown.org/skins/929/
If you'd like Dark Mode on your whole browser (and you're on Android), sorrelchestnut has advice here: https://www.tumblr.com/sorrelchestnut/737869282153775104/if-you-want-dark-mode-and-dont-want-to-mess
I need to be able to read stories when I don't have internet.
Every work on the AO3 has a download button, so you can click on that and download the story for offline reading in the ereader app of your choice. More info on how to do that is in the AO3 FAQs: https://archiveofourown.org/faq/downloading-fanworks?language_id=en#accesslater
I need to be able to change the text size of the website itself.
If you have an AO3 account (and you should!!) you can do this with a personalized site skin! There is a simple tutorial here: https://www.tumblr.com/ao3skin/667284237718798336/i-have-a-request-if-you-dont-mind-could-you
I need to be able to change the text size in downloaded stories.
My personal recommendation: Don't download in PDF format. All the other formats you can download in can scale the text size up and down, assuming you open the work in the correct app. For me, I download works in EPUB format and read them on the built-in Books app on my iPhone. I hear good things about Moon Reader on Android as well.
I need to be able to replace Y/N in fics with an actual name.
ElectricAlice has a bookmarklet for that here: https://archiveofourown.org/works/34796935
I need to be able to save specific tags and not have to search them up every time.
If you have an AO3 account (which you definitely should) then you can favorite up to 20 tags which will appear on the landing page. The AO3 FAQ explains how that works: https://archiveofourown.org/faq/tags?language_id=en#favtag
I need to be able to save specific filters and be able to apply them to any tag.
Reisling's beautiful bookmarklet has you covered: https://archiveofourown.org/works/33825019
I need to be able to permanently hide certain tags.
The best option is adding this to your site skin. (Must be logged in.) Instructions here: https://www.tumblr.com/ao3css/719667033634160640/how-to-permanently-filter-out-certain-tags-on-ao3
I also hear things about the AO3 Enhancements extension (just for Android/desktop, sorry iOS folks): https://www.tumblr.com/emotionalsupportrats/686787582579851265/browser-extension-everyone-on-ao3-should-know
I need it to save my place on the page and not reload.
This is really mostly a browser error--Firefox on iOS does this to me A LOT. Your best bet is to download the work and read it in an ereader app. A lot of people also will make an ao3 bookmark and write in the notes section which part they were at, but that assumes you aren't falling asleep while reading. (Which is the main reason I have this issue, lol.) For more info on bookmarks, see the FAQ: https://archiveofourown.org/faq/bookmarks?language_id=en#whatisbookmark
I need it to keep track of which stories I've already read/opened/kudos'd.
If you have an account (which you should) then the "My History" page keeps track of every fic you've ever clicked on. No, it isn't searchable or sortable, but it does exist. For fics you've kudos'd, I have yet to find a solution for iOS. For desktop or Android, you can use this excellent userscript: https://greasyfork.org/en/scripts/5835-ao3-kudosed-and-seen-history
@the-sleepy-archivist and @inkandarsenic have a solution for iOS here to use userscripts: https://www.tumblr.com/the-sleepy-archivist/737895174683885568/this-is-a-great-guide-one-thing-i-can-help-with and https://www.tumblr.com/inkandarsenic/737827438571192320/the-user-scripts-will-also-work-on-ios-there-are
I need an app because the website's search is terrible.
(I genuinely don't understand this one but I have seen it multiple times so on the list it goes!!) The search bar at the top of the screen is a keyword search. If you'd rather search within a specific field (like title or tag) then you'll want to click on the word "search" at the top of the screen and select Work Search or Tag Search. To search users, use People Search. To search Bookmarks, use Bookmark Search. (If this is you, please tell me what the heck you mean by "search is bad" and how an app helped with this.)
I need to be able to sort stories by date posted/number of bookmarks/alphabetical/etc.
You can do this using the filters sidebar. Pick a tag you want to filter on (like a fandom, character, or relationship) and then click on the "Filters" button. The sidebar will pop out and you can sort and filter on a boggling array of specifics. A good filtering guide: https://www.tumblr.com/saurons-pr-department/718665516093472768/if-there-is-something-you-dont-want-to-see-in
I need to be able to mark stories to read later.
AO3 has this feature built in! If you have an account (which you should) there is a "Mark for Later" option on every work.
Edit: Thispersonishuman reminded me that History and Mark For Later can be disabled, so if you're not seeing the Mark for Later option, check your settings.
I need to be able to listen to stories using text-to-speech.
Microsoft Edge web browser has a built in text to speech function. Supposedly it works on both iOS and Android, but I have not personally tested that. iOS also has a native accessibility feature in settings for text to speech that will work on the Books app, so I assume Android has a similar functionality. A bunch of people in the reblogs have more in-depth Android recommendations here: https://www.tumblr.com/protect-namine/737957194510794752/seconding-voice-aloud-on-android-for-tts-my, https://www.tumblr.com/smallercommand/737884523093704704/i-use-voice-for-tts-on-android-its-got-some, and https://www.tumblr.com/doitninetimes/737869463749263360/for-text-to-speech-on-android-you-can-also-check
I need to have in-app notifications for updates/I can't ever find story updates in among the rest of my emails/checking my email stresses me out.
Set up a separate email address using a free service like gmail, and use that email address JUST for AO3. Then the only emails in that inbox will be your story updates. I use Apple's Mail application for all my inboxes, but it's very easy to use the Gmail app instead, and you could log in to JUST the ao3 email and set it to notify for every email.
(Also as a general PSA: don't use your work, school, or military email as your AO3 email. Just don't.)
I want statistics like how many hours I spent reading, how many words I read, what my most read tags were, stuff like that.
So we've finally hit something that isn't easy and that requires a hell of a lot of manual work. Short version: AO3 does not track this data because they don't want to. (Mostly due to privacy concerns.) The lack of this tracking is a feature, not a bug. You can crunch these numbers yourself, but it will take a hell of a lot more effort, and it's something I personally found is not worth the effort the couple of times I have tried to crunch those numbers. If you are willing to download your history to an actual computer (not a tablet or chromebook) using Calibre, you can get a rough idea of your most popular tags via their tag browser, but it won't play nice with typos synned to a Common Tag (Canonical Tag/filterable tag) like ao3 does. (If anyone has used an app that gave you stats on this, please let me know in reblogs/replies/via ask how that worked because I am very curious.)
I need an app because <other reason>.
The AO3 Unofficial Browser Tools FAQ might cover your use case: https://archiveofourown.org/faq/unofficial-browser-tools?language_id=en If not, give a shout and we'll see what other tumblr users suggest!
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queenofcoquette · 2 months
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healthy habits i love :)
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introduction:
hi loves! i wanted to share some healthy habits that i really enjoy for my body and my mind. these are things that make me feel better and work with my life :)
physical health:
staying active. i have practice for 2 hours on weekdays and like to do home workouts using small dumbells or just pilates on weekends.
stretching. stretching is so important to prevent injuries, improve mobility and balance.
eating 3 meals a day w/ fruits and vegtables.
taking vitamins. i have anemia so i've been taking iron tablets everyday w breakfast to help.
drinking enough water. i always track how much water i have- i usually drink a whole water bottle at school, 70ish% of one at practice, and more water at home.
having a skincare routine.
having a haircare routine & learning to style my hair.
at-home face massage. theyre just really relaxing
mentality/mental:
planning for the future. i like to think about what i'm doing after graduating high school (college) and how i'm going to get into my dream college. i make a plan to follow.
avoiding drama. honestly there's not much drama at my school to begin with, but either way i just avoid talking shit about people
reading! i read every night and when i finish my schoolwork and have nothing to do. it's relaxing
learning about current world events. i also like to stay up to date on what's going on in the world. it can be really sad but i think it’s important to be aware of what happens.
praying. i pray every night and i find it really peaceful and a way to be grateful by thanking God for all sorts of things in my life. sometimes i'll also just pray if i'm anxious, before a water polo game, or really whenever i feel like i should.
gratitude & reflection. i like to reflect on how i'm acting and also remind myself of everything to be grateful for. sometimes really small moments, like when i was getting my braces tightened i thought about how i'm lucky to even get to have dental work done.
journalling. i have a diary i write in every night which is just for fun, and then a spare binder w some lose paper where i vent when i'm feeling bad.
having hobbies. i like to keep myself busy so i have a lot of things i like to do at home like writing, reading, photography, sewing.
having a clean space. i keep my room clean (nothing on the floor, everything where it needs to be) and cleaning my backpack just so everything is easy to find and get.
beginning:
the key to growing is literally just doing small things everyday. overnight change is never attainable. if you want to add different habits/change something you need to make small, attainable, adjustments everyday.
do the best with what you have. this is the biggest point. there are certain things you might not be able to do because of your circumstances, so just do the best with what you have right now.
self respect. and of course, healthy self improvement is based in loving yourself and wanting to be better for the sake of improving your life. this is a whole journey within itself.
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creature-wizard · 4 months
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Is the spiritual person a conspiracy theorist? A list of red flags
They talk about a shadowy group of people supposedly manipulating everything behind the scenes. They might refer to them by terms such as globalists, bankers, international bankers, secret rulers of the world, the elite, the cabal, Kabbalists, Talmudists, satanists, satanic pedophiles, pedophiles, generational satanists, satanic bloodlines, the Illuminati, the Babylonian Brotherhood, lizard people, Reptilians, Orions, regressives, regressive entities, Khazarians, Marxists, cultural Marxists, or leftists. Sometimes, very rarely, they'll just come right out and say "Jews."
They claim that the conspiracy has been working to conceal historical and spiritual truths from humanity.
They claim that the conspiracy uses stuff like food, entertainment, and medicine to control the masses. For example, "additives in food suppress our psychic abilities" or "Hollywood films contain subliminal messages" or "COVID vaccines were actually created to alter your DNA to make you more docile."
Also, claims that the conspiracy controls people via spiritual or technological implants, 5G, or alter programming, with or without explicit mention of Project Monarch (a conspiracy theory promoted by far right cranks such as Mark Philips and Fritz Springmeier, who used hypnosis to respectively convince Cathy O'Brien and Cisco Wheeler that they'd been put under mind control by a global satanic conspiracy).
They claim that this conspiracy is controlling the media, has fingers in every institution they disagree with, and is generally behind everything they disagree with. (EG, the conspiracy created the Catholic Church; that other New Ager they disagree with is actually controlled opposition, etc.)
They claim that the conspiracy is trying to keep people in fear.
They claim that the conspiracy harvests something from people. Blood and adrenochrome are common ones. Loosh is somewhat less common. Expect to see something else pop up eventually.
They claim that the conspiracy practices genetic engineering; EG, creating animal/human hybrids, using vaccines to genetically sever people's connection to God, etc.
They claim that true spiritual wisdom can be traced back to places like Atlantis, Lemuria, or Mu.
They claim that world governments have secretly been in contact with extraterrestrials for years.
They appeal to known frauds and cranks, including but not limited to Erich Von Daniken, Zechariah Sitchin, David Icke, David Wilcock, Graham Hancock, Jaime Maussan, Bob Lazar, Steven Greer, Richard C. Hoagland, Fritz Springmeier, and Drunvalo Melchizedek.
Appeals to forged documents, including but not limited to the alleged diary of Admiral Richard Byrd, The Emerald Tablets of Thoth the Atlantean, and The Urantia Book.
Appeals to channeled information, such as that provided by Edgar Cayce, Carla Rueckert, or George Van Tassel.
"But all of this has to come from somewhere, doesn't it?"
Oh, it all comes from somewhere, all right, but the where isn't what most people imagine.
A lot of the stuff above is just a modern spin on the content of The Protocols of the Learned Elders of Zion, a Russian hoax created to justify violence against Russian Jews. The Protocols itself was plagiarized from a political satire and incorporated a lot of the post-French Revolution conspiracy theories about Freemasons and Jews being behind the French Revolution. I wrote a summary of the conspiracy tropes found in The Protocols over here.
The stuff about Satanic sacrifices and the consumption of blood, adrenochrome, loosh, or whatever are simply just variations on blood libel, an antisemitic conspiracy theory that claims Jews practice ritual cannibalism. Blood libel can be traced back to ancient Greece. (With the Greek version, I really can't help but notice the similarity to modern urban legends of gangsters kidnapping random people for initiation rituals.)
Many of these tropes can also be linked back to the early modern witch hunts. It was believed that witches sacrificed babies to Satan, practiced cannibalism, and put people under mind control by way of diabolical magic. It was also believed that some witches didn't even know they were witches; they'd go off to attend the Devil's Sabbath at night and come back in the morning without remembering a thing. In the late 20th century, this witch hunter's canard would be reinvented as the alter programming conspiracy theory when media such as the 1973 book Sibyl and its 1976 television adaptation put DID (note: the woman who inspired Sibyl did not have DID) into the public consciousness. For a more complete list of witch panic and blood libel tropes, I wrote a list over here.
Lemuria was a hypothetical landmass proposed to explain the presence of lemur fossils in Madagascar and India while being absent in continental Africa and the rest of Asia, because if lemurs evolved naturally, they wouldn't be in two separate places with no connection to each other. The discovery that India and Madagascar were once connected not only made the hypothesis obsolete, it precludes the existence of Lemuria.
The whole notion of Mu began with a horrendous mistranslation of the Troano manuscript. A man named Augustus Le Plongeon would link the mistranslation with the story of Atlantis, and use it to claim that Atlantis actually existed in the Americas. (For Plongeon, Mu and Atlantis were one and the same.) And then other people (like James Churchward) got their hands on the whole Mu thing, and put their own spins on it, and the rest is history.
Le Plongeon's ideas influence modern Atlantis mythology today; EG, the idea that it was in the Americas. Another guy who helped shape the modern Atlantis myth was Ignatius L. Donnelly, an American politician. Dude claimed that Atlanteans spread their oh-so-superior culture far and wide. He also claimed that Atlantis was the home of the Aryan people, because of course he did.
The idea that all of the world's wisdom can be traced back to Thoth/Hermes goes back to Hermeticism, a product of Greco-Egyptian syncretism. Hermeticism produced a fascinating body of mythology and an interesting way to consider the divine and its role in shaping human history, but that doesn't mean it was right. And the Emerald Tablets of Thoth the Atlantean is a modern text that has fuck-all to do with ancient Hermeticism and more to do with HP Lovecraft.
This idea that the conspiracy uses pharmaceutical drugs and vaccines for evil also has roots in Nazi Germany. The Nazi government, wanting to reserve real medicine for their soldiers, told the general populace that said medicine was the product of evil Jewish science and prescribed alternative healing modalities instead. (Said alternative healing modalities did not particularly work.) It also echoes the old conspiracy theories about Jews spreading the Black Death by poisoning wells.
The idea that the conspiracy uses genetic manipulation to create subhuman beings or sever humanity from the divine is a permutation of the Nazi conspiracy theory that Jews are trying to destroy the white race through race mixing. The idea of evil reptilian DNA goes back to the ancient serpent seed doctrine, which is indeed old, but no less pure hateful nonsense for it.
"But there's got to be somebody up to something rotten out there!"
Oh sure. But these people aren't skulking around in the shadows. They're acting pretty openly.
The Heritage Foundation has been working to push this country into Christofascism since the early 1970's. They're the ones responsible for the rise of the Moral Majority and the election of Ronald Reagan. They're also the ones behind Project 2025, which intends to bring us deeper into Christofascism. (Among many other horrible things, they intend to outlaw trans people as "pornographic.")
The Seven Mountains Mandate is another movement pushing for Christofascism. They intend to seize the "seven spheres" of society, which include education, religion, family, business, government/military, arts/entertainment, and media.
There's also the ghoulish American Evangelicals who support Israel because they think that current events are going to bring about the Second Coming of Jesus and cement the formation of a global Christofascist empire. Don't let their apparent support of Jews fool you - they believe that the good Jews will become Christians and the bad ones will go to hell.
All of these people are working toward monstrously horrific goals, but none of them are part of an ancient megaconspiracy. In fact, these are the kinds of people pushing the myth of the ancient megaconspiracy. From the witch hunts to Nazi Germany to the American Evangelical movement, if history has taught us anything, the people pushing the conspiracy theories are always the bad guys.
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iidsch · 2 years
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Going through the five stages of depression because i just bought procreate
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askablindperson · 2 months
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In what way does alt text serve as an accessibility tool for blind people? Do you use text to speech? I'm having trouble imagining that. I suppose I'm in general not understanding how a blind person might use Tumblr, but I'm particularly interested in the function of alt text.
In short, yes. We use text to speech (among other access technology like braille displays) very frequently to navigate online spaces. Text to speech software specifically designed for blind people are called screen readers, and when use on computers, they enable us to navigate the entire interface using the keyboard instead of the mouse And hear everything on screen, as long as those things are accessible. The same applies for touchscreens on smart phones and tablets, just instead of using keyboard commands, it alters the way touch affect the screen so we hear what we touch before anything actually gets activated. That part is hard to explain via text, but you should be able to find many videos online of blind people demonstrating how they use their phones.
As you may be able to guess, images are not exactly going to be accessible for text to speech software. Blindness screen readers are getting better and better at incorporating OCR (optical character recognition) software to help pick up text in images, and rudimentary AI driven Image descriptions, but they are still nowhere near enough for us to get an accurate understanding of what is in an image the majority of the time without a human made description.
Now I’m not exactly a programmer so the terminology I use might get kind of wonky here, but when you use the alt text feature, the text you write as an image description effectively gets sort of embedded onto the image itself. That way, when a screen reader lands on that image, Instead of having to employ artificial intelligences to make mediocre guesses, it will read out exactly the text you wrote in the alt text section.
Not only that, but the majority of blind people are not completely blind, and usually still have at least some amount of residual vision. So there are many blind people who may not have access to a screen reader, but who may struggle to visually interpret what is in an image without being able to click the alt text button and read a description. Plus, it benefits folks with visual processing disorders as well, where their visual acuity might be fine, but their brain’s ability to interpret what they are seeing is not. Being able to click the alt text icon in the corner of an image and read a text description Can help that person better interpret what they are seeing in the image, too.
Granted, in most cases, typing out an image description in the body of the post instead of in the alt text section often works just as well, so that is also an option. But there are many other posts in my image descriptions tag that go over the pros and cons of that, so I won’t digress into it here.
Utilizing alt text or any kind of image description on all of your social media posts that contain images is single-handedly one of the simplest and most effective things you can do to directly help blind people, even if you don’t know any blind people, and even if you think no blind people would be following you. There are more of us than you might think, and we have just as many varied interests and hobbies and beliefs as everyone else, so where there are people, there will also be blind people. We don’t only hang out in spaces to talk exclusively about blindness, we also hang out in fashion Facebook groups and tech subreddits and political Twitter hashtags and gaming related discord servers and on and on and on. Even if you don’t think a blind person would follow you, You can’t know that for sure, and adding image descriptions is one of the most effective ways to accommodate us even if you don’t know we’re there.
I hope this helps give you a clearer understanding of just how important alt text and image descriptions as a whole are for blind accessibility, and how we make use of those tools when they are available.
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intergalacticfop · 7 months
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Minoan Kilt
The large, structural skirt worn by Minoan women in art is instantly recognizable, and when I made my own I combined current best guesses with my own personal tastes.
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My kilt shape follows the hypothesis laid out by Bernice Jones in her book Ariadne's Threads: The Construction and Significance of Clothes in the Aegean Bronze Age. She describes the shape of that of a labrys, a double-headed axe with apparent ceremonial significance in Ancient Minoan culture. This garment may be depicted in Linear-B logogram *166 + we, we-being the backwards-s-shaped squiggle in the center which identifies the piece as a garment.
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See pages 336 and 341 in Marie-Louise B. Nosch, The Textile Logograms in the Linear B Tablets
Actual details on construction and materials below the cut:
Construction:
The top and bottom edges of the kilt are concave, so the sides are longer than the middle. This gives the chevron-shape seen on layered kilts in art. In addition, the curved top half makes the skirt flare out, accommodating the hips and giving more freedom of movement to the legs. My kilt measured from my waist to my anklebone at the longest point, and about 1.5 times around my waist.
I chose to make a flounced kilt, with smaller strips of fabric and trim applied to a large base piece, rather than a tiered kilt, in which multiple kilt shapes of varying length are layered one on top of the other, so you end up wrangling 3 layers of fabric around the waist. The flounced kilt saves fabric and gives you a lot more freedom with whatever trim you might want. Jones' diagram for a flounced kilt is seen below:
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Unlike the version in the diagram above, I chose not to attach ties to the garment itself both because the linen I used was very heavy and I was concerned about weight, and also because folding the skirt and securing it with a separate tie worked just fine for my tastes. In total I had four flounces: 2 alternating rows each of fabric and fringe.
The vertical edges of most kilts are left plain, probably representing either the selvage or an edge otherwise finished off to prevent fraying. For my kilt, however, I ended up with a couple inches of self-fringe on either side as I adjusted the fabric to the correct width. At least three examples of kilts with fringed vertical edges are known, all three from the so-called "House of the Ladies" in Akrotiri
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Photos from Wikimedia Commons. Image 1. Image 2.
The vertical edges of these kilts are reinforced with a colored band or tape, probably to keep the garment from unintentional further fraying. Accordingly, I did the same on my kilt. I also like that it gave a nice vertical diagonal to counterbalance the horizontal ones.
Materials
I tried to use mainly linen and wool, the fibers most available on Ancient Crete, but some of my trim was cotton because sometimes you just have to use what's cheap and available in the today times.
The base of my kilt is a heavy, patterned linen in what's called a diaper weave, meaning that a repeating diamond pattern is woven into the pattern itself. A lot of the Minoan textiles depicted in frescoes are characterized by repeating geometric patterns, likely woven into the fabric itself, and that was something I wanted to capture in my own piece. My linen is woven with both cream and natural colored threads. The heavy weight is important to give structure to the garment--otherwise it would be kind of limp. My linen was from Burnley & Trowbridge (shameless plug), as was the plain cotton twill tape I used to bind the top and bottom edges of the kilt, and the dark red wool twill tape I used along the vertical edges.
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I bought my cotton fringe from a rug supply store. I had to search a while to find a fringe that would work for me, and I ultimately chose fringes with a woven header rather than the more common knotted one, so that it would lay flat against the kilt. I hid the woven header under a layer of cotton fringed trim from Michaels (yes, Michaels) with this really great diamond and dots pattern woven in black.
The blue layers are from a bolt of vintage wool Kimono fabric. Blue appears frequently in frescoes, likely achieved with indigo or woad dye, or even murex/mollusk dye. The fabric is printed with an imitation ikat pattern of diamonds and squares that made me think "the vibes seem right!" because quite frankly, you aren't going to get "historically accurate" Minoan textiles (which there probably isn't enough archaeological evidence to definitively describe) without, like, hand-weaving it yourself or paying someone hundreds of dollars to do it for you (and that price is if the weaver really likes you). Neither of which appealed to my desire to just make a fun, low stress project. Good enough is good enough.
The narrow trim on the bottom of the blue flounces is vintage cotton/poly woven trim. This trim, while narrow, was quite thick and stiff, which was great because it added more weight and structure to the end of my flounces since the wool fabric itself was quite thin.
The top layer is a custom tablet-woven wool trim that I commissioned from MAHTAVAhandicraft on Etsy. I imagined this as the "centerpiece" of my kilt, and I'd arrange everything to complement it.
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It's a kivrim pattern, which has itself only been traced to 19th-century Anatolia, but I didn't care. The way it looks like waves reminded me of how central the sea was to life in the Ancient Aegean and Mediterranean and it captured the idea and aesthetic I was pursuing. I mean, doesn't it remind you of these dolphins?
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(I like the dolphins)
The whole thing was machine sewn with the exception of hemming and adding trim to the blue flounces. If you were to look at it from the back, you'd see lots of zigzag stitches, because i wanted to be fast! and have fun! not chase some unreachable ideal of "accurate."
As for wearing it, I chose to wear it with the top part folded/rolled down over a belt, so I have a thick tube of fabric around my waist. Many images, like the frescoes above of women with fringed kilts, appear to just show the kilt being tied closed. Other images are so fragmented or stylized that it's unclear what kind of skirt closure was used. Sculptures and figurines definitely show some kind of SOMETHING around the waist, whether this is folded fabric or a kind of belt is unclear. Different art could show different things!
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I think I see evidence of a continuous line from the skirt to the waist-roll on the figure on the left, found in Troas, which I think indicates some kind of skirt-folding situation. The woman on the right, found in Crete, looks more like she's wearing some kind of long coiled belt, or perhaps snakes. Who knows? I don't! For my own part, I found the combination of rolled waist + tie belt the most secure for doing things like kneeling, stomping around, and wading into rivers to rescue bees. I also liked that it gave me the bulk around the hips that gives Minoan figurines such a powerful silhouette, and proportionally gives more of an hourglass shape. If you wanted to do something more firmly grounded in the sources, stick just with the waist tie or belt, wrapped around a couple times and tied in back. If you want to be like me, just say "well we don't KNOW it didn't happen" and just do whatever you want. Have fun! Whatever happens, it should be fairly easy to move around in the kilt--this is not a restrictive garment, just a heavy one.
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theetherealbloom · 5 months
Text
WHERE DO WE GO NOW? - CH. 1 | 14th Doctor
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Chapter One: After All Of The Time, And Give An Actual Try
Summary: An enigmatic old face makes a reappearance, heralding unforeseen events. A mysterious spaceship plummets to Earth, bringing chaos and prompting the Doctor's intervention. Amidst the unfolding narrative, a cute and endearing creature seeks assistance, weaving together elements of mystery, adventure, and companionship.
Pairing: 14th Doctor x Fem!Reader
Warnings: Hurt-to-Comfort, Angst, Fluff, Possible Plot Holes, Vague Background, Aliens, Mild Horror, Violence, Past Trauma, Depression, Anxiety, Timey-Wimey Stuff, Star-Crossed Lovers, Second Chance 
Word Count: 12.2k
A/N: Surprise! I love Doctor Who too. I’m a huge nerd, I know tehe. I hope you enjoy this mini-series I have planned for the 14th Doctor! As we know, he is played by the beloved David Tennant who is one of my favorite Doctors ever.
Song: Where do we go now? By Gracie Abrams
→ Next Chapter | Series Masterlist | Main Masterlist
Dividers by @/saradika-graphics
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MILLSON WAGNER STEELWORKS, NORTH LONDON – EVENING, DECEMBER 2023
A UNIT team was promptly dispatched as the spaceship breached Earth's atmosphere, making its way North of London. Both serving as scientific advisors, you and Shirley were on-site where the ship had landed.
While some military personnel were busy extinguishing the flames from the spacecraft and securing the perimeter, preventing you from delving further into the investigation, you found yourself engrossed in studying the ship's scans displayed on the monitor in your hands, attempting to unravel the mystery.
"Miss them, do you?" A voice called out from behind.
You averted your gaze from the tablet, turning to find Shirley maneuvering her wheelchair next to you. Curious, you asked, "What? Who?"
The redhead sported a cheeky smile. "The Doctor, of course."
It was widely known that you had journeyed alongside the Doctor and his myriad companions. Images of their faces flashed in your mind as you reminisced about those exciting adventures. Rose, Donna, the Ponds, Clara... you longed for them. There was a noticeable absence of the Doctor that left a gaping black hole in your chest.
You shook your head, muttering to yourself, "Can't let the Doctor catch a glimpse of me again; the entire universe might just fold in on itself once more. Already me being here is a problem since there’s a possibility he could pop out at any moment. I’m only on duty since I owe Kate a favor."
Shirley hums and responds, "I've read the files, you know. You two were quite the team. Everything that had happened… was in the wrong place at the right time. Still, it could happen, the two of you… together."
You raise your eyebrows at her and offer a small smile while shaking your head, scoffing, "The Doctor was unaware before, and I won't be the catalyst for another cosmic meltdown due to my selfish reasons. Besides... the Doctor doesn’t know I’m still alive and UNIT is already on my arse for even existing on this timeline.”
The redhead emits a sympathetic murmur and pats the side of your thigh, "Wasn't your fault, love. A colossal tear in time and space that dragged you in here... sounds like fate, or destiny even. If anything, maybe it was supposed to happen... like you and—"
The tablet beeps, abruptly halting Shirley's train of thought. You glance at the monitor, furrowing your brow, then hand over the device to her, saying, "You need to see this. I believe there's more to this than we initially thought."
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“Now I think we’re making a fundamental mistake. ‘Cause maybe that spaceship was a collision course to start with, but look.” Shirley says while the UNIT soldier looks at the tablet, “At the last minute, it pulls up, then settles. What I’m sayin’ is, that ship didn’t crash. It parked.”
As Shirley presents her observations to the UNIT soldier, you can't help but notice the intensity in her gaze, the lines of concentration etched across her forehead. The soldier queries, "No signs of life?" You step forward, interjecting, "Not yet. But we don't know what kind of life we're looking for."
Suddenly, an unexplained shiver races up your spine, goosebumps breaking out on your skin. A palpable sense of familiarity and the eerie feeling of being observed by someone you know too well. Your expression shifts into a frown, and Shirley catches on, concern knitting her brows. "What? What's wrong?" she asks.
You open your mouth but hesitate, exchanging glances with Shirley and the UNIT soldier. Shirley, sensing the urgency, instructs the soldier to step aside. Both of you retreat to a secluded corner, where she probes, "What happened? You look like you've seen a ghost, dear."
You exhale shakily, "I... I think he's here. He's back."
Shirley blinks, seeking clarification, "You mean..."
"The Doctor. The Doctor, he’s here."
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"Shirley, I need to leave, immediately," you declare, attempting to stride away with urgency.
"Wait, hang on a second," Shirley interjects, gripping your wrist and compelling you to halt. "He's already seen you, yeah? Looks like nothing bad has happened and—"
"Nothing bad has happened yet, Shirley. The stars could go out; millions of galactic species could die if we so much as breathe in each other's direction. I can't risk it. I won't."
Tears well up, and Shirley guides you to a stop near one of the staircases, settling herself in her wheelchair. As you take a seat, you rub both hands over your face, wiping away the tears. "I should have died that day."
Shirley remains silent, allowing you to continue as you shakily sob, "I should have died. But I didn't, and I'm still here."
"I lied to him, Shirley. I lied. He... he might never forgive me for it," you confess brokenly. Shirley shrugs, offering, "You won't know unless you talk. And it seems to me that whatever was keepin’ you apart before… is tellin’ you two maybe now is the right place at the right time."
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Deep in contemplation of your choices, someone suddenly seizes your wrist, muffling your voice as they pull you close, your body pressed against a comforting warmth.
"Hey, it's me. It's the Doctor," he reassures, and you instinctively push away, allowing some distance between you two. Both of you stand there panting, but he breaks the silence first, shouting, "I thought you were dead!"
Throwing the words back at him, you retort, "I was supposed to be dead!"
"Why aren't you dead?" he demands, and frustration laces your high-pitched response, "Are you bloody serious in asking me that?”
 “No. Yes! Argh, I don't know!"
Shaking your head and taking a step back, you declare, "I need to leave."
The Doctor firmly grabs your wrist, halting your escape. "No. Not again."
With determination, you wrench your wrist from his strong hold, shouting, "The universe could collapse! Again! We weren't ever supposed to meet. It was a mistake."
Wide-eyed, the Doctor gazes at you and replies in a breathy tone, "Is that really what you think?"
Paused, unable to respond, you hear his voice in your head, a telepathic whisper so familiar. "You and I both know, that it wasn't a mistake."
Glaring at him, you muster as much resistance as possible, but those big dark brown eyes make it challenging. "That's not fair. Get out of my head," you retort with furrowed brows.
The Doctor whispers your name, barely audible, causing you to flinch and look away. Instead of acknowledging his presence, you pivot to a question, "You regenerated… But why this face? Why are you back?"
"Why do you ask? You don't like this one?" he retorts.
Crossing your arms, you roll your eyes, "With you, there's always a reason for everything."
The Doctor admits, "Must be why the TARDIS brought me to you and Donna."
You regard him with a concerned gaze and tone, "What? You saw Donna, did she recognize or remember you?"
"The fail-safe worked; she just commented about my clothes. She has a daughter named Rose," the Doctor hums, kicking a small piece of gravel on the floor. You nod, "Yeah, I keep tabs on 'em. Making sure they're alright. Even though Donna gave all that money away to charity."
"Do you know why she did it?" The Doctor asks.
"I don't. But I have a couple of guesses," you reply with a close-lipped smile and a shrug. The Doctor brings his gaze to you, and you can already feel the question before he says it.
"I thought you were dead, for fifteen years."
You scoff, "Oh, that's nothing for you, Time Lord and all."
The Doctor throws his hands up in frustration, "Oh, don't do that."
"Do what?" you demand.
"Pretend that it was nothing for me! You were everything to me," the Doctor says, taking another step closer, and you take a step back this time. You look at him with narrowed eyes, and in a low tone, you say, "You and I both know that's not true."
"What happened? Where did you go?"
"You and I both know what happened after Arcadia. I was ready to die. I thought I had served my purpose, what I was made for. I got shot midway through the regeneration process, and I felt it. I felt myself slipping away... I could only see the two suns, and then when I closed my eyes, there was this surge of energy... I couldn't explain it back then, and I can't now. But it was like someone had given me their regeneration energy... but when I looked around, no one was there, and I was no longer on Gallifrey."
The Doctor finishes the sentence for you, "You were brought to Earth."
You nod, "I still have no idea who did it. But now, I can't leave. And all those years, my memories were locked away in that old pocket watch until I met you... and then the stars started to go out once more, and I knew I had no choice… I couldn't stay with you."
"All those years... you were alone, just like me," the Doctor says, and you look away before sitting atop one of the crates by the pillar, sighing, "I need to leave again... planets could disappear and galaxies could collapse at any second, and we'd be back where we started."
The Doctor remains silent as you close your eyes, resting your head on one of the stacked crates behind you. You yearn for him. Every atom in your being longs for his presence, yet every angle you examine seems to present an unsolvable puzzle. Thus, you convince yourself that distancing is the best course for everyone involved. How does one repay a sacrifice of such magnitude?
Then, you detect his approaching footsteps, and he settles comfortably beside you, shoulders brushing as he leans in. "Or... we could finally figure out a way to solve the paradox."
Opening your eyes, you shoot him a pointed look. "Doctor, we're in the middle of yet another crisis. A spaceship just landed, and we have no bloody clue who the hell we're dealing with right now. And you want to solve the impossible with our situation?"
"Who says I can't multitask?" he retorts, wiggling his eyebrows playfully. You lightly smack him on the arm, feeling warmth flood your cheeks. Memories of the carefree early days flash through your mind, recalling lingering gazes and soft touches exchanged. Licking your lips nervously, you release a heavy breath, "One problem at a time. We have another alien on the loose."
The Doctor takes that as a win, a calculated risk, with the universe as a potential consequence. He's never demanded anything, and for the first time, he yearns for something for himself. He envisions it — hope — the prospect of finally rewriting the ending you both desperately desire.
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The sonic clicks and buzzes as the Doctor conjures a holographic screen, displaying the schematics of the spacecraft that recently landed nearby. He retrieves his glasses from his coat pocket, donning them as he peruses the screen. Pressing a few buttons, he zooms in on the bottom part of the ship before highlighting the drive.
Frowning, your eyes narrow as an unsettling weight settles at the pit of your stomach while reading what's on the screen.
"Too good for us now?" Shirley remarks as she rolls up in her wheelchair. The Doctor briefly glances at her, nodding, and casually greets, "Evening."
Shirley smiles knowingly as she looks between the two of you. "Doctor. I see you and my colleague have talked. Has galaxies and universes collapsed yet?"
The Doctor hums, "Mmmm, not yet. Soon maybe, if I could get her to kiss me."
You smack him on the shoulder a little harder this time, and he yelps out, "Ow!" Making a face at him, you retort, "Oh, sod off!"
The Doctor gives you a cheeky smile while Shirley chuckles next to you. She then looks at the holographic screen on display, and the Doctor brings his focus back to the problem at hand, saying, "That’s a double-bladed dagger drive, damaged by laser fire which means we’ve got two sets of visitors at war with each other."
He glances at Shirley politely, "Nice to meet you. Did you get the heat readings on deceleration?" Shirley chuckles and clicks her tongue, "Oh, I got everything." She unfolds her tablet to give to the Doctor, who presses a button on his sonic screwdriver to close the holographic screen. Taking the tablet, he begins to analyze the readings as your colleague introduces herself, "Shirley Anne Bingham, UNIT Scientific Advisor number 56."
The Doctor sounds delighted, saying, "Oh! I was Scientific Advisor number one."
Shirley smiles, "No, I know. I’ve read the files. I’m gonna get a bonus just for meeting you."
The Doctor makes a face, not used to humble praise. "Oh."
Shirley then asks, "But why are you hiding away? We’re on the same side and it can’t be ‘cause of her now." She looks at you, and you also turn your attention to the Doctor.
He slightly groans and inhales sharply before replying, "It’s all a bit mad, Shirley. I don’t know who I am anymore."
Shirley crosses her legs in the wheelchair and says matter-of-factly, "Well, you look like the Doctor to me."
The Doctor shrugs, "Well, exactly. The one in the skinny suit. After that, I wear a bow tie. After that, I’m a Scotsman. After that, I’m a woman."
Shirley frowns, "But that’s your future. You can’t know that. It’s forbidden."
The Doctor replies, "I regenerated. And she became me."
Both of Shirley’s eyebrows rise, and her eyes widen as she says, "You got your old face back?"
The Doctor replies with a resounding pop, "Yep."
"But why?" Shirley asks, and the Doctor sighs, "Well, that’s what I’m worried about."
He then inhales deeply before continuing, “Because, besides this lovely stubborn woman right next to me,” you pinch the bridge of your nose briefly as he continues, “I've got this friend called Donna Noble. She was my best friend in the whole wide universe. I absolutely love her as much as I love this one right here.” The Doctor pulls a face and pouts, puffing out a breath as his thick eyebrows furrow, he says, “Oh. Hmm. Do I say things like that now?”
Shirley smiles at him while commenting, “Sounds like a good thing to say.”
You mumble, “I’m not used to this.”
“But Donna took the mind of a Time Lord into her head. I had to wipe her memory to save her life. If she ever remembers me she will die. So what happens next?” The Doctor said with emphasis and leaned closer to you and Shirley, “I get this face back, and the TARDIS lands right next to her. I turn around, there’s her husband. A spaceship crashes in front of her. That led me here to my other best friend in the whole wide universe, my Time Lady who I thought was dead for many years. It’s like she’s drawing us in.” The Doctor finishes, and you and Shirley give each other a look, processing everything he has just said. Especially you, who was processing the fact he called you his. You and Shirley blinked a few times before Shirley said, “What? She’s making it happen?”
The Doctor shakes his head, “No, she’s got no idea. She’s so ordinary. She’s brilliant. She’s got this beautiful daughter. She’s happy. Is she? Hmm.” He pauses before saying in a lower tone, “But the universe is turning around the two people I love the most again. I don’t believe in destiny, but if destiny exists, then it's heading straight for Donna Noble and quite possibly the love of my life right next to me.”
You blink in surprise, opening your mouth to try and say something, maybe correct him, but nothing comes out, so you sit there, mouth gaping next to him like a fish while Shirley has a toothy grin as you say to the Doctor, “Okay, I’m still not used to whatever this is… and I don’t think I ever will be. You’re kind of freaking me out a little, dear.”
The Doctor grins, “Ooh, are we doing pet names now darling?”
You rub your right eye, feeling a migraine beginning to form, “I… What the hell is happening? You sure you’re alright? Last time you regenerated into this form you had a high fever and you were… completely out of it.”
The Doctor scrunches his nose and sniffs, “I feel great. Fantastic even!”
You purse your lips, observing the Doctor from head to toe, and then focus on his eyes—those warm, inviting brown eyes. Softly, you remark, “You've grown.”
The Doctor returns your gaze, his lips forming a quirked-up smile that reveals a dimple. "Just a little bit, yeah."
Shirley interjects, steering the conversation back on course, “You said it was also heading for Donna. What for?”
The Doctor responds with a swift, “I don’t know.” Shirley replies with an, “Oh.” The Doctor continues, with deep emphasis, “But she can’t remember. I won’t be the one who kills her.”
Shirley nods, and the tablet in the Doctor’s hands beeps. He looks at it, saying, “Right. There’s no sign of a pilot, but that’s not an automatic drive, so you should look for–”
“Ma’am,” a soldier interrupts, cutting off the Doctor. He slinks back into the shadows, and you and Shirley listen to what the soldier has to say. “We found the escape pod. No sign of life, but we’re moving out to secure the site.”
Shirley quickly replies, “Good work, soldier. Go get it.” Dismissing the soldier and watching her walk away, the Doctor moves to stand, removing his glasses and putting them away, ready to follow the soldier. But Shirley raises her hand and says to him, “Uh, yeah, yeah. Not you two, mate. I’ve got this. Off you pop. Bye-bye.”
Shirley begins to roll her wheelchair away, leaving the Doctor and you confused. The Doctor then calls out to her, “Waited your whole life?”
To which Shirley throws a look over her shoulder as she responds with a smirk, “You wish.”
The Doctor looks at you, and you look up at him. He turns his hand, palm up, waiting for you to take it with your hand. You glance at his hand and back to his eyes; he sees the uncertainty swirling through your gaze.
The Doctor speaks gently, “I know you aren’t ready and you’re scared… but I know you’re brave. And the universe listens to the brave. C’mon, it’s time to be brave again.”
You release a shaky exhale, swallowing the lump in your throat and dismissing the rational urge to walk away from him. Taking his hand, he tugs you along, pushing his legs into a run with you, hand-in-hand.
He thrusts the exit door open, utilizing his sonic screwdriver with his other hand on the back of the UNIT truck, the chains rattling as the trunk hatch pops open, pulling you with him to settle at the back of the truck.
As the UNIT truck pulls away, you see Shirley waving you off, and the Doctor gives her a small salute while you offer her a faint smile.
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CHISWICK, LONDON – EVENING, 2023
You constantly poked your head out to see the stars, in case anything had changed. The Doctor held your hand, squeezing it every time you did, quietly reassuring you that whatever you faced, you'd do it together.
Arriving in the residential area, a long street lined with cars and now multiple UNIT trucks and soldiers running around, you could hear Donna shouting, “Oh, what the hell is it doing in my shed? Get out of my garden!”
The Doctor ran towards the sound of her voice, and you followed him. Reaching Donna's home, the Doctor pounded on the door, “Let us in! Let us in!”
Sylvia glared at the Doctor as she briskly walked towards him, but he exclaimed happily, “Sylvia! Oh, Sylvia! So nice to see you again. Could you let us in?”
Sylvia angrily whispered, “You said that if she sees you again, she will die. Well, no. If – if she remembers me. That’s slightly different.”
You heard and saw Donna through the stained glass yelling from down the hall, “No such thing as spaceships? We’ve got a bloody Martian in the shed!”
Sylvia angrily said, “Just get out of here, now.” But the Doctor knelt down to peek through the mail slot to see all the commotion, finding a small white fluffy creature with big eyes. “Oh, wow. He’s so cute,” the Doctor mumbled. With no other choice, he used his sonic to unlock the door as Sylvia told Donna, “Don’t look! Don’t look. It doesn’t exist.”
As the Doctor walked down the hall, with you trailing behind him, Sylvia whirled around to slap the Doctor. He grunted and groaned, “Here we go again.”
“It’s that man!” You recognized Rose say as Donna pointed at the Doctor, “Oh, it’s the skinny man!”
Sylvia continued to try and gaslight Donna, outstretching both her arms to block both of you, “He’s not there! You can’t see him. And there’s no monster. Oh, for the love of God, none of this is real!”
You and the Doctor ducked down and crawled to the creature to help assist them. In the middle of all the shouting and noise, you saw Shaun Temple appear, saying, “Hey, hey. Dad’s home.”
Everyone stood at a standstill, wide-eyed and unsure of what to do next. After a pause, Shaun commented with a small smile, “Something smells nice.” Sylvia smiled, “Tuna madras.”
“Meep, meep.”
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As you and the Doctor sat on the floor, he carefully wrapped Meep’s injury in his hands with medical tape, while you quickly assessed if the Meep had any more injuries. Sylvia spoke to Donna, “We should think about infection. I mean, I think this man should deal with this beast, and we can leave him alone and go back to mine.”
Donna pulled her arm away from Sylvia and gestured around the Meep, “Never mind. Never mind about the ferret from Mars.” She gave you and the Doctor a pointed look as she growled out, “Who the hell are you two?”
You looked to the Doctor for help, and he stumbled over his words, “I– um. What was it?” He looked to Shaun who replied, “A friend from Nerys.” To which the Doctor promptly agreed, “That’s it.”
Donna scrunches her nose and says, “Nerys. Well, now it all makes sense. That viper in the nest.” She continues and points to the Meep, “I’m not going anywhere. We could sell mad Paddington for a million quid.”
Everyone reacted, giving Donna a pointed look and a noise of disagreement, “Woah!” Donna tried to justify her comment by saying, “You fill the fridge!”
The Doctor’s expressive eyebrows furrowed, and he asked Donna, “What did happen to all your money?” Donna got defensive and threw back, “Why are you so interested in us? Everywhere you go, there you are. Now you got this woman with you,” She gestured to you, “are you sure you’re safe with him, darling? Is he forcing you to be with him? Did he kidnap you?!”
You blinked wildly at Donna, “Uh, no– I’m good. He’s my partner.”
The Doctor smirked at you, “Ooh, I’m your partner?” To which you narrowed your eyes at him, “Quiet, you.” He pouted but continued to finish wrapping the injury of the Meep, then the Doctor said, “There is one person missing. I used to know your grandad, Wilf.”
Donna shook her head, “He’s not with us anymore.”
The Doctor had a somber expression as he nodded, “Right. Course. He wasn’t young; he was—” His lower lip trembled as he admitted, “I loved that man. I’m so sorry for your loss.”
Donna shook her head, emphasizing, “He’s not dead.” Sylvia shot the Doctor a sharp look, “You idiot.”
The Doctor gaped at them, and Donna continued to share, “He’s in sheltered accommodation. He’s 94. He can’t manage the stairs.” Shaun took over, saying, “We were lucky. We couldn’t afford it, but this offer came along.”
Rose smiled, painting a vivid picture, “It’s amazing. He’s got this room, like a cottage and a garden, and it’s almost free.”
“Run by that lot in the middle of town? UNIT? This woman in charge, Kate, she says he’s an old soldier, she’ll look after him.” Shaun said, and the Doctor's face lit up, “Right. I know her. She’s looking after Wilf. Brilliant. Brilliant.”
Shaun tilted his head as he looked at you, “You look very familiar… Weren’t you with Kate as you were helping with the accommodations for Wilf?”
Your lips pinched together as you nodded, “Yeah, I work with UNIT. I check on him regularly; he’s wonderful.”
“Meep, meep.”
You and the Doctor turned to the fluffy white creature in front of you, and the Doctor’s eyebrows raised as he inhaled sharply, “Yes! The Meep. I promise I can help him get home. Then you’ll never have to see me, or well, the both of us ever again.”
Rose looked at the Doctor and gave him a questioning look, “You’re assuming he as a pronoun? Hmm.”
The Doctor took it in stride and nodded, “True. Yes. Sorry. Good point.” He quickly turned to the creature and asked, “Are you he, or she, or they?”
The high-pitched voice of the Meep responded, “My chosen pronoun is the definite article. I am always the Meep.”
The Doctor’s expression shifted to one of understanding as his thick eyebrows raised and he nodded, “Oh. I do that. But you were shot down. Who wants you dead?”
You tilt your head, captivated by the Meep's explanation, “The Wrath Warriors. They cultivate Meepkind for our beautiful fur. But then the galaxy said, ‘No more fur. It’s wrong. So the Wrath Warriors slaughtered their livestock.”
The Doctor crosses his arms, a thoughtful expression on his face, and leisurely leans back on the couch, letting his back rest against it, “You’re a fashion victim.”
A collective groan escapes from all the humans in the room, “No.”
The Doctor quickly mumbles an apology, and the Meep continues, “Now, they will hunt me down till there are no Meeps left.” The Meep sniffs, “It breaks both my hearts.”
You and the Doctor exchange surprised glances, both of your eyebrows raised. The Doctor shares with the Meep as he gestures to both of you, “You got two hearts? So do we.”
Donna quickly catches onto the Doctor's revelation and frowns, “You’ve got what?”
Sylvia tries to downplay what the Doctor just exposed, stammering as she speaks to Donna, “No. He means it like a metaphor. Like two minds. Do you?” You and the Doctor shake your heads, but suddenly there’s a pounding at the door.
“Open up!”
“Well, what the hell is it now?” Donna exclaims, her frustration evident as she wonders why all these strange anomalies keep happening. The Doctor pushes himself up, and you assist him with his navy blue coat as he puts it on. He continues addressing everyone in the room, “Ah, good. The soldiers! They can give us a lift.”
As he goes to answer the door, leaving you with the Meep and Donna’s family, Rose can't help but ask, “Are you two…”
Your cheeks feel flush, the tips of your ears turning warm, “Yep.”
Just as Donna is about to make a cheeky comment, you hear the Doctor slam the front door shut, loudly informing you all, “I think we need to run. Woah!”
Suddenly, an explosion rocks the backdoor, causing everyone to hit the ground with a collective yelp. You and the Doctor peek to look at the new visitor; arthropods, with a tough chitinous exoskeleton. With their external skeleton acting as a skelo-shield they had formidable strength. Their eyes were like large red lights. Seeing the Wrath Warriors enter while saying, “Wrath, attack formation! Surrender the Meep!”
UNIT soldiers burst in from the main entrance, their voices echoing down the hallway as they shout instructions to each other. The distant hum of gunfire and the vivid flashes of lasers light up the space, creating a chaotic symphony that fills your senses.
Donna, caught in the middle of the sudden onslaught, shouts in confusion and frustration, “What the hell is going on?”
The Doctor deftly manipulates his sonic screwdriver, adjusting its settings. He turns to Shaun and inquires, “Where’s your car?”
Shaun, bewildered but cooperative, responds, “Uh, five- five doors down.”
“Excellent.” The Doctor nods. He pivots, activating the sonic screwdriver to generate large, rectangular force fields. The blue glow emanating from the force fields reveals a recent upgrade, and you can't help but smile, commenting, “Nice upgrade, love.”
“Thanks, dearest. Help me move this, won’t you?” The Doctor passes the sonic to Donna, who handles it with familiarity. You and the Doctor work together to slide the force field into the first section of the hallway, dodging blaster shots as you go. Once in the living room again, you take the sonic from Donna, creating your force field with the Doctor’s scientific instrument. The Doctor observes you with admiration, and together, you slide the final force field into place, sealing off the area where the Wrath Warriors were firing from.
Immediately, the Doctor issues a commanding directive to the Noble-Temple family and the Meep, “Upstairs! Up, up, up, up, up, up, up, up, up!” They follow the urgent order, shrieking as they ascend the stairs, sandwiched between the force fields that shield them from the relentless onslaught of gunshots and laser fire.
“Come on, Meep!” The Doctor encourages, executing an energetic dance of hopping and flailing arms. The Meep responds with a whimper, “No.” Undeterred, you and the Doctor persist, the Doctor continuing his lively hopping routine, insisting, “Come on! That’s it.”
You guide the Meep up the stairs, the Doctor closely behind. A reassuring hand rests on your back as the trio ascends. When you're halfway across the corridor, a deafening explosion erupts from behind. The Noble-Temple family screams in fear, and you're thrown to the ground. However, the Doctor reacts swiftly, his strong arms wrapping around your waist to break your fall. In a protective move, he cushions the impact with his body, leaving you on top of him.
You swiftly roll off him, your palms hitting the floor as you propel yourself upward. Grasping the Doctor's hand, you haul him to his feet, both of you swiftly turning around to confront the aftermath—a colossal, gaping hole now occupying the space where a window once stood. Donna's cry of agony echoes through the room, "My house!"
Despite the devastation, there's no time for dwelling. The Doctor urgently directs everyone, gesticulating emphatically, "Upstairs. Upstairs, upstairs!"
Observing the Wrath Warriors soaring menacingly through the breached window, and amidst the symphony of gunfire and laser blasts echoing from the stairs, you and the Doctor deftly ascend to the third floor. With a swift motion, he lowers the ladder leading to the attic, urgently urging everyone, "Up we go! Fast as you can."
The entire group efficiently ascends to the attic. Positioned beside a robust brick wall connecting attics along the street, you and the Doctor huddle close. The Doctor showcases the device in his hand, proclaiming, "This is a sonic screwdriver. And if it's good at one thing, it's resonating concrete." He flips it in one hand before activating it, causing vibrations to ripple through the mortar.
Shaun interjects, "That's not concrete. That's mortar." Donna, in her familiarly exasperated tone, sighs and quips, "Thank you, Bob the Builder."
With a determined push, you and the Doctor dislodge the bricks, prompting them to cascade down. Donna crouches beside the Doctor, complimenting, "Skinny minnie, you're not bad."
The Doctor grins at Donna, "You think?"
However, Sylvia intervenes, frowning as she guides Donna aside, firmly asserting, "No, she doesn't. Now move."
"Come on. Five houses down," the Doctor grunts, effortlessly moving aside a box brimming with Christmas decorations. He takes the lead, guiding the family through the interconnected attics.
Traversing through these loft spaces, you witness the chaotic scene unfolding outside, with laser beams and gunshots punctuating the air. Explosions resonate in the distance as you navigate the makeshift route, carefully descending a staircase. Along the way, you stealthily pass by someone deeply immersed in sleep on a couch, oblivious to the turmoil around them.
Upon reaching a door, the Doctor jostles it open, revealing a view of the black cab parked a few meters away. Amidst the cacophony of gunfire and distant shouts, the Doctor extends his hand and requests, "Can I have the keys?" Shaun promptly hands them over.
As the Wrath Warriors advance with their menacing backs turned, the Doctor swiftly swings the door open, directing the family and the Meep into the sanctuary of the black cab. Positioned in the passenger seat, you observe the Doctor deftly using his fingers to check the pulse of a fallen UNIT soldier. Abruptly, a Wrath Warrior pivots, growling, "Meep located. Stop the Meep!"
Evading blaster fire with nimble agility, the Doctor slips into the driver's seat, swiftly igniting the engine and propelling the cab into motion. The Meep whimpers, "Help! Save the Meep!"
As the Doctor skillfully navigates away, Donna exclaims, "Oh my God!" Shaun pivots within the cab, jubilantly stating, "You did it!" Meanwhile, Rose chimes in, "We're alive," and Sylvia expresses gratitude, "Thank you."
"Meep, meep."
While the Doctor keeps a vigilant eye on the side mirrors during the escape, there's a discernible shift in his tone, "Either we've escaped, or we've got things very, very wrong."
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UNDERGROUND PARKING GARAGE, LONDON – EVENING, 2023
The Doctor skillfully maneuvers the cab, smoothly parking it in an underground garage. A contemplative furrow graces his forehead as he steps out of the vehicle. With an attentive courtesy, he opens the passenger door, gesturing for you to alight from the cab. Simultaneously, he opens the back passenger door, facilitating the exit of the Meep.
The Doctor deftly extracts a barrister's wig from the depths of his coat, perching it atop his head with an air of theatrical flair. Meanwhile, the Meep positions itself purposefully in front of the cab. In a tone of authoritative declaration, the Doctor announces, "This court is now in session."
With a swift motion, he retrieves his trusty sonic screwdriver, and it emits a distinctive whiz as he proclaims, "Intercept teleport!"
The Meep emits a piercing shriek, swiftly retreating a few meters behind you and the Doctor. Donna, emerging from the cab, questions, "What the hell are you doing?" The Doctor, with an authoritative air, responds, "Silence in the court."
In the blink of an eye, two Wrath Warriors materialize just across from you and the Doctor. You stand there, massaging your face with your hand, as he adopts a menacing tone and declares, "I’m invoking Shadow Proclamation protocols 15, P, and 6. Under my jurisdiction, there will be no violence until such time I deem it fit and proper. Is that understood?"
The Wrath Warriors nod in compliance, dutifully stowing away their weapons to their sides. The Doctor, brandishing his sonic, gestures towards the taxi, asserting, “Now, exhibit A. The taxi. No scorch marks. Donna, can you confirm?” Donna swivels around, inspecting the taxi behind her, and nods, “Um. Yes, no, nothing.”
You arch your eyebrows, interjecting, “We were hit by plasma bolts, but there isn’t a mark.” The Doctor affectionately kisses your forehead, remarking, “Clever girl.” You duck your head, feeling a slight warmth in your chest and cheeks. He proceeds, “And that soldier in the street. He was unconscious, not dead.” Pointing at the Wrath Warriors' guns with his sonic screwdriver, he continues, “Exhibit B. Those guns are stun guns. Is that correct?”
The right Wrath Warrior nods, “The guns apply a mild and harmless neural anesthetic. For the record, my name is Sergeant Zogroth.” The left Wrath Warrior adds on and says, “And I am Constable Zreeg.”
The Meep interjects from behind you, its large ears folding to the side, “But the evil Wrath Warriors want to kill the Meep.”
“The only ones out to kill were the soldiers with the swirling eyes,” the Doctor asserts, gesturing in a circular motion with his sonic, his eyes widening to emphasize his point. “Were they coming to hurt you, the Meep? Or save you?” The Doctor eyes the furry creature suspiciously.
“If I may speak,” Sergeant Zogroth says, and the Doctor promptly replies, “Address the court.”
“The story of the Meep is a tragic tale. Their planet basked in the light of a living sun. Until one terrible day, the sun went mad,” Sergeant Zogroth began, his voice laden with the weight of the narrative. Constable Zreeg chimed in, “A psychedelic sun.”
Sergeant Zogroth continued, “Its radiation mutated all of Meepkind into cruel beasts who live for conquest.”
The Doctor's face lights up with realization, "The eyes. That's solar psychedelia." Sergeant Zogroth adds, “It renders them as maniacs.”
“The Meep army captured the Galactic Council, beheaded them, and ate them,” Constable Zreeg revealed, sending shivers down your spine. You and the Doctor exchange a grimace at the horrifying revelation. “The Wrath Warriors were summoned. And we fought across the stars, a long and awful battle,” Sergeant Zogroth continued with a somber tone.
“Meepkind died rather than surrender. And now, only this one survives. Their leader, the most cruel and despicable of all,” he added, pointing to the Meep, who responded with a plaintive, “Meep, meep.”
The Doctor, adopting a composed stance, interjects, “Now. Let’s be fair. It’s your turn, the Meep. Witness for the defense. So, what do you say?” The Doctor crosses his arms, and you observe as the Meep's innocent visage transforms into something more sinister and monstrous.
The Meep's sharp teeth are bared as it growls defiantly, "Oh, to hell with this!" With a swift motion, it brandishes a weapon, declaring, "Exhibit C!" The Meep takes aim and fires, bringing down the two Wrath Warriors, their bodies collapsing to the ground. You, the Doctor, and Donna quickly rush to the fallen foes. The Doctor, during the action, removes his barrister wig. The Meep, in a sinister tone, adds, "No stun guns for me! Just die!"
Shaun leaps out of the cab, urgently shouting, "Donna! Donna, don't!" Despite his plea, Donna remains fixated on the fallen warriors, her concern evident. You find yourself beside the Doctor on the ground as the Meep triumphantly declares, "And here they come! My soldiers of the psychedelic sun!"
Suddenly, a convoy of UNIT vehicles arrives, accompanied by soldiers with their distinctive headgear, forming a protective perimeter around all of you. Their authoritative voices ring out, "Obey the Meep!"
Donna, her maternal instincts flaring, turns to Shaun and passionately commands, "Get out! Get Rose out!"
Shaun swiftly maneuvers to the driver’s seat while Rose and Sylvia settle back in the taxi. However, the UNIT soldiers, now under the control of the Meep, have you all surrounded with no clear escape.
“I don’t need to pretend, for I am the Beep of all the Meeps,” the Meep declares, grinning menacingly with its sharp teeth.
Sergeant Zogroth emits a final groan, his parting words being, “Sergeant Zogroth regrets retirement from active duty.” His eyes dim, and his body goes limp. Donna, disgusted, confronts the Meep, saying, “I was right. You are a monster.”
The Meep revels in Donna’s anger, taunting, “And you believed every word I said. You stupid woman! With your weird child!”
Donna, ready to confront the Meep for insulting her daughter, stands defiantly, retorting, “Oh, don’t you dare!”
The Meep, relishing the confrontation, points its weapon at Donna, threatening, “Oh, I dare!”
You quickly rise, positioning yourself in front of Donna, raising your hands in a protective stance. Simultaneously, the Doctor moves across the floor on his knees, hands raised, pleading, “No, no, no, no, no, no, no, no! But— Last-minute evidence! Me.”
He emphatically points to himself and exclaims, “Why are there two more two-hearted species on this planet? Unless we are part of a strategy by the Wrath Warriors to outfox you? If you kill me and her and fail to take this family hostage, you’ll never find out, will you?”
The Meep hums, then commands the soldiers, “Bring them!”
The Doctor stands animatedly, “Good! Now, look, I can suggest a much better way off this planet than a double-bladed dagger drive. ‘Cause that thing is gonna—”
His sentence remains unfinished as he is abruptly knocked out by a UNIT soldier. The Meep cackles triumphantly as the rest of you are ushered into the back of a truck, alongside the unconscious Doctor.
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On the truck's floor, the Doctor lay with his head resting on your lap, his unconscious form a testament to the challenges you faced. Your fingers moved soothingly through his untamed, spikey hair, offering a quiet comfort amid the tension.
Donna observed the scene, her curiosity getting the better of her. "How long have you two been together?" she inquired, attempting to place where she might have encountered you before.
"A good number of years," you replied, choosing to keep the more intricate details to yourself, considering the Doctor's timeless nature.
Rose, equally intrigued, posed another question, "Are you two married?"
A snort escaped you. "Nope. I don't think he wants that with me if I'm being honest."
“Why?” Rose pressed on.
Your gaze drifted, and you sniffed softly. "I’m all sorts of wrong for him. And sometimes, it scares me. The emptiness I see in my eyes,” you admitted, vulnerability seeping into your words. Your eyes lingered on the Doctor as you continued, “The Doctor is brilliant. He is truly brilliant. After all he’s been through... he deserves everything good and more… more than me.”
As your confession lingered in the air, the Doctor began to stir awake, bringing a momentary hush to the truck. His eyes fluttered open, and a low groan escaped him as he gradually sat up, settling next to you.
Donna eyed the Doctor with suspicion, her narrowed gaze fixed on him. "Who are you?" she questioned, her tone demanding answers.
The Doctor, still feeling the effects of his earlier unconsciousness, touched the back of his head with a wince. "I’m just passing by," he nervously replied, attempting to deflect her inquiries.
Undeterred, Donna redirected her attention to her mother, Sylvia, and pressed on, "Do you know him?" Sylvia, in an attempt to conceal any familiarity, shook her head, responding, "No."
Donna, frustrated and puzzled, continued, "You act like you know him. Ever since he arrived, it’s like—" She heaved a heavy sigh, abruptly halting her train of thought. "I’m so stupid!" she declared, voicing her self-reproach.
Shaun quickly reassured his wife, "No. No, you’re not."
Donna shook her head, lost in contemplation. "We could be living somewhere far away from here. Monte Carlo. Switzerland." She then turned to her daughter Rose, who sat beside her. "And you— And you’d be safe, Rose." Donna pulled Rose into a comforting side hug. "It’s all my fault. Gave away that lottery money."
The Doctor, unable to resist his curiosity, interjected, "Why?"
Donna shot him a glare. "Because. There are places out there where people are in danger. And in pain. And fear. And I could help. Just felt the sort of thing he would do." Her words hung in the air, revealing a sense of duty and compassion that drove her actions.
Abruptly, the truck jolts to a stop, resulting in the Doctor colliding with one of the crates, eliciting a pained groan. You swiftly move to assist him. The truck door swings open, and a stern voice commands, "Out!"
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MILLSON WAGNER STEELWORKS 
NORTH LONDON, – EVENING, DECEMBER 2023
The UNIT soldiers briskly led you towards the heart of the steelworks, where the Meep's spaceship had strategically landed.
"It didn't choose the steelworks by accident. It came here to be mended," the Doctor remarked as the group neared the spacecraft. The Meep made a grand entrance, seated on a makeshift throne of steel carried by a procession of UNIT soldiers. With its menacing teeth and booming voice, it declared, "Hail to the Meep!"
A hypnotic chant echoed through the steelworks as multiple officers joined in unison, "Hail to the Meep. Hail to the Most High. Hail to the Meep. Hail to the Most High."
"Human scum, behold my vessel to the stars! Far beyond your tiny, grasping minds," Beep the Meep declares with an air of arrogance. You respond with an eye roll of annoyance, and the Doctor shakes his head while humorously interjecting, "I name this ship the Delusions of Grandeur."
Beep the Meep growls in protest, "Meep."
"You can't fire those engines. Not from here. A dagger drive gets its energy by stabbing down. It would extract, ooh, five square miles? The whole of London town burnt as fuel," the Doctor explains, his tone serious and concerned.
Rose, wearing a frown, adds, "But that's nine million people."
"A great day for Meepkind. And the start of a new reign of terror as the Meep return to the stars for revenge. And feasting. Now, activate the initializers," the Meep commands, its voice dripping with malevolence.
A disciplined UNIT soldier swiftly responds, "Initializers activated."
The low hum of the spaceship's engines reverberates through the steelworks as the Meep grins with an evil glint in its eyes, proclaiming, "Brandish the gravity stanchions."
"Gravity stanchions brandished," announces a focused UNIT soldier as the prongs of the spacecraft forcefully dig into the ground.
"Calibrate the flight deck," the Meep commands with a sense of authority, intensifying the tension in the air.
A disciplined UNIT member announces, "Flight deck calibrated."
The Meep, perched on its steel throne, commands, "Take the prisoners on board! Then I’ll decide which one to eat first. Hail to Meep!"
The rhythmic chant of the hypnotized UNIT soldiers fills the air, "Hail to the Most High! Hail to the Meep!" while the Meep indulges in a sinister cackle, reveling in its delusions of grandeur.
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The liftgate slams shut, transporting you to a different floor. Thoughts of subduing the UNIT guards swirl in your mind as the lift grinds to a halt. As the gate creaks open, Shirley appears, wearing a mischievous grin. "Evening, boys."
With swift precision, she activates a concealed device beneath her wheelchair, firing two darts at each soldier. The tranquilizers swiftly take effect, rendering the guards unconscious.
"You've got weapons in your wheelchair," the Doctor exclaims, eyeing Shirley with a mixture of surprise and admiration. She glances back at him, a knowing look in her eyes, and responds, "We all have. You've got your girl to thank for that. Come on." With a nod, she leads the way, wheeling herself confidently through the complex.
"Right. You lot, the family, you can get out through that door," Shirley says, gesturing towards the exit on the right. She then turns her attention to you and the Doctor, her tone more serious, "You need to get to the engine control. But the port side’s guarded, and there's no way around it."
A quick exchange of glances between you and the Doctor precedes his question to Shirley, "So what do we do?"
With a confident smirk, Shirley retorts, "I don’t just fire darts, mate." She spins her wheelchair around, revealing hidden capabilities. With the push of a button, two missiles activate and blast through the wall, creating a makeshift path forward. The unexpected firepower leaves you and the Doctor momentarily impressed.
Shirley swiftly directs the family, "You lot run. I’ll fight them off at the lift."
The Doctor tightens his grip on your hand, leading you through the large breach in the wall. The chaotic, metallic environment of the spaceship's bridge unfolds before you. With his trusty sonic screwdriver, the Doctor deftly manipulates the controls, unlocking the gate to the engine control room. As the door creaks open, the two of you step inside, ready to stop the ship from taking off.
The Doctor removes his coat and hangs it on one of the pillars as the ship's system voice declares, “Dagger drive systems initializing.”
In a sudden burst of energy, Donna enters the control room panting, "That's enough… running. Blimey."
The system voice abruptly announces, “Chamber deadlocked.” Panic sets in as the only exit seals shut, leaving the Doctor frustrated. He slams his hands on the door, exclaiming, “No, no, no, no! I told you to go—just don’t!”
Frantically, he moves about the room, urging, “No time. I’ve got this. We’ve got it. We’ve got it. You stay there. Don’t move, Donna!”
The Doctor and you scramble around, pressing buttons and flicking switches, racing against time as the system voice declares, “Star launch in five minutes.”
Climbing up one of the pillars, the Doctor instructs you while you squat on the other side to manipulate hidden switches. Suddenly, the system announces, “Deadlock sealed.” A flicker of discomfort courses through both of you as the ship's mechanisms react.
“It’s been deadlocked,” you groan, and Donna questions, “What’s that mean?” 
The Doctor replies swiftly, “It means, we can do it by hand.”
You move to the far end of the ship, and the system voice chimes in again, “Maxifold bisecting.” A glass pane wall starts dividing the room, separating you from the Doctor and Donna. “You can stay on that side Doctor, I—” But then the Doctor rolls under the glass just before it seals, protesting, “Oh. No, no, no, no!”
“Double dagger drive installed and initiated.”
You can feel your eye twitch as you look at the Doctor standing next to you. “Okay, okay. Okay, we can do it with half the room. That’s fine.” The Doctor tries to reassure himself and you look at him wondering why he had to end up on your side of the room.
“Let me help.” Donna insists and the Doctor is quick to disagree, “No! You can’t get involved.”
Donna looks at the Doctor with a glare, challenging him and the Doctor tries to steady his resolve, “You can’t!”
It's then your turn to shoot him a pointed look. The Doctor groans and pants in frustration before finally surrendering. He instructs Donna, "Switches, the top ones, the blue ones, flick them all down."
Donna diligently follows his directions, swiftly flicking the switches down, while you navigate to a different section of your side of the room to spin a dial a few times. Despite your efforts, it proves futile, and you slump down in disappointment. The Doctor, leaning defeatedly on a pillar, somberly admits, "We've run out of time."
“Ignition in 230.”
The Doctor sighs with a heavy burden on his shoulders as he confides in Donna, "If there was anything else I could do, but there's one thing left."
"Well— Well, then do it," Donna urges, her tone laced with desperation. The Doctor, however, looks down in shame, prompting Donna to insist, "Hurry up and do it! What are you waiting for?"
Pushing himself off the pillar, the Doctor strides over to the glass partition separating Donna from the two of you. "I think… all that coincidence was heading here to save London from burning. 'Cause the three of us can stop this ship. Together."
Donna gasps in realization, "Oh."
As you rise and move towards the glass, locking eyes with Donna, you declare, "But it will kill you."
Donna sharply inhales, and responds easily, “Okay.”
The Doctor’s voice cracks as he says, “You’ll die.”
Donna's lower lip trembles, her eyes reflecting the imminent crisis, as she says, "My daughter is down there."
"Ignition in 180."
Tears well up in Donna's eyes, and her voice stammers with fear, "And it's not just Rose. It's nine million people. Who cares about me?"
The Doctor responds swiftly, his urgency palpable, "I do. We both do."
Donna takes a deep breath, mustering courage, and asks, "But why?" She pauses, gathering her thoughts, and continues, "I'm just no one."
The Doctor's expression shifts to one of anger, his eyebrows furrowing as he yells, "No, you are not!"
He takes a few steps back, the weight of the situation evident in his sob and scream, "Why does it have to be this?"
"Entering the final sequence."
The Doctor looks at Donna with a somber gaze, defeated, as he utters the words that trigger Donna's memories, "Westerly. Pelican. Dreams."
Donna is desperate as she says, "I don't— Look, I don't care what it is. All right. Just— just go on and do it, will you?"
"Ignition in 150."
"Tornado. Clifftops. Andante," the Doctor says.
"Get on with it!" Donna shouts.
The Doctor continues, "Grief. Fingerprint. Susurration."
Donna's eyes light up as she begins to remember her adventures, "Oh."
The Doctor and Donna utter the last few words in unison, "Sparrow. Dance. Mexico. Binary. Binary. Binary."
A golden glow emanates from Donna, the metacrisis shimmering through as she regains her memories once more. You and the Doctor press your palms against the glass, witnessing her transformative moment.
"Ignition in 100."
As the glow dissipates, the Doctor anxiously asks, "Are you alright?"
"Ignition in 90."
Donna pants, sighs, and sweeps her bangs away from her eyes as she glares at the Doctor. Inhaling deeply, she says, "I gave away my money."
"Ignition in 75."
The Doctor looks at her, puzzled, "Right, but—"
Donna, expressing a mix of frustration and anger, interrupts, "I gave away all my money. And do you know why, Doctor? I gave it away to be like you. So I could be kind. So I could be nice. So I could be helpful— I—"
Donna releases a frustrated growl as the system voice continues, "Ignition in one minute."
Moving her face closer to the glass panel, Donna continues, "I had a subconscious, infracutaneous, retrofold memory loop making me act as soft as you and give away 166 million pounds!"
"Ignition in 50."
The Doctor, wide-eyed, nods in agreement but attempts to refocus on the urgent matter, "Yes, Donna, but— Destruction of London?"
"Oh, I'll show you destruction, mate," Donna declares, intertwining her fingers before flexing them to crack her knuckles.
"Ignition in 40."
You and the Doctor observe in awe as Donna moves around the control panel with ease. "I'll triple-drive the particle manifesto, overstep the umbilical feed, vindicate the cyberline, and roast the hyperfeeds! Like this!" Donna exclaims, spinning the dial on the lower left of her.
The Doctor navigates about half of the room, deftly flicking switches while instructing, "Maximise the stressfold links!"
"Channel up the booster drive!" Donna commands, pressing a few buttons.
"Inculcate the plexidrones!" You chime in, flicking a few more switches.
"And shatterfry the positrons! Oh yes!" Donna exclaims.
"Twenty, nineteen..."
Donna interrupts, asking, "How long have I got to live?" as she switches off a few controls.
"...sixteen, fifteen..."
All three of you simultaneously answer, "Fifty-five seconds."
"Thirteen, twelve, eleven..."
"The best fifty-five seconds of my life!" Donna exclaims.
"Seven, six, five, four..."
"Because I get to do this!" Donna proudly announces, turning around and simultaneously flicking off several switches.
"Three, two— Ignition halted."
You three watch as the panel flies off the wall; the countdown has stopped, and Donna proudly states, "Donna Noble is descending."
"Ignition reverse. Ignition reverse."
"It’s working!" The Doctor's voice resonates with exhilaration as the tangible effects of the reversed dagger drive unfold before your eyes.
However, your joy is cut short when you notice Donna beginning to falter. Panic sets in, and you urgently cry out, "No. No, no, no, no, no, no, no!"
Swiftly, both you and the Doctor move in unison to catch Donna as she descends, cradling her fragile form in your arms. Donna sighs, her expression reflecting a mix of exhaustion and relief. The Doctor reassures her, "We did it. She’s fine. She’s safe. You saved her."
Donna smiles weakly, and you add, "You saved them all."
In a moment of introspection, Donna questions, "Why did this face come back?" She turns her gaze towards the Doctor, who responds with a sigh, "I don’t know."
"To say goodbye," Donna asserts with a soft smile. She then shifts her attention to you, saying, "Oh, the Stargazer. I’ve missed you."
"I’ve missed you too, Donna, every day," you confess, and the Doctor emits a thoughtful hum.
"Good fun, though," Donna remarks, her chuckles mingling with yours and the Doctor's. The lighthearted moment takes an abrupt turn as Donna's eyes flutter closed, her entire being going limp in the arms of her two closest companions.
A collective sob escapes from you and the Doctor as you sit there, cradling your best friend, a bittersweet mixture of victory and loss filling the air.
Abruptly, the door to the engine control room opens, revealing a cadre of UNIT soldiers with swirling, hypnotized eyes. The air tightens with tension as one of them declares, "We have orders to kill you."
Undeterred, the Doctor retorts defiantly, "Do what you want. This ship isn't going anywhere. You were beaten. By the DoctorDonna." The soldiers, rifles at the ready, cast ominous shadows in the confined space. You resign yourself to the impending threat, feeling the Doctor's protective instinct as he positions himself to shield you.
In a surprising turn, the psychedelic light emitted from the soldiers' eyes screeches and hisses, dissipating into nothingness. Bewilderment echoes through the room, and you join the Doctor in uttering a perplexed, "What?"
Even one of the soldiers can't help but question, "What?"
Donna, roused from her unconscious state, adds her own disoriented, "What?"
The Doctor, his voice tinged with disbelief, softly utters, "You're not dead."
A collective sense of confusion lingers, and Donna, now fully awake, queries, "But how?" as she steadies herself.
After a brief pause, Rose's voice resonates through the intercom, "Can you hear me? Mum? Doctor? Star? I think it's safe for you to come down now."
Donna responds, perplexed, "Rose?"
The Doctor's eyes widen with a sudden epiphany, "Too much power for one person, but you had a child, and the metacrisis passed down. A shared inheritance."
Donna grins, “It was always there. Shining out of her.”
“And she chose her own name,” the Doctor adds.
“Oh, the shed! The shed was her memory of the TARDIS. The toys! Every creature we met, she remembered as a toy,” Donna says with a glint in her eye.
You gape, suddenly realizing, “We are binary.”
“She’s not. Because the Doctor’s—”
The Doctor interjects, “Male.”
“And female,” Donna finishes.
"And neither. And more," Rose says, her voice carrying a warm smile through the intercom.
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Donna rushes down the stairs, her steps echoing in the cavernous steelworks. Rose meets her halfway, and they share an emotional hug, Shaun joining in the embrace.
You and the Doctor follow suit, descending rapidly to the ground floor. Sylvia awaits, and as you approach, the Doctor wraps her in a jubilant hug. He inquires, “Happy now?”
Sylvia responds with a radiant smile, "My father would be impressed. I have no higher compliment." Laughter of triumph fills the air as you and the Doctor proceed to the nearby control center.
Shirley deftly maneuvers her wheelchair towards you and the Doctor, offering her unique perspective. She addresses the Doctor with a sly grin, “There’s a word for you, Doctor. And that word is jammy.”
The Doctor responds with infectious enthusiasm, “Jam on toast.” He decisively slams a button, activating the intercom. With authority, he speaks into the microphone, “Calling the Meep.”
The Meep's defiant voice crackles through the speakers, “You forget I still have my ship. And if I have to explode the engines and rupture this world and damn us all to hell, then I will!” A shared glance between you and the Doctor follows, and he graciously hands you the task of flicking the crucial switch.
With a resounding click, the Meep’s cockpit is ejected into the sky, accompanied by the unmistakable sound of the Meep's distressed shrieks. You and the Doctor gaze upward, drawn into the spectacle unfolding against the canvas of the vast night sky.
“There you go.” The Doctor points with a wry smile, observing the Meep’s cockpit deploying a parachute against the cosmic backdrop.
You feel the Doctor's reassuring grip on your waist as he pulls you into his side. Together, you look up, transfixed by the celestial display. The stars twinkle above, and in that moment, you choose to hope and believe that nothing universe-ending has transpired yet.
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As the sun ascends on the horizon, casting a warm glow over the scene, the Wrath Warriors stand sternly with the imprisoned Meep, forming an uneasy tableau. You step forward, addressing them with a heavy heart, "Sergeant Zogroth and Constable Zreeg gave their lives, alongside many Earth soldiers."
The Wrath Warrior, resolute in the face of the aftermath, declares, "Their names will be included in the litany of crimes as the Meep atones in prison for 10,000 years." The Meep, defiant in defeat, mutters, "Oh, I will escape and have my revenge. So you beware, Doctor and Stargazer, because there’s one more thing."
With a determined stride, the Doctor moves closer, inquiring, "Which is?"
“A creature with two hearts is such a rare thing. And to have two of your kind here… Just wait till I tell the boss,” the Meep retorts, an ominous promise lingering in the air. The Wrath Warriors and the Meep vanish in a teleportation, leaving a sobering aftermath beneath the morning sun.
The Doctor, caught in contemplation, mumbles under his breath, "Cryptic. I hate that." He takes a deep breath, turning his attention to Donna and Rose with a sense of urgency, "But… we’ve still gotta fix you two. ‘Cause the metacrisis might have slowed down, but that thing is wrapped around your cortex."
Donna, with an eye roll and a knowing nod, quips, “Yes, we know.”
Rose adds confidently, “We know everything, thanks.”
Donna, in her typical nonchalant manner, shrugs, “And you know nothing. It’s a shame you’re not a woman anymore. ‘Cause she’d have understood.”
Rose, crossing her arms, asserts with confidence, “You’ve got all that power, but there is a way to get rid of it. Something a male-presenting Time Lord will never understand.”
Donna, ever pragmatic, advises, “Just let it go.”
The unity between mother and daughter becomes evident as Rose takes Donna’s hand, and together, they release the accumulated metacrisis energy. Shaun interjects with a grin, “Like I said, mate, how lucky am I?”
Rose, with a joyous laugh, concludes, “After all these years, I’m… finally me.”
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CAMDEN MARKET, LONDON — MORNING, 2023
Shaun skillfully navigates the vehicle, bringing the group back to Camden Market in London. Earlier, you had informed Shirley about the intention to bid farewell to the Doctor and Donna before returning to headquarters. Shirley responded with a nonchalant, "Sure..." accompanied by a discerning look, rolling away from you in her wheelchair.
The Doctor maintains his characteristic chattiness as he informs Donna, "And UNIT has a splendid insurance policy for damage caused during an alien war. While they sort that out..." Approaching the iconic tall blue police box, the TARDIS, the Doctor gestures towards it, saying, "One last trip?"
"Uh, don’t you dare," Sylvie interjects with a pointed look. Donna, casting puppy eyes at both you and the Doctor, laments, “Do you know, I would love to.” She then takes a sharp inhale, sighs, and adds, “But… I have got adventures of my own, bringing up this one.” Donna points her thumb towards Rose.
“Can I see inside?” Rose asks the Doctor curiously, taking a step toward the TARDIS. Donna, however, swiftly moves her away, cautioning, “No. No! No. No.”
Rose sighs, and Donna playfully waves her finger, “No. Because summat will go wrong, and you’ll end up on Mars with Chaucer and a robot shark. And that’s actually happened, hasn’t it.”
The Doctor gives a sheepish, “Oh, yeah.”
“But I was thinking, we could go and see Wilf?” The Doctor suggests to you and Donna.
Donna then says, “Now that is cheating.”
The Doctor pouts, “Just a suggestion.”
“I mean it, don’t you dare.” Sylvie says, and Donna sighs, “But imagine his face, Mum. Oh, he would be so happy. All those secrets Grandad kept for years. He— He thought I’d never remember. And to see the Doctor. One last time.”
The Doctor and Donna make a puppy face to you and Sylvie, urging you to join them. Sylvie relents and gives in, “Oh, all right. But one trip. That’s all. Just one.”
The Doctor turns to unlock the door with his key while Donna laughs with glee, “One tiny, little trip. That is a promise.”
Donna turns to you and the Doctor and gasps in excitement, “It’s like the old days. Just me, the Doctor, and the Stargazer. Together.” She then turns to her family, “Is that all right?”
“Yeah, of course it is,” Shaun says confidently with a huge smile.
“Well, a lot of husbands would worry. You know, me, in a box, with another man.” Donna jokes, and Shaun shrugs and shakes his head, “Yeah. But not him.”
The Doctor looks somewhat offended, but then Donna shoos him to go inside, “Come on, space man.”
In the quiet aftermath, with Donna entering the TARDIS, the Doctor notices the unsure expression on your face. He whispers to Donna to go ahead, and she complies, leaving the two of you alone, behind the TARDIS, sheltered from prying eyes.
With a gentle gesture, he wraps an arm around your waist, pulling you closer. He cups your face with both hands, his smile revealing dimples that carry the weight of countless adventures. “The stars haven’t gone out.”
Your raised brows betray a hint of skepticism, “Yet…”
The Doctor locks eyes with you, his deep dark brown orbs conveying understanding. As tears well up in your eyes, you break the silence, your voice a fragile whisper, “You have no idea how bad it gets. How scared I am that all of this is temporary and I lose you… and I can’t have you.”
“Hey. Hey, hey. None of that,” he reassures, his gaze unwavering. “So far, everything has been leading me back to you. And when the time comes to face it… we’ll fix it… together. I can’t lose you again. Not ever again.”
His words linger in the air, a vow shaped by the quiet resilience of a Time Lord who has navigated countless challenges across time and space. You respond with a nod, sealing the unspoken pact, and tenderly kiss his wrists. In return, he draws you closer, planting a gentle kiss on the top of your head.
“When this is all over,” he declares, “we’re getting married.”
“What?” you screech, caught off guard by the unexpected revelation.
“We've waited this long. I’m not spending the rest of my how many years without you,” the Doctor insists, his eyes earnest.
“Is this a proposal?” you inquire, a mixture of surprise and delight in your voice.
“If you want,” he smirks, playfully nonchalant.
On tiptoe, you reach up to kiss the tip of his nose, a tender acknowledgment, “We'll see.” The promise of an unwritten future hangs in the air, held by the shared understanding that time and space will unfold their stories together.
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THE TARDIS
The Doctor guides you inside the TARDIS and closes the door behind him and both of you are in awe of the major changes of the entire TARDIS. Huge curved white walls with round circles that glow with lights and many ramps that lead to different corridors.
The Doctor hangs his coat on one of the railings as he grins and laughs, “Whoa!” He begins to run around all the ramps with the energy of a little kid as he shouts, “This is amazing!”
“It changed! Oh, you clever thing! Look at that!” The Doctor laughs as he finishes his lap around the new interior of the TARDIS. He runs over to the console and smiles, “It’s got this!”
He pushes a lever forward, and the lights within the TARDIS shift to a vibrant orange, casting a warm glow. Your gaze is drawn upward in awe as the ambient hum of the time machine resonates around you. Running your fingers along the railings, you can feel the TARDIS responding, and you affectionately murmur, “Hello, sweet thing. I missed you too.”
Amid the luminous atmosphere, the Doctor darts around the console, engaging with switches and buttons on the refurbished device. Donna, observing the transformation, remarks, “It’s still a bit nippy.”
The Doctor protests, “Oh, come on!”
Undeterred, Donna concedes with a grin, “All right…” Her expression changes as she admires the surroundings, “It’s gorgeous!” Laughter bubbles up from both Donna and the Doctor, who joins in the jubilation, bouncing excitedly.
“It’s cleaner. And it’s grown,” Donna observes, her laughter echoing through the TARDIS.
Making your way to the console, you overhear Donna questioning the Doctor, “But I— I still don’t get it. I mean, the TARDIS can change all right. But what about your face? Why did it come back?”
“Does there have to be a reason?” the Doctor muses, and Donna, with a snort, retorts, “In your life? Yes!”
With a nonchalant shrug, the Doctor remarks, “Well, I’m stuck with it now.” He continues exploring the console, fidgeting with excitement, and comments, “Oh, this thing is brilliant. It’s even got a coffee machine!” Glancing at you and Donna, he inquires, “You want one?”
You shake your head, “No, thank you, darling.”
“You’re kidding,” Donna says with wide eyes.
“With cold milk, yeah?” The Doctor deftly presses a few buttons, and Donna, smiling, says, “Well remembered.” To your delight, a white cup materializes with coffee and cold milk.
He carefully hands the cup of coffee to Donna who says, “Thank you very much. Careful. It’s how I lost my job. Dropped a coffee in the computer.”
To which the Doctor just hums and moves to flick a few more switches around the console as you lean on a railing, to listen to him say, “I really do remember, though. Every second with you. I’m so glad you’re back ‘cause it killed me, Donna.” The Doctor clicks another switch as he continues on, “It killed me, it killed me, it killed me.”
"We can have more days, can’t we?" Donna inquires, her tone laced with a mix of hope and curiosity. Her eyes reflect a desire for a future filled with shared moments. Continuing with optimism, she suggests, "I mean, why is it such a big goodbye with you? Why is it one last trip? ‘Cause you could visit. With my family."
The Doctor, absorbed in examining a screw, listens attentively as Donna paints a vivid picture of ordinary yet precious moments. "We could do outrageous things, like have tea, dinner, and a laugh! And Rose’s school play. Well, maybe not that. She can’t act. She’s terrible. I don’t know how to tell her. But the point is, you’ve been given a second chance. You can do things differently this time."
Encouraging him to embrace change, Donna suggests, "So why don’t you do something completely new and have some friends?"
The Doctor contemplates the idea, responding with a hesitant "Maybe. Yeah." Donna chuckles, savoring the simplicity of their current moment. "Mmm. Like now," she remarks, lifting her cup as if to toast. "Here we are. Having a coffee."
Before the Doctor can respond, Donna's accidental spillage disrupts the calm, eliciting a gasp from her. "What’s gonna go wrong—" Her sentence is abruptly cut off as the spilled coffee interacts with the TARDIS console, resulting in sparks and flames.
With urgency, Donna questions, "What’s happening?" The Doctor, swift in his actions, ushers both you and Donna away from the unfolding chaos. The TARDIS groans and whines as its engines protest, and the cloister bell rings ominously in the background.
"We could end up anywhere in time and space," the Doctor confesses, a tinge of uncertainty in his voice. As the atmosphere fills with anticipation, you brace yourself, thinking, "Here we go again."
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TAGLIST:
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lefluoritesys · 7 months
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A breakdown of apps you can use to communicate with your alters as separate people and write down information about them online and offline with their pros, cons, and a personal rating because I really needed it when I was new to being a system:
Note: by "PC" I mean any computer/macbook/etc. By "all devices" I mean PC, mobile, tablet, iPad, etc.
I apologize for mistakes in advance.
1. Antar: An app created to chat with your "inner self," found in both Play Store and AppStore. One of the more popular ones among systems. It is an app where you get to create personas that would be chatting with each other in chats called "sessions." Those sessions can either be given a name or just left named after the date they were created on. Each persona is given a color that would become the color of their messages in sessions. Offline app.
Pros: Fiarly easy to use, no in-depth information needed to access it fully. Biometric lock; 4 languages (English, Chinese, Hindi, Spanish) for the system, however any language can be used via text; no limit to the amount of personas added (as far as I'm aware). Messages sent by the wrong persona can be changed; the "quote" feature allows you to start a thread under a message; provides descriptions of each persona. You can also give your personas an avatar rather than just a color. Has a "replay" and "visualization" feature, though I'd say it's strictly just for funzies.
Cons: Not available on PC; has no backup, phone-related resets or deletion of the app results in all information lost. Session order constantly changes depending on which senssion you entered, which in my opinion (+OCD) is a nuisance; you can't delete the "me" character which I've been wanting to do for a while. Can't add hexcodes.
Personal rating: 6/10. If you need an app that you can lock from unwanted visitors, if you don't mind and even prefer something simple, and if you don't care that the conversations might disappear, this app is a good choice.
2. Discord's PluralKit: A more avdanced discord bot with tons of settings and commands that was created specifically for systems. Allows you to add almost any information about your system memebers, even such things as birthdays. The way it works is, it "proxies" your messages with a certain command somewhere in the "normal" message, sends a message identical to yours from a bot created with the name you chose, and deletes your original message. Basically replaces a message from your account with a message from a bot you created earlier. Proxies are small commands that give the both a green light to do that, and they can be whatever you want them to be. Online bot.
Pros: Feels like different people are talking; allows you to track your switches; available on all devices; one system can be linked to multiple accounts, although you can't create multiple systems under one account; allows you to group alters together; allows you to restrict access to certain information from all users; allows you to add as many alters as you want; has a number of ways you can access the information you put in which would all be sorted and organized for you; autoproxy allows you to not proxy every message you sent; since you can't delete messages of other people on servers that are not yours, and the bot messages are not, in fact, yours, PluralKit allows you to react to the message with an emoji that deletes the proxied message; while you can't use it in DMs, you can set up commands in DMs with the bot; every memeber has a unique code, and so does the system itself, and it records when the member was created; can be exported to SimplyPlural.
Cons: Commands are difficult and complex, and so is the dashboard; can only be used on servers; sometimes offline as all bots are, though rarely; you can't use it anywhere outside discord (a con for those who don't use discord); I had instances where I saw people use it for roleplay which is also allowed; proxies are a pain; you'd need a guide to tell you why certain things are needed in it; you cannot reply to messages with gifs when using a proxy; when being exported to SimplyPlural it exports everything, so if you had 10 members on SimplyPlural and 15 on PluralKit, it's best to add those 5 manually than delete 10 new exported alters (I did it with 100+ alters by accident and it was a pain).
Personal rating: 9/10. Complex, difficult to figure out, but once you get ahold of it and how it works, you'd be amazed. Also a pain that you can't use it in DMs, but it's to be expected from a bot. And you can always create a server with just you.
3. Discord's Tupperbox: A discord bot created mainly for roleplay, but actively used by systems who cannot get along with PluralKit. A simpler bot, easy to use and figure out, most things can be done via dashboard, doesn't have the opportunity to add a lot of inofrmation. Online bot.
Pros: Simple; allows grouping alters; allows different tags for different members and groups, sometimes individually; way simpler commands, and most things can be added via dashboard; looks and works almost the same as PluralKit when in a conversation; available on all devices.
Cons: Can't add avatars via dashboard, only using the commands; can't add two alters with the same name (which you can do with PluralKit); people reported it glitching out and deleting members; mainly used for roleplay; gives a weird list of members via commands that is unusable in my experience; doesn't work out of discord.
Personal rating: 7/10. Perfect for people who just want to talk and not write down information about them with the bot, but the threat of members being deleted, especially as a larger system, is concerning. We mainly use it for OSDD-1a subsystems. It was also not created for systems, as far as I'm aware. I see more cons than pros.
4. Simply Plural: Another more well-known tool used and created for systems. Simply Plural is an app that allows you to create profiles of your members and add any information you'd like about them via custom fields. It has a chat feature, allows you to track your front and switch history, add friends, and many more. Supports endogenic systems (which is being mentioned not for discorse purposes but as a fact. Whether you find it good or not is up to you) and allows singlets to create profiles as well, although I don't know a lot about that part. Both offline and online app.
Pros (and a bit about the app): Backup included; tracks your switches and front, allows you to change exact time for them, too (24-hour clock down to minutes included); the polls feature works like polls on same Tumblr and everywhere else but specifically for your system memebrs; analytics provide information about who fronts the most, during what time of day they usually front; you and your friends can see each other's profiles, which is why singlets can also create profiles, which allows you to acces info about each other's systems; "trusted people" feature allows you to pick whether you want everybody to see your alters or not, or if you want outsiders to see your profile at all; provides resources and guides to plurality (which I personally haven't checked, but still putting it in the pros, if somebody thinks I shouldn't, let me know); has an app reminders feature; you can add as much information as you want; front history shows up in a person's profile; alters can add notes; alter groups are available; available on all devices, however, only as a website on PC; colors of your alters can be used in the chat to highlight names; hexcodes are available; "custom front" is a status you set with fronting which can be hilarious sometimes; connects to PluralKit in a number of ways.
Cons: The chat feature is a bit difficult to use, and first time I did, I freaked out because I couldn't get out of it (the trick is to go to "channels" and press "navigation", there you'll see the dashboard); friends can't communicate with each other; copy-pasting is hard on both mobile and PC; something about the interface and navigation irks me and our visually impaired self; notes have same visibility as the profile itself, which is inconvenient if you want your profile to be seen but not your notes; avatars can't be added via website.
Personal rating: 6/10. I don't like how it looks and works (probably due to being visually impaired and other issues), but if you manage to get the information in it, it's pretty accessible and thoughtful of what systems might need. Could be used as a tool to start working with your system rather than do it long-term.
5. Twinote: An app that is your "personal Twitter." Pretty sure it was created for the purpose of having fun rather communicating with alters. Offline app.
Pros: Backup provided; allows "private accounts" that other "users" can't see; can create as many users as you want, as many posts as you want; can upload up to 4 images; works almost like Twitter; has a chat feature; comments, retweets, likes are present; "lists" feature allows you to group users and see only their messages which could be used for "things only protectors sent" and such; storage shows all pictures used in the app, so you won't lose anything; tagging and following people is still an option, and following private accounts give that user an opportunity to be the only one seeing their tweets.
Cons: Can't upload videos; can't do much with anything other than posts and profiles, so trends and other stuff there is off-limits (as far as I know); you have to constantly switch between profiles for the chat feature; share button only shares the contents of the message; very easy to accidentally press the wrong button and delete a tweet by dragging it left (which I almost did a few times).
Personal rating: 7,5/10. I know it's probably annoying that I didn't just type either 7 or 8, but the reaosn why is cause I have mixed feelings about it from a practical point of view. We use it strictly to communicate what we did during the day as a small journal and just joke with each other, and it's incredibly funny in itself, but it doesn't allow you to write down a lot of information about your alters and has a character limit in profiles. So it's strictly for communication.
6. Notion: An app created as a dashboard for literally everything you could ever dream of. You can personalize it however you want and use it for whatever you want. Those who saw the post we made a while ago probably know the reason I'm mentioning it is due to a template that I linked here. Online app.
Pros: Can be used for literally everything without limits; available on all devices; big and has enough storage for a lot of information, text, projects, etc; can be designed however you want; a lot of useful templates for all life instances (even taxes); can be shared with people who also use Notion in a variety of ways (either only comment, only see, etc); can add your own custom covers and icons via both gallery and links; looks neat and doesn't mess with visual impairment for us; can add a page in a page in a page which can be used for diaries; links to different pages on other pages are also available; endless possibilities, I could rant all day.
Cons: Glitches on the phone a lot; certain things are allowed on computer and not on mobile and vice versa; all templates available only on PC; you need to have an account in order to use it; glitches if it's offline; sometimes deletes a bunch of text because of glitches, usually the triggers for it are writing a lot in it directly or erasing previous text a bunch of times; can't invite someone in your space, it would take too much storage; some storage needs to be bought, although, I don't know the limit (but there's a lot. Like, a lot)
Personal rating: 9/10. With all its antics, I love this app dearly, it's incredibly useful, and you learn to deal with the cons. It's the best one I've used for communication and information storage so far.
7. Texting Stories app: As ridiculous as it sounds, it could be used as a tool to communicate with your alters, especially in secret. We are fighting for our safety here, so I ask you to take this suggestion seriously. Could be used when you don't want to let anyone know you're a system and have noisy family members/relatives/etc who like to snoop through you personal devices, by using it, you can say you've just been doing a story. Offline app.
Pros: I believe you can add as many people as you want; can add avatars; different stories can be different days of the week; easy to use; easy to brush off as "just making stories."
Cons: Can't change colors, you need to pay for most things.
Personal rating: 5/10. Can be used for emergencies and communication only, although we haven't used it much.
8. Notes: Just the same plain old notes app on your phone that everybody has installed as default. Offline app.
Pros: Easy to use; can be easily lost within your other notes for privacy; used for literally everything you desire, even drawing; automatic backup.
Cons: Doesn't give you the ability to really present as separate people; doesn't have as many options as Notion.
Personal rating: 5/10. used it at some point just for communication, was cool, somple, easy, but nothing too big.
I hope this helped to put these apps in perspective. I do apologize for it being a bit all over the place, but I did attempt to make it coherent enough (I am currently in a psychotic state, it's difficult for me to communicate). And remember, there are always options to use a written journal rather than a digital one. If anything, it's better to keep both in case one gets lost. Who knows, maybe our parents asking us what we would do if the internet disappeared is actually a warning. /j /nm
-host
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vixendoesstuff · 3 months
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God, it's been a while since I've done digital art. If only I have a tablet, I might have an easier time drawing there instead of a tiny phone, but no use crying over spilt milk. Here's the reference sheet for Techno Branch!
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Man do I love a quality drop.
I don't know how to make my drawings aesthetically pleasing like I've seen other artist do, so this is all you get lol. But anyway here's the boi!! (Ignore my handwriting, it's usually better than it is here, I just have difficty writing on a phone).
I was actually gonna make his Grey version and True Colours version, but I was an idiot and hadn't copied his lineart before I combined it with the colours. So, I might have to redo his entire lineart from scratch. Art is so fun :)
More info below the cut!
So Branch here is more dull and glow less brightly (or not at all) compared to his brethren. Probably a side effect of going Grey for so long. I doubt the Techno Trolls of today would know how to help him fully because, while they probably have a better way of helping traumatized Trolls than the Pop Trolls, they wouldn't exactly know how to bring Branch's True Colours back, as he doesn't know Techno culture and they don't know him well, and that grey Techno Trolls were a rarity in it of itself.
Back when he was Grey, at some point in time the heart on his chest was split in two due to relentless trauma. Ater regaining his True Colours did it combine again, but after being Grey for so long I doubt it'll ever be truly whole again (trauma, amirite?).
Combined with that he probably doesn't like looking at his arm lights, as it reminds him that he's different than the rest of the Pop Trolls, adding more hurt to his already painful life (yikes). So he covers it with arm warmers, and by the time he regained his happiness it became a habit to wear them.
I like to think that Branch likes being on the ground more than swimming, so he's constantly walking and climbing around. Hence, the crease marks on his fins. 'Cause I like to think that Techno Trolls are not built for long periods of standing up straight. And Branch has done the exact opposite of that. Building a bunker by himself is hard, imaging doing that with a pair of swimming flippers. My feet would cry in pain lol.
Anyway, that's all I have for now, if you have questions feel free to ask and I'll do my best to answer. With this out of the way, I can finally finish up my notes on what happens in World Tour. Hope you don't mind long paragraphs 'cause WHOO BOY lol.
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tonythr · 9 months
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Floating platforms in Hollow Knight are weird, lore-wise
Soooo I haven't seen anyone actually talk about this, but those things just keep *bugging* me.
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These things.
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Why did Team Cherry put these particular platforms in the background?
Ok, there are numerous floating platforms in this game, of course, because the player needs them to traverse big spacey rooms vertically. They're not even an issue lore-wise, because their existence can be explained by them being attached to the fourth wall, which is what the player looks at the Knight through. It's basically a game construct that we are not supposed to think about as a part of the suspension of disbelief.
BUT THOSE THINGS are not attached to any wall! They're just. Floating. There. In the air. Without any support. And THEIR existence can't be explained by the game wanting to provide the player some convenience. The Knight can't interact with them, we never see anyone else use them or even acknowledge them, so they MUST be something that TC put there for lore reasons, as a part of that beautiful thing that we call environmental storytelling... Right?
That or they just put them there without really thinking about the implications that this anomaly creates. But that's a boring and very unlikely explanation, so I'm just going to discuss what that might mean for the game's lore, assuming they're put there intentionally.
So, I have several thoughts on why those platforms might exist as a part of the in-game universe.
First theory. Hallownest is literally frozen in time
Ok, so this is probably the most obvious one. Throughout the game we see some evidence of the Kingdom being literally put on hold with the intention to keep it alive indefinitely.
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This is pretty much what is implied in the tablet in the Pale King's workshop - that PK was trying to literally pause Time itself, so that the inevitable Dawn would never Break.
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(Quite an interesting theme, actually - the idea of avoiding the inevitable not by trying to actually avoid letting it happen, but by delaying it by an infinite amount of time. It deserves its own post, really)
So, with Time itself being literally frozen, it's pretty safe to assume that this is exactly the reason as to why some parts of the Kingdom are literally stuck in one place, right? I mean, it's pretty much a trope to have floating rocks and buildings in a place that is stuck in some kind of time stasis. I'd say this is a pretty solid assumption, but when we actually look at some of the other parts of Hallownest we see that it's pretty lively for a place that is frozen in time. The rain is pouring, the stalactites are falling, all those machines in the Crystal Peak are still working...
Some of that stuff can actually be explained by either the Radiance's influence or the Knight's movement. The Infection is presented as the inevitable force of change that resurrects everything and moves it towards Light. The air thickens, the bugs arise from the dead, the Infection takes over the Crossroads, the Moss cultists get turned into mush, and so on. Meanwhile, other creatures possessing a Will are also capable of bringing change to this land. The Knight constantly breaks things, forces the ground to crumble beneath its feet, and overall just brings destruction to Hallownest, bringing the world closer to its natural end. It's no wonder that the stalactites start falling conveniently right as the Knight passes underneath them.
BUT there are still many things that can't be explained so easily. Like, if the Kingdom is supposed to be frozen in time, then why is the rain still pouring? Why is the Wyrm's ash still falling at the Kingdom's Edge? Why is the sand still falling from the ceiling? Why do larger things seem to be fixed in place, while smaller things are seemingly unaffected by the Kingdom's stasis?
That and the fact that at no point we see these floating platforms being acknowledged by the game's lore in any way other than those two places makes me think that this theory is probably incorrect, unlike the next one.
Second theory. Those two particular places are just that special.
The only two places where we actually see floating platforms being a part of the background (if I'm not missing any) are located near some of the most mysterious places in the whole game.
First, we have the ones that are located near the Colosseum of Fools. To be honest, even the interactable platforms there just seem useless, as some of them don't even protect us from the Bellflies. They all look like some kind of decoration (alongside with those strange thin pillars with circles on top of each) leading us along the road towards the corpse of a huge beast which the Colosseum is located inside. What even is this creature? Is it a higher being? Is it a Wyrm (don't mossbag me, he's wrong about those things being its claws because we see a third one in the foreground lying aside from the main structure, detached from the body)? Is the Lord Fool its reincarnation? Is it connected to the Ancient Civilization? How are there so many warriors there? Why does it still thrive after everything that happened to Hallownest? There are so many questions about that place left unanswered that I wouldn't be surprised to learn that the magic of the Colosseum actually affects time and/or space around it, making it possible for the floating platforms to exist.
Second (and this is the most important one), we have the platforms that are located inside and outside the Hive. As far as I know, this is the only place in the whole game that has this many floating platforms located in the background.
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This basically confirms that this is absolutely NOT a coincidence and is a part of the intentional in-game lore. The whole place is floating!
The Hive seems to be in its own kind of stasis, probably due to its isolation. Vespa says that going against nature is a folly, so this anomaly is probably something... natural.
And you know where else floating things are a natural occurrence?
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The Dream Realm.
So, the Hive and the Dream Realm are both places that are tied to the Light, which is a kind of force or energy that can alter reality and even create new realities, which are not necessarily bound by the usual laws of space and time. The Hive is not located in the Dream Realm, and it's safe to say that it's not some kind of in-between-the-worlds situation like with the Lifeblood Core, so the stuff that's going on there is less crazy than what we see in the Dream Realm, but it is also the only material place that is connected so heavily to the Light, so it is safe to assume that the anomaly that lets the platforms float is directly connected to that mysterious force.
The only thing that I can't understand is how the Light in those places connects to the Colosseum of Fools. It's not a well-lit area, and even inside the arena the only source of light is just regular fire. Could it be that this mysterious force is not defined by the Light itself, but by something more... incomprehensible?
I wonder what that force even is. The Radiance is definitely not the only source of it, and we know we're gonna see some really shiny stuff in Silksong. I personally hope for more platform lore.
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yuri-is-online · 8 months
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A Step Behind the Curtain (Jamil Viper x Yuu)
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He didn't know you then, but that didn't stop your kindness. If you were willing to go so far out of your way for a literal stranger what would you do if you were friends? How far would you go for someone you cared for?
Would you still want to wish him happy birthday?
notes: they/them pronouns used for Yuu, stranger crushes, mild angst with the intent of comfort, Jamil deserves nice things. If you like this please check my master list here.
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The first birthday Jamil had at Night Raven College had been painful. He had been looking forward to it initially, marked it in ink in his planner with the expectation that he would get to spend it alone.
When Kalim showed up he'd thrown away the whole book instead of re-arrange it. The thaumarks it cost to replace was nothing compared to the blow the Asim's continued to deal his pride. This year Kalim had agreed to keep from throwing any ostentatious surprise parties, but there was still the threat he would decide he knew Jamil's wants better than the man himself and do... something. If he was in a more reflective mood he might have noted that by "something" he really meant "anything," but the tension headache working itself across his forehead is preventing any thought other than a need for medication.
That he has conveniently run out of, it's all he can do to keep from grinding his teeth and making the pain worse. This is not the first time he has been grateful there aren't limited hours on the school's hospital wing, and it might not even be the last time today depending on what Kalim has planned. It is the first time he walks in on someone already sorting through the first aid cabinet, it stops him in his tracks and almost tricks him into pinching himself to make sure he's awake.
"Oh I'm sorry." The other student is just as surprised to see him, but they keep their voice at a three a.m. appropriate quiet. "Jamil right?"
"Right." He can't figure out if he has the right to encroach on their space, maybe it's the headache but he can't place the face anywhere. There is a funny feeling at the realization they know his name, different than when Azul says it but flavored with a similar worry as he opens his mouth to try and ask for his turn with the cabinet only to find they've somehow closed the gap with the tablets he was looking for in their outstretched hand.
"You were massaging your head." Is all they offer to soothe his confusion, turning towards their back pack to offer him an unopened water bottle before they turn to leave. He doesn't take the pills immediately, instead he finds his fingers curling around the packet and slowly trying to cover his heart with the illusion of their warmth. Their hands had been cold, but had he really touched them long enough to know that?
"Thanks." He means it, but they just shrug at him with a smile, as if they would do this for anyone despite somehow knowing his name.
"Don't mention it." Their name is Yuu, he belatedly realizes as he agonizes over what you're welcome would have sounded like from their voice instead of a dismissal of merit. As if sensing he wanted to hear more, they pause in the infirmary doors and turn to him with a smile he knows he could never afford. "Oh! It's your birthday right?" And before he can prepare himself they half sing "Happy birthday~ I hope it gets better." He drops the pills in shock but they're gone into the early morning air before he they can realize the flustered mess they've left.
Happy birthday. He bends to pick up the packet and downs the medication along with the fluttering feeling in his heart. There is no time to think about this now, for now he will simply hold onto the gentle calm they created for him. It can fuel his desire for a better life later, in the quiet of the petty realization that this year, Kalim was not the first person to wish him well.
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