how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
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Mikey Goes To Oz
<Time spent: 49 hours 17 minutes>
When Mikey takes some time away from a loud family squabble he accidentally ends up getting “flushed” down the sewers. This winds up sending him to the colorful land of Oz where he meets a good witch, a wicked witch, a brainless scarecrow, a heartless Tinman, a cowardess lion, and a powerful wizard, all disguised behind very familiar faces.
A canon adjacent spin off set before the season one finale but after they discover Splinter is Lou Jitsu
I wanted to fit each of the boys into their “you’ve had this all along” category. Leo isn’t brainless, in fact he’s pretty clever with a street smart, people reading ability on par with Donnie’s intelligence. Donnie isn’t heartless, he just has a tough time expressing his feelings. They are complex and unalgorithic but he can get just as excited or sad or angry as anyone, as much as he may deny it. Raph isn’t a coward, but being brave sometimes means admitting you’re scared and that you maybe don’t have all the answers. You dont have to be strong all the time and you don’t have to do it by yourself.
In the movie Dorothy’s journey home is also a representation of her running away. The important thing was to remember there were people who cared about her. Mikey is experiencing a similar phenomenon, wanting the escape the bad vibes in the lair. His “you’ve had it all along” is interesting because it is an object, since the Ruby kneepads could’ve taken him home the whole time. And sometimes getting home means going on a journey only to realize you never left.
I put April as Glinda because Glinda appears as a defender of the weak, and I see April in a similar light. Always willing to help and beat someone up if it is so required. Splinter as The Wizard of Oz represents Splinters own willingness to hide behind different personas, his running from the past and the pulling back of the curtain for Mikey in timeline. The Wizard grows through the movie, albeit quickly, and ends up leaving Oz to go home leaving his legacy with the scarecrow, the Tinman, and the lion. In this case the passing of the baton to his sons.
Meanwhile Draxum as the wicked witch felt much more how Mikey sees Draxum at this time in the show, mostly just an antagonistic force who wants something from them. Fun fact: I imagine throughout this dream, Draxum is uninterested in being the wicked witch but is pressed into it via plot. Hence his disinterest in being “melted.”
Additional characters not pictured: Big Mama as the Wicked Witch of the East (those were her Ruby kneepads!!) and Todd as the Mayor of Munchkin Land. If you can think of more, feel free to leave them in the comments or tags.
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Question for the DPxDC crowd
what do you guys actually consider liminal? Like, I genuinely don't know anymore
because early on it was pretty much just Jazz having grown up with ectoplasm in the house for years and in her food, which makes sense, and it was an extremely rare thing
then it got expanded to Sam and Tucker
Then members of the Bat crew that got resurrected by a Lazarus pit(and Dick for some reason? He's never canonically died guys...)
Now it seems to be the entirety of Amity Parkers, All the Bat clan, half of Gotham, Half the Justice Leage, the entirety of the League of Assassins
is it just having come into contact with ectoplasm/Lazarus Pits? Prolonged exposure? Because it's starting to feel like everyone is liminal besides the guys in white for some reason
Like you guys have started using Liminal to basically replace the word "Ecto-contaminated" There is a canon word for the thing you guys have started using liminal to describe
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There's something in this life left to live
or, giving these two fools a soft moment because they deserve it. not gonna lie, I got a bit emotional when making this. I wrote something from Astarion's perspective to go along with it:
Once upon a time we pressed against an unyielding tree trunk, just like this. Once upon a time we hid ourselves in the obscuring night.
Now, the moonlight paints your smile bright and boundless.
We were not unwilling back then, though an ocean laid between us. I pressed my body atop yours and went somewhere else.
How could I have known that you would follow me there?
You were the one who was supposed to be under my thumb. I was the trickster moved by your silver song.
You were the cradle that held me safe when all I wanted was to fall into the abyss. You were the gentle voice that beckoned,
Open your eyes. See what could be if you loosened that white-knuckled grip you keep on your fear.
Sometimes I find myself slipping into the old movements — a flutter of lashes, a dangerous smile — and then I remember. I remember that you were with me at my darkest and ugliest and most utterly heartbroken, and still you told me,
It is an honor to witness you. It is a privilege to be by your side.
And I let that ancient rhythm fall away. I was free to walk off that tired path, and now, everything is new. How will life surprise me when I allow myself to participate?
I was struck with wonder to know that there are people in this world like you. Could you have ever guessed we would end up here, back when we were strangers on the hillside? I didn't have the strength to imagine it. Now, I find myself thinking:
Where will we end up tomorrow? What wonders will we behold? There will be such love and such joy, and such hardship to balance it. But for the first time, I feel I am courageous enough to face it, because I am not alone anymore.
I will be with you here, beneath this moonlight, beneath this canopy. And afterwards, I hope you will imagine with me all the life we have left to live.
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“Being a pirate is all about going your own way.” // “Come with me, Buggy!!”
is this post totally redundant after the similar post i made last week? idk. i guess the main difference is that this time i’m looking at the same topic in an unambiguously romantic light? the shipper goggles, as they say, are on, and i want to talk about these scenes in that context.
so, if you’ll forgive me for repeating myself a bit, let’s talk about this again:
as much as i enjoy the heartbreak of “they always thought they’d be together but miscommunication tore them apart” takes on shanks/buggy, the very first flashback we get about them—the first things we learn about them at all, really—tells us this isn’t true.
and i think what we get is more romantic.
Chapter 19, Pages 12-13. i know last time i said they’re at most 12 here, but looking at these lanky-ass teenaged designs that’s nuts. i fully believe oda hadn’t thought through their ages/the timeline at this point, and they were originally supposed to be about luffy’s age when buggy got his devil fruit. which is not relevant to this post in any way, but it’s my post so i get to go off-topic if i want.
Shanks and Buggy have their own goals as pirates, and at this time they understand them to be mutually incompatible. Buggy thinks Shanks’ travel-and-adventure-oriented take on piracy is soft and foolish; Shanks doesn’t care for Buggy’s exclusively treasure-focused take. They’re sometimes friendly, sometimes not, they’ve fought side by side, but they know this time as allies and crewmates is temporary. (Buggy plans on taking his treasure map and the Devil Fruit and leaving the crew immediately.) Maybe they’ll become friendly rivals, ‘fighting to the finish’ when they run into each other like Roger and Whitebeard do, or maybe the next time they see each other they’ll literally fight to the finish. Who knows?
“That’s also what being a pirate is all about.” It’s very sensible behavior. Smart planning for the future.
Which means the contradictory ways they act later—Buggy secretly deciding to follow Shanks, Shanks bluntly asking Buggy to come with him—are not about these characters thoughtlessly clinging to the status quo. They are not in a “we were always together and I never thought that would change” situation. Deciding to stick together is a considered, emotional decision: “I know we don’t make sense together but I don’t care, I want us together anyway.”
Chapter 1082, Pages 8-9. i was cursed the moment i saw these pages with Unable To Stop Thinking About It disease; only time will tell if seeing it animated makes it worse or cures me.
This argument is a codependent breaking point. Buggy’s pinned all his dreams on Shanks, hoisted that poor boy up on a pedestal, and it all falls apart when Shanks reveals thoughts and plans that don’t match Buggy’s perception of him. He can’t bear to be around him now that the false image has been revealed. (Shanks, poor thing, seems to have had no idea any of this was happening.)
But if Shanks hadn’t said no to Laugh Tale in this moment—or maybe if he’d offered a soft no of, idk, “okay, sure, once we’ve got a strong enough crew”—Buggy would have gone with him, still projecting wildly onto Shanks. He’d convinced himself that being a member of the Pirate King’s crew was enough for him, that he didn’t need to be Pirate King himself if Shanks got the title and he was with Shanks.
…but would he have actually liked being a member of that crew?
Like, looking at the things the Red-Haired Pirates do, would Buggy have enjoyed being one of them? Wandering East Blue, hanging out in friendly port towns, collecting treasure here and there but spending a lot of time getting drunk and making friends with the locals? Eventually becoming famous for having a large, weak fleet of subordinate pirate crews Shanks has to sometimes physically step in and protect?
God, no, he’d’ve been miserable. Just seething with thwarted ambition, furious at the perceived disrespect. A real power hungry first officer stereotype, the kind of character that makes you think, Why’s he working for this guy if he hates him so much?
And Buggy must have suspected it would go something like that. But if Shanks hadn’t rejected Laugh Tale, he would’ve gone with him anyway.
(Better to be miserable with you than a loser on my own.)
Or say Buggy agreed to come with Shanks. Obviously his presence wouldn’t change the crew makeup significantly enough to skew the Red-Haired Pirates towards his way of thinking, but for the sake of argument: if he had convinced Shanks to do things his way, would Shanks have enjoyed the kind of piracy Buggy engages in? Taking over and destroying East Blue port towns, ordering your crew killed on a furious whim, single-mindedly hunting down treasure maps and single-mindedly hunting down treasure chests and paying no attention to anything along the journey? Eventually becoming the boss and administrator for a bunch of bounty hunters and mercenaries?
No way; most of that behavior is totally repellant to Shanks. If he let Buggy do that kind of thing under his banner, you’d be left wondering What happened to his morals? Why does he let this guy walk all over him?
And Shanks knew the kind of pirate Buggy was and wanted to be. But he asked Buggy to come with him anyway.
(Better to be miserable with you than have fun apart.)
It’s hard to see a way to make these very different styles of pirating work together. It’s probably doable… with a lot of compromise and honest conversation. The younger Shanks and Buggy had a point, when they said each going their own way was the obvious choice! It was certainly the easier one. Was it the happier one? Who can say.
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