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#When I say things like this A lot of people Ask me if I’m Asian And you don’t have to be Asian to be Buddhist . but I am Asian lol
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thinking more about trigger warnings and. Bluntly, I think except for a couple specific types of things—like a rape scene in a book, or gunshot noises in an audio drama—content warnings are almost impossible to be useful when they come from somebody who doesn’t know you.
I talk about a really good horror movie I saw to my mom, and she asks, “Would I like it?” and I can say, “there’s one pretty bloody and gross scene, and one scene of a chimpanzee attacking somebody but it’s mostly offscreen, and otherwise, it’s mostly suspense and psychological, I think you’d like it.” That’s a content warning. It’s also only really possible because I know my mom and I know what makes her uncomfortable (gore and excessive violence, mostly). I was reading one of the bleakest, most depressing, most unsettling books I’ve read in my life, and chatting about it with a friend, and I said upfront that it’s bleak and upsetting, and also went into the background of the author a little bit—he wrote it as he was in and out of hospitals, dying of cancer. My friend’s dad was at that point in the hospital with cancer. Because I knew that I wanted to contextualize the book if he was considering reading it. A lot of the time when I’m talking about sci-fi books with another friend who reads a lot more of them and faster than I do, they will often let me know, “It developed a really bad straight romance halfway through,” or “the romance arc wasn’t awful but was annoying,” or “I actually didn’t mind the romance in this one.” These can be thought of as content warnings, telling me that kind of content to expect and brace myself so I don’t get disappointed by another stupid romance subplot in a book a otherwise was looking forward to. “It’s got SO much body horror” can either be a warning or a recommendation, depending on who you’re talking to. We trade our assessments of books, and let each other know what we might like and what we won't like. That's super important—and impossible to impersonalize.
Especially when it’s stuff like “yeah it was uncomfortably sexist” or “the author writes Asian people in a really uncomfortable way” or “there’s just random fatphobia consistently throughout” or “one of the magic things in it relies on the idea that love is what makes you human and people who don’t fall in love are monsters” which the author obviously isn’t going to warn for and is going to hurt some people more than others, and some people probably aren’t even going to notice. You kind of have to know somebody before you can assess what they might need to know going into something.
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aepson · 4 months
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im always scared to label myself with a religion, mostly of the fear of Somehow not doing it right Or not being welcome to it. But I think religionIs something to be interpreted because religion exists beacause sapient beings need something to believe in, or they will become hopeless or lose their minds. Even those who say they Do not believe in a higher power bla bla “so believe in science” Still believe in something , science . Understanding the world you live in is something sapient species want to have or we’ll Need to have, in some sort of way and whether that is believing that everything can be explained by science, that Christian god created the world , that all human beings are divine and existence is unified , having something to explain how the world works is a basic “human” need and that is why everyone will always be curious and need to know how everything works . I am religious in the way that I need the world explained and a way to parse it too
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saintjosie · 7 days
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apologies if you’ve talked about something this before, but your post on experiencing exclusion in trans fem circles on account of being an east asian woman who speaks up came up on my dash and it reminded me of something that‘a been troublingme.
i’m also asian and trans, and i’m always really sent off-kilter when i see white trans people idealizing japanese aesthetics and asian people in general. so many white trans people use anime tropes and aesthetics while also othering real asian people, esp other asian trans people. does it feel appropriative/fetishistic to you?
i guess it’s just something that echoes general white-centric society but it feels like a lot of white trans people focus more on their transness and forget that their whiteness doesn’t just go away or get excused, if that makes sense
this is a great ask with no easy answer. the short answer is yes, you’re absolutely right, but there is also a lot of nuance that’s very important to address too.
white people in general have an enormous problem with misunderstanding the difference between appropriation and appreciation. and that applies to appropriating the culture of all people of color because appropriation is a symptom of colonization. part of that is because it’s very difficult to have a catch-all definition that clarifies the distinction between the two because each person approaches the things they consume in a different way, with varying levels of excitement. i simply cannot point a finger at all white people who enjoy anime and say, “this is bad”, because it simply is not true. it would be just as harmful if a white person were to say, “i would never watch anime because i think it’s weird”, because while appropriation is objectively a form of colonization, appreciation is a celebration of diversity. and celebration of diversity is good!
but i think you hit the nail on the head when you say that a lot of white queer and trans people forget that even though that they are oppressed by cis heterosexual patriarchy, the intersection of oppression that exists between oppressed identities and race means that as white people, they still have white privilege. full stop. and so we often have this issue, especially with young queer and trans people (young as in newly realized queerness and transness, not age) where there is a pause in deconstructing whiteness because they are too focused on deconstructing the privilege that they have suddenly lost by embracing their marginalized identities.
and the issue goes even deeper when you realize that people of color also struggle to realize that we often also perpetuate and contribute to oppression of other people of color as well. east asian people in particular forget that even though we are people of color, we do not face the same kind of oppression that black and brown people of color do, and often we perpetuate racism through appropriation of black culture and also just straight up racism. i think most asian people can attest to how often asian people can be racist as fuck. and i’ve definitely seen asian people who think it’s acceptable to make aave and using the n-slur a part of their personality. and at the same time there is an enormous problem with black people fetishizing asian people and latching on to anime and k-pop in ways that perpetuate the oppression of asian people, as well as just being racist towards asians in general.
and root of the issue is that white supremacy affects all of us. EVERYONE has whiteness to deconstruct because we all live in a system that was built on white supremecy, even if we do not have white privilege ourselves. the answer is that everyone period must bear the burden of constantly deconstructing whiteness, deconstructing our own privilege, and doing our part to lift each other up. and while it is true that white people often have the most work to do in deconstructing their own privilege, none of us are absolved.
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isnt-it-pretty · 5 days
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please only read this if you finished cyno’s story quest!
I absolutely loved the story quest and cyno’s dynamic with everyone else but cyrus left me a bit disappointed… not in his character overall but in his actions. he had good intentions but took cyno away from his origins, denied him answers when cyno asked (cyno said he asked many times about hermanubis and the temple and cyrus always avoided answering him) and since cyno suffered under hermanubis it would’ve been his right to know where it stems from since he couldn’t recall… cyrus probably did it to protect him but he cut cyno off from his culture and people. Bamoun and cyrus owe cyno and sethos a lot in my honest opinion and cyrus still kept avoiding answering cyno at the end of his quest (cyno even calls this out) which just shows me he didn’t learn anything at all from the events.
he also had the option to try and reach out to cyno’s biological parents because they might’ve given him away to provide a better life for him (but I have to say as a middle easterner I’m tired of this poor parents give their children away etc etc narrative we had the same with collei)
cyrus also didn’t feel responsible enough for sethos after taking everything away from him or even leaving him behind back then even he knew it’s bad for him.
cyno and sethos both suffered under the actions of cyrus and bamoun and deserve so so much better cyno is a perfect example of ethnic children being taken in by white people and having their cultures and roots taken away from them. not to mention we know that cyno did maybe have a better life in the akademiya but he was still surveilled and treated like a lab rat and discriminated and isolated until he met tighnari
sorry for this little rant. I still appreciate everything cyrus did for cyno but I think this is also an important part of his very flawed character and ideals. in the end of the quest it even felt like he was manipulating cyno by showing him the photos which he “miraculously” found again showing him “look who raised and took you in”
Sorry I just saw this! First, please never apologize for sending me long asks, I love them! Also congratulations anon, I successfully had to log onto tumblr on my PC to type out this response lol. This is... very long, longer than your ask. I'm so sorry, this is the first post I've made with my thoughts on the quest, so it's going to be a bit of a ramble in return and probably not totally coherent.
Okay, so, full disclosure, I am super white. I mean I look like Barbie sort of white. That means that I don't think I can have any constructive input on the trope (arguably cliché) of middle eastern and BIPOC+Asian characters giving away (or selling, in Cyno's case) their children, so I will definitely defer to your discomfort with the concept. It's definitely a pervasive trope (see: Collei, Dehya, Cyno) and not just in Genshin Impact. It's something that is absolutely worth bringing up and thinking about, and I bet most people didn't even consider it, so thank you for voicing it as something you've noticed! Because of this, I don't feel comfortable talking about whether or not Cyrus should have looked for Cyno's parents, because it's very wrapped up in the narrative vs the damage of the trope, which has a lot to dissect and would be better done by somebody more educated.
As for the quest, I think I've gotta split this into two parts to have my thoughts make sense. God this is so long.
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First, as a basis, the whole thing with Hermanubis is actually so fucked up from the start even before we can get to Cyrus and Cyno. I mean Hermanubis was an advisor to King Deshret, right? (Also that was two-thousand years ago, but he only died five-hundred years ago? Did I misunderstand that? Was he immortal? The timeline in this game could use an entirely different post because between Cyno and the Hearth kids it makes zero sense, but ANYWAYS-). Presumably, having witnessed this, Hermanubis knows the danger of Forbidden Knowledge and fucking with things that should not be fucked with.
After the fall of Tulaytullah, the Temple of Silence moved to the rain forest but left due to corruption, right? So you'd think they would have agreed on the basic Cardinal Sins of the Akademiya. But now, four hundred years later, the Temple of Silence's attempt to ressurect Hermanubis breaks at least one of those sins (tampering with life and death), and arguably two more (interfering with human evolution and/or attempting the forbidden and fearing none.) I really can't imagine Hermanubis would be happy with their actions. This is like the Akademiya trying to ressurect Rukkadevata (and boy do I have a fic I want to write that digs into those parallels of Cyno and Nahida.)
The very basis for the experiment they did on Sethos and Cyno is so unethical and corrupt. This killed adults so they thought, hey! It's not going to kill the children, right? Lets do it on them despite the negative effects (headaches and fevers). Bamoun's children even volunteered Sethos, which, again, is so fucked up.
Narratively, the quest didn't focus on this at all. It was never framed as something negative or messed up like you'd think it would be? I imagine it's because they didn't want to paint Bamoun and Cyrus as bad people or Sethos as indoctrinated. (What's interesting to me is how differently some situation are treated vs others in different quests. Arguably, Wriothesley, Arlecchino, and Cyno have parts in common that are condemned to totally different extents depending on the character, but that could be it's own post too).
We can talk about Cyrus taking Cyno and whether or not that was a good decision (removing children from their culture is never a good thing but we'll get to that) but we also can't really get into it without first talking about how the entire thing was absolutely horrid and wrong from the start. We're starting the conversation about Cyrus from a remarkably low place.
Okay, onto Cyrus and the quest. I actually think it's okay that Cyrus is a flawed character. We already knew he was super strict when he was teaching Lisa and Cyno, and we knew he was into some unethical shit since we already knew he was part of the experiments on Cyno, albeit not to this extent. (Also Naphis knows all about this so what does that say about him? All the Sages are so sus, but, I mean, isn't that just government?)
Here's the thick of it. Was Cyrus taking Cyno to the rain forest a good decision? I don't know. We just don't know enough about why he left and took Cyno. The quest didn't frame the action one way or the other, nor did it give the reasons he left or Bamoun didn't go after him.
There's generally three ways to frame this. 1. Cyrus was a saviour for taking Cyno from an abusive environment. 2. Cyrus was awful and stole Cyno's power for himself. I don't think either of these make sense, since in either case, I think Bamoun would have gone after them. I think most likely is 3. There were conflicting needs.
The one I'm leaning towards right now is that The Temple of Silence was desperate and willing to push harder than they should, even if it was going to harm the children, so as an outsider with a different perspective and more objectivity, Cyrus stopped the experiment. He knew Sethos wasn't at risk of being harmed nearly as much as Cyno because Sethos had a family there already looking out for him. Cyno didn't. People care less about a child who isn't part of their community vs one who is. So he took the child who was far more likely to be harmed, and left. Taking Sethos would have been even worse than just taking Cyno, imo, since it would be taking Sethos away from his family, whereas Cyno was already taken from his family. Bamoun realized the same thing in hindsight, which is why he let Cyrus and Cyno go. But again, that's just a headcanon about what happened.
As for the rest of the problem. While as previously mentioned, I'm very white, I'm also Canadian (I promise this is relevant). A bit of Canadian history here for those who might not know, Canada once had something called Residential Schools. These were boarding school for indigenous children who were forcibly taken from their parents to be "educated." There was a lot of abuses in them and I cannot over represent the amount of damage it has done to the indigenous peoples of Canada and the country as a whole, but the main reason I bring it up here is because of the way the government tried to kill indigenous culture through their children. While I don't think this was Cyrus' intent at all, it is a real world example very close to my heart of the damage it does to children to be cut off from their cultures. We see it in fostering and adopting children as well. Indigenous foster children are best kept with indigenous foster families when at all possible. Foster parents are told to try their best to keep their foster children connected to their cultures in the home but that isn't always achieved, nor is there always even an effort made. Mixed race families often practice both cultures with their children because know how important it is.
The fact that Cyno was completely cut off from the desert is wrong, and it would have been very difficult for him to face the discrimination for being a race that he has no cultural connection to. It's something Cyrus absolutely should have done more about. I mean The Corps of Thirty are eremites even if they aren't from the desert! Cyrus could have reached out to them on Cyno's behalf to introduce him to people who share cultural aspects (young!Dehya and Cyno friendship anyone?). He could have taken Cyno to Aaru Village (young Candace and Cyno friendship?) or at least spent time in Caravan Ribat. The only reasons I can think he didn't is because he was trying to keep Cyno away from the Temple of Silence out of fear they'd come after him (well intentioned but still harmful), he didn't think about it (obliviously harmful), he didn't have the time (willfully neglectful).
Cyrus also absolutely should have told Cyno about The Temple of Silence and Hermanubis, especially when he got a little older (although I'm for raising children with that sort of knowledge. Secrets only hurt later). Assume best intentions, he was pprobably trying to protect Cyno, maybe because he wanted Cyno to find his own path instead of the one the Temple of Silence laid out for him, but I still think that was a mistake to keep it a secret.
Cyrus is a very flawed person, but so are a lot of parents. That doesn't mean that his actions were right or justified, but it does make him an interesting character. It also makes his relationship with Cyno interesting. Canonically, Cyno isn't angry. He's already struggled and come to terms with who he is and what his power means, but I still think he and Cyrus need to sit down and have a long conversation. Cyno deserves answers about Cyrus' motives and decisions and they need to talk about Cyrus trying to protect Cyno vs Cyno not needing that protection, ways Cyrus should have acted differently, etc. I'd love to see somebody explore it; it would be interesting to see since it's definitely overdue, but I don't think I could do it justice.
I don't think it's wrong of Cyno to forgive Cyrus. We as the outside observer can say, "whoa, that's fucked up," but I don't think Cyno is necessarily wrong in how he feels. Like I said, he's already dealt with a lot of this already and is remarkably resilient. I think the hardest part of all this for Cyno would probably be Sethos, because that's definitely going to be a ton of messy emotions, but that doesn't have to reflect on Cyrus. It could, of course, and if somebody wanted to write Cyno as being angry and fracturing their relationship, that would be a valid way to go, but like, idk, I know a lot of people who made really bad decisions when raising their kids, and their kids still forgave them. Not always, and being a parent doesn't mean somebody deserves forgiveness for their mistakes, but I think it shows how resilient Cyno is that he bounces back from this so well. It shows his strength in his how convictions and beliefs, which is really interesting when compared to characters like Sethos and Kaeya (and man are there a lot of similarities between Cyno and Kaeya).
I also don't think finding those photos was intended to be Cyrus manipulating Cyno, but I can see how it feels that way. Since the quest was about Cyno, it felt like a nice narrative way to tie it together by reflecting on Cyno's childhood with Cyrus, but I think it really depends on how you view the entire situation and whether you think Cyrus should have taken Cyno. It's definitely a valid take and something that's okay to feel uncomfortable about.
This is where people might disagree with me, but Cyno grew up loved. He had a lot of challenges and Cyrus made a lot of mistakes, and love doesn't fix how fucked up it all is (lots of adopted kids are loved and still hurt by not having a connection to their culture), but Cyno has already accepted all of this and ultimately, he has forgiven Cyrus for his mistakes. I think that's what the photos were trying to depict.
To me, the entire quest does a very good job of using Cyno and Sethos as foils of each other. They're both paying for the decisions of the people who raised them, and neither are right or wrong, just different. It shows Cyno's growth as a person vs Sethos who hasn't yet found his way. It shows that neither Cyrus or Bamuon made the right decisions, nor were they evil people. They were doing the best they could at the time, and they both fucked up, and now it's up to Sethos and Cyno to figure it out, but they both still love their family despite whatever mistakes were made.
I hope this rambling essay length response is satisfying lol
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nightcolorz · 2 months
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I must confess something, I do not understand white Vox lol is it just his VA? He may be just a TV with a body but his eyes seem to be drawn as east asian and thats his most prominent human feature. Majority of the time I see people draw him as a human they actually erase his real eye shape to (I assume) make him look more white. There's no real canon so people can hc whatever but I am so intrigued by how people are interpreting him white. I promise there are nasty tech/media ceos that overwork their employees all over the world... maybe im reading too much into it because the show is otherwise verrrry western-centric. Just curious how you view it, you're definitely in the majority and i realize people like me are the outliers but just saw your post and had to ask (if you didnt mind sharing).
Anon is referring to this post btw for context: https://www.tumblr.com/nightcolorz/746235899544813568/my-hot-take-is-that-i-think-that-a-vox-human?source=share
Anon ur hella polite and ik u got good intentions so I was stressing a little over how to respond without invalidating ur headcanon cuz like, I never want to be the guy saying “this character is white and u can’t headcanon them as a racial minority” cuz that’s pretty shitty no matter what. We definitely have different takes but when I’m explaining my interpretation I don’t wanna sound like I’m trying to boss ppl around and say there’s only one way u can see these characters. This is just my personal interpretation and I was being funny in my og post implying that my interpretation is the “correct” way. But since u asked I’ll explain my reasoning why I (and prob other ppl) see Vox as extremely white lol.
I don’t take Vox’s physical appearance into account at all when thinking about his ethnicity cuz in a show were everyone is pretty racially ambiguous design wise Vox is one of the most ambiguously humanoid characters, like my guy literally has a tv for a head with eyes and a mouth, and that’s it. I don’t see ur point about his eyes at all tbh, to me Vox’s vaguely slanted eyes have always come off more like a devious squint than an ethnic feature. Even still I don’t read slanted eyes as Asian automatically so it never occurred to me.
I don’t read as Vox as white bcus of his VA being white or him being a tech bro billionaire (but ig they play a part). I read Vox as white mostly bcus I see his background as a former religious extremist/cult leader from the 50s with a skill in life and in death for male manipulating ppl and using them for his own gain as very white and western. (I got this info from his official reference sheet for auditioning va’s, here that is)
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His capitalistic ideals and business practices r meant to mirror (extremely white) billionaires like Musk and Bezos, which adds to my perception of him. Of course being a billionaire tech guy is not a western white man exclusive thing, but I feel that if we were meant to perceive Vox as someone not from America that would definitely be coded or in some way communicated. And I say this with as little ill will as possible, but for me I wouldn’t want to perceive Vox as an East Asian tech bro billionaire specifically bcus there r negative stereotypes and connotations attached there. East Asian men have a history of being negatively stereotyped as corrupt tech business owners. I don’t think u are trying to imply those stereotypes with ur head canon (frankly it’s hard to avoid negative stereotypes in fiction a lot of the time bcus stereotypes encompass such a vast range of things that its hard to take them all into account). But regardless, it’s smth we should try to be conscious of.
Anyways, I also usually take these character’s personalities and values, self image, etc into account when im thinking about race, bcus race is more then color, and especially for characters with lives and personalities based in much less tolerant time periods, it’s significant to consider how race would play a role in forming the way they navigate the world. Based on how Vox behaves I can’t see him as being racially marginalized. I’m gonna compare Vox to alastor a little cuz alastor is canonically creole and I think he serves as a good reference for someone I perceive as not white in comparison to Vox and how I think he differs and contradicts the experiences of a racial minority.
Vox to me comes off as someone who thinks he is entitled to power, respect, privilege, etc, which is a very standard type of attitude for a white man who was alive in the 1950s to have. He’s very emotionally immature and volatile, doesn’t seem to concern much over his public image beyond petty dick measuring contests with alastor (he regularly publicly has angry tantrums and doesn’t break a sweat over how this will affect his status). He obviously cares about it (scolding Valentino for embarrassing him and such) but he doesn’t seem to worry about loss of reputation in any sort of real way. I get the impression that Vox has always had at least a standard amount of social standing and privilege and can’t see a life for himself without the fundamental privilege he feels owed there to support him. He’s basically a man baby, a man baby who still manages to garner power and respect effortlessly (it comes naturally to him) while remaining whiny and insecure. Very white man of him! White man behavior!
in comparison, Alastor, (who I do not read as white) is always frantically clinging to his composed self image and his power as if it will slip away from him if he loosens his grasp at all. He has an extremely firm grip on his composure to the point where he never allows anyone to see him slip at all, let alone frown (despite his mental health and emotional well being being equally fragile as Vox’s). Alastor understands deeply how little the world owes him and how difficult and unreliable his acquiring of status actually is. He is borderline neurotic about retaining his power and staying on top. Despite the smile, Alastor is always defensive and fearful, picking fights with anyone he thinks might be a threat like a small dog or a prey animal would. Meanwhile, Vox conducts himself like a man with nothing to loose. I feel like Vox grew up with money and doesn’t know poverty or a lack of privilege in any intimate way that would drive him to guard it in anyway beyond flippant. To Vox power, status, and privilege are inherent. Same can’t be said for alastor.
tldr in conclusion Vox’s brand of bad feels very specific to a white man, alongside his emotional immaturity and his attitude, mindset, and behavior. This is why I see him as white asf, but I don’t think there’s anything wrong or it’s in anyway less correct to headcanon him as a different race. That’s just how I see him. Thank u for sending the ask anon it was pretty interesting to write! Have a good day! (btw i love Vox he’s one of my fav character lol me calling him a white as shit privileged entitled man baby douchebag is out of love and all I find interesting and fun about him)
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csuitebitches · 2 months
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What do you think about consumerism in relation to the "hypergamous" lifestyle?
Great question. I'm going to be honest with you. There’s no point in sharing my opinion, I’d rather share my observation.
there is this perception that you have to spend crazy $$, wear designer, go on expensive holidays, be a part of exclusive member-only clubs in order to bag a wealthy guy. The thinking is, “if I look the part, I will fit right in.”
let me break it to you. If you’re Asian, Middle Eastern - you come from a culture that basically defines marriage as something between two families and not individuals - you could live the above lifestyle, live way beyond your means but your chances of bagging a wealthy guy are low. If you do not have the family background or education level to support your lifestyle to be with a rich guy, it’s going to be very difficult, not impossible. You could bag someone who is upper middle class, but definitely not the 0.01%.
While it’s true that the rich do spend like crazy - you have to understand that (especially in Asians) the level of spending is completely different. They can book a first class emirates flight without caring about rates, they have access to concierge services, the circles are small but tight. It is extremely difficult to break into these if you don’t have the money or are extremely good friends with someone who is in this circle. To keep up with this circle is another financial headache.
The consumerism is crazy, it is high yes, but often it’s for things you might not expect. “Silent luxury”, investing in jewellery, properties, experiences, hobbies, drivers, PAs, 24/7 staff to take care of your home, having personal managers at the banks that have your accounts, seeing the top CEOs, politicians, actors etc as regular people - keeping up is not easy. Even if we look at normal stuff, like shopping for clothes - they’re able to blow this thousands of $ on a simple Hermes tea cup set, break it, and buy another one very nonchalantly. Not to mention the constant social gatherings, the clothes (god forbid you repeat), your life’s experiences etc etc. Women here don’t work to maintain their lifestyle, they work to enjoy what they are doing. Even if they stop working tomorrow, they will be financially taken care of by their families or husbands.
hypergamy here is completely different and obstructed. Let’s take my own example. I date boys that my family picks out for me - boys whose families own massive conglomerates, who are cultured and sophisticated, etc etc. I ended things with my last boyfriend because of multiple things, but what mattered most was that my father felt that he wouldn’t be able to provide for me the way I was used to all my life. (Even tho my ex came from a wealthy background too). At every social gathering that my parents organise or take me to, I’ve got my parents friends asking my parents if I’m single, if I’m interested in meetings their sons, etc etc. Dating and marrying hypergamously in Asian and Middle Eastern cultures is very much a family affair. There is a lot of talk that happens in these circles - who married who, whose kids are dating who, did you hear that A’s son fell in love with some middle class girl he met in college - not to your face, but behind your back.
What I’m trying to say is - you could look the part but still not bag the guy. You could dress nice, you could wear expensive perfume and make up but in the end, backgrounds are vetted extremely carefully. Especially in today’s day and age where looking the part has become easier than ever. So now when you tie this to consumerism, you can see why it can be difficult to keep up with this level of consumerism and spending. And even if you can - that may not guarantee anything. Unfortunately life isn’t like kdramas and some rich guy isn’t going to take pity on you and transform your life when he could just be with someone who has a similar upbringing which is more comfortable.
I’m not sure if I answered your question correctly, but I assumed that you were basically asking me if looking the part can get you any points in the hypergamy scene.
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can i say i absolutely love how you write ava being casually nonbinary so much. there are no fucking words to describe how much i fucking love your in depth exploration of butch beatrice, especially as an asian genderqueer sapphic who relates a lot to beatrice, your fics about it is definitely some of my top fav fics in the fandom, and like lowkey inspiring to me in my own journey to better accepting my queerness and exploring what it means for me, but also on the other end of the spectrum, i just love the casual simplicity (not sure if that’s the word i’m looking for) you write ava being nonbinary with
ava’s nonbinary, and it’s just a simple everyday fact of life just like the grass is green and the sun goes up and down everyday, there’s no need to dwell on it because ava doesn’t need to dwell on it and maybe her relationship or feelings about gender will change or get more complicated in the future or they won’t change one bit, but that doesn’t matter because it’s not the future right now and they’ll cross that bridge when it comes to it
[lil teeny bit of nb ava for the culture]
//
'hey,' ava says, trailing a hand up and down the inside of your forearm, 'do you... do you care?'
you have absolutely no idea what she's talking about; you care about a lot of things, and, more and more, there are plenty of things you also let fall to the wayside: sometimes they just are.
'do i care about what?'
ava sighs, scoots a little away from you on the couch, tucks a strand of hair behind your ear. 'that i — i don't feel like i have a gender, or whatever. like, i'm a girl, i guess? but only because that's what people thought, and told me. but i don't feel like anything else. i mean, first of all, the gender binary is a tool of colonial oppression and white supremacy, especially when employed by the church —'
'— yes, that's true —'
'— but also, i have a literal divine battery pack keeping me alive, allegedly —'
'— the halo definitely is keeping you alive, we know that —'
'— and i've been to, like, realms and stuff. met a few gods; fought a few demons. fell in love with you.' she smiles softly. 'so it's just... limiting, to me. it feels limiting, to be one thing.'
'i don't think binary gender makes sense to me either,' you say, allow yourself to admit. ava probably has figured it out, even if you haven't been able to say it: you wear a binder some days, and you don't feel anything against she/her pronouns but there's masculinity and androgyny you crave, that you're just starting to feel steady and free enough to explore. 'i feel it differently than you — for me, being a woman is a particular experience that matters, but not in the way people want women to be. i don't know, it's a work in progress.' she squeezes your hand with a gentle smile. 'but, ava, i only care insomuch as you're the love of my life, and i want you to feel seen and cared for, just for who you are. i want to know you, whoever that is.'
she swallows and rests her head on your chest; the documentary about mushrooms she had put on in the background plays quietly. 'thank you.' she turns so her nose is pressed against your sternum, hugging you tight. 'i just know it's taken you a long time to, like, be okay with your own sexuality, and i didn't want to throw you for a loop if you were feeling really comfy with, you know.'
'being a lesbian?' you ask, try to keep the laugh out of your voice. 'i certainly don't want that to ever exclude gender expansive people, even if it's a word i like.'
'well, of course,' ava says, her breath warm through your t-shirt. 'you're you; you're the best there is.'
'i don't know about that.'
'nah, it's true. i do know. i'm the beatrice expert. god says so too, direct message. hotter jesus, remember?'
you do laugh, this time, and rub comfortingly up and down her spine, still your hand over the faint, warm hum of the halo. 'no matter what pronouns you use, or what name feels right, or what your gender expression is, i love you. i'm queer, which is expansive and abundant.' you have to swallow because, maybe for the first time ever, you believe the words wholeheartedly. your friends and your therapist and books and music and shows that you love have said them; you have said them, before, but not quite like this. the grace you want to give to ava is far beyond the grace you have ever allowed of yourself. 'queerness is infinite. and so is my love for you.'
ava sniffles and then wipes her nose with the back of her hand, props herself up on an elbow and kisses you. 'the same goes for you, you know that, right?'
'yes,' you say. 'i — i hold it close, often.'
she pauses, holds your jaw in her palm, and then kisses you. you kiss her back, with your eyes closed, with tears pressing at them that won't fall, not this time.
ava doesn't hesitate a few days later when she introduces herself to a few of your friends and says that they can use any pronouns; she tries on one of your binders one afternoon and then frowns and laughs and says, god, i love my boobs but then quietly makes sure to massage your shoulders every evening after that. she tries on any clothes she wants, picks out a suit one day that she whistles at when she sees herself in the mirror, and then laughs. there's quiet nights and loud brunches and your friends who consistently use different pronouns for ava without batting an eye, and it makes her smile even as she dumps salsa that will be way too hot on her chilaquiles and then has to eat them trying to hide a grimace. you don't know how to have that much freedom, not yet, but ava holds your hand and leads you along, always.
you're figuring it out, the loosening of limits you'd set so tight within yourself; ava's figuring it out too: how to be, and how to become when, of course, there's still cruelty — but there's infinite abundance too. you turn back to the documentary — all the fungi that weaves its ways in and out of the world, for longer than you can imagine. all the fish in the sea; all the stars in the sky — a steadfastness and a wonder and a joy, to exist beyond. to become.
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phantomram-b00 · 7 months
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If you’re Latine/Latinx who don’t know how to speak Spanish. That’s okay, you’re still Latine/Latinx.
So since it the last day of Hispanic heritage, and honestly I wish I was more participle with this month as an Hispanic. I’ll try to do that next time, I think honestly I just really don’t know what to exactly post, but then I had a thought. Something I wish I had someone tell me back then. So I want to talk about it in honor of Hispanic heritage month, sorry if I did this on the last day, I’ll do better next time. But for now, I wanna share just a small story while also showing encouragement, so hope you like it.
So, If you go on my introduction post, I noted that I’m Puerto Rican and also, that I don’t know how to speak Spanish. Ironic/silly isn’t it? It even more so considering mostly all my family speak Spanish, so your a question that your asking is “didn’t your folks teach you?”. Well, haha about that, you see I’m not gonna reveal anything super personal, all imma say to give context is that I couldn’t talk until I was exactly five years old; so my mom kinda had no other choice but to teach me English. So most of my childhood that was the only language I learn.
Now probably also wondering “well, you learn English? didn’t you have Spanish class?”, yes I did, in my state at least, the require language to learn was Spanish (which imma reveal a very silly funfact: I thought because of movies/show the require language was French because all they learn was french.), so as a kid I wanted to learn; only, people there already were very advantage in Spanish, a lot better than me, (small context: in my state, majority of the people are more Spanish speakers, let me clarify I’m not saying this is bad since I do love Spanish. I’m just clarifying to provide context) and not only that, the spanish at least I was taught were completely different than the Spanish I know with my folks. So as a kid, it made me really insecure about my Spanish skills, like sure I knew some basic and whatnot but I couldn’t and still can’t speak fluently like my folks. So overtime, I got insecure about my identity too. It got to the point that I wasn’t proud to be Hispanic, because back then a thought that would play was “what’s the point if I can’t even speak our basic language?”. This wasn’t to say I didn’t love being Puerto Rican or Puerto Rico as a whole, I love being Puerto Rican and Puerto Rico, I just felt in a way, I’m not worthy to call myself Puerto Rican if I couldn’t speak Spanish. I still remember a teacher even told me that “it kinda is your mom fault for not teaching you” and it boy if that didn’t make me more self conscious. (There was more, but I’m not comfortable revealing them just yet. So maybe next time my ghostly pals)
But then, I remember, 2020, I watched Emirichu’s video about her Asian experience. And it help me feel emotional, because while my parents didn’t move form Puerto Rico to America (that goes to my grandma), like Emily, I had this big disconnect from my Puerto Rican roots and often feel envious when others spoke better Spanish than me. And not only that, I did at some point and like mention I felt embarrassed so I convinced myself say “oh I can never like tostones” or “I’m definitely going to feel more of an outside if I ever visit Puerto Rico one day” or even “I might as well not try, it already too late”. But, the video let me know I wasn’t alone. And even seeing comments under the video, it help me feel like I wasn’t the only one with this identity crisis. But one thing that I feel is upmost important that I toke from the video, “you’re still Latine/Latinx/any other race no matter if you can or can’t speak Spanish or any native language.” And man, I wish I heard that a lot during my childhood rather than feeling embarrassed, ashamed or feel out of place. But I’m happy I found this video, and I’m glad the video found me and others like me.
So overtime, I began to slowly become appreciative of my roots. I think what was maybe the final push was Lin Manuel Miranda’s Broadway turn movie “In the heights”, now I love the Broadway, so when watching the movie, I couldn’t help but love it even more, because I appreciate how the movie celebrate all walks of Latine/Latinx/Hispanic cultures from Dominican, Cuban, Chilean, Mexican, Colombian, Puerto Rican and more. How this community is so vast and vibrant of overall, proud of their heritage. So I began to slowly being loving my heritage, and for healing, whenever I make an oc, I make them Puerto Rican or headcanon an existing character as Puerto Rican, or learn fact about Puerto Rico to feel more connected (like funfact did you know Puerto Rico is also called Isla del Encanto? Isn’t that beautiful? 🥹) and even now I would ask my mom “hey what does *insert Spanish phrase* mean?” Granted, I will still get moment where I doubt or have imposter syndrome (or as my mom would sometimes say I am my worse critic). But I stop myself, and say “hey, you’re still Hispanic/Latine/Latinx.” Or “don’t worry, you’re still learning.” It’s still a process. And even now I still don’t know Spanish, like I guess to best describe it, I know what people can be saying or what they’re talking about depending on the context but I don’t know how to respond back. Nor write..or spell. But I still am learning as I go, my folks told me one of the best way is to listen to Spanish song and so I’ve been trying to do that or I’ll ask my mom “hey is this accurate?”. So I just want to tell the people who will read this or my Hispanic/Latine/Latinx ghost pals that, no matter if you can’t speak the language, like certain food from your roots, or are feeling the same way I felt, it’s okay, your still valid and you’re still Hispanic/Latine/Latinx. I can’t say it going to be easy, because I’ll be a hypocrite if I did, but, I can say, it worth it each step of the way. And I wish you luck amigos.
But, thanks for taking the time to read this, I know this isn’t my usually good omen content and I’m sorry if I wasn’t super active for this heritage month. I’ll try better next time. But until then, hope your having your last day of Hispanic/Latine/Latinx heritage month! what is it I can do to be more participant for next time? Let me know! Or if you have any question about this post or anything, my inbox is open ask away my fellow ghost ^v^ And always, especially with it still being all hallow’s Eve, stay spooky my pals!
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periprose · 1 year
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Florence - Chapter Five
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At the dinner party later that evening, Harry makes an interesting job offer that you can't quite refuse, and you and Peter drunkenly deduce what's happened with the New York Fashion Week show and the models that have been antagonizing MJ, while also coming far too close for it to be an accident.
Fluff, further confessions of feelings, plot threads that probably won't be solved until I make a sequel to this fic, lustful moments (grinding)
Masterlist | Previous Chapter | Next Chapter
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The dinner party is kind of wild.
There are hired semi-nude dancers, all glittery and gold, dancing on a small stage set in front of the backyard garden, and there are several chefs preparing every food you could possibly think of- pasta served in your own personal cheese wheel, little hors d'oeuvres, kebabs, sushi, some sort of glass noodle concoction that looks more like clear wires than something you’re supposed to eat- and throughout it all, Harry keeps giving everyone more drinks.
He’s still kind of cold towards Peter- you can tell since he greets you and gives Peter a firm nod instead- and he clearly likes your outfit. A sweetheart neckline, halter-top jumpsuit in a deep teal, that’s backless and has floral detailing and flared pants. 
“Nice jumpsuit, Howlett.” He yells over the din of the music of the band in the background, and you nod, feeling kind of hot with all the people around. “Here’s a whiskey sour, just how you like it.”
“Thanks. How are you?” You yell back, taking the drink, and Harry seems ambivalent until Peter strolls away, admiring the scenery. 
“Better. Still a little wary of how things are going.” Harry looks towards Peter and then back at you. “Sorry you had to get caught up in that- uh, argument- earlier, Lettie.”
“If it makes you feel better, it made me and Peter closer?” You watch Harry snort at that and then grin. “No, I know. Not the point. Just… talk to him when you have time, okay?”
“If he actually wants to talk, then sure.” Harry shrugs, and you wonder what that means, if Peter was the type to ghost him as well. You suppose you have that in common. “Have you changed your mind about the job?”
“Huh?” You think for a moment and then remember Harry’s offer about Oscorp’s position. “Oh god, Harry. I don’t know if I can stomach it.”
“C’mon… you said my dad has a certain reputation.” Harry whispers. “I think if anyone can come up against him, it would be you.”
“But…” You think over Harry’s words, and how they contrast to what he said before. “Come up against him? Like, what, running a coup?”
“Maybe.” Harry is mysteriously ambiguous about the whole thing. “Look, Howlett, I’m only telling you this because I trust you. Dad’s not doing so well anymore, and I know for a fact that he would like you.”
“And I would antagonize him, why?”
“Dad’s kind of an asshole. I want to see him have to think a little- I was thinking about what you were saying before- and I want him to actually be there for the little guy. Do more than be a selfish, opportunistic bastard, before he dies. If he likes you, he’ll listen.” Harry scoffs at that. “I know it’s a lot to ask for, especially because you probably don’t want to risk your career- so I could pull a few strings and give you a job somewhere else if it’s not going well at Oscorp, and you’ll still get to put it on your resume.”
Harry is right. It’s a lot to ask for, and your mind kind of runs over everything he’s saying. A big part of you is rather compelled- you do kind of want to know what it’s like to be a vigilante coder, and you have always, always wanted to make the world a slightly better place than it is- and the other part of you is overwhelmed. 
"Alright, Harry. I’m gonna take a couple days to think it over- and I think I’ll just sit down for a bit.” You wave at him and make your way towards a chaise lounge in the path, and sit down, but as you do, two other people sit next to you.
“You must be Howlett.” A tall Asian woman with sharp eyeliner, extending into a long wing that is far more avant-garde than normal, shakes your hand. “Love how you go by one name, too. I’m Elektra.”
You realize with a bit of lag that this was one of the people MJ told you she was suspicious of. Elektra, Wanda, and Bucky. The last guy doesn’t seem to be anywhere in your sight.
You take a large gulp of your drink for some courage. You nearly cough it back up- Harry has definitely put the strongest whiskey possible in your cup.
“Hi. It’s great to meet you!” You start, and she gives you a smile that doesn’t seem to reach her eyes- you feel unnerved by that, and you can’t really read her. “MJ always said you were gorgeous- she didn’t lie.”
“Did she ever say anything about me?” The other woman huffs. She’s got a vaguely Eastern-European accent that you cannot pin down. “I’m Wanda, by the way.”
Her hair is a dark brown, but other than that- she and Elektra are dressed in matching crimson latex suits, although their cuts are different and well suited to their bodies. They seem to really be on the same wave length.
“Um. I think so?” You shake your head, unsure of how to respond. “She’s always very complementary towards everyone.”
“Even those two idiots over there?” Elektra points to the redhead woman with a bob cut, and another woman with a high ponytail- they’re currently dancing with each other. “Ah, of course MJ likes them. They’re all Dior anyways.”
You don’t know enough about fashion houses to clarify anything so you just stay silent, continuing to sip at your drink. You finally notice that Peter is off to the side, being held hostage by a dark, brunette, scowling man, who’s got a bit of beard and steely blue eyes that easily intimidate him, and you wonder which one of these three is the culprit.
Wanda gives Elektra a stern look. “They’re really not that bad if you get to know them, Elektra. It’s not their fault you always keep to yourself- and Barnes.”
She stands up dramatically as Elektra sputters in place, and because you seem to be the only sympathetic person there, she confides in you.
“Wanda has always been soft. She doesn’t get that me and Barnes- you have to do what you have to do to get ahead, right?” Elektra takes a gulp of her champagne, and you seriously wonder if she’s basically just implicated herself.
She wanders off to dance with a glittery gold woman- you realize with some mild surprise that it’s all body paint, so the dancer is completely naked, and you wonder if all of them are- and Peter and Bucky come your way. Peter has a strained smile- he does not like this guy.
“Howlett. Hey.” Peter sits next to you, but so does Bucky, and you move closer to Peter because apparently Bucky Barnes has no sense of personal space. His hand is skirting where your thigh and hip is, and based on Peter’s grim expression, he hates it. You’re only allowing it because he seems drunk, and you do not want a fight to break out if you tell him no.
“Bucky here was just telling me about the world of modelling.” Peter clarifies, and that’s all it takes for Bucky to start ranting in great detail about how his stupid fucking assistant forgot his custom made hair mousse and how his hair looked flat and not shiny enough during his latest show.
“That sounds horrible.” Peter remarks, half-mockingly, and he takes a sip of his cocktail. Apparently his fifth one of the night, if you’re keeping track of all the different glasses and colors of the drinks that Peter has been holding throughout the last hour. He must be trying to get wasted.
“Yeah, it really, really was. You can’t buy good help these days.” Bucky affirms with not a hint of irony, and the fact that he doesn’t know that you and Peter are in an entirely different tax bracket doesn’t escape you. You literally know people who work for the one percent, CEOs like Norman Osborn, and the poors like you get tossed aside as soon as you’re deemed disposable.
It just reaffirms that you do want to listen to Harry- you could do great things at Oscorp.
Bucky Barnes is abhorrent and you want out of here. You don’t know how MJ puts up with him- but you remember she said she’s only really close with Natalia and Kitty Pryde, so perhaps inviting this guy was just for her networking optics. 
“God, you’re pretty.” Bucky suddenly claims as he turns towards you, getting progressively drunker and obviously not filtering his thoughts, and you can tell this must be a line that he uses on many, many women, just based on the confidence that’s oozing out of him. “If there was a spot available on the Dior lineup, I’d put you on there for sure- well actually, there might be, if you prove you can model. Whaddya say? Wanna head back up to mine?”
You feel Peter’s fist clench and you firmly grasp his wrist before he can stand up and do something stupid, along the lines of the fight at the New York Airport, and Peter’s fist loosens, before he grabs your hand, holding it tightly. Maybe a little possessively.
You ignore thoughts about that being hot. 
“I’m not really interested in being a model right now, but do you have an email or something I could contact if I ever get the urge?” You sweetly tell Bucky, in your most sincere, professional, networking tone, and he seems a little thrown off by that since he was flirting so heavily. He takes a look at you and Peter’s intertwined hands, and how Peter is peering at him from just beyond the glass he keeps sipping, and seems to put something together.
“Uh, yeah. Here-” Bucky reaches for a pen inside his blazer’s pocket and signs your wrist with his email address in a tender motion that you did not ask for. Bucky whispers something into your ear that try as Peter might, sounds entirely unintelligible to him.
“Hey, doll. I know the drill- I’ll be waiting in my room, just come up when you’re free of the ball and chain.” His mouth is practically on your ear as he says this, and your face is burning with a mix of confusion, drunkenness, and annoyance that Peter could ever be a ball and chain.
Finally, Bucky leaves, and you immediately pull Peter closer to you even though he’s right next to you. Things are kind of hazy in your mind right now, but something has clearly been illuminated for you.
“What a fucking pervert that guy was, right?” Peter scoffs, and you giggle. “Who the hell asks a girl to fuck like seconds after meeting? I guess models, but still: ew.”
“Jealous, Peter Parker?” You lean in kind of close, and Peter doesn’t pull away- he likes that your face is practically brushing his own. “I was worried you were going to beat him up, too.”
“As if. He’s still going to be at the wedding.” Peter shrugs, tipping his glass back and finishing off his drink. 
“And that’s the only reason you stopped yourself?” You look at him. “Too bad. I wanted to see some wedding drama.”
“Hey. You know the precedent I set before, Howlett. I’d totally be all dramatic and soap opera-y for you.” Peter grins boyishly, and you feel your heart warm at that. “I just figure after the TSA dude and Harry, it’s probably best to just… think first. Act later. Don’t want to start a bad trend if I’m serious about you. Plus you can handle yourself, it’s just my dumb feelings.”
“Wow. I never thought I’d see the day that you’d become mature.” You cross your arms, and Peter lightly punches your side. “Okay, I’m sorry! But you’re right. This whole wedding has too much going on, even without fights. On the bright side, I figured something out.”
Peter is staring up at the night sky, and you shake him by the collar. “Hello? Peter?”
“H-Huh?” He’s kind of lost in this fire that’s in your eyes now. He likes it, to the point where he’s not sure what you’re talking about. When did he get so drunk? His mind isn’t really latching onto anything but your face.
“Okay. I’ll explain upstairs because people could be listening here-” You look from side-to-side and Peter’s only following your gaze because you just seem so striking at this moment. “And because I think something about outside is distracting you.”
“Not true, Howlett. Something right in front of me is distracting.” Peter immediately shoots back at you, and you blink before smiling up at him, shoving his chest lightly. Very gently. Somehow it only brings him closer as he resists your pushing, as if Peter is some kind of immovable object that cannot stay away.
Peter stares at your bare back as you lead him away, into the Villa, upstairs to his bedroom, and he can’t control his indecent thoughts this time. 
/
“Okay- are you listening, Peter?” You start, and he nods, wiggling into the massive pillows that adorn his bed. He turns dramatically and fixes his gaze on you, and your face turns mildly red- you type on the robust laptop that Peter obviously brought for work, still feeling his stare. “Here. We can start tracing back who sent the email that removed MJ from New York Fashion Week- she sent me the original that has an ‘anonymous’ signature.”
“Wait, wait.” Peter suddenly shakes himself a little out of it, feeling considerably less wasted as he focuses on this. “How do you know that it’s Buckboy’s email, for sure?”
“I have an educated guess.” You snort at his portmanteau of fuckboy and Bucky. “Elektra said something about Wanda not understanding how to get ahead, but that Bucky did, and Bucky said that there’s a spot opening up on the Dior model lineup, which is enough evidence for him, right?”
“Oh, and that’s why you got his email.” Peter realizes. “Damn, I’m slow on the uptake. But nice one, Howlett.”
“It’s okay. Drinking and detective work don’t really go hand-in-hand- I’m surprised I figured out this much.” You type in Bucky’s email address: [email protected]. “What are the chances he has some separate hooking-up email address and a professional one?”
“It’s 2023, Howlett. People don’t use email to hook up.” Peter snorts. “Shouldn’t you know that?”
“I guess this makes it clear that I don’t do hook ups.” You sniff, and Peter immediately takes on a mischievous smile.
“I can change that-” He starts but you immediately smother his face into the pillow. “I’m kidding! Of course an idiot like that would use the same email for everything.”
The software you’re using to trace back the IP address of the initial email is going to take a while. Dior forwarded it from an anonymous source to MJ, and she then forwarded it to you, which means there are like three or four layers of data to scan through and peel back. 
“We got time to kill. What’s up?” You ask, and Peter frowns.
“Don’t you think it’s sad that MJ has to be buddy-buddy with people like this?” He sounds deep in thought. 
“MJ also likes Natalia Romanov and Kitty Pryde… and that Wanda chick doesn’t seem in on this, so maybe it’s not so bad.” You try, and Peter nods. “We all have to deal with people we don’t like.”
“I guess that’s true. But still- sometimes I wish it was as simple as it was back in high school. When it was the four of us. I never realized there would be a time when it wasn’t like that anymore, and now I feel bad that I didn’t treasure it enough.” Peter sounds wistful as he stares up at the deep yellow canopy over your bed. “Isn’t it crazy how everyone’s lives are changing? Big milestones are happening. Gwen and Miles, MJ and Harry, first weddings, then probably career stuff, then houses and babies… I wish I hadn’t been so stupid back then.”
“Huh?” You interrupt Peter’s drunken rambles about the stages of life. “What do you mean?”
“I should’ve just bit the bullet and just asked you out. As soon as I had an inkling of a feeling for you.” Peter sounds genuinely distraught now, while you wonder when it all started for him. “I mean, I always thought- you’re my best friend, so it would be wrong- but I really, really think I was repressing my feelings because it feels way clearer in hindsight, y’know? Like I was just too scared. But if I had just figured it out back then, I would’ve had you at my side sooner. Imagine being as stupid as me and spending the last ten years completely oblivious to your own feelings, Howlett.”
“Peter-”
“And another thing!” He gets a sudden burst of energy and sits up next to you, stumbling a little. “I spent all of college missing you. It was bad, Howlett, I don’t think I even properly had a girlfriend. But I didn’t- I couldn’t figure out how to bridge that gap between us when you were drifting away already and it seemed like you didn’t want to be friends anymore, and I pretty much thought that I only missed you as a friend because I wasn’t around you, so I couldn’t figure out that I love you, and holy hell I need you to promise that you won’t leave me.”
“I won’t.” You can’t look at him, because you know that Peter has just laid his bare heart out to you, and he’s said that he loves you, but it’s too much for your little drunk mind to understand. The best you can do is say that you’ll never leave him. 
“Good.” Peter breathes a sigh of relief. He seems to have no qualms about telling the truth like this, even though it’s really all that drunken courage racing around in his bloodstream. “I wish I had said something back then so we would just be together now.”
“Who says we aren’t?” You kid, pointing out the lack of distance between you two. 
“No, not just next to each other like this, like- together together. Like instead of MJ and Harry’s wedding, it would be ours.” Peter falls silent after that, and you take it in, wondering what it would actually be like to be Peter Parker’s wife. 
You know how it would go already. Because you spent a good portion of high school fantasizing about this. Peter and you would probably have a flexible cycle of work being freelance and all, and he wouldn’t be able to keep his hands off of you, and you know he would probably be the type to meal prep a ton and be really type A about what you feed your kids, who would be named Logan JR. and Mayday. Probably. 
You bite back a laugh. “Aw, Peter. It’s okay. Things turn out how they’re supposed to, right? Think about how much we’ll have to look forward to. When we’re not drunk and back home.”
Peter likes the sound of that, and he cutely leans his face into the crook of your neck, his giant mass of hair brushing your cheek and jaw. 
“I’m sorry I didn’t say anything sooner. Or that I made you suffer.” Peter whispers, and you’re really only focusing on how his lips are brushing against the tender skin around your collarbone. 
“Yes, Peter, you were the bane of my existence.” You say drily, ignoring the flush of heat spreading from your neck through your body, and Peter’s laptop suddenly pings back some results. “But it’s okay. I’m cool with it now.”
“Really?”
“Yeah, it built character for me.”
“Okay. Okay. Cool.” Peter looks up, leaning his head against your shoulder, and his arm snakes around your waist. 
“Okay… the IP address isn’t encrypted anymore, and… the email is Bucky’s.” You look at Peter in mild surprise. “Why do you think he got MJ booted off the show?” 
“Obviously so he could be in it instead, right?” Peter thinks it over for a moment. “No, that doesn’t make sense- why would a male model fill in for MJ?” 
“You’re right, that doesn’t make sense.” You bite your lip, and click an attached file on the original email, trying to find out more. “Wait, remember how the email said that MJ was fraudulently using model-in-training funds?”
“Yeah. Definitely not true.” Peter shakes his head. “MJ never even brought up Harry in any of her recorded interviews, her auditions, or any of her actual files when I looked, so there’s nothing fraudulent about it.”
“Oh my god, Peter- look at this.” You turn the laptop screen closer to him. “This is clearly an edited, drawn over PDF file- the numbers don’t actually match the line of the rest of the words. This can’t be MJ’s balance sheet, can it?”
“Only one way to find out.” Peter takes the laptop from you, and with a bit of tech wizardry- he believes he’s undid the edits. “Ahhhh, Howlett. You little genius. No wonder MJ didn’t pick up on this- the fake numbers on that sheet must’ve matched her bank account.”
When you search for the original bank account number, just using your own bank app to make a fake e-transfer, the name attached to it is Elektra’s.
“Wait, so Elektra was the one who was using Dior’s funds?” You look at Peter, totally confused, and it suddenly seems to dawn on him. 
“Ye-e-es…Elektra is that tall Asian chick, right?” Peter scratches his face, and pulls up a video of one of MJ’s early model-in-training videos. “That’s her? Behind MJ?”
“Yup.” You nod. “I guess she and Bucky were working together on this… or maybe she was the mastermind who wanted to take MJ’s spot.”
“Well, she’s not in any of the later videos…” Peter examines the unedited PDF again, and makes a guess. “Is it a stretch to say she was using Dior’s funds and got kicked out for fraud? Hopefully unceremoniously? Probably trying to frame MJ?”
“I would assume that’s the case.” You agree. “But this doesn’t make sense, Peter. Why would Dior believe her?”
There’s a beat of silence, as you peer at the screen, and suddenly you come to an understanding.
“Oh my god. Peter!” You leap onto his lap, too elated and not sober enough to stop yourself, and he immediately catches you, his hands wrapping around your waist to steady you as you eagerly wrap your arms around his neck. He adores the sensation of the bare skin of your back against his palms, but you don’t seem to notice his touch. “Don’t you get it, dummy? None of this is real!”
Peter takes a second, because he’s hyper focused on your presence on his lap, and he’s still just drunk enough to not be able to stop pulling you close, even if you’re looking at him insistently to understand the situation. 
Peter is still pretty smart, though, and he figures it out.
“Oh. This isn’t really Dior’s email at all.” He genuinely looks shocked as he reads the email address over your shoulder- [email protected]. It’s definitely not official, but he can’t blame MJ for not checking the email address when she’s been so busy with the wedding. It’s clearly the fault of those two master manipulators who hardly deserve to be at this event.
“A dummy account- probably to make it seem official? So MJ’s… still in the show.”
As Peter revels in this knowledge, you nod, coming even closer to him as you want to explain more and more, and he can’t stop you. “I’m going to say Bucky had something to do with Elektra’s connections in the industry because apparently he’s been there a lot longer, so they just took their story and made it seem plausible that MJ had done the same thing, maybe they thought she just wouldn’t fight it?-”
You suddenly shudder to a stop, because Peter’s hands are roaming, and he’s snickering at your reaction. “What’s wrong, Howlett?”
“I- Uh-” You feel Peter’s forehead brush your own, and his mouth is hovering over yours. Hot breath is making it difficult to not just lean in and kiss him, and you’re not sure how long you stay like this, with your eyes closed, half drunk on alcohol and emotions, your nose brushing his. You feel something hard between Peter’s legs, and he lazily- but with some aggression- splits your thighs more open so you’re right on top of it. He groans in satisfaction, and you so want to do this, you just don’t want it to be during this drunken time where you can’t remember it later and when you have extremely vital information to share to MJ that could really make or break her life, depending.
“We should tell MJ. C’mon, let’s go back outside.” You pull away from him, regrettably, and get off his lap. 
Peter rolls his eyes. “Okay, tease. We’re gonna have to wait for the flag to go down from full mast.”
You bury your face in your hands and Peter laughs, and then kisses your cheek.
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mistmarauder · 2 months
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Hey! I saw your post about pururing's account, and that your post has been reblogged by lots of people who I pretty much always agree with (including you). So I went to the account's posts and scrolled down, expecting to roll my eyes, shake my head, etc.
But as I read the artist's and others' most recent responses, I started thinking about art forms like Kathakali (I'm South Indian) where face paint of different colours is used as narrative devices and to represent characteristics. If I were to represent a 9-1-1 scene in Kathakali style, I'd need to depict faces of certain characters with colours like white, yellow, black, red, etc depending on the character and their role in a particular arc. So an actor who is portraying someone of Asian descent might be shown with yellow paint on their face to depict not their race, but their gender.
The Western-gaze would see this as "yellowface" and offensive. But shifting perspectives and taking into account the background of the artform and the artist would clarify that this is a difference in context.
I don't know if there is a right or wrong here. If a show began in a Western context and depicts the Western context, does that mean Western audiences can demand that it never be depicted in contexts they're unfamiliar with? Do artists have to stay true to the context of the artform, or do they stay true to the context of the subject being portrayed? Even if this question doesn't have a binary answer, what's the difference between acceptable and unacceptable practices, and who gets to have a say in deciding that?
I just think that these are the more pertinent questions that need to be asked and discussed in this situation. By narrowing things down just to whether that artist was right or wrong without considering such nuances, I feel like we're all risking being smugly superior without realising that we're actually in a bit of an echo chamber.
Hi, anon! I want to thank you for this message. Truly. I do think we sometimes find ourselves in an echo chamber. It’s for that reason that I try to be careful when I make posts like that. I rarely reblog callout posts, and I rarely make them. This is the third one I think I’ve ever made, and I can’t think of any I’ve reblogged off the top of my head.
Callout posts to me only become necessary when you’ve exhausted all other options. And in this case, I only made it myself because it seemed as though those speaking out were being ignored – including people of color. I know that a lot of that has to do with how heavily some of those blogs block and how much they’ve been blocked in the past. So, I chose to make a post under my own name because I knew more people would see it. From what I understand, while a few people do have me blocked, I’m not widely blocked in this fandom. All that being said though, posts like this can still be incendiary and dangerous, and I don’t make them lightly. It’s why I tried to keep my explanation and language as mild as possible while explaining the issue at hand.
That being said, because I approached it in that manner, there’s a lot that the general public isn’t privy to just by scrolling that person’s account.
I’ll start with what you are privy to and how I think it’s different from the Kathakali style you refer to in your message. The defenses this person gave to their coloring choices have little to do with culture and more to do with style and perception. They pulled stills from the show in an attempt to explain the color palette they used, but as an example, in this picture here, Jee is clearly lighter than Maddie, her white mother. And you can see in real reference photos using these actors that this is not the case. That is just a fact.
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They didn’t explain away this issue with cultural artistic differences. They explained this issue using pictures and color picking and defending their perception with some alarming messages in DM.
That brings me to some information you were not privy to. This is an example of one of the messages I was shown in private by someone who was trying to talk to this person one on one about everything going on here.
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They state that they drew Jee that way because she’s lighter than her parents, which is just a bizarre and untrue statement to make - particularly in reference to Maddie. But then they went on to say she’s going to get lighter as she grows older. Even if that is true (which I don’t see why it would be because what?), it has nothing to do with her skin color now.
A lot of this artist’s work is limited to black and white sketches. But if they’re going to choose to add color to their work, it should accurately represent the people of color they're choosing to portray regardless of the artist’s own skin color.
I understand this is a different style of art than the art we normally see, but I don’t see how that would change the fact that twins that play Jee should not be portrayed as whiter than Oliver Stark and Jennifer Love Hewitt who are both white actors. It’s kind of a manga style from what I gather, but from everything I know about that, it shouldn’t have an effect on coloring choices.
And again, the artist themselves says they colored Jee lighter because they perceive her to be lighter and think she will become lighter. That is… problematic to say the least.
It is still complicated though because I think you’re right about Western vs. Eastern art forms and gazes. I really do. I’m a white woman from the West, and that skews my perceptions immensely. I try to understand things as best I can, but I’m not perfect, and I know I’ll make mistakes. But I do not see how the art form here makes the work immune to criticism.
What I know and what I knew before making that post was that there were enough people who were upset by it that it deserved being looked into. And then so many of those voices were being lost in the void that I wanted to do what I could to help. That may not have been my place. What I knew was that my voice would have a greater impact though, and so I used it.
I personally believe this artist to be in the wrong, especially after being shown some of the messages they sent in DM, but the question of what’s acceptable and unacceptable and who gets to have a say in deciding that is a complicated one. I normally wouldn’t feel I personally should have shared an opinion here at all because I’m white and from America, but when other voices are getting lost, what do you do? Do you stay quiet? Maybe I should have, but that’s not the choice I chose to make.
I do encourage everyone to look into the situation for themselves and make determinations for themselves, even if I put a bit of a spotlight on that person’s blog and voiced my own personal opinion. But everyone should definitely realize that what you’re seeing on the public blog isn’t all there is. Not by a long shot.
I really hope I answered some of your questions and that this made some amount of sense.
Please feel free to message me again on or off anon if you want to discuss it further or if you think I've made a mistake. That goes for anyone. My DMs are open.
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toxxxic-mess · 11 months
Text
Introduction
Hey losers, and Hello Alphas.
This is my new blog, after my previous was once again banned. A few boring bits out of the way though since we’re here.
Firstly; Incase you can’t tell, I’m a beta loser. I believe woman are superior to me, and I can’t compete with real men when it comes to girls. So please don’t ask me to dominate you etc, and also please don’t call me Sir, this is a major turn off for me, just a heads up if we’re chatting and it goes quiet. My preferred pronoun is “it” :)
Also I’m happy to chat to others, it’s why keep coming back despite the constant deactivation of my accounts. But due to the amount of conversations and the amount of gooning etc, I’m less likely to reply to messages that just say hi or how are you etc. Don’t take it offensively, it’s just between a choice of spending time gooning with another loser over a hot girl, or making small talk, becoming a better beta loser will also take precedence.
The reason I post online is because I love being a loser. I love gooning to worse and worse things, and getting others to jerk off to worse and worse things. Everything I post online about myself is true, such as stories etc, and if I post about followers etc it will be a mix of true and exaggeration to get them triggered, assuming that the bits that are true are in turn told to me truthfully. For instance, if I make an exposure caption about a loser, everything in the post is true based on what they tell me. I can’t guarantee what they’ve told me, but also if I don’t believe them I won’t post. Just take it with a grain of salt. However, while I am a loser and enjoy doing humiliating things, a lot of things I am physically unable to do. This is because I have a girlfriend. No, I will not share pictures or talk about her any more, but yes, I am still a virgin. We have a good relationship, but she doesn’t enjoy being dominant or seeing me as a sissy etc, so we have an agreement I can explore fantasies online etc, and what I do at home when alone is my business. Essentially an ignorance is bliss agreement, which is fair enough, if not ideal. But it does mean things more permanent like for instance decorating my room in pink with Barbies etc just won’t happen.
I jerk to a lot, though ironically, “normal” porn doesn’t do anything for me, nor do most captions, though will post a few to encourage other losers to be better gooners. I guess being in mid 30’s and jerking off since a teen daily means I’ve seen so much it’s just boring now. As such, I’ve gotten into quite niche areas of porn, as you don’t see much so it feels fresh, though down side isn’t much of it. My biggest turn on is corruption, being turned into the opposite of what makes me me. There’s the obvious stuff like bimbofication and sissisfication, hypnosis etc, but I love the more mental alterations such as false memories, religious play and political play etc. I love gooning to anime waifus, as I try to convince myself real girls are too good for me, I’ve also started gooning to corporations. Power is sexy, corporations have power this corporations are sexy. I believe people should be treated fair, so gooning to companies paying less than minimum wage and denying rights just feels hot. As I said, been getting into niche stuff. I also enjoy making vices worse such as drinking and smoking, or creating new vices if needed too. Hopefully they’ll be more normal stuff on here for everyone, but if you develop new kinks because of it, then I’ve helped make you a worse loser, which is exactly what you should be. When I do jerk to real girls, my favourite is Riley Reid though Livvy Dunne is a close second, and you’ll see I do enjoy the Chav/White Trash aesthetic. I also have a huge crush and inferiority complex to Asian women, and obsess over e-girls like Alice Delish and Belle Delphine
A lot of what I post is not my content. Again, due to constant deactivation from higher up, I lose track of who posted what. However stuff I post that isn’t mine I fee needs to be shared as it’s so good. So if you see something you made, please don’t think I’m taking credit for it. I just wanted to share it. If I post something you made, DM me and I can take it down, attribute credit or re-blog your version etc. whatever works for you.
I do make original captions etc, but honestly, only when I feel like it, and if feel inspired by any sent pictures etc. if you want a caption send pictures and I’ll see what can do, but just be prepared I might not. I’m more likely to post if you say what sort of caption or any info you want requested in it, and almost always do it if we’ve been chatting and we’ve made each other worse perverts.
I also log into peoples social media, people who know me from my other blogs can attest to how triggering it is. If you request this, we will agree on conditions before hand, and I will do no more or no less than what we agree. Again, others can attest this is the case, but if you’re unsure, there’s nothing I can say that will change your mind. I’ve logged into peoples FB, found their hot friends and posted their pics on here turning them into goon fuel for other perverts, posted embarrassing statuses (you can always say you were hacked :) ) or just watched friends talk to you, and DM you messages on here about what I COULD reply to them posing as you. One person even let me reply to them occasionally on the condition he could send the next message after. Again whatever works for you, anything to help losers get triggered more. Getting triggered more means you need a bigger dopamine hit next time for that rush which means more time dedicated to porn. Porn always wins.
Anyway, think that’s the end of the long post done. Will post a couple of girls now just to end the wall of text.
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shanksxbuggy · 6 months
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aren’t they brothers? I haven’t reached that part yet but I heard they were sworn brothers, not blood related but isn’t it creepy like shipping ALS?
Shanks and Buggy? No, they haven’t referred to each other as brothers, and the only time is when a Marine is operating on their own misconceptions. I’m not sure what you know (spoilers ahead?) even in the future, people believe Buggy’s debt collecter is his older brother, because Buggy’s whole gimmick of falling upwards relies on misconceptions to hype him up.
In the ASL flashback, you’ll see they refer to each other as brothers and make an oath. Shanks and Buggy don’t even call each other family. They grew up in the context of being crewmates and fellow apprentices, and that’s where their pride is.
You’ll also see in the future arcs, there are canon couples who are childhood friends and refer to themselves as sister or brother, but they still clearly fall in love. It’s not uncommon to say two people are like siblings just to explain how close they are.
Just the term sworn brother doesn’t necessarily mean ‘you guys have sworn to be brothers’, it can be used to describe a very close bond between male friends. The official one piece info never acknowledges them as brothers, not in the supplemental info or marketing.
It’s strange to me to see this argument in the English-speaking fandom, because where my family’s from people will use brother or sister to describe others all the time.
I think what I see is that people believe growing up together automatically means siblings? But in a lot of East Asian media, the standard for adoptive siblings isn’t just growing up together, it’s whether or not they choose to see each other as siblings. Not only that, Shanks and Buggy were apprentices on a pirate ship with like a hundred adults on that ship, this was not a traditional family setting.
There’s a lot of ships people will say you can’t ship for some reason. Some people don’t like shipping the Straw Hats together because they’re a found family. But you should consume the story and decide for yourself what you like.
I take this opportunity to ask you not to hassle people over something like this, no matter what your opinion. It’s just not worth it. I see artists who get disheartened by the negative comments they get. So I will not accept hateful behavior towards artists and fans. I appreciate it if you left that stuff in your own space. I hope this explanation clarified some things for you.
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fancyfade · 6 months
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Hey, hey, love your blog and I was wondering if you had some insight here. To what extent do you think the way DC has written characters like Cass Cain, Damian Wayne, Rose Wilson and Lian Harper over the years provides actual good representation of racialised people?
Like yes, they’re non-white character but how important is their non-european cultures, histories and roots to their personal identities (or if that matters)? Does the jarring orientalism in the depiction of their non-european backgrounds take away from the positives? Is the constant absence of their racialised parent a harmful trope that’s needed to be amended? Is Damian’s lack of connection to specific, real-life peoples, histories and cultures just feed into the orientalism (like what’s he representing exactly)? Are they maybe best written and read as “third culture kids” living in the US?
Sorry for bombarding you with questions. I guess I’m just asking is DC giving us good representation here and how could it be better. Answer however you’d like to if you’d like. :)
I'd say I'm probably not the best person to answer this b/c I'm white. I can answer what I do know (in terms of "here's what happens in comics canon, here's what other people have said"), and then maybe someone can chime in with their experiences if they want?
So, multiple people have spoken out about the racism inherent in Damian has to choose between his good white dad and his evil brown mom/grandparent. DC also generally has erased nuance from the al ghuls, Ra's is portrayed as a cartoon villain who'd be OK locking a child in a box in the desert for not tying his shoes right in Tom King's WW.
I think that they really do need to put Talia in Damian's story and make her in character, and not treated as someone Damian needs to break away from or someone who is harmful to him. Like we saw Talia working against her upbringing, we saw her disliking Ra's' ideas.
DC does frequently only bring up Damian's heritage when they want to villainize him. That was a big thing in Teen Titans 2016 where the comic where Glass started the character assassination arc was also where they mentioned him speaking Arabic and eating in an Arab restaurant.
I know @fatheriimaginedyoutaller wrote an article talking about how DC handles it's biracial characters focusing on Damian
Cass in general the writers don't talk about her heritage at all, which makes sense from a world building perspective - she was raised by her white dad in isolation - but also... they chose to write it that way. Sarah Kuhn, writer of shadow of the batgirl, who is Japanese-American, is the only writer I can think of who got into talking about it.
in general how they're best read best written... I can't say in that part. I can say DC has been racist a lot.
I didn't get into Lian and Rose b/c I've read less of them... Rose again IIRC her heritage is barely ever mentioned. Perhaps it changes in DS2016? I haven't read more than a couple issues. Her mom definitely is written with a lot of Marv's stereotypes and ideas of how an asian woman "should" be, and in general... the comics introducing her felt very racist to me.
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csuitebitches · 4 months
Note
Hello~
I hope you're doing well!
May I ask you a few pieces of advice, please? Reading through your blog, I've discovered that you're Asian with Asian ancestry, and after some thoughts I've come to the conclusion you're the best person to ask. I'm Slavic woman (Eastern European) married to an Asian man (Chinese), exactly how you described, in Asia it's more a marriage between two families, meanwhile me and my husband married for love. In fact, his parents "consented" to our union, only because 1) I'm a good-looking woman 2) he was so stubborn in his feelings and argued whenever someone had something bad to say 3) I'm respectful, accommodating, and listen to my husband 4) good at cleaning, it's important to his father since he's traditional.
But sometimes, drama happens, mostly from his mother-in-law (his father's second wife), always manipulating and saying stuff as, it was better if he married a wealthy Chinese woman, someone who's good at running a business etc.
How can I stand up for myself or just manage these kinds of situations? The only solution seems to be to just take the risk, and do business, so they could finally stop finding faults. Furthermore they don't know, but I come from a wealthy family, but got disinherited by my mother for saying no to an arranged marriage.
Thank you in advance for your time, help and insight, I'm really grateful. Have a wonderful day and take care of yourself!
Hi there love. I’m sorry to read this. Asian families can truly be both a boon and a curse.
the reality is that your in laws will have an issue regardless of what you do. You could start a business, they could still have 10 horrible things to say to you. You could choose to look after your husband and your home, and they’ll still say awful things to you.
here’s what you should do in my opinion. And this advice comes straight from my mother.
my mother came from a middle class family. My father is a self made man, who made a fortune. They had an arranged marriage. My grandmother (my father’s mother) was really awful to my mother. She wouldn’t even let her touch the cutlery in the house. She had a problem with everything my mother did - with the way she raised her kids, what her career was, everything. She would bitch about my mother in front of us kids, she would say nasty things to my extended family. She told my maternal grandmother (my mum’s mum) that she was sure that if she was on her deathbed, my mother would never care for her. Maternal grandmother was SHOCKED and snapped and told her that her daughter was raised with better values.
my grandfather on the other hand, loves loves loves my mother, as though she was his own daughter. Praises her everywhere he goes. But that’s beside the point.
here’s what my mother learned.
She cannot control her mother in law. MIL is stubborn, ruthless, cunning. It all boils down to one thing - insecurity. Insecurity of never being good enough, smart enough, never was able to control my father (he left home because issues with her), and my father gave my mother the attention she deserved.
MIL was very possessive of my father. Asian Mums 90% of the time have a weird incest relationship with their sons. They cannot let their sons be happy with anyone. Your husband seems like a great guy, standing up for his wife. The support may not heal your hurt, but I’m sure it does a lot of good by having him on your side.
regardless of what she did, she knew she would be criticised anyway. So she did what she liked. She was a stay at home mom till I went to school, then she got two masters degrees, got herself involved in a business, has her own clients, has her own name. Even when she became successful, MIL still bitched about her. But you know what else happened? People began coming up to my grandparents and telling them what a wonderful person my mother is. MIL obviously couldn’t bear the criticism but FIL loved it and cherished her even more. She won her FIL’s respect. To this day he sings her praises even to me.
some fights are not worth it. MIL would sometimes antagonise her over small things, just to provoke her. My mother would simply stay calm. Eventually even the extended family realised that my mother had gone through a lot.
she remained emotionally detached with MIL, but she took care of her when she had cancer. She looked after her, proving MIL’s words (“she’ll never take care of me on my deathbed) absolutely wrong. And she did that out of kindness. She did that because SHE was a nice person, not because MIL deserved it.
do what your heart wants to do. The more you live life to gain approval from someone else - someone who may never give it to you - your life will be miserable. The only way to fight these horrible MILs is by standing up straight, being decisive, being able to say no and hold your ground. She has to respect you as her DIL, regardless of what you do. You will not earn her respect by trying to be someone you’re not.
If your FIL is more accepting towards than her - Build a relationship with the FIL. Forget about the MIL, she’s going to be jealous and awful, and I highly doubt such women ever change. Half the time, they behave in this way because that’s how THEIR MIL’s treated them. MIL’s MIL treated her awfully as well - the former was scared shitless of the latter. She repeated the same pattern with my mother, but my mum was too strong to let MIL bring her down.
If you want to be on good terms with your in laws, focus on the father. Be the daughter he never had (even if he has daughters). But do it because you WANT to, not because you HAVE to.
Such women are simply insecure. Insecure to a point where they must hurt other women because it genuinely gives them joy. Do not let her words affect you whatsoever. And do not live your life by her terms. Focus on being a good person to yourself and your husband.
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pianocat939 · 1 year
Note
Hi I just wanted to say that I love your blog !! I especially love your rottmnt ones (I adore the Yandere HCs one , you did an amazing job on them ) 💗 I was wondering is it ok to request Yandere HCs for the turtle brothers (separate please ) falling for the reader who acts motherly to them (if that’s to many then I’m fine with Leo , since you mentioned that he wants the reader to rely on him ?) also hope your doing ok and drinking plenty of water ! 💗🀄️
Thanks for enjoying my work~ Even if I'm sleep deprived half the time I'm writing.
I'm going to assume you're going by 🀄️ anon.
This is romantic btw
Yandere ROTTMNT Turtles with Motherly MC
Tw: SO MANY INSECURITIES, Mikey tries to start a cult, Implied violence, implied kidnapping, I think that’s it
(As someone who's an only child I don't exactly understand Raph's situation but I tried my best)
Raph
I think it would take him a bit of time to get adjusted to (because of how he's always been the responsible one), but in the end finding it comforting.
Since he's the eldest one, he's always had to do all the mature things for his brothers (Splinter was kinda there, but in some cases not).
So it feels foreign for him to rely on someone that wasn't himself.
But after he gets adjusted, he's obsessed.
It's such a warm feeling, something he missed out a lot. Feeling doted on and worried over, it's addicting.
He loves it so much that he clings onto it. Now if we are to refer back to this it would only make sense that he's dependent on it.
He's guilty, but at the same time he feels he deserves to be loved after dealing with the eldest child syndrome for so long.
He's basically glue at that point. Just following you around like a duckling.
"Can I have headpats? *proceeds to be big softie*"
He doesn't enjoy it when his brothers or someone else gets the same treatment too. Like sure you can be motherly towards others but he's the main point of your attention, right?
If it's an enemy or an unfamiliar person he'll go threaten them. Which eventually turns into a cold rage and he gives them a good beating or two (think of it the same way he acts when he feels he's all alone).
Overall wholesome big boy.
Leo
I feel like this man would go either two ways; either he internalizes the happiness and just acts all cocky, or he feels immature because of how he's treated.
If he interalizes the emotion and becomes egotistic snarky boy then I think he'll react to a smiliar way Raph does except less intense and more subtle about it.
He'll try to spend a lot more time with you, asking if you want to hang out more (he always picks more dangerous areas like the Hidden City for some reason).
So by the chance that he's injured (nothing major ofc) he'll go up to you with puppy dog eyes. Basically manipulating you to baby him.
On the other hand, and I feel like the more likely one, he'll feel even more useless. Like the fact you being motherly to him makes him feel more of a child who can't do anything.
What does he do? Why he pushes himself to prove that he should be the one relied on. Not the other way around.
He'll train his swordsmanship until he's forced by his family to rest, he'll take on villiains himself, and might even try to teleport enemies/unfriendly people of yours to another dimension (after he's done with them).
Praise him and rely on him for safety. That is probably the only way that'll calm down his antics.
If you don't, he'll manipulate you.
"Let me do this. Don't worry about me, I've trained my Kenjutsu for this." Kenjutsu = swordsmanship btw
(Now unlike Raph I understand Donatello to the max lmao)
D'Nello
You, my good friend, may be in trouble.
As canonically shown throught the ROTTMNT series he eats that praise up. So if you're a motherly type person you're fucking screwed.
He's obviously going to love it, since his father never quite showed such affection to him. My fellow Asian kids I'm looking at you.
He'll do anything for more praise, constructing advanced technology, showing his capabilities, all of it.
It's like he almost brags just to get that small ounce of love. Literally shoving his inventions into your face.
Sure he knows he's smart but to actually be told that he's smart? Confidence +100.
It's to the point he drags you into his lab and is like, "watch me do work :p". He hogs your attention and may be very offended if you try to interact with someone else.
If you push him far enough he'll kidnap you and force you to give him all your love.
He doesn't show it but he's extremely self-conscious about his intelligence and technology, kinda like how Leo is. So to be given the reassurance of love it feeds into his brain in a not so good way.
"Aren't I the most intelligent person ever? Look at my work, doesn't it make you proud?"
Mikey
Ok again, referring to my general yandere Hcs that I did earlier, I think he would just become more cult-like.
His brain's is like "This person loves me, cares for me, makes sure I'm ok, they must be god." (If you get this reference I love you)
He solely believes that you must be the reincarnation of angels who came down to adore his tiny little self.
He starts writing little notes to himself about your antics and thinks it's the perfect example of an ideal human.
He pulls reverse card in a way; but still wanting to worship your kindness.
Which may end up him trying to pull people into his cult. He'll try to convince them that you're the epitome of adoration and love.
If they try to turn down his offer he gets pissed. Like really pissed.
He'll hunt them down, ties them to a chair, and forces them to watch a slideshow about you for hours straight (or until they've converted to the belief).
"I'm sorry, did you just say that you don't believe they're the most perfect deity to exist? Looks like Dr. Delicate Touch needs to give you a check-up!"
You guys remember in the library episode that one scene where he's like a king or something and says "New Toy"? It's basically that except you're the one on the chair and he's ordering people around lmao.
I feel like he's the most terrifying one out of the bunch.
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I feel like compared to other Hcs writers I’m like some weird conspiracy theorist who makes a prediction and tries to prove it’s possible lmao.
Anyway hope you like it
- Celina
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waitmyturtles · 2 years
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TL;DR: My analysis of the quiet tone of the Cherry Magic movie -- the overarching theme of the movie was the development of family between Adachi and Kurosawa. 
Well, I’ve turned this space temporarily into a Cherry Magic hovel, a kind of messy sanctuary, really, maybe a cave full of hoarded passing thoughts, rising and cresting emotions, lots of SIIIIGGGHHS, at least two and a half re-watches of the movie, many reblogs, plummeting away my phone battery on consuming more and more gifsets. I regret not being here on Tumblr for the original series, but I feel like I’m more than making up for it by doing all I can to contribute to the dialogue around the movie, which I want to continue doing, meta-style!
Two things have cropped up in my reads of reviews here and on Twitter, one about the tone of the movie, and the other about the pace of growth between Adachi and Kurosawa. I think the first point goes into the second, so here we go:
I’ve seen a lot of comments about how the movie was quieter than the series. I reblogged a quick statement on quiet Japanese BLs earlier this weekend, and I also learned a bit about what the OG CM fandom hoped for with the original series way back when, when there were rumors of a real kiss for the final episode, and how the fandom was slightly let down. 
I think there’s an interesting dichotomy between heat and quiet in the kind of Japanese BLs I tend towards. If you read this space, y’all know my top three -- CM, Kinou Nani Tabeta, and Old Fashion Cupcake -- generally trend toward the quiet, with the slight exception of OFC, which turns up the heat in a panicked moment of revelation.
As I thought about this point, I asked myself -- why the draw towards quiet development and/or contemplation?
For me, all three of these dramas, especially KNT, center on family -- actively creating family, dealing with existing family, and/or managing expectations of creating a future family. 
If you’re Asian, as I am, the thinking on and managing of family issues is, in my opinion, the dominant issue that you spend the majority of your life dealing with. That’s not to say that in Western lifetimes, less time is spent on family issues. What I mean to say is that family issues, I would argue, take up more of your brain space and your sense of morality and ethical engagement in humanity if you’re an Asian, as opposed to the manifest destiny of the West. When I was right out of college, for instance, and rolling with a majority white hipster crew at that moment, my friends would comment on how I’d visit my family’s house once a month. That was tooooo much for them. And they’d legit tell me -- you care too much about your family, you need to separate yourself from them.
These are surface-scratching statements, and if you’re Asian, I know you’ll immediately guffaw at how ridiculous and impossible it would be to even BEGIN contemplating how to “separate yourself” from your family. It’s taken me a LOT of my old lady years to even come to grips with the fact that I needed to live an independent life away from the expectations of my family. And for hundreds of millions of people in our Asian cultures, those Western notions of “separation” and “independence” simply don’t exist. You can cohabitate, be co-dependent on, be enabled by your family, and that is just fine. Family is the structure that gives meaning to the lives of many Asians, without question. 
So to say that the movie tends towards the quiet, I think, possibly bypasses what I think is a major point that the movie is trying to make, both in a cultural arc and in the actual storyline: We are seeing Adachi and Kurosawa making a family together, THEIR family together. 
IMHO, the king of family-oriented BLs was KNT. Both Yoshinaga Fumi, the mangaka behind KNT, and Adachi Naoko, KNT’s screenwriter, deliberately gilded the KNT script with the tadaima and okaeri greetings that you hear when someone comes home at the end of the day. That set-up was meant to indicate that Shiro-san and Kenji considered themselves family to each other -- because, you might be saying tadaima to your parents when you’re a child, or your spouse as an adult. 
The clues to Adachi’s thinking about family are apparent. There’s the moment where he gives advice to his chief about the chief’s complaining wife. There’s the moment in the office when Rokakku and Fujisaki are talking about their lives, the very moment in their lives where they are single but happy at work and with friends. There’s the moment when Adachi picks up the mail and sees his name and Kurosawa’s name, while coming home. 
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And of course, the gorgeous moment in the kitchen when Adachi states his desire for a public and permanently committed relationship with Kurosawa. 
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Adachi is creating his new family in that moment. 
I want to tie this together with a comment I read on Twitter about how Adachi’s personal growth matched Kurosawa breaking down his walls of perfection, and how he originally projected his perfectionist nature on their relationship. We remember in the series Kurosawa being ULTRA cute in the office after Adachi’s original confession, saying he was going to create the best first date ever; and then all the practice dates they had; and all the planning that went into the Christmas date. 
Those walls began breaking down a little bit in the last episode of the series, and we saw that even more as the movie began, when we realized that they had not, indeed, bonked, as we thought they had, on Christmas Eve. When Adachi’s hunger interrupted their potential love sesh, Kurosawa was like, WEEEEELLLL, through gritted teeth -- I’ll still be patient for Adachi. 
That’s life. But as I originally wrote in my first review of the movie, what I didn’t expect to see in the film was that the movie would be utterly dominated by Adachi’s internal growth INTO the relationship, and how that ultimately steadied Kurosawa to be okay to be weak in front of Adachi, and in his own (Kurosawa’s) life. We know this is a HUGE DEAL, a HUUUUGE DEAL for Kurosawa. He mentions it in the essay he writes for Adachi’s family. He states it as a major point of being devoted to Adachi to his (Kurosawa’s) mother. Breaking down his walls is a major life moment for Kurosawa -- and it would not have happened without Adachi becoming his family.
Because -- family, often, is about rejiggering and redefining one’s boundaries, and creating new ones with the people you’ve chosen. If you’ve chosen well, and right, like our boys did, then your partner gives you the strength to do this major lifting.
AND: where else do we see these boundaries being rejiggered, besides between Adachi and Kurosawa themselves?
We see them in the family scenes. I think that the movie devoted a LOT of time to the family scenes says a lot about what I said earlier about Asian cultures.
I swear to jebus that I nearly had multiple heart attacks during the family scenes. Besides Kurosawa’s mom’s very apparent sadness and confusion, Adachi’s mom had me at moments, even though she outed herself as a fujoshi, basically, lol, when Kurosawa showed up. Why the heart attacks?
These confronting kinds of conversations to family about things like marriage -- I mean, I don’t know if I have the words to describe HOW MOTHERFUCKING HUGE THESE CONVERSATIONS CAN BE FOR MANY ASIANS. Like -- these conversations can be the culmination of a lifetime. They can destroy you. Y’all, if I wrote about what happened to me when my family learned I was dating my husband (in a cishetero relationship, peeps! Interracial and interfaith, yes, but otherwise, not really rocking the boat here!), I probably wouldn’t finish writing without breaking down in tears for an hour. It was horrible. My family couldn’t handle the growth, simply put. 
This Asian family dynamic that an individual’s original nuclear family unit carries SO MUCH WEIGHT IN THEIR APPROVAL OF WHO YOU ARE AND WHAT YOU DO -- I emphasize here that this theme was major in the movie. The movie NEEDED to spend time on this in order to achieve Adachi’s dream of permanence with Kurosawa. Adachi NEEDED to tell Kurosawa that he (Adachi) would be present in front of Kurosawa’s parents -- because Adachi KNEW that Kurosawa would NEED Adachi there, because of how BIG that BIG CONVERSATION would be. I’m talking BIG, here, BIG. And I believe that the movie’s OG Japanese audience understands this very implicitly and very, very deeply.
Adachi NEEDED to grow into himself -- he needed to lose his magic, his crutch -- and needed to FIND himself to be the strength and pillar that Kurosawa would need to face his family. I want to take this point, make it into a Cherry Magic teddy bear, brand it with Gelato Pique, and place it on a mantle. 
In order to face their families, our guys needed to become family. And that’s why I think the movie tended towards the quiet -- because THAT kind of growth takes a lot of internal work that comes out in the quiet moments of intimacy with the people you’ve chosen and you love. 
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