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#I liked it when I started writing it
osamusriceballs · 1 year
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Private Tour
Tsukishima x fem reader
Warnings: None
Words: ~ 2,1 k
About: Musuem guide Tsukki- idk, he's kinda cute, kinda flirty and mean, and kinda awkward. He's Tsukki~
A/n: The way I looked up actual information about that museum and Sendai city- no way I'm LEARNING THINGS BY WRITING A FANFIC WHAT THE HECK-
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"I can show you around, Miss."
You look up at the very first time you've been hearing English words ever since you started walking around in the Sendai City Museum.
A surprisingly tall, blonde guy looks down at you- a pair of stylish glasses sitting on his nose, as well as a slightly arrogant look on his face if you’re being honest with yourself. A look at his name tag reveals that his name is "Tsukishima" and after looking at him dumbfounded for a few moments, he bites the inside of his cheek, exceeding a mixture of annoyance and regret. "Do you not speak English, Miss?"
You blink a few times before you finally nod, feeling embarrassed by how long you have been staring at him. "Uhm- yes I do."
"You've been walking around aimlessly for quite some time. Our security guard put you on the "watch" list, but I figured you simply don't speak Japanese and don't understand the structure of this museum."
You stare at him again, impressed by his flawless pronunciation- and after realizing what he just said, you keep on staring but with heated cheeks.
"Oh... I didn't want to cause problems. I don't speak Japanese, you're correct. I'll take a leave then." You nod and slightly bow, appreciating that he deemed you as "not suspicious enough to get her kicked out by the security guards, but still weird enough to politely kick her out myself". You quickly turn on your heels, avoiding to look at the very security guard that probably put you on the "suspicious" list, as well as that blonde museum guide that apparently wants to get you out of there as well.
"Wait, wait- I didn't mean it like that-" a few big strides form the tall man, and he has already caught up to you, extending his long arm to stop you before he quickly steps in front of you.
You stop abruptly, confused by his effort to catch up to you and the deep irritated frown on his face. "It's fine. You don't need to apologize." You reassuringly smile and lift your palms to show him that it's really fine, it’s not his fault after all, but he bites the inside of his cheek once again. A habit?
"I meant the offer. I can show you around."
It's your time to frown now at his sudden persistence-
You look at him intensely for the first time, trying to figure out his intentions at this point. The sleeves of his white dress shirt are rolled up, and his upper arms seem surprisingly muscular- he generally makes a very fit impression to you. His blonde hair is curled, slightly falling down onto his forehead, and even though it should look messy like this, it's rather cute and handsome on him. He looks really intelligent- probably the combined effect of the intense look in his pretty brown eyes and his position as a museum guide. He's actually very attractive-
"Please." He adds after a few seconds, the word coming heavily from his lips, and you’re somehow convinced that he's genuine with his offer.
"Um... okay. If you insist. But if you're just being polite, there is no need too. I've already seen most of the exhibit, I don't mind leaving now."
He nods after your words and slightly bows, his face looking a bit more relaxed now that you've accepted his offer. "Follow me."
His arm rests behind your back, almost touching you for a second to guide you the way towards the entrance. " My name is Tsukishima Kei. We'll start in chronological order of the exhibit, it's easier for you to get into the topic that way."
"How do you know my age?" You ask him dumbfounded, simply following this man wherever he leads you. "The security guard checked your ID when you entered."
The way he nonchalantly states it makes you stunned for a few seconds, but you're quick to recover from it. "What's your age then? And your birthday?"
He rolls his eyes at your words, but you don't feel real annoyance from him. "Why should I tell you that?"
"Isn't it unfair that you know my birthday and I don't have the chance to know yours?"
He hisses quietly and rubs the back of his head, and you wonder if he already starts to regret talking to you. "September 27. 1996."
"Oh." You nod at his words, actually surprised that he seems so talkative and considerate now. He suddenly stops, and you find yourself standing in a big room that you have passed before. You remember your attempt to read the pretty engraved information on the walls, but quickly giving up when you notice that there were very few words written in English. Is the way you fidgeted with your phone for an eternity and (futilely) used a translator why you were put on the "watch" list?
"Have you heard of Date Masamune?"
You purse your lips to suppress a smile- an embarrassed smile when you recall where you've heard that name before. Tsukishima raises a brow and takes your lack of response as answer.
"You've heard that name. From anime I guess?"
You slowly nod, avoiding looking at him at all cost, but a sudden snort makes you look at him- and you realize that he's laughing. You would be mad at him for making fun of you, but his laugh sounds surprisingly cute and so contrary to the cold persona that he has displayed so far that you don't find it in you to get angry. He regains composure after a few seconds and clears his throat before he turns back to being serious and bored- but the short glimpse at this side of him makes your stomach tingle.
"He actually found the city of Sendai. He was a regional ruler during Japan's Azuchi–Momoyama period and the early Edo period."
"Really? He found this city?" You look at him with raised eyebrows, impressed by the new information.
"He did. However, the Sendai area has been inhabited a very long time before that actually. The story of this city mostly began at around 1600 though."
"With Date Masamune?" you ask, and he nods with a pleased hum. "Correct."
"I would assume that you led me here to show me his battle armor?" you gesture towards the metal suits in front of you, and he nods once again. "Correct again."
"See, I don't need you, I can figure it out on my own." You try to joke to lighten up the mood, and much to your surprise, his lips turn into an amused curl at your words.
"Sure. You want my name tag and show around the next group of visitors?"
"Y/n Tsukishima doesn't sound too bad, does it?" You grin- and freeze when you realize the meaning of your words. He coughs, a slight redness now tainting his pale cheeks, and you quickly avert your gaze.
"I guess it doesn't." Your breath stocks at his words, and now you definitely don't have enough courage to look at him.
"Tell me more about his battle armors. Why are there so many? I can't believe he's worn all of them." You quickly try to turn his attention to something else, and he turns his body towards the exhibition again.
"This is his original battle armor." He gestures towards a black armor with a crescent moon on top. "The design is also used in most anime depictions of him." He side eyes you at the comment but you decide to ignore it, not wanting to tell him that he nailed it. "But some of these armors have only been worn for ceremonies. And the ones in the back are from Toyotomi Hideyoshi." You try to keep your poker face when he drops another familiar name, but he is too smart to not notice how you tensed up for a second.
"I guess you know him too?"
"I uhm... I wouldn't mind learning some historically accurate information about him." You're certain that your cheeks are burning at this point, and you're relieved when he just settles for a small chuckle.
"Don't worry, I'll give you an overview about his life and influence on Japan. I need to make sure that someone who tries to steal my job and my last name knows about Toyotomi Hideyoshi."
"I'm not trying to steal anything here, just to make that clear." You shoot him a burning glare, but he doesn't mind it at all.
"I know at least two security guards who think otherwise."
You look at him blankly, and he returns your gaze with the same blank expression- until you both start laughing.
He has a pleasant laugh and voice- that's what you realize after your conversation with him so far. You're convinced that you could listen to him talking all day- maybe he should voice one of these audio guides?- and you find yourself even more attracted to this man, to his intellect and his wit.
A small group of men suddenly catches your attention though, and you slowly stop laughing- especially when they suddenly gesture towards the two of you-
"Oya oya, what's with that look on his face?"
"I've never seen Tsukishima smile like that- is that his girlfriend?"
"Oyy, Tsukki! You promised us a tour, didn't you?"
"Don't bother the other visitors, Bokuto-san."
You're stunned at the way Tsukishima immediately pales and tries to hide his face- that tall tree of a man with bright blonde hair trying to hide himself with a measly attempt like that?
"Do you know them?" You point towards the group, and he "tsks" and nods finally. "Yes. I didn't expect them so early though."
"Oy Tsukki, will you play with us later? It's been a while, I want to show you my new skills."
"What are you doing here?" Tsukishima's tone significantly changes compared to the way he has been talking to you. No more friendly and polite note, just annoyance and embarrassment.
"We told you we would come, didn't we, Tsukki?" A tall man with black hair and a lazy grin wraps an arm around Tsukishima and rubs his head, effectively messing with his blonde hair.
"And who is that young lady over here? Your girl?"
"Kuroo-san, you're embarrassing him." Another guy with glasses comes up to the front, quickly followed by a very energetically walking man with broad shoulders and white hair.
"Tsukki, introduce us to your girlfriend!" His smile is almost blinding, but you're too perplex after the sudden commotion to answer him- "We’re leaving." Tsukishima shrugs his shoulder until the tall guy lets him go, and you're stunned when Tsukishima suddenly wraps an arm around your shoulder and guides you a few steps away before he removes his arm quickly.
"I'm sorry for that."
He scratches the back of his head and avoids eye contact when he finally brought you out of their reach, clearly flustered by the unexpected situation he just found himself in. "It's fine." You reassure him and try to stay focused on him, and not on the way the guys started talking about the two of you way too loudly, the words "Tsukki's cute girlfriend" making their way too your ears way too often.
"These are... acquaintances from me. Don't mind them. They are fools sometimes."
"They seem nice actually. You should introduce me someday; you don't want to withhold your girlfriend from your friends after all." You attempt to joke to lighten up the situation, and he quickly glances towards you again, his glasses reflecting the white light from the lamp above when he does so.
"I thought you already had my last name? I feel like we skipped a few steps here."
Your cheeks heat up at his words, and you find yourself lost for a suitable reply, only for him to smile again. "Let's start with step one."
His left hand moves into his back pocket, and he fishes for his phone, handing it to you after quickly unlocking it- and you manage to get a short glimpse of his dinosaur background before he presses the contact button.
"I- Can you-" he bites the inside of his cheek- you start to believe that he's suppressing a hiss with that habit whenever he's irritated or doesn't know what to do- and you quickly save him before his cheek turns bloody at this point.
"I still need to learn more about Hideyoshi. If you promise to be my private guide next time too?" You reach for his phone and he willingly gives it to you, now suddenly lost for words. Tsukishima nods, silently watching you while you type in your number, and you read it three times to make sure it's correct before you hand it back to him.
"Here you go. Will you be here tomorrow too?"
"Yes. I'll be here till 5 pm. You can come whenever; I'll make time for you."
You smile at his words and walk towards the exit, shyly waving at the group of men that are still watching you both, and they happily wave back when they notice you leaving.
"See you tomorrow, Kei."
"See you tomorrow."
You finally turn but you don't miss the smile on his face though when he reads your contact’s name.
"Tsukishima y/n."
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astearisms · 9 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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becca-e-barnes · 10 months
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Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.
Overstimulation + super soldier stamina = …
- 🍯
Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫
"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."
With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.
Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.
"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"
As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.
"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.
You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.
"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.
You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.
Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.
"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.
"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.
"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.
"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."
Update: Part 2
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inkskinned · 4 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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satelliteduster · 2 years
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oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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crimeronan · 11 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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starry-bi-sky · 5 months
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(Part of this post with older brother danyal al ghul)
...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.
She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.
Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.
The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.
Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.
He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.
He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.
But she's starting to see the resemblance, as subtle as it is.
And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.
His eyes turned on to her, and they locked gazes for a moment.
Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.
Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.
"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.
"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more
Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"
Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.
On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.
And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.
Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.
Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?
She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.
Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."
She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?
Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."
"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."
Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."
The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.
She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.
But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.
"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.
Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."
Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.
(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)
"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."
"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."
"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"
Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."
Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."
It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.
"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.
Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.
She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.
"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."
(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)
(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)
Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.
Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."
With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dpxdc crossover#dpdc#danyal al ghul au#older brother danny#sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining.#sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he.#bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me#because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him#which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he#friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on --#-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes.#not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs#a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know#he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks#but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post#when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock#and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot#so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th#waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't#- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought#a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is#'our lovable jerk who is an ex-cult member and whom we will maim someone over.'#not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the#fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes#“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny.#sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have
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spielzeugkaiser · 15 days
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I appear for one hot second with another self indulgent nostalgia piece! It's my birthday today, I'm now [redacted] years old and I'm reminiscing about the passage of time..
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stevebabey · 9 months
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Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.
This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.
But Eddie can’t move his eyes. Can’t even close his mouth either.
Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.
Was Steve like this all the time? Just a walking around looking so damn delectable?
Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.
And by God, is he looking.
Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.
This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.
He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)
He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.
Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.
But it’s not even that.
Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.
But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.
Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—
“—hello? Are you even listening to me?”
Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.
“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”
Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”
Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.
“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”
Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.
“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”
He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.
It’s mortifying. It’s hilarious. He can never tell Steve.
Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.
He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.
Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.
Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.
Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.
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pigswithwings · 6 months
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Sources: Wikipedia (Angel), Wikipedia (Robot), Wikipedia (Sacredness - Holy), Wikipedia (Guardian Angel), Wikipedia (Duty), Wikipedia (Seraph), Wikipedia (Transcendence - Religion), Wikipedia (Divinity)
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seefasterdraws · 3 months
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from the homumiko mines
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bluerosefox · 11 months
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The MANY Bloodlines of Constantine
Those Constantine is Danny's dad and sold his kid soul because he thought he'd actually never have one and Danny is now the Ghost King so his soul claims are invalid AUs but learns he's not Constantine only kid (after a while Constantine honestly 100% thought he'd never have kids and never bothered with a 1st born clause when making deals, maybe some annoyed deity or powerful magic user made Constantine think he can't have kids anymore just to get back at the conman) and now doing everything in his Kingly power to save his half-siblings (can be other teens from other shows or movies or cartoons etc etc) because Danny is the oldest of them and really really wants to punch his biodad for making such a huge mess he has to deal with but Danny does get to meet and protect his younger Half-siblings.
Then comes the day he's celebrating one of his half-sibs birthday with all the others when he's suddenly summoned out of the blue and meets not just the Justice League but his, and his half-sibs, no good soul selling biodad.
Hello rightly placed aggression.... Once he takes care of that powerful evil spirit that's attacking earth first of course.
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creeperthescamp · 4 months
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i think one of the least used concepts in elder scrolls lore is its nebulous relationship to truth.
like something i do actually appreciate about that cunt kirkbride's writing in morrowind is that the mythology of the tribunal is allowed to be relatively ambiguous and there's room for poetry and fable and unreliable narrators. there's a strong general tendency in both fandom and dev to interpret lore quite literally and treat every text as reliable sources of fact about tamriel even when the text is like. fiction or written with a clear bias towards certain factions or prejudices.
the main example I'm thinking of is the 'notes on racial phylogeny' lore book. it's literally just racist pseudoscience and in a real life context would be considered unreliable and deeply offensive. but in tes, i rarely see anyone stop to actually consider that perhaps this lore isn't really a factual study of how bodies work but about how the imperial empire categorises the people it colonises and justifies it's supremacy. there's so much focus on determining the rules and metaphysical aspects of the world that there's no consideration that the way factions like the empire see the world is inherently flawed.
it's fun to think of a world where stars are literal holes punched in the fabric of the sky, or that water is made of memory, but i also think it would be a much more fun and flexible world if these theories are considered to be just a few of many lenses that people in tamriel use to try to understand their world. some of my favourite pieces of lore and world building are things like 'cherims heart of anequina' that imply a rich world of culture and art; i love the idea that tamriel has art and art critics and people who discuss ideas for other purposes than trying to figure out what's The Only True Lore.
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lotus-pear · 8 months
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i think you guys are onto smth..
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i unironically got invested in this HELP
#WHERES THE FIC AT IF SOMEONE WRITES THIS I WILL PAY THEM A HUNDRED DOLLARS😭😭#kunikida serving the country while dazai's serving cunt😔#dazai was born to malewife but forced to manipulate and i think that's the greatest tragedy of bsd#anyway some facts i would like to share abt this au thay i came up w while drawing!!#takes place in 1939 (start of wwii) and there was a mandatory draft that required one male over eighteen from each house to serve#both of them are still twenty two and had been engaged for abt two years before getting married that year#newlyweds! unfortunately kuni had to go fight and they were seperated :(#before the war kunikida was a math teacher at the local high school and dazai obviously managed the household and didn't work#he's hopeless at cooking and meal prep even w recipie books so they either get those prepackaged meals or kuni makes dinner when he gets ba#so like when he's making lunch for kunikida he normally just packs a basic sandwich w raw fruit#kunikida always appreciates the effort even tho hes probably sick of having the same thing everyday but he won't complain abt it#when kunikida joined the army he was relieved that the mess hall had better food than dazai#he was the only one in his platoon that never complained abt the food so his fellow soldiers assumed it was bc he came from a tough bg#when in reality he was just used to being poisoned on a daily basis from his dumbass husbands cooking and was hardly fazed from army ration#they write to each other although its more dazai sending and kuni receiving bc hes off fighting and doesnt have time to write back#dazai talks abt life on the homefront and how he has to grow a victory garden (everything is DYING HE CANT EVEN RAISE TOMATOES)#and kuni writes abt his fellow soldiers and how the war is going and when he thinks he'll be home and how he misses sleeping in a bed#ANYWAY yea thought i'd share sry for infodumping in the tags again#this post is for like the four ppl that care abt this specific flavor of knkdz so hopefully this gets four notes at least#bungou stray dogs#bungo stray dogs#dazai osamu#osamu dazai#kunikida doppo#doppo kunikida#kunikidazai#knkdz#lotus draws#bro sry for posting at two in the morning i couldnt sleep until i got this out of my head they have infested my brain
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bg-brainrot · 3 months
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When romancing Astarion, a line I really, truly love is after defeating Cazador, after the act 3 spawn romance scene when you have the option to say to him, "I promise I'll keep you safe always. You'll never need the powers of an Ascendant."
And he replies, "It would be nice not to rely on you as my great protector, but... well, I do appreciate the thought."
It's just so very relatable.
Of course he doesn't want to put his life in others' hands. Even if that was his intent when he started out, to have someone to protect him from Cazador, that doesn't mean that's what he, Astarion, wanted. It was what he felt he needed.
And now that he has the space to actually consider what he wants, while he knows he wants Tav (the entire night before is about that), he also knows he wants to be capable, to be able to stand on his own and walk together as equals.
Ultimately, he knows that having Tav be his 'great protector' only takes away from that agency that he's just now able to exercise, takes away from the balance he's striving for.
That being said! He also accept Tav's sentiment, "I appreciate the thought."
Which actually super impressive to me?
Despite everything he's gone through, he has the strength to accept help (which is not easy to do, in my experience) and acknowledge that leaning on each other is part of their relationship.
He knows he wants Tav at his side and that it's a give-and-take. That it's nice to just know that someone has your back and will catch you if you stumble.
That one line, which doesn't even have any follow up dialogue, and, admittedly, I initially thought felt somewhat out of the blue, is such a nice way to show his growth and path forward.
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