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#there's also just like. the element of my own brothers
ataraxiasflame · 2 days
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In doing some research for my fic, I encountered a few names from different SJM books that seem to be derived from similar origins and I went on a bit of a trip trying to consider all the connections:
When researching some information regarding the inspiration for Helion (the God Helios) I discovered that Helios’s mother is called Theia and his sister is called Selene. Theia, Helios and Selene are all connected through solar elements like light, the sun and the moon.
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If we recall from HOFAS, Silene was Theia’s second daughter who Azriel also claims looked like Rhys’s sister. We also know that she too was able to wield her mother’s Starborn powers (which is essentially starlight).
Helion’s power is also light and also has several similarities to Helios:
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And I always question the potential foreshadowing of the scene below.
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- ACOSF ch 41.
If I had to guess, perhaps Silene or a descendant of hers was married off to a member of the Night Court, which is why Rhys’s sister looks like her. But my real interest is the connection that Helion (and Lucien) has to the Trove, and their potential challenge to the theory that Rhys has a claim to the throne as a descendant of Fionn/Theia. The similarities in name could have been mere coincidence but the effect the trove had on Helion creates that potential connection to Theia and Fionn (I’m not saying he is Silene’s brother but they could be the ancestors to whom he is referring in ACOSF)
Then perhaps this chapter in ACOSF (ch 42) in which Amren urges Rhys to conquer Prythian claim the throne and he declines several times, only to have her respond with this line:
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…might suggest that there are others who have equal claim to the throne.
Personally, I hate the potential High King plot line, especially if Rhys and Feyre will claim the throne (I could write an essay on why this would make no sense from a narrative perspective). There are so many references in HOFAS that highlight why Prythian failed under the ruling of one sovereign and we as readers experienced the reign of a sole ruler in book one. It just makes no sense for Prythian to return to a proven failed form of sovereignty, especially with Rhys and Feyre in those positions of power, when they only recently broke free from Amarantha’s reign.
However, should the High King and Queen narrative be necessary to the plot line, I would far prefer Helion/Lucien be the potential challenge to the throne over Rhys. The end of HOFAS even opens questions regarding Nesta’s future in a position of power in Prythian.
High King plot aside; these potential clues do make me even more interested to see how Lucien’s past will affect the rest of his story and the over arching plot of the series, how his power could be even stronger than we expected, how they could come into play with the Koschei plot line and whether he will play a larger role in the political future of Prythian as well.
But most interestingly is that Theia (the mother of Helios and Selene) was the Goddess of Sight and Vision, possessing prophetic powers, and it seems fitting that Helion’s own son is mated to a cauldron-blessed Seer. Mates fated to be together who are true equals in every way.
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soldier-poet-king · 1 year
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So I watched the tlovm eps and I haven't watched cr1 yet but know the major plot points but let me tell you I did NOT realize that all the pretty edits with "do not go far from me" were in reference to THAT plot point and the two of them together just. Managed to kill me I think. Just lying in bed unable to do any of my other plans for this evening
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rivereddies · 7 months
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i wonder how people expect me to not feel stupid when theyre constantly telling me all of my opinions are wrong and stupid and i'm too young to know anything
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the-somwthing · 4 months
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Sorry but I’m not getting over the person who basically implied that headcanoning Jimmy as taller than Tango is thinly veiled rpf and they’re not REALLY separating cc from character. Like WHAT are you cooking
#sometimes I look to CCs heights for my headcanons cuz I don’t have any ideas for my own but HUH? also idk either of their heights#like for all I know Tango is taller. that would make their post way funnier tbh. but I’m gonna assume Jimmy’s taller irl based on their post#but like brother who cares if ppl take real life aspects that aren’t present in mc for their headcanons.#sometimes it’s just cuz it’s a trait you think would suit the character or cuz u wish more characters had that trait. it’s not usually cuz#ur trying to turn them into the CC lol.#aside from actual reasons I disagree with them WHAT THE HECK WAS THAT. ‘YOU HEADCANON JIMMY IS TALL? SUSPICIOUS.’#bro pulled the ‘canonically they are both 2 blocks tall’ and everything 😭#I only headcanon Jimmy is taller cuz I saw other fans doing it and went ‘that suits the character’ so I adopted it. idk his height irl.#and then it’s like assuming my height headcanons DO prove that I’m doing Jimmy rpf. am I NOT doing JOEL rpf cuz I make him rlly short?#why am I doing half rpf half fictional characters? thats kind of odd.#shipping cc!Jimmy with c!Joel lol. unironically would read that tho imagine. wouldn’t write it tho I could never write rpf. anyways#anyways the point is. sometimes fans use the CCs as a point of reference for designs. that doesn’t mean it’s thinly veiled rpf. we need#sources of inspiration and sometimes that comes from the actors. why is that suspicious.#if they’re straight up drawing the real life guy with no mc skin elements then it is more likely about the cc instead of c but they’re not#even talking about that bro literally referred to them as a blaze and canary and STILL said the height was suspicious LOL#sorry for vagueing (literally don’t know their url despite reading the post over and over) and don’t want them to see this cuz I don’t wanna#potentially be mean like if that makes them uncomfortable and is a red flag then… ok that’s your problem. I won’t force u to change ur views
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tgcg · 2 months
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the master baiter
TG: dont be mad
TG: ok thats like asking water not to be wet but
CG: WATER ISN'T FUCKING WET GOD DAMMIT.
TG: look whatever remember when you said you would die for me
TG: is that karkat in the room with us right now
======
CG: I'M DYING "FOR YOU" EVERY SINGLE TIME YOU PEEL OPEN THOSE SHIT-EATING LIPS YOU KEEP PULLED TAUT OVER YOUR DRONING IGNORANCE SHAFT.
TG: heheheh
======
CG: YOUR WORDSLUDGE SPEARS EVERY PARTICLE OF MY BODY WITH PINPOINT STRIDERIAN IDIOCY.
TG: oh shit here we go
CG: A VERBAL BARRAGE THAT PULVERIZES MY FLESH INTO A FINE RED MIST, KILLING ME INSTANTLY. WIPING ME THE FUCK OUT, TO SUCH AN INCREDIBLE DEGREE THAT PALEONTOLOGISTS CAN'T FULLY DISCERN IF A "KARKAT" FUCKING EXISTED IN THE FIRST PLACE.
CG: THEY'D BE SCRATCHING THEIR NUGBONES OVER IT FOR FUCKING SWEEPS, IF NOT FOR THE SHOCKING REALIZATION MERE MINUTES INTO THEIR DEBATES THAT NOBODY ACTUALLY GAVE A SHIT.
======
CG: AND YET THE TEMPORAL DEVICE STILL SWAYS TO AND FRO IN CONSTERNATION. VEXED BY THE COMPLETE MENTAL VACANCY PUT BEFORE IT BY MY HUMBLE SACRIFICE, BOUND BY ITS COSMIC ROLE, BEGRUDGED BY MY UNSOLICITED DEATH CLOCKING IT INTO OVERTIME. IT HAS BETTER SHIT TO DO, GOD DAMMIT! IT HAS A LUSUS AND A HIVE TO GET BACK TO!
CG: "WHAT IS THIS. WHO LET THIS ASSHOLE IN HERE," IT SAYS. THEY AREN'T EVEN QUESTIONS, JUST ORBITAL SIGHS OF AN UNCARING UNIVERSE. A REALITY NOW KEENLY AWARE OF ITS OWN LAUGH TRACK.
CG: AND ITS PENDULUM TEETERS, TENTATIVE IN ITS OWN DISBELIEF AND PROFOUND APATHY.
TG: damn
======
CG: "THIS SCUMBAG ISN'T EVEN GODTIER YET," IT POINTS OUT. THE AUDIENCE FLIPS THEIR COLLECTIVE SHIT, AGHAST AT THIS REVELATION.
TG: hahaha
CG: IT WELLS UP SUCH A THRUM OF FUCKING ENNUI THAT THE TIMEPIECE FLIPS OFF-KILTER, LANDING SQUARELY IN THE "DUMBASS" ZONE WITH A "FUCK IT" LOUD ENOUGH TO REVERBERATE THROUGHOUT PARADOX SPACE.
======
CG: IT THEN ELECTS TO KICK MY PATHETIC FUCKING HALF-CORPSE BACK INTO THE LIVING PLANE AND FORCE ME, VENGEFULLY FROM THE AUDACITY OF MY OWN IDIOCY, TO REPEAT THIS CYCLE AD NAUSEAM
CG: UNTIL EXISTENCE ITSELF FINALLY CROAKS UNDER THE COMBINED WEIGHT OF OUR COLOSSAL STUPIDITY.
CG: BECAUSE WHO THE FUCK WOULD I BE IF I EVER GOT TO HAVE A BREAK?
======
TG: yep there he is thats him offincer
TG: the man after my own heart
TG: thats a karkat brand "soft yes" if i ever heard one and i know my karkatisms dude im a goddamn graduate in karkatology
TG: i got my degree in this shit
TG: im rocking up to our convos with the dumbass black square hat thing cocked 45 degrees
TG: literally incapable of snapping it back kinda by design of the stupid thing but damn if im not doing it anyways im emanating the snappitudes
TG: im rocking my intelligence right now
TG: also water is absolutely wet dude its like the wettest thing on the planet
CG: I'M NOT REPEATING MYSELF AGAIN
TG: yeah you are
CG: FUCK. I AM.
======
CG: I SAID THE LAST THREE TIMES IT'S A CONDITIONAL TERM--
TG: and im saying its common sense like being wet isnt conditional when youre the perpetual thing of wettening
CG: NO
TG: and brother it is THE wet
TG: like following your conditional argument
TG: if water isnt wet then the other water molecules are constantly making each other fuckin wet so its a moot point
TG: great philosophical debate
TG: which came first the water or the wet?
CG: DAVE
TG: think about it all those particles are wetting each other up all the time and shit
TG: its a fucked up display
CG: ARE YOU KIDDING ME?
======
TG: pretty much a perpetual orgy of the elements
CG: DUDE.
TG: that sounds kinda sick actually if you dont think about what it means
TG: h2orgy
CG: HOW MANY TIMES DO I HAVE TO VETO THIS STUPID DISCUSSION--
TG: tell me im wrong dude
CG: I'M UNIVERSE-APPOINTED TO HOVER AROUND YOU POINTING OUT EVERY DUMBASS TAKE YOU HAVE FOR THE REST OF TIME.
TG: thats so beautiful to me
TG: i could cry
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hypewinter · 7 months
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Dick stared out at the snowy landscape past the window before turning back to his new baby brother. Danny was sitting in his high chair, happily munching away at some Cheerios. Looking at him now Dick thought back to how he had come to Wayne Manor just a few months prior.
Bruce had stormed into the Manor after coming back from a Justice League mission with a bundle in his hands. Dick who had stopped by the manor to steal food catch up with Alfred had been thoroughly thrown off by his father's open animosity. He could hardly recall the last time he'd seen Bruce this outwardly furious. The man's glare alone could rival Darkseid's omega beams. As Bruce sat down at the table, the two men finally got a good look at just what he was carrying. It was an infant. An infant who was fast asleep, his soft black hair falling over his eyes. Bruce quietly asked Alfred to prepare a room as well as all necessities needed for a baby. The old butler had immediately set off to just that.
Meanwhile Dick was quick to ask what had happened but Bruce didn't say. Even when the others gradually found what was happening and asked their own questions, he still refused to answer. Not even Alfred had been told where the baby had come from. The only information Bruce had offered up was that the baby's name was Danny and he would be staying at the Manor from now on. As for the rest of the details, he claimed he would tell them in due time. But Batman's "due time" was often too late to actually do anything about it so desperate for answers, the family had turned to their own investigations only to come up with nothing.
All files related to Danny were locked behind a mountain of firewalls and Oracle had apparently already been sworn to secrecy by the big man himself. Whatever it was, Bruce wanted absolutely zero interference, so for now, the family was forced to sit in their hands.
That led till now, 5 months later. It was mid-January and Dick was on babysitting duty. Everyone else was either out running errands or on a mission. Not that Dick minded though. Danny was incredibly cute and he loved taking care of him. Besides, it gave him the perfect opportunity to get Danny to see him as the favorite brother. Still, Dick couldn't help but feel couped up today. Maybe it was because it had been snowing the last few days leaving both boys alone in the giant manor all day long.
Dick stared wistfully out the window once again before an idea dawned on him. He turned back to Danny who had stuffed the last of the Cheerios into his mouth along with his entire hand.
"Hey Danny. Wanna have a snow day?" he asked cheerily. The boy cocked his head at Dick, hand still in mouth. Dick smiled wider. "I'll take that as a yes!"
Dick hoisted Danny out of his high chair and carried him upstairs to his room. After he set Danny down in his crib, he grabbed all the gear he needed. He picked out a long sleeve shirt with a cartoon star and big bold letters reading "You're a Star!" He also grabbed long socks, some elastic pants as well as jeans, a scarf, a blue beanie, and a pair of cute little mittens.
It didn't take long for Danny to be fully dressed for the outside elements. Though after Dick finished putting his shoes on, he squirmed a little and made a face.
"I know I know," Dick cooed. "But I'm pretty sure B. would make an exception to his 'no killing rule' if you got sick on my watch."
Dick admired his handy work for a minute (taking dozens of pictures as he did so) before picking his brother up and heading downstairs. After a quick pitstop at the door to grab his own jacket and gloves from the coat rack, he opened the door and greeted the chilly air outside.
Danny giggled as he reached up at the snow while Dick circled around to the side of the manor.
"Bitey! Bitey!" he squealed.
"Yep, Bitey," Dick replied with mild confusion.
Danny would say random things like that sometimes, forcing the world's greatest detectives to put their minds together in order to figure out what he was talking about. One time he just wouldn't stop saying "Em". It took everyone a whole day to realize he was referring to music. And an extra two days to figure out he was specifically referring to pop music.
Oftentimes he would call Barbara "Jazzy" and Duke "Tuck". On occasion he would even call Cass "Sammy". Every time he called something a new name, it was a race to figure out what he meant. Each time they figured out a new word, Bruce's face would darken and he'd disappear off to the Watchtower for the day. Something that was really starting to drag on Dick's nerves. It was like it was physically impossible for that man to share information.
Dick was startled out of his thoughts by a tug at his jacket and looked down to see Danny staring at him.
"Sorry sorry," he said with a smile. "Lost in my thoughts. Forgive me?"
Danny put on a pout but Dick knew by now that it was fake. One could tell by the mischievous look in the boy's eyes that he just couldn't hide. "So be it then!" Dick declared before pulling Danny close and snuggling into him. The boy shrieked as cold nose touched warm neck. "Fo-give! Fo-give!" he cried.
"Aw thanks," Dick said as he pulled away. Danny giggled again, his bright blue eyes crinkling with laughter.
The pair walked around in the snow for a bit longer before Danny started making grabby hands towards the ground. "You want down?" Dick asked. Danny nodded energetically.
"Alright."
Dick carefully set Danny down in the snow. The boy excitedly wriggled before putting his hands down to the snow. As Dick watched, there was a burst of light and suddenly there was a semi circle of ice, radiating out from their position. Dick stared at the ice in shock. Danny turned and blinked up at Dick, almost as if he were in shock too. But he very quickly went back to playing in the snow. Dick swallowed. Sure they all knew Danny had powers. It was pretty obvious when the third day there, he floated up to the ceiling. Still though, he highly doubted ice powers was up there on anyone's list of "abilities our new baby brother might manifest next."
Dick was so shocked all he could manage to utter was, "Huh. That's new."
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ofloveandstardust · 2 months
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A/N: I saw that Cain and Abel aren't like present in the show and I know they're technically Adam and Eve's kids, but let me have this please— I just wanna gush about this since it's been invading my mind.
cw: fem!reader (no pronouns, but reader is called wife/mama/mommy/mother)
Imagine: Being Adam's wife and having two sons with him.
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I can definitely see him being excited over having sons. Like, hell yeah! But but but also— I have this feeling in my gut that he'd be okay with being a girl dad, sooo after having your sons he's just like "Wifey, Sugartits, Babycakes—" Any nickname under the sun until you finally ask him what he wants and he just says he wants a daughter.
You can't tell me he didn't name Abel— and 💀 It's even funnier since Abel does have a little more resemblance of his father than Cain does. Cain was named by you and looks more like you. However, you can say his attitude is similar to Adam's. I can see them both having Adam's eyes when thinking up of how they'd look, but I'm leaving things up in the air. Just for this, because I think it'd be neat, the boys are twins. Cain is the older twin while Abel is the younger one.
Cain is kind of a menace...but still a good kid. He always pulls that "Because I'm the oldest" card with Abel and if he ever whacked his brother and he started crying, Cain immediately does that thing where the sibling just panics and stops them from crying or else he's getting in trouble with mama and papa. He teases his younger brother, but will get upset if anyone tries to bully Abel. Oh, but the biggest menace he is towards? Adam. Cain doesn't hate his dad at all. No, he just prefers you more and lowkey is a mama's boy. Adam can have Mr. Perfect (Abel), but he at least has mama.
Then Adam just straight up has beef with his own son 💀 Because Cain takes up your time and he swears the little shit is taunting him when you're not looking. Cain comes up when you and Adam are kissing or anything like that, holding his hands up like, "I want Mama's kisses too... 🥺" You can't resist because that's your baby and he's so adorable. There's this stare down between Adam and Cain...meanwhile Abel, being the good bean that he is, waddles towards you all and goes, "Mama! Papa! Look what I drew! :D" and it's just a sweet little drawing of him, his brother, you and Adam.
Speaking of Abel, he's a good boi. Cain calls him Mr. Perfect sometimes because Abel has some natural talent. He's especially good with music, much to Adam's delight. Still, he looks up to his brother and despite Cain's jealousy, they do get along nicely. They have this little game where they're building their own city and decide over several elements of it. Abel somehow always brings sheep into the mix, but his brother isn't complaining.
Abel doesn't play favorites and says he loves you and Adam equally. He always wants to make sure the two of you are present at the same time when showing his accomplishments or what he's found. Speaking of which, he has special interests that last for a while until he moves on to another one or some just last a very long time. An example would be sheep, as mentioned before. He even has a lamb plushie (I can see him watching Lamb Chop's Play Along and loving the show). Cain knows how precious this little lamb is to Abel and will raise chaos if it ever gets lost or stolen (he calls the plush "The Chosen").
Here's a funny little thing: the boys not recognizing Adam in the mask he wears. From the day they were born, they always saw their father without his mask and have grown used to seeing his actual face. One day, they ask you where he was and you tell them it's work related but he'll be back to teach them some new songs. Just imagine Adam coming back, calling out that he's home, which cause the boys to rush up to him. Then they just stop because... "Mama, who's this stranger in our house!?" Abel literally starts crying— saying this isn't papa. Meanwhile Cain's mind immediately says violence is the answer (thanks, Adam). You have to calm both boys down and explain to them about the mask.
Flight lessons are stressful. It all started when Cain began jumping off of the furniture and escalated to him jumping off the bunk bed (because it'd be adorable for them to have bunk beds). So, it seems like it was time to show the boys how to use their wings. It's harder than it looks. Abel isn't okay with jumping off from anywhere unless Cain is going to jump with him. Fine with his brother because he enjoys doing this. Eventually, they're able to fly and it's a joy! They can fly around Heaven with you and Adam and it's absolutely adorable.
Cain and Abel have different ways to refer to you and Adam. Cain calls Adam 'dad' or 'papa' but does call him 'father' when he's upset or serious. Meanwhile, he calls you 'mama', 'mommy', or 'mom' (mom is more frequent when around others or strangers) and it's rare when he calls you mother. Abel just calls you two mama and papa. He'll only use mother and father if he's around people he doesn't know or meeting for the first time.
I have more thoughts about these little beans such as how they are around Lute (#1 and only Babysitter), Emily (Abel affectionately calls her Auntie Em), Sera and possibly Lucifer and Charlie (because you can't tell me Adam would not brag about having kids 💀). Like, I can see Cain being brutally honest when he first sees Lucifer because he's that type of kid. Will 100% make a comment about the man's height. There's also the fact that both boys are into music like their father. Abel once asked, "So if that's Queen, then who's the King?" when Adam tells them about Queen. Also, I can very much see Cain getting into gardening. If you want more of these then let me know!
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1000sunnygo · 1 month
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Law's artist side isn't talked about enough, so here's a smooth brain ramble.
He prefers abstract arts over realism. Unlike Kid who forms animal or skull figures with metals, Law creates strange 'sculptures' with his victim's bodies/belongings:
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And, of course, the tattoos.
I like how all of his tattoos accentuate the shapes of his torso and arms, especially the joints and muscles. Combined they look like a single stylized drawing of human upper torso.
Seen theories that the tribal style could be a lost trend from Flevance (as seen on the arm of a miner in his flashback), but it could just be his personal style. That said, his upper arm's heart tattoos look similar.
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(Something that artists probably noticed long ago but I'm only noticing recently: Law's upper arm's tattoos have been simplified over time. There used to be two spiral-like protrusions, but Oda has been omitting them in later arts)
The "DEATH" tattoos have a straightforward message. According to the Law novel, these were his first tattoos.
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Speaking of death, ghosts and spirituality have been implicitly a theme for Law, especially during Dressrosa. Doflamingo referred to Law as Cora's 'vengeful ghost'. Law's (cursed) sword Kikoku's name means 'wailings of a restless ghost". Ironically, Law having a hidden name was also a tradition that related to dead people.
The orange jolly roger (red in the sail) could be many things, I think it's a stylized way of drawing the sun.
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Sun symbols are everywhere in the One Piece world. Law's lower arm tattoos are different types of 'suns'. Law might've subconsciously carried those symbols from his hometown for their aesthetic appeal.
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The tattoos on the back of his hands reminded me of the church lady's cross, which is slightly different from the cross seen at Kuma's church. It's possible that various faiths in One Piece world are interconnected, leading to a prophecy about the sun god and Dawn. Law, at the very least, believes in the will of D and his own fate being tied to a purpose.
The chest tattoo, clearly a tribute to Corazon, could have some elements of catholicism. Kikoku also has crosses all over its sheath. Originally this wasn't my observation, but Law seeing Cora as a sacred being makes a lot of sense.
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Carving a heart at the dead center of his chest by creating small wounds - the process itself reminds of Cora doesn't it
The custom-made Dressrosa coat is another tribute to Corazon, but IMHO he designed it specifically for Doflamingo, as a mockery.
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A cross and circle like dangling a pistol target for Doflamingo's shooting practice, with a grinning face copied from Doflamingo's own jolly roger, but it's Corazon. Like his brother has returned to face his pistol again. A vengeful ghost indeed
And boy did it work...
Doflamingo shot it until the mark was completely drenched and unrecognizable.
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Assuming he draws for all of his clothes himself, here's this masterpiece:
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Or maybe it's gifted by his crew mates. Either way, it's adorable.
Since he's a surgeon (and a comic nerd), he should be skilled at drawing human anatomy. How does he draw realistic arts? Does he doodle while taking notes?
We've seen his handwriting in punk hazard arc and it wasn't particularly stylized. Regardless, it'd be nice to take a proper peek at his notebook.
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yangsharperavery · 11 months
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my carmy/sydney related thoughts on season 2
i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.
it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.
i personally thought there was so much fascinating groundwork that was laid.
we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.
i was not shocked, i was not surprised. i literally expected it.
doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.
but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.
let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.
we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.
he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.
we know this man is intensely grief-stricken and also that he's battling his own mental health.
we also know he's literally been bred from chaos and emotional tumult.
even him not going to his own brother's funeral makes so much sense after that christmas episode.
he couldn't stand to witness what that type of grief had done to his already deteriorating mother.
so he's trying to conceptualize fun.
notice he wasn't trying to conceptualize love or relationships or a partner.
it was literally presented and integrated as fun.
so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.
yet she persists.
so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.
so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.
claire even brings up the fact that they'd hung out so much but didn't actually talk.
which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.
but you know who carmy DOES talk to? hmm, more on that later.
so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.
him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.
so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.
and completely separate from sydney.
it's not earned. it's not rooted. it's not tacitly valid.
it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.
and i think it's written that way on purpose!
so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.
i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.
carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.
as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.
she told him she didn't want to share his attention.
he told her she was absolutely correct and that she deserved his full focus.
what's fascinating about this part is they aren't even explicitly talking about the restaurant.
she says "me" and "i", he says "you".
uh. wow.
now even in the context of JUST the restaurant this is saying ALOT here.
him instantly apologizing and agreeing with her requests means a substantial amount.
carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.
carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.
that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.
that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.
he's not being malicious or cruel or even unkind to sydney.
and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.
and yes, his timing is godawful.
but he trusts this person so implicitly because he knows how talented and capable she is.
carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?
"this is what you wanted originally and i'm giving it to you."
so let's transpose the way carmy and claire are presented with how carmy and sydney are together.
he literally can't WAIT to hear what sydney has to say. about literally anything.
at any given time.
"say more please."
all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.
he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.
i don't even think it was restaurant related.
he brings up her mother not once, but twice.
he feels like he should have known that sydney lost her.
he wants to pour into and believe in her because he does. he already does.
he's ready to apologize to her because he knows what a mess he can be and often is.
he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.
especially after she walked out last season.
he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.
he has this propulsion to NEED to know what's happening with her in the very moment something occurs.
he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.
he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.
"what?"
"i'm saying goodnight."
he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"
he can't stand it!
same with them outside last season when he brought her food and asked what was wrong.
if something is up with her, he reacts immediately.
if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.
sydney is his soft place.
he feels very anchored and tethered to her and i believe she feels the same with him.
sydney is his respite. his peace. the thought of her literally calms and stills him.
her being energetically seats him.
we saw it penetrate his seismic and consistent panic in real time.
that was clearly displayed for all of us to witness.
he doesn't want to be cruel or unkind or anything other than present and communicative with her.
i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.
now sydney is in her "i have something to prove" era.
she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.
at the very least, it's incredibly risky. it's a jump.
and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.
because she knows what it often means for someone like her.
that's why she overextends herself so continuously.
she's often had to and she thinks it gets her closer to the opposite of failure.
she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.
and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.
she has feelings about that.
she finds out why he did, and TRIES not to have feelings about that.
that's confusing and she's already beyond stressed out so she tries to stuff it.
her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.
so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?
she has evidence of that being true in the past.
she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.
and that's also why she picked carmy.
because she was always going to pick the best.
she was always going to follow the career and moves of the standout in the industry.
of the person that made the best meal she's ever had.
so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.
she chose him. and then he chose her.
(and then she lightweight chose him again when she came back)
so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".
or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.
or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.
then he STAMPS this by saying "i wouldn't WANT to do this without you."
there was such an unexpectedly, viscerally aching quality to that exchange.
it's honestly searing.
i'm sorry are these wedding vows or are we talking about opening a damn restaurant?
or the way he says "you love taking care of people" to her when she talks about making sugar food.
that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.
they see so much of themselves in each other.
the buried parts, the unknown parts, the odd parts.
the parts they wanna work on. the parts they wanna exalt.
they are so similar. they are also quite different.
they have reflected one another in the narrative since s1 ep1.
they exist so flawlessly within the others interstices.
she wordlessly hands him pepto for his stomach.
he tells her he won't let her fail.
the pulsing undercurrent of sydney and carmy is pretty fucking palpable.
there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.
whether the writers actually go there or not remains to be seen.
i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.
ships get bypassed and messed up all the time.
i don't watch any shows for ship guarantees but i know how writer's rooms work.
i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).
or at the very least the option to have it explored.
different people write different episodes, the showrunner/creator can scratch or add whatever.
scripts are TIRELESSLY edited and shortened.
yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.
him giving her the captain reigns before they served for the first time, her saying 'let it rip'.
to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.
something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.
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spinjitsuburst · 3 months
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yesterday I was infodumping Ninjago Lore stuff to my brother and when he asked what exactly Lloyd’s powers were and I tried to explain the life/energy stuff he went “oh so can he like. heal people.”
I HAVEN’T STOPPED THINKING ABOUT IT Lloyd’s abilities should be able to heal people hear me out
I know Lloyd’s abilities aren’t “technically” just energy: they’re a combination of the main four elements (fire earth lightning and ice) but all those things combine to be what’s basically referred to as energy by everyone except the show itself
The process of a body healing a wound is obviously complicated but for the sake of simplicity it boils down to your body expending it’s energy to heal itself slowly over time. Energy is always transferable, it can’t be destroyed or created, so by expending some of his own energy and speeding up the process of one’s natural healing, Lloyd could hypothetically use his powers to heal others
Obviously I doubt they’d do that since introducing a brand new green ninja power after 17 seasons of television would be a bit weird ahdkdfkd but I think it’d be a nice thing to add to Lloyd’s character, he grew up thinking he wanted to hurt others and that was what he was supposed to do and then he realized he DIDN’T want that and found out about his powers as the green ninja but he still has to fight and use his powers in a combative manner. If he had the opportunity to not just protect, but to heal damage already done, I think it’d give Lloyd a fascinating amount of depth
Also it’d just be super cool
tldr it’s totally not canon but Lloyd should be able to heal people
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AITA for killing my character and quitting a D&D game I was part of?
Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.
So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).
Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.
My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.
So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.
I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.
The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.
It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.
Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.
One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.
T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.
So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.
Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.
The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.
I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.
He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.
The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.
I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".
This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.
I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.
Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.
So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.
Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.
TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?
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chiscribbs · 8 months
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Updated Future Donnie Concept Art!!!
So, I've been hesitant to try my hand at designing an Apocalyptic Future version of Donnie for a while, for a number of reasons - mainly that I just didn't have a clear idea of him in my brain yet and the thought of attempting to update his already pretty perfect design was highly daunting - but I finally caved and decided to take a crack at it. A couple months and several revisions later, I'm actually genuinely happy with the result. I'd still consider this "concept art" more so than a final design, elements of it could definitely be improved, but I really do like the concept as a whole - I think it could work!
The main goals I had in mind while working on this were: A. Must fit the character/look like something Donnie would canonically wear and still be easily recognizable. B. Must work in the Rise world & style (i.e. not be overly detailed or have too complex a silhouette.) C. Must fit in with the other (canonical) Future Rise designs.
I was also thinking about what problems Donnie might be trying to solve, which is what inspired the belt (more info on that below). All-in-all, although there might still be a few kinks to work out, I think I managed to come up with a pretty solid base design for my favorite Warring Warrior Scientist (Jr.)
Some additional character tidbits under the cut.
Also, I can't draw mechanisms to save my life, so just pretend those vague ninpo-gun-things make sense lol
Donnie has a mechanical prosthetic leg. How'd he lose that leg? Up to interpretation - my working theory is that it was a minefield accident that occurred when he was trying to blow some Krang dogs to Timbuktu. Naturally, since it's Donnie and they are in the midst of an alien apocalypse, he designed the leg to do a whole lot more than just help him stand without falling down. It's a multifunctional tool that contains a plethora of secret uses - including, but certainly not limited to, sawing off ugly Krang faces. It's essentially his new tech bo.
Bonus leg tidbit: Casey Jr. saw him deploy the saw blade in battle once when he was little, he then proceeded to beg for a saw-leg of his own to fight the Krang with. Donnie, realizing that amputating a perfectly healthy child's leg is probably not that most morally acceptable option, instead made him his own "sawing stick"(AKA, his motorized hockey stick)...which the others then made him wait until Casey's 10th birthday to give him.
The belt that Donnie's wearing here is a prototype of his latest invention. Its intended purpose: to deflect the Krang's mystic-blocking attacks, allowing them to use their ninpo in close combat. It took a lot of risk-taking to collect the necessary information to create such a device, and he experienced a number of way-too-close calls (one of which may or may not have resulted in that large gash across his plastron), but he finally managed to crack the code and pinpoint the frequency of the Krang's sound waves. He's testing it out right now to make sure that it works and is safe to use, but once it's out of beta, he plans to mass-produce them for every mystic-wielder in the Resistance to use in battle. He believes it could turn the tides of the war...unfortunately, the device never makes it out of beta, as he dies before its completion.
Donnie's gloves are fashioned after the ones his dad used to wear in his Lou Jitsu days (with some modifications, for comfort and to make working with screens a little easier and less annoying.) The material they're made out of is far more durable, of course, since he's working with them near-constantly and under varying conditions. But maybe he designed them to look like this as a way of keeping his dad's memory close, similar to Leo's sword hilt?
Ironically, Donnie uses his ninpo probably the most consistently out of all the brothers (even though Mikey uses his to the greatest extent, hence his rapid aging). He's constantly using it to check on the base's security status and multitask while working on other projects. Because his ninpo takes a good deal of brain power to operate, it puts a significant amount of strain on his nervous system and this causes frequent complications. Seizures, spasms, and blackouts become a semi-regular occurrence - especially in the latter part of his life. Donnie does his best to manage them, but the workload makes it almost impossible to do so properly. Mikey is able to help with these attacks when they happen, but Donnie - not wanting his brother to overuse his powers any more than he is already - usually opts to just ride it out and save the mystic healing for people who need it. The exception to this rule being when he's in the middle of an extremely important procedure and can't stop long enough to let the attack pass naturally, then he has no choice but to accept Mikey's aid.
This is probably needless to say at this point, but much like Leo and his other brothers, he is a giant. Equal in height to Leo (if not slightly taller, even without the goggles.) The doodle in the top-left corner of the sketch page where he's next to April is meant to be them sitting, so don't take it as anywhere near an accurate representation of their height comparison. It is not, he dwarfs her by several feet, lol.
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strdstwanderer · 7 months
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I've seen so many fans cite the fact that Simon and Marcy's backstory was made just to explain how Ice King knew the fry song when he's never even interacted with Marceline.
Honestly I like that. But my most favorite one-off joke turned important story element has got to be Jermaine. Just Jermaine.
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He started out as just a gag character, and then came back as his own character with his own pent up issues against their father, and Finn and Jake. But what's my most favorite part about him was the line "we're just dreaming at the same time." Which later got fleshed out as a brotherly psychic connection between him and Jake.
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Honestly, I love Jermaine. He's such a good older brother (at least through his vibes, I am told Jake is older) to Finn and Jake. I wish he and Finn had interacted more. Temple of Mars was such a good episode because of it.
I also wish he met Fern. I think Fern would have been better adjusted had he been with Jermaine.
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dotster001 · 9 months
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I came running once I saw requests were open. Can I please get househusband Riddle, Leona, Cater, Deuce, and Kalim? Ty! Love your work.
3k follower Masterlist
Part One part three
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Obviously, there's no world where this man starts out as a househusband. He's a highly paid Doctor to start out. Then you two adopt a baby. After his own childhood, he wants to give a child a chance that he didn't have. While You're both working, you still have more time to spend with the baby. When Riddle finds out he misses the baby's first words, he puts in his two weeks immediately.
He's still strict, but it's in a much more manageable way. He is a good tutor though, so all the neighborhood kids come to him for homework advice. Eventually, at the behest of some very stressed neighborhood moms, he starts a homeschool group.
The house is always spick and span, everything is in place. The home, and everything in it is white or red, looking very professional.
Every meal includes the proper portions of each food group. But there's also a rather sumptuous strawberry dessert at the end of every meal. He asked Trey to teach him as many recipes as he can. But that means…some of them look really good, but every once in a while, one looks like a gooey mess. It still tastes good, but he feels self conscious about it.
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Like Idia, he's only technically a househusband. He's an influencer, and he works from home. But according to his sisters, that's not a job, so call him what you will 😡
As much as he insists he's not a househusband, he sure acts like it. He says it's for his magicam, but you've caught him dutifully icing a cake with no camera present.
Like Riddle, he's super color coordinated, there's just much more variety of colors. And every room is designed in a way that can be "cammable" at a moment's notice.
He drives to your work everyday with a bagged lunch, and makes you eat with him. He never skips a day, even if he's sick. And he always adds a cutie element, like cutting your sandwich into shapes, or drawing a picture on the bag.
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He's a trophy househusband. Not doing anything. He hires a maid and a butler using his leftover allowance from his time living with his brother.
He's never worked a day in his life, and doesn't intend to start now.if you confront him about his laziness and spending habits, he'll say something like, "Baby, my job is to be here and look pretty when you get home. If you no longer want to be cuddled, then I can start doing housework." Obviously, that's not what you want.
Tbh you have no idea what he even does all day. You leave and come back hours later to him in the same spot and same position.
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He's average.but like, in a good way.
He puts 110% effort into everything. He likes to cook, but he has a 75% success rate. He's decent at cleaning, but he breaks stuff from time to time. Sometimes it's been three days and he remembers he's supposed to walk your overweight dog everyday.
But he's so happy to do what he does. And it's human to make mistakes. Plus, Everytime you forgive him for one, he goes husband mode, and makes out with you hard. (It used to be delinquent mode, but then he realized he could use it to his advantage)
He's still a rascal, still picks fights with some of the neighbors over how he can keep the grass as tall as he wants, still gets into trouble when Ace comes over to visit. But he's less likely to beat someone up so bad that you need to bail him out again
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*Sighs* a part of you knows that this might be a game to him. But you can't really blame him.
He has enough money that neither of you would have to work in your life. But for whatever reason, you feel the need to. Perhaps it's you also playing the game.
See, someday he has to take over his father's business. So you think that's why he wants to play house right now. Because he knows one day he won't get the chance.
Jamil lives in the guestroom, and does his best not to ruin the immersion. You can usually tell who cooked dinner that day (no offense Kalim) But other than that, Kalim gets left to his own devices.
He's the kind that will wake you up at three in the morning to tell you he reorganized the kitchen. When you go to look the next morning, half of it's a disaster, the other half just doesn't make sense. But he's so proud, and waiting for you to tell him he did a good job, so he'll keep doing it.
He's also the kind that you come home, and he has a whole litter of puppies, with a pout on his face as he begs if you can keep them 🥺
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jen-with-a-pen · 3 months
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Dancing in the Kitchen
summary: After the worst night imaginable, your best friend helps you when you need him most. What you don't realize is just how much you've always needed him. or: Tony Dumps you. Steve picks you up and puts you back together.
parings: protective!best friend!Steve Rogers x best friend!f!Reader
word count: 4.9k
warnings: fluff, angst, self-doubt and insecurity, verbally abusive relationship elements, insults + language/name calling, reader cusses and so does Steve bc he can, no smut!, wearing Steve's clothes (very little to no description about reader's body so do with that what you will), intense feelings, confessions, crying, anxiety, best friends to lovers, intimate touch, VERY SLIGHT possessiveness, protectiveness, not Tony Stark friendly, cap quartet mention
a/n: these characters are out of college! It's set in their early-mid 20s following graduating and I thought it'd be a little more relatable (also since I'm not in college anymore I wanted this specific fic concept to be more relatable. self-indulgence and stuff). the cap quartet rent a house together. there might be more shenanigans in the future involving them. maybe. who knows? enjoy <3
If I've missed any tags, please let me know!
gif by @annislittleshopofhorrors | dividers by @saradika-graphics | warning banner by me ♥
my ao3 | my masterlist Read this fic HERE on ao3! ♥Reblogs and comments are highly appreciated as always♥
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Everything was cold. 
Everything was ruined.
Everything was a fucking nightmare.
Dark clouds shrouded the night sky, hiding helpful moonlight. Rain pelted at you from above, mixing with fresh tears, drenching you to the bone as cold water collected on your skin and soaked through your dress. Your hands morphed into balled fists at your sides as you shook with rage, heartbreak, and the innate need to punch something.
You couldn’t wrap your pounding head around the events of the night; everything blurred together after ten o’clock. It was like a cruel joke, one where you waited an eternity for the punchline, begging for it not to be real no matter how hard you screwed your eyes shut and prayed. 
You didn’t want to believe it, yet there you were.
It sure as hell wasn’t the first time you found yourself standing at the backdoor of Steve Roger’s house on the cusp of a breakdown– and a breakup– warring with your own body to simply knock on the fucking door. Hell, Steve was already expecting you. He knew something was wrong the second you called; there wasn’t a warning text, just you, asking in a choked-up whisper if he was home. His response spilled out in a rushed ‘yes’ before you could explain further. A ‘no questions asked’ request, something not uncommon in your friendship. Steve, since day one, was one of your main sources of comfort within a thousand mile radius. 
Now, he was your only source of comfort within a thousand mile radius. 
Remnants of the phone call from Tony only minutes earlier echoed in your eardrums like a bad case of tinnitus. Annoying, repetitive. His hoarse, drunken slurry of vicious words clawed at the inside of your skull. Another fight. Another screaming match. Another forgotten birthday– this time, it included meeting your family. You’d planned it for months prior, making sure Tony knew not to forget it.
Your insides were twisting in knots as you waited at the restaurant awkwardly with your parents, brother, and an empty seat next to you. After an hour, eight failed calls and fifteen texts later, Tony finally picked up. Delight revived the few butterflies left in your stomach, only to be crushed, turning them into weighted dread as loud club music obliterated your ear drum as he shouted at you. 
“You bitch!” he spat. “Why the ever-loving f-fuck are y’blowin’ up my phone for?!”
You didn’t have time to process what he was saying before he’d already reloaded and shot you with more.
“What the hell is sooooo important? Huh? Y-you stupid bitch! You fuckin’ knew I’m busy t’night!”
You tore the phone away. Even at arm’s length, you, and the rest of your family, could hear every single thing he spewed at you. A couple from the table next to yours stopped mid-bite to turn and throw rude looks at you and your family.
“Tony, please, I–” 
“‘Tony please’– just shut up!” he mocked. “Just shut the fuck up! I don’t fuckin’ care what you gotta– what you have t’say! I can’t f–fuckin’ stand you anymore!”
Hurt and hunger morphed into churning waves of anxiety and embarrassment. Your throat was closing. Tears began stinging your eyes. You looked between your parents in shame, meeting their stunned looks filled with pity and disappointment. Your brother refused to look anywhere but the spot on his plate where he played with his food, sadness and second-hand embarrassment plaguing his face.
Yelling, jeering, and chanting echoed out of your phone. Tony didn’t stop. 
“Y’know what? I’m not doin’ this anymore,” he slurred, gulping some unknown liquid down, swallowing, gagging. More cheering. “We– we’re fuckin’ done. You’re out. I’m done.”
The other line fumbled. You winced as you heard Tony wet his lips, preparing the final blow. His breathing became heavy, ragged, hard enough you could smell the liquor through the phone.
“Fuckin’ cunt.” 
Click.
You loathed yourself for tolerating him; the endless cycle of poisoning you, providing the antidote, and taking it away when it seemed to get better. The whiplash from his unpredictable moods and personal attacks on you hurt as bad as it felt when he’d come around with endless apologies– accompanied by flowers, cuddles, and kisses– to heal each wound he was responsible for. 
This time, though, the stab was fatal. This time, you bled out; it’d been akin to getting gutted and hung helplessly in front of your fucking family. 
A sob snuck its way up your throat. You choked it down, willing your fist to reach up and knock on the door. You didn’t understand why this was next to impossible. Steve was your best friend. It wasn’t like he was a stranger. It wasn’t like he’d chastise you or yell at you or tell you to fuck off. Yet, there was a fear, deep down, feeding on the anxiety and self-doubt in the pit of your stomach, telling you the opposite; it whispered to you, telling you to run back to your car, scream into the steering wheel, and speed off to disappear from everything and everyone for just a little longer. It’d only be until you got your head on straight, until you figured out what to do with the apartment and your classes and your stuff and–
Knock. knock. knock.
In the blur of a million thoughts racing through your mind, you automatically reached up and weakly knocked, body tensing every muscle as you waited.
The door swung open, revealing one extremely concerned Steve Rogers.
Steve panted, a result from sprinting down the stairs from his upstairs bedroom in an attempt to open the back door by your first knock. Acutely aware of his jaw hanging from its hinges, Steve’s soft baby blues bore into you, scanning you up and down, stunned at you and your dress and how desperate you looked. 
Time stopped the second you saw him; it was difficult to describe, but everything magnetizing between the two of you was different. You felt different– different in the way he was familiar and somehow new at the same time. Steve felt different– different in the way you were single for the first time in two years and he was single since… forever ago.
This time was unlike the million other times.
You both stared. Your lips quivered, his parted in disbelief. Both your minds instantly went blank, unable to think of anything to say, to do. So, the sky thought for you. It opened its floodgates, releasing a torrential downpour as you stood inches from warmth, from comfort.
“Steve,” you croaked, reaching for him. 
It was then, everything came crashing down. 
You crumbled to the ground in a heap, knees buckling while your hand and arms braced for impact with the ground. Steve quickly abandoned his tight grip on the doorframe, catching you, helping you inside. Lungs gasped for air as heavy sobs poured from your chest and tears flowed steadily down your face. You pawed at Steve’s arm hooked around you as he stumbled back into the house, kicking the door closed and collapsing onto the kitchen floor with you in tow. He immediately pulled you closer and hugged you tightly against his chest. You heaved, crying out from the painful pit in your heart, digging your fingers into his flesh, hard enough to bruise. You buried your face into his t-shirt and bawled.
All of it– the rage, the hurt, the mess of balled-up emotions from the last two fucking years– came unraveled. Hands twisted into Steve’s t-shirt, balling the fabric and pulling it taut enough to rip. 
Steve didn’t shout. He didn’t complain. He didn’t utter a single word as he leaned against the kitchen cabinets, rocking you gently, squeezing you harder as his chest rose and fell rhythmically against your pounding skull, silently coaxing you to follow his breathing. Blubbering in his lap, stringing words together became futile as thoughts became unrecognizable. Another wave of panic and anxiety crashed over you. Steve’s mumbled shushes softened you; the deep timbre and honeyed bass of his voice and vibrations in his chest grounded you, welcoming you to safety. To home. 
“Shh… don’t worry, I got you. I have you. You’re okay,” he muttered, running a hand gently up and down your back.
“I–he–bu–” you fumbled, lip quivering as another sob overtook you. Rage clawed at the walls in the chasm of your chest. You screamed. Guttural, pained. Again. And again.
“Shh… it’s okay, let it out. You’re okay. You’re safe here,” he soothed, rocking you, adding in a lowered octave, “I’m here.”
“T–Tony,” you hiccuped, fists twisting more of Steve’s t-shirt. “He–he–”
“What, angel? What about Tony?” 
“He–he c–called me n–names a–and,” you shook your head violently, “he b-broke up with me. For real, this time.”
Steve cupped your cheek, softly wiping away fresh tears with calloused fingertips. While you continued to cry in his arms, his focus turned to the back door you tumbled through. Inside, he seethed; his rage nearly boiled over at the thought of anyone doing this to you, let alone Tony fucking Stark. Out of all the things you’d told him over the last couple years– all the threats, the cruel jokes and abandonment and insults– tonight was the ultimate cherry on top. It validated every time Tony’s actions made Steve think vengeful thoughts on what he’d do if he ever got five minutes with the douchebag. Just five minutes. Alone. 
He shook the thought away, looking back down to you. The last thing he wanted was for you to see him upset, let alone remotely think you were the cause of it. He’d promised himself that the first time you met.
Tony was going to fucking pay for what he’d done to you every single second for the last two years. And on your birthday, for chrissake. 
“What–” Steve swallowed the excess rage in his chest. “What kind of names, sweetie?”
You softened, sniffling, refusing to look at him. “He called me a b–bitch, a–and,” you bit your tongue, “a… cunt.”
The moment the word left your lips, Steve fought every last nerve in him not to put you to bed, get in his car, and go teach Tony a lesson on some fucking manners. Hell, even the idea of taking Bucky and Sam crossed his mind. 
He pushed the thought away, focusing back on you. You needed him. You came to him for help. No one else but him. 
Steve slid his hand off your back and placed it under your chin, thumb and forefinger gently coaxing you to look at him. Big blue eyes swam with concern and worry. In the dark of the kitchen, they seemed brighter than ever– a beacon guiding you back from the hurricane in your head.
In an instant, everything in your head went quiet. No more muffled echoes from the phone call. No more sobs readying to burst out your chest. No more caring about how swollen and puffy your eyes were, or the drying combination of mascara and tear stains running down your cheeks and neck. Your sopping wet dress that drenched the floor, and Steve, was pushed to the back of your brain, the cold no longer leaking into your bones as he brought you back down from the ledge.
All you saw was Steve. All you smelled, all you could feel, was Steve. 
Steve swallowed. His jaw slacked, tongue jutting out to wet his lips, slowly drinking you in for as long as he was able. 
And honestly? You couldn’t care enough to stop him. It’d been so long since someone looked at you the way Steve did.
Had he always looked at you like that?
“Listen to me. You are none of those things. Not even close,” he whispered, hoping you believed him. 
You nodded lightly. “I–I know, but it hurts,” your voice cracked again, eyes drifting away from him. 
“Hey, look at me,” he tugged at your chin, “you will never be anything like he says you are. Ever. Okay?”
You stared at him. A small smile pulled at the corners of your lips as you placed a hand on his, taking it from your chin to your chest. Warmth bloomed as it rested against your damp skin. 
“‘Kay.” Barely a whisper. Enough for only him to hear.
He paused, gaze holding steady on you, lips twitching at the corners. 
“Let’s get you up ‘n out of that thing, yeah?” He nodded to your dress. “You gotta be freezing.”
Gently, he lifted you off his lap, rising from the kitchen floor and pulling you up on your feet. Your legs felt like a wobbly blend of jelly and nerves that forced you to lean onto Steve for support. He anticipated this, catching you and gripping your shoulders. You didn’t say a word. Instead, you clung to him as he guided you through the living room and up the stairs to his bedroom. You passed by Sam and Bucky’s rooms, both empty for the night, just like Natasha’s downstairs. 
As Steve rifled through his drawers and closet, your focus wandered to his messy desk: the lamp cast a soft, warm glow across the room, sitting next to history books and sketchbooks stacked high on top of one another; pencils and dirtied paint brushes littered the surface, products of his latest art assignment. His bed was half-made, dark green covers on one side neatly tucked in while the opposite was thrown aside, exposing gray pinstripe sheets. The walls were covered with scattered art– some his, others his favorite artists’– posters and pictures of family, friends, and some local bands. You bit back a smile. Memories of the shows you both went to over the last few years played like a highlight reel in your mind. You never regretted it; you never passed up a single invite, even after the time Tony locked you out for a whole weekend. 
“Here, these are clean,” he handed you a neatly folded pile of his clothes before adding, “I promise.”
A fuller smile broke across your face. The first of the entire night.
“Uh huh, sure, I believe you,” you joked sarcastically. He feigned hurt, scoffing at your false accusation.
“I did the sniff test, if that makes you feel any better.”
You giggled, taking the clothes from him and turning to head to the bathroom.
“I’ll be down in the kitchen,” he called after you. “You, um, you want something to drink?”
You paused, turning to look at him from the bathroom doorway halfway down the hall. From where he stood, the saturated pink creeping up his neck and reaching his face was more visible than the light on his desk. You couldn’t help but hold in a snicker and flash him a relieved smile, thankful.
“Coffee would be a godsend, right now.”
Steve smiled, saluting you. “Coming right up.”
You headed into the bathroom, tossing the clothes onto the counter, slumping against the door the second you shut and locked it. Finally relaxing, you realized how much tension was pent up in your tired shoulders– which, in turn, prompted the realization you were holding your breath the entire time in Steve’s room. 
Brushing the self-induced lightheadedness, you slipped the ruined dress off your body and hung it up on the shower rod. You hated the color, the texture, but wore it anyway. For Tony. On your birthday.
You cursed yourself, pulling your bra off next– a pushup that held your rib cage hostage the entire night. Just how Tony likes it. 
Or, liked it.
You silently prayed Steve included some Bailey’s in your coffee. 
Pulling on Steve’s sweatshirt, the scent of him enveloped you instantly. You couldn’t help but nuzzle into the neck of it, filling your lungs with the familiarity of Steve. He was a quiet, sunny Sunday morning and freshly brewed coffee. He was a nice night in watching your favorite movies and playing cards. 
Your head was swimming, swirling, caught up in the entirety of your best friend. He was yours just as much as you were his. Through Tony, through other guys you’d subjected yourself to the last few years, none of them compared to Steve. 
You tugged the sweatpants on, catching sight of yourself in the mirror and realizing the runny makeup staining your face. You snorted at how fucking ridiculous you looked, remembering the caked-on layers you’d put on for the evening. Again, just for Tony. The snort turned into a giggle, utterly grateful for Steve not making fun of how you looked and for ignoring the mascara stains on his poor t-shirt from earlier.
But, again, it was Steve. He’d never make fun of you. Ever.
Butterflies– the ones you’d thought were long gone months prior– stuttered suddenly, alive and fluttering in your stomach. 
You instantly recognized the feeling: it was the same you had the day you met Steve.
The same feeling you’d get on roller coasters, or reading an exceptionally good romance novel. Giddiness, dizziness. It was as if you were spinning while the room stood still. Your head felt light, high on helium. Your skin burned. Meeting your own gaze in the mirror, you scanned yourself, the question ‘is this happening right now?’ running on a loop at the forefront of your mind. 
Bzzt.
You jumped at the buzz of a text. With the trance broken, you took into account your shaking hands and the bumping tempo of your heart. Turning on the sink, you made sure the water was as cold as possible before cupping some in your hands and splashing your face. Refreshing. Needed. You rubbed the rest of the runny wakeup off your skin, stuffing your face into the fluffy hand towel and silently promising to get the boys a new one. Picking up your phone, teeth chewed on cheek to hold in your smile at the sight of Steve’s name on the screen.
⍟ Steve: You doing OK? Coffees ready 
You looked at yourself in the mirror.
“You got this,” you told your reflection. “He’s only your best friend.”
The butterflies continued to multiply, bumping against one another, fluttering and escaping out into your chest and your limbs. 
“Fuck.”
You opened the door. 
⋆˙ઇଓ⋆⭒˚。⋆
“I was beginning to think you climbed out the window up there,” Steve quipped upon seeing you round the corner into the kitchen. He couldn’t help the stupid grin spreading across his face when he saw you in his clothes. You looked more relaxed, more comfortable.
More like you. 
You noticed he changed, too, donning a heather-gray t-shirt that clung to his torso in all the right ways– ways you hadn’t noticed before.
You mentally scolded yourself.
“A–Almost. But I’d never pass up a cup of world-famous Rogers Roast.”
“Wow, world-famous? I would’ve preferred universally-renowned, but I’ll take it.” He held a mug out to you, one faded with a ‘I ❤ New York’ logo– the one you’d gotten for him during your senior-year college internship. “Made it just how you like it.” 
He paused as you took a sip. You could feel his eyes on you, watching you, biting his lip in anticipation as you drank. The coffee tasted like liquid gold, warm and comforting and all-around delicious. You didn’t care if you burnt your tongue. This was what you needed. 
He was what you needed. 
Was he?
You looked back up at Steve. His cheeks flushed as he pressed his lips together, entranced with the mug in your hands, eyes ever-so-slightly flitting from it to your lips and back again. 
“Thank you, Stevie.” 
“You’re welcome, angel.”
You pinched yourself, then took another sip.
Silence fell, comfortable and calm, as you both nursed your drinks, checking your phones and letting time pass. You didn’t care to check the clock. 
Steve cleared his throat and set his phone down. 
“So, um,” he began. “What else did you have planned for your birthday?” 
His voice was low, tender, careful with the question so as not to upset you. He was curious, however, and determined to see exactly how much Tony fucked up your night.
And your life.
“Oh,” you swallowed, chewing your lip in an attempt to remember what you’d originally planned.
“He was, ah, gonna take me dancing. After dinner, after he,” you took an unsteady breath, “after he met my family. It was the one thing he told me he'd let me do after dinner.” You shook your head, adding under your breath, “besides him.”
Tension seeped into the space between you both. You didn’t want to meet Steve’s stare; it was the one you’d always see whenever you told him about Tony, one filled with anger so palpable it made his arms flex subconsciously, one he thought he hid well enough so you never saw, but you always did. Without looking up, you already knew his jaw was clenched and his shoulders were stiff and his eyes bored a hole into the wall behind you. Butterflies started to somersault, crashing into the waves of worry and anxiety. 
“Why?”
You looked up. Blue eyes. Stormy, swirling, stubborn.
“What?”
“Why did you stay with him?” Steve asked steadily, voice barely above a whisper. His Adam’s apple bobbed.
You paused. “Because he wouldn’t let me leave.”
“I could’ve helped you. We could’ve helped you,” he gestured vaguely to the rest of the house.
Your teeth tore into your bottom lip. Don’t cry, don’t cry, don’t cry, don’t cry.
“I–” Steve sighed and carded a hand through his dirty blond hair, frustrated, trying to keep his promise while also appealing to you and balancing the fragile tightrope you two stood on. “I care about you, angel. I care about you so fuckin’ much. I just wanna know why. Why he was– why you were–”
“I–” Don’t fucking cry. “I was trapped. Every time I tried to leave, he’d tie me down more. It… it wasn’t as easy as you fucking think, Steve. Rose-colored glasses, wool over my eyes, wolf in sheep's clothing, that sorta thing, ya know? These last couple years, I… I don’t know why tonight was it, and I don’t know how I was able to get out, and I just… I don’t fucking know. I don’t. I–” 
You felt tears again. 
“I– Angel, I wasn’t trying to–”
“No, I know,” you cut him off, setting down your mug to rub your face in your hands. “I know. But I need you to understand that I– God, my fucking brain feels so scrambled. I just feel so confused, I feel like I’m going insane right now. Fuck!” 
You tried to calm down, taking deep breaths to feed your strained lungs, holding on to each before exhaling. In, hold, out, repeat. 
The room was spinning again, whirling around like a sick carnival ride as your center of gravity began to give.
As you braced the counter, strong hands and warm, muscular arms engulfed you, lifting you back from the countertop and guiding you into the middle of the kitchen. Steve pressed into you until you relented, reaching your arms around him and pulling him closer. The tension in your shoulders melted, migrating to your chest where your heart surged the moment he touched you, where it pounded against your sternum, threatening to break out of its marrow cage. You inhaled him, savoring him, feeling him all around you.
Slowly, delicately, Steve unwrapped from you. He was careful with every touch, as if he would shatter you– even though he had no problem with putting you back together again. He’d done it a million times before, and he’d do it a million times again.
He’d do it all again for you. 
Steve carefully slid your hands from around his center, placing one onto his shoulder, then– nervously and ever-so-slowly– he held your other hand out, sliding down your forearm and entwining his fingers into yours. His free hand fell softly onto your waist, fingers absently and lightly kneading the fabric and skin underneath his palm.
“May I have this dance?” he whispered.
You looked up from the floor to Steve, speechless. You nodded.
Then, he started to sway. He guided you both, rocking side to side to an unheard rhythm and subtly spinning in unison under the soft glow of the kitchen light.
He smiled softly, boyish and genuine, with admiration and tenderness in his eyes. Something gentle and kind, something about the feeling and the familiarity of it– of him– sank into you the longer you looked at him. Your focus shifted around the features of his chiseled face. You recognized the light freckles stippled across his nose and cheeks leftover from the summer; the scar on his earlobe from the night Natasha drunkenly dared you to pierce his ear and failed; the faint worry lines sculpted into his forehead he inherited from his father; the soft, full pink of his lips that innocently parted when you caught him staring at you.
It was the feeling that felt foreign to you; the one missing from your life after the last two years. But, it wasn’t missing. It had been right in front of you the entire time stealing glances, accidental touches, and irreplaceable memories.
Steve had been there. 
Steve had been the one looking at you like that for the last two years. 
He wasn’t missing. He was just waiting his turn. 
And, judging by the realization that washed over your face, his waiting was over. 
Steve's smile widened as he squeezed your waist, wordlessly confirming the thoughts running rampant in your head. His Adam’s apple bobbed as he swallowed the ghost of a cry, blinking away tears forming in the corners of his vision. 
Your lips trembled as you smiled back. Slowly, you snaked your hand from his shoulder to his cheek and cupped his face. He leaned into your touch instantly, stubble and skin rubbed against your palm as he kissed it lightly. The press of his lips sent a spark coursing through your veins, electrifying your body and the air around you. The two of you continued to sway while the kitchen spun faster, a blurred whirlwind while you both remained in focus.
“When?” you asked, voice barely audible.
“Since the day I met you.”
“Why didn’t you–”
Steve shrugged. “I wanted to get to know you first. Didn’t wanna be some random dude who just wanted you for your number. You seemed too special to rush into something. Still are,” he sighed. “I wanted to be your friend first, but before I could muster up some courage, Tony swept you out from under me.” 
Guilt crawled up your throat. “I– I’m sorry, Stevie.”
He stepped away from you, twirling you, then dragged you back to him. You could’ve sworn your heart stopped beating. 
“No, baby, you don’t have anything to be sorry for. I promise. I–” his voice broke. “I wanted you to be happy. I want you to be happy. I just– I wish I did more for you. I should’ve done more for you.”
He tilted his head to the ceiling trying to stop his tears from falling, but you pulled him right back down to you. 
“Steve,” you started, keeping on his baby blues while your own voice struggled to remain steady, “you’ve done more for me than anyone else in the entire world. Hell, in my entire life. I just lost the last two years of my life suffering with someone I thought I loved. Who I thought loved me.”
You brought your other hand to his face. “You did all you could. I just… I thought it was gonna get better, you know? I thought, I hoped– God, I even fucking prayed– that he’d get better, but he didn’t. Nothing did. And I couldn’t find a way out. It’s like he conditioned me to believe he was the only one I had, like, he was the only one who’d ever save me.”
Steve frowned, but nodded in understanding. 
“I’m glad you came to me. Not just tonight, but every night. It was like reassuring me that I didn’t totally lose you, or like I never totally lost you.”
“You’ll never lose me, Stevie.”
His face, red-hot underneath your touch, moved closer to yours. You couldn’t tell if you were pulling or he was pushing. His hands gripped your waist the tighter you held his face, the two of you crashing into one another in slow-motion. The light above you grew brighter, the humming of the appliances was getting louder, the room spun at an infinitely unfathomable speed. 
You crashed together. 
Soft lips– softer than either of you could’ve ever pictured feeling– fit together like the perfect puzzle pieces. Neither of you moved, staying locked together until your hands slipped around his neck, pulling him closer and smashing his nose into your cheek. His grip became bruising as his fingers kneaded into your waist, steadying himself with your hips. You felt another surge of electricity as his tongue jutted out, parting your lips and swiping along the bottom before retreating back behind his.
He tipped you backwards on your heel, smirking against your lips as you flinched and grabbed onto the collar of his shirt. 
Setting you upright, he pulled away from the kiss and whispered, “I’ll never let you go.”
“Never?” 
“Ever.”
You kissed him again, and the butterflies went wild. 
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withdenim · 1 month
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I think it’s time I introduce my doomed ancient yuri to the ninjago fandom. I’ll leave the story under the cut if anyone wants to read it 💜 it includes my Wojira backstory and why I draw Nyad as oni
Wojira is the younger, less powerful sister of firstbourne, I think. Wojira and Firstbourne we’re both chill with Oni, but Firstbourne was more Reserved about it . Like, she didn’t enforce weird rules or anything but she also . Didn’t stop her kids from being really awful.
Wojira spent more time with Oni than other Dragons. Even her kids (wind and water Dragons) were sort of weird about it. She didn’t really like the sort of power hoarding attitude of the other Dragons and decided to teach them a lesson about it.
When the first master was born she realized that Oni blood COULD bear elemental magic, and she took in two Oni kids (Nyad and her brother who I made up and haven’t named yet lmao) and gave them wind and water (separately) magic. And the other Dragons were VERY mad about this. They thought it was disgraceful.
They tried to get Firstbourne to banish her . Firstbourne refused and so her kids just all worked together to banish her instead. And sort of gave her a fucked up cursed eternal headache (in the amulets) Whoops . Nyad and her brother followed Wojira into the realm of Ninjago and tried to ease her pain for years but eventually it just sort of broke her mind and she started laying absolute waste to everything.
The FSM goes through his whole story (still figuring out details of it in my headcanons) and comes to Ninjago, desperate for a new home. And Nyad and her brother (I really need to name them DIFNDKFM) are scared of him at first. But he shows them his elemental magic and they realize he’s like them (Oni with elemental magic). And they bond over that and tell him about Wojira. The first master decides to help Nyad convince the Merlopians and Islanders to resist Wojira and hopefully bring peace to the realm.
Over several months they become good friends, and they often calm Nyad’s brother by making beautiful little worlds out of their elemental magic for him. And the FSM promises that one day Ninjago will be safe like these worlds, and they’ll all be able to live there.
And these very very lonely people have made a little family.
Of course, the Oni hunters are sent to track down the FSM, and Mystaké is the first to find them. She announces herself and demands the first master return with her. He begs to stay just long enough to make this world safe for the people there, and she reluctantly agrees when they show her the safe world they’re planning to build. It looks beautiful.
Mystaké joins their efforts, hoping to speed along the process of the first master’s return to the first realm, but she finds herself amazed by their magic and (worse) deeply fond of the little trio. She falls in love with Nyad, and starts letting herself indulge in their hopeful fantasies of a safe world where no one will find them. In this time, Nyad gives the FSM a name of his own to use when they have their safer world. Hajime.
When the preparations are as ready as they’ll ever be, the Battle of Nine Days begins. On the eighth day, Nyad’s little brother (who wasn’t even fighting) is struck near-fatally, and Nyad launches a risky attack to try and end the battle once and for all. It’s unsuccessful, but she realizes Wojira’s weak spot. Like in canon, she merges with the sea, desperate to give the others a chance at the world they’d all hoped for, and hoping that her brother could be saved if the battle ended and he could get proper help.
She knows she should kill Wojira, but she can’t bring herself to. And instead of killing her she decides to take the amulets, and send Wojira into a deep, painless sleep, hopefully eternal.
Hajime is devastated by Nyad’s death, and though Mystaké grieves her as well, she’s a lot more accustomed to death, and watches her go, surprised by the ache in her heart.
The brother lives, but passes on his element very soon after the events of the battle, sick of it’s consequence. Hajime builds the new world and appoints new masters, though he doesn’t know where the water and wind elements went (not his domain). Mystaké never even brings up the idea of taking Hajime back to the first realm again, and protects him from other hunters when she can. Hajime lives a long long time before choosing to pass on and find peace for himself. Mystake lives another thousand years, farming strange enchanted teas, occasionally a companion to Wu and Garmadon.
In Hunted, she confides in Lloyd that if or when she dies, she would like to be sunk into the sea where the battle took place (not that she tells him the story. Just the location), and Lloyd thinks it’s just some weird senile old lady talk. But when she does die at the hands of his father and the Sons of Garmadon in Hunted, Lloyd doesn’t get a chance to row her out until after March of the Oni.
She liked Lloyd. He was a lot like Hajime.
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