#But I do think her hero complex is on purpose

[djsherriff-responses]

okie dokie @quixtrix

Gonna also tag @dextraicarus1994 since he’s a splinter cell fan and most likely has information to add to this discussion

We've heard the phase "everyone is the hero of their own story" at least once and while it's debatable if that is really true of everyone , there are some people who genuinely and unquestionably believe themselves to be the hero

And Sarah Fisher is one of those people

Unlike my Jade post, I'll be working somewhat backwards when it comes to evidence of my theory, primarily because one of the things that convinced me that Sarah has a hero complex was something that happens closer to the end of the first season

In the last episodes of CLH, we learn about Sarah's name and backstory. Her childhood where she got her father arrested , her military education and finally the death of her father

Sarah is a confusing character and until we get season two , theres so many questions surrounding her and very few, if any, answers to those questions

Did Sarah plan everything that happens in the show? If not, how much was Sarah's plan? Was her conversation with Dolph and Marcus genuine or an act? Or some combination of both?

What does Sarah really want out of all this? Did she have any involvement with Rayman becoming Ramon? If so, she's now the last of the board of directors and thus is in complete control of Eden, so what else can she possibly want?

And despite knowing first hand Eden killed her father , why did Sarah forego her human body and become a cyborg spider , essentially another cog in the machine that murdered her own father?

Is Sarah even "Sarah" anymore?

Then it clicked into my head that, the entire sequence of Sarah inside the VR , experiencing her past mistakes and trauma?

Can be read as a test of Sarah's convictions

Or other words, from her perspective ,she was on the hero's journey

And what's a common trope heroes experience? Challenges against their beliefs

Now obviously Sarah's character doesn't actually fit into the hero's journey , at least not without some twisting here. That is not important, what's important is that Sarah believes herself as the hero regardless of her actual circumstances or position in the world

Take note of how the hero's journey is about transformation specifically, as I want to draw a parallel to the anime/manga known as Land of the Lustrous. I don't want to spoil too much of that series as this is meant as a CLH post (I also need to catch up) but there is three pages from Land of the Lustrous I want to share

People who know of this series knows exactly what I'm implying about Sarah with this comparison, but for those who don't know what this manga is about: these three pages only has one character in them

Land of the Lustrous (or Houseki no Kuni) is a story set in a world where humans went extinct, but other humanoid lifeforms evolved from that extinction with one of those being immortal and genderless beings made of gemstones

The main character is one of these gem people called phosphophyllite ,phos for short, and their story is basically:

"what if the ship of theseus was a living being with a conscious?"

Keeping spoilers as minimum as possible, Phos , physically and mentally, undergoes drastic changes throughout the narrative both from circumstances beyond their control and the choices they've made

I believe , much like Phos, Sarah herself is a conscious ship of theseus

I want to bring attention to the connections between Bullfrog and Sarah , both in design and in narrative

Sarah's hair is the same colour as Bullfrog's hood , as well as being styled in a way that resemblances said hood. Both of these characters have colour palettes that share similarities with each other , in that they both primarily wear a monochromatic uniform with silver

They both also happen to have eye colours that's some shade of gold . Dolph's mother in the manga also has gold eyes. Coincidentally, both Bullfrog and Sarah are characters Dolph began to trust after he killed Alex for his betrayal

Bullfrog however leans more into wearing white while Sarah leans towards black, which happen to be colours used to represent themes of conflicting opposites , such as yin and yang or good vs evil

The other difference between them is Sarah has green accents while Bullfrog has red, which makes Bullfrog's palette more warmer while Sarah's is colder , fitting considering their personalities

Funny enough Bullfrog is a cold blooded frog hybrid. Meanwhile Sarah was is a human with a warm skin complexion

Red and Green are also opposites on the colour wheel, much like how Bullfrog and Sarah are opposites in the conflict between Assassins and Templars

Red and Green however, are complimentary colours too

As of season one we have very little regarding Bullfrog's life before the events of the show, but I'm betting my kidneys his life has some uncanny similarities with Sarah's

Remember how I said Sarah doesn't fit the hero's journey without twisting some things?

Bullfrog is an undeniable loyal, genuine character who does what he does out of the kindness of his heart. Bullfrog's heroism comes from caring for others and wanting justice

Sarah however, I believe has a hero complex that drives from her ego and a desire to control others

You can even say Sarah is a twisted remix of a hero

We can actually take a guess what experiences Bullfrog may have had in his life by comparing Sarah's life itself to the hero's journey set up, but let’s just focus on Sarah

I just want to have it at the back of our minds that Bulfrog’s life has likely paralleled with Sarah’s when we go down these points

Call to adventure: This is obviously when Sarah leaves the wasteland with Sam, her father , into Eden

Supernatural aid: Sam meets up with Marcus, who hacks the systems to help Sam and Sarah out

Threshold, beginning of transformation: Sarah snitches on the watch dogs

I want to put some attention to this moment of Sarah’s life as it has had a significant impact on her. Not only did her father loose custody of her and she was placed into Eden’s child care system (or whatever they do with Ray kids who expose their parents doing anything illegal) and was exposed to even more brain washing propaganda without any outside influence (her father) , but more importantly this was the first time in Sarah’s life where she had power over someone else’s fate

When Sam asks why Sarah did what she did, she replies “we have to do the right thing”. Looking at her body language , Sarah is not happy to be doing what she’s doing but fully believes, with no doubts despite her pained expression , it’s what she has to do , it’s the right thing to do

It seems odd, that Sarah was this heavily brainwashed and Sam was unaware of it up till this moment. Considering the wasteland is well, a literal wasteland I doubt there was much after school activity programs to influence Sarah this much. Sam seemed like a very attentive single parent so I can’t imagine the guy would let such pro Eden propaganda influences, such as the Rayman kids’ programs, anywhere near Sarah. Considering how young Sarah is in this flashback as well , she wasn’t exactly at the age of sneaking off and hanging with the wrong crowd

Unless Sam wasn’t Sarah’s only parent

Having a quick skim of the Splinter Cell wiki, Sarah’s mother in the games is a woman called Regan burns. Regan and Sam were on opposing sides during their military careers but that didn’t stop them from having a stormy affair, which lead to Regan becoming pregnant and having a troubled marriage with Sam. In the games Regan is cryptanalyst for the NSA , but who is Regan in the remixed universe?

During his introduction Bullfrog rambled about how his ancestors memories live on in his DNA , which is a reference to how in the assassins creed games people can use technology (or other means depending on game) to travel through the memories of their relatives (both close and distant) and learn information from them, it’s even how some get their assassin training

In some stories of the franchise, the main character is the direct child of an assassin, which puts further emphasis on bloodlines and their importance in the assassins creed

Just so happens, the templars use technology to travel through memories and bloodlines play an important role in their organisation , just like the assassins they’re up against

So it’s possible that, in this universe , Regan was a Templar and how she raised her daughter is what influenced Sarah “to do the right thing” and how Sarah was exposed to propaganda such as Rayman’s shows right under Sam’s nose

If Regan was a Templar, that could explain how Sarah not only knew about the order, but managed to get into the position she currently has in show. Regan’s influerence may also have given Sarah (and to some degree Sam) some advantages other people could only dream off, such as an opportunity to have a comfortable life in Eden and her military education

Thanks to Regan, Sam was still allowed to communicate with his daughter despite being a traitor

Dolph , as a fellow soldier in comparison, was taken from his mother and not even allowed any contact with her. He suffered so much just by virtue of having “good genetics”, Dolph and his mother in comparison did not commit any crime and yet ended up with a worse life than Sarah and Sam

If Regan is alive or not in the show does not matter now, what matters is that she was present in Sarah’s life long enough to make an impact on the girl

I do want to say while this was the beginning of Sarah’s transformation, the little girl wasn’t beyond saving at this moment in time

But Sarah, as stubborn as she is, doesn’t want to be saved

Sarah wants to save others

Challenges and temptations: Sarah’s years in the education system and her military training

Revelation , death and rebirth: Sam dies and Sarah makes the choice to become a cyborg

During their last conversation, Sarah brings up that thanks to her good grades, she’s been given the opportunity in becoming a cyborg. Sam is heavily against it , the two argue

Something interesting to note here is how defensive Sarah is of Eden , telling Sam “if Eden was so bad, you wouldn’t be in probation you’d be in jail” , and that he should be grateful Sarah is being given this opportunity at all “despite being the daughter of a traitor”

Sarah does not trust Sam to know what’s best. Not only for his daughter, but also not even for himself

When talking about how Sam died and her grief over losing her father, Sarah asked herself “was he right?”. Worth noting, Sarah never tells Dolph the answer to that question

That’s important because while it shows that Sarah did have doubts about Eden , no , herself , when it comes to how the world works, her behaviour in the last episode tells us exactly what the answer to that question is:

Sarah decided the answer doesn’t matter

What mattered was protecting her father from HIMSELF, and she failed

This was the moment Sarah’s fate was sealed

This was the moment Sarah shallowed her doubts, made the conscious choice to become a cyborg that would set her on the path to become sigma and never looked back

Regardless if she was influenced by Eden propaganda or her mother, Sarah came to her own conclusion about something that day: “order and peace will come through control and rules”

Sam , and all those innocent people, would still be alive if they just did what they were told

If Sam just did want Sarah told him to do

Before I talk about the last two points of the hero’s journey, transformation and atonement , I want to go back to that moment in Sarah’s childhood. The one where she had power

At an incredibly young age , even if it was just this one moment, Sarah had power over the lives of others and influence over what happens to those lives. This likely also made Sarah feel responsible for those around her , particularly feeling strongest towards her own father and his well being. This is where Sarah’s hero complex stems from

I’ve talked a lot about the hero complex, but what exactly is the hero complex?

“Noted author Laura Berman Fortgang, described the Hero Syndrome as a phenomenon affecting people who seek heroism or recognition, usually by creating a desperate situation which they can resolve and subsequently receive the accolades from. This can include unlawful acts, such as arson and attempted murder.” (Link here for further information about this)

We can actually see Sarah display this behaviour early on in the show, particularly in her treatment of team Ghost. The planting of bombs into their skulls under her control is the most obvious example but there’s two others I want to talk about

In the ending of episode 3, Sarah swoops in to rescue Dolph from his own suicide attempt. What she tells Dolph in this scene is damning evidence of her need for control over other people

“I’m the one who decides where and when you die”

Knowing in hindsight that she’s a Templar cyborg , she likely purposely planned it so that the news would catch her “saving” Dolph and label her as a traitor

Why exactly? Can’t really say, but I bet some part of it is just to give Sarah a little ego boost , convince the world she’s the underdog hero she sees herself as

But we can go further than that , in that Sarah wants control over how people live their lives, not just when those lives end in how Jade is treated by her

It’s really easy to assume Jade’s role in the show is due to sexism , and that’s possibly very much the case still

But comparing the role Sarah assigned Jade to the other ghosts, it really makes no sense that Jade was made to play the femme fatale

Dolph and Bullfrog were given jobs that they already do on the regular (Dolph stealing an item using his cyborg tech and Bullfrog sneaking into the building) and while Cody was (presumably) meant to be the one wrestling, Pey’J has the strength and body build to fill in Cody’s absent despite his lack of skills and experience in wrestling

Jade though? She clearly has no clue how to be a seductive temptress, and Sarah must have checked over the ghosts’ profile. Meaning she seen Jade’s profile and seen what she’s actually capable off

Unless Sarah didn’t actually want Jade to do her job

You know what else is common in hero stories? Damsels in distress

I think much like what she did for Dolph in episode three, Sarah’s plan in episode two was to rescue Jade. That obviously did not happen , but my point stands Jade was made a femme fatale so that Sarah can boost her own ego

It’s been brought up on Reddit that Jade’s hair (especially when styled by Sarah in the femme fatale look) resembles Sam’s hair

The two also have green eyes, and wears a hat that casts a shadow over those eyes

We could go a shippy route with this, but this post is already extremely long and I think there’s more interesting things we take from this than Sarah’s weird sexual fantasies

Whether it’s a subconscious thing or something Sarah is fully aware of, Jade reminded Sarah of her father

or rather , how Sarah views her father

I’ve talked a lot about Jade already over here but the point I want to bring to this is that Jade is a passive character in this show. Sam in contrast is not a passive character, but it’s likely Sarah wishes he was

I don’t think Sarah was ever intentionally ableist towards Sam , but combined with her having power over him which makes her feel responsible for his well being from a young age and her believing in the Templar belief that control is the path to keeping everyone safe, I do think Sarah doesn’t respect Sam as a capable adult, especially his life choices that lead to him taking part and dying in the wasteland war

I don’t know what this really means for either Sam or Jade as characters or if these similarities will play a part in season two. What I do know is that this shows Sarah isn’t above trying to mold people to her liking

Which brings me the final two parts of the hero’s journey

Transformation: Sarah becomes a cyborg Templar

”The Ship of Theseus is a thought experiment about whether an object is the same object after having had all of its original components replaced”

Since almost Sarah’s entire body is fully robotic , is it still Sarah’s body, or Eden’s property?

On the off chance that Sarah's brain is also robotic, is the things going through her head Sarah’s thoughts , or Eden’s programming?

Is Sarah even Sarah anymore?

Throughout this whole post I’ve spoke about Sarah , her hero complex and what may have influenced her behaviour. I don’t think Sarah came out of her transition into a cyborg member of the Templar order unscathed

While the ground work for Sarah’s hero complex were present, Sarah was once an innocent little girl who deeply loved her father. Sarah was not born into this world with an ego , she wasn’t born with an intense desire to control other people

Sarah wasn’t born with blood lust in her smile

It was not just Sam who died that day in the wasteland, Sarah’s humanity and connection to other people died with him

There’s something odd about the fact Sarah is the only member of the board of directors who is a cyborg , we know this because Ramon killed the rest way too easily. We also know from Ramon , that people who make it to the top don’t stay at the top

Much like Phos in HNK, Sarah is very much a victim of drastic change due to her own choices and circumstances beyond her control

and finally

Atonement and return: ???

I don’t really have anything to add to this part , mainly because Sarah’s story isn't finished yet

We’ll have to see how things play out in season two it seems : )

#captain laserhawk #captain laserhawk spoilers #hnk spoilers #sarah fisher #rambles #tw suicide #tw abuse #tw death #tw violence #this took me so many hours oh my god #This was gonna be a ship post but it completely derailed into this #I don’t know if Sarah is intentionally meant to be a fucked up version of the hero’s journey #But I do think her hero complex is on purpose

[sovietvdova]

nat ... isn’t comfortable with the idea of being considered the hero and in this essay, I will argue ...

#no for real it's something i've quickly learned while reading 2014 series and just general headcanons and things that nat doesn't fit into #a trope in fact she's an outsider all her life on both sides she's been an outside and idk yet if that because general mistrust follows her #or that fact she is first and foremost her own woman #in 2014 she says she's a killer not a murder but she'll kill for a purpose #which is quiet opposite of the hero the mcu paint her out to be and she doesn't feel guilt #she doesn't fit into that i feel guilty for killing people and now must atone no she never felt guilt towards killing anyone or #and certainly didn't lose sleep over torturing anyone because yknow why?? because she chose to do it #it was her choice that she made as her own woman to kill but it was also her own choice to join the avengers #shes a multifaceted complex character and that is why she doesn't fit into any trope #idk i think i need to get my thoughts out about this #but yeah maybe this is a headcanon idk #headcanon tag tbd. #' 𝚏𝚒𝚟𝚎 𝚏𝚘𝚘𝚝 𝚌𝚊𝚗 𝚘𝚏 𝚠𝚑𝚘𝚘𝚙 𝚊𝚜𝚜 ' // OOC.

[hxmocrastic]

𝐘𝐚𝐧𝐝𝐞𝐫𝐞 𝐋𝐮𝐤𝐞 𝐂𝐚𝐬𝐭𝐞𝐥𝐥𝐚𝐧 | HCS

Pairing ; {📺+📖} Luke Castellan x GN!Reader

Warnings ; Yandere, Stalking, Gaslighting, Fear of Abandonment, Imminent Kidnapping, Manipulation, Inferiority Complex, Emotional Abuse. ALL CHARACTERS AGED UP 18+

A/N ; Sorry I didn't respond directly to you anon, I accidentally posted this before it was finished and couldn't edit it 💀 But Enjoy!!

Luke is a Gaslighting, Guilt tripping, Boyfailure personified.

At first he takes up his signature friendly act and introduces himself to you first. He even offers to show you around camp !

To him, you're just so adorable. He loves how docile & compliant you are, how your sweet little chin nod's at his every word. You're just so fucking addicting, As soon as he saw you he knew he had to have you.

In order to get you alone & helpless, He'll start spreading false rumors of your parentage, Just to swoop in and shoo those pesky campers away. See? He's such a good boyfriend ! Why won't you look at him?

He'll even get you into some weaving classes, After all a sword is way too dangerous for someone like you. Don't worry about it! He knows what's best for you !

Luke will gladly take his time in wooing you. Slowly implanting little seeds in that cute little head of yours, Whispering things underneath his breath, Increasing physical contact, Even sending you gifts.

The last encounter he had with his father was a scar that will never heal, and a reminder that the gods see him and his siblings as nothing but cattle awaiting the slaughter.

Underestimated, Undermined, Luke always feels he has to go the extra mile prove himself. He thinks that in the eyes of his father he's worthless but in yours he has a purpose, He's a hero.

He'll do anything to keep up that facade, As he only wishes for you to see him in a glorified light. Isn't that what demigods fight for?? Glory,? It only makes sense that you'd love him too !

But truth is, Although he may sustain his benevolent friendly facade, He sees other's as emerging rivals. Whether it be in 'love' or Competition, He views them as competition.

All his life he'd felt powerless & helpless to the evils that robbed him of his childhood. Like his life wasn't his own, How he was always at the mercy of others whether it be the fates, monsters, or the gods themselves. He's never felt real control.

But at camp he feels like he has some control, some authority of his own. And not just of his own life but of other's too. He's finally at the other end of the stick.

Luke loves the power he has over the camp, how the girls & boys of Aphrodite cabin silently fawn at the slightest glance of his figure.

How his stare alone can send clarisse and her cabin trudging to the steps of their cabin like wet dogs. The power excites him.

But your arrival was different. He would've thought it'd be enough to constantly receive the admiration from camp but he desires more from you.

Luke doesn't just want you to favor him, He wants you to obey him. To hang on his every word. He wants you to worship him, To give him the adoration he would never receive from his bastard father.

This is where it gets dangerous. Once the Luke you knew to be a sweet and protective head counselor, He starts becoming a lot more domineering and unreasonably aggressive. And whenever you asks about, He slips back into his loving demeanor and reassures you softly that everything's alright, You're just seeing things that's all!

But you could've sworn you saw him scowling at your friends. Maybe you were just going crazy, it'd be the only reasonable explanation right? Who'd believe you if you said you heard Luke castellan speaking with another voice, right?

For your own safety, You stay quiet. You abide him and start slipping on a facade of your own. Just play along and you will be fine...

He's your hero, your knight in golden armor, Depend on him and solely on him why would you need anybody else?? Love him and only him, and just maybe your cabin mates will be safe. (Not)

#🏷️ #tw yandere #yandere pjo #yandere headcanon #yandere percy jackson #male yandere #yandere #luke castellan #luke castellan x reader #luke castellan x you #percy jackson headcanon #percy jackson hc #tw dark content #x gn reader #gn reader #percy jackson x reader #percy jackson

[picturejasper20]

Steven Universe as a character is someone who has been mischaracterized and flanderized over the years, to the point people who aren't into the fandom or haven't watched the show believe that mischaracterization to be a fact rather that a product that comes from memes and jokes

The truth is that Steven often fights in the series when it is needed, usually by fusing with someone else like Connie or Amethyst since he is still developing his powers in the original series. He doesn't cry when he has to fight back or defend himself, with exception if the person attacking is someone he considers a friend. Because, yes, for a 14-15 old teenager it isn't fun having to do something like that and it can be traumatic.

He also doesn't start to cry the moment someone refuses to change their mind or is being mean. He often isn't afraid to be sarcastic or call that person out. He didn't cry when Aquamarine mocked him in ¨Stuck Together¨ nor when Jasper didn't apologize for poofing Amethyst in ¨Crack the Whip¨

However, what we see is sometimes him blaming himself for not being able to help people that, more often than not, have been hurt by Rose Quartz, his mother, in some way. After Season 3, Steven fears a lot that he is going to become like Rose and he is going to hurt people the way like she did.

In general Steven deals with an Atlas complex in the show. He feels like he has to fix his mother mistakes and deal with ¨what she left behind¨ even when Rose wanted for him to be his own person as seen in the tape she left for him as it was revealed in the episode ¨Lion 4: The Alternate Ending¨.

Steven also defines his identity a lot for being to help other people and fix their problems. He believes that he has to be ¨useful¨ for others. So when he believes that he failed to help someone, that may lead him to think that he isn't living up to his ¨purpose¨ or that he is a failure as a person.

In reality, he isn't that much different from other hero protagonists from other animated shows. Those who are kind and emphatic and willing to listen to other people and give them a second chance if the person changes their ways. You probably like an animated show that has a protagonist like this. (Who was probably taken inspiration from Steven if the series came out after SU).

The main difference, i think, is that Steven goes a bit more than those protagonists do when it comes to listening to other people, understand their motivations and give them another chance if they regret their actions. A lot has to do with how he is aware that his enemies (usually gems) act the way the do because of the system they were born into rather ¨they are evil just because¨. He gets that their motivations come from the system that hurt them or lead them to believe that their actions are justified.

Another common mischaracterization is that Steven becomes super buddies with every person he helps...when this isn't always the case. There are some occasions that Steven shows discomfort around people who he has given a second chance. Just because he gives them a second chance doesn't mean that he immediately considers them close friends, maybe allies at best.

A good example of this is the gif above of Steven's interactions with White Diamond in ¨Homeworld Bound¨. White Diamond touches Steven very close to where his gem is- which makes Steven distressed since in his battle again White, she ripped his gem out to prove that Pink was still ¨alive¨. In most of the episode Steven shows to be very uncomfortable around the Diamonds and Spinel, to some extent. They bring him bad memories, which is the main reason he has been doing everything to avoid going to them to ask for their help until this point in Steven Universe Future. He even almost accidentally hurts White's gem by smashing her head against a pillar when she lets him control her to talk to himself. This being result of a intrusive ¨vengeful¨ thought.

I wouldn't say that Steven hates the Diamonds,but- he doesn't want to be their friend neither and wants to avoid in general because he feels nervous and bad around them. It's something like ¨I'm glad that you are changing but i don't want to be associated with you. Please, i would appreciate if you kept your distance from me.¨ dynamic.

On last point, Steven is someone who usually pushes his feelings down in certain situations and buries them down, which has led him to have strong emotional outbursts in bad moments. He usually prefers to ignore his own problems and take priority on others. Again, this comes a lot from his desire to be useful and be needed, making him trying to ignore how he feels about certain people and pretend that he is doing fine.

This explains why we don't see him lash out that much to others in the original series, and, why he feels so frustrated and angry in Future, since all that anger and negative feelings can't no longer be ignored as they used to and they are having a negative impact in Steven's mental health. This, of course, isn't meant to be seen is a healthy coping mechanism. It is in fact potrayed as something pretty self-destructive for Steven, as a huge flaw of his, that over time he comes to learn that it isn't the best way for him to deal with his problems.

These are some of the most common misconceptions i have seen about Steven's character online. I could go in more depth with some of them but i think the points should be clear enough. This could be considered a general analysis of how Steven is as a character and how he operates, leaving aside more specific things that can be covered in other posts.

#steven universe #steven quartz universe #steven universe future #rose quartz #su analysis

[n3ptoonz]

Part 2 of MK1 men pushing the reader to a wall while kissing them, please? 😊

i mean i GUESS i can do that 🤭 since you asked so nicely! part one here

how liu kang, reiko, sub-zero, havik, johnny cage, scorpion, and geras go about pushing reader to the wall while kissing them

just know it may not show the long pauses i took while writing this but know IT HAPPENED!! THE THINGS I DO FOR YALL🫵🏾don't say i never did none😫

havik's regeneration mentioned. i've also been told havik looks like that on purpose so like, let's act like he can make his face go back to where it was for the sake of shits, giggles, and pandering XD

tags: @luna18night20 @momopad

warnings: suggestive, fluff elements, sphinx tried her best, there will not be a part 3 im sorry y'all 💔

Liu Kang

Liu Kang was rarely ever rough with you. In fact, the only way he'd do it is if you either verbally say it's fine, or if he knows you're poking the bear just to get a reaction. And when you get a reaction...there's no going back. You've kissed with your back to the wall several times, and every time was gentle and loving and laced with care. However, if you've presented that you were that desperate for him to give you the attention you deserve, he will gladly be a little rougher in pushing you back with his lips on yours. Just be prepared for him to leave some handprints on your waist.

Reiko

Reiko is a warrior. Hardened by battle and discipline, so the way he kisses you usually starts off that way. He can't help it. Not only is it the way he was raised and what he was told a man is "supposed to be", but it also came with how his partners were to be treated. When it came to you his sense of duty and protection spiked every single time. So here you were, well within his unintentional bear hug as your back was against the wall. His kisses always started off like he was going away to war/fight (because he usually was) but he would eventually melt and become smoother because you're by his side.

Sub-Zero

Bi-Han, a truly complex character. I believe that whoever captures his heart will be the main obsession in his life. In this case, it is you. He constantly needs to be on you, around you, see you, hear you, you name it. He can't get enough of your lips and this is especially apparent the way he's almost always pushing you to the wall while kissing you. Can we blame him? He's a tall hunk of touch-starved and the only thing that will satiate that hunger is roughly making out with you every chance he gets all while still knowing how to treat you like a porcelain antique.

Havik

Havik...this guy. Even though I'm pretty sure it's not canon I still feel like he'd regenerate and degenerate for fun and for different purposes/occasions. For the sake of my sanity I can say I found him fine as hell before his face got fucked up, and so did you. But you don't mind him either way because you love his crazy ass. Allow me to set the scene: You say something snappy to get his attention and boom...he regenerates his facial wounds just to back you against the wall and shut you up with pure smugness and arrogance behind his kiss. But, this is what you wanted, nonetheless. And you'd do it again!

Johnny Cage

Who's to say Johnny Cage wouldn't try to get you in one of his films just so he could keep getting takes of him backing you to a wall and kissing you? For Elder God's sakes, he's the one who wrote the script! And of course it's something dramatic like him being a villain that captures the hero and tries to convince them to ditch their position to be with him. Dude would totally think he's Loki (did i say that bc i think it would be hot if Loki did that to me? ..don't worry about it!) He's for sure fucking up his takes on purpose and you know this, but you only pretend to be irritated and maybe even fuck up a few yourself.

Scorpion

Kuai Liang, the romantic this man is. Like Liu Kang, he's never rough with you. Except it would take a little more convincing to let him know it's fine for him to act on his feelings when he wants to. With him, his kisses are slow and gentle. They will always start off like that even if he has a hard day. All he wants is to hold you, but it's like whenever your back hits the wall a gear starts turning in his brain. The idea of you having nowhere to go and enjoying it? Not even an Elder God is pulling him from your embrace. He gets handsy and a lot more affectionate around this time; he's kissing your face, neck, and shoulders too, because why the hell not?

Geras

Geras is a special case. He's an immortal who has never experienced romantic love before. So naturally you will have to teach him some things and even point out things he has observed that can be taken as romantic love. But he's still a man who has seen a lot, so this guy knows what kissing is and how to kiss. Surely you didn't think this giant fine ass immortal being didn't know how to treat his partner? Crazy talk! Understand that when you introduce the classic wall kiss by showing him what to do, he's leaning in to kiss you as he lifts you in his arms with no effort to be found and there won't be kissing going on much longer!

a/n: thanks for reading and i hope you enjoyed! collapses onto the ground

#n3ptoonz #mk1 #mortal kombat #mortal kombat 1 #bi han #kuai liang #mk1 bi han #kuai liang mk1 #scorpion kuai liang #liu kang mk1 #geras mk #mk havik #johnny cage #mk reiko #mk x reader #bi han x reader #kuai liang x reader #liu kang x reader #geras x reader #johnny cage x reader #havik x reader #reiko x reader

[verysium]

『01』 呪術廻戦: jujutsu kaisen recs

五条悟: gojo satoru

i know you still think about the times we had by @saetoru

satoru will always comes when you call him, he just never thought you’d stop calling. notes: satoru is so desperate and pathetic here it is just delicious; has the right amount of angst to cause tension but a good ending to soothe my poor heart; traditional rich boy and disapproving mother/father scenario but implemented relatively well; miscommunication and feelings of inadequacy; reader realizing the extent to which satoru loves them

pretty eyes by @quirklessidiot

in which the right eye is mine and the left eye is yours and when we meet for the first time, you see your own eyes staring back at you. notes: takes tragic star-crossed lovers to a whole new level; riddled with parallels and symbolism; idea of illness and loving someone at their worst; right person, wrong time at its finest; fate being unnecessarily cruel; surprising moments of humor

minazuki by @quirklessidiot

In which Y/N L/N is placed under a union she has no choice but to partake for the sake of her survival. notes: this series needs to be scientifically studied; it is just that good; halfway in and i fell in love with the reader instead of gojo; strong and somewhat morally grey characters; dark themes around femininity in a patriarchal society but concept was executed flawlessly

21: only by @tenjiiku

“What do you want, Satoru?” You do not use his last name or any honorific to address him despite his age. He was older than you by a few years — but certainly did not act the part — so you do not think he deserves your respect. Your host father told you he does — something about his being from a prominent private school as an educator, which you cannot possibly fathom being the truth — but only in front of you is Satoru Gojo an inane, odd man with a need for clean, dry-cleaned clothes that, for some strange reason he has conjectured in his equally baffling mind, that only you can provide. He smiles at you, placing his cheek in his hand. “You.” notes: this fic embodies the duality between gojo and satoru; he is easy-going until he isn’t and you realize he actually has a considerable amount of depth; the plot twist did it for me; satoru being a loud-mouthed tease but secretly harboring feelings

soulswap by @orphxus (impxria)

this is where the evening splits in half, love or death. grab an end, pull hard, & make a wish. notes: short but realistically describes everything wrong with jujutsu society; poetic voice; gojo being serious for once; disillusionment and tragic hero archetype; being the strongest yet being unable to save anybody; geto would read this fic and feel seen

両面宿儺: ryomen sukuna

nocuous by @quirklessidiot

“It’s ironic, isn’t it? I knew how this was going to end but I’m still terribly hurt by it.” notes: the heian era setting is so complex and established even through dialogue and subtle description; reader strikes me as older and able to deal with sukuna’s chaotic nature; sukuna being an absolute menace is sending me; tragic angst but almost didn’t notice it due to how beautifully the images are presented

avīci by @rotpeach

Several years ago, Satoru Gojo was involved in the exorcism of a uniquely stubborn curse. The official report states that one of Ryomen Sukuna's fingers was recovered from the scene, and nothing else. Only the two of you know the truth. notes: gore, gore, and even more gore; boy was this fic a wild ride; imagine a work that condenses the ugliest and most revolting parts of human nature yet presents them so elegantly you start questioning the blurred lines of morality; cannibalism, violence, and love triangles; japanese mythology & folklore; heian period references; cursed spirit reader tries to grapple with the idea of self after being created for the sole purpose of serving others; themes of existentialism, identity crisis, obsession

#fic recs #jujutsu kaisen #jjk #jjk x reader #gojo satoru #gojo x reader #sukuna ryomen #sukuna x reader

[dashielldeveron]

soulmate trope | aizawa, part one.

Aizawa's route of soulmate trope.

Part one bc tumblr formatting weird. Part two here.

Warnings: BTS mention. Reader is explicitly a kissless virgin to make Aizawa feel Worse. Part one: reader gets a mild hand injury. Threat of dub-con. Claustrophobia. Sexual content, with virgin-y themes. Part two: alcohol consumption (not by reader). Sexual content, with virgin-y themes. Fem reader.

Remember that U.A., for the purposes of this fic, is a university. Lore dropped carries over to previous and subsequent chapters.

~38k overall. ~20k for part one.

You didn’t have a soulmate, and that was just how you liked it.

Because instead of being hooked to one of your weird-ass classmates, you were free to continue to harbour your crush for your weird-ass homeroom teacher, and you nurtured your crush like a stray kitten brought out of the rain. A creature comfort, really, this affection for Aizawa Shouta—a creature no one knew you kept hidden in the back laundry room and sneaked scraps.

You’re not stupid. The man has to stay your homeroom teacher for the rest of the year, until graduation. Besides, you did have a sneaky little goal with your crush, though it will probably never come to fruition. It’s not an immediate plan in which you corner him after class to beg for sexual extra credit, no, but it’s a long, onerous, masochistic plot of delayed gratification: sometime down the road after graduation, you’ll casually run into him on a patrol, casually suggest you two share a drink to catch up, and then casually I-miss-you-terribly-sensei-you-deserve-to-sleep-more-oh-wow-your-hands-are-really-big-what-if-I-place-them-right-between-my-legs your way into his heart.

For now, the most you can do is be the best student you can. Yes, Yaoyorozu is most likely always going to beat you in chemistry and some maths, since her quirk relies on her knowledge of those subjects, but you’re positively gruntled and satisfied with your place at the top for humanities, along with trading top spots in other subjects with the same three or four people.

But mostly, you tried to be 1) resourceful and 2) not annoying, because Aizawa dealt with a lot of teacher bullshit, probably.

So, while you knew about stories in which students would seduce their teachers by favours (sexual or not), lingering innuendo, or flashing lacy underwear from their seats, you weren’t going to do that shit. 1) How dumb, 2) how embarrassing, and 3) you didn’t want your (hopefully future!) relationship founded on cliches for student/teacher relationships. How a relationship starts shouldn’t have to be a secret, either, or be something to be ashamed of.

(Because you could just picture your family’s faces at Christmas if you said something like, “Hey, this is my boyfriend, Aizawa; he used to be my teacher, and we started dating after I sucked him off under his desk while he was giving a lesson.”

Although, admittedly, there’s probably no good way to introduce a former teacher as your boyfriend.)

You figured, for now, it was enough to stand out in a quiet way, never outright begging for his attention, yet somehow landing in situations in which you got it. You liked to think that Aizawa appreciated that you read when you finished your classwork early instead of talking to your friends (guiltily activating your cringey not-like-other-girls complex that you tried to suppress), along with being attentive in class in general, and you landed an unexpected advantage in Midnight.

Since your first year’s sports festival, you’ve been her sidekick. Well, first you were her intern, and then you signed on the next school year. It was mostly academic work instead of hero work at this point in her career, but you found you liked it and her. You tagged along to record events and complete evals and rubrics, and running her errands allowed you into the staff room, where Aizawa was often curled up in his office chair or on the couch. And hopefully, Aizawa heard good things about you from Midnight.

Midnight’s current project when not teaching or on active missions was rehabbing female villains. She was easy to trust. They tended to let down their guards around her, eventually, and it fascinated you the way the system treated male and female villains differently—

“Hey,” whispered Mina, hunching forward in her desk to tap you on the shoulder, “You got back from Sakura Grove Rehab with Midnight really late last night. Did something happen with Tainted Love?”

You shot a look towards the front of the classroom, where Aizawa was gripping the podium intensely in an effort to stay standing, and once you garnered he wasn’t paying attention to you (big sigh), you turned slightly in your seat to whisper back. “False alarm,” you said, shaking your head, “She used her emergency buzzer because she heard that BTS released a music video, and she wanted to see it.”

Grinning, Mina nodded. “Normal BTS fan stuff. Is a member her soulmate, or something?”

“Don’t you think she’d be dead by now if she were? Ito said—sorry, Tainted Love said that they’re all simply very easy on the eyes and that she’s a connoisseur of human beauty. But her ass is in trouble right now, because the staff’s pissed they had to break out the emergency procedures for that.”

“I don’t know,” said Mina, fiddling with her earring, “I think that’s completely fair. It’s, uh—girlboss, gaslight, get-to-see-BTS.”

You snorted, covering your nose with the back of your hand. “That’s the wrong order, and you know it—”

“Since you have the energy to talk during a lesson—” Aizawa called towards you, his voice sharp, and your head snapped towards the front of the classroom. “—then I expect you’ll be capable of a higher calibre of effort and example for the class in your stealth presentation today.”

“Absolutely,” you said, recovering and folding your hands on your desk, “I’m ready when everyone else is.”

Aizawa gave a dismissive wave and allowed the class to leave the four minutes early to change and head towards ground beta. You’d already triple-checked that all of your support gear was ready, because it was your day in the rotation to serve as a combat example to the rest of your peers. Your focus for the past month had been on stealth, so you were presenting on your findings—presenting through whatever challenge was posed to you at the hands of one of the faculty.

 Giddy, you headed towards ground beta much more quickly than your friends, who were still getting dressed. Since you’d be presenting on stealth, you had a good idea of which teacher you’d be facing.

Aizawa was waiting at the entrance, himself clad in full gear. You shot him a cheerful wave, which he lazily returned, and you retreated to one of the benches nearby and opened the book you’d brought along.

(You don’t want to aggravate him, and what’s more, if you talk to him before your challenge, you’re going to be thinking about your conversation during it. Aizawa will be more impressed with your performance if you don’t fuck it up due to daydreaming about his cock.)

Making yourself comfortable, you lay down on the bench, holding the book above you to block out the sun.

Aizawa pushed his goggles back into his hair. “You have a book,” he said (asked?) flatly as he trailed towards you.

“You have a sleeping bag,” you said, jerking your head towards the yellow bundle wadded up by the door, “We must both be relaxed about this presentation.”

Crossing his arms, Aizawa carefully leant against the door and squinted down at you. “Do you not see me as a threat?”

You tore your gaze away from your book to look up at him, tilting your head backwards to smile into his scowl. “Should I?”

Kirishima and Tokoyami burst in and broke up the conversation before it turned into something that got you off for weeks.

Once the rest of the class clambered towards ground beta, Aizawa cleared his throat and addressed the class about the challenge; he spoke with his back to you (and a couple of others), since most of the class clumped in one spot.

“Sero’s melee close-combat presentation yesterday will be a tough act to follow, but today is our first presentation on stealth. Bakugou, Aoyama—your stealth presentations won’t be following the same format, but take inspiration from it.” Aizawa stowed his hands in the deep pockets of his jumpsuit and shifted his weight forward slightly, his broad shoulders lost under his capture weapon. “Hagakure and Tokoyami, I specifically want your critique of your peer’s performance today. Be ready to give her advice. I will be the faculty member she is up against, and—” Frowning, Aizawa cut himself off, did a quick head count, and spun in your direction, his hair whipping at the movement.

Seeing you reading over on the bench (which you were still doing in what was hopefully a sexy devil-may-care, fuck-the-police way), Aizawa pinched the bridge of his nose before spreading his palm over both of his eyes, heaving a sigh, and dragging his hand down his face. He then held it out in from of him and curled his fingers to beckon you closer. “C’mon; I know you said you weren’t threatened, but now you’re pushing it.”

You were sunshine; you were ease, and you were pushing it, for some reason. But you were feeling it, so you cheerfully trotted up to Aizawa, in front of whom you halted expectantly and bounced on the balls of your feet, hands holding your book behind your back as you waited for further instruction.

He cleared his throat and snapped, holding out his hand farther to confiscate your book. You shunted it towards him, and when Aizawa took it, your fingers grazed his—your pinkie and ring fingers just barely brushing against his thumb.

And.

And it’s a rickety, staticky, lightning-type thing, this wave of thunder that rushes through you, branching from where you touched him—a two-second, core-shaking rumble that only you can feel.And there’s an electric jolt.

Vibrant pink blossomed from the points of contact, staining the skin like watery ink.

Two seconds. Two seconds compressing what must be years and years of salient moments yet to come, and they—they all had him, Aizawa, in flashes of memories (?) integrating him more and more into your life. And you knew, in that shock and subsequent ooze, how it felt to be pulled into his arms and held like you’re something precious—wrapping around you while he’s half-asleep and acting on instinct, hunching and curling over your back to shield you from a backdrop of  a battlefield—the feeling of you two lying together bare. You heard the crack of his voice in the morning as he nuzzled closer to you in bed, the rumbling vibration when he growled against your skin. Felt a ghost of his fingers digging into your hips as you arched beneath him (rocking, writhing), sucking a small spot on your neck, kissing down your shoulders, your back. A shiver as he trailed his hand down the inside of your thigh. A prolonged kiss to your collarbone. The passage of thunder left your body sore, like live-or-death level adrenaline had just faded. For a moment, your knees were in danger of buckling.

Aizawa must have seen—felt—the same phantom sensations, because once a noise from the class snapped him out of it, he grimaced, tucking your book and the pink-marked hand under his opposite arm.

Ducking your head to stare at your shoes, you took a step back, overheated and too aware that the class was watching.

“Recovery Girl’s office,” Aizawa said, his voice rasping, “Now.”

You bolted.

***

You slumped in the sky-blue plastic chair in the patient area of Recovery Girl’s office, unable to shake the sensation of his arms around you. You shuddered and hunkered over, a wave of misery washing over you as the last vestiges of his warmth (?) faded. Fucking figures that the only time in your life you’ve ever been in someone’s arms is in a goddamn vision and not reality.

On the other hand.

The pads of the two fingers that touched Aizawa were blemished with the same bright pink as that dust you’d inhaled the day Tainted Love’s team had invaded, and the colour wouldn’t rub off on your hero costume when you tried. An evil sort of smile spread across your face.

You jolted in your seat when the door slammed open, the knob banging into the wall, and Aizawa stormed in, shoving one of two clipboards into your lap.

“Quirk incident form,” he spat, a plastic chair scraping against the tile as he yanked it next to (but not too closely to) yours.

You slid the pen out from underneath the clip. “This says it’s a soulmate registry form.”

Aizawa glanced up at you, already a few strokes into writing his name in the first blank. “Tainted Love’s team had utilised her quirk enough before attacking U.A. that a specific form had to be made. Nevertheless,” he said, finishing the kanji for sho with so much pressure that the paper ripped slightly, “it’s a subset of the Quirk Incident Registrar.”

Huh. You supposed you should’ve known about the paperwork, since you’re working with her, but then, you’re dealing with personal rehabilitation, not the bureaucratical aftermath.

Following his lead, you quietly began to fill out your form. Basic stuff, really: name, home address, current address (dorms), quirk, soulmate’s name and quirk…

“How would you describe our inciting soulmate incident? Are you only putting first physical contact, or are you mentioning something about the, uh,” you said, leaning over to see his paper, but he flipped his clipboard up against his chest to hide it from view.

“I don’t know what you’re talking about,” said Aizawa, finally looking you in the eye. His tight grip on his pen didn’t dilute the saturation of the pink on his thumb. “And we’re not going to talk about it. You’re not going to tell anyone about this, and I’m not going to tell anyone.”

Oh, he’s repressed repressed. “Not even my mother?”

He shook his head. “Nothing important happened today, and nothing’s going to happen.”

“That’s a shame,” you said, moving onto the next section of the form, “I was already picking out China patterns.”

He flipped his clipboard out enough to continue writing. “Don’t even joke.”

“Hey, it says I need your phone number.”

“Leave that part blank. I’ll fill it out once before turning both of them in.”

That little sneak. “Wow. You really are intent on having nothing to do with me,” you said, sighing, which he echoed.

“Listen,” said Aizawa, running his hand back through his hair to sweep it out of his face, “if you genuinely require an explanation, you don’t deserve to be in school at U.A.”

You crossed your arms. “Try me, sensei.”

Aizawa winced, scrunching his eyes shut. “Don’t call me that. Listen. What I’m about to say does not apply only to me but to teachers in general. No one wants to fu—pursue a romantic relationship with a student because we are tired. Teaching is our job. No one wants to take work home when you don’t have to. You want to have a life outside teaching, and in addition to that, I have hero work.”

“There are lots of books and stuff about teacher-student relationships,” you said.

“Written by deranged maniacs who haven’t been teachers. Sometimes, it’s difficult to see your students as people, let alone the horrific romantic par—God.” Aizawa pinched the bridge of his nose again, his fingers moving the press into his eyes, almost like he wanted to gouge them out. “The only reason a student may be brought up in conversation in a non-school setting would be if that student did something particularly moronic that day. At the end of the individual day, teachers are tired of their students and want to slip back into being an individual instead of an educator.”

You pursed your lips. “I have yet to hear that you personally are tired of specifically me.”

“Let me attempt another approach,” said Aizawa, hunching over to rest his elbows on his knees, steepling his fingers together, “As your teacher, I would have an unfair power over you in a relationship.”

“Hell, yeah, you would,” you said, grinning.

Aizawa turned his head away, pressing his mouth into his shoulder. “I’m not going to engage with you if you keep making comments like that.”

You nodded even though he couldn’t see you, aware you were getting yourself in deeper shit the more you opened your mouth. “I wouldn’t want you to propose in Recovery Girl’s office, anyway.”

It took him a moment, while you waited by scribbling a doodle of your cat onto the bottom margin of your form, but Aizawa genuinely let out a hiss as he snapped towards you, his teeth gritted as his eyes flashed scarlet, hair flying upwards in an instant.

“You can’t make those sorts of quips around anyone else—at all. Nothing is going to—” He seemed to notice that you’d shrunken in your seat, away from him, your hands held up while you let the clipboard fall to the ground, and he released his quirk, mildly startled that he’d activated it on impulse. He settled back into his own cold, plastic chair and sank his chin into his capture weapon.

“I’m sorry,” you said, quiet and subdued, “Joking about stuff is how I handle it.”

“No,” he said evenly, stooping to pick up your clipboard and pen, “I knew that already. That’s how you show you understand the material in class discussions. I should’ve taken that into account.”

He held out the clipboard, pinching it by the edge. You won’t touch each other, this way.

You took it and clicked your pen, scanning down the document to where you left off. “There’s this checkbox I wanted to ask you about.”

“What checkbox—oh,” Aizawa said, his voice faltering.

Near the bottom. A single, small line and box, for the weight it held: do you want this form to double as your marriage registration?

You crossed your legs to prop one ankle over your knee and tilted your clipboard away from his line of vision. You checked it before he even answered.

“Yeah,” you said, proceeding to shade in the entire box, “Do you—”

His scowl cut you off. “Leave that blank, too.”

“Of course,” you said, drawing a couple of hearts around the inked-in box before moving on.

You finished filling it out before he did, and when he set his pen aside, he pushed on his knees to stand with a soft grunt, taking your clipboard underneath his without caring to glance over it.

“All right. The rest of class has been joined the training session that All Might was monitoring for Class B, and given the circumstances—” His eyes fell to your stained fingers. “—you’ll have to make up your stealth presentation at a later date with a different faculty member. I’ll have someone else grade your work from now on, so you won’t have to worry about my grading you more harshly because of this.”

Aizawa waited for you to nod, and after, he took a step towards the door. He ducked his head for a moment before turning back to you, saying your name under his breath. “I’m serious when I say that you can neither tell anyone about our soulmate bond nor do anything about it.”

Swallowing, you slowly stood up from your seat. “I don’t know how well I can do that, Aizawa-sensei, but I can promise that I’ll do my best not to trouble you. I haven’t been troubling you for the past three years, have I?”

“Not exactly.” Aizawa narrowed his eyes, his shoulders tensing enough that his mouth disappeared underneath his capture weapon. “Why do you ask?”

Okay. You can do this. You’re fine. You’re normal about it. You held up your hands, as if gesturing that he should brace himself. “Because that’s, uh, how long I’ve—” Been in love with you—no! Stop that. “—had feelings for you.”

Grimacing, Aizawa pinched the bridge of his nose. He’s done that more in the past hour than you’ve seen in the past semester. “Holy shit.”

“Please don’t—please don’t feel any fucking pressure whatsoever,” you said quickly, trying to backtrack, “I’ve been dealing with this by myself for so long that I’m good at it, so please don’t, uh. I mean, I—I live in my head; I live in my books and stories, so it’s fine and good and tolerable that I’ve never been in a relationship or kissed or anything; I’m used to it, so you don’t have to worry; I’ve been handling this by—”

Aizawa exhaled very carefully, his chest heaving in a controlled way as he dug his fist into his eye, rubbing it. “Are you telling me you’re a virgin?”

“Ah, ha. Ha,” you said, scratching the back of your neck, “Sorry if that’s too much information; that wasn’t the point—”

“You’re transferring to Class B,” said Aizawa, and he spun on his heel and sped out of Recovery Girl’s office.

Huffing, you seized the clipboards and ran after him. “Wait up,” you said, shoving the door to the stairs open after he nearly closed it on your face, “I was just trying to let you know I am open to a relationship if you want it, but I’m more than fine—” Liar, spat the voice in your head as you scrambled down the staircase after him, your footsteps reverberating against the grey-cinderblocked walls. “—if you don’t want anything to happen, but if you—”

Aizawa turned sharply to glare in your direction as you caught up to him, and when you skibbled to a stop on the same stair, he said under his breath, “Quiet.” His gaze followed how your hair fluttered with each of his harsh syllables, so he took another stair down to distance you. “Anyone on the stairs could hear you,” he said, resigned.

He crossed his arms, and you slanted the clipboards away from your chest for him to take them.

“You really didn’t know I’ve liked you?” you asked as he took them, “All this time?”

“It’s never crossed my mind,” he said, and he continued down the stairs at fast pace but one you could keep up with, “Like I said, students are a different category of person once you’re a teacher.”

Biting your lip, you followed closely enough to keep your voice down. “You never knew. That’s comforting,” you said, and after a few more stairs, you grinned. “Could that count as my stealth presentation?”

***

You would think that more was supposed to happen, now that you’re soulmates. More conversation, at least. Perhaps a conversation.

Instead, a lingering, bruising feeling branded your chest, as if you’d been kicked the night before, and often a stifling, smothering pressure weighed down on your shoulders until you could be in the same room as Aizawa again. Sometimes, it felt like steel marbles were playing pinball in your chest, the aches where they hit gnawing and settling into your bones.

(Your cat, your chocolate-point baby Dango, has been upset with the hours you’ve been sleeping away the pain instead of playing with her. Luckily, Kouda has been borrowing her some afternoons. You don’t know what he does with her, but you do appreciate very much being able to tell Dango, via Kouda, that you love her very much.

Kouda also has the advantage of being subtle when you lend him your cat, because cats aren’t allowed in the dorms. You’ve been secretly caring for Dango for over a year now, so it’s as if you, Kouda, and Shinsou, who brought Dango catnip treats, were partners in crime.)

In class, Aizawa interacted with you as little as possible, usually asking Present Mic to grade your assignments in his stead. He didn’t act any different towards you from the perspective of the rest of the class, you supposed, except you made fewer jokes and he fewer retorts. Instead, you kept your head down, reading or working on your Sakura Grove data for Midnight, and you were skimming by.

But sometimes you’d be doing Midnight’s paperwork after finishing an assignment early, hunched over your desk, when your skin prickles and the emptiness in your chest wavers for a moment, and you’d look towards Aizawa—either slumping over his desk with his chin on his palm or almost concealed inside his sleeping bag behind the podium—eyes half-lidded and boring into you.

When you look away, it’s as if he’s the one kicking you in the chest.

***

The Saturday after a particularly painful school day for you (aside from your fucking up in a combat exercise, Aizawa had been going down the line of those who’d participated to give individual feedback, and he skipped over you without hesitation), you’d planned to spend all day huddled underneath layers and layers of covers and throw blankets in bed as yet another snowstorm swept across Mustafu, but you jerked awake, completely fucking frigid, before the sun had truly risen. You blindly fumbled over the edge of the bed for any or all of your six billion blankets and felt none of them, and, making a miserable whimper as you cracked open an eye, you peered over the side of the bed.

No blankets on floor.

No…no little bedside rug.

Jesus, did you somehow kick your bed away from the wall during the night? Wait, where’s all the shit you have all over your walls this isn’t your room.

Something was pressed against your back.

Your life was over. You’re totally getting expelled from U.A. for sneaking into your teacher’s room. It’s got to be his—holding your breath, you slowly peeked over your shoulder before snapping back towards the bare wall. A flash of that yellow sleeping bag, even in bed—it’s Aizawa’s room, all right, and his back was pressed against yours, with only your sleepshirt and his sleeping bag keeping your skin from touching (unless he’s wearing a shirt, which, in that case, get sluttier, Aizawa).

In the case that somehow appearing in his bed overnight made him detest you, you elected to slither out of his living space without his ever knowing. You wouldn’t have any answers for him, even if he caught you, really, at least not this early in the morning.

In the vexingly slow process of getting out of bed without waking him up, you had the time to look around, not that there was that much to see; it was all greyish and sparse and didn’t really feel like a home at all or that he spent much time here, with the most significant pieces in his bedroom being the shoddily painted radiator (in heaven, everything is fine) and a desk with both a PC and a propped-up tablet on it, with some papers spread in front of them. But the layout of his flat appeared to mirror another part of the dormitory, so you bet the door to leave his area entirely was through the next room, and you’d be home-free.

What caught your attention, though, was a well-loved cat tower, with one of the dangling mice for the cat to bat at torn off the string and resting on the middle level. Aizawa must have a cat. Funny, since that’s illegal in the dorms. As you finally slinked off the bed entirely, you resolved to locate the cat to kiss its little forehead before slipping out of his room entirely. Cat detours are allowed.

Walking out of his bedroom, you first were hit by the pungent scent of brewing coffee and then by a cold wave of defeat. Across the kitchen counter, Aizawa’s back was towards you while he fossicked through different brands of sugar packets.

You could’ve punted that empty sleeping bag out the window.

You took one step towards the exit before he spoke, his voice gravelly from sleep: “Do you want to offer me an explanation before I write you up?”

Fucking stealth heroes. “I don’t have one,” you said, shoulders falling slack while trudging into his kitchenette—with an ulterior motive of seeing more of his place before being removed permanently. “I’m—I don’t know how I got here. You didn’t—?”

“Of course not,” said Aizawa, ripping open two differently branded packets and upturning them into his coffee. He turned to face you as he took the first sip, and you wished you could say that his eyes drank you in hungrily, or whatever, but you supposed that you have to get sluttier, too: you were just as completely and unalluringly covered as he was in his Purple Revolution sweatshirt and pants. “You don’t have any ideas from working at Sakura Grove?”

“Uh, no,” you said, “I’m not encouraged to talk to I—Tainted Love. It’s more like bringing her food and filling out paperwork for her craft requests. I am very much the middleman. I can—”

“Don’t.” Aizawa held out his free hand. “I’ll ask Nemuri.”

Nemuri. You’ve known, you supposed, that he was on a given-name basis with Midnight. You resolved to get him to call you by your first name, too. And then the thought came that you might be ruining something romantic between them? Based on every interaction you’ve had with either of them, you had no indication of romance, but Aizawa had said that teachers aim to have very private lives. Yikes. You elected to slough it off for now, because introducing feeling jealous of your mentor whom you admired very much would only complicate the situation more. You could linger on jealousy once you figured out what the hell was happening.

“Right,” you said, pulling at a hangnail, “What if this happens again?”

“We’ll put a stop to it. Simple as that.” His Adam’s apple bobbed as he swallowed. “We’ll be able to prevent this once we have more information. Until then, just handle it maturely and without fuss.”

“And here I was hoping we could cuddle,” you said, heaving a huge, fake sigh as Aizawa narrowed his eyes, and you pushed yourself up to sit on the counter, swinging your legs. “This is the part where you offer me coffee.”

“Get out of my apartment.”

“C’mon, Aizawa. Or I’ll spread that you have an illegal cat in the dorms.”

Aizawa hesitated just as he brought the lip of his mug to his mouth. “I don’t have a cat,” he said before taking another drink.

“Come off of it; I saw the cat tower.”

“I don’t have—”

You nearly jumped out of your skin when something prodded your thigh; a lanky, tuxedo-patterned cat had sneaked up to headbutt you before you could notice, and it climbed onto your lap to loaf. It’d be nice if your own cat were this friendly.

“You need to be more aware of your surroundings,” grumbled Aizawa as he poured your coffee.

You flipped over the cat’s tag, the light catching on the rose-gold heart. “You named your cat Konpeito?”

“Eri named it.” Aizawa set the mug next to you instead of giving it to you directly—stubborn bastard, not wanting to touch you again. “Don’t make a scene when you return the mug.”

“You’re kicking me out before I even start drinking?” You tentatively gripped the handle and maneuvered the cat off your lap.

“You keep asking these questions that have obvious answers.” He gave a dismissive wave. “Don’t make too much noise on the way out; Eri’s in the next dorm over, and I don’t want you to wake her.”

***

You woke up in Aizawa’s bed again less than a week later. You’d had a dream that you’d been freezing, and the reason had been, once again, you were, since apparently Aizawa depended on his sleeping bag instead of blankets. You allowed yourself a moment of savouring the sensation of his back against yours (for real, this time, since the sleeping bag was snoring) before slipping out.

The third time, you left him a note to tell him to get a damn blanket, or else you’ll bring one of your own to keep there.

You idly took notes in Present Mic’s class, words coming slowly on paper while he prattled on. How come it was always you who was showing up in his bed? How come you always went to Aizawa, and he never came to you?

Your eyes flicked up to what Present Mic was writing on the board in skewed, thin handwriting. Had Aizawa told him the specifics? Present Mic had to know something, since he was grading your work, but Mic was also Aizawa’s friend—a luxury you didn’t have in this soulmate situation. Midnight would also be a strategic person to tell, from Aizawa’s perspective, but she hadn’t given any hint she was aware.

You drew a heart in the margins, and then you gave it legs. You made it walk off the page and onto the desk, colouring it in by crosshatching. If only you could get up and leave. Class without Aizawa dragged nowadays; where did he spend his time during school on break? Probably huddled in his sleeping bag in a slant of sunlight like a damn cat, maybe out on the grounds where he couldn’t be found. Or maybe he fucked off to a gym closet where the mats were; they’d be cosier than sleeping directly on the floor. And you could cosy up next to him, pressed up against each other in that snug—

You slammed into a wall of solid muscle, papers flying and tea spilling over the tile to seep into the rug in the teachers’ lounge, and you sprawled on your knees in the midst of it in your haste to get the fuck off of Aizawa before he could say anything, hissing as you tentatively raised your hand from the wet, broken cup. Despite the slivers of pottery in your palm, you one-handedly fumbled for the papers that had been dropped—third year evals, now crimped and tinted a yellow-green.

Aizawa took the papers, tapped the bottom to align them, and gave them a firm shake to flick off excess tea, and when you started to sweep the broken cup into your hands, he stopped you.

“Go to the faculty bathroom,” he said, pointing to the connecting lavatory, “I’ll be there in a minute with a first-aid kit.”

You had a moment to yourself in the clean, warmly-lit bathroom, so you pushed yourself up on the green marble by the farthest sink and crossed your legs, ensuring your shoes didn’t dirty anything. The pain’s setting in, but you won’t cry, not in front of him, and you’re crying, but just a bit, right? Fuck.

At the sound of the door, you hastily wiped your nose with your sleeve and did your best to look stoic, like pottery in your hand happened every day. But your eyes were too watery to even see the tweezers as he dug them out of the kit.

Standing in front of the sink, Aizawa clicked the tweezers twice (carcinisation, baby!) and held out his other hand.

You looked at it. “What do you want me to do with that?”

He said your name through a sort of scoff, which would’ve been way hotter if it had been your given name and also in bed. “Just give me your hand.”

Tears ran down your face in an overflow. “You wanna touch me?” you asked, sniffing.

“Fucking hell,” Aizawa said under his breath, “At least I know you’re all right if you’re still joking.” He shifted his jaw, scanning your palm. “If you’d rather have it at an uncomfortable angle over the sink—”

“No! No, I wanna—I wanna touch you,” you said, and you lifted your shaky, injured hand for Aizawa to hold steady. The instant his fingers cradled the back of your hand, everything fell into place: touching him was like breathing in cool, crisp air on a clear night or the smoky kindling of a fire that never goes out, like feeling sunshine on bare shoulders on a spring day with freshly cut grass, like walking into your childhood home’s kitchen when someone’s baked chocolate-chip cookies, like breathing in, like breathing, and—

You lifted your hand just a hair from his hand.

You have a stopped-up nose.

You glanced at Aizawa, whose lips were parted, his chest visibly heaving underneath his baggy jumpsuit. “Did you…?”

He ran his tongue over his lower lip. “I need to get the pottery out of your hand as soon as possible.”

Bracing yourself, you rested your hand in his again, and that irresistible warmth swept over you again. He’s got to be feeling it, too, so why isn’t he reacting? You’re embarrassing yourself, so why can’t he?

“Were you trying to teleport to me earlier?” he asked (distracting you from the sensation of each shard being plucked from your skin), head bent over the sink and your hand.

“No, I never—I don’t intend anything. But now that we’ve seen it, we at least know it’s not a gradual thing. Instantaneous and painless. Well,” you said, nodding towards your hand.

“Nor, I see, is it limited to my bed,” he said, shifting over when you uncrossed your legs, “What were you doing before the jump?”

“Nothing out of the ordinary. I was in class.” You dangled your legs off the side to get closer to him (for medical purposes of course), and wow, Aizawa smelled incredible—probably; your stuffy nose wasn’t doing you any favours—what the hell kind of soap did he use?

 “Were you thinking of anything in particular? The bond?”

That’s got to be pine, and there’s something earthy mixed in. You really needed to blow your nose (Can you even name earthy scents? [Dirt?] You’re not up-to-date with masculine scents; you’ll have to find his deodorant next time you wake up in his room). “I was—” You cut yourself off with a hiss as he pulled the largest shard out. “I’m fine. It’s not that bad, really. Keep going. I don’t really remember the specifics of what I was thinking about, but I—” You cut yourself off again, this time with heavy realisation. “Goddammit. I was feeling the acute loneliness hollow out my chest again, and I was wanting to—be near you. Which explains why I’ve been teleporting to you instead of you coming to me.”

“It explains nothing,” said Aizawa, and he set the tweezers next to the shards on the edge of the sink and flipped on the faucet, guiding your hand under the water and reaching for the gauze.

“Yes, it does,” you said, openly wiping your nose on the back of your sleeve, because fuck it, this man didn’t care about you, so be gross around him. “If the teleporting is triggered by intense longing to be close to the other person, then it makes total sense that I’d be the only one teleporting, since I’m the only one who has feelings.”

“It explains nothing,” he said again, drying off your hand, “It’s only a possible contributing factor to the teleportation. Maybe it has to do with location, or timing, or action. It’s highly improbable that this physical action was caused by thought alone.” Aizawa ripped off a long strip of gauze and began to wrap it around your palm. “Don’t feel like this is a weakness on your part. I’ll probably teleport to you before the month is out.”

You let your fingers relax, your pinkie falling enough to graze his own hands as he bandaged yours. The more skin-to-skin contact you had, the more serene you felt—or maybe it was the injury adrenaline wearing off. Either way, you might fall asleep on the bathroom counter. “My bed isn’t big enough for two people.”

“That’s okay,” said Aizawa, and he slowed at the final wrap-around, holding it in place until he found the metal clips in the first aid box. “I’ve gotten very used to sleeping in odd places.”

When he stepped away to pack up the kit, you fucking whimpered on impulse at the loss of physical contact, and he froze, stuck in the motion of clicking the box shut.

“Sorry,” you said, sniffing.

His jaw tensing, Aizawa shook his head. “You should go to bed early tonight. Don’t overexert yourself.”

***

Yeah, except it’s Friday, and Jirou has been arranging this girls’ night for two weeks now.

Apparently, the karaoke bar you’re going to overheats really easily, since it’s in a refurbished building that used to be something-or-other; you’re not really listening to the explanation but were more concerned with having to wear summer clothes while it’s snowing out. The past two weeks have been strategic outfit layering plans from the lot of you, most of which have devolved into being silly and impractical (ranging from “I’ll just take off my skin and hang around in my bones when we get there” to “I will walk out of this dorm in a sleeping bag over my underwear” [the latter reminding you of Aizawa, in a pleasing, warm thought that you had to keep to yourself]).

Either way. Twisting over your shoulder, you strained to tuck in your bra so that it wouldn’t show from a mostly backless spaghetti-strap that you ended up borrowing from Uraraka, and once it was kind of hidden, you stuck your tongue into your cheek. It didn’t really sit right with you to be going out in this shit in this icy weather. You’d be a lot warmer and probably a lot more content if you peeled off these Best Jeanist jean shorts (from the Moulded to Your Ass line, unofficially titled) and crawled into your pyjamas and bed.

In the corner of your eye, your bed beckoned, with all of its blankets and stuffed animals (for when you just need to hold a little guy). What if you ditched the outing and—no. Stop that. You’ll be warm soon enough.

But with an abrupt lurch towards your bed, you found yourself spluttering into the scalding spray of a showerhead, water dribbling into your mouth between gasps and sloshing down your body. Blindly, you took a step backwards out of the cascade, but a flattened palm on the bare skin of your back stopped you before you could move farther.

“Don’t.”

The water still gushed and flowed over you, eyes scrunched tight and heart pounding. The hand on your back maximised the space between the two of you, but with the pathetic size of the shower stall, his body heat still seeped into your skin, complemented by rising steam. There’s a quiet grunt when he knocked against the frosted glass door; his shoulders must be wide enough for that to happen frequently (you swallow against a dry throat, because the man could hold all of you). If he wanted to, Aizawa, the way he has you now, could press his lips to the crown of your head, keeping his mouth there as his eyes flutter shut.

Instead, Aizawa was reaching up to tilt the showerhead away, giving you a good face-full of his bicep, and your eyes followed its movement (his jumpsuit did an excellent job of concealing a fucking powerfully built form), straining as he twisted the showerhead and relaxing as it fell back into place at his side—

“Eyes up,” said Aizawa, using his first two fingers to guide your chin back to face your front, where they lingered for a moment to tap against your jaw to ensure you’d stay there.

(With the shock of getting wet and the heat of his hand flat against your back [still there, still flooding you with an intoxicating headiness], you’d been entirely too overwhelmed to even consider catching a glimpse of his dick.)

“Aizawa-sensei—”

“Cut that out,” he said, huffing, “You’re doing this on purpose.”

For once, you’re out of the loop. But since you’re in his shower, you could take a moment to locate his soap to put a name to what he smells like and perhaps get a look at his cock along the way. Only his washcloth hung over the faucet in front of you, so you moved to turn slightly as you spoke, ducking your head to scan for shampoo bottles: “Earlier today you were saying it wasn’t my—”

Hissing, Aizawa slid two fingers through one of your belt loops and yanked, jerking you backwards into his hips for an instant before establishing that space between you again—pulling you by the belt loop blocked your view of his cock, and his hand on your back kept you from touching him in any meaningful way. But he was still as close as he could be without touching you otherwise, his breath as searing as the steam as he grumbled into your ear: “Bad girl.”

The water splashing at your feet wasn’t so hot anymore.

Aizawa tugged at your belt loop again (for a moment, when a swish of cool air washed down your ass, you worried that he’d look) and kept you in front of himself as he turned sideways to face the shower door, which he (fuck!) lifted his hand from your back to prod open.

Light flushed into the stall, and he scoffed. “I knew it,” Aizawa said, bitterness creeping into his voice, and he unlooped his finger from your belt loop to tap the fabric firmly, nudging you forward.

“Knew what?” you asked, spinning on your heel the moment you were out of the shower, water flying, and Aizawa ducked behind the frosted glass with a defeated expression. “Right,” you said, grabbing the thick towel on the toilet and tossing it to him.

“Check your fingertips.”

Tearing your gaze from his frosted-glass impression of wrapping the towel around his waist, you held up your hands. “They look fine. My bandages are soaked, though, so I’ll have to redo—oh, okay, fuck. My soulmark is gone.” You’re not going to cry in front of him, and definitely not twice in one day, because that’d be—

“Sensei,” you said, choking up and curling your shaky fingers into an even shakier fist, “Sensei, my soulmark is—I don’t want my soulmark to be gone, fucking, I—” On accident, you slammed your elbow into the glass door when you were trying to—please get closer (so goddammit, if your eyes water, it’s from hitting your funny bone). “I don’t want my soulmark to disappear; I adore you and want—”

“It hasn’t disappeared,” Aizawa said softly as he stepped out of the shower, gripping his towel in addition to the firm knot, and he pointed behind you towards the mirror.

While Aizawa eased down onto the closed toilet to towel-dry his hair, you took the four, wet steps to the sink and wiped off the clouded steam. No difference in your reflection.

When you shot a baffled look towards Aizawa, he gently raised his eyebrows and his finger to twirl it once. So, you turned around to look over your shoulder at your back, where his pink handprint put all body glitter to shame in how well it reflected the overhead light and in how quickly it was spreading (ink leaking outside of the handprint in watery bursts before slowing, never detracting from the shape of his hand, though the ink seemed to rise more than fall, especially near his middle and ring fingers between your shoulder blades).

He was holding up his newly pink palm, wiggling his fingers in your direction.

You returned to him (really to stand on the bathmat, since you’re drenching his floor) and raised your hand to touch him, first glancing at him for his approval. Aizawa looked at your hand and back at you, and after he wetted his lips, he nodded and got back to towel-drying his hair.

You hesitated. Is this really so nonchalant, so trivial to him? It’s everything to you.

You dropped your hand to your side, mouth twitching. “What shampoo do you fucking use.”

“Hm?” He didn’t even look at you.

“You smell fucking good all the time. What’s. What scent is your soap,” you were saying, in the same, flat tone you’d use to argue with your landlord about finally fixing your leaky roof after two years.

Aizawa squeezed water out of the last of his hair and spoke in that infuriatingly gravelly, just-woke-up voice of his. “It’s sandalwood.”

Sandalwood. That’s earthy, you guessed. “Then where’s the pine come from?”

“That would be the aftershave,” he said, folding the hair towel in half twice and setting it aside, “You were going to touch me, but now you’re upset. Care to explain?”

You plucked at your wet shirt before crossing your arms over it. “Does this matter to you? The soulmate thing.”

“You matter to me,” he said, standing with a quiet grunt, “Let’s get you reasonably dry before going back to your dorm.”

“Oh, shut up with that teacher bullshit,” you said, following him to a cabinet, “You care about me through the lens of a student, because everyone in this fucking dorm is your—fuck, I’m. You’re insufferable.”

“I can’t lend you clothes, but I should have enough large towels to keep you warm.” Aizawa reached for the top shelf, with beach towels. “However, I recommend against going out tonight with the rest of your friends.” He handed you a new-looking, blue-pineappled towel.

You angrily wrapped it around you, pissed that you instantly felt better. “Oh, is it because you’ve gotten me wet—” Aizawa draped another towel around your shoulders, tucking it in a little to secure it. “—and going out into this fucking ass iceberg weather would get me sick—” Another towel, this one with Present Mic’s radio show logo on it. “—and then I’d have to miss one of your precious days of class—”

“Is that what you want me to say?” He arranged two more towels around you at once, tying the outermost one in a knot. “Or are you waiting to hear that I want you to hide away while you bear my mark?” He tugged your drapery down a smidge so that you could use your arms a bit—at the least, use your key to your room. “When in reality,” he said, taking a step backward and appraising his handiwork, “I want you to be comfortable and content. And I don’t think you’d be either if you went out after this, even if you got ready again.”

Goddammit.

“And you’ve had a long day with strange revelations. You have a new injury. Going to bed for the night will facilitate healing. Your body will have more time to process the day.”

Groaning, you said, “Fuck you for being right.”

“Thanks.”

Since you hadn’t touched him earlier, you took the opportunity to clonk your forehead against his chest (dense muscle was evidently comfy). The soulmark warmth blossomed throughout your body from the spot, and you took your time to appreciate it, taking a couple of unhurried breaths against his skin, dry save for some stray running droplets.

Aizawa sighed, the planes of his chest rising and falling under your close and thirsty scrutiny. “This counts, y’know. As staying up late.” If you hadn’t seen him put his hand on your arm, you wouldn’t’ve known, due to the thickness of the towels. “I told you to go to bed.”

You blearily looked up at him. “Take me there, then.”

After a moment, Aizawa said, “I have to feed my cat,” and he opened the bathroom door to escape. Before he left, he spun back around, and you would’ve sworn he was fighting a smile, if you hadn’t known how he felt about you.

“But first,” he said, “let me fix that forehead situation of yours.”

***

Picking up the folders from the office mailbox, you flipped out the flag for read/empty and trailed back to the office space that you and Midnight shared at Sakura Grove, idly waving to some co-workers as you flipped through the files. Pushing the door open with your foot, you dropped the folders onto Midnight’s desk and hurried over to lift the shaking electric kettle from the heat, since Midnight was too absorbed into her patient evaluation at which she was typing away.

You poured the boiling water the round teabag, watched it rise to the top of Midnight’s teacup, and bit back a cry—you clutched the chilled windowsill to stay standing, struck by an overwhelming dizziness that blacked out the edges of your vision and crept to darken it entirely; a bowling ball has just hit your chest and dropped to your toes, the ache reverberating through your veins as you caved and doubled over, nausea settling into your gut.

Through the dots clouding your vision, you barely make out Midnight stretching her arms over her head.

These attacks have been happening more and more. If Aizawa can have a friend in the know, so can you.

“Kayama-sensei,” you managed to croak, but she didn’t hear you.

You tried again, and she turned, her expression drooping when she saw you. “Is the tea that bad?”

Eventually, Midnight helped you into your seat across from hers with your own cup of tea, the pain draining away in the process of vague explanation.

“So, you genuinely think you’re starting to die because your soulmate won’t acknowledge you romantically. Easy solution in sight,” she said, picking her teacup up by her fingertips to breathe in the steam, “Just pick out some nice lingerie—you can use my sponsor discount for Wacoal—and arch your back when you lie in his bed for him to find. I can give you some tips on how to suck—”

“Kayama-sensei,” you said, your vision finally back to normal, “You do not understand how much I can’t do that.”

Her tongue flicked into her cup, testing the heat. “I’ll bite. Why not?”

“My soulmate is, um.” You frowned into your tea. “I’ve liked my soulmate for a long, long time. Before the soulmate stuff existed.”

Midnight ran her tongue over her lips, the corners quirking upwards. “So? All the more reason to make your feelings known and emphasised, now that you have an excuse for a legitimate relationship. Since he already knows about how you feel, you should keep trying to seduce him. All men crack eventually.”

“He won’t accept a lousy attempt at seduction, because—aside from I have no clue how to do that, I don’t—he’s, uh…” You trailed off, took a swig of tea instead of finishing, and ended up choking a bit at the heat.

“Yes? What’s the juicy detail you’re reluctant to share? Is he married? Is he a public figure? Is he too much older or younger than you?”

Narrowing your eyes, you asked, “Do you already know? Are you just making me say it?”

Tight-lipped, Midnight made a loose, dismissive gesture and moved to get back to her patient file.

“Fine. Fine! If anyone can help me with this, it’s you, because it’s—goddamn,” you said, deflating and sinking down into your seat, “It’s fucking Aizawa-sensei, okay? My soulmate is my stupid homeroom teacher.”

“Congratulations,” said Midnight, saving the document and shutting down the computer, “You have earned the right to call me by my given name for being so honest.” She spun in her chair to give you her full attention. “So. Shouta.”

“Did you know already? Were you just—”

“I had my suspicions but no concrete evidence,” she said, holding up her hand, “Just some observations from watching you for the past three years.” Tilting her head, she adjusted her glasses before lifting her cup to her mouth again. “Now, the reason why you can’t just seduce him is crystal clear now. I submit that you could start going to bed in skimpier clothes in the event you teleport to his apartment again, but that’s only the tip of the iceberg. Shouta’s got a steel will. He’s not going to violate that student-teacher professional relationship.”

“I know,” you said, slumping so far down in your seat that your ass was falling off of it, your chin touching your chest, “but if I’m in pain from not being with him, he probably is, too. And if he won’t acknowledge me romantically, I wanna know if there’s something I can do to alleviate the pain that we’re both feeling. He shouldn’t be distracted from his work because of it.”

“That’s exactly what I want to hear.” Midnight jabbed a finger in your direction. “Starting today, you’re promoted. You’re going to be Tainted Love’s primary monitor.”

“What?” You shot up in your seat. “But I haven’t—I haven’t even had a proper conversation with her before—”

“But she’s used to having you around,” Midnight said evenly, opening her top desk drawer, “To her, you’re in a position of authority but not a threat. You’ve seen how she likes to talk, anyway, and you’re in a perfect position to find out more schematics of how her quirk works on the individual level.” Midnight smiled and handed you Ito’s folder. “Plus, she can’t do anything more to you, right? You’ve already got a hell of a soulmate.”

“Okay,” you said, hesitantly taking her file to clutch it to your chest, “So, you just want me to talk to her? Try to solve my problems?”

“Yeah. And anything you find out about her quirk that she hasn’t shared so far—because she hasn’t exactly shared much past the first interrogation—is welcome intelligence. Record anything new. Keep Ito happy. You’ll be golden. I know you’re more than capable.”

“Funny,” you said, flipping through the file and joining Midnight as she stood, “This feels planned. Got anything else motivating you?”

“Besides a perverse desire to see my friend and my sidekick get together?” Midnight grabbed her whip from the hook on the side of her desk. “I was going to assign you this, anyway. Ito isn’t a threat anymore, and I need to focus on preparing for Serendipity’s arrival next week from St. Philomena’s. Even the airline we finally convinced to transport her has backed out, so I’m scrambling to bribe another.”

That had slipped your mind—Serendipity was being transferred to Sakura Grove for rehabilitation, mostly because no one else wanted to house the most potently dangerous female villain in the Americas. “Understandable,” you said, holding open the door for Midnight to follow closely behind, “When do I start?”

***

Fifteen minutes later, you were setting a tray with tea and powdered thumbprint-cookies in front of Ito at her desk in her room. She raised a sharp, white eyebrow at how the dishes clattered at your shaky handling, but she nodded in thanks and turned back to her book. You guessed you were lingering awkwardly by the door a bit too obviously, so she rolled her eyes and set her book upside-down on the desk.

“You’re my new handler, right?” she asked, scratching under her eye.

“That’s me,” you said, hands folded tightly in front of you, “Midnight says you cleared stage five, so you’re safe to be delegated off to me. I have your stage six schedule printed out—”

“But why are you still here? Everyone usually leaves as soon as possible.”

“I’m the only staff member immune to your quirk,” you said, sliding her schedule out of her file.

“Immune.” Ito grinned and crossed her legs. “That’s interesting. How do you know that?”

Well, Midnight said to be honest in order to get honesty from Ito. You sucked in through your teeth. “I’m only immune because you’ve already given me a soulmate. I was the, uh, student you landed on when you attacked U.A.”

Scrunching up her face, Ito scanned you from head to foot, and when she finally stopped at your chest, she nodded. “Ah. I remember you. You’ve got good tits, kiddo,” she said, reaching for her tea, “Be proud of ‘em. You allowed to tell me how it’s going?”

You glanced behind you at the door, pretending to be considering the trouble of talking to her, and when you prodded it shut with your foot, Ito’s grin stretched all the way across her face, her teeth cutting into her lower lip.

“I’ve been desperate to talk to you,” you said, dragging the extra chair closer to hers, “My soulmate is being a little bitch.”

“I like you better than Doc Kim already,” said Ito, and she took a noisy slurp of her tea. “Spill it.”

“I need your advice on what to do about the pain.”

“You found your soulmate already? Then you shouldn’t be feeling any,” she said, shrugging.

“No, I need you to tell me about what to do about the pain. I don’t know if he’s feeling it, but it’s fucking killing me, and he won’t do anything about the soulmate stuff because he doesn’t like me—”

“Back up.” Ito slammed her cup on the tray, spilling tea. “You’re not making any sense. Start over. Tell me about your soulmate.”

Groaning, you buried your face in your hands, leaning back in your chair until your back popped. “He’s my professor, and I’ve liked him for years. Since I met him, pretty much.”

“Hot. He got a sensei kink?” She shoved two thumbprint cookies in her mouth at once, and she nudged the plate in your direction.

“Eh,” you said, weighing your options, “It’s possible. But he doesn’t—”

“Nice. So, he says he’s not gonna do anything while you’re his student, which means he’s burning with shame and sexy, sexy doubts about how good of a man he is. Always sexy to bring a man to his moral and literal knees. Are you wearing fun things to class?”

“We have a uniform.”

“Shame,” she said, gulping down more tea, and then she cocked her head. “Unless.”

“No.”

“Spoilsport,” said Ito, gesturing towards the cookies again. This time you took one, pinching it absentmindedly in your lap. “I think I want to go on my daily walk around the courtyard. Is there room for that in my new schedule?”

You checked it. “I’ll make it work.”

Minutes later, you and Ito were bundled up and strolling the perimeter of Sakura Grove’s courtyard, full of other in-patients in team recreation in the middle and in private conversation on some of the benches.

“I’m still not with you,” Ito was saying as she stared up into the bare limbs of a sakura tree, “I don’t understand why you’re feeling the soulmate pain. It shouldn’t be affecting you, since you know and have met your soulmate.”

You huffed, breath visible. “Well, if you don’t know, then I’m lost. But if he’s not going to complain about the pain, then I suppose I’ll just have to deal with it. I like him too much to bitch about it to him, I guess.”

Ito shoved more of her long, white hair underneath her pom-pom hat. “Then it’s probably the same for him, with him liking you too much to bother you about it.”

“Nah.” You stepped into one of her footprints, the snow crunching under your weight. “He doesn’t like me, and I don’t think he ever will, since once a student, always a stu—”

Ito’s head snapped towards you, cheeks rosy from the cold. “What did you say?”

“My soulmate doesn’t like me, because—”

“You said that earlier, too,” said Ito, and she looked around for other monitors before jerking her head for you to follow her. She guided you in a casual-but-not trail away from any doors or eavesdroppers, and she said in a hushed voice, “You do know that my quirk doesn’t assign soulmates randomly, right?”

“What the hell? Say more right now,” you said, taking smaller steps to stay closer to her.

“Oh, well, that’s news for me. I figured they’d captured my team’s notes on my quirk by now. Okay, well, report this, or not,” said Ito, jabbing a finger towards you, “How much do you know about probability? Yeah, yeah, more math—yes, soulmates usually to inhale the same cloud of my quirk to be considered soulmates, but there are other factors, too. See, you were making sense until you said your soulmate doesn’t like you back.”

“Okay, I’m not following—hey, let’s walk more towards the centre; I think those two by the door are watching us.” You steered the two of you back onto the typical path but stayed close to speak quietly.

“In addition to breathing from the same cloud, two people have to have had a moment of genuine, mutual attraction between each other. Not, like, you pass someone hot on the street and think you’d suck the soul out of their dick before dissuading yourself from the impulse, because they’d clearly ruin your life, but a moment of true, lingering affection for someone that you don’t talk yourself out of. A moment worth thinking about later. Hey, Rika,” Ito said loudly as you passed another patient on the path, “Good to see you today. How’s your cult? You don’t know? Great! Healthy! See you later!” Ito and you sped-walked past her, and once Rika was out of earshot, Ito lowered her voice again. “You don’t have to know the person, but maybe a stranger shared a moment of kindness with you. Maybe an old friend laughed in a new way. It’s a moment where you’re attracted to something past the surface level in a person, even for a brief second. I don’t give out soulmates with absolutely no attraction, even if it may seem that way.”

You, fuming, kicked snow out of your path. “That bitch likes me!”

Ito nodded. “And not just for your tits.”

“Shit,” you said, pushing hair out of your face and pulling your scarf to be snugger, “Nothing I do is gonna—”

“I can help,” said Ito, glancing over her shoulders again for eavesdroppers.

You stopped in your tracks. “But why would you do that? I’m just some weirdo.”

“Because when I have employed the help I’m about to offer you, it has been very, very funny to me,” she said, “and I don’t get outside news except through fucking letters.”

You joined her on the path again. “How many times have you done this?”

Ito looked up as she bit the pad of her thumb, trudging through the snow. “You’ll be the twelfth time. It’s like a part two to my quirk, but I usually don’t come across victims again to offer this sort of thing—and people usually don’t need it. Step one: we’ll need an airtight container.”

***

Cut to that evening in your dorm room, with you hunched over a ziploc bag sealed to the brim with her quirk’s pink dust.

Door locked. Lights down. Cosy pyjamas. Already under the covers in bed.

An increased probability of cliches, Ito had said.

You flipped on the flashlight on your phone to shine through the dust, pink light scattering on the ceiling like a home-planetarium.

Inhaling her quirk for the second time would still affect you, but it wouldn’t assign you another soulmate. Rather, it would dramatically increase your chances for romance tropes to occur in your real life. Stuff that only happens in rom-coms and fanfic could start to happen to you and your soulmate.

(“Like sharing a bed when there’s only one of them,” Ito had said, swirling her finger through the leftover powdered sugar and licking it.

“We’ve already got that covered with the teleporting,” you’d said.

“Shifting is what I’ve been calling the teleports, babe.” Ito had smacked her lips. “And maybe you’ll wake up grinding on his hard-on, now. Do you know how big his dick is?” she’d asked, and then she’d clicked her tongue. “Never mind; I wanna know about his thighs.”

“I can—”

“Or maybe he’ll spill coffee on your shirt and have to pat you dry, accidentally making your shirt see-through and getting flustered at your tits. Or maybe he’ll have to pick you up in the rain, and oh, no, the weather’s too bad for you to go home, and you have to wear his clothes, and—”

You’d snorted at the thought of wearing one of his jumpsuits. He didn’t seem to have much else.)

Either way, you had your ziploc bag of soulmate trope dust, and you had a soulmate reluctant to acknowledge you—even though you knew now that he liked you, that bitch. You’d prepared accordingly, already in bed, since Ito had said you’d likely pass out again. It sat a bit unpleasantly in your stomach that you were going to rely on cliches to jumpstart your relationship with Aizawa, since you hadn’t wanted to do that in the first place with teacher-student relationship cliches. But you could avoid that the best you could, you supposed.

You lay down in bed, adjusting your hair on your pillow, and with the bag on your chest, you popped it like bubble wrap, the dust surging into your face in a rosy burst.

***

Popping it Tuesday night led to a cruelly dull Wednesday, since, as seniors, Wednesdays were off-days for the hero course to spend more time in the field. You weren’t needed at Sakura Grove, as you remotely typed up your reports and sent them their way, and since all your friends were with their mentors, the hours crawled. You puttered around online for a while, before cracking open a book whose plot couldn’t hold you. Since no one was around to witness, you plodded downstairs to the kitchen in your pyjamas, stole one of Aoyama’s green tea popsicles for an early start to lunch, and booted up the console Kaminari kept in the commons.

While the screen loaded, you plopped onto the couch, licking the last of the tea off the wooden stick. What does Aizawa do on Wednesdays now that his class is loose? He frequents a cat café; the punch-card was poking out of his wallet on his bedside table last time you shifted to his room. But there are the mundanities—grocery shopping, catching up on sleep, grading, caring for Eri. And hell, how you’d like to share those moments with him—perhaps scrunching his nose at a change of ingredients of his favourite chip, stroking the neck of his cat in a beam of sunlight, braiding Eri’s hair with ribbon at the start of a school day.

Fuuuuuck, when will Aizawa let you in?

The next moment, you’re suffocating. Pitch black softness, swaddling and falling around you, sweltering within seconds, sweat beading at your hairline. You took a desperate, gasping breath—relieved in the slim moment a slant of light puckered in front you, until the hand shoved onto your face, palm feeling for your mouth and shutting your jaw for you. Within the cocoon, the frame on either side of you tensed, and—the hand fumbled, once you’d quieted, in the crack of light to clumsily cup your cheek, patting it abruptly before rubbing the thumb over your cheekbone.

From that touch and the peace it swept over you, you knew where you’d shifted: kneeling right between Aizawa’s legs in his sleeping bag. But he’s sitting upright in a chair and needed to silence you, so where was he right now?

You settled, leaning against the hard muscle of his calf and into his palm, nosing at it to signal you knew it’s him.

“You have twenty-seven minutes to finish your tests,” called Aizawa, and for the first time, you picked up on pens clicking, paper shuffling, and chairs scuffing against polished tile. “Don’t ask me when they’ll be graded; Kuranosuke-sensei isn’t set to return until Saturday.”

Bless him.

But okay. You’ve got about half an hour stuck between his legs under this desk in front of what’s likely a bunch of younger business students.

Huh, if you only inched your chin forward on his chair, you’d be perfectly positioned to nuzzle against his cock, maybe suck it if you maneuvered your arms out of the sleeping bag’s constrictions. But, you supposed, it would be very mean to tease him in that way in front of students who haven’t built that respect for him, and you’d prefer your first blowjob to be where Aizawa could throw his head back, face flushed, groaning loudly with a gentle, guiding hand on the back of your head—hey, now’s not the time.

You didn’t want him to feel the shame of having an erection in front of who were essentially strangers. It’d…you don’t want to humiliate your soulmate. You love that idiot.

But Aizawa was shifting his hips, to your horror, the thick fabric of his jumpsuit brushing your face in the moment his hand retracted, and the sleeping bag was shuffled down past the top of your head, which grazed the underside of a desk drawer.

You rested your chin towards the edge of his chair—yes, mere inches between your face and his clothed cock, but your breath probably wasn’t even hitting it. From this angle, you and Aizawa could share that suspicious glare he shot you, so you backed up the half-inch for your chin to rest of the very brink of the chair—he closed his eyes, his shoulders losing their stiffness—and you leant your head against his thigh, just on the inside of his knee. He heaved a silent sigh, giving a subtle roll of his eyes, and minutely nodded—an act so slight that if you hadn’t been looking for it, you would’ve missed it.

Aizawa’s hand came to rest atop your head, scratching his fingers gently against your scalp. Part of it’s the soulmate bond; part of it’s being touch-starved, but his gentle scratch was so fucking soothing that a hazy, relaxed sleepiness came over you. Your head sagged, nose pressing towards the underside of his thigh, while your eyes crossed. Maybe it’s the magic of his sleeping bag, but you’re so drowsy that the scratch of his short nails almost drowned out clicking footsteps approach the desk.

Aizawa froze, his hand stilling in your hair.

“What are we supposed to do with our tests?” came the whisper of a business student.

Aizawa made a grunt and moved as if he were stretching and reaching for something on the desk. “Whatever you normally do. Is there not a routine?”

“The basket we turn papers in to is missing.” The shadow of the student’s feet grew closer to the desk.

“Not my problem. Just leave them on the corner of the desk—” A tinny clink echoed through the teacher desk when Aizawa tapped it—his thumb swiping over your forehead to calm you.

“Gotcha,” said the business student, and you thought you were in the clear before she asked, “What—what are you doing under…?”

“Oh?” Aizawa jolted the chair forward to hide you, but with the jolt came his clothed cock pressed against your face; even through the thick fabric you could tell it’s his shaft pressed against the length of your nose and corner of mouth and balls nestled against your chin and cheek. “I didn’t know I wasn’t allowed to text under my desk, the same as all of you do when you think I can’t see.” A metallic-sounding object scraped across the desktop, followed by an impulsively-large-sounding gulp.

“Your phone’s on your desk, sir,” said the business student.

His fingers now curled into your hair in a vain attempt to pull you away from his cock, but he couldn’t, with the scant room under the desk and bulk of his sleeping bag. Trying to be polite, you opted to avert your gaze from his crotch (even though it was right there), which shuddered so hard that you saw and felt it.

“It’s a common practise for pro-heroes to have secondary phones purely for work,” said Aizawa, taking another loud swallow of his drink. “You may want to invest in one.”

“Gotcha,” said the business student again, just as another shadow joined her at the desk and whispered for her to hurry up.

When they both retreated, Aizawa stealthily scooted back to gain some space in a move that looked like he was simply leaning back in his chair to drain the tea out of his cup—and you savoured the unshielded view of the tender skin of his neck, his Adam’s apple bobbing as he swallowed—and hey, that’s—Aizawa relaxed enough to glance down at you, elbow on the arm of the chair, holding in the air the teacup you gifted him to replace the one you broke (nowhere nearly as nice as the pottery one you smashed presumably was, but its deep crimson glaze had reminded you of his quirk-activated eyes).

You were strangely moved that he was using your gift so quickly after he received it, in public, and not where you were supposed to see it being used.

Your eyes darted between the cup and his eyes until he noticed, and he raised the teacup just a hair in a toast. Nodding with a tired smile, you wormed your arm around to unwind his hand from its grip in your hair, unintentionally still tight, and held his gaze as you kissed the pad of each finger, starting with his little finger, the pink flashing from each tip until you pressed your lips against his thumb.

Aizawa never looked away, but he narrowed his eyes and cocked his head. You wondered for a moment if he liked the thumbprint bisecting the centre of your lips, the rounded edge aligning with the dip in your cupid’s bow. But his expression betrayed nothing, and instead, he raised the teacup to his own mouth, his hand returning to your hair for the rest of the period.

After the last student had petered out of the classroom and Aizawa had given an uncharacteristic little wave as the last one close the door behind her, Aizawa held out a groan as he kicked away from the desk, his hands flying to adjust his lower jumpsuit and then raking his fingers back through his own hair.

“How are you holding up?”

You balked. “How am I?” You shoved at his knees so that you had room to stand, and you sat on the desk.

Aizawa pointedly nudged your legs together (you hadn’t even thought of it that way). “Nice pyjamas.”

“You’re lucky I don’t sleep naked,” you said, plucking at your shirt.

“Am I?”

Was that…was he flirting?

Your surprise must have shown on your face, because he continued. “You shouldn’t walk back to the dorms like that. I don’t have anything at the school besides a spare jumpsuit, but Hizashi should have his jacket draped on his chair in the faculty lounge.”

“How romantic,” you said, flicking the side of his teacup for the hell of it.

“I don’t have another class to sub until the period after this one,” he said, pocketing his phone and other personals on the desk before handing the teacup to you, “Let’s go.”

Present Mic was gloriously absent from the faculty lounge, so there was no one to stop Aizawa from laying his stuff on his desk and swiping the jacket off the back of Mic’s chair. You set the teacup on the cat coaster and had just barely turned his way before he was sweeping the open jacket around your shoulders. Aizawa lifted the leather while you slipped your arms inside, and he zipped you up, stopping the zipper just above the curve of your boobs. You looked down, and he flicked the zipper up at you with a smirk.

“Are we married yet?”

His hand dropped from your zipper. “I saw what you did with the registration form. You’re not funny.”

“I happen to be hilarious,” you said, “I assume to want to adjust the mark?”

Nodding, Aizawa waited for you to tilt your head up and to the side. “I am not marrying you. You’re my student.” He grazed the usual spot behind your ear with his ring finger.

“And someday I won’t be.” You shivered as the frisson of his touch rolled through you. “You’d rather have even more paperwork, bureaucratical hoops, and possibly a ceremony at a later, inevitable date than one simple checkmark on a sheet? Not very logical, sensei.”

He frowned. “Stop that.”

A beat. “No otherwise rebuttal?” you asked, grinning, “You agree, then, that we’re going to end up together? That we’ll be—”

“That’s not what I said.”

“Funny,” you said, biting the inside of your cheek, eyeing Snipe in the far corner of the room, “Then, hey. Compromise. What if we just hang out with no romantic or sexual connotations whatsoever? I wanna get to know you better. You’re cool.”

Aizawa crossed his arms and followed your gaze to Snipe, who was bent over in his seat, cleaning one of his guns. “Think about it. Would you trust a teacher who spends time outside of school with a student?”

“How’s the training with Shinsou going?”

“You are not funny.”

“And everybody knows you’re training Shinsou, and they’re fine with it. You could say you’re training me,” you said, stepping closer to him, looking him in the eyes despise his hunkering down into his scarf, “Please say you’re training me. I want to spend time with you. Hell, actually train me. You could make me strong enough that you don’t have to worry about me, or any bullshit. C’mon, Aizawa. Please.”

“That,” he said, “I can easily deny you. Now, get back to the dorms. I’d like to—”

“What? Why,” you said with a whine, “How can you say that so quickly? You didn’t even think about it.”

“Yeah?” Aizawa turned to his desk to boot up the computer. “It’s because you’re already strong enough to take care of yourself. I don’t have to worry about you in a fight,” he said, just barely crinkling his eyes, so you figured that he’s smiling beneath his capture weapon, “Keeping you from being a fool—now, that’s something I’ll have to watch for.”

You groaned. Loudly. And for way too long. “Whatever. May I sit on your lap while you grade?”

“No,” said Aizawa, not missing a beat, “Go back to the dorm.”

“You want me to check on Eri?”

“Sure. That’d be—really nice. Let me know—”

“Yeah?” Grinning, you bounced on the balls of your feet. “How am I supposed to do that? Sounds like I might need a certain phone number.”

Aizawa collapsed in his cracked, leather lounge chair and spun it towards his cubicle desk. “No need. If you don’t shift to me in the next half hour, I’ll assume everything’s fine.”

“Oh, come on. I feel like I deserve some sort of treat for not mentioning your half-chub while it was in my face earlier.”

Aizawa rubbed at his temple, his eyes strained. “I’m busy grading and don’t have time to talk.”

He was staring into a blank screen.

“Fine, you big baby. I’ll concede to you this time,” you said, and before you could lose your nerve, you leant over to kiss the top of his head.

You’d bolted for the door before he could even turn around.

***

It was supposed to be a routine field exercise.

The hero course had been split into teams, each under the leadership of a faculty member, for a field assessment as twenty percent of your grade for your final semester. As an extension of the personal study starting with the student presentations from earlier, you were in the group focusing on stealth headed by Aizawa, along with Bakugou, Aoyama, and Todoroki (who swopped into your group last minute, since Midnight declared that he needed to get away from her group working on public relations). Bummed that no other girls were in the group, you resolved to make it work by being better than the boys. Not to mention that the three included would, hopefully, be dense enough to miss the subtler interactions between Aizawa and you that betrayed something else going on.

The four of you were to know as little as possible about the assignment as possible before going in, so you all spent the week leading up to it making contingency plans (you’d been told not to go out otherwise that week, so Midnight had to do her own work, for once, at Sakura Grove), with maps of the city and subway splayed out on the floor in the common room, along with bowls of trail mix Bakugou had thrown together, claiming that Aoyama’s stuff was bullshit (though you had enjoyed it very much when you ate it in secret that morning). All you’d been told was that you’d be making an escort in secret, without the target even knowing you were there.

No contingency plan could account for this.

A thunderstorm popped up on the radar out of nowhere, delaying the plane’s arrival, and the airport radio signal had been scrambled, fed into a different language, and back again. If you’d been allowed more details during preparation, you’d have more of the story, but all you could piece together now was excruciatingly obvious: the airport’s east wing exploded and caved before the plane even hit it, and now you were trapped underground under wet, crumbly tonnes of rubble, confined to a pocket of space barely tall enough to stand in, with the only structure keeping half of an airport bathroom’s mirrored wall from collapsing and crushing you being the charred, lower third of a column from the airport courtyard.

“You can’t blow our way out,” you hissed at Bakugou, who was climbing his way up the column to prod at the ceiling, “The column’s load-bearing.”

“I know that,” Bakugou said, contorting his upper body and neck as he gawped with his mouth open at the debris above him, “I’m just seein’ if there’s any light from the surface comin’ through, or if there’s anywhere rainwater’s drippin’ in.”

Hunching with his upper back grazing the rubble ceiling at the tallest point in the collapsed space, Aizawa frantically fussed with his work phone (which he genuinely had, after all) and his radio, unable to get a signal. “Be careful with your movements,” he said, mind barely in the conversation, “You could make the debris slip, or it could get weighed down with rain and further collapse. At worst, you want it to settle. Aoyama, are you getting anything?”

Tapping the AI filter on his sparkle shades away, Aoyama tore his gaze away from his handheld device’s screen. “Alas,” he said with a quivering frown. His ankle was being wrapped by Todoroki, who had been careful to refill the place in the concrete where Aoyama’s foot had been with ice, keeping the space intact.

“It’s fine; you’re doing well. Keep an eye on the signal. We want to know if we get one.” Aizawa handed his phone to you, giving you a short nod and the same job. “Todoroki, keep that cavity frozen. Keep an eye out for similar spot about to collapse and do the same.”

“I’m assuming this isn’t part of the assignment, since you’re taking charge,” you said under your breath to Aizawa, your back to the others as you stooped to stand yourself, arms crossed, “What relevant information can you share about the assignment that might get us out of here? Who were we escorting? If we know who they have for allies, then we can start to understand how the signals are scrambled and how to walk out of this situation.”

Aizawa stuck his tongue in his cheek. “None of it’s relevant. Our target has been isolated for well over four years and was being processed by professionals. She wouldn’t have had any opportunity to sabotage this procedure; St. Philomena’s has kept our target from having untracked outside communication.”

An uneasy stone dropped into the pit of your stomach. “St. Philomena’s,” you said slowly, biting your lip, “That’s a women’s penitentiary.”

Aizawa opened his mouth to answer but instead inhaled a mouthful of dust as the earth shook and clattered around you. Bakugou braced the column while you and Aizawa kept the bathroom wall steady, but the mirror shattered and fell with the wall, with Todoroki grabbing you out of the way of the sink from crushing your legs, icing the concrete shards into a makeshift support for the column, enough for Bakugou to twist out from underneath it. You gasped in deep breaths of powdery concrete yet dug into wet clods of silt and grime with the heels of your boots.

The ceiling had caved in by about two feet in height, and if Aoyama hadn’t skibbled away from his spot in the corner, he’d be buried under glass and tile. You experimentally knelt and stretched towards the ceiling—good for you, for having some room to move upwards, but Aizawa could only sit, now. Every heaving breath from your friends was too close for your liking, and the stone fell from your stomach right into your gut when you noticed the steady trickle of water between the rocks and down the column, cutting a clear, ivory path through the grey dust coating it. Bakugou scooted out of the ways of its dripping, letting it instead drain in a puddle next to him.

You and Bakugou nearly jumped out of your skins at the skrrrt of Aizawa’s radio, but nothing came through except static.

“We’re okay,” said Aizawa, once Aoyama started to show signs of hyperventilation, “The static is a good sign. Even if we can’t communicate specifics, they have a location on us. They know we’re down here, and if it seems like they’re taking too long, remember that civilians are the priority. We’ll be all right.”

Claustrophobia.

Not your favourite.

But Aoyama was clearly having a worse time handling it, so it’s better to set an example for him—see how calm you are? See how much you’re not being selfish, curling into Aizawa’s arms for him to pet your hair until it’s over, keeping him all to yourself, even though it’d be really easy to pretend like it’s the size of the cavern instead of your own selfish desires that’s making you touch him. See how mature you’re being, not even touching Aizawa, even though he’s right next to you. You’re being rational about the whole thing.

Todoroki stared off, his bright eyes narrowed and brow furrowed, and he parted his lips, wetting them slightly before speaking. “You should move closer to Aoyama,” he said to Bakugou, “Someone’s hurt.”

“The hell d’you mean?” When Todoroki gestured, Bakugou followed his gaze.

The water’s white path through the dust congealed and blushed deep vermillion as it coursed down the column, falling in thick, steady plops next to Bakugou, the upsplash ticking his exposed skin with red.

“Holy shit.” Bakugou scrambled away the best he could, kicking away from the water and practically into your lap, but he shot you a sort-of apologetic look and shuffled into more of Todoroki’s personal space. “Do you think—it’s not blood,” he said, smearing it on his arm, still running a dark red even spread thinly.

Aoyama cringed. “It’s not going to—it won’t fill up the—”

“No,” Bakugou said quickly, “It’s drainin’ through the cracks. We’re fine, Aoyama.” Bakugou made a point of dragging his hard glare from Todoroki to you, as if to say that keeping Aoyama calm was essential to getting out.

You checked Aizawa’s phone again for any signal, and, sighing, you stowed it to keep from scratching the screen.

“Nothing?”

Shaking your head at Aizawa, you resisted the heavy urge to rest your forehead on his shoulder. You know what? Maybe you could. He’s right there, and if you did it in this situation, it could be read as a simply act of comfort that you could have easily shared with anyone, perhaps. The two of you could stare romantically into the dripping, red goop, talk about your lives together, about teaching your psychotic friends, about sidekicking at Sakura Grove—

“Hey, don’t touch that,” you said, jolting in your seat, to Todoroki, who stopped, wide-eyed, in his odd stretch over Bakugou’s lap before he could prod with his outstretched finger the congealed mass accumulating in the puddle, “I think I know what that is.”

Beside you, Aizawa sucked in through his teeth. “Just once, I wish your deduction skills weren’t so good.”

Without averting your gaze, you moved to elbow him in the chest, hard, but he caught your arm and held it deathly still: he only touched you by your sleeve, though, so no soulmark would bleed through. Odds were that the mark was still furtively hidden behind your ear. Frowning, you tried to wrest your arm away from him, eyes on the falling droplet heavy enough to break the surface tension of the gathered, congealed mass, making the whole thing burst upwards in a dense, ruby smoke.

“Get down, as close to the ground as you can,” you said in a rush, cut off when Aizawa shoved your head to the ground with his hand on the back of your neck, his face inches from yours and only moving closer as he made room for the others to join you, cheek smushed against a patch of intact bathroom tile.

“It’s aerosolising,” said Aizawa, eyes darting over the ceiling, where the mist was rising through cracks in the rubble, “Follow where it’s escaping; we might be able to use—”

“No, you fucker,” you hissed (Aizawa squeezed the back of your neck), “Not all of it’s going to escape. It’s going to condense into liquid again on any surface that blocks it and then drop back on us.”

“Someone tell me what the hell is going on,” spat Bakugou, voice muffled from behind you but strangely reverberating back through the curved metal of Aoyama’s armour.

“We’re only going to be safe on the ground if it doesn’t condense, which is un-fucking-likely the way the thunderstorm’s moistened and lowered atmospheric pressure,” you said, the sound of water rinsing through crannies in the rocks growing from the far side of the cavern, “Aoyama, try to breath evenly but shallowly; you don’t wanna inhale this.”

The knuckles of Bakugou’s heavy glove struck the centre of your upper back. “Dumbass. Just tell him to hyperventilate, why don’t you?”

A drop of red water fell onto Todoroki’s pale cheek, sizzling with the impact as it was absorbed into his skin, a miniature puff of smoke emitting from the spot.

After a moment of heavy silence, Aizawa shifted his jaw, his eyes dark as they focused on you. “Academic protocols are over. Time to share what you know about Serendipity’s quirk.”

You dropped your jaw, even with the grit digging into your skin and jaw. “Who’s the insane person who assigned a bunch of students to escort fucking Serendipity—”

“I am,” said Aizawa, grip on your neck tightening and eyes flaring scarlet so briefly that you would’ve missed it if you hadn’t been inches away, “Considering your high level of academic success, I thought you capable enough to complete a more difficult mission than your—”

“Someone just fuckin’ say what her quirk does!” Bakugou’s hand curled into a fist with the fabric of your hero costume taut between its fingers, his fist lay, overheated, between your shoulder blades.

You jerked your shoulder away from him, but there wasn’t any room to go, so his hand stayed on your back, putting distance between the two of you, though his knees and hips still touched the back of yours. “Okay,” you said after settling, glaring directly into Aizawa’s eyes, “Serendipity is the third most dangerous villain in the western hemisphere, evidently being transferred today to the place Midnight and I work, because fucking no one else wants to handle her. C’mon, Aizawa, is that why I wasn’t allowed at work for the past week? So I wouldn’t know? Fucking—” You tried to give a half-hearted kick to Aizawa, but his thumb curled enough around your neck to locate your pulse point, which he pressed down on in warning. “But yeah, her quirk is so volatile and dangerous because—because yes, it’s a sex pollen quirk, but it’s fast, and you can’t solve it by touching yourself, like other sex quirks we’ve seen used for villainy; you have to orgasm at someone else’s hands. And no one can figure out why your internal organs shrivel and die within four hours—”

You inhaled sharply through your teeth as two droplets sizzled into your skin in quick succession, but the squeeze on your neck told you to continue. “Or the brain damage, or—because her quirk’s been studied, but no one can tell if it requires the feed of dopamine to the body, or not getting enough oxygenated blood cells, or capillary damage, or—” Bakugou thumped your back again. “—but no one is immune to it, and it’s fucking terrifying,” you finished, scrunching your eyes shut at the sensation of more droplets searing into your skin and into those around you, each person inhaling more with each individual puff of smoke from the viscous drops.

Tongue too big for your mouth, you trailed off, eyesight blurring as you zoned out for a just a bit, but you lurched back into reality when a hot ache stung the back of your neck and swept through your body. Aizawa retracted his hand faster than a viper striking, his eyes briefly holding the same dread yours did.

Shaken, you pushed yourself up to sit, and to your horror, an enormous gush of arousal pooled between your legs—you snapped your legs shut at the sight of the wet spot on your hero costume (and worse, the dribbling into the gravel), and Aizawa saw, holding a steady, neutral expression despite your visible panic.

“Fuck, baby—”

It hadn’t come from Aizawa but Bakugou, whose hips you’d inadvertently ground against when you sat up. His large hand came to grip your waist, fingers digging in and pulling your ass back against him, and his other hand clamped over his nose and mouth as he pushed himself up. “I’ve always known you smelled good, but this is somethin’ else—”

“Absolutely not.” Aizawa yoinked you away from Bakugou and put himself between the you and the rest, cramping you into the corner with pointed rocks digging into your back, and he held up his hand, Bakugou glaring a hole into his palm, vermillion streaking down his face. “You’re drugged. She’s drugged. Even if you both say you want it, it’s not a reflection of reality.”

Bakugou clicked his tongue, but Todoroki tilted to the side to keep his tense gaze on you.

“No,” said Aizawa, using the scant room and the end of his capture weapon to snap in Todoroki’s face, “You’d be ruining the professional relationship you have. You’d be violating her. There’s no way she’d actually want you.”

Bakugou scoffed over Todoroki’s quiet how do you know that, already palming himself through his costume. “I’d rather risk it all blasting out of here than suck Icy-Hot’s dick.” His other hand crackled with the beginnings of an explosion.

“You can’t,” you said with effort, mouth and throat coated with dust as heat rose to your skin, sweat breaking out at your hairline, “If you’re not a heteromorph, Serendipity’s quirk suppresses yours. It—it overwhelms your entire system—”

“You couldn’t mention that before I got hard?” Bakugou scowled, thumb playing with his belt buckle in consideration. “I would’ve blasted us out of here earlier.”

Aizawa shook his head. “It wouldn’t’ve worked—”

Todoroki made a sort of horting noise in the back of his throat, drawing everyone’s attention, before hacking a thick glob of red mucus right onto a spot of white bathroom tile, large trails of saliva trailing from his mouth.

“Holy shit,” you said softly, your eyebrows shooting up, and Aizawa held you back before you could even move.

“Mon Dieu,” said Aoyama, and he removed his sparkle shades to see it without a red filter.

Aizawa’s radio crackled static again, but nobody moved a muscle.

“Here’s what we’re going to do,” said Aizawa, his hand still up but hardly deterring an increasingly twitchy Bakugou, who kept staring at you over Aizawa’s shoulder, “Aoyama, you’re probably going to hurt yourself and others if you stay in your armour. If you think you can handle being more vulnerable, take it off. Prop it up between the three of you and us.” The radio hissed again. “We’re going to camp out here until help arrives. Waiting is the heroic path to take sometimes,” he said in Bakugou’s direction, “If you find yourself succumbing to the quirk, that’s okay. It’s not shameful. No one is immune to it. If you can work it out among yourselves, that’s fine. No one here is going to share any details you don’t want out.” But here his voice darkened, and though you couldn’t see his face, you knew Aizawa was shooting a hard, unmerciful look towards them. “But you’re not going to hurt anyone here, and you’re especially not going to take advantage of her because she’s the only woman. To get her, you’ll have to go through me, and I do not intend to be kind.”

“Fucking hell,” said Bakugou, unbuckling his belt and sliding it off.

You were feeling a similar way, but Aizawa had you so backed into the corner that there wasn’t room to take anything off. So, instead of tearing off the increasingly abrasive and scratchy fabric of your hero uniform, you hugged your knees to your chest, thighs clenching, and bit down on your arm to keep from crying out. A choked sound still escaped you as a leather strap on your upper thigh rubbed closer to a more sensitive spot.

You couldn’t even lift a hand to fan your face—but with how heavy your limbs felt, even the promise of cool air couldn’t bring you to attempt it, and instead, you tried to find relief in the cold press of busted bathroom tile at the back of your neck—and you turned your head to feel it against your cheek, too.

Your hips rocked, knocking your legs against Aizawa’s back, and when he turned over his shoulder to spare you a glance, you jolted as far back as you could away from him. Not that you could go anyway but barely half an inch backwards. “Sorry,” you said quickly, shaking your head, “Didn’t mean to. Really. I—” Your heart flipped at his concerned face (himself looking a little red), and a sharp cramp curdled into your lower stomach. “Oh, fuck,” you said, a hand shooting to your stomach and doubling over—but your forehead grazed him before you could, and you let out a quiet yelp before jerking back into place, tears welling at the pain. “Sorry about that.”

Aizawa grimaced at your weak smile and turned back towards the others. You hadn’t even heard what they’re doing, since the blood pumping in your ears apparently deafened you to anything besides your own half-smothered sobs into your arm. 

They were growing louder at their frustration, but they were, for the most part, not directing any of it at you. Hey, is—? Over Aoyama’s armour-wall, it looked like Bakugou might have gotten his cock out to start stroking it; maybe you could get a better look—

“Hey,” said Aizawa, blocking your view when he turned over his shoulder, “Stop all that squirming.” Were you? You hadn’t even noticed. “Remember what I’ve taught you. I know you can do better.”

“Oh, don’t say professor-y things like that,” you said with a whine while, yes, squirming in place, “It goes straight to my cunt.”

 Aizawa closed his eyes for a moment, but he soon opened them and continued, unaffected. “Focus. I’m holding you to a higher calibre than your peers, because I know you can do it. What have you been taught about remaining calm in crisis? Ground yourself.”

“But I—”

“Do it.”

You huffed and tried to settle down into your body, counted, and exhaled slowly as you shut your eyes, waiting for your other sense to sharpen. Body scan—focusing on flowing energy, starting at your head, down to your toes, and back up again. But you had trouble on the return to the top of your head, since every cell in your body screamed to zoom in on the throbbing in your lower half—hard to say what’s tremoring more: you, or the walls of the cavern.

But there’s an infinitesimal sound that drowns every other maddening, oversensitive sensation: from the back of Aizawa’s throat comes a quiet, breathy whimper.

And—

“Oh, my fucking God,” you said, noticing all of the surreptitious ways Aizawa was trying to hide how affected he was: his hand clasped in a knuckle-whitening fist covering his lap, eyes watering with frustration, jaw tensed, neck and hand veins pulsating, sweating through his undershirt, and you?

Wetting your lips, you strained forward to brush his hair aside to kiss the back of his neck, and Aizawa fucking shuddered, the thing passing through his whole body. Though it hadn’t been your intention, your legs spread as you did so, parting on either side of him, and his hair flew into your face as he took in your legs surrounding him.

“Hey, no,” he said, and he pushed back on your legs, willing you to scrunch up to hug them to your chest again.

“I’m not doing anything—”

“You fucking are,” Aizawa hissed over his shoulder, “You’re being a goddamn brat.”

That shut you up immediately. Feeling slick drip out of you, you curled in on yourself, tucking your legs up to your chest like he wanted.

“That’s what I thought.” He turned back to keep guard.

His shoulders seemed wider than before.

 Maybe it’s the heady, prickling excitement swarming in your chest at the unspoken threat of a punishment turned sexual, or maybe it’s the incoming brain damage, but you rounded up every nerve not currently on fire to keep pushing your luck. “Aizawa,” you said, soft enough for only him to hear over the squelching from the far side of the cavern, “If we were alone right now, what would you do to me?”

He didn’t respond.

An easy grin stretched across your face.

“Because I know there’s got to be stuff you wanna do to me, not with me, for how I behave sometimes. But I only want your attention,” you said, feeling a bit dizzy as heat flushed all over your feverish skin, “I know you can’t give it to me, because you wanna be all noble and stuff, but—”

Another cramp had you gasping and hacking up red-tinged spit. Aizawa started to turn his head, but you told him, totally deflated, “Don’t bother. I’m sorry—” You coughed up more red mucus. “I know I’m gross; I know you can’t look at me that way; I’m sorry I’ve been—I’m sorry.”

How can he be so calm? It’s not fucking fair that he can just sit there, cross-legged and sweating, with the scent of sex permeating the smoke-hazy air, and yes, he’s hard, but that’s just the stupid fucking quirk.

You’re dripping and clenching but still so, so empty, and the tears finally overflowed as Aizawa looked over his shoulder at you again. “I’m sorry,” you said again, eyes glazing over and breathing irregularly (for all the talk about Aoyama hyperventilating, you might be the one to actually do it). “I’ll—I’ll stop bothering you; I can handle this. I’ll, uh—” You cut yourself off at another cramp, seizing up at a stray spasm, releasing your hold on your legs and yanking at the roots of your hair. “Don’t worry about me; I’ll get—get Shinsou to make me come—sorry I tried to—I’m sorry; I should’ve left you alone—”

“Stop apologising.” Aizawa twisted to brush away your tears with his thumb, the skin that vibrant pink when he pulled away. “Christ, you’re burning up.” He hand returned to your face, this time against your forehead, and he frowned—yeah, he was frowning before you were pathetically raising yourself off the ground to nuzzle into his hand, to mouth voraciously at his palm, which flushed pink with every pass of your lips, and—

“Fuck,” said Aizawa, withdrawing his hand to press the heels of his palms into his eyes. You made a questioning noise, and to answer, he let his gaze drop to where the soaked patch between your legs dribbled into the rubble. He dragged his hands down the rest of his face. “You’re drenched,” he said, rasping.

A vehement moan from the other side of the space made both of you flinch, with Aizawa making a quick check to ensure their attention wasn’t on you.

You grabbed his capture weapon, pulling him close. “Please,” you said, panting, “Please, ‘Zawa, I’m not as capable as you think I am; I’m not good; I can’t take it. Please—”

His teeth dug into his lower lip as a grumbled scoff came from the back of this throat, and he shook his head. “God, not like this. It’s not supposed to be like this.”

Another loud moan and the sounds of skin on skin from the others brought another wince from the two of you, and Aizawa squeezed his eyes shut. When he opened them, he’d steeled himself, determined and set. “I can’t have you corrupting my protégé,” he said (it was a joke, right? Why isn’t he smiling?), “but I can’t offer you anything more.”

“Wha—?”

Aizawa was nudging your knees open, his eyebrows raised, and when he turned to face the others, he scooted backwards to sit between your spread legs, pinning you between the rock and his back, crowding you in, and oh, oh, my God, you should’ve been embarrassed at how wet the back of his jumpsuit got as he pushed himself back to sit right in front of your crotch, but the first, pulsing wave of relief as your clit rubbed against him washed everything else away.

Did this count? Did this count as coming at someone else’s hands? You found the problem less compelling the more you thrashed against him, grinding your clit against his back so hard that your vision blacked out at the edges, breathing in that terribly awful frustrating sexy combination of pine and sandalwood, desperately huffing it in in gasping breaths and curling your fingers into the back of his jumpsuit to bring him closer: you needed to kiss the back of his neck again, to see that pink mark on his skin.

But it’s as if he knew what you were going to do, because instead of letting you pull his hair aside, he reached back to grab your hand, and he (mercifully) allowed the grab to relax into a hold, letting you lace your fingers through his as he guided your arm around his waist (an evil part of you was disappointed that he didn’t place your hand over his cock, instead of resting your entwined hands on his leg [cute]).

And you were quiet: you didn’t moan, so the others wouldn’t know, unless they could somehow make out your laboured breathing behind the hand you cupped over your mouth. You’re grappling for pressure against your clit, but it’s your shiver when he stroked the back of your hand with his thumb that triggered your orgasm—pounding, rushing, and all at once, the throbbing of your clit taking you somewhere distant and piney, with you slowly coming back to reality by an abrupt pulsing, for some reason, in the roof of your mouth.

And the quirk had passed through you.

It counted.

But it kept you bound in a tired haze, sultry and lethargic and red, and lost in the lingering high of both the scarlet saliva you kept hacking up and that Aizawa let you grind against him until you came, you closed in on yourself and did your best to stay awake. Your brain tried to worry about Aizawa, but the quirk shushed you and forced you into a cloudy exhaustion.

You were out of it when Aizawa’s radio crackled to life, when the rescue unit exhumed your team, when the EMT on duty looked you over. You were still foggy when you were put in a passenger seat of a government vehicle, but the fog dissipated when Aizawa climbed in the driver’s seat and told you to call Midnight.

“I don’t know the number for Sakura Grove,” he said, turning on the windshield wipers, “and I need to warn Midnight that I’m asking her to help me with this quirk.”

Thunder rumbled through the sky and into your bones as he turned into downtown traffic, headlights blurring in the rain. Blankly, you wrestled his phone out of your pocket and began to dial her work number. “Okay, traitor.”

Aizawa’s expression darkened, his face glistening with sweat. “You know that I can’t—”

“So I can’t do the same for you?” you asked, putting his phone on speaker and letting it ring (cranking up the volume to hear it over the rain pelting the windows), “I can’t just, like, hold out my hand for you to grind against, or, God forbid, give you an actual fucking handjob—”

“Stop it,” he said, and he snatched his phone from you, switching off speaker, and you crossed your arms to fume, staring out into the miserably grey morning.

You smushed your forehead against the cool of the window, watching the raindrops chase each other down the glass, and you tried to focus on car horns blaring instead of the conversation regarding Aizawa’s sexual release that he and Midnight were currently having.

When he hung up, you sat up from your slouch against the window. “Is that all you need me for, then? You’ve got the number. You might as well drop me off at the next light.”

Aizawa swore under his breath. “Stop being such a—” He cut himself off, his leg not working the pedals bouncing profusely. “I still need you to enter Sakura Grove.”

That was true. You had three number-codes to punch in for clearance, and there was a thumbprint scan at the building in which you and Midnight worked. Still, you scoffed. “Just get Nemuri to let you in. You evidently don’t need me.”

The hand on the steering wheel tensed, veins pulsing. “First name basis?”

“Some professors like me.”

“Forget I said anything,” he grumbled, and when you turned to the window again, he mashed on the car radio, volume loud over the rain.

After a babble of a drum solo and what sounded like shouting in English, you were able to translate the song in your head by the time it hit the chorus:

“Got it bad, so bad, I’m hot for teacher.”

Aizawa stared, baffled, at the radio instead of the road as the guitar picked up, and he changed stations.

Again, in English, but with a hypnotically alt-relaxed beat: “Can’t tell my friends, ‘cause they will laugh; I love a member of the staff.”

You sneaked a glance at the driver’s seat, where Aizawa was fighting traffic, his erection, and his incredulity at what he was hearing.

“I fight my way to the front of class to get the best view of her—”

Aizawa changed stations before the singer could finish the couplet, and he sank into his seat at the safe sounds of synth and guitar, but you sat up straight, eyes wide and biting back a laugh, because you knew what the fuck was coming:

“Don’t stand—don’t stand so, don’t stand so close to me—”

Aizawa smashed the radio’s off button, seething. He ran his fingers back through his hair, and after a deep breath, he opened his mouth. “What’d you do,” he asked flatly.

“Me?” you said, pointing at yourself, doing your fucking best not to smile, “What makes you think I’ve done something?”

Aizawa was panting. Chest heaving. Sweat visibly dripping down his face. Free hand darting between a superfluous position on the wheel, resting on the car door, and bunching up his jumpsuit to hide his erection, which only drew attention to it. “You didn’t—you and Nemuri didn’t orchestrate all this, did you?” he asked, teeming with nervous energy, “It’s a little—it’s a little too perfect for you, to get to see me dishevelled and desperate, to nearly get me to cave into what you want.”

Several feelings flooded you at once: revulsion at the suggestion you made a criminal use her quirk on you, anger that he’d even consider it to be in your character when he’s known you for years (and more anger that he thought you would want to lose your virginity with three other guys in the room), a wretched, clawing desperation to prove him wrong and beg for forgiveness—and a creeping disgust and shame towards yourself, for having been so vulnerable in his presence when he didn’t want it or you.

Time to shut down. “C’mon, Aizawa. That’s not very logical in the grand scheme of things,” you said, scathingly using his favourite word, propping your chin on your fist, and leaning against the window again, “And if I did, I sure as hell wouldn’t let it end with my fucking soulmate going to someone else to make him come, especially when I was similarly helpless.”

“I wouldn’t put it past you—”

“Thanks for your vote of confidence,” you said bitterly, “but I wouldn’t do that. To you or to me. I don’t do things that would humiliate or hurt you.” You scooted closer towards the car window, away from him and his stupid pine aftershave. “I guess I’m a brat, yeah, but I’m not mean.”

To have something to do instead of talk to him, you exhumed the car manual from the glove compartment and started to read it, and you read that dull fucking piece of crap until you were forced to punch in your clearance codes for Sakura Grove.

As soon as he was inside the main building and out of sight, you slammed the manual and the glove compartment shut, and you screamed. No one would’ve heard you over the thunderstorm, anyway. Comforting that the weather was as angry as you.

You unbuckled and cosied up in your seat, glaring at the curtain of mist blowing rain horizontal outside. Lightning illuminated a worker rushing from one building to another, and she had to double back to get her ballet flat, hopping slightly to put it back on.

You don’t have another work shift until Monday, but you kind of wanted to clock in, anyway. It’d be satisfying to bitch about the whole thing with Ito. She’d tear into Aizawa. He deserves it.

Slunking down into your seat, you were struck with new terror: what if Aizawa were right? What if you did, inadvertently, plan this out, by inhaling Ito’s quirk dust a second time? Sex pollen was…sex pollen was a trope. A pretty fucking common one.

Oh, my God.

You clamped a hand over your mouth and tried to work out the logistics. Serendipity was already scheduled to arrive in Japan regardless of you inhaling the dust again, and—fuck fuck fuck. You didn’t like this.

You swallowed thickly, turning it all over in your head, and as the variables overlapped and blurred in your mind, you started to cry.

“Goddammit,” you said aloud, sitting up and dabbing at your face with your sleeve. You’ve already cried a lot today, and it’s not even noon. You’re taking a nap when you get back to campus.

You know who else likes naps?

You fucking sobbed harder, even though you were laughing a bit, too. You decided that you were too worn out to make any sound judgments. Go to sleep once you get back, and think about it when you wake up.

You sniffed and looked towards the door to the main building. God, he’s taking a long time. You’d figure that he’d edged himself to oblivion and back during the car ride, but no—

The next instant, you tensed up, frazzled, because a half-dressed Aizawa’s straddling you, hips jerking, driving into your own and biting into his fist as he came on your shirt, cum spurting all the way up to your boobs.

The groan he released once the spill of his cum slowed to a slight dribble nearly wrecked your ears and stopped your breath. You’re hastily, desperately drinking up details, eyes flicking over them rapidly in case they’re snatched away before you could notice: the weeping, pink tip of his cock, the only part of his dick peeking out of his jumpsuit’s lower half—the trail of dark hair leading up to it from his naval, framed by an infuriating v on his lithely muscled abdomen—all of his exposed, corded muscles of his chest, tendons visibly stretching and contracting in his forearms—and when he wiped that final drop of cum off his cock, it was with the thumb stained with soulmark pink.

Of course, for how much relaxation coursed through his body, it all fled him the second he finally opened his eyes.

You expected that he’d scramble to cover himself up and off of you, but once that initial panic faded, all he was left with was resignation. He yanked up the elastic of his boxer-briefs to hide his cock, and, sighing, he said, “Please. Please don’t say anything. I can’t handle it right now.”

You nodded. His eyes travelled over your face, his expression cracking. “You’re crying,” he said, voice breaking.

“Not because of you,” you said, wiping at your tears, “It’s something I did.”

He wiped away the tear stains on your other cheek. “Let’s find something to clean you up.”

While he twisted to fossick through the console for tissues, you swiped two fingers through the stuff on your shirt. So, this was a man’s cum. Weird. Thick. (You’ve seen some before; you’re not an idiot, but this was your first time, uh, experiencing it. Honestly, it reminded you a bit of the congealed quirk stuff earlier.) You rubbed it between your fingers.

“Oh, what are you doing—no, stop that,” said Aizawa softly, swatting your hand away from your cum-stained shirt. When you eyed the bit on your fingers, Aizawa sighed again. “Don’t taste it.”

He took your hand and wiped it clean, pink ink seeping across skin with every brief touch. He gave you a tissue from the pack he found for your tears, and he used the rest to wipe off your shirt.

“Doesn’t look like there’s anything else for you to wear,” he said, checking the backseat.

“It’s okay,” you said, balling up the tissues and putting them in the centre console, “We’re going straight back to campus. I’ll just shower and go to bed.”

“Sounds like a plan,” said Aizawa, and he lifted himself from your lap and moved to cross to the driver’s seat.

You grabbed his arm to stop him. “You should, too. Don’t run yourself dry.”

Aizawa froze, considering, and then he nodded, slowly sinking back onto your lap.

He braced his hands on his thighs. “I’ve been cruel to you.”

Too exhausted to argue, you shrugged. “You have your reasons.”

“I shouldn’t be so cold to you, though. It’s been wearing away at my conscience,” he said, patting his pockets on his thighs and moving down to his calves. When he didn’t find what he was looking for, he said, “Give me your phone. You deserve my number, at least.”

You pulled yours out and opened a new contact before handing it over. “You’re sure you’re comfortable with that?”

“Yeah,” said Aizawa, tapping the screen, “So long as it doesn’t…lead to anything out of bounds. And…maybe you can stick around for a while next time you shift in your sleep.” He shot you a smirk as he returned your phone.

The contact name simply read Shouta. No surname or honorifics. Just Shouta.

Heat rose to your face, but it was much pleasanter than when it had earlier that day.

“Are you good to drive back to campus?”

Tilting your head, you pocketed your phone again. “Yeah, I’m up for it.”

“Good,” he said, climbing off of your lap and into the backseat, “I’m going the fuck to sleep.”

soulmate trope taglist: @bakugouspsycho, @pansexualproblemchild, @doonaandpjs, @sunsetevergreen, @the-coffee-is-on-fire, @liberace2, @ladymidnight77, @nonomesupposedto, @gooooomz, @kissmebakugou, @pachiibatt, @celestair

#bnha #aizawa shouta #aizawa x reader #aizawa/reader #aizawa imagine #aizawa fic #mha #aizawa headcanons #aizawa fanfiction #aizawa fanfic #aizawa shouta x reader #soulmates #soulmate #soulmate au #dash it all

[rhiaarrow]

Hello, hello! The Ghostie with the penchant for long rambling walls of text here to give her unwarranted two cents on the current disagreement between the Tubblings and the Crows!

I'm offering my take as a purely unbiased outsider

(Yes, us Ghosties may be married to the Tubblings but when I first joined the Qsmp Fandom I was a Crow and a Crow only, before I died and became a Ghostie. Thus, while I like both qTubbo and qPhil I don't watch either of them often, ergo unbiased :D )

who has no real reason to attempt to villainise or place either character on a pedestal because to put it bluntly, they are not my cubito.

Without further ado I will begin my ramble.

Today's ramble of course comes with the disclaimer that with me not being a qTubbo or qPhil main there may be areas of their character that I'm not aware of since I don't watch every single one of their streams! Feel free to correct me on literally anything you think I've mischaracterized about your main just please be understanding that nothing is done with malicious intent! :)

I'm not attempting to paint either character as a villain in this ramble, I'm just publishing this in hopes to allow each community to understand that neither cubito is perfect and that's okay!

Okay! For anyone missing context; the current disagreement began when Tubblings expressed feeling happy that Chay was able to be a kid around qTubbo as opposed to being serious with qPhil then the Crows reminded the Tubblings that qTubbo is also attributing to Chay's hero complex through him acting as Chay's egg and asking Chay to protect him. Which has caused both sides to instinctively protect their cubito and is causing arguments within their communities.

As a Ghostie who is more than willing to write 1000 words to raise awareness, and is frankly sick of infighting within the QSMP fandom (it's why I left twitter, please don't bring it here 🫠) I figured I'd try to help 'squash the beef' if you will.

Polite discussions about cubito conflict is fine, going for each other's throats over character takes...yeah let's not do that! :D

Firstly, everyone has to recognize that Chayanne has an almost toxic hero complex. He's had it since the beginning of the server and while neither qPhil or qTubbo is doing it on purpose they are BOTH feeding into it!

He has an overwhelming urge to protect others with no regard for his own safety or wellbeing at times. In the beginning it only extended to eggs. As the older sibling he had a sense of responsibility over them, which was cute! But now it's borderline toxic although it's become so normalized as such a core part of Chayanne's character that no one recognizes it's no longer a healthy mindset.

Now Tubblings can make the defense that qTubbo isn't being entirely serious or that he doesn't truly expect Chay to put his life on the line for him but I watched him look Chayanne in the eyes and BLAME HIM FOR NOT PROTECTING 'HIS EGG'.

Even if that was immediately reincarnated qTubbo who was a little fucked up in the head, even if he no longer fully blames him, even if qTubbo was joking at the time, he looked that kid dead in the eyes and told him it was his fault. Tell me again how qTubbo isn't unintentionally feeding his complex?

Yes qTubbo allows Chay a more carefree space away from his overwhelming need to protect his younger sister and a space to be more relaxed.

Yes qTubbo is joking about a lot of things and a lot of the out of pocket shit he says isn't intended to be taken completely seriously.

BUT you cannot fully disagree with the Crows when they say that qTubbo feeds the complex too. BECAUSE HE DOES, JUST NOT ON PURPOSE THE SAME AS qPHIL!

qPhil is so used to his son being the strong warrior that he doesn't realize that that character trait is actively damaging his son's mental state. His attention is divided between Chay and Tallulah and since Tallulah is more open to talking about her issues he often isn't as attentive to Chay.

Is that a bad thing? Yes!

Is it intentional on qPhil's part? No!

Is it something the Crows need to recognize that qPhil does which unintentionally allows his son to continue to struggle with his hero complex? Yes!

qPhil loves his son unconditionally AND qPhil feeds Chayanne's hero complex are two statements that can and do coexist

qTubbo let's Chay be more of a child AND qTubbo feeds Chayanne's hero complex are two statements that can and do coexist

And as long as both the Crows and Tubblings are willing to understand that neither cubito is perfect and THERE'S NO USE FIGHTING OVER PIXELS then we're good!

- Sincerely a Ghostie who just wants to try to bring understanding between the two fandoms by utilizing her rambling skills!

AGAIN, any severe mischaracterization you feel I may have included is unintentional and feel free to correct anything you feel like I'm misconstruing, they're not my main cubitos so there may be somethings that qTubbo or qPhil mains find to be untrue to the source

HOWEVER if you're gonna call me out for mischaracterizing a character simply because I'm bringing up their flaws and you can't accept a character has flaws, kindly fuck right off :D

#qsmp #qsmp analysis #qsmp lore #qsmp tubbo #qsmp philza #philza #tubbo #qsmp chayanne #chayanne the egg #qsmp crit #tubbo crit #philza crit #fandom neg #fandom crit #qsmp fandom #rhia rambles

[hms-no-fun]

so, (SPOILERS FOR FIONNA AND CAKE but its relevant to the question but im gonna put a bunch of line breaks just in case lol)

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so fionna and cake ended with fionna basically being like, you know, youre RIGHT god, if magic came back my wish would simply be twisted and it would suck, there will be no rule breaking miracles! I will now work as a struggling minimum wage employee in seattle and Be Happy about it. i sure am glad the threat of losing everyone i know and love set me straight!! sorry to send u this really random thing the ending just felt like such a slap in the face and i wanted to ask someone who knows that exact Seattle Struggle. this is absolutely me appealing to the Writing Gods to back me up that the ending wasnt very good lmao but if i have a direct line to the craftsgoat i simply must use it for something stupid at least once

FULL SERIES SPOILERS FOR FIONNA & CAKE AFTER THE BREAK!!!

i really disagree with your read on the ending. it didn't feel like "just struggle with seattle minimum wage forever and be happy about it" at all to me! the whole instigating incident was that fionna wanted to transform reality into something that she personally thought would be better, without taking into account the fact that other people exist and have internal lives just as complex as hers. she comes back to her original world to find marshall and gary holding hands, explains to them the magical adventure she's been on and the fact that their world is about to transform into something unrecognizably magical, and they receive this with abject horror! fionna doesn't know whether simon becoming ice king again will erase marhsall & gary's burgeoning relationship, which makes her realize that in her quest to escape the boring, oppressive reality of working odd jobs to make ends meet, she's only ever focused that energy on how to make things better for her.

i really want to dig into this because it's a key theme of the show. there is a destructive selfishness innate to the "heroes" of this universe, who feel entitled to the joyous empowerment of being able to defeat anyone and everyone they see in open combat. cake has a whole musical number about this! simon's arc in the last two episodes was betty grabbing him and shaking him until he finally asked himself, how would my life have been different if i'd just once let the woman i loved steer the ship for a while? and then of course we see the lich in a reality where he succeeded in eradicating all life, only to find himself desiccated and without purpose, begging the god of chaos for an answer it cannot give. brian david gilbert's ice prince seems perfectly put together and successful, until the reveal that he's outsourced his madness to someone who didn't accept the terms of the crown's curse. this didn't solve the fundamental problem, it just inverted the roles of its expression by making princess bubblegum into the mad candy queen. nothing about the status quo has changed, simon has simply given himself a more dignified role in it.

this is a story about what happens when people in struggle behave as though they are the protagonist of reality. when fionna says "this is the world i want to fight for" she's not fighting for the right to get another shitty minimum wage job. i think you've really missed something by accepting that conclusion when cake the cat is right there saying that her magical self IS the version of herself she wants to live as. being a normal house cat for her was, arguably, a form of body dysmorphia, and the show lets her keep that magic at the end! the thing is, their world IS changed by the events of the show! the status quo is altered!

like, what do we actually see everyone DOING when the credits approach? we see this entire disconnected community banding together to rebuild the city together, and we see a huge crowd of protesters outside marshall's mom's place demanding that she lower rents. we see people connecting with other people, including three outcasts from other universes escaping to this more boring one for their own safety. i loved this ending honestly, because it felt to me like an attempted refutation of the very idea that you can magically transform reality into something better overnight. if fionna'd gotten her original wish and made her world into, like, candy world, then... what? let's say they play it as like, at last people are freed from the shackles of capitalism and everyone just gets to be weird funky critters going on adventures or whatever. what would that, as art, actually say? what would that mean to us in the real world? if we're going into this cartoon looking for some kind of revolutionary energy (which IS present in the text, much to its credit), what actionable or symbolically resonant message are we supposed to take from a story that resolves its problems with magic? at that point, it ceases to be relevant as anything more than pure fantasy, because it has abandoned any connection to the material reality WE are trapped in.

i don't want to magically transform the world overnight. this whole show goes out of its way to explore how trying to transform the world overnight, in a world where such a thing is possible, is a really fucking bad idea for a whole host of reasons. regardless, such things aren't possible in our world. so going into the finale, my worry was that they WOULD turn fionna's world into another candy world and just say, ah, the revolution is when you think the right things so hard that the material plane bends to your will.

that's neoliberal thinking. that's like the essence of the failed leftist project of the "end of history" era from the 90s onwards, when marxism was systematically rooted out of academic cultural analysis and replaced with the delusion that if you can just get people thinking the right things, you can affect change in the world. well here we are, it's 2023 and all that magical thinking has got us is a world on fire and a civilization of human beings so thoroughly disempowered that they would literally rather pretend to be a tortured anime protagonist than exist in this boring, shitty, violent reality. you can't think your way out of oppression. raising labor consciousness is, at best, step one. you want to know why unions are winning big right now when they've been completely useless in this country for decades? it's because they've stopped giving a shit about optics they can't control and remembered that the boss's value does not exist without labor. you do not necessarily need marxism for this, marxism is simply the most accurate articulation of the fact that workers who make the things a capitalist sells can kneecap the capitalist by refusing to make the things they want to sell. change doesn't happen with the publishing of a book or whatever, it happens when enough people in real life press their material demands hard enough that someone in charge is left no choice but to listen.

so for me, fionna & cake ending the way it did was a huge relief, because it wasn't espousing magical thinking. the solution to fionna's ennui and economic anxiety was not to just get another job and be happy to live in the world as it was-- it was to create a sense of shared community and struggle, uniting the not-seattleites in their survival of a near-apocalypse and using it as a jumping off point for fundamentally transforming the state of that world as it exists. fionna had to realize that her problems are everyone's problems, and that making her life personally better at the expense of everyone else's agency is just an act of kicking the can of responsibility down the road indefinitely. no one who gets their wish in this show is happy to have gotten it, or avoids punishing others who didn't ask to be involved.

the "canonization" of fionna & cake felt like a reaction to the idea that we in our world are permanently isolated from the fictional realities we create where change seems to come so easy, and the powerlessness that can engender. instead this show is saying, okay, let's say we are in continuity with these fantastical realities. what do we actually DO with that? how do we make this world more fun, more interesting, more fulfilling for everyone to live in? the answer is the same as it's always been, and no other answer would ever feel satisfying: you do it by organizing the workers against the current arrangement of the state with the explicit goal of transforming it for the better.

what does simon do at the end when he gives fionna her world to her? he says that no one person should have that responsibility, that it's been in one person's hands for too long. so he gives it to her in the form of a dandelion, whose blown seeds merge with and become part of everyone trying to survive the scarab's attack. the idea here is that while no single person ever possesses the power to transform the world on their own, the world itself belongs to all of us, and it is within our power to transform it together. those who hoard power want us to believe that this is not the case precisely because the basis of their power is fraudulent and maintained through the violence of the state.

as someone who does live in seattle for better and worse, as much as i do wish i could make literally anything better right the fuck now by whatever means necessary... the fact is i can't. and it does no one any good to labor under the assumption that i or any other individual has that kind of absolute transformative power. the solutions are all right there, and they are simple, materialist propositions whose only difficulty lies in how successfully we've been propagandized to think that the individual is God, or at least speaks on His behalf. there's no thinking our way out of this pickle, and no one's gonna do the hard work for us.

as to the question of how you actually get people in real life to get together and do all that hard work... well, personally i think it's unfair to ask a 10 episode cartoon show to give you any kind of actionable advice on that front. i might even go so far as to say that such an expectation is an expression of the very same magical thinking which the show tries to push back against! in any case i liked it quite a lot and i hope this rambling answer encourages you to revisit the show and reconsider some of your takeaways

#sarahposts #fionna and cake #adventure time #spoilers #fionna and cake spoilers

[pickastitch]

what a lot of people seem to miss when analyzing c!gem is her savior complex and how prevalent it really is

think of every single player series she has, always helping a village/villagers; afterlife and hc s9 transforming a village was also a large part of those series. in afterlife she purposely triggered a raid to be officially "hero of the village" also justifying the raid through unconnected things (a random blue moon) afterwards the village is actively on fire from her and she comments on how a few iron golems probably died while still calling it a victory (afrterlife ep 10)

it even extends outside of npcs. the most notable example being in esmp s1. she stood by fwip and sausage no matter what, but when jimmy asks for her help, gem doesn't do anything right then and there. instead, she has a private meeting with jimmy to ensure him that she can help him (esmp s1 ep 8). with xornoth, she was one of the biggest helps tracking information about them, even if it was detrimental to her own well-being (an example being getting kidnapped in ep 13). saving the ender dragon, saving sausage, saving shrub, saving joey, "saving" scott. giving scott unwanted help is what led her to be partly corrupted by xornoth, and sticking so physically close to fwip is what made crystal cliffs one of the most vulnerable empires to the rapture

you could also argue that this trait appears in esmp s2, though less obviously, because in lore, she is the one who is producing the majority of golden carrots. another example within this series is her religion. in the episode, she introduces it in (ep 11) with the goal of it to 1. look cool, 2. ensure everyone is safe from phantoms. she states over and over again how the church/religion is to help the people. while none of this is malicious and doesn't harm anyone, it exemplifies their need to provide

in secret life, the way she keeps, purposely or not, being the leader of armies; though the ender dragon fight holds the most weight here because she chose to do that. after the boogeyman apocalypse, she outright states, "i seem to be a bit of a hero on the sever" (ep 8 7:07). actively positioning herself in such a way to prove to anyone listening or to herself that she was in the right for murder basically everyone for zero benefit to the victims. cleo even points out how she will have to turn on pearl/the mounders eventually, but she refuses this notion because she believes that she can save everybody

#i'm writing this with all the love in my heart for c!gem btw #geminitay #empires smp #hermitcraft #secret life #posting this and hoping i don't get burned at the stake #also this isn't supposed to outright villianize c!gem just saying she has an intresting flaw that people can do a lot with #also also this mixed with her natural self-preservation is so interesting to me

[bonefall]

I know you like Nightheart, but what about NightSun? I think you've brought up the issues with Nightheart X Sunbeam before, but I don't remember if it was a dedicated post or not.

Ok so like, to understand why I do not like NightSun, it's important to know why I like Nightheart.

I like Nightheart as a young, arrogant person who is the cause of many of his own problems in life. He doesn't mean to be the way he is, but it's as if everything he says comes out twice as mean as he wants it to, and the first of every thought is the worst one. While he resents the legacy of Firestar that he's part of, it also FRUSTRATES him that he isn't treated like the prodigal little hero he feels like he is.

It's an inferiority complex and a superiority complex, but he doesn't know that. He's intelligent, but he isn't wise. So he grabs at all these different complaints; "Why does no one see me for my own achievements?? I can't be what you want me to be. Let me prove myself! No, not like that, I'm not a child I'm a warrior!! Who do you think I am? Who do you think YOU are?! Why is everyone being so mean to me!?"

So, what I LIKE about ASC is watching him make messes, as he thrashes around to get loose and only ends up tangling himself even further into his troubles. He's fun when he's making shortsighted choices that should be ruining his relationships and putting himself in danger. What I DON'T like about ASC is that "fuck around" never becomes "find out."

I would have liked NightSun a lot if it was a story about how Sunbeam's complacent, conflict-avoidant personality crashed into Nightheart's self-absorbed, passionate nature like pop rocks and coke. They feel like such a unique, compelling sort of toxic to me. I LOVE the way that Sunbeam just immediately allowed Nightheart into her Clan, just straightup ignoring the red flags. I liked the way that Nightheart responded to his problems by running away from home, POSITIVE that his Tigerkin would treat him better than his Firekin.

Unfortunately, it seems like they're playing it straight. Nightheart left her ass alone THREE times when she asked him not to, and she's just shrugged her shoulders. Nightheart's already talking about babies and they're cooing at each other. It's painfully boring.

Why can't the writing team ever do toxic relationships on purpose? Why is it that when it looks like a relationship SHOULD be barreling towards a terrible conclusion they just end up playing it wholesome and soso sweet (Star Flower x Clear Sky, NightSun), but when they intend for two cats to be the obvious, perfect choice for each other (Bramblesquirrel, Turtle Tail x Gray Wing) it ends up absolutely radioactive?

(Side note, isn't it weird that StarClan was able to DM ThunderClan and tell them "hey, dont be mad that nightheart's leaving for the 400th time" but Frostpaw comes back with legitimately important information and Splashtail is able to go "nuh uh." GOD Nightheart's life is so easy)

TL;DR NightSun should have gone down in flames and we were robbed.

#bone babble #asc spoilers

[juneisafantasyaddict]

The writers of the SaB show seem to be pulling the exact same shit that lb did in the books. because there’s no way they think ignoring everything the grisha have been forced to endure, pretending that the darkling is the beginning and end of their issues and ravka’s, making sure alina never understands what she’s actually fighting for, etc is going to do anything except make me root for the darkling even more.

The entire second season gives me flashbacks to that insane trilogy because somehow they managed to be even worse than the books. they have alina telling the darkling that he doesn’t understand sacrifice?? really??? a man who has spent centuries of his life fighting for the betterment of his people doesn’t understand sacrifice?? the person who literally made protecting grisha his life goal doesn’t understand sacrifice??? does alina realize that the only reason she wasn’t killed the moment she was discovered was because of him?? because of the work he has done??

They had time for baghra to tell stories about her crazy family and how she killed her sister, but there was no time for her to say “this is what life was like before my son decided he was going to make it better for our kind?” if anything, they just pissed me off more because how the fuck is it possible that they are pretending the biggest issue they have is the darkling?? not the monarchy that has exploited grisha and ravka, not the fjerdans who hunt and kill grisha, not shu han who experiments on them??

Sigh, I can’t even write out my thoughts coherently because I’m so irritated by pretty much everything that happened this season. I’m irritated that instead of telling a complex story, we got this dumbed down garbage that tells us nothing, accomplishes nothing beyond “guy in black is bad.” the narrative condemns him for using merzost because he was so desperate to save his people, he tried forbidden magic, but 20 seconds later the hero is using that same forbidden power to bring her boyfriend back to life??? With zero repercussions?? I want to scream!!

If the narrative is so sure they are right, if they are so sure the darkling is wrong about everything, then why are they so afraid to expose the hero to the suffering of her people?? Let her see what they have to deal with, let her truly understand then. She has been a grisha for less than a year, and somehow she knows what’s best for them?? She doesn’t even know them. The show writers literally spent this season making her chase Mal around. Look what happened when they were going after the seawhip, two people died because she didn’t want to kill it, but they moment it went after Mal, suddenly killing it was ok. Her side of the war got attacked and instead of checking to make sure everyone was ok, including her friend’s brother who was literally about to lose his arm, she was screaming about Mal. You want to tell me about sacrifice?? She only cared about one person, and he was perfectly fine at the end. What does she know about sacrifice?? Why oh why is this fucking story just so determined to make her make all the worst possible decisions??

Incase you haven’t noticed, I haven’t talked about the crows at all, because I hate their presence in this story. They are a distraction!!! The grisha are fighting for their right to exist, Ravka is in the middle of a civil war, I do not have the time to follow the shenanigans of a group of criminals from a different country. I still don’t understand their purpose in this story, except comic relief?? 🤦🏽‍♀️

I love Alina, I really do, but jfc you cannot girl boss your way out of real solutions. They have her basically serving the monarchy and the whole time I kept thinking, if I were grisha, I wouldn’t follow her. She’s the leader of the second army but she’s wearing a first army uniform, she’s more interested in protecting the Lanstov throne than she is in protecting her people. She’s so blinded by everyone saying “the darkling is bad, the fold needs to go” she’s not stopping to say “what happens when the fold is gone?” “What happens after the war?” Because surely, she isn’t naive enough to think the people who started killing grisha as soon as they thought the darkling was gone are going to live peacefully with them now?? It took 2 seconds after the darkling died for Fjerda to send an assassin on jurda parem into ravka. Now that there’s no fold to stop them, what will stop Fjerda or Shu Han from sending an army?? Ignoring everything else the crows did, Kaz was right when he said “when they stop looking at her with gratitude, they’ll start to wonder if she hasn’t overstayed her welcome.” Which is basically what Aleksander kept saying btw, they are not going to love you for long, they are going to hate you eventually because they are afraid of what they don’t understand.

I don’t even know what the point of this was, but yeah, I guess it was a rant about how Fucking ridiculous season 2 of shadow and bone was.

#darklina #alina starkov #shadow and bone #aleksander morozova #the darkling #sab s2 spoilers #sab s2 #everyone involved in the writing of this story should have their head checked

[herelieskrisy]

Ellie Williams is a Gryffindor through and through.

(And I will explain why!)

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1. Brave. She is incredibly brave. This trait is seen in her throughout both games. Ellie isn’t one to back away from a challenge and is often making ballsy (stupid) moves, but they usually work out in her favor.

This is also why I think she wouldn’t be a Slytherin because they’re way more calculated. Ellie on the other hand is rash and impulsive, she doesn’t play the long game.

2. Daring. She is constantly taking risks. There is no doubt that Ellie has an adventurous side. We can see it with her curiosity and desire to know more (which is Ravenclaw coded but I don’t think Ellie’s a Ravenclaw). The girl wants to explore space, you can’t get more adventurous than that.

3. Heroic. That girl is chivalrous and heroic as fuck. Yeah, she went on a murderous rampage in the second game, but Ellie has a huge hero complex. She’s the main character for crying out loud. Whether it was saving the world or avenging Joel. Her purpose has always been to help other people, even if her motivation in TLOU2 were selfish. Ellie wants to be part of a bigger cause. She is one of the most selfless people but is forced to be selfish because of her circumstances.

4. Courage. This ties in with bravery but she’s extremely courageous. Her willingness to jump off that bridge in Pittsburgh despite her not knowing how to swim proves that. When she shot that guy who was drowning Joel. Even choosing to raise a child with Dina knowing she was young, unstable, and unprepared. She was constantly challenging her own fears and that’s a true Gryffindor trait. Not to mention she’s confident as hell, despite her occasional awkward moments.

“Just give me five minutes and my knife… I’ll tell you if they were lying or not.”

Please, that is the biggest Gryffindor statement. Self assured, confident, brave, and a touch of cockiness but not in a flaunting manner.

5. Bold. Ellie Williams is BOLD. She has a foul-mouth that she isn’t afraid to use, constantly making a statement and leaving her presence known. She also made a statement by killing half of Seattle! The girl has fucking nerve and it shows.

6. Reckless. This is the biggest thing that sets her apart from house Slytherin. Ellie is constantly making quick decisions without thinking of the consequences. Slytherins are strategic with their decision making. They’re very patient and are willing to put more dedication in their plans if that makes for a better outcome (this is one of the reasons why Slytherins and Hufflepuffs are so similar but I’m not gonna get into that. Long story short, Ellie isn’t patient or strategic in my opinion. Those are the traits that make Joel a Slytherin, and the opposite is what makes Ellie a Gryffindor. While Joel was sneaky and meticulous, Ellie is impulsive and reckless.

7. Short tempered. Cmon, I don’t even have to explain this one.

8. Determined. I know this is seen as more of a Slytherin trait, but it applies to Gryffindors too! The difference is in the patience and motivations.

9. Ties in with Heroism but Ellie very much has a sense of right. She commits heinous and immoral actions in both games, but those aren’t because of her core values. When you’re born into an apocalyptic world, you’re driven to do things that completely contradict you as a person. I disagree with Craig Mazin, Ellie doesn’t have a violent heart. All she wants to do is help others.

10. Honest. That’s it.

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People seem to headcanon Ellie’s house based on her actions in the second game, but we have to take into account that she was devastatingly traumatized and driven to desperation. Your Hogwarts house is based on you to your core, not the situations you’re put through. I look back on Ellie in the first game, when she was truly herself, and I see a true Gryffindor.

Totally okay if you have a different opinion! This is just how I feel personally. I could definitely be persuaded to believe in Slytherin Ellie. For now, I just don’t think that’s her as a person. Her actions in TLOU2 are very Slytherin-like but the motivations behind them stay true to Gryffindor.

She might’ve been chased to darkness, but is still looking for the light. 🤷‍♀️

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#ellie williams #ellie tlou #ellie #the last of us 2 #ellie williams hogwarts au #gryffindor #hogwarts #hogwarts houses #tlou2 #ellie williams tlou #the last of us part 2 #harry potter #tlou x harry potter #the last of us two #the last of us part two #house sorting #sorting hat #lesbian

[doomsdaydicecascader]

on your point about the self-referential nature of homestuck, do you have any specific tips for people that want to create such an effect in their own webcomics? I'm just very interested in *how* homestuck was made, like in storytelling decisions and stuff, and I think that it's self-referential nature might be one of it's most consistently well-done qualities

sorry i got back to this one so late, i've been game jamming. so i think the biggest thing you can actually do for yourself is build pattern recognition when it comes to your own work. like. there's this advice that i think came from pixar but it's good advice and pixar hasn't made an uncomplicatedly good movie since the obama administration, so, like, grain of salt on that source.

it's that writing multiple drafts is an advantage because you can write your story first, and then go back at it with a critical eye and pick out your recurring beats, and finding ways to emphasize and represent those beats in meaningful ways becomes part of your story. this is the first part of what is ultimately pretty rudimentary symbolic work, though. like. "oh this sword represents the heros bond with his family"

where i think things like homestuck and petscop differ is that they sort of use narrative beats as symbols in themselves - homestuck is broken up into 4 parts, and each one is an iteration on the last, and it's actually really clear here from how much of a fucking flex the dancestors are, narratively. and that sounds insane to say, because they're terrible, bad idea characters, but like. consider the narrative profile of a character like damara.

damara's got a lot going on in openbound, but we can break it down into some digestible chunks of beats from other characters's stories: there's obvious imports like the megido name, of course, but you also get interesting stuff like using needlekind, and using those needles to do suicide threats, which puts this kind of abstract "rose-ness" in her profile. her relationship with rufioh ended tumultuously, with rufioh being paralyzed from the neck down, which resulting in him having a robot horse body. this puts "vriska-ness" in her profile, who is already loaded down with rose-ness by virtue of being a light player. this paralysis was also remedied by horuss kissing rufioh's severed head in front of a mountain, and involved sending rufioh the horse body piece by piece, this puts rufioh and horuss in the position of both of them having dirk-ness and jake-ness, which puts jane-ness in damara's profile too, which then turns into very indirect foreshadowing when damara's attempts at sabotaging the dancestor session are reflected in jane doing the same, spurned on by the same character, even.

(plus, if you read bdth: there's more. i've written so much more.)

another, that's a little bit more complex to explain, is the idea of tokenization. this is an idea that petscop expresses really well. i'm kind of cribbing from nightmare masterclass here, but in petscop, there's these things that are called "caskets". these caskets are not literally caskets (that which contain the dead) but they are called caskets by the game itself, which both groups the items together as a thing to be understood in terms of itself and very little else, it's sort of an insane flex too - just like. "here is how these items are grouped and a guiding word as to what this grouping entails, find the pattern in this or don't", it's all very abstract in ways that i find very very compelling.

there's a non-mechanic in petscop that i think is unbelievably compelling, which is that there are these "symbol blocks" - that's all they are. they're a block with a symbol on them. these symbols recur in multiple places, and their only purpose is to imply a correlation between the places they show up, and thus, it becomes self-reference.

another thing i think you could look at is the game thoth, which is a similar fuckin. masterclass in visual language. this is a twinstick shooter with no text in it besides level number, and the way it builds its visual language using just shapes and their relations in a space is fucking impeccable. when you're deep in the game, you recognize what an enemy will do immediately from its appearance, and that appearance is like, concentric circles.

recognizing these things, drawing these lines between recurring ideas, reusing ideas wholesale to create new expressions of ideas, that's the basis of all of this. its like hypertext! two webpages that link to each other are almost certainly involved in the other's function!

It's also logical, since there is essentially nothing new in paradox space. Everything that can happen is either a visual or substantive reproduction of something which has already transpired on a timeline, offshoot or otherwise.

#granted one of the pitfalls of abstraction is that it can be used in some really truly unintended ways. #jade is on-screen when its storming in bdth and i wonder how the shock fic homestuck interpretation community likes that #ITS BEEN LIKE TWO WEEKS SINCE I WROTE A POST THATS TOO LONG ABOUT HOMESTUCK #HOW I MISSED IT

[possessionisamyth]

Here's some RE Separate Ways analysis that isn't about shipping because I like Ada. I'm happy her DLC actually focuses on her, but some of the takes I'm seeing are Insufferable. Main statements in bold for ease of reading and skipping purposes.

-Wesker and Ada haven't been working together consistently for the past 6 years. This dripless bitch is calling Ada every five minutes to babysit her. I don't think that's the relationship dynamic of someone you're regularly employed under, and when it is, Ada is not the type of character to tolerate that behavior for 6 years. We know Ada is a contract worker. We can understand she's worked for Wesker on and off, but she's a freelance agent period. She must've done enough jobs for Wesker that he feels the need to check on her and have this constant reporting in to make sure she stays on task since he's clearly used to her not always following his orders. He 100% hired her for this assignment because he knew the situation and compared to the other options, she had the highest survival chances. Which, he was right. High risk, high reward.

Sometimes Wesker's babysitting works: Ada holding Luis at gunpoint when he tries to negotiate saving Leon and Ashley. Sometimes he knows when to step away: "Keep your dog." All of it is in the effort to get what he wants. Look, he let her live. He worked with S.T.A.R.S for years and wanted them all dead. If he worked with Ada regularly and she pulled this shit with the amber, he would've had that helicopter blown out of the sky. There's always some restraint with personal distance, especially with a guy who thinks so highly of himself.

-Luis is a drama queen. In the regular game, Luis acts cool and under control to the best of his abilities around Leon and Ashley. It's a part of his newly found hero-complex even though he does still know when to ask for help: "save me prince charming!" In the DLC, we see the real side of Luis. The one who's scared, and dramatic, and knows when he's not shooting with a loaded gun so to speak. When Ada tells him to leave her to fight, he does. He wants to help, but his respect for her abilities sends him fleeing like she orders him to. Also, like every scientist, he has zero self-preservation! He ran into a fire that clearly would kill him to get medicine. And the exchange afterwards? "No! Now you'll all die!" "Make some more medicine." "Oh..yeah...I can do that. I do have that ability."

The flamenco dance. "Are you mad at me???🥺 You're mad at me!😭" This man understands Ada can kill him without blinking, but still can't keep his composure around her. This is such a fun dynamic to explore in fic for expansion stories and "Luis lives" au's. The DLC gives him breaks to freak out and panic, whereas the main game holds the "cool persona" moments after Leon saves him. Even his dying words to Ada. This man is bleeding to death and still can't shut up. I love him.

Okay, that's all I gotta say about the loser men. Now for the star of the DLC. Ada. :)

-Ada "Sans Undertale go into my eyes" Wong. The methods Ada uses in the DLC are fun and appropriate. It's not invasive and in your face unlike another agent, but more subtle. She can track footprints, fingerprints, gauge the safe distance required for her grappling hook, and she knows when she needs to fight and whens he needs to run. Her practicality has always been the cleanest of the entire cast due to her being a spy, but this time we actually get to see this trait utilized through her tools.

-Ada is silly and quips her own jokes to get through it. Something I'm not seeing anyone talk about including the aeon people who are claiming anything they can get, is this specific humor parallel between Leon and Ada in the remake. Both of them have gone through the horrors of Raccoon City. Both of them went right back into very difficult military in function style work which always has a body count. I talked about Leon's humor coping mechanism here [X], but to hear Ada do the same thing? I feel like they went under the radar because they don't sound as stupid as Leon's quips, but they are still so stupid. "Nighty night." "Lights out." "Bring me a real challenge next time." "Now look at the mess you've made." "You think that gun will be enough?" She and Leon even share the same "Next," line!

If I had 80GB to spare on the game, I'd see just how many more I could get out of her. Like, these are dumb as hell. She's found a method to cope with the horrors she's witnessing that just so happens to coincide with Leon's. I'm not saying this as a marker of whatever romance you've tossed them in or even to diss any other romances. What I am saying is that they have a similar type of mental illness resulting from trauma, and they ended up using the exact same coping method despite never seeing each other.

Ada fans who hate Leon! This opens a door for you when it comes to character analysis and how Ada deals with her PTSD and/or depression! Run through it RIGHT NOW!

-Ada's infection pulls a lot more weight than it seems. I've seen some people say Ada's parasite should've been removed the same as Leon's and Ashley's. (Which is an extremely unsubtle argument to get them all in the same room for your shipping nonsense.) However, something I noticed with the DLC were the parallels to the troubles in RE2. The Black Robe/U-3/Pesenta monster is the first time where we get to see Ada dealing with a stalking enemy. Due to RE4 being so much more plot-lined streamed to maintain the flow of gameplay, these events were not allowed to be random, but the narrative purpose remains. Ada gets to have a stalking enemy in her DLC like Claire and Leon did in RE2 with the addition of a hubris check.

The hubris check? Well, Ada has never been infected until this DLC. In the original games, she can step back and watch people die because she doesn't know what it feels like. Now she knows what it feels like. The lack of control. The pain. The slow turning. Her job has had her flirting with death for years, but not in a way she can't fiddle with the odds. A parasite is not something a person can distract with words. The action to steal the amber is backed up via personal experience not just a morality code slapped on. The addition of Wesker's correction to "billions of causalities" means she's included in that number and just cements her incentive to flee. She's not doing this for Leon. She's not doing this for Luis. She's doing this for herself, and if it so happens to help other people then it is what it is. After being on both sides of the coin when it comes to viruses, she can no longer function as entirely impartial to the work she's doing.

-Ada doesn't ask for permission but asks for forgiveness. Don't take this phrasing literally. She doesn't ask Wesker to forgive her. What this means is that she'll do something before asking, and if it upsets people then she'll course correct. Her job is not the kind of job where she needs to take orders for every action she implements which is why Wesker calling every five minutes was annoying as hell. In the OG RE4 she kind of argues with Wesker for Leon to live for "his usefulness", but it's swiftly shut down until it's convenient to Wesker for Leon to live. This forces her to sneak around and betray Wesker multiple times to save Leon secretly, and the concept rightfully gets thrown into the garbage for the remake DLC.

The scene in the bedroom where Wesker tells Ada not to become a liability after taking her blood? Ada doesn't fight to get her shit back. Some people said this was flirting. Wrong. This is Ada seeking forgiveness after the fuck up of passing out in the middle of an active field by letting Wesker walk off with an infection sample. She then makes sure not to fuck up a second time in the same way, and she doesn't. She learns the signs of her parasite so in case she does pass out again, she'll be somewhere much less conspicuous. She listens for the changes in her environment and the feelings in her body and prepares herself for what's next.

-Ada saves Leon and Ashley for Luis' sake. I stated earlier that Ada's action to take the amber was for her own sake but ends up helping others. This is the exact situation going on when Luis talks about getting the suppressant. She needs the suppressant in order to do her job and kill the black robe so she can heal. It just so happens that Leon and Ashley need the suppressant for survival reasons too. They are an afterthought until Luis dies.

We watch Ada question Wesker and his plans all throughout this DLC, and she comes to her own conclusions after her experience working with him. She could've gotten the amber back and let the whole place blow into smithereens like Wesker intended. Who cares about the president's daughter? Who cares about another dead federal agent? Luis did. He cared so much he died for it, and just like that other clown in Raccoon City (aka her), she got emotionally attached. If there was anything she could've done for Luis to make his death mean something, it was this act.

-Ada sells Leon's jacket. This isn't analysis, but I thought this was funny as hell. ACAB! No exceptions! Freeze your tiddies off, Leon! I don't give a shit!

-Ada's new outfit is still better than her old one. It's still not the best they could've given her. I'm also not speaking from a fashion point of view when I say this. In the OG RE4 we see Leon in a jacket which is forcibly removed to show off his pecs to the ladies, but it clearly marks a colder time of year. OG RE4 Ada has arms out, legs out, and tits out because a hoe never gets cold. The sweater dress for the remake re-establishes that it's colder here because even Luis doesn't lose his jacket. Ashley doesn't lose her jacket either until they yoink it off her for ritual reasons. I still hate that the thigh high boots have that heel and would prefer the flats, but that's going to be in the complaint paragraph below.

-Capcom sexism at play once again. I don't give a shit about rigs and motion capture or whatever, her walk cycle was 2 adjustments from being full Bayonetta, and I hate it. The ass shots? Disrespectful. Her heels didn't have to be that high. Never heard of a kitten heel? They exist. The people who worked on RE3 Remake and worked on this DLC sure love to make a woman vomit don't they? Why the fuck was she so clean the entire game? She was being thrown around and tossed in the dirt a lot, but this woman's skin is shinier than a waxed apple. Either she has some wet wipes on hand, or god forbid women get filthy. Absolutely zero reason she shouldn't have been looking as rough as Leon by the time she gets on the helicopter! No reason at all!

That's all they wrote! I love Ada. I loved this DLC, and I loved the dynamics going on here even though I hated every time Wesker was on screen or opened his mouth at all.

As much as I would love to expand this post and go further into the changed Ada and Leon relationship, I frankly hate all the takes I've been seeing so much on either side of the Aeon debate. I hate the ongoing conversation around it so much that I don't know if I want to discuss this at all. The Aeon should've gotten this if not for Luis and Ashley side and the Aeon is dead side going back and forth with each other? All of you put on your clown noses! None of you are looking at this situation objectively to see where the lines cross and where they run alongside each other, and frankly I'm tired! I could clear this whole table off so both of you can get exactly what you want based on what you're not actually interpreting from this media, but I won't! Kill each other!

#resident evil #re #separate ways #separate ways dlc #ada wong #albert wesker #luis serra #luis sera navarro #leon kennedy #re analysis #re4 remake #i wont tag this with ship names cause im nice but i was so tempted to be mean like ada <3

[piglet26]

Reylo Scenes: TLJ

Rian Johnson gets loud vocal dislike for trying to make part 2 to JJ Adams film and his treatment of Luke Skywalker. Now I'm going to be honest..... Star Wars fans complain. That's part of the passion of it all. I guess. One area that he did succeed in was Reylo. He dealt with it with complete mastery. His invention of the forceskype or forcetime which allowed the protagonist and antagonist to actually talk was genius.

To add, I read the novelization which does expand on the story overall and it's great to read. There are comics as well. All which expand on the story.

Rian Johnson also is due a thank you for this moment.

We'll call this no-more-daddies-Ren. That face should not be covered up.

Romance has always been apart of Star Wars. Yet, in the sequel trilogy there was this hyper paranoia of anything feminine and so anyone who sensed a romance happening I guess was just an unhealthy fool.

From a pure storytelling stand point, the dynamic between the hero and the villain is genuinely interesting. The fact that they are Ying Yang, alike but different, bonded yet on opposing sides and they attracted to one another only adds to the drama. It's the richest dynamic of the sequel trilogy.

So to all the Reylo haters

In the first forcetime scene the rules of the forcetime get established. Rey can't hurt him physically (yet) and Ren can't jedi mind trick her.

The production team continued to show their balance yet opposition. When Rey wakes up the warm sunlight is on her face and her smooth cheek. In Ren's scene the light on his cheek is mechanical and the skin is scarred. Rey is surrounded by nature. Ren is surrounded by technology. They both have a childlike innocence to them. Something is happening to them that had never happened before. Something unique even amongst force users. Ren is curious. Rey is just pissed off.

Ren is a man who feels very let down/betrayed by everyone in his life so by the time we meet him in The Force Awakens he doesn't want or need anybody. Within his comic Ben Solo is described as someone that everyone, including his peers, watched for signs of darkness. He's a bitter, hurt and jaded young man.

Rey is the denial queen. She has a childlike way of thinking that is purely optimistic. She latches onto people very quickly Finn, Han Solo, Chewie, Leia, Luke on and on. She understand the stories of the resistance, Luke Skywalker and Darth Vader, but doesn't understand any of the complexities. She's a very 'this is the truth as I know it so it must be the truth' kind of person.

When we arrive at the second Forcetime.

Rey overlooking the ocean. Ren overlooking the first order. Ren begins hearing the ocean waves. Rey begins to hear the snap of electricity. Ren sensing her turns and Rey, sensing him, adjusts and there they are.

Rey, understand that she can't physically act out her anger against, verbalizes it. She's angry, but she wants the anger to be simple and it's not. He is tied to her in a way in some way.

What's interesting is Ren is very open to her in wondering why the force is connecting them. In the book Rey describes his eyes as hungry. Also, Ren wants to be understood by her. He uses this moment to reach her and get someone to understand a portion of how he became the man he is. The audience sees him approach her, get into her space, challenging her emotionally, physically and her ideas about him.

"ah, you do" if it's possible to verbally create a orgasm....Adam driver accomplished it for women. It doesn't hurt that these two seem to always be eye fucking each other. The intensity in which they lock onto each other and don't pay much around them any mind. The actors writers dream of.

The scenes serves a purpose though. Kylo is once again shift from simple bad guy to complicated bad guy/human being. She doesn't know everything. In the mix of all of this is her experience with Luke. She disillusioned and she's disappointed with Luke. Her experience is shifting her to understand Kylo's position more.

Which leads to their third forceskype aka shirtless Ben

Rey, girl, you're not asexual. It's the first where we see she does have a reaction to him physically. She opens herself to understanding. She wants to know if he had a good reason for killing his father. She also expresses her jealousy of him. He has a family, he had a father who loved him. She would give anything for that. Kylo is also expressing his pain and how relates to her. They both feel abandoned by their parents. Kylo wasn't abandoned in the way Rey was, but he feels abandoned. Kylo looks at Rey like 'hey you don't see the similarities between us?". You also being to understand Kylo Ren's need to embrace the dark side because everyone on the light side failed him.

Part of her journey in The Last Jedi is about embracing her womanhood. After the force bond with the shirtless Kylo Ren. She goes to the dark sided vagina cave. She jumps in and when she emerges her childhood hair buns are gone. Rey enters in this vision and looks for answers as to who/where her parents are. Nothing is revealed to her. She didn't find the answers she was looking for and the hope that she will find them goes out of her. In this moment she's desperately lonely. Here our hero spiritually seeks out through the force bond the one individual she feels will relate to her, our villain.

Why do people call this scene "The Finger Touch Love Scene"

Cause the level of intimacy these characters reach without many words and without being lewd. Rian Johnson, bravo!

The way Kylo Ren is just present, reassuring and nurturing as Rey relays her trip into the dark cave. This is a moment where he could stoke her negative emotions to the dark side. He doesn't though. He's completely emotionally present for her. Kylo Ren sits within his ship in a area that's lit with a soft blue light as he reaches towards her he's in the warm of the firelight. Now he is physically present for her.

Rey is completely raw. She's allowing herself to be seen emotionally naked. This is the first scene where she gives him something with free will. She gives him union.

She reaches out from underneath the blanket. He takes his glove off and they slowly, innocently, reach for each other. The eye contact they maintain as the force theme begins, we as the audience understand something profound is happening. Within them, in this moment, there is a balance in the force.

They both have a vision of one another. Ren sees her past. Rey sees a glimpse of his future. This is the moment for Reylo, they both said to themselves "we're never letting this go". Rian Johnson confirmed it's from this moment that Ren decides to kill Snoke because that's the only way to protect Rey from him. Rey shift her belief system to complete Team Ben. She doesn't have a plan when she goes to meet Ben within the First Order. She just has complete faith in him that when the moment matters he'll stand by her.

We arrive at the elevator scene and just prior when she arrive onboard the supreme in a coffin from the Falcon that has his calligraphy on it. It's their first interaction after that intense force bond.

She expresses her faith in him and the possibility of a future. This is the first scene where she walks up on him. She wants that closeness and connection now. He's closed off we come to understand later, he's become he's protecting his mind from Snoke understanding his true intentions. They both express what they saw in their vision and conviction that one will join the other. It's canon that in this moment Kylo Ren wanted to kiss Rey.

Snoke - It's not his story. Kylo Ren looked like a badass killing him. That's all we needed you for boo. However, I did enjoy the internal dialogue of Snoke that the novelization affords. Through the force Snoke can feel Kylo Ren's need for approval which is something that frustrates him. He can feel his conflicted nature for Rey and for the light. He can feel his pain and confusion when Snoke says he bridged their minds (he didn't). That was enlightening.

My favorite moment is right after Kylo kills Snoke and Rey and Kylo looks at each like

"You with me?"

"Yeah, I'm with you"

And they turn to face the pretorian guards. They are with each other, but they do have a misunderstanding on what that means.

The fight scene is great and beautiful. Kylo Ren is a supportive partner to her and she to him. Kylo support her body with his and he takes on the majority of the Pretorian guards. He has a moment when he checks in on her, she get's hurt, he's upset and scared but then centers himself. When he's in trouble she supports him. It's described in the novel that they can feel each other's emotions through the force.

(Couldn't find the gif of her getting cut)

#star wars #ben solo #reylo #finnrey #rey skywalker #rey star wars #kylo ren #kylo x rey #ben solo deserved better #ben solo x rey #ben solo lives #rey