I can't stop thinking about Bruce coming to the realization that his children are grown up.
Like this man is huge, he used to absolutely dwarf his little Robins, and could carry each of them in one arm at some point.
This man will hug one of his kids and realize they no longer fit under his arm anymore, that some of them are, and will become taller than him.
He'll probably reminisce how his children used to hide under his cape whenever they felt scared or just wanted to have fun, and Bruce realizes that they're all so grown that they can't really do that anymore and that they don't really need to rely on their dad to protect them now, and I bet he just tears up at that.
He'll just be sitting in his office, looking at all his children's photos from when they were younger and he'll feel so proud at how far they've come, but also a little devastated at how he can't just scoop his kids up and shield them from everything the world throws at them.
I bet when Bruce is especially in his feels, he'll just think about when he first got each of them and how small and cute they all were, how they all slowly began to see him as their father, how they used to crawl into his bed when they wanted his comfort :')
Bruce will just think about how they each brought joy back into his life and how he'd literally do anything to keep them safe cuz those are his babies.
9K notes
·
View notes
Clone^2 Damian
If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.
And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?
Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.
And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.
But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.
After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.
And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.
And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.
This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.
But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.
He wants to go home.
And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.
And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.
And it's not happening.
But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.
And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.
But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.
And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.
There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.
And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.
This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?
And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.
Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.
And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.
"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.
"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.
And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.
That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.
It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.
339 notes
·
View notes
… if you want to read my essay on how gay Nick Carraway is it’s under the cut
Until recent years, very few authors had the courage to express homosexuality in their work for fear of institutional punishment or negative social reaction. With stories like that of Oscar Wilde, writers were accurately terrified to explicitly explore the diversity of the sexual and romantic interests of their characters. Despite this, they were not stopped and authors chose to implement their gay characters with artistic subtlety. F. Scott Fitzgerald's most well known novel, The Great Gatsby, homes one example of this type of character. Although he does not live in a time period where he can be open about it, Nick Carraway is a homosexual man and this fact is crucial to truly understanding his self and his relationship with Jay Gatsby.
Perhaps the most damning evidence of Nick's sexuality is the fact that the only sexual encounter he is implied to have had is with Chester McKee after the party in New York (28), but it is not all. Nick's homosexuality is most casually clear in the descriptions he gives of the people in his life. Although he does acknowledge past romantic relations with women, he does not read as particularly interested in them. When questioned about a rumoured fiancée out West, Nick remarks that he is very opposed to "being rumored into marriage," (15) and in his first meeting with his supposed love interest, Jordan Baker, Nick compares her to a cadet (an exclusively male occupation at the time) and points out her most masculine features as ideal including her small breasts and erect carriage (8). In comparison, Nick's descriptions of the men around him are rich with intrigue; Nick notices how Tom Buchanan's eyes establish dominance in his face and the way his muscles move under his clothing (5). When Nick speaks about the train conductor on the hottest day of the summer, he critiques people who think of kissing flushed lips and laying with a partner in the heat despite no one else in that scene expressing those feelings (87). The suddenness of this flustered complaint implies that Nick is reacting to his own desires; desires he wishes he did not have.
While Nick is at least vaguely attracted to multiple men in his story, there is one he is consistently interested in throughout: Jay Gatsby. From their first meeting where Nick goes on about how pleasant a smile Gatsby has (36) onwards, Nick is very fond of Gatsby, going so far as to emphasise that he is the only rich person he did not end up disgusted by (2) and that all of the East was haunted for him after Gatsby's death (137). In Gatsby's life, Nick even expressed his affections to him in whatever ways he could. For example, when Nick agrees to reintroduce Gatsby and Daisy, he does not allow Gatsby to reimburse the favour (62). Also, after Myrtle's death, Nick only leaves Gatsby's side because he feels like he is intruding (112), returns to a bed he can not fall asleep in, and takes the first opportunity available to meet Gatsby again at dawn (113). Nick listens to Gatsby's story then (114), something nobody else would do in favour of spreading scandalous, borderline slanderous rumours.
Nick claims he is not a judgemental person, but proves himself wrong as the novel progresses in regards to every person he has met but one. Despite remarking that he disapproved of Gatsby "from beginning to end" (118), he was equally endeared to him. Nick also claims to be an honest person (44), which he proves not entirely true either. Realising Nick's true feelings for Gatsby reveals the intricacy of his character and calls into question the reliability of his narration. Although his intentions are always sympathetic, Gatsby is by trade a bootlegging criminal and yet even after meeting Meyer Wolfsheim and being told about his business (54), Nick plays ignorant about Gatsby's involvement. To Nick, the idea of Jay Gatsby is related only tertiarily to the idea of "Wolfsheim's men". Nick makes this clear every time he visits Gatsby after Wolfsheim's men begin working at his house by how suspicious he always is of them, even describing one's face as “villainous" (86). Nick does not judge Gatsby as the same as these people nor the Buchanans despite not being so different in truth because he is already in love with him and truly wants to believe he is a good person at heart. Even Tom Buchanan is aware of this on some level, showing his cognisance after Gatsby's death by telling Nick that "(Gatsby) threw dust into (Nick's) eyes just like he did in Daisy's" (138).
To ignore Nick's sexuality is to intentionally misunderstand his character and The Great Gatsby as a story. On his surface, Nick Carraway is a single objective voice in a world of desires and deceit, but as much of The Great Gatsby does, his character requires the reader to look below to his own human biases if they intend to comprehend him.
33 notes
·
View notes
literally sooo fascinated by logan and caroline's marriage tbh. give us all your thoughts!! (if you want ahah)
Oh, man, I could talk about them all day, haha. I kinda feel like people can sometimes rob both Caroline and Logan of any nuance, because yeah, sure, they’re often the central antagonists of the series, and their abuse and neglect of their children permeates the series, but the show’s always also been careful to show that the cycle of violence never started with Logan, and Harriet Walter’s talked in interviews too about the cycle of neglect not starting with Caroline either. They’re victims and perpetrators in the same way that Kendall, Roman and Shiv are victims and perpetrators, and the fact that neither of them were able to break that cycle is the exact sort of tragedy that's at the broken heart of this series.
It makes it really fascinating to me in that sense that Caroline and Logan found each other at all, and I think really slots into what we know about his three marriages – namely, that he marries women who are in some ways as damaged by life’s cruelties as he is. We understand that explicitly with Marcia, who pretty much says out loud that their connection has been born out of the fact that they’re both survivors, but I think it’s implied in his relationships with both Caroline and Connor’s mother too. At least Marcia and Connor’s mother became somethink like partners for a while too – Marcia was a co-conspirator with Logan for the bulk of season 1, and the RECNY Ball episode I think also showed that Connor’s mother, for at least a while, was the sort of socialite who could lubricate and work politicians alongside Logan.
We don’t really know what role Caroline played in that sense, but she’s obviously intelligent and savvy enough to have worked to secure the kids real power in the divorce, something we see her give back to Logan in 3.09. We also know that her title gave Logan the class elevation that he wanted (even if its one he also seems to bitterly resent), and that his money gave her security, and in a lot of ways, that’s a strategic match that sees them both step forwards in power together.
I was actually listening to an old episode of Vanity Fair’s Succession podcast recently where they interviewed Dame Harriet Walter, and she talks quite a lot about Caroline’s backstory.
She says that Caroline was born into a neglectful aristocratic family, an only daughter who due to the social structures of British aristocracy, wouldn’t have inherited her father’s estate as a result of her gender. Instead, his estate would’ve gone to a distant male cousin, which ties into what Connor says in 1.09 to Willa about the house being the ancestral home Caroline didn't inherit.
She was disregarded by her family but encouraged to marry rich, and she sees Caroline as having gone through a bit of a wild child phase, that she partied, used drugs, tried to escape herself. That she was probably featured frequently in the social columns ‘in disgrace’, and then married young to a rich British man who bored her. She sees Caroline as having escaped to New York on a trip, and met Logan who dazzled her. Who was the opposite of the men she’d grown up with, the men who’d cut her out of her own inheritance, and that he was exciting and creating something and married too, and that they likely left their spouses for each other. That he married for a title, but he also married her because he found her fun and funny and different from the other women of her class and station.
I actually love that backstory a lot, and in particular I think it feeds into the themes of cycles on this show, both with Shiv, but also in Caroline being cut out by her own family, and then cut out by the one she tried to make for herself, and the damage that likely caused her. It also I think really beautifully depicts this idea of legacy and succession which is so crucial to the show – that Logan can spend a childhood brutalised by a man who’d give him just enough to build an empire on and that Caroline can spend a childhood in luxurious neglect with parents who will leave her with nothing.
What that meant for their relationship - - I think they did love each other, as much as they could love anyone, and I think that vulnerability between them was something that probably allowed them as true an intimacy as they’d ever have for a while. I also think that that vulnerability and that intimacy gave them power over one another that they’d use often and likely cruelly, and that the final years of their marriage were probably torturous for both of them.
After all, at the end of the day, Logan had the wealth Caroline could marry but never inherit, and Caroline had the title Logan could marry but never inherit, and what is that if not a reminder of the poisoned soil they sprung from?
235 notes
·
View notes