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mostlysignssomeportents · 11 days

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The true post-cyberpunk hero is a noir forensic accountant

I'm touring my new, nationally bestselling novel The Bezzle! Catch me in TOMORROW (Apr 17) in CHICAGO, then Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

I was reared on cyberpunk fiction, I ended up spending 25 years at my EFF day-job working at the weird edge of tech and human rights, even as I wrote sf that tried to fuse my love of cyberpunk with my urgent, lifelong struggle over who computers do things for and who they do them to.

That makes me an official "post-cyberpunk" writer (TM). Don't take my word for it: I'm in the canon:

https://tachyonpublications.com/product/rewired-the-post-cyberpunk-anthology-2/

One of the editors of that "post-cyberpunk" anthology was John Kessel, who is, not coincidentally, the first writer to expose me to the power of literary criticism to change the way I felt about a novel, both as a writer and a reader:

https://locusmag.com/2012/05/cory-doctorow-a-prose-by-any-other-name/

It was Kessel's 2004 Foundation essay, "Creating the Innocent Killer: Ender's Game, Intention, and Morality," that helped me understand litcrit. Kessel expertly surfaces the subtext of Card's Ender's Game and connects it to Card's politics. In so doing, he completely reframed how I felt about a book I'd read several times and had considered a favorite:

https://johnjosephkessel.wixsite.com/kessel-website/creating-the-innocent-killer

This is a head-spinning experience for a reader, but it's even wilder to experience it as a writer. Thankfully, the majority of literary criticism about my work has been positive, but even then, discovering something that's clearly present in one of my novels, but which I didn't consciously include, is a (very pleasant!) mind-fuck.

A recent example: Blair Fix's review of my 2023 novel Red Team Blues which he calls "an anti-finance finance thriller":

https://economicsfromthetopdown.com/2023/05/13/red-team-blues-cory-doctorows-anti-finance-thriller/

Fix – a radical economist – perfectly captures the correspondence between my hero, the forensic accountant Martin Hench, and the heroes of noir detective novels. Namely, that a noir detective is a kind of unlicensed policeman, going to the places the cops can't go, asking the questions the cops can't ask, and thus solving the crimes the cops can't solve. What makes this noir is what happens next: the private dick realizes that these were places the cops didn't want to go, questions the cops didn't want to ask and crimes the cops didn't want to solve ("It's Chinatown, Jake").

Marty Hench – a forensic accountant who finds the money that has been disappeared through the cells in cleverly constructed spreadsheets – is an unlicensed tax inspector. He's finding the money the IRS can't find – only to be reminded, time and again, that this is money the IRS chooses not to find.

This is how the tax authorities work, after all. Anyone who followed the coverage of the big finance leaks knows that the most shocking revelation they contain is how stupid the ruses of the ultra-wealthy are. The IRS could prevent that tax-fraud, they just choose not to. Not for nothing, I call the Martin Hench books "Panama Papers fanfic."

I've read plenty of noir fiction and I'm a long-term finance-leaks obsessive, but until I read Fix's article, it never occurred to me that a forensic accountant was actually squarely within the noir tradition. Hench's perfect noir fit is either a happy accident or the result of a subconscious intuition that I didn't know I had until Fix put his finger on it.

The second Hench novel is The Bezzle. It's been out since February, and I'm still touring with it (Chicago tonight! Then Turin, Marin County, Winnipeg, Calgary, Vancouver, etc). It's paying off – the book's a national bestseller.

Writing in his newsletter, Henry Farrell connects Fix's observation to one of his own, about the nature of "hackers" and their role in cyberpunk (and post-cyberpunk) fiction:

https://www.programmablemutter.com/p/the-accountant-as-cyberpunk-hero

Farrell cites Bruce Schneier's 2023 book, A Hacker’s Mind: How the Powerful Bend Society’s Rules and How to Bend Them Back:

https://pluralistic.net/2023/02/06/trickster-makes-the-world/

Schneier, a security expert, broadens the category of "hacker" to include anyone who studies systems with an eye to finding and exploiting their defects. Under this definition, the more fearsome hackers are "working for a hedge fund, finding a loophole in financial regulations that lets her siphon extra profits out of the system." Hackers work in corporate offices, or as government lobbyists.

As Henry says, hacking isn't intrinsically countercultural ("Most of the hacking you might care about is done by boring seeming people in boring seeming clothes"). Hacking reinforces – rather than undermining power asymmetries ("The rich have far more resources to figure out how to gimmick the rules"). We are mostly not the hackers – we are the hacked.

For Henry, Marty Hench is a hacker (the rare hacker that works for the good guys), even though "he doesn’t wear mirrorshades or get wasted chatting to bartenders with Soviet military-surplus mechanical arms." He's a gun for hire, that most traditional of cyberpunk heroes, and while he doesn't stand against the system, he's not for it, either.

Henry's pinning down something I've been circling around for nearly 30 years: the idea that though "the street finds its own use for things," Wall Street and Madison Avenue are among the streets that might find those uses:

https://craphound.com/nonfic/street.html

Henry also connects Martin Hench to Marcus Yallow, the hero of my YA Little Brother series. I have tried to make this connection myself, opining that while Marcus is a character who is fighting to save an internet that he loves, Marty is living in the ashes of the internet he lost:

https://pluralistic.net/2023/05/07/dont-curb-your-enthusiasm/

But Henry's Marty-as-hacker notion surfaces a far more interesting connection between the two characters. Marcus is a vehicle for conveying the excitement and power of hacking to young readers, while Marty is a vessel for older readers who know the stark terror of being hacked, by the sadistic wolves who're coming for all of us:

https://www.youtube.com/watch?v=I44L1pzi4gk

Both Marcus and Marty are explainers, as am I. Some people say that exposition makes for bad narrative. Those people are wrong:

https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/

"Explaining" makes for great fiction. As Maria Farrell writes in her Crooked Timber review of The Bezzle, the secret sauce of some of the best novels is "information about how things work. Things like locks, rifles, security systems":

https://crookedtimber.org/2024/03/06/the-bezzle/

Where these things are integrated into the story's "reason and urgency," they become "specialist knowledge [that] cuts new paths to move through the world." Hacking, in other words.

This is a theme Paul Di Filippo picked up on in his review of The Bezzle for Locus:

https://locusmag.com/2024/04/paul-di-filippo-reviews-the-bezzle-by-cory-doctorow/

Heinlein was always known—and always came across in his writings—as The Man Who Knew How the World Worked. Doctorow delivers the same sense of putting yourself in the hands of a fellow who has peered behind Oz’s curtain. When he fills you in lucidly about some arcane bit of economics or computer tech or social media scam, you feel, first, that you understand it completely and, second, that you can trust Doctorow’s analysis and insights.

Knowledge is power, and so expository fiction that delivers news you can use is novel that makes you more powerful – powerful enough to resist the hackers who want to hack you.

Henry and I were both friends of Aaron Swartz, and the Little Brother books are closely connected to Aaron, who helped me with Homeland, the second volume, and wrote a great afterword for it (Schneier wrote an afterword for the first book). That book – and Aaron's afterword – has radicalized a gratifying number of principled technologists. I know, because I meet them when I tour, and because they send me emails. I like to think that these hackers are part of Aaron's legacy.

Henry argues that the Hench books are "purpose-designed to inspire a thousand Max Schrems – people who are probably past their teenage years, have some grounding in the relevant professions, and really want to see things change."

(Schrems is the Austrian privacy activist who, as a law student, set in motion the events that led to the passage of the EU's General Data Privacy Regulation:)

https://pluralistic.net/2020/05/15/out-here-everything-hurts/#noyb

Henry points out that William Gibson's Neuromancer doesn't mention the word "internet" – rather, Gibson coined the term cyberspace, which, as Henry says, is "more ‘capitalism’ than ‘computerized information'… If you really want to penetrate the system, you need to really grasp what money is and what it does."

Maria also wrote one of my all-time favorite reviews of Red Team Blues, also for Crooked Timber:

https://crookedtimber.org/2023/05/11/when-crypto-meant-cryptography/

In it, she compares Hench to Dickens' Bleak House, but for the modern tech world:

You put the book down feeling it’s not just a fascinating, enjoyable novel, but a document of how Silicon Valley’s very own 1% live and a teeming, energy-emitting snapshot of a critical moment on Earth.

All my life, I've written to find out what's going on in my own head. It's a remarkably effective technique. But it's only recently that I've come to appreciate that reading what other people write about my writing can reveal things that I can't see.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/17/panama-papers-fanfic/#the-1337est-h4x0rs

Image: Frédéric Poirot (modified) https://www.flickr.com/photos/fredarmitage/1057613629 CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/

#pluralistic #science fiction #cyberpunk #literary criticism #maria farrell #henry farrell #noir #martin hench #marty hench #red team blues #the bezzle #forensic accountants #hackers #bruce schneier #post-cyberpunk #blair fix

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lordoftherazzles · 10 months

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My takeaway from the past 24+ hours...

There are so many of us that rely on ao3, whether you're a reader or writer. It brings us joy, it gives us an escape from the real world, and it lets us come together as a community to share stories and scenarios about our favorite fandoms and characters. The amount of posts I have seen on multiple platforms lamenting over the DDoS attacks is overwhelming - but with most of them comes a delightful cheer to the volunteers working to resolve this issue.

I've seen so many statements of praise for those volunteers, which is exactly what they deserve, and more. Can you imagine working for over 24 hours straight, on a volunteer basis, against something like this? They're the real MVPs, and I think our appreciation for them gets lost until moments like this rise.

With that said, here is my first real takeaway...

Don't bitch when ao3 does a donation drive. They work hard to keep the archive up and running, and with that costs money. Every server, every new addition or feature you want to see added to help make the site better, it costs money. The legal team that is defending fanfic authors??? MONEY. SO! DON'T! COMPLAIN!

I'm not saying you have to go out and donate your paycheck to ao3 - but I will say that, especially with this situation, if you can donate even a little bit to show your support, it means more than you probably realize, and even if you can't donate (which is totally okay), be kind to those who work on the archive. Send them kind words of encouragement, rather than flaming the archive because it's under attack - because yeah, I've seen people bitching AT ao3 for not working fast enough, or for it still being down. STOP IT.

My second takeaway...

Don't believe everything you see on the internet. Ao3 themselves have advised that the group claiming to take credit for this attack is to be treated with skepticism. And not only that, let's NOT automatically make assumptions about who is responsible just because of an organization's name. It's just a NAME, it doesn't identify a person's origin, background, etc. But I'm not here to dive into that much further. Point: I better not see any Sudanese hatred on my dash, or I will bite you.

My third takeaway...

Treat your fanfic writers with respect. We all now see first hand how much we depend on these stories. As I said above, for some it's an escape, a creative release, and a way to communicate with other people through similar interests. It's a beautiful creation, neither above nor below any other kind of literature.

Consider commenting, reblogging, kudos, anything you can to let the authors know you enjoyed and appreciate their works. Everyone is free to communicate in the way that suits them best, but every little bit is appreciated - as a fanfic writer myself, I can tell you that even a little heart emoji has made my day. It's like receiving a second kudos, and tells me that someone appreciated my efforts enough to give me a double thumbs up.

Any form of communication with the authors is appreciated. It lets them know that people are genuinely interested. We live in a world where INSTANT GRATIFICATION is taking over, but creations such as this take time. Talk with the authors, ask them about their wips, tell them they're doing a great job. Do NOT pester about "when are you updating next?" or the dreaded AI option - again, I will BITE PEOPLE if I see you doing this. Just...have some respect, show your appreciation, it's more than JUST FANFIC.

At the end of the day I guess this post is about being kind. Not pointing fingers or slandering people due to a name. It's about appreciating the things we do have, and not taking them for granted. Whether it's the brave cyber warriors currently fighting these DDoS attacks on the frontline, or the authors writing for not only their enjoyment, but for others too. Let's all respect one another, and show our support when and where we can.

HUGE THANK YOU TO THE VOLUNTEERS AT AO3, YOU ARE THE REAL MVPS!!!

#ao3 #archive of our own #fanfiction #razzy's rambles

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angelyuji · 3 months

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yandere bruce wayne headcanons

yandere bruce wayne x gn!reader

warnings: yandere behavior, gross guy bruce wayne, kidnapping, stalking, power imbalance, rich guy uses his rich guy money to manipulate reader, creepy guy being a creepy guy lol (lmk for anything i might've missed i am half-asleep)

im thinking ill write some actual fanfics for him soon, idk what TO write tho...

STALKKKERRRR STALEKER SJALKER STALKER!!!

he is a creature of the night so u KNOW he’s watching you from a rooftop next to ur apartment

think of the scene in the batman when he’s watching Selina undress and stuff yeah hes a peeper (hes so fine i love bruce)

my man doesn’t have any superpowers BUT hes literally the freaking batman, he has cameras all over gotham so i promise he has eyes on you at all times

he’ll watch over you and make sure ur not gonna get mugged by some loser with a gun or get caught up in a joker/ivy/freeze/whomever scheme

like hes stalking you

he knows everything abt u too with WE and the Batcomputer (lol) he’ll have all ur personal info on file, ur twitter acc, your Instagram, any social media, literally everything on a separate file that is locked behind multiple passwords and eye scans (especially if we’re looking at bruce with kids like he knows they’d open the file and snoop)

if we’re looking at pattinson!batman/early years, he’s probably gonna write abt u in his diary journal (hes just a silly little guy)

he’ll try to give you a job at wayne enterprises to keep an eye on you as bruce (obvi becuz he cant be batman 24/7) (job depends on your experience and degree) (he’ll want u as a personal assistant or something but depending on your area of expertise… you’re probably not gonna accept lol)

if u do accept for a position as assistant/secretary, he’ll have your desk 3 ft away, he’ll be calling u into his office just to talk, basically like sort of training u to be his wife (get coffee, make lunch/get lunch, invite u to be his plus one for galas) all that jazz, he’ll flirt with u but ur gonna be like “oh that’s just brucie wayne being brucie wayne, but once u get comfortable in ur role, he’ll start making moves like hand on the lower back, pressing against u in any situation possible, he’ll never seem creepy (yet) but it’ll make u slightly uncomfortable considering he’s ur boss.

i can think of 2 possibilities that could occur

1. creepiest boss ever. he’ll order u how to dress to be his assistant/how to dress at galas (skimpy dresses, short skirts, tight pants, tight fitting dress shirts that exposes everything, shit like that), he’ll LEER at u like bruce will purposely drop stuff and make u pick it up so he can watch u bend over. like the worst. you’ll get tired of this behavior and quit and bruce will get angry and kidnap u

2. still creepy but not as bad. more like extravagant gifts, vacations, parties. he’ll still flirt and try to have as much physical contact with u as possible but he knows where to draw the line. you wouldn’t quit cuz yk great pay, okay boss. but like his feelings would get too much to contain and he’ll kidnap u in the end anyway

if i had to diagnose the batmans i care abt id sayyyy 1 is Affleck, 2 is bale, and Pattinson is a mix of both. comic batman has so many different writers and each run has a different personality for him saur depends on the writer lmao

u wouldn’t be able to date cuz of yk…….. WE rules………… but he’ll get tired of that taboo/secret relationship bs pretty quickly and just kidnap u

if u don’t accept a position as an assistant/secretary, he gets it but more than likely, his feelings for u will intensify and he’ll end up taking you to keep at wayne manor

before getting into when ur stuck at wayne manor, lets break down bruce’s thoughts abt u

he has put u on a PEDESTAL

ur amazing, beautiful, gorgeous, u. can. do. no. wrong.

in his mind, ur the light to his darkness

alfred totally enables him and if we’re talking dilf bruce, the kids learn from him so they just assume this is what love is, kidnapping and manipulation

you’d adjust to life at wayne manor (not quickly but yk mf is RICH, ur gonna be treated so well once u understand that u cant leave)

bruce wouldn’t torture u but he’d pavlov u for sure

you would only be given comfort and relief when ur around him/good to him

if ur not good, then he’d probably keep u locked up in the batcave or in any of the many empty rooms at the manor

bruce wayne is the most powerful and influential person, ANDD has THE most powerful people on the planet as his best friends… you’re stuck with him babes

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shadesofecclescakes · 1 month

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Are you a big fanfic reader? What have you read lately and what's been your favourite fic so far?

Oh mannnnnnnnn. Why don't you ask me to pick a favourite child while you're at it???

Just kidding. I don't have kids. But I assume having to pick a favourite would be hard if I did.

So, am I a big fanfic reader? YES. And what haven't I read lately? We are lucky enough to have so many talented writers in this fandom that it's possible to subscribe to numerous multi-chapter fics to the point where you're just constantly getting update emails. Which I do. It's great. It gives me something to do at work aside from, y'know, work.

*Me at work being smug about being paid to read porn* (Also I just wanted to look at this gif)

So what is currently on my endless update list? Coming up after the cut!

I am an absolute whore for human AU, so if you like that then you will probably like:

The Cure for a Broken Heart by @rofell

a medical student AU based in the Canadian medical system (I'm a Canadian so I was pretty excited about that). It manages to tackle the continued systemic discrimination of Indigenous people in our medical system (and in general), homophobia and the ensuing trauma from those things all while also being informative, funny, sweet, romantic and hot af. Like. It's so good.

Free by @maaikeatthefullmoon

This is another one with with a heavy topic that also does a great job of making sure to break it up with some excellent fluff, hurt/comfort and humorous moments. And it's handled with the sensitivity and thoughtfulness necessary to write something that takes place in a mental health ward and deals with some intense situations. Definitely make sure to read those author notes before diving in. They lay it out very thoroughly.

The Sincere Way by @tsyvia48

A martial arts AU. Crowley is a karate sensei and Aziraphale is his student. Slow burn that keeps you on the edge. The screams I have scrumt at my screen over this one. Plus you learn a lot about karate (but it never gets boring or over-explainey. Excellently balanced) which is pretty cool. Mostly light (there is some angst. This is the Good Omens fandom. I think we are all sad, wet chihuahuas at heart). Funny and sweet.

Terminus by @emotional-support-demon-crowley

Plus One by @caedmonfaith

Astronaut AU. Aziraphale is an astronaut who meets his mission controller, Crowley, over the comms system when he finds himself in need of assistance.

Super cool concept and really well-done in my opinion. Like, I don't do any space or physics-related work (ok I straight-up failed math 9) but I find it entirely believable. And it's well-written which is the entire point. Cute, funny slow burn with an intriguing mystery happening in the background.

Aziraphale has family money but a shitty family (except for Muriel! Never Muriel!) and his shitty brother Gabriel is getting married to shitty Michael, an Earl's daughter.

Aziraphale's family disproves of his entire life pretty much and he has been lying to them about having a boyfriend. Now they are expecting him to bring said boyfriend to the wedding. His famous footballer friend sets him up with their mechanic, Crowley.

It starts as a slow-burn but becomes a hilarious, smutty romp that just gets more and more insane. The chapter titles alone have made me cackle out loud.

Some older human AUs I'm a huge fan of include Old Vines by @sevdrag. Crowley owns a vineyard and Aziraphale is a wine critic. It is so amazingly written. It makes me think of the author Joanna Harris (Chocolat, The Five Quarters of the Orange) because it's SO beautifully, vividly descriptive that I end up craaaaaving wine. So have a bottle on hand if you're giving this a read.

Also the love story in this. My god. I devoured it. The story and the (many bottles of) wine.

There is also Loosely Ballroom by marginalia_device and mortifyingideal. It's a Strictly Come Dancing (Dancing with the Stars in North America) AU and it is so. Fucking. Good.

But it comes with a disclaimer. It's unfinished and looks likely to stay that way. But honestly? Still worth it. It's nearly finished (I think) so you have most of the story. And it's just SO good. It's been a while since I read it but it was one of the first human AUs I read and what got me hooked on them.

If you're still with me...nice! Just know that was me holding back and that isn't my entire list by a long shot. If you want more recs, feel free to message me and also share your own!

I just finished Slow Show the actor AU by @mia-ugly and yes please.

Some serious angst, pining and hot hot smut.

There is another long-form multi-chapter actor au I loooved but I can't remember the name for the life of me. Just that the show they were on was basically good omens and that they swapped roles with great success (inspired by the whole Michael thinking Neil wanted him to play Crowley when he wanted Aziraphale thing).

Thanks for the ask! That was really fun!

#good omens #crowley #aziraphale #ineffable husbands #aziracrow #aziraphale x crowley #good omens fanfic #good omens fanfiction #good omens fan fiction #good omens fic rec #good omens fanfic rec #ask

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practically-an-x-man · 11 months

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ok y'know what. I'm tired of all the same questions in ask games so I'm taking matters into my own hands

OC/Writing Art Asks

For the character:

Pencil: does this character have any "sketchy" habits? Have they ever broken the law? Do they regret it?

Pen: what's one minor moment your character regrets? A small mistake, but something they "can't erase"?

Paintbrush: How often does your character "brush over" conflict instead of facing it head on? Is there something specific they don't like to face, or do they avoid conflict as a whole?

Marker: what's one thing your character would never tattoo on their body, even if they were paid a million dollars for it?

Crayon: what was your OC like when they were four years old? Were they loud? Shy? Were they the resident "weird kid" or did they get along with others their age?

Colored Pencil: if given the choice, would this character splurge on an expensive (but potentially worthwhile) branded product, or buy a low-budget alternative even if the quality suffers?

Copics: what is this character's most expensive habit or hobby? Do they ever feel guilty about the money they spend on it?

Graphite: what's something decently common that your character does in a unique or different way? (like how graphite is present in all pencils, but not everyone uses pure graphite)

Charcoal: share any unique physical features about this character that are not scars or tattoos.

Tortillon: does your OC "blend in" with the people around them? Physically? Metaphorically?

Pastels: Give me three colors that best represent your OC. Now give me three colors that your OC likes best. Is there an overlap?

Chalk: what was one activity this character enjoyed with their sibling(s) as a kid? If they don't have siblings, what they did with their neighborhood friends

Eraser: what's one way this character has changed over time? Either over the course of their story, or over the course of designing them as an author.

Palette: list four of your character's primary skills, then share at least two ways these skills might blend or overlap

For the work:

Starry Night: are there any scenes in this work that take place at nighttime? Is this significant, or just the passing of time?

Mona Lisa: oh, it's the fanfic writer's favorite word. Do a find-and-replace on the word "smirk" and share any lines that pop up.

The Scream: are there any moments in this work that you think could scare a reader? Are there any moments where the characters themselves are profoundly scared?

Persistence of Memory: are there any moments in this work where a character's memory plays a strong role? Either an individual memory, or simply a character's ability to recall the past.

Girl With a Pearl Earring: are there any moments in this work where a character's clothing or accessories play a major role?

The Kiss: share your favorite kiss scene from this work. If there's no kiss scene, share your favorite moment of intimacy (romantic or platonic)

American Gothic: what's one relationship between characters in this work that you think people wouldn't expect? (i.e., how the people in American Gothic are not married, they're the painter's sister and dentist)

Guernica: look through a few of your imagery/descriptions in this work. Are they generally straightforward, or are they more "abstract"?

Wheatfield with Crows: are there any scenes in this work that involve birds? Do the birds play a definitive role, or are they simply part of the setting?

Woman with a Parasol: are there any moments in this fic that feel "blurry" to you? Is this a stylistic choice, or would you go back and clarify the descriptions if you were given the chance?

A Sunday Afternoon...: pick one "little moment" from this fic. How representative is it of the fic's tone and story as a whole?

Creation of Adam: choose one character that is not present at the beginning of this work. How did you introduce them into the story?

The Swing: are there any moments in this fic where the characters get to slow down and have fun? If not, why is that?

The Last Supper: does this fic incorporate any symbolism based on religion, theology, or mythology? If so, give an example.

For the author:

Paper: Who do you feel is your most two-dimensional or underdeveloped OC? Why is this? (including those that are still in development/haven't been written about yet)

Canvas: Do you ever "prep" your fics with outlines or warmups before you start writing, or do you just dive right in?

Graffiti: Have you ever had to research something that felt illicit or illegal for a fic? What was it?

Photography: What's one moment from any of your fics that you feel is preserved in your memory?

Clay: Do you usually take time to "sculpt" your OCs before you write them, or develop them as you write?

Film: Which one of your fics do you think would work best if turned into a movie? Who would direct it?

Adhesive: when you write, do you usually "stick" to one character or story for a while, or bounce around various characters and ideas?

Cricut: are there any characters you've had to "cut" from a story? Are there any moments/chapters/stories you've had to "cut" entirely?

Felting: how often do you include soft moments when you write? Do these moments play a role in the main plot, or do you include them as an escape from the rest of the story?

Weaving: are your works typically similar to one another? Pick two works, and share one similarity and one difference between them.

Finger Painting: share a small snippet from your earliest work (or the earliest that you can get back to). How would you rewrite it today? Either share the rewrite itself or just describe how you'd do it.

Creative!: free space! share something you've been dying to share about your writing! Could be an OC that never gets the limelight, a moment you were proud of, or anything else you'd like to share

#ask game #oc asks #oc ask game #ask meme #writer asks #writing asks #author asks #new ask game #fanfic asks #fanfic ask game

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angeliczuko · 25 days

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Can I request Chuuya x fem!reader fanfic about the readers being a writer that trying to avoid conflict with mafia? But instead the reader always meets with Chuuya.

“WITHIN LETTERS FROM AFAR”

Summary: You are a simple writer who just want to live a normal writing life in Yokohama and want to avoid conflict with the mafia, for many reasons but if a man so ethereal just happens to be around, can you really not let him be your muse? Genre: fluff, romance Warnings: small mentions of blood and violence, reader is the quiet and calm type. A/N: this man can choke me everyday and I would thank him for it :3

How does he find interest in you?

To start it off he was merely visiting a coffee shop near your home when he met you writing a chapter of your book.

Chuuya has made many types of people but he couldn’t tell why he was just so intrested in you.

Perhaps it was your deep devotion to writing, or your vocal skills when he came to talk to you,or how you described things so detailed.

So it all started with a simple coffee!

How it goes + dates

I can totally see him buying you all types of paper because he probably barely knows anything about writing stuff

but it’s okay! Because after work he visits your house and you teach him vocabulary and when you used rare words and told them their meanings

He kinda of blushed because those words were meant for him <3

You two go on coffee dates and you let him read your poetry, stories etc. that is if u dislike places like restaurants

Chuuya probably buys you the most best quality and exported manuals on writing

So it goes pretty good for you two!

When he tells you he works for the mafia

You were certainly a bit taken aback when he said where he works and he isn’t surpirsed.

But he is more surprised when you take the courage to head to the mafia just to meet him! :D

For that he told his subordinates to make a separate table and office type place for you so you can stay close to him!

Conclusion

Chuuya will keep you safe don’t worry, he will try his best to keep you away from blood and violence. Especially since he doesn’t want to make you see his violent side. He has all the money in the world to buy you paper and you have all the vocabulary in your brain to write poems about him!

Divider credits: @cafekitsune

#Chuuya x reader #chuuya nakahara #chuuya fluff #chuuya fic #chuuya bsd #bsd x reader #bungou stray dogs #Bungou stray dogs x reader #bsd stuff #bsd fic #chuuya nakahara x reader #chuuya nakahara bsd #chuuya x you #chuuya x y/n #chuuya x fem!reader

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thelucyverse · 6 months

Text

Keep fandoms alive, comment on more fanfics!

The do‘s and don’ts of fic reviews

Because a friend told me she never knows what to write and then never comments, but wants to learn how to do better, I thought I’d compile a list, and maybe it will help someone else as well!

As always, this is unofficial and just from my personal experience writing and reading fic, and talking with other fic authors.

My posts on beta reading | ao3 bookmarks

What to comment

Honestly, authors love friendly comments, no matter how small. Here are some ideas for short comments you can write to pretty much any fic you enjoyed:

I loved it!

Great fic!

Thanks for writing this!

Thanks for sharing your fic with the fandom :)

☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ 10/10 perfection

So happy I found this!

Reading this made my day

I had fun reading this

You’re a great writer!

Love your writing style

<3<3<3

Amazing!

Kudos!

If you want to write something a bit longer, you can for example

Tell the author where you have been reading the fic or what you were doing while reading it

Tell the author what you should have been doing instead of reading fanfic (and that it was worth it to read the fic)

Copy a passage (or several) from the fic you particularly enjoyed

Did the author write a note at the end or beginning of the fic? Maybe even ask a question? Sometimes you can reply to author’s notes in your comment

How did the fic make you feel? Happy, made you cry, made you laugh, made you jealous of a character, or made you want to punch an antagonistic character’s nose in? Write it in the comment!

Is it your first fic in a fandom or with a ship? Your favorite fic in a fandom, or with a specific character? Did you read it in one go? Did you savour it slowly reading over days or weeks? Have you enjoyed every update of a multi-chapter? Do you wish you could read it again for the first time? Write anything you want to let the author know about your reading experience!

Is there a character you particularly enjoyed in that fic/chapter? Tell the author you think they wrote xy character really well!

You can always start or finish your comment with one of the suggestions from the short comments to make sure the author knows you liked it :)

If you really don’t know what to write, or are reading fic in a language not your own (though authors usually don’t mind you commenting in your native language) and aren’t comfortable commenting in either language, you can also leave emojis as comments, for example variations of:

for any fics:❤️💕💜💗💞💓💖💟🤩😍🥰

for humor fics: 😂😆🤣🤪💯

for shippy fics/getting together: 🎉💖🥳💋💘💏👩‍❤️‍💋‍👩👩‍❤️‍💋‍👨💑👩‍❤️‍👩👨‍❤️‍👨🫶

for angst or hurt no comort: 🥹😭🤯😱🫣😢💔❣️❤️‍🩹🖤 maybe still include a ❤️heart in there so the author can be sure you still liked it!

for smut/pwp: ❤️‍🔥💯🫣😋🤩🥵😈🤯🫦

There are even some stickers you can comment by copying the html! A few tumblr posts with stickers to copy can be found here & here!

Don’ts

There isn’t much you can do wrong when writing comments on fic, but there are a few things you should keep in mind:

don’t criticize (unless negative critics/what they can do better has been specifically asked for by the author, and then stick to the kind of criticism asked for, and best try to include something positive too to soften the blow)

don’t demand more/ask for updates - you can tell the author you’d read it if they wrote more, but don’t put pressure on them, you don’t know what’s happening in their lives right now and for what reason new entries might have slowed down, and they don’t owe you regular or any updates!

don’t tell them what to write (unless the author is taking prompts, and in most cases the comment section is not the right place for prompts, check what the author specified)

Remember: Fan fiction are free, from fans for fans, so etiquette is a bit different than in the Amazon reviews of books you paid good money for! Fic authors don’t have to cater to you, just enjoy that there are fics shared with the fandom :) If you don’t like something, or don’t like a part of something, either close the tab or quietly ignore the issue and just enjoy the parts you do like.

And in general, to end this on a positive note:

Yes, you can comment on older fanfics!

Yes, comment on several fics in a row if you’re reading through fics by one author!

Yes, comment on as many chapters of the same fic as you like!

Yes, you can make art for the fic and tell the author about it!

Yes, absolutely tell the author if you’re still thinking about a fic hours/days/years… after reading it!

Yes, send authors asks on tumblr/other sites talking about how you love their fics, if they link these sites in the author’s notes! (But also comment on Ao3)

Yes, you can comment/review even if you don’t have an account (at least on Ao3 and ffnet)!

Yes, please let the author know if you’re reading a fic for a second time, even if you just write ‘re-read kudos!’

The best comments are also written directly on the site the fanfiction got posted on (so usually ao3/ffnet and not tumblr/discord), both because it makes the note count higher, and because then the comment won’t quickly get buried under unrelated messages or posts.

If you want to leave long comments about different parts of a fic or chapter, you can also make use of the floating Ao3 comment box! It allows you to type your comment while you're still reading, without having to leave the page!

Some more kinds of comments on another post

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teaspoonnebula · 2 months

Note

Hullo, I am so sorry if this ask is a weird one but. You are in the fandom for a long time, and I need to know, is it me or is the ACD SH fandom *not* insane?? Everywhere else where I've been, I see people turning on each other, fighting over characters and the morality of liking them and not liking them, telling people to go kill themselves and here. I have been in this corner of Tumblr for a few months now, and everybody seems normal? Am I just not deep enough yet to sew the drama, or is this really just a place where people hang out to enjoy something together??? Are we just too old of a fandom to do this?

(feel free not to answer if this is too weird or anything)

Sorry my reply got really long. I've broken it up with memes in the hope that it makes it more readable.

I've been in the fandom for a few years now, and I don't have much to compare against because I've generally avoided fandom spaces because they seem pretty intense (and I've not had a piece of media grab me quite like this before) but yeah it seems pretty chill?

I think there are lots of possible reasons why.

It might be that the fandom skews a little older, with lots of people who have enough life experience to know how to de-escalate tension when they encounter it, and when to walk away from the keyboard.

It might be that there's a century-old understanding that we're all playing a silly tongue-in-cheek game with characters from magazine stories that were never supposed to be analysed this way. Remember the term "canon" as used in fandom circles was invented by Sherlock Holmes fans (specifically my boy Ronald Knox) as a joke, a deliberate cute misapplication of a term used for discussing the Bible to something frivolous. Not taking yourself too seriously is very baked into Sherlockian culture.

I sometimes get glimpses from other fandoms of this puritanical attitude that to like or not like a character or a piece of work is somehow a moral act, and I find that... bewildering. A bit scary. To be a fan of Sherlock Holmes is inherently to love something dearly which also contains things which should be hated: racism, sexism, imperialism. I think that fans tend to be people well used to approaching literature with the level of nuance required to process that dichotomy. To acknowledge it rather than hide from it.

It might also be because it's public domain. A big blockbuster movie or pastiche by a celebrated writer is precisely as legitimate as every fanfic on Ao3. Or the CGI movie where they're gnomes. Or a slightly wonky point and click game someone is obsessively making in their spare time (...coughcougheveryonewishlist 'The Beekeepers' Picnic' onsteam) Sherlock Holmes belongs to everyone equally regardless of how much money and power they have, which is why I love it.

Like, I love him as a character, I love the Victoriana, I love the mysteries, but the #1 reason I've gone gaga over Sherlock Holmes these past few years is the joy of loving a thing which isn't controlled by a corporation and which does not exist to make money (anymore).

I'm not saying there's zero drama because I think when you get a bunch of people passionate about something there will always be a little drama. I'll see things like the jostling of people who are very protective of asexual readings of Holmes and people who are very protective of gay readings of Holmes, things like that. Feelings can run high when personal identity is involved. But I've never seen anything got too vicious.

Errrr yeah idk if you wanted an essay as a response but you got one!

#sherlock holmes #acd holmes #fandom #ask #thoughts

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dduane · 1 year

Note

I have only finished writing the first draft of my first novel so I'm nowhere near considering the legal side of writing yet but I'm curious, so if you don't mind me asking I got two questions:

1) Do laws forbidding writers from reading fanfic of their work go over to other mediums, like visual novels for example? Or let's say I wrote a script and was lucky enough to get it produced as an animated short, would these laws still pertain to it? Or do stories outside the written medium have a completely different set of laws pertaining to them?

2) If an author writes a standalone and reads fanfic of said standalone, then goes on to write a series completely separate from their previous work with a different world and cast can the fanfic author still sue if they detect similarities? Even if their fanfic is attached to a completely different story?

Sorry if these questions are weird and rambly, it's 1 AM over here.

Let me clarify this. These aren't laws that I've been following: they're self-designed rules, based on the current legal realities obtaining in the markets where my IP is known and on offer.

Re 1): Written or not written—drawn, sung, or performed as interpretive dance for all I care—work created with consent in one's own universe must have come about with underlying binding written agreements in place. Without such agreements existing, viewing work in any format that's based in one's own universe will inevitably expose one legally. If I write a graphic novel and people write fanfic based on it, I will not read their fanfic because it could expose me legally to claims that further work done in my IP was based on their fic. Ditto if I write a script and it gets produced, and people see it and write fanfic about it, I won't read that fanfic either. The medium doesn't matter.

Re 2): If I write what for the time being is a standalone novel and read fanfic based on it, and then write a completely different series per your description, can a fanfic author still sue me if they detect similarities? Even if their fanfic is attached to a completely different story?

Well, if they've got the money, and depending on where they're located (for national laws differ), sure they can. The suit may well be sourced in confusion, or malice, or both, but they can. And the suit may in due time be lost or thrown out of court for being frivolous, but no matter how the cards fall, it's going to wind up costing you, the writer, a fair bit of money to get shut of it. A year's worth of your earnings? Two years' worth? Five? And what will be left of your career at that point?

The whole situation is better avoided by not reading any fanfic based on your work. In any format. Any time, any place. Period.

What's workable, and legal, and safe, is the following approach to derivative works from the IP owner's point of view.

Let's say that (for example) a producer or playwright approaches me and wants to adapt So You Want To Be A Wizard as a stage play. If that happens I have them get in touch with my agent, my agent proposes a license fee for allowing them to do this, and draws up a contract with that person essentially stating that they have my permission to adapt my book. Once that contract's in force (meaning it's been signed and money's changed hands), it's perfectly safe for me to look at those people's material written in my universe, because we're both bound by a concrete agreement on how the creative process will go forward and how the results will be used.

Or alternately: Let's say that some writers I know think it would be fun to write Young Wizards stories, and when I hear about this, I say "Okay, let's do a YW anthology." And I talk it over with my agent and then we call in a crowd of writers whose talents I trust and whom I think would be interested in taking part. Those interested all sign contracts with me that say they've got my permission to create those works using my IP / in my universe, and to get paid for them. My side of those contracts stipulates (as seems fair) that, if they invent something particularly cool while working in my universe, I retain the right to use and expand on that concept or language at a later date if I like. (If they have a problem with that, that's their call: they don't have to sign the contract or be in the anthology.) And I can obviously now read all this work and have it, legally speaking, be perfectly safe for me.

But let's try looking at the situation from a different direction. I open my ask box one morning and find that someone's stuffed the idea for a Young Wizards short story into it, also saying, "And I'd like to publish this as fanfic, if it's okay with you." Without an agreement in place, without my permission, this person has forced me to look at material which potentially infringes my copyright. But that doesn't matter in terms of my immediate legal options, because fanfic is also conditionally protected by copyright. (This is a complex situation, but this article deals with some of it, and links to more discussion.)

My first urge is to simply delete the thing and pretend I never saw it. But unfortunately Tumblr's records of my web accesses will now contain proof that someone logging into my account, from my computer (or iPad, or phone...) has opened and viewed that ask. Should I ever wind up in court with this person, their lawyers will have demanded that data from Tumblr and will use it to prove that I had access to their client's idea.

So now—assuming they've actually gone ahead and done this writing and publishing—I have to get hold of my lawyer and have them contact Tumblr and get that person's identity and contact info from them, so that they can be sent a cease-and-desist letter. I hate having to do this, but evidence that you have not been defending your copyright can be used against you.

Now let me be blunt. Like most writers, I'm not wealthy. And the simple business described in the paragraph above could cost me a month's income or more in billings from the lawyer. What am I supposed to eat, next month, while I'm trying to write? ...It's a good thing I like ramen.

...Though if I was wealthy, things could get much worse.

Let's say that in an access of utter pre-caffeine idiocy, and a weary desire to be nice to a clueless innocent, I just tell that person in the ask box, "Okay, fine, knock yourself out... just don't make money from it and don't do it where I'll see it." And they say "Of course, I'd never want to cause you trouble, your fiction has meant so much to me..." And then some kind of gloriously indescribable series of events occurs that somehow or other raises the Young Wizards series' profile way higher than it is at the moment, and makes its originator even a little bit rich and famous.*

youtube

...And a year or two or five later, in these increasingly litigious times, that person from the ask box who was so nice and said they'd never want to cause me trouble... suddenly starts having second thoughts. ...After all, I've got all this money now, and without their contribution, maybe it would never have happened, right? Don't they have a right to some of that? It's only fair!

You can just hear the thought processes, because we've seen this play out elsewhere before now. "Come on, she'll never miss it. She's probably got a castle in Ireland with solid gold toilets by now. She's got a TV series in the works, and when that comes out she'll have lots more money. She'll never miss a few thousand [ / few tens of thousands / few hundred thousand...] out of that!" And shortly they're on the phone to some lawyers, and the tabloids, and Variety and The Hollywood Reporter, with claims that the Young Wizards series in the works is based on their idea. In fact, they can prove I not only read it, I gave them permission to write in my universe!

...And suddenly Hulu/HBO/RandoStartupStreamingNetwork has stopped taking my agent's calls.

(sigh) So, as I said above: just don't read fanfic based in your own universe, mmkay? You'll thank me later.

*Without the universe's originator then suffering some kind of toxic ethical shift after the fact. (shrug) Stranger things have happened.

#fanfic #profic #and their intersection

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crimeronan · 6 months

Text

kitkat's dirt-cheap writing and editing services!

hello all! i'm kitkat, i'm a professional writer and editor who's been professionally writing and editing for well over ten years. as far as tumblr audiences go, though, i'm better known for my work over at ao3 elliptical.

the vast majority of my prior clients have dropped me for AI, and i need to build my freelancing base up again. so i've created a fiverr profile.

however, in order to get work on fiverr, you need good reviews. and before you have good reviews, you need to offer your services cheaply enough for people to take a chance on you.

so! i have some dirt-cheap offerings at the moment (11/14/23):

writing 500 words for $5

writing 1,100 words for $10

writing 1,700 words for $15

editing 1,000 words for $5, $10, or $15 (depending on how in-depth you go)

transcribing audio/video (price starts at $5 and depends on length)

my MAIN ask if you take advantage of the offer is to give me a five-star rating and nice review. if just a couple people here buy my stuff, i can show fiverr that i actually am good at my job. and then they'll show my profile to more people, and i can work up to a living wage!

quick faqs:

can i buy fanfic from you?

i cannot legally write fanfic for money. however, if there's a certain AU, relationship, character, prompt, etc., that you want to see, you can tell me (there should be a free-write space to explain what you're looking for when you order). then i can write you something that's "like" that, just with original names.

can i pay for you to edit/beta my fanfic or original fiction?

ABSOLUTELY, yes. just keep in mind that only the $15 tier currently includes in-depth comments and constructive feedback. with the $5 and $10 tiers, i'll happily proofread and check your grammar, but i won't have a ton of actionable feedback to give!

what's the copyright situation on this stuff?

you have the full rights to anything you buy from me on fiverr, forever. more in-depth explanation here!

i can't buy anything right now but want to support you. how can i do that?

it is 100% okay if you don't have money to spend (or simply don't wanna buy my writing)! one helpful thing you can do is favorite my profile, if you have a fiverr account. you can also make a fiverr account pretty fast if you have a gmail, but it is completely reasonable not to want to do that.

you can also reblog this post if you want! i think most of my potential audience for this already follows me..... but if anyone wants to sing my praises in reblogs, i definitely won't say no, LOL

#work tag #all of the listings are phrased in a very business-y way bc that's usually the type of client looking for content writers #but you can absolutely ask for writing/editing of creative work.#long post #anyway. i know i'm posting this at ass o'clock so i'll probably rb it a few times tomorrow

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melis-writes · 3 months

Text

Blood Money (Tony Montana x Reader Multichapter, 18+ Smut) Chapter 3 – An Eye For An Eye.

Chapter 2 / Read on AO3 / Chapter Masterlist.

18+, explicit smut read.

“Your new boyfriend is in Miami." / “I’m here for Tony Montana.”

Tony's fiery gaze burned into the back of your mind but your name etched on his heart from the very moment he knew who you were. Keeping you on his mind like prayer, Tony wastes no time in attempting to squeeze himself out of every interrogation at the Cuban migrant camp he and Manny are detained in. Like a power move claiming he knows you, Tony's beckoning you to meet him once more in your hometown with bold claims striking the attention of your father–one of the most notorious, wealthy businessmen of Miami–with one claim being that of love.

[WARNINGS]: None!

[AUTHOR'S NOTE]: Oh my goodness, a LONG time coming and the chapter update is finally here at last!! 😭💀 I'm thrilled to update this fic again and share it with the Tony girlies! Battling writer's block and life getting super busy was a chore but I. AM. BACK and writing! And yet I must break everyone's heart again by saying this update of Blood Money officially marks my temporary hiatus of Al fics outside of The Godfather universe. 💔 I will now solely be working on my Godfather fanfics until I'm finished so I have ample time and opportunity to write more consistently and update fics even more often than I ever have. I'm definitely not abandoning this fic and I will finish it someday soon! For now, let's dive back into Tony and Celeste's story!! 🥺🤞🏻

With a taste for success and dollar bills, Tony Montana’s drug empire grew in vast wealth, power and influence by your side as the kingpin’s lover. From sharing an intimate history in Cuba, you and Manny Ribera were the only ones to believe and support Tony from rags to riches. Embroiled in the same lifestyle and sharing enemies, you and Tony come to build your empire and world together with the threat of it collapsing from the inside. As partnership turns to betrayal and thrill to danger, you find yourself in-between ultimatums and sacrifices for the man you love.

'I'm always in the right, man. Always am.' The shit-eating grin over Tony's face spreads equal amounts of tension and frustration throughout the interrogation room; keeping the officers on edge for word back from your family knowing Tony could potentially be a protected individual under the Navarro family while thinking at the very same time that Tony could be bullshitting everyone just to waste their time.

Tony sits all too comfortably in front of the officers with his arms crossed, all the more amused watching them huff quietly to themselves and glower back at Tony every few minutes.

"So--" Tony attempts to start a lively conversation on his behalf.

"You shut the fuck up, Montana," the first cop points his finger at Tony. "Don't say a fuckin' word."

"We're not playing with you," the second cop scowls.

"Alright, man. Alright," Tony shrugs his shoulders loosely, "sheesh. I keep quiet when people talk on the phone, like Mama taught me, okay?"

Letting out another shaky sigh of irritation, the officers exchange a glance amongst one another, knowing well enough that if they've bothered the Navarro family for no good reason, it'll result in a guaranteed suspension without pay and likely following up with getting fired.

Then again, there's always the possibility that it could be Tony finding himself in hot water with the Navarros due to his cockiness and stupidity, and if that means having Tony out of the refugee camp and no longer able to be a nuisance, then it'll be both a best case scenario and a relief for the officers involved. Still, it's all too much to consider at once.

"Tell the supervisor," the first cop mumbles, "he needs to know what's going on."

"Will do," the other sighs, taking a seat back at his desk to grab out his notepad.

Ignoring Tony outright, the first cop moves his stool over to the telephone by the desk and sits next to it before beginning to dial the Navarro family reception line.

'By heart?' Tony's eyes flicker with interest, noticing how the officer has your family's number memorized by heart—rendering him surprised and amused at the same time.

'So they know her,' Tony thinks to himself. 'She not a nobody. She a somebody. I got her name on the line for me. Just for me.'

This means more to Tony than you can already know, even if all you'll ever do is show up to spit on his face and blame him for wasting your time. The satisfaction alone is everything for him.

Both officers continue to ignore Tony and avoid making any sort of eye contact with him; murmuring ushered words to one another and pressing through more numbers on the telephone as it rings.

Only mere moments after does Tony notice how tense the officer on the telephone gets by the way his muscles jerk up in response to the telephone being answered by a monotone-voiced, middle-aged man speaking out.

"Navarro residence."

The very individual answering the phone would be your father's advisor and right-hand man, Gabriel.

"Cuban Detention Center, Officer Frank speaking," the cop says politely, clearing his throat. "May we please speak to Mr. Navarro?"

There's a short pause on the other end of the line. "Do you have a request or appointment booked in advance?"

"No," Officer Frank answers quietly. "Um, ahem—this is in relation to immigration and detention. There's a gentleman here claiming he was requested by name from a potential--" Frank scowls over at Tony. "Sponsor."

Gabriel's tone of voice grows considerably agitated. "I trust you have a good reason for wishing to bother Mr. Navarro. You will not hear it from me."

"Greatly appreciated," Officer Frank awkwardly replies as Gabriel begins to transfer the call to your father's personal telephone.

Fully aware of the telephone conversation ongoing with Gabriel, your father—Darren Navarro--is two stories up in his penthouse—still in his Versace morning robe, smoking a Cuban cigar.

His first words to Officer Frank once the line transfer is, "You better have a good reason for reaching my personal number, Frank."

"Oh yes sir, o-of course," Frank stammers. "I apologize, sir. I didn't mean to interrupt your day, but this is urgent."

"So you say so," your father is unmoved by the sudden sense of urgency. "I suppose it is coming from the immigration and refugee department. I've sponsored nobody, so what is all of this?"

Officer Frank's skin drains of color as he nervously exchanges a glance with his colleague, glumly shaking his head. "Um, sir, there was a mention of your daughter's name by a Cuban migrant."

Your father raises a brow, leaning back on his velvet chaise. Your last trip to Cuba and mentions of "Tony Montana" and "Manny Ribera" easily come to Darren's mind.

"Interesting," Darren muses. "And what is this individual's name?"

"Tony Montana," Tony speaks up loud and clear, grinning. "And with my best friend, Manny Ribera."

"Shut the fuck up!" The second cop hisses, almost jumping out from behind his desk to hit Tony.

Darren's all very well aware Tony is in the same room and must know who he is by now, having heard everything.

"Uh huh," your father chuckles. "I see."

"Sorry, sir. I'm so sorry," Frank scoffs, swallowing hard.

"Stop your whining," Darren rolls his eyes. "I heard the man loud and clear. This is no request for me but for my daughter then."

"The migrant claims to know Celeste Navarro personally, sir." Frank clears his throat.

"Yes, he does. That much is true," your father nods.

"May we speak to Celeste, sir?"

"No need," Darren brushes off the request, glancing towards his bedroom door. "Celeste will soon be on her way to greet both gentlemen personally.

"This man--" Frank begins, but is abruptly cut off and corrected by your father.

"Men," your father clarifies, refusing to exclude Manny. "There are two of them after all, so Celeste will see both. She knows both of them, do I make myself clear?"

"Yes, sir."

"Good," Darren blows out the smoke from his cigar around him, resting his cigar between his fingers as he admires the afternoon light glistening over his gold rings and jewelry. "Treat these men well. I'm aware of the reputation your detention center has and its demands. 'Gentle' is not in your vocabulary so be respectful. These are friends of the Navarro family and I expect them to be treated as such."

"Yes, sir..." Mortified, the officers stare in shock at a smirking Tony before your father hangs up on them.

Giving a drawn-out sigh, you roll your eyes in annoyance at the back cover of the gossip magazine you’ve been reading; already questioning why you bother with the tabloids just to entertain you.

Flipping back to the front cover of a bikini model on Miami beach, you rest your chin over your fist, wearing a flowing, pastel pink satin nightgown—laying on your stomach and dangling your feet, attempting to beat boredom.

Frank Sinatra’s “All By Myself” plays softly on your white and gold decorated record player, a compliment to the similar colors lavishly decorated over your bedroom.

Practically the size of a house’s first floor, your bedroom itself spans 1,500 square feet and is fit for a princess, covered in various shades of pink with a glimmering diamond chandelier above you.

The very king-size bed you lounge upon is adorned with a bubble-gum pink cashmere and quilt duvet and six silk encased pillows, a polar bear throw in the center of your bedroom upon the marble floors striking attention to the wall fixtures and architecture of the bedroom taking inspiration from the Palace of Versailles.

You furrow your brows in annoyance at the magazine in your hands, only to have your thought suddenly interrupted by the sound of your father knocking on your door.

You peek up in interest, brushing a curtain of your hair back. “Come in.”

“Hi, darling,” your father enters your room with a warm smile—holding a glass of iced rum in one hand and concealing something in his fist with the other. “Didn’t think I’d be giving you good news so quick, eh?”

Chuckling, your father opens his fist and lightly tosses your car keys over to you.

Reaching your arm out, you snatch the car keys mid-air—staring at your father in confusion. “Huh? What do you mean?”

“Your new boyfriend is in Miami,” your father says with a laugh. “Immigration services at the Cuban refugee camp called me just earlier.”

“Huh,” you blink, rubbing your temple as your memory recollects, hitting you all at once.

“I never say goodbye either. I say you’re gonna remember these faces—my face.”

‘Tony Montana.’ Your face flushes red as you clear your throat, glancing up at your father. “They called you?”

“Mhmm,” your father nods, taking a small sip from his drink. “Quick to it, I’ll give them that. I don’t think that Tony of yours has been there for very long from the sounds of it. They wanted to reach you, actually.”

“Makes sense of course,” you slide aside your magazine, sitting up in bed. “Great…”

“What do you think?” Your father raises a brow.

“I’m not thinking of anything,” you give your head a shake.

“No? You sure you don’t owe this Tony and his friend a favor or two?”

“I don’t owe anyone anything,” you roll your eyes out of frustration. “But for Tony,” you clutch your car keys, “if he wants to see me, I’ll go see him. I’ll see him, but I don’t know what I can do for him.”

“Is this really someone worth wriggling out of months worth of paperwork and getting into the front of the line? ‘Cause I’ll let you decide that,” your father shrugs.

Getting off of your bed, you eye your purse from across the bedroom. “I think I’ve already made my decision.”

“I’m sure you made the right one,” your father turns back on his heel.

“Is Tony waiting for me right now?” You head over to your walk-in closet.

“He is,” your father confirms, placing his hand over your doorknob to close the door behind him. “And I think you’re the only person he wants to see right now.”

‘Tony Montana…’ You let out a soft sigh, leaning your head back against your car’s headrest. ‘Again and so soon.’ With great effort, you push aside the fluttering feeling in your heart every time Tony’s name and face cross your mind; clearing your throat and putting your Armani sunglasses on.

Starting up your Mercedes-Benz 380SL Convertible and pulling out of your estate’s parking lot carefully, you focus on nothing but getting directly to immigration services—able to collect your thoughts.

Letting the warm summer breeze flow through your hair as you step on the gas, determined to know just why Tony’s got your name mixed up with the law.

You may not have taken the rugged, cocky stranger very seriously back in Cuba but you’d be lying to yourself right now if you said you weren’t a little intimidated by Tony’s timing.

‘Didn’t think my name would cross your lips so soon either… Full of surprises.’

Tony knows he can sit and wait in the interrogation room for an eternity to come so as long as it’s promised you’ll show up—riding off on the idea of seeing you again like a lingering high.

Driving through the streets of Miami, you tap your French tip manicure against your steering wheel patiently through every red light.

Your eyes flicker over beach-bound tourists making their way over the crosswalks, noting the impatient drivers on the other side of the intersection honking at each other and tossing cigarettes out the window; the scent of body odor and beer not far from the beach itself.

Giving your head a shake, you scrunch your nose in disgust and drive off—not far from reaching the secluded immigration center from downtown.

You arrive a little over ten minutes later, driving into the clearance section with the rest of the other drivers waiting their turn to speak with an officer at the booth and be admitted.

Resting your arm on the windowpane of your car, you peek your head out of the window just enough for your face to be seen, and just as you expected, you’re recognized by an officer at a booth opposite from you almost instantaneously.

‘Uh huh.’ Noticing the officer blocking the path of the upcoming car who was next in line, you slowly drive up as he gestures for you to follow.

“How is that fucking fair?!” You hear a honk and shout of irritation from the other driver, simply ignoring him and continuing to cautiously drive up.

“Blow it out your ass, buddy,” the officer rolls his eyes.

Parking your car, you glance up at the officer who only gives you a brief nod and lets you through without a single word; just one of the many perks of being the daughter of one of Miami’s most notorious businessmen.

“Alright,” you mutter under your breath as you approach the guarded parking lot, seeing another officer heading directly your way. ‘Let’s see what this is really all about.’

Taking off your sunglasses, you make eye contact with the officer who furrows his brows at you in confusion; more than likely wondering how you got in so quickly and just who you are to be taking priority over anyone else.

“And who might you be?” The officer asks smugly.

“I think you know who I am,” you reply back coyly. “I’m here for Tony Montana.”

As smug and prideful as he can be, Tony slouches in his seat with his arms crossed and completely relaxed as if he’s the one arranging the interrogation rather than being interrogated.

As apparent as the officers make it seem to Tony how thoroughly pissed, exhausted, and anxious they are dealing with him, Tony reflects it with his nonchalant attitude on purpose.

“You think you’re taking some sort of vacation, Montana?” Officer Frank scowls.

“Sure, man,” Tony shrugs his shoulders loosely. “I think my vacation is on the way.”

Ignoring the immigration officer who escorts you inside the facility as some mock bodyguard, you make your way towards the entrance of the interrogation offices where the officer gestured you to, making note of the maximum-security gates and barbed wire high walls.

Giving a small huff of annoyance and adjusting your hair, you approach a narrow hallway inside the next building and set your sunglasses on your head.

“This way, please,” the officer guiding you murmurs and politely steps in front of you.

Unphased and hardly listening, you follow the officer until you both reach an interrogation door marked “11B”.

You maintain your distance from both the officer and the door as the officer leans over and quickly knocks on the door not to ask to come in but to signal his entrance.

A wide, playful grin spreads over Tony’s face as he turns his head back to face the door—absolutely thrilled to see it about to open in front of him.

Fear simmers back into the officers the moment they spot a feminine silhouette behind the tinted glass of the door, instantly remembering now more than ever that their jobs are on the line.

Pushing open the door, the officer guiding you inside steps in first and out of your way—clearing his throat to speak out, “Miss Celeste Navarro is here, sir.”

‘Celeste Navarro…’ Seeing you before him once more, Tony’s pupils widen as a strong surge of attraction hits him—coursing through his veins.

Tony’s muscles tighten and he feels the heat of arousal trickling inside of him as he locks eyes with you, stunned and utterly admiring every inch of your figure.

Attempting to look at you with more humility than defeat or nervousness, the officers are put off by your very presence and can say or do nothing as you cross your arms; expectant and domineering before everyone else.

You’re the only spot of color in the otherwise dull room filled with grey uniforms and sweaty men; dressed in an Armani, pastel pink, cropped tweed blazer, a matching mini skirt, a white chiffon Calvin Klein blouse with a bow at your collar and four-inch glossy nude pumps.

“There she is, she’s the one,” Tony smirks at you—breaking the momentary silence in the room.

“Ahem,” Officer Frank clears his throat, beginning to sit upright in his seat. “You know this man, miss?”

“Do I?” You raise a brow, unamused. “It feels like I’ve known him my whole life.”

“Yes, baby,” Tony mutters to himself inaudibly. ‘Come to me. You’re here now.’

“Miss Navarro,” the other officer begins to speak up awkwardly, “apologies if this is an intrusive question however this man claims to know you and—”

”And she’s my fiancée, as I was telling you. Okay, man?” Tony interrupts, rolling his eyes. “Can I have some privacy with my fiancée, man?”

‘Fiancee? What the hell is he talking about?’ Struck into shock by Tony’s words, you hold your posture and expression, but you know where Tony’s coming from and just why he’s deciding to play this game with you now.

“Yes, so what?” You snap back, noticing the playful twinkle in Tony’s eyes. “It’s true, he is my fiancée.”

‘Tony… I hope you know what you’re doing. I swear… Now is not the time to put on a show.’

The officers stare at each other in utter discomfort, remaining silent.

“But I don’t recall that being anyone’s business except mine,” you narrow your eyes at them, taking a step forward to Tony.

Tony takes your soft hand in his, caressing his thumb over the back of your hand softly. “See?”

“Well,” Officer Frank swallows hard, “if that’s the case—”

Your eyes snap open in shock as Tony leans up in his seat, suddenly cupping both of your cheeks and immediately pulling you into a crushing, deep kiss.

‘Oh!’ Your lips collide over his and your eyes flutter shut in response, feeling the warmth of his tongue teasing the tip of yours in loving passion without a care—ensnared in the moment of having you as his fiancée with no intentions of letting go.

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