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#This was not just about fictional characters either
pr-incey · 2 days
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For a while—after being exposed to the antiship movement, because goodness knows I didn't care about this when I was younger—I wondered *why* fiction and reality were so different in my head. Why I could happily see things depicted in fiction that would make me sick to my stomach or upset me to tears just from thinking of it happening in real life. I couldn't come up with a reason for this for a while, which caused me distressed and made me worried that I might secretly be a terrible person after all.
But I've done some thinking and I've figured it out. Or, rather, I've returned to the mindset that came so easy to me in the past and probably did to a lot of people before the well was poisoned.
When I see a fictional character, I don't see a person. I don't see a person like *me*, anyway. I see a person within that piece of fiction's universe; a plane of existence that is wholly different from my own. Lines and colour, words on a page, virtual drawings being played sequentially at a speed that simulates movement. Sure, the written passage, 'He had eyes, ears and a mouth' is a representation of what *I* am, and what other people around me are, but it is fundamentally a plane of existence that is *alien* to me.
An alien is something that is decidedly not human. I feel empathy for other humans because I can relate to them. I have no desire to hurt them because I either know what it is like to be hurt in that way, or I can imagine what it would be like. I know the harm it would do to them, which illicits a reaction of disgust and apprehension in me. 'That's terrible,' I think, which simply kills any desire to cause any harm to a real person or do any disgusting actions.
This is why predators are such terrible people. They are fully aware of the harm their actions will cause and then go ahead with them anyway.
But with a fictional character, it's different in these ways:
1. First of all, we have to remember that they AREN'T human and so whatever I feel towards them cannot accurately mirror whatever I feel towards real flesh and blood individuals. They're projections of humanity from OTHER people in whatever medium they choose, but fictional characters are—and I cannot stress this enough—NOT HUMAN. If I pull off the head of a Barbie doll, does that mean I have the desire to behead someone in real life? Does it mean that I MUST have the urge to behead someone in real life, because a barbie doll is a 'representation' of a person? Your answer, I'm hoping, is no. Because Barbie is not human.
2. And because fictional characters are not human, I don't have empathy for them. Not REAL empathy, anyway, the type that stops the desire to cause harm. When I 'violate' a fictional character, it illicits at most only superficial disgust because I know that character will not live with the lasting consequences of my actions. They're a projection, a facsimile.
So that might bring you to another question, 'Even if they're not real, why would you WANT to do that to them, anyway?'
That I can't answer. The human brain is weird. Sometimes, people have dark urges. If a kid tosses their Barbie onto the ground and seems to take pleasure in it falling, can that accurately say they want to push a real person onto the ground? If someone seems to enjoy a violent video game like GTA where they can run people over and shoot them to their heart's content, is that a surefire way to know that they want to do those things to real people? I wouldn't say it is. Would you?
The final thing to remember is that it's not completely black and white. A serial killer might have been 'inspired' by a violent horror story, whereas the actual author of that story is a nice, well-adjusted individual. People with the desire to hurt actual humans might make do with projections, but it does not change the fact that they actually want to HARM people. The fiction didn't make them want to do that. They already did, and probably would have even if they didn't discover said fiction. And horrible people CAN make their own 'projections'.
Generally though I believe it is obvious when someone is just playing with dolls, and when someone is exhibiting an actual desire to hurt somebody.
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A family moved in down the street last month. This sounds normal, but they're suspiciously close to one in a story I'm writing. I made a character last year with the exact family. Did I somehow predict this family's arrival, or have there been any past cases of peoples' fictional creations coming to life?
We call this "parafictional" manifestation, and you can learn more by clicking on the parafiction tag my intern Jenny will append to this post. The short version is that this does happen but we have to be careful. The vast majority of the times this happens, especially with a fictional property only one person know about (like this personal project you have) these aren't truly self-aware entities that have manifested - these are lures.
Some entities like Outsider behavior patterns feed on the human capacity for creativity (has a lot to do with emotions involved with creative expression being particularly attractive to psychophagics) and to harvest that, they'll exploit your own thoughts and creations. Either to feed on you psychically, or literally.
Be careful. You obviously don't want to assume these new neighbors are automatically harmful in this way - it could just be a big coincidence - but there's a few things you can do.
Ask another creative neighbor about them. These things will be a mirror, typically. They'll reflect what the viewer already has in mind. You might see these folks as Mr and Mrs Smith from your book, but your neighbor might see them as Mr and Mrs Takahashi from the manga he's working on.
You could also very gently ask them some nonsense questions. If this is a lure, it'll also be a "chinese room" - an entity that is able to mimic human conversations simply by examining textual data en masse and regurgitating what the response is likely or expected to be without actually understanding it. You might feel silly, but try asking a nonsense question, like if the sky feels glarble or if nods yon today. If they just raise an eyebrow, green flag. If they try and respond without breaking stride, red flag.
If you get a couple red flags that way, send us another message. We'll send someone out.
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parakeet · 10 hours
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I’m losing my mind. I asked my dad if he thought sephiroth was fuckable, and he was like what? No? And I was like ok fair because dad is straight after all so I asked him who the hottest FF character was and he was like video game characters aren’t sexy. They can have good graphics but that’s it and I was like what? You don’t think tifa is sexy? And he was like no???
So I phoned my brother immediately and put him on speaker explained this to him and his first comment was not even tifa? And I was like no?? And he was like ask him about aeris? And dad was like no?? wtf? And we were like wtf? And dad was shocked anyone finds fictional characters sexy. And my ma was like they have porn for all sorts of characters. I don’t get it either though. Angel from buddy is hot but he’s a person so it’s different. And my dad was like what? Ma was like don’t you find Laura Croft hot? That was a big thing. And he’s like only in the movies? I guess?
But yeah, the sexiness of the characters isn’t a huge factor in media enjoyment by any means but it doesn’t hurt. Also for anyone wondering how I feel about whether or not sephiroth is fuckable, kind of, if you ignore everything he has going on and just focus on his looks. And also I can appreciate tifa and aeris but they’re not my type. It’s just wild how different people experience media isn’t it.
Also :
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teklarn · 1 day
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doodle - k. bakugou
teklarn’s cliche’s and tropes masterlist (trope: one bed trope)
katsuki bakugou x gn! reader
genre: fluffy? (a pinch of angst?)
summary: on a mission, you ask bakugou where he got his scars from, and in turn, you open up about yours.
warnings: slight descriptions of body horror, aged up characters for the sake of the plot (no smut) TW! for scars (mostly from fictional battles, etc), the reader has a dead father, bakugou is a little ooc, pre-existing unspoken feelings between reader and bakugou
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it was a group mission. you'd all been traveling for some time―you, kirishima, bakugou, midoriya, and uraraka. as the world's top heroes, you'd been assigned to work with them as a team to hunt down a villain who had currently been rampaging around.
his whereabouts were unknown, but everyday you all got closer to finding him.
the team had stopped in a cabin for the night, hidden deep in between a lush array of evergreens casting shadows along the roof.
initially, you'd been nervous to cooperate with bakugou. everyone else on the team had partnered with you one time or another, but you had only known bakugou by name, never in person. not until now.
and he was quieter than you imagined. constantly on edge, but quiet. a certain peace settled around him, one that had not been in place until his adult years.
he was an admirable hero, and since becoming one, he listened to others more than he spoke. either that, or he truly didn't care to speak much at all.
there were only two rooms. uraraka and midoriya in one, (as everyone had assumed), and kirishima volunteered to take the couch, knowing bakugou was too much of a princess to take it himself, and he wasn't about to allow you to take it in his place.
kirishima had always been kind, as you had been, too.
but that unfortunately left you and bakugou with the one room-one bed situation.
and unfortunately, the rest of the team was oblivious to the tension building between you. like two ropes twining together, tighter and tighter wrapping around, only to snap from the sheer force of pulling on one another.
there was a part of him that was...softer around you. you noticed, especially when you were alone with him. his eyes carried a gentle sense in them. and when he was alone with you, they also carried a great deal of sadness in them.
your heart clenched at the sight of it every time.
"we both need a good night's sleep. don't think about sleeping on the floor for the sake of me, got it?" his voice was husky. low. demanding, yet cautious of how he spoke to you.
you were a gentle soul yourself and found your mouth slowing down its words when you were around bakugou.
"okay," was all you said, climbing into bed. "you're sleeping soon too, right?" bakugou was still standing at the closet, rummaging through clothes.
"in a minute." he pulled off his shirt. heat rushed to your cheeks as the sight of his toned, muscled back flexed before you.
as if he felt your eyes, he said, "no need to linger, dumbass." but the word held a softness to it. you smiled, chuckling with a breath through your nose. heat rushes to your cheeks.
"sorry," you mumble. he only chuckles in return. a rare sound for anyone to hear, including you. bakugou was quiet. mean and cruel, but not always. his eyes said more than he dared to speak. it wasn't like when he was younger.
you didn't move your gaze, however. it wasn't the fact that he was incredibly toned, or that his golden skin glittered just right under the low, orange lighting of the lamp.
it was how strangely soft he looked at this moment. his spiky hair, the harsh lines of his face and body. and then, there was a scar trailing all down his back. then another, then another, another and then anoth―
"I said don't linger," he snapped, catching your gaze.
"i...sorry." you wanted to turn away. bakugou still intimidated you. seeing him around kirishima did loosen you up, but he was still bakugou. "i just...wanted to know where you got that scar." though his back was still turned to you, you pointed at the largest one.
it trailed from the top of his left shoulder blade all the way down to his waist, curving around and stopping just before his stomach.
"a fight. how else?" his words were a near, annoyed snarl.
"what fight?" might as well make conversation. you worked best with people you knew.
"a big one. now will you stop prying?" he cracked his neck before shoving a pillow in the middle of the bed, then settling down on his side. he turned to flip the lamp off, but startled at your hand on his back.
just the feather-light touch of your finger made him jump.
"can you not?"
"i barely even touched you."
"you still touched me. this pillow is here for a reason. now go to sleep."
"how did you get this other one?"
he twisted and peered down his back, looking at the second largest scar. this one, similar to the first, curved around his right shoulder blade, but ended right before his inner-arm.
"will you shut up and go to sleep if i tell you?"
"i just feel like i don't know you. i know everyone here but you. and it feels odd to be sharing a bed with someone who i know nothing about. it can be small talk, if you'd rather―"
"i hate small talk."
you nodded. "me too."
he groaned, running a hand through his hair. "fine." he sat up. "the big one? a big battle. the other one was from the same battle. i got smashed into a building and the concrete cut through my suit and into my skin."
you weren't going to pry further, but he held his arm up. "this one, here," he said, pointing to a much smaller scar. it wrapped around the middle of his forearm in a perfect circle. "this is from my final exam as a first-year. i lost my gauntlets and decided to go all-out. the skin was inflamed from the force of my quirk, and the metal of my wrist band ended up cutting into me."
you nod intently. a tired smile made its way to your face. "i got this one from stabbing myself with a pencil when i was a kid." you pointed to your palm, the point right beneath your thumb.
"that's specific," bakugou deadpanned. "are you ready to go to sleep now?"
"i got this one from a burn while i was cooking with oil." you tapped two dots on the inside of your finger. "i was a kid back then, too." you ignored his insistence to get to bed. something told you to keep going.
"i have dumb scars from when i was young and stupid, too. we all do. now, let's go to ―"
"like this one?" you tapped his chest. a thin line of white stretched across the left side of his chest. it was so small, no one would notice it if they weren't up close, but it was evident it was a scar.
"that's from the sports festival. the restraints they put on me were too tight, and i was already cut there thanks to one of icy-hot's blasts. the ice had only nicked me there, but i struggled enough that it worsened the cut."
his cheeks seemed to dust with red at the memory.
"you end up hurting yourself a lot."
"i could say the same thing about you, idiot. who stabs themselves with a pencil?"
"it was an accident."
"how?"
"i don't even remember. but see?" you grabbed a pen from the nightstand. "this is what i used to do with the scars from the oil burns." underneath the two dots, where oil had splashed you, you drew a curved line. a smiley-face.
"that's pathetic," he snorted. but it was still a laugh.
"look," you said. he flinched as you neared him. your eyes reassured him as he leaned in, unsure. your fingertips traced the scar. the straight line was perfect. you drew two lumps, four in total counting the other side. two antennae and some designs.
"what is it?" he grumbled.
"can't you tell? it's a butterfly."
"that's the most demented butterfly i've ever seen."
despite the poison the words were meant to convey, his voice carried no malice. if anything, it sounded like another chuckle. soft, barely there, just like the scar.
you took note of another scar right under his collarbone. you leaned in with the pen again.
bakugou smacked your hand away. "stop doodling on me."
you sat up, the blanket falling from your lap and revealing a flash of your thigh. you didn't miss how his eyes flickered down.
"you have a scar there." he pointed to your thigh. the skin down there twined up and down like lightning. "did you survive a 'big battle' yourself?"
you smiled and chuckled thoughtfully, though the sound held little joy. "a fire."
"burning building?"
"of the sort."
"what does that mean?"
"it was my childhood home."
bakugou paused, as if he had struck a nerve, or dug up something he didn't mean to. you cringed, wondering if the information was too much to share.
"don't worry," you laughed. "no one died. it was before i was a hero. years before. my family and i got out in time. to be fair, i deserve it. i was being stupid."
"stupid? gosh, what a shock."
you nearly smacked him. "i ran back inside when i realized i'd left behind a gift from father."
"is he...?"
"he passed the year before the fire. i was stupid and grieving, so i ran back to go get it. it's this stuffed bear. my first toy as a kid. its neck is quite literally about to fall off, but i love it."
"you are stupid. i bet it's one of those toys people get sentimental about because they're all dirty and discolored. gross."
"it's...yeah, it's exactly that." you pulled the sheets down more to reveal the rest of the scar. it twirled around your calf, and there was a prominent bump on your knee.
"damn. that's...a big-ass burn."
laughter bubbled out of you. "the house ended up collapsing on me, and it crushed my leg. i was in the hospital for months after."
he pointed to the tiny black markings surrounding the scar, his fingertip nearly brushing your skin. you tried to ignore the way it sent tingles up and down your spine. you tried to ignore how he was neglecting the wall of pillows he'd erected between you guys.
"and what's all this?"
"hm?" you shook the flustered feeling out of your body. "oh, that's all pen ink. i like to draw on my scars."
"huh. no kidding." there was silence, then he asked, "why?"
you sighed. "for a long time, i was insecure about the scars i'd gotten from the fire. so i would draw on them to make me feel better. anything. flowers, animals, random doodles. anything to cover it up. eventually, i started to see the scars as less of a mistake but...a part of me that could be made beautiful. if that makes sense. i know it sounds totally fake, but in a way it made me feel better."
bakugou paused for a moment, before he straightened, leaning forwards. he stayed like that: perfectly still, not moving a muscle.
your eyes traced the scars along his back.
"well, dumbass? i'm waiting."
you furrowed your brow until you got the message. the pen in your fingers came to life as you leaned forward, the blue ink spilling along his shoulders in beautiful artwork.
you didn't know how long you'd worked, how many hours or minutes you'd spent in peace and quiet while you traced out flowers and gardens and anything onto his back. but he was quiet, and he was calm.
and for a moment, you could have sworn he muttered a shaky, "thank you."
---
UNEDITED.
i lowkey hate this but whatever.
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devildomwriter · 3 days
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*TW*- i*cest, r*pe, g*re, p*dophilia, some general discourse
Ok so I am trying to ask this in the most respectful way because I don't wanna snowball this into a huge discourse; but I wonder if you've been seeing the Dark Content Discourse here on Tumblr?
It basically entails that despite your personal preferences, attacking/ demeaning other ppl who create/ consume dark content is a big no no because it's their safe space to be able to explore these topics. This includes all sort of stuff like i*cest, r*pe, g*re and even p*dophilia. Now you may not agree with any of these things, most ppl don't, and they might disgust you; which is totally fine. But there is a huge leap b/w something that is fictional and something that is real.
Fictional characters are literal lines on a paper. Doing anything with a fictional child does not mean you are harming a REAL child. This might still disgust you and that's fine too. You can block that person so you don't have to look at it again but to call everyone like this and start a campaign against them is well...
I just want you to know that I am not defending that person. I didn't even know them at all before this...Neither I am advocating for anything they are saying or confirming/claiming that they are good irl. I don't know them.
I just want you look at this from a different perspective and know your thoughts about this ordeal. Like for one moment step away from your pre-existing feelings and bias and look at this objectively. Everyone likes something that's even a lil problematic, so if we went on these campaigns every time, literally no one will be left in fandom. I don't agree with p*dophilia but I don't agree with this either...AGAIN THIS IS NOT MEANT TO CONDONE ANY OF THIS BEHAVIOUR! But to paint someone as a bad person for things they do in fiction in their safe space no matter how problematic, is somewhat disconcerting.
I again wanna say that this is not any hate against you or anyone else. I don't want to cause any discourse myself . I think you are an amazing writer and a valuable member in our fandom. Which is why it's important to me to hear your stance on this. But if you'd rather not answer this at all that's fine too! :>
I appreciate your perspective and I sometimes enjoy certain dark content as long as they warn others but pedophilia— fictional or not— should never be written/glorified/accepted. If it’s written as a horrible incident or traumatic backstory (like Lolita) then I understand why it’s written but glorifying or romanticizing it in any way is unacceptable.
If no one is left in the fandom after going on these “witch hunts” then the fandom is toxic, preditory, and unsafe.
As for the huge leap between fiction and reality, everything starts as a thought or fantasy. The more you think about it the more likely you are to commit or watch such an act.
Tumblr should under no circumstances be a safe place for pedophiles.
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brujahinaskirt · 2 days
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I will never shut up about how Kingdom Come: Deliverance is the most tenderly written game served to the most loutish horde of jackasses. I think it is possibly one of the greatest pieces of popular fiction made about feudalism in recent history, even if it's not always the most historically accurate.
And that's because the whole damn thing is about the profound, authority-enforced inhumanity that self-propels feudal order... but this time, it's written from the perspective of, for lack of better word, "humanity undermines, and humanity wins."
Love wins, if you want to be cheeky.
This was originally meant to be a reply to @feelinungry's excellent post on the subject, but it outgrew itself and got super bloated, so I'm plopping it in its own post to not be obnoxious...
KINGDOM COME: DELIVERANCE MAJOR SPOILERS BELOW
And the reason all this about humanity and love is so important to the core of the story, to the very backbone of the narrative (even beyond the plot), is that it exists in opposition and to the impairment of the feudal system. Kingdom Come: Deliverance means to teach us, by way of deeply dramatic plots following individuals, how feudalism works and why it worked the way it did. And why and how that system fails.
The vehicle by which the game does this is by showing us, over and over, how the stratification of feudal class is eroded and sometimes outright dissolved (either in general, as with Henry and Hans, or when it matters most, as with Radzig and Henry) by plain and simple love.
Feudalism, like most class-stratified systems, relies upon 1. dehumanization of those beneath one's appointed status; 2. fealty (mock-love) to those above one's status, their title-appointer class; and 3. the maintenance of a deep separation between these artificially bestowed statuses, as enforced by church (as in word of clergy, not word of god) & state (legal rules and law). Those words and laws existed to propel the system by divide-and-maintain (of the workforce populace, placing it firmly below the next class in line, etc.) in the service of unify-and-profit (for the ruling class).
Sigismund & his invading army are wholly separated and adherent to the feudal theory, even if they have flouted codes of warfare & inheritance; they are presented to us as the main dehumanizing force of the story world, a wave of Order that indiscriminately burns opposition flat rather than an individual leading a royal coup, a cyclical destruction that paves the way for the next flavor of rule to continue the feudal system ad infinitum. They're thoroughly separated from the story even when they are burning down a village in front of our eyes and generally move as one, with Markvart occasionally stepping out of that mass of Feudalism and its antihuman nature to give it a face. They're more a force of nature than an individual as far as the narrative goes.
And we are meant to understand that in sharp contrast to the "close" story, the cast we get to know and watch as they attempt to answer this force of nature. And the second we see these characters get close enough to each other, by raw proximity, to poke a pin into the wineskin of feudal order as dictated to them by authority, it bleeds--everywhere. Not in the sense of ruination but in the sense that a tiny wedge of empathy cracks open the dam and leads, yep, to rehumanization--and love, the most human driving force there is.
And that changes everything, for everyone. Not just internally, as with a character's personal development arc (i.e., Hans learning why his duties, which he resented and viewed as an impingement on his freedom when dictated to him by authority, are incredibly important for real people who experience pain) but externally as well (as @feelinungry so elegantly points out in the original post).
Over and over, at every stage of the story, it's the rehumanization of and by these decision-makers (at a family level, at a community level, at a regional level, at a national level) that cracks the feudal cycle, even if in very small ways. Hans really brings this back home in a petri dish in late game, after the siege, when he complains to Henry about the noble's code (letting Istvan go) potentially leading to pain and disaster for the common people Istvan's machinations are likely to harm in the future. He chafes--and we chafe, and so does Radzig, and so does Divish--against feudal stratification because he has learned a general empathy through loving an individual, and that has in turn reshaped the way he sees the world.
And that's exactly why and when feudalism begins to fail, and why it thrashed itself the way it did, from the enforcement of sexual mores (though this wasn't exactly like it is in movies) and gender law to terror upon its own populations.
And it's the crucial understanding I think we begin to forget after being exposed to so much Hollywoodification of history, where the oppression always exists for cruelty's sake alone rather than in active and deliberate service to a political construct.
And I think it's why we've "lost the plot" so horribly when it comes to understanding that people in history were still people, not monolithic one-mind entities (as the feudal system demanded they be). And why we somehow forgot that such people fall in love, in all kinds of love, in a way that has never given a damn about authority. And that this in turn undermines supposedly supreme authority, even divine authority, and will always continue to do so, as long as people are people.
This is what it always comes back to. Always. From Henry's parents and their mysterious bond with Radzig informing the protagonist's journey from "the past"--to Henry & Hans falling into stupidly fierce soulmatehood with each other in the present--from Istvan & Erik's destructive fuck-the-world romantic love on the "enemy" side--to Divish's humbling, humanizing realization that he loves Stephanie in some way, he really does, despite the chasm of age/gender enforced upon them by their adherence to feudal order that doomed their romantic love to failure.
People will always love each other, even when the world orders them not to, even when faced with death and worse. People will always, given proximity and shared experiences, learn to see each other as human again. KCD reminds us of that. It's why the "slow" storyline exists and why it works.
And that is why this game is so fucking fantastic, and why the genpop fandom has utterly failed it.
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kitsunefyuu · 1 day
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Did you notice how some AFO fans who used to like DFO Theory started to hate it and suddenly attack the same fans? Maybe this is due to generalizing DFO as OOC? I once saw someone saying that "to respect someone else's opinion, just remember that you have also changed your opinion several times" but these people only seem to attack what they once liked for no apparent reason, other than "nooooo my beautiful AFO is not like this 😭😭"
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Yes, it is a trend that I did notice when I first came into the fandom that a lot of people would say they are former DFO. Then say how they realize how 'stupid' the theory was and unrealistic. As if suddenly now they are the pinnacle of rational and totally know everything about a fictional character.
I never claim my interpretation is the canon, because I know I could end up wrong. That just how it is and I'm always willing to adjust my headcanons with the source material. But honestly I think the AFO fans that liked DFO and now hate it only changed because other people started being hostile to the theory.
Like popular writers, artist, and all kinds of people begun to sneer at that interpretation beside those in the little community. Seeing it as just trying to 'soften' AFO or as something gross to do to the MC. Or worse some people like DFO but hate AFO so when the former DFO see that they change their mind to double down on disliking DFO as they LIKE AFO. As they see it as like you said 'softening' him to make him palatable. The theory itself, however, is only parentage.
Like it still be valid to assume AFO had Izuku with Inko from a One Night stand, and Hisashi Midoriya is just the guy that stepped up for single mom Inko. We have evidence of there possibly being more aware but if don't like it then that an option too.
DFO theory is simply the theory that Izuku Midoriya is RELATED to All for One. That is the bare bones minimum, I don't care if you are OH HE LOVES HIM or HE AN EXPERIMENT or whatever you want to believe. None of that really registers much to me nor should matter, like DFO can be used in many manner of ways.
The ones that seem to hate is most... Well they tend to either want Virgin All for One (for sexual reasons) or want him to be purely asshole(for sexual or just because love assholes that can go either way) or maybe fear of being the outsider. There also many who claim that every time he does a more evil act that it PROOF he never father a child.
Like tell me you never had a mentally unstable parent that does outrageous things. Anyone can have a kid, it sure doesn't take much for a guy to one and done for various reasons. We also literally been confirmed now he can change his face, DNA, and has actually done so. Also we've seen how he is with Yoichi, literal proof of his ability to love it just dark and twisted.
It why DFO is so interesting since if is the child of AFO it an avenue to explore his character. How WOULD AFO raise a child now that we knows what happened with Yoichi? Is he aware of Izuku? Does he care? We've seen him vault family and say how precious family is.
But then, none of that matters to the former DFO fans who now are DFO hates. They just don't want to be the weirdo outsiders believing in something that isn't even 'canon' and as I've said many times. I'm not exactly going to stop writing or enjoying it even if it NOT canon.
No one can dictate what I like and enjoy. And those people projecting hatred once they loved it?
I hope they know it ok to just like different things and change your mind. They should be happy with what they like instead of just wanting to be 'right'.
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auricgold0 · 2 days
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Random ideas I doubt I’ll ever write but I want someone else too #1
-Wilbur finds a dog/ wolf and tames it, rushing around for the day trying to keep the dog in check. The dog's name is Ozi (short for ozymandias) could include Quackity but includes Tommy for help with pets and shit.
-Randomly Wilbur creates and drinks a potion which practically gives him powers. He uses it to his advantage, an inconvenience to Las Navadas ending in a burst of flames or really cute idk.
-Dsmp au or just like au in general where Quackity and Wilbur are like life and death, put together as systematic partners to keep each other in check.
-Quackity and Wilbur (Dsmp) accidently become parents. Wilbur jokingly applies for an adoption paper just to piss Quackity off but when a little girl shows up to Quackitys place havoc reeks. Quackity and Wilbur decide to take care of this kid but stay rivals, the girl going back and forth between them. Romance happens, they both ease up more but they still hate each other cause yk it's them.
-Wilbur puts on eye makeup and is forced around Quackity by like Tommy or something and Quackity is just a mess for him like that so his demeanour is more distracted
-Wilbur sneaks into the library in Las nevadas late at night and Quackity ends up bumping into him while foolish is Discussing renovations to the design, it being too out of place or sum. Wilbur tries to hide from Q but Quackity finds him and asks what Wilbur is doing here. Wilbur goes on about books and Quackity blurts out that he used to have one before remembering it was ghostbur. Angsty shit, Wilbur goes on about Ghostbur and how people preferred him and Q reassures him. Then Q offers to suggest Wilbur some books, asking his opinion on the design.
-Quackity taps into his more nightmare guy and freaks Wilbur out while gambling blah blah idk - inspired by Alastors game
A fic where Wilbur forces himself into Quackitys home and convinces Quackity to let him crash for a few days. Cue arguments and overly clingy Wilbur who tries to hide that fact. Maybe have it lead up to his ending where he says goodbye or they fall in love so like a cute ending. Have them learn more about each other either accidentally or on purpose. A way to know your rival through living with them.
-Book of life au. Wilbur is a journalist travelling to Mexico after years of not being there. Last time he was he met The chief(Schlatt) and the researcher from the place (Quackity or change what he is) he comes back and his love blossoms
-Character them somehow finds fan fiction of themselves and read it (idk)
-They end up in the real world having to adapt to society and try to act normal. Having to buy houses, gambling addiction, laws etc. Wilbur ends up staying or they both go back and have a sweet ending. In the London area. Quackity realising Las Vegas is real, they have to work together.
-People are always claiming how they are the sun and moon . NOPEEE. Quackity is the moon, Wilbur the stars both equally as light and dark as each other. Stuck together because they're both in the dark 24/7. Do something symbolic with that
-Wilbur is like idk questioning his sexuality and stuff so he tries to be stubble and ask Quackity but it turns into a argument idk. I’ll probably actually figure out a plot but I want there to be dancing with Quackity in the lead, teasing Wilbur almost.
-The ‘there’s only one bed trope’ but them. Plot twist they don’t fuck but instead share sleepy secrets or admirations about the other and Wilbur falls asleep for the first time in a while. Why? Because he’s next to Quackity😍
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waitingforthesunrise · 11 months
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Obsessed with the characters who stay light hearted and joyous but who have stolen it from the darkness. There is blood under their fingernails — there is pain under their eyes — there is hurt in their timeline and they have felt every blow. But they have refused to let it take their joy, their sun, their kindness, their heart. This. This is mine. This is the thing no one gets to touch. The people who are unbeatable simply because they will always look up from the ground with blood on their lip and a light in their eyes. And nothing can ever cut out the light in their chest. Nothing can touch their rebellious, boundless belief that the universe has a sense of humor. I stay silly, I stay open, I stay alive and alive and I lived when the whole world said otherwise. the dandelion in the pavement. The vine on the wall. I lived and I loved the inherent brokenness of a once whole thing and it was me, I was the thing that is whole no longer. I gave flowers to the darkness. I gave my soul to the light. 
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avephelis · 4 months
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every time someone mischaracterises jay ferin as the therapist friend a fairy loses its wings btw. put some respect on her emotionally-constipated ass.
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ifyougoillfollow · 1 year
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you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.
and we should keep doing that, obviously. death and destruction and tragedy kick total ass.
however. can we please spare a thought for the clowns trapped in that same (burning) room?
after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?
how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?
and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?
well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.
if you're not - well. it's a good thing clown makeup is waterproof, isn't it?
anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3
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autumn-may · 1 year
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love thinking of sad traumatized edgy characters in normal situations but not in a ‘how do you think X event affected the way they handle everyday life’ kinda way but in a ‘what do you think 358/2 days rikus hair care routine is like’ kinda way
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more historical fiction needs to be set in ww1. bonus points if you fag it up
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romanticatheartt · 2 months
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I can't believe there are people in this fandom who say Mor lied about what happened at Autumn Court and led Azriel on for centuries. We have people say Gwyn, an SA survivor, has manipulate everyone with her lightsinger power and she wasn't actually SA'ed and undermine her strength in Blood Rite. We have people say Feyre overreacted and minimise her trauma and depression to nothing after UTM and calling her ungrateful...
All of these over another man's action...
While Eris didn't try to help her, y'all make a hero out of him for not touching her. I know why he did it but the fact that you all try to find an excuse for his actions and go as far as calling Mor a liar. (don't forget he slut shamed her in front of all the high lords...)
While Azriel is the one who's been panting after Mor for centuries while Mor couldn't be more obvious about how she doesn't want to do anything with him and you didn't even consider how she might not trust him enough to tell him the truth but somehow... Mor is at fault. Somehow Azriel, not even trying to talk to her once and discuss their situation and create a safe space for her and try to be her real friend instead of trying to be in a relationship with her and waiting for a mate bond to snap, is the victim here... you all don't find his actions creepy at all because he's a "shadow daddy". While Azriel still couldn't say he's over Mor to Rhysand and at the same time tried to fck Elain without thinking anything more about her (no future whatsoever), but somehow... somehow is Gwyn's fault, who used her lightsinger power to prevent it to happen and manipulate Azriel all the same... all of this is being said because of Azriel's own actions and you don't want to blame him and hold him accountable for his doings, so you find (create) these disgusting excuses.
While Tamlin only sat there for 3 months and didn't even try to help Feyre and y'all excuse his lack of action for protecting, but he could get her alone right before the night of her last trial... While he sat there begged on his knees and didn't even try to stop Amarantha, and in the main time each bones in Feyre's body was breaking. And you still find an excuse for him locking Feyre and not listening to her about how she's suffering, how she's drowning, for him being "traumatised"... but Feyre died for him and saved his court and people and the whole Prythian and destroyed herself in the process but you all don't even see it... and go as far as calling Feyre a coward for hesitating to kill those faeries...
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admiral-arelami · 3 months
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AITA If My Favorite Character is a Fascist?
Uh oh. The Fascsplainers are at it again. Yes, we know what fascism is, thx.
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just gonna go ahead and say this in advance—
if Riz does indeed come out in junior year, and he says, “I’m ace” or “I’m asexual” when referring specifically to his lack of romantic attraction, aromantic people are allowed to be upset about it.
#because yes of course some people irl say ace to mean both bc that’s how they personally identify#but in fictional media the distinction is necessary. especially with how few canonically aromantic characters even exist in ANY mainstream/#popular media.#I assure you I’m not invalidating anyone who is ace and they mean that to include lack of romantic attraction.#But to look at this from a MEDIA PERSPECTIVE its irresponsible to do this w/out clarification that they also know the word aromantic exists#because otherwise that’s just a conflation of asexual and aromantic without any nuance#and an erasure of aromantic people who are not asexual.#Plus—name a single fucking time a character in mainstream/popular media has said the word aromantic.#Because I can name several instances where they say asexual. But I can’t think of ONE where they say aro or aromantic.#(Maybe that Isaac kid does in season 2 of Heartstopper? But I haven’t seen it so I’m not 100% sure.)#anyways.#the way this fucking fandom—and ANY fandom with a canon aro character—discusses the aromantic spectrum#is blatantly just to remove their own personal guilt for shipping that character with other characters and erasing their orientation.#because yes aromanticism IS a spectrum!! But when people talk about fabriz and say ‘he can still be ace!’ (Which is aro erasure) or#‘he can still be aro!’ They never SHOW riz still being aro or having any kind of complex relationship with romance.#I’m angry and I’m allowed to be.#I get that a ship you liked may be hard to let go of or something#But I’d be much less mad if all the fabriz fans said ‘yeah I know Riz is aro in canon and he and Fabian would never get together.#I just like to imagine it sometimes in fiction/fanon!’ Then that would be a WHOLE different conversation#Because then they’d at least be acknowledging that riz doesn’t feel romance in canon. That fabriz is something that actively#Goes against the canon characterization of one of those characters—and that’s fine. Just fucking ACKNOWLEDGE IT.#But most of these people either WANT fabriz to be canon/believe it WILL BE canon#OR I guess feel uncomfortable confronting the fact that they ARE erasing riz’s aromanticism so they don’t even acknowledge it at all.#fhjy#fantasy high#d20#dimension 20#riz gukgak#aromantic riz gukgak#fhsy
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