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#such a camp movie but its so goddamn good
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For those wondering what a "Tingler" looks like...
The Tingler (1959) // dir. William Castle
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mcwexlie · 10 months
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goddamn that was disappointing
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qwertycake · 10 months
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cute squishy platonic otp prompts :) very fluffy and good smiley face
FOUND THESE ABANDONED IN MY NOTES FROM 2021! Some of these are very specific so feel free to alter them to suit your situation/tastes. Some of these are more targeted towards the mundane “imagine this” scenarios which aren’t great for writing an extended piece about but they can still get your creative juices flowing. These are all geared towards platonic and squishy, but I suppose they could be used in other contexts too. Enjoy!
“You’re very good at that instrument, Person A, but please put it away it’s two in the fucking morning” AU
“We went out to stargaze but you keep saying that every cluster of stars is Orion’s belt and I’m starting to think you’re trying to impress me with the astrology knowledge that you don’t have” AU
“You walked into our house/apartment/whatever sopping wet from the rain because you forgot your umbrella, here’s a towel and I’m making hot chocolate by the way let’s watch movies” AU
“That’s a cute bouquet and all but why are the neighbours’ gardens barren” AU
“We’re playing smash bros together on the couch and I’m teaching you to play and you kick my ass and the worst part is that I wasn’t letting you win” AU
“The party’s over and we now have a ton of helium filled balloons hey what if we drank the helium and prank called people come on you know you want to” AU
“We went to a rocky beach and now have a rucksack full of cool rocks that we’re never gonna use” AU
“Look I know it’s two in the morning— hey stop asking how I got in your room that’s not important— I need you to make a Hot Wheels track with me” AU
“We both keep dream journals and are sharing our weird dreams” AU
“We’re performers waiting outside the venue because we’re tired of the loud noise and need a breather, also hey is your group also going to the McDonalds afterwards? I’ll see you there” AU
“We’re camping and a random dog/cat just waltzed up to our tent and we don’t know where their owner is so we have to take care of it in a really small space oh my god” AU
“We’re both isakaied away into another world but you became a cool mage and I’m just Some Dude” AU
“We’ve been trying to get this goddamn plushy from a grabbing machine for literal hours to the point where we broke it and the poor worker, person C, just walked up and unlocked the chamber and gave us the plushy out of pity” AU
“We’re at a library and I’m intimidated because everyone looks super stoic and serious but then you waltz up to me with a kids encyclopaedia of dinosaurs and ask me which one’s my favourite” AU
“We’re having a snowball fight but we both can use insanely powerful magic and end up wrecking havoc on the whole area” AU
“Oh your winter clothes got wet, here have my hat and gloves I don’t feel cold— in fact you know what let me warm your hands for you, give em here” AU
“I’m driving us home from the airport/ferry port/whatever and its late and we end up falling asleep in the car park of a service station. You wake up before me and buy me service station food for a three in the morning breakfast and it’s really sweet until we realise that we still have an hour to go before we’re home ugh” AU
“Can you catch the bus with me I’ve never caught it before and I need to get used to it” AU
“We’re astronauts and we’re going into space together and it’s really scary but you’re pissing me off already and we’ve barely gotten ready for launch fuck” AU
“We both crash landed from a plane into a woodland and are staying in an abandoned shack and chatting over a can of warming beans” AU
“We’re in control of making the new universe and we can’t agree on anything stop putting cat ears on the humans and take this seriously goddammit” AU
“I work at a drycleaners and you’ve been bringing your bodypillow/ahaego hoodie/whatever here for the past three days and I just want to know why please you’re killing me” AU
“There’s only one bed but we actually get gradually more pissed off at one another as the night goes on because you kicked me and I took the blanket and whatever until I cave and sleep on the couch, but you make me breakfast in the morning so all is forgiven” AU
“You look depressed here have a bathbomb go have a bath I insist do you want wine” AU
“You’ve never made a pizza from scratch before? Here let me show you how” AU
“You’ve never played hop scotch before? Here let me show you in public” AU
“You’ve never built a death ray before? Here let me show you— hey hold on stop screaming it’s pointed away from you it’s pointed away” AU
“Mario Maker: Endless Easy” AU
“Whenever we go out to eat you always tell the staff that it’s my birthday when it isn’t and I always get happy birthday sung to me and I hate you now pass me that slice of cake goddammit” AU
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nothingenoughao3 · 7 days
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favorite horror film you just recently discovered
(From this meme)
Uuuuuuuh yeah that's Re-Animator.
Writing tons of porn fic for it, watched it probably fifteen times in the last month, built a whole deck of Arkham Horror cards for it... the obsession is real
It hits a very specific, great spot for horror. It's zany and campy. The effects are bonkers in some places, but really goddamn good in others. The stuff that should be awful instead comes across as camp, because it watches as though everybody in this film really seriously believed in the projected and wanted it to succeed.
I know Combs gets a lot of deserved credit for how he refuses to turn in a lackluster performance, but I think everybody here does a great job. I love that David Gale had almost quit acting and then did this one "last" film that turned into a mini-career with people who loved him to the end of his life and beyond. I love Bruce Abbot's protagonist accent and utter sincerity. I love the rightfully-crowned scream queen of Barbara Crampton. And can I get a shoutout for Robert Sampson? He basically plays three characters throughout the whole fucking movie and nails every single one of them.
Most importantly, though, it does the Shaun of the Dead trick of balancing comedy and horror throughout the film--then, at the exact right moment, shifts all its gears towards horror. I unironically believe that everything that happens after Dr. Hill hisses "So... do... I..." in the morgue is some of the greatest horror action I've ever seen.
The makeup jobs on the reanimates? Amazing. The acting? Also amazing. There's maybe one or two tension-relieving jokes, but broadly, the silliness is traded for horror in a way that's astoundingly effective. The blocking, the fights, Dean Halsey trying to save his daughter, Dan trying to save Herbert, how every single element was subtly pre-established in earlier scenes so nothing feels like a cheat, that droning music that plays over the chaos in the emergency ward...
I'll make jokes about how gay Dan and Herbert are for each other along with everybody else, but I don't think we'd all feel this strongly about the movie unless there was there there. And there is. What a fun movie.
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audhd-nightwing · 4 months
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percy jackson ep2 live reaction
annabeth being a little creep i love her
fun fact i learned at the pjo NYCC panel: the most grueling part of the show production was making the camp half-blood shirts. they all had to be a specific shade of orange and there had to be a LOT cuz all the campers wear them consistently
very much angsty tween energy
ITS SOOO PRETTYYYYYYYYYY
i love the big house’s design
grover’s little *clop clop clop* hehe
“your highness” book!percy wouldn’t be caught dead saying that shit but it’s still funny cuz i KNOW as soon as he learns more abt the gods all that respect is out the window. book!percy is just a little asshole from the start
Mr D is fucking perfect casting
godDAMN chiron is tall asf
also i fr did not know brunner was pronounced like that
mr d actually being kinda nice to grover??
ITS SO COOL I WANNA GO TO CAMP THERE
riptide my bbg
i need a close up of the inside and outside of all the cabins immediately
Hermes cabin 💪💪💪
there’s a fire pit IN the cabin?? that seems like a hazard. but also magic and it’s fucking cool so
the complete non-reaction to percy’s introduction now vs how people will eventually react to hearing his name is kinda wild
they really did not give this poor boy any time to grieve his mom huh
LUKE
poor percy, his first reaction to being approached is to be defensive :(
CHB necklace!!!!
o shit that scared me. hello wood nymph. is this his mom??? idk how satyrs are born
the tiger shirt 💀
LIKE AN OLD BANANA HGHDGDGDGD
grover :( ur a good friend bb
dream time woooooo. OH THE VOICE IS KRONOS i forgor
“glory” ok nerd
luke really has a whole posse following him around lmao
IS THAT THE LESBIAN FLAG ON CLARISSE’S NECKLACE???
nvm they all have them in that order….
i love that percy has just had that leather necklace from the very start of the show. in preparation for the camp beads :,)
aaaaaaaa a character in a wheelchair that’s so cool!!!!!
no one’s even gonna show him how to use the bow???
this boy is gonna destroy the camp i love him
BRO DID NOT GET THE JOKE AND I FEEL SO SEEN. YES THERES A GREEK GOD OF DISAPPOINTMENT
oh my god i’m gonna cry. percy praying to sally is my favorite change they made in the whole show
“like, real friends” crying luke how dare you betray this sweet darling boy
YOU TELL HIM PERCY!! get his ass
“hey guys! 😃 🤚 can’t sleep huh?” ilysm percy
“do you think you’re special?” oh boy clarisse do you have a big surprise coming. also percy didn’t even tell anyone abt the minotaur that was grover
okay i liked this cgi way better than nancy bobofit’s takedown
annabeth stalker behavior i love you. SHE ADMITS IT TOO I LOVE HERRRE
“annabeth sees the world differently” yeah she’s autistic with a genius iq
sobbing. “she’s my little sister”. pain. the betrayal is gonna hurt so much more
th-alia ??? hm
“until zeus broke the pact” hades, hiding his kids from the 1940s in the lotus hotel: yeah zeus was the one to break it first, obviously
i can’t wait to see who they cast as thalia
“let it rip” i see what you did there 👀 my mind went right to beyblade tho lol
their shields lowkey look like the nightwing symbol :3
SUNSHINE ADDSHFJFHDG
god this set is so fucking cool
cringefail loserboy rizz
THE HAT!!!!!!!!!!!
“he’ll be ready, i know it” *cuts to percy flossing* i love this dumbass so much
lizard :D
exceptional depiction of adhd ty rick
bro really just gave away the location of the flag with no hesitation lol
OH SHIT THAT WAS COOL! the roll into picking up the shield? smooth asf!!!
how tf did the spear even break isn’t it made of like magic metal
she really used him as bait lmao. *pushes him into the water* she’s just testing a hypothesis!!
holy shit the cabin is so cool. kinda spooky tho. i hate to say it but i like the movie version better
“what 😃”
damn they really just blame everything on hades huh. poor guy. i’d hate my siblings too if they gave me a shitty job and made me the scapegoat for a bunch of stuff
why tf is chiron wearing a suit. why.
“i’m sally jackson’s son” YES YOU ARE KING
grover you’re the best ily. chiron you’re giving way too much dumbledore energy i hate it
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bardicbeetle · 1 month
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hey. Hey. You got any analysis of the Lost Boys or thoughts on the movie to share? who's your favorite character in it and why??
@abalonetea
Analysis on the movie I've been many levels of obsessed with since age 14 you ask?
...this is going to end up undercut for length I can already feel it.
The Lost Boys is my comfort movie, my I-feel-like-shit-nothing-is-fixing-it movie, my I-can't-write-please-help movie and my go-to for when I am inflicting media upon a new friend. I know it backwards forwards, upside down and inside out, I own the out of print novelization written by Craig Shaw Gardener, I posted the original prequel script to fanfiction.net in the early 2010s because I found it buried in a forum post and wanted it to be easier to find, I have listened to every version of cry little sister that G Tom Mac has ever put out in addition to the entire stage musical he produced. The fic I wrote for it in 2011 is still on Wattpad and to this day for some fuck ass reason gets 1000s of hits per year. I have another fic for it on ao3 that still takes up brainspace for me on a minimum weekly basis.
I.
Honestly do not know who I am as a writer if not for this film.
It is such a huge part of who I am as both a fan of media and a vampire writer and as a horror enjoyer in general.
And it is undeniably, baked into its bones, queer as fuck.
Not just from the overt point of here is a film in the 1980s about men sharing blood, directed by an openly gay man, hands us platonic and familial and romantic interactions between male characters, who are allowed to hold one another, allowed to express emotion, allowed to exist freely and without shame I am--so very abnormal about this movie.
I'll be the first to admit it's not perfect by any means, it very much exists a time capsule of its era, but also, to momentarily put the bar on the floor, it isn't slur laden and full of take-backs for any of the emotional vulnerability like other things around then were (see: Once Bitten, which while unarguably very much more on the comedy side of horror-comedy, i'm going to put into the same category by virtue of Camp Vampire Movies of the 80s).
It hands us one of my favorite mothers of all time. Lucy Emerson is a treasure, she spends the whole movie trying her goddamn best to remember that she is stronger than anyone gives her credit for. That she chose to divorce an abusive man, pick up her two sons, and leave without more than signing the papers and getting out. She doesn't care if they're poor, she doesn't care if she could have gotten something from her ex-husband, she wants her boys safe and there is a very large implication that sticking around to do the whole song and dance would have ended badly. Lucy lives for her sons, she wants so badly to make the world easier for them than it was for her, she wants to be part of their lives and part of their interests even if she does not understand them, and I maintain that Had Max Actually Succeeded, it would not have been long before the Lost Boys themselves were Lucy's as much as her own two sons, and that would not have ended well for Max. Protecting mother, lioness, made to be underestimated so you are always caught off guard.
Edgar and Alan Frog are near and dear to my heart, these idiot vampire hunter children were just so very much what my brother and I were in terms of Making Up Games To Play--ignoring the fact that for these two it's real, not that it ever had been before the Emerson family rolled into town and Sam's brother got mixed into the Lost Boys group. Edgar wanting to be in charge of things and wanting to protect the people he cares about and the town he is too stubborn to admit he loves despite being what, 12? 14? Alan being quieter but just as absolutely ready to go "yeah we are totally experts at this" as his twin, the fact that neither of them have any idea what they are getting into. Dipping barely into the sequels territory (which...they aren't good. by any definition. but Edgar and Alan are the best part of them both) we get Edgar dealing not only with his perceived loss of Alan to half-vampirism, but his whole loss of Sam after having to kill him and I just.
Ugh.
NOW, dipping into the main event there is Michael, who spends this whole movie just trying to figure out where the hell he's supposed to belong at this point. He doesn't see any point in starting a new high school in his senior year, he doesn't want to upset his mother by just absolutely dropping off the planet, he cares deeply about his family and wants to help however he can because they are struggling for money. So what does this seventeen year old kid do? He starts picking trash up off the beach for eight hours a day. He gives that money to his mother under the guise of it being "leftover from christmas" because he doesn't want her to worry about him working. He feels so fucking lonely without the friends he left behind in Phoenix and he feels like he's too old to supplant himself into a new friend group in Santa Carla before everyone goes their separate ways after high school anyways.
Enter Star and the Lost Boys.
Yes, Michael is taken in by Star because she's beautiful and mysterious and he's a teenage boy seeing nipples through a tank top, but beyond that he sees in her, in David and the others, how self sure they all are of the decisions they've made. This group is all within his age, they're all living in a goddamn sunken hotel half claimed by the ocean, they have motorcycles like him, they smoke weed and eat chinese food and Marko keeps pigeons and Dwayne can skateboard and Paul is a music nerd and what the fuck how do they manage to seem like they have their lives more together as a group of teenage runaways than he does?
He's enamored with it, obsessed with it, the movie speeds up a timeline of something that does in fact happen over the course of a couple weeks, of him hanging out with them, slowly experiencing more and more symptoms of vampirism from the blood he drank the first night, unable to stop coming back, unable to really figure out what it is they have figured out that he doesn't, and hoping that maybe if he stays with them he will eventually feel the same confidence in his own existence that they do.
But couple that with the horrifying reality that he is becoming a monster. His younger brother is terrified of him, the family dog bites him, the horses won't go near him, he pulls a mouse out of a trap freshly dead and squeezes it like a spent juice box into his mouth, he is falling apart at the seams by the time David decides it's time to finish things. And that's what David wants, he wants Michael in a position where he is no longer lucid enough to resist once there's blood in the air.
And it almost fucking works.
I stand by my belief that the entire movie hinges on the beach party where the Lost Boys kill a whole bunch of Surf Nazis. The whole thing, the outcome of the final fight, the failure of Max's plan, all of it hangs on that one night, and whether or not Michael can actually manage not to give into the bloodlust. He does manage, obviously, he leans into the shock and fear and near throws himself out of that tree because he knows that if he doesn't, he will join the blood bath happening not ten feet away. He is starving and exhausted and everything in him is screaming that if he just gave in, it would all feel so much better.
But he doesn't.
He lays in the sand until he cannot hear any heartbeats left.
Lays there clawing his hands into the ground like if he can hold himself still enough then maybe this will stop being real.
Three of the four boys don't pay much mind to this, Dwayne Paul and Marko have slipped back into regular antics despite being coated red. Their faces have returned to normal, their eyes no longer brilliant gold rimmed red, they are laughing and shoving and having a good time.
But David is furious. He's quiet about it, he isn't loudly angry, something I think he probably absorbed from Max over the years, he tells Michael what needs to be done if he wants to stay with them, and then he and the other Lost Boys leave him there in the sand, burnt flesh and ashes drifting down to him on the breeze.
The thing about David is that he realized the night on the train bridge that he didn't care about Max's bullshit plan. He didn't care that he was originally going to feed Michael to Star. He is fixated on getting Michael to join them, not just for himself, not just to keep Star around, but also because there's a refusal to give up in this kid that has him excited, a stubbornness that he wants to break. It's the thing that eventually leads to his death.
ANYWAYS.
I think, perhaps, I have yelled enough.
Oh, shit, favorite character.
I think without any doubt it has to be David. Especially after reading the novelization, the comics, the original prequel script, he's just, he is such an interesting character and his motivations are so obvious despite how much he would appear to hold them close to his chest. He's a root character I can trace a lot of the tropes that carry over in my own antagonists to, and some of my protagonists as well.
double anyways, camp vampires from 1987 my beloved.
Thank you Katie <3
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i am very interested in your rant about Wednesday
hoo boy. ok so I'm way too tired right now to get into the more serious, real-world-affecting issues with the show so I'm going to leave that to tirrrb's excellent video on the matter and just go with the pettier, in-world issues.
spoilers ahead
[preface. I didn't completely hate the show. I actually found most of it enjoyable to watch. that's the reason I'm so passionate about all the problems with it]
ok so first off. this show would not have been a huge hit if it weren't for the nostalgia factor. the show was, to be honest, mediocre. the plot made no goddamn sense, the love triangle was forced and both love interests were boring and the same exact person, the "school for monsters" thing made no sense at all. the only reason it was halfway decent was 1. most of the acting was very good (most.) and 2. it looked good aesthetically. and the only reason it took off is because people already knew the addams family.
but here's the thing. here's the thing. I've heard people say the show hates its source material. I disagree. the show doesn't even know its source material. it's apathetic. and that's even worse. the show is based on the addams family as someone who once heard someone reference it in conversation would understand the addams family. they were like "what's our source material? ok so weird morbid family with goth vibes, the parents are continuously overcome with lust for each other, the daughter is even more morbid than most of them. got it." but like? what about everything else? where is the heart of the addams family? where is the camp, the flair, the hilarity, the delight, the obliviousness to their strangeness and their revelry in mischief? which brings me to something else:
the genre of this show is 100% incompatible with the addams family. full stop. you cannot maintain the concept of the addams family in a genre that takes it seriously. the addams family genuinely enjoy murder, torture, and death. this works in a sitcom! it does not work in a drama! in the 90s movies wednesday (kills? buries alive? if the latter, they were dead eventually) two people. it's played for laughs, because, you know, sitcom. wednesday would never in a million years be trying to PREVENT people from being murdered. but of course that doesn't work in a serious show; they'd be horrible people! but then you get this incongruence between wednesday talking about how awesome murder is and then being mad at her dad because she believes he murdered someone once. the result is that in Wednesday, they just seem like an edgy but ultimately harmless goth family, when the source material is they are all genuinely fucking unhinged in the best way. you can't take the addams family seriously, it just doesn't work.
and don't even get me started on the "school for magical kids" nonsense. what?? ok, completely making stuff up for a remake isn't ALWAYS bad, but.... in this case it really was. in a world full of vampires and werewolves and sirens, the addams family are STILL the weird ones because they're, what, goth? wednesday gets into the school before they even know she HAS magical powers, which also makes no goddamn sense. everyone treats her as special and makes exceptions for her because.... why, exactly? i agree with tirrrb that what netflix really wanted to make was some sort of monster high remake but they didn't have the rights to that so they just... co-opted the addams family instead. and it just doesn't make sense to do that with the addams family. the addams family is funny because of their contrast to the completely ordinary world they live in. you take away their charm by making their weirdness just some product of a larger magical world.
and the fucking love triangle. first of all. wednesday wasn't into either of them. there was zero chemistry there. and why did there even have to be a love triangle in the first place?? wednesday's rude to everyone so naturally everyone wants her and is convinced she's in love with them (?????). and good god. it took me four episodes to even tell those two apart. two identical white boys with identical attitudes and identical inabilities to understand the word "no". "you're sending me mixed signals" my dude if you think "no" is a mixed signal I think that's a you problem. love triangles are supposed to force some choice between something more than just the two boys, and they kind of tried to do that by making Tyler a "normie" (side note: calling them "normies" like it's an insult? what are y'all, emo 12-year-olds? get over yourselves), but then that... never really came into play? also Jenna Ortega's "emotionless" Wednesday face still managed to convey more emotion than either of those two boys ever did combined. like the most Tyler's expression ever changes is when he's literally being tortured, when he like, knits his eyebrows a bit (ok I'm exaggerating but not by much).
and what were they even trying to do with enid's werewolf thing? like it was very clearly a metaphor for queerness (they even had that godawful "conversion therapy for werewolves" line) but the metaphor was so confused. they had no goddamn idea what they were trying to say. "ok so interesting twist on the werewolf thing— it's actually NOT being a werewolf that's the metaphor for queerness here!" ok cool. then what. "ok so Enid feels left out of her family and like her parents are disappointed because she hasn't wolfed out yet." got it, got it, sounds a lot like parents being disappointed you haven't "stopped with the silly tomboy stuff and settled down with a nice man". keep going. "ok so even Enid is super upset about this even though she knows she should take it on her own time." yeah, internalized homophobia, got it. and then? "but then she wolfs out and realizes she was able to be a normal werewolf the whole time after all!! she's so happy and relieved and her parents are finally proud!" wait, what??
now it's time for the big one!! I saved the worst for last! the PLOT. THE FUCKING PLOT. THAT MONSTROSITY YOU CALL A PLOT. wednesday writers. listen. listen to me. twists are fine. red herrings are fine. but listen. here is the important part. when the twist is revealed, the viewer must feel like they should have gotten it before. they must understand why the twist is what it is. and they definitely, definitely cannot be left feeling that the red herring still makes more sense than the actual twist! there has to be an explanation for why the red herring appeared to be guilty even though they weren't! you can't just abandon that thread!! there are two big ones here that upset me.
the fricken "xavier is the monster" mislead. ok so he isn't the monster. why then, does he constantly see the monster in his dreams? why is it basically all he draws? why is it in his head so much? "oh that's easy! because he has this drawing stuff power!" yeah I know that but why the monster specifically? "because it's most relevant because it's gonna take down the school!" ok.... but why just the monster? why does he never see joseph crackstone? thornhill? aren't they an imminent danger to the school too? "uhhh next question"
Dr. Kimball. listen. she was a TERRIBLE therapist. she was so bad she literally couldn't have been a therapist. she was massively violating HIPPA all over the place, invasively entering her clients' lives during important moments outside of the therapeutic space, etc. it was SO BAD she couldn't possibly have been a real therapist but no it just turns out she was fine? red herring guys! listen listen listen you NEED an explanation for why your red herrings are Like That
also the entire Crackstone thing made no sense. "I hate people who do magic, magic is an abomination, therefore you must seal my crypt with magic and then use magic to raise me from the dead so I can use my magic staff to kill all these evil magic-doers" .......uh huh
ok I'm gonna stop here but let me say I didn't hate everything about the show! the Wednesday acting was excellent and Jenna Ortega really did capture the essence of the character. Bianca is fantastic, Eugene is fabulous. Enid and Wednesday's relationship was very genuine. Thing and Uncle Fester were great. the aesthetics looked great and the show continued being enjoyable to watch thanks to the good actors even when the plot was a train wreck. I enjoyed watching it most of the time! but good god were there some massive problems. in my opinion
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see-arcane · 1 year
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Renfield (2023) Thoughts fresh from the theater
Spoilers and so on below
If I had to summarize the whole movie, it would be, “First fanfiction ever written by a middle schooler who just finished watching Dracula (1931), fell in love with its version of Renfield, and made a clumsy attempt at updating and rescuing him with an AU that gives him a massive century-long body count and a happy ending at the cost of giving only him and Dracula any real effort in character while leaving the rest of the cast to be filler.”
Which is to say, C+.
Count Cageula and Houltfield were fun and you could tell they were putting energy and joy into their roles. Everything else? Oof.
Oof.
The supporting cast’s only highlights were the support group’s members and the actress playing the mob boss Bellafrancesca—big bonus points to her for so easily selling a camp villain counterpart to Cageula; instant evil MILF4DILF chemistry in their one scene together, 11/10.
Meanwhile, the majority of the characters delivered their lines like high schoolers stumbling through their first play. Awkwafina was already wince-inducing for making her play Token Good Cop with Quincey’s name tagged on, but she acted this whole thing like she was counting down until payday. There’s one scene towards the climax where she’s tricking Cageula to get close for an attack, and her delivery has less character to it than an Alexa response.
But then, there wasn’t exactly a ton of great dialogue to work with. The few plum lines were reserved for Hoult and Cage. Everyone else got raisins.
Other practical nitpicks would be the very odd choice to go 100% on some great monster and gore prosthetics, but then revert back to early 2000s-grade CGI blood spurts. These victims were goddamn gushers. Oh, sorry, not victims—the cannon fodder baddies in the action sequences.
The victims got some good classic bloodshed! Thankfully, the only murdered innocents on screen were killed by Cageula. But, like the trailers hinted, Cageula wanted Houltfield to fetch him some innocents himself. An order we’re led to believe was some ‘new’ order that Houltfield couldn’t bring himself to follow, which would’ve been a great callback to Original Renfield who hit the brakes on obeying Dracula when it threatened Mina. And maybe this really was the first time Cageula made that an explicit order! We do get a scene where Houltfield drags in some villain corpses for Cageula to snack on with him assuming this will satisfy.
But Cageula spits the blood out, declaring it trash. He wants blood from good people.
Which, as certain reveals show, Houltfield should already know, considering he’s spent the better part of a century getting Cageula’s meals. The fact that Houltfield seems surprised at this demand for innocent victims is either him being disappointed that his plan to reduce his own secondhand villainy has been thwarted, or else it’s just a flub in the writing.
And this comes on top of a reveal that Houltfield apparently left his wife and baby daughter behind for ‘greed and power’ offered by Cageula. It’s acknowledged in-dialogue that this wasn’t Cageula’s will, just an opportunity that Houltfield went for.
(An addition that makes me a little gladder that they didn’t try to swap Jonathan Harker (or, to nod back to the 1931 version, ‘John’ Harker) for this spot. Because any version where he would leave behind Mina and their child for Dracula’s sake, no matter the interplay of manipulation or Faustian nonsense, would have been a nail too many in the coffin.)
All that said, it’s very much a mixed bag. So much so that I feel I should give the caveat that I may be being too harsh, as I am a sour little gremlin who’s spent the last year with their head in a vat of Dracula fixation juice. And it also deserves saying that there were good bits worth seeing, Houltfield was very endearing, and the gleefully evil Cageula was a laugh and a half. Watch the movie for that if nothing else. It could be there’s some gold there I missed by being too prickly.
One major silver lining? I am doubly looking forward to having Hoult portray Thomas Hutter in Robert Eggers’ upcoming Nosferatu remake. Thomas Hutter and Renfield ala 1931 are already 90% harvested Jonathan Harker parts, and this movie proves how well Hoult can play the ‘sweetheart manipulated into a bad situation’ character. I’ll take it as a good sign for that role if nothing else.
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nighttimeebony · 11 months
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Reactions to The Last Olympian. Spoilers under the cut. And warning: long-ass post ahead.
EDIT: part 1, part 2, part 3, part 4
Yay, Rachel’s back! I like that Percy is able to have a mortal friend.
Paul is cool.
Look, I love Rachel, but why does there have to be a goddamn love triangle? Percy likes Annabeth, Annabeth likes Percy, you’ve already put the work into making me like them and we all know they’re going to be endgame, so why does there have to be so much fucking romantic drama? Can’t Percy and Rachel just be friends without the weird romantic tension? This whole plot is busy enough on its own without you trying to shove something else in at the last minute just because you’re bored, RICK.
Wow, Percy really doesn’t get to have any downtime, does he? My boy’s really on “save the world o’clock” time at all times.
Yay, Beckendorf! I love you!
OH MY GOD AND HE’S ACTUALLY DATING SILENA???!!!! Oh, that makes me so happy!! I love that my little background crackship is actually canon! And the fact that they were apparently Camp Half-Blood’s “yeah, we know” ship is hilarious and I love life right now.
Ooh, bombs.
Wait. No. No no no no no no no stop
FUCKING STOP, WHAT ARE YOU DOING?!?!
WHY?!?!? WHY DID BECKENDORF HAVE TO DIE?!? RICK!!! WHY??!!! WHY DO YOU DO THIS TO ME
I can’t even be happy that Tyson is here, I’m already so fucking depressed and it’s your fault, Rick.
Oh, hey, Triton. Which, fun fact, since Triton is Ariel’s father in the Disney movie, this means that (in the Disney canon at least) Hercules and Ariel are canonically cousins. So, hypothetically speaking, Percy would be related to the Disney princess Ariel, which you can’t convince me he doesn’t brag and joke about all the time.
“[Poseidon] had told me that I would know when to ‘spend [the sand dollar],’ but so far I hadn’t figured out what he meant. All I knew was that it didn’t fit the vending machines in the school cafeteria.” I love that the implication behind this is that Percy actually tried. He took this mysterious magic sand dollar that the god of the sea gave him and told him to spend wisely and wait for the right time to use it, and one day while he was at school, this fucking mad lad child decided to just cram it in the vending machine just to see what would happen. Percy is amazing and if you don’t love him, you’re wrong.
“Annabeth ran in right behind him, and I’ll admit my heart did a little relay race in my chest when I saw her. It’s not that she tried to look good… Still, just seeing her made me feel fuzzy in the head.” Actually screaming.
Clarisse’s friendship with Silena makes me so fucking happy. Clarisse is softer than she wants people to know and I love that about her. She’s so gentle with the people she loves and I’m here for it.
“Chiron and Annabeth exchanged looks, like they knew something that I didn’t. I hated when they did that.” Understandable. It happens a lot.
Oh, I recognize the name Chrysaor. Such a random reference, I love it.
JUST ADMIT YOU LIKE EACH OTHER YOU FRUITCAKES
“We headed downstairs to join the others. I didn’t know it then, but it would be the last time I ever visited the attic.” You know, Percy says something along these lines in every one of the books leading up to this one, and you’d think that I would learn to stop freaking out every time we get one of these lines, but you’d be wrong. Still getting anticipatory nausea and anxiety.
"The mountain tore itself apart, collapsing inward, and an enormous form rose out of the smoke and lava like it was emerging from a manhole." Typhon?!?!?! Do we have to deal with Typhon now too?!
Well shit, I guess we have to deal with Typhon now. Yeah, okay, sure, I don’t mind or anything.
“As far as I could tell, Rachel’s only rule about music was that no two songs on her i-Pod could sound the same, and they all had to be strange.” Hey, Rachel and I have the same music library.
Wait, so Rachel’s getting future vision dreams now too? But she’s not a half-blood, right? I thought only demi-gods got prophetic dreams.
Where the hell is Nico? What has he been doing this whole time? Just chilling in hell with dead people? And what even is his plan and why is it bad?
I think Silena is my new favorite character. Eating chocolates she doesn’t even like to try and cheer herself up is so horribly sad and depressingly relatable.
Percabeth!
“I shuffled uneasily and pretended to go through some more reports. Technically, even on inspection, it was against the rules for two campers to be… like, alone in a cabin.” I see what you’re implying, Rick, and I’m laughing.
“And I know some of you might be thinking, Aren’t all demigods related on the godly side, and doesn’t that make dating gross? But the thing is, the godly side of your family doesn’t count, genetically speaking, since gods don’t have DNA. A demigod would never think about dating someone who had the same godly parent. Like two kids from Athena cabin? No way. But a daughter of Aphrodite and a son of Hephaestus? They’re not related. So it’s no problem.” This is exactly how I predicted half-blood dating works, and it absolutely did not need to be addressed, but I kind of love that it was. It’s probably only funny to me because I was talking to my friend about this exact topic during school, and I made a “god incest chart” on a whiteboard so I could figure out if Percabeth would be considered incest. We eventually decided no, but still. My other non-pjo fanatic friends definitely started to question my sanity after that.
OH MY GOD! Is something gonna happen?! Are they finally going to confess?! Please, God, just give me this!
FUCKING GODDAMMIT, RICK!!! YOU CAN’T KEEP BLUE-BALLING ME LIKE THIS OR I’M GONNA RIP YOUR HAIR OUT
Oh, yeah, where the hell is Grover?
Wow, Annabeth really going for the throat here.
Aww, giant hell puppy
Nico!
Aww, of course Nico is sweet with the hell puppy
“Leneus’s knees started knocking. ‘I… I won’t answer questions with this hellhound sniffing my tail!’ Nico looked like he was trying not to crack up. ‘I’ll walk the dog,’ he volunteered. He whistled, and Mrs. O’Leary bounded after him to the far end of the grove.” I love this child. This child is my spirit animal.
Aww, Nico likes Juniper. That’s kind of adorable.
“[Nico’s] cold creepy smile made me sorry I’d agreed.” Have I mentioned I love this child?
Okay, shadow travel is the coolest thing ever, and definitely one of the coolest powers you could give to a child of Hades.
Everything with Luke’s mom… Oh, that’s horrible. I can’t imagine having to come to the realization that your own parent isn’t entirely there, especially at so young.
Little girl… not a monster… and something to do with fire… Shit, I got nothing.
HESTIA! Goddammit… I should’ve known that one.
I like that Percy refers to both Paul and Sally as his parents.
I really like Paul. I love it when step-parents are portrayed in a positive light, ‘cause I’ve got a step-dad too, and he’s more of a dad to me and my brother than my biological father.
Percy telling Sally that his signal to let her know he’s alright will be blue just about broke me. Fuck.
Orpheus!
The black figure Grover saw—I know him. Hypnos, the god of dreams. He’s a twin brother to Thanatos, the god of death. I think in some versions, Hypnos is actually female, but most people seem to agree that Hypnos is a male deity.
MOTHERFUCKER! Okay, so not Hypnos. Morpheus. I guess that makes more sense. *one google search later* Okay, I was kind of right. Morpheus is the son of Hypnos, and while Hypnos is the personification of sleep, Morpheus is the god of dreams and also has the ability to put people to sleep like Hypnos. Close, but no cigar sadly.
Nico! Why would you trick Percy?? If you just told Percy that Hades wanted to talk to him, he probably would’ve agreed, you didn’t have to lie to him.
PERSEPHONE!!!!!! And Demeter!
Demeter being a massive bitch about Persephone choosing to marry Hades is so on-brand and perfect. And that line about marrying the god of lawyers or doctors—oh my God this book is amazing.
Can we have an entire book about Hades and Persephone, please? This entire scene with all three of them is golden.
Why does Hades suck? Why did you do this to me? I had faith in you, Rick.
WHY IS PERSEPHONE SO INDIFFERENT TO ALL OF THIS?!?!??!!
ACHILLES!!!!! Wait, isn’t Achilles supposed to be blond?
Is it a coincidence that one of Greece’s most famous gay icons now stands before Nico di Angelo?
ANNABETH IS PERCY’S LIFELINE!!!! HIS TETHER, THE THING THAT KEEPS HIM HUMAN!!!!!! ToT DOES ANYONE HAVE ANY GLASS I CAN EAT
Holy fucking shit…… River Styx magic doesn’t fuck around.
Percy going on a murder rampage and nearly stabbing the god of the underworld because they threatened his dog is honestly such a mood.
*GASP* Baby Annabeth!
“The god looked at Annabeth, who was doing her big-pleading-gray-eyes thing.” The fact that Annabeth leverages puppy-dog eyes is hilarious, and the fact that Percy is so familiar with it by now implies that she’s done it on him before and that it apparently works! Oh my God, I love these children.
Also, Athena being an overprotective mother who doesn’t approve of Percy is just… Have I mentioned I love this book?
“‘This is a huge spell,’ Silena Beauregard said. ‘The bigger the spell, the easier it is to resist. If you want to sleep millions of mortals, you’ve got to cast a very thin layer of magic. Sleeping demigods is much harder.’” Yeah, that makes sense. Since the spell is bigger and spread across a greater number of people, it’s less concentrated than it would be if you wanted to just knock out two or three people.
The Hermes Cabin is just an army of Weasleys. (PJO Harry Potter au where the Weasleys are all children of Hermes and Harry is a son of Zeus when?)
“‘I’ll go with Percy,’ [Annabeth] said. ‘Then we’ll join you, or we’ll go wherever we’re needed.’ Somebody in the back of the group said, ‘No detours, you two.’ There were some giggles, but I decided to let it pass.” Everyone knows Percy and Annabeth are completely obsessed with each other.
“The girl in the lead had spiky black hair and a black leather jacket. She wore a silver circlet on her head like a princess’s tiara, which didn’t match her skull earrings or her Death to Barbie T-shirt showing a little Barbie doll with an arrow through its head.” Have I mentioned that I love Thalia? Goth-punk icon for the generations.
This is so fucking epic. I love the fast-paced battle planning stuff.
Michael Yew has a brother named Austin. I have a brother named Austin.
Percabeth. There’s that light-hearted snarky banter I’ve been craving.
Oh, yeah, since Percy’s fighting the Minotaur right now, I figured I’d make a reminder here that I forgot to write down in my first reaction post to the Lightning Thief. In the original mythology, the Minotaur was killed by Theseus, who was also, coincidentally, a son of Poseidon, so Percy slaying the Minotaur is kind of like a mirror to the original myth, even though he’s named after Perseus. But also I thought this was a good time to remind everybody that the Minotaur’s mother Pasiphae had sex with the Cretan Bull, an actual animal. Which, fun fact, is because Poseidon arranged for Aphrodite to put a spell on Pasiphae to make her fall in love with the bull. Kind of awkward that the Minotaur is technically Poseidon’s fault, and now Percy is the one that has to deal with the consequences.
“Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods.” Holy shit, that is dark. We’re really going there, huh, Rick?
Percy is a first-class badass.
Having all the monsters disintegrate when they die is a pretty clever way to avoid having to show actual blood and gore.
ANNABETH!!!!!!!!!!
“‘Percy?’ Silena Beauregard sounded like she’d been crying. ‘Plaza Hotel. You’d better come quickly and bring a healer from Apollo’s cabin. It’s… it’s Annabeth.’” NO!!! NO NO NO NO NO NO DO NOT DO THIS TO ME!! I SWEAR TO FUCK IF SOMETHING HAPPENS TO ANNABETH I’M GOING TO SET MY HOUSE ON FIRE
“‘Get back!’ I slashed the air in a wide arc, driving the rest of the demigods away from Annabeth. ‘No one touches her!’” This. All of this.
Will Solace. I found the other gay one, but I can’t even be excited about that because ANNABETH IS PROBABLY GOING TO FUCKING DIE
Even when Annabeth has actual poison in her system, she cannot resist the opportunity to tease Percy for being worried about her. I’m deeply upset, but I still love them as a couple.
This entire scene is everything. Annabeth touching Percy’s weak spot—this is easily the most romantic thing I have ever read, and I read fanfiction for a hobby.
Okay, someone really needs to find this spy because they are wreaking shit and hard
I have no idea who the spy could even be. My first thought was Silena because of how prominent a character she is, but not only does that not make sense, but that would also be a fucking horrible idea. I don’t need to hurt anymore than I already do right now.
Wow. Holy shit, Nico’s life is a fucking tragedy. This child needs all the therapy after this. I’m not thrilled with this portrayal of Persephone, but it is what it is and it is fucking depressing.
What is going on with Rachel? She knows Greek now?? What is happening???
Oh, hey, Prometheus
*after learning about Luke's backstory* I can smell the redemption arc.
I feel I should mention that in the original myth, Pandora was the first woman and was created by Zeus specifically to make men's lives harder as punishment for Prometheus giving man fire, because Ancient Greece was sexist as all fuck.
HOLY SHIT!!! Percy is a first-class badass!!
Okay, so, Hyperion getting absorbed into a tree is prime nightmare fuel.
(Also, I was listening to We Will Rock You as I read this scene, which I feel is pretty apt.)
"'Yeah, baby!' a voice wailed. 'PARTY!'" Ah, I see the centaurs have joined the chat.
"The last part was because a panicked Hyperborean giant stumbled backward and sat on top of him. The lord of time disappeared under a giant blue butt." Only in Percy Jackson can you expect to read a sentence like this.
I love Dionysus being weirdly invested in Pac-Man of all things. That entire conversation between him and Percy in the bar was absolutely hysterical. Percy is such a snarky little shit and I love any interaction between him and Dionysus. It’s like watching two smart-asses trying to out-roast the other.
Sally and Paul!
Oh, no. Oh, this fucking hurts.
That fucking jar! Goddammit!
Rachel!
Annabeth, stop acting like Rachel isn’t already your friend now too. We established that last book, remember? You guys are nerd friends now.
YAS, ANNABETH! Girl held onto the outside of a crashing helicopter, and after pulling herself in, somehow managed to make sense of the controls and not only stopped the helicopter from crashing into a building, but also pulled it out of the fall to turn in a circle and hover before landing it on a New York highway with other people nearby without hitting anything or hurting anyone else. And she did all of this while the helicopter was literally seconds from crashing. Also also, technically only hours after she was stabbed in the shoulder with a knife coated in poison. *slow clap* BAMF Annabeth Chase, everyone.
“Rachel plopped down on the curb and put her head in her hands. ‘I’m sorry, Percy. I didn’t mean to… I always mess things up.’ It was kind of hard to argue with her, though I was glad she was safe.” Jesus Christ, Percy. Annabeth’s abandonment issues and poor socialization skills are not Rachel’s fault. But I guess she did just fly headfirst into a literal warzone, so I guess Annabeth’s reaction is a bit more understandable.
“I looked in the direction Annabeth had gone, but she’d disappeared into the crowd. I couldn’t believe what she’d just done—saved Rachel’s life, landed a helicopter, and walked away like it was no big deal.” Yup. You picked a good one, Percy.
"'Everybody keeps telling me to sleep,' I grumbled. 'I don't need sleep.' Chiron managed a smile. 'Have you looked at yourself recently, Percy?'" Yeah, for real, when's the last time any of these kids slept?
"You can't just abandon your family because they did something horrible." Um. Yes. Yes, you absolutely can. The abuse victim says you can. (It's me, I'm the abuse victims, and I give you full permission to tell your family to go fuck themselves if they've ever done anything horrible to you.)
I get what the message is intended to be, and what Nico's trying to say: wanting revenge is a valid feeling to have, but holding grudges and holding onto that pain and fury will not actually make you feel any better. And by refusing to help the Olympians in the fight against Kronos, not only is Hades ultimately destroying himself, but he's also inadvertently aiding in the destruction of everyone else. Zeus is really the only one that deserves Hades's revenge, but at this point Hades isn't just hurting Zeus, he's hurting everyone, and when you cross the line of hurting innocent people in your quest to hurt the one that's actually guilty, your desire and quest for revenge is no longer justified. And if you've reached the point of hurting innocent people for no other reason than to make yourself feel better, then you really are no better than the person who hurt you in the first place. But none of this has anything to do with the so-called sanctity of "family".
We really need to find this fucking spy. They're running everything.
CLARISSE!!!!! YAY CLARISSE IS BACK!!!!!!
"Through her war helmet, I could only see her eyes—but I could tell something was wrong. Her blue eyes shone with fear. Clarisse never looked like that. And she didn't have blue eyes." Wait, what? What's going on????
"I looked down at the dying face of Silena Beauregard." WHAT THE ACTUAL FUCK?!!????!!! WHY?!!??!!!??? WHY DID SILENA HAVE TO DIE?!??!! HAS SHE NOT BEEN THROUGH ENOUGH ALREADY?!??!!!
"Silena opened her hand. In her palm was a silver bracelet with a scythe charm, the mark of Kronos." WHAT
This entire chapter is literally nothing but pain.
"Standing at the foot of Zeus's throne, looking up at the stars, was Rachel Elizabeth Dare. She was holding a Greek ceramic vase." Oh no.
"[Rachel] focused on me as if she were coming out of a dream. 'I found it. It's Pandora's jar, isn't it?'" OH NO
"Her eyes were brighter than usual, and I had a bad flashback of moldy sandwiches and burned cookies." OH FUCK
"I picked up Pandora's jar. The spirit of Hope fluttered inside, trying to warm the cold container. 'Hestia,' I said, 'I give this to you as an offering.' The goddess tilted her head. 'I am the least of the gods. Why would you trust me with this?' 'You're the last Olympian,' I said." Title drop! It's all coming together!
This is the hypest thing I have read in years.
Chiron! Please don't die, I am literally begging you.
NICO'S BACK!
Everyone here is a fucking badass
Paul just stabbed a monster with a sword, and Sally fucking shot another one! In stories like these with divine powers and weapons that begin and end with stabbing, you are not expecting someone to just pull out a fucking gun and shoot the thing. I love this book.
"'Thalia!' Grover cried. When the dust cleared and the mountain stopped rocking, we found her still alive, but her legs were pinned under the statue." Holy fucking shit!
"Annabeth wipes her tears away. 'There was a time I thought… well, I thought…' She looked at me, like she was drinking in the fact that I was still here. And I realized I was doing the same thing. The world was collapsing, and the only thing that really mattered to me was that she was alive." Love. Just love. It's beautiful and heartbreaking and I love these kids so much and I'm so glad they found each other.
"I turned and faced the Olympians. 'We need a shroud,' I announced, my voice cracking. 'A shroud for the son of Hermes.'" I mean…… What can I even say?
Percy's wish is everything.
OKAY, WHAT THE FUCK IS HAPPENING TO RACHEL?!??! Someone really needs to do something about this!
I love that Percy refers to Blackjack as his pegasus.
RAINBOW! <3
Oh! She has the gift of prophecy! Now that makes sense!
Wait. OH, FUCK!!
Okay, I'm glad Rachel is okay, but these fucking prophecies, man! We literally just got done with the Great Prophecy, but now there's another one we have to deal with?! Don't get me wrong, I'm still gonna read it and I'll probably love it, but still!
The moment when Percy and Annabeth finally get together is everything I ever hoped for, and it completely justifies every goddamn fake-out leading up to this point. I'm just so happy right now
That ending, man..... This book series is amazing. I'm so glad I was able to fall in love with it without knowing any significant spoilers. I cannot wait to read The Heroes of Olympus. Maybe I'll do a reaction series for that too.
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coredrill · 2 months
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okay anyways now that eoe theatrical release is happening. gkids i love you sooooooooooo much more than anyone except discotek and united airlines. anyways here is my wishlist of bizarre western-release-anime-things that i would like to put out into the universe. maybe we can pool our energies and manifest a few more of these!!!!
NEW FUCJING END OF EVA SUB TRACK. get kanemitsu outta the kitchen. like quite literally get his words OUT of the kitchen scene my god
griduni PLEAAAASE PLEASE PLEASE. its birthday is in a MONTH. my ideal vision is for it to get a dub AND a theatrical release but goddamn i will take those fucking AX subs they’ve been sitting on thrown up on crunchyroll atp. this movie canheal any disease, the world needs to see it
TTGL MOVIE DUBS ON 4K UHD BLURAY (honestly i think there’s a pretty good chance of this getting announced at AX this year) WITH THE PARALLEL WORKS (not gonna happen but i can dream!!!!!)
bravern gets a dub and they do the OP/ED too. “this could be cringe” but it could ALSO be CAMP and that is a risk i am willing to take!!!!!! plus it would vibe with bravern himself wanting the good children of the world to hear him in their native language. please it would be so funny
DIEBUSTER DUB AND BLURAY. PLEASE. i need to know how to say lal’c in english i can’t go on like this much longer
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tafadhali · 3 months
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festivids recs, part 2
Here with more Festivids recs! There was so much good stuff — I bookmarked fully 1/3 of the collection — but I've narrowed it down to some faves, trying to pick one top choice for fandoms with multiple vids. Here's a very reasonable 25 recs:
The Only Way to See (Amaury Guichon RPF): Did not know I needed a Sondheim vid for the chocolate guy, but I really really did! Such a lovely tribute to creativity.
Le Freak (Barbie): Luv the choice to use disco. Really captured all the fun of the movie and the build to Barbie's existential crisis was A+.
Drink You Sober (Bound): All of the Bound vids were a beautiful bounty. This one is just meltingly sexy.
body (David Cronenberg movies): The platonic essence of a David Cronenberg vid. Repulsive! Attractive! Could not tear my eyes away.
Nothing in My Head (Dropout TV): I am loving ALL the Dropout content (the little question marks in WTFIGO? kill me); this one has terrific timing and is such a great celebration of the ensemble.
Do What I Do (Dungeons & Dragons): All the D&D vids were super fun; Holga's my fave character and I really enjoyed this tribute.
We Can Be Anything (Everything Everywhere All at Once): This song, with its tightrope between nihilism and endless possibility, feels like it was written for this movie.
Anymore (Face/Off): Face/Off vid of my DREAMS. This was made for my sibling and it feels almost like a gift for me too. We were hootin' and hollerin' and both yelled "DOVES!" when there were doves.
if i were a fish (Fire Island): Howie and Noah's friendship was my favorite part of this movie, so love that this focuses on that as much as on the romance. Such a cute song!
Northwest Passage (For All Mankind): If I have one takeaway from FV this year, it's that I need to watch For All Mankind! This space-camp-going due South fan definitely cried a little about this song choice and the epic spacefaring; might be obsessed with Molly just from the two vids I've seen about her.
סיפור הגולם  (The Golem and the Jinni): I haven't read the book yet, but this is a STUNNING example of what you can do with a non-visual source. It's such a love letter to a time and place, too!
How to make a perfect Hanukkah movie... (Hallmark Hanukkah Movies): SO funny. I've only seen one Hallmark Hanukkah movie but you absolutely get the vibe with or without having watched all of them.
I Like That (Janelle Monae RPF): Unapologetically queer and self-loving.
'Til You Hit a Nerve (Knives Out): Great combination of the two films, and the climactic build on "I can't miss" rules.
By Way of Sorrow (Les Mis): I am weak for a Les Mis vid and this one crafts such a wonderful, heartbreaking narrative about all the secret sacrifices and suffering that Cosette's parents went through! Makes me cry like a baby.
Everybody Talks (Much Ado About Nothing): This was a great year for Shakespeare vids. This is my favorite play and I love the combination of all the productions and all the great comedic beats.
No Smoke Without Fire (Poker Face): Cool, funny vid. This song is a TERRIFIC vibe for Poker Face.
Wavin' Flag (Ponyo): All the Ponyo vids were so much fun (and I loved the love for Lisa this year), but this one really warmed my heart.
magnetic (Romeo + Juliet): Super captivating and energetic tribute to Mercutio! Harold Perrineau just killed it in this movie.
Tusk (SIlence of the Lambs): Amazing character study of goddamn hero Clarice Starling.
A Better Son & Waiting for Somebody (Sports Night): Okay, I cheated! You think I'm going to pick one vid about love of my life Dan Rydell?
Ángel (Tár): A precise and chilling vid about my favorite film of 2022. The accent on the vid title is the perfect coup de grace!
Blood in the Cut (Taskmaster RPF): Yessssss weird Alex Horne vids.
King (The Woman King): Was so hoping for vids to this source and this one is just a blast. Great song choice.
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Suptober 25 Oct.: Flames
Ten seconds later Cas stifled a sigh as Dean hit pause on the movie for the thirty-third time in the last hour and a half.
deancas, established relationship
It was good to be hunkered down for the night, casework postponed until the morning. The cabin they were renting – on the outskirts of a town plagued by what might be crocottas, some other type of soul-eating monster, or average teenagers – creaked in the October wind. A cold draft was winding its way across the floor at irregular intervals. Dean shivered under the throw blanket and Cas wrapped his arms around him a little more tightly.
Ten seconds later Cas stifled a sigh as Dean hit pause on the movie for the thirty-third time in the last hour and a half.
"Here's what I don't understand," Dean said, in the paranoid podcaster tone of voice he often adopted (subconsciously, Cas assumed) when dissecting films he hadn't seen before. "Why is this romantic?" He pointed at the boxy television like it had gained sentience and was to blame for many of the world's woes.
"I am not an expert in these matters," Cas said, "but I'm given to understand that many people, at least in western society, find bubble baths to be romantic."
Dean waved his hand around. "No, no, no, not the bath. Although, that is too many bubbles. A guy'd get lost in there. I'm talking about the candles."
Cas squinted at the frame captured on screen. He wasn't sure what Dean was upset about, although he also didn't know why candles were so ubiquitous in stores almost everywhere they went. It seemed prudent to keep a few on hand for emergencies – certain blood magics, for instance. But Americans' candles often smelled funny, and not in the funny way they used to since tallow had gone out of style. He'd read the label on a heavy, "locally poured" jar candle at the grocery the other day; the scent was described as "having notes of sawdust, sandalwood, and cedar, to invoke the woodsy nostalgia of youthful camp." It smelled exactly like one of those pine tree-shaped car fresheners, which was to say not much like a real pine tree, and cost thirty dollars.
"Lit candles provide light?" Cas finally guessed.
Dean flung out his hand again, all wound up about the issue. "This much light? From this many candles? That room is a death trap: if any one of the three dozen taper candles tipped over anywhere but directly into the bathtub, the whole place would go up in flames. Just turn on a goddamn overhead light, already."
Cas opened his mouth to comment and Dean held up his hand one more time. "And before you go all Sam on me, no, this isn't because our childhood home caught on fire." He shook his head like he and Cas had sincerely been debating the topic. "I just think it's a waste of wax, is all, and unnecessarily dangerous to boot."
"You've convinced me." Cas sat up more straightly and Dean turned to look at him. "I solemnly swear to never fill a room with candles and light them for the purposes of sexual congress."
That seemed to clear out the haze of outrage Dean had worked himself into; he collapsed into laughter for a few seconds. "Okay, fair enough," he was eventually able to say.
His smile faded slowly as his gaze dipped to Cas's mouth. Cas let him look. Outside, the wind whipped around the cabin's corners and whistled low, a warning, or a promise. The television screen and the lamp by the window both flickered.
"What about just one candle instead?" Cas asked, thrilled by the mesmerization he saw in Dean's eyes. 
He nosed right at Dean's earlobe; Dean leaned in, making the softest, most involuntary sound. 
"One flame would cast a golden glow onto the whole bed." Cas cupped Dean's head in his hands. "Just enough light to undress you by, and then I could put my mouth all over you," he whispered.
Dean stopped him from saying anything else. Cas felt the heat of the kiss spark through him and returned the favor.
They never bothered to finish watching the movie, but they did dig out the unscented travel candle Cas kept in his duffle bag with toiletries and extra socks. That one candle lasted for hours, and so did they.
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smallestapplin · 2 years
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Eyyyy what up its me, ya Melli simp, Avena. Would'st thou like Melli mirror fic part 2? It's poorly written and not smutty, possibly ooc-ish? Melli no good wiv words, poor baby. I honestly dont care if its bad cause I wrote something!! Its been 84 years.. or whatever the quote is, I hate the titanic movie. Tah-dah -♡
You had stayed speaking with Adaman long enough for the day to properly begin, the whole settlement was up and busy by the time you got your head around what you had done. The butterfrees in your stomach were only getting worse the more you thought about it.
You needed to make a plan. You also needed to pick some goddamn berries! With all that was happening you had been too distracted to do your one task. Twice! You should pick double the amount you need because you had to go see Melli again and that meant nervous Magikarp feeding. Honestly, you weren't sure why it helped your anxiety so much but from the day you first found them it had been your go to place to de-stress and think. The only downside was it was dangerously close to the Arena. Dangerously close to Melli and to the conversation you knew you needed to have.
Fuck emotional maturity! Why can't I ignore it all? I could run away to the fieldlands, there's Magikarp there and I'd sure as hell be warmer than the goddamn mountains.
Continuing to complain to no one but yourself, you collected all of the ripe berries you could find. By the time you got to the waterfall and the magikarp your arms were practically aching with the weight of the basket, setting it down on the wall of the bridge you leaned over so the fish pokemon would spot you and come and flock to you.  Plucking an oran berry from the basket, you roll it in your hands for a few seconds, lost in your thoughts, before finally remembering yourself and tossing it to a nearby fish.
You had been there for what must have been hours, you had already fed them the majority of your berries and given them all names. You were currently procrastinating by sitting at the waters edge and petting them, singing to them. Silly little made up songs about their cute whiskers and insatiable desire for berries turning slowly into singing your thoughts and love songs from your home time as you desperately tried to calm down your nerves enough to go and see Melli.
Sighing as you noticed it was just past mid-afternoon, you rose from where you were sat and bid your sweet, underwater friends goodbye, beginning your ascent to the Arena. If you left it any longer, Melli would find you on his way back to camp. The thought of him catching you singing about how you feel about him sounded way more embarassing than just apologising to him, as that's what you had decided to do. Apologise and admit nothing. You had already made things weird by proposing, you didn't need to add a stuttered confession to your list of fuck ups.
Inhaling deeply you came to the entrance of the arena, curiously he wasn't at his usual spot by the banners. Hoping the Lord Electrode was doing okay you crept forward into the arena, you felt nervous being this close to the Lord Pokémon without its warden, feeling almost like you were snooping in a place you shouldn't.
After a few steps you stop in your tracks and you hear Melli mumble rambling in the distance, followed by bored Voltorb sounds indicating this had been going on for a while.
"Oh Arceus, why do they have to be so pretty? And so kind to the dumb fish? I swear there shall not be a single berry left for my poor Pokémon between here and the Mirelands, all because they keep feeding those dumb Magikarp. And they were singing to them Today! Like they're little babies! Ridiculous!"
You settle on creeping closer to witness your crush's raving for yourself, despite already knowing his exact facial expressions from previous experiences. It was a harsh thought but maybe, if you could embarass him by catching him mid rant, maybe he wouldn't be so insufferable when you apologised? It was a flawed logic but you could hope at least.
Lost in your own musings, you compeltely overlook most of his words, his confessions to the Voltorbs about his crush on you flowed completely out of your head as he said them. Well almost all. His words hit you as soon as you saw him, sat on the floor with his arms folded, monologing to his audience.
"They were singing them love songs! They never sing me long songs!" Slumping his shoulders dramatically and letting his head fall into his hands he continued, unaware that he was being observed by you. "I just want them to sing love songs to me. Songs about me."
His sorrow, ignored by his crowd of tiny ball Pokémon in favour of soft buzzing to each other as they noticed you. Growing more excited by the second, mischeiviously hoping Melli would day something else incriminating. Gesturing to them as quietly as you could to calm down and stay quiet, you crept slightly closer, not paying as much attention as you should and stepling on a twig.
Melli's head whipped up and towards you  panic plastered on his face, as the sharp snapping sound reverberated around the arena. You winced at the noise knowing you had been caught and looked down at the ground, not daring to meet his gaze just yet.
"How much did you hear?" Melli squeaked, his voice now a whisper.
"Not a lot, truely, but I got the general idea." Removing your foot from the twig you kick it aside so you can delay looking at the man before you.
"And? Will you not apologise to me? For making me feel this way?" He began a tirade of false confidence as was his go to but you were suddenly so tired of hearing it, you had already grown so unacustomed to not being on the receiving end, you had lost your tolerance for it.
"Oh enough Melli" you snapped, harsher than you meant.
As silence fell over you both, each wrestling with your own anxieties, all you could hear was your heart pounding in your ears. Collapsing down so as to sit beside him, just slightly too close, you finally looked him in the eyes. They were watery with tears, scared of the rejection he was expecting to follow.
"I'm sorry, Mells. Adaman told me what making you that mirror meant to you and it was never my intention to make you uncomfortable. Well, truth me told I was trying to annoy you but still. I didn't know that it meant what it does." Your gaze falters and you look away, your thumb unconsciously rubbing the handle of your basket as you fidget nervously. You interupt slightly as you hear him inhale as if to start speaking. "You don't have to forgive me and you can reject my proposal, that's fine, but please, I want to still be friends, at least".
"At least?" Comes his reply, genuinely confused, not expecting you to confess feelings for him but praying to any god that was listening that you would.
Swallowing nervously, your voice cracks when you speak.
"I like you, Melli. And, I don't want to scare you and say that we should get married, but I would like to see if we could be more than friends. I've wanted to tell you for a while but never dared."
You fall silent, letting him process your words. It felt good to finally admit the thing that had been on your mind for months, but your chest felt like it was being crushed the more time passed without his reply. Focusing on your breathing you collect yourself, trying not to have a panic attack as you sit and wait for a response. Any response.
After what felt like hours, you couldn't bare it any longer and began to shift yourself away from the lavender haired man you loved. Attempting to rise from you seat of the ground before a hand caught your arm, tugging you back down.
"Look at me?" Melli's voice was softer than you had ever heard it and it made your heart ache to hear more.
Turning your face back to him you lifted your eyes to meet his, hearing his sharp inhale when your gazes finally lock onto each other. Before you knew what was happening his lips were on yours. His hands hovering over yours not daring to touch, it felt awkward but it was what you'd wanted for so long that you didn't care. His soft lips pressed firmly against yours, still with nerves as his eyes never left yours. Pulling back quickly as if realising what he'd done he turns his face away from you, a blush staining his entire face. You blinked a few times to re-centre your thoughts, finally remembering to breathe.
He'd kissed you.
You both sat there for long time in silence, though this time a comfortable one. Both of you settling down from your nerves, blushes receeding before getting bold enough to look at each other for a breif moment before your blushes began anew. The bizarre situation you found yourself in suddenly dawned on you and you couldn't stop the giggle that left you, pushing Melli to the side gently to get him to join you in laughter, and he did. It was like you had both finally remembered you were best friends, laughing at the blushes on each others faces, both teasing the other for admiting they caught feelings.
"Consider your proposal, undoubtably rejected." He laughed as he pushed you over softly, in retaliation for you pinching his still bright red cheeks.
"Fine, I'll have my mirror back then" Sticking your tongue out at him from your new home in the grass, smiling at him softly with a loving look as he turned away and loomed over his shoulder at you.
"Good luck with that! Adaman helped me fix it to the wall yesterday, well out of the reach of you little people" he flicks his hair over his shoulder to emphasise the little people comment and it makes you smile wide.
Pulling his tunic to get him to face you again, you stayed prone, the grass surprisingly comfortable.
"Well then I suppose you'll just have to pay more for it! But, I warn you my costs are steep." The teasing lilt to your voice and the fact you were still lying almost beneath him had him intrigued, a faint blush threatening to take over his features as he quirked an eyebrow at you.
"Mmhmm. It will cost you one whole kiss.  Right here." You confirm tapping your index finger to your cheek.
"Your prices are steep but I suppose I have no choice"
He re-positioned himself so as to hover above you, stradding your waist, chucklimg lightly as your face scrunched up reflexively has his hair fell in your face. Brushing his hair away from you, he trailed his knuckles against your face faintly before leaning down slowly to press a kiss to your cheek. You smirk, eyes full of devilment as he falls closer to you. Lips barely an inch from their destination you catch his face with your hand and guide him to meet your lips. Your eyes closed in bliss as you feel his lips move against yours, bodies pressed closer than would be decent if someone were to catch you. You swore you could stay like this forever, well, if it weren't for the chorus of overexcited Voltorb.
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FUCK PLEASE JUST LET ME-
I CRAVE.
THANK YOU.
BUT PLEASE YOU’RE MAKING ME A LITTLE PARCHED.
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illyanapryde · 2 years
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Just me talking about how much I hate the MCU and how it’s ruining the comics because bla bla bla capitalism
One very major flaw of recent comics (I’m talking about the last decade-ish) is that, in hopes to benefit from the financial success of the MCU, comics began to change the personalities, looks, backstories, costumes, and aesthetics of their characters to match their MCU counterparts.
Before an MCU fan spouts some bullshit like “Well it shouldn’t matter because it’s still the same character and if you’re a true fan you should love them anyway,” I simply can’t help but struggle to enjoy seeing everything special about my favorite characters be retconned. It’s one thing when the MCU adapts my favorite characters and changes them beyond recognition, but at least I can live with that because I can simply not watch MCU content. It’s another thing when the MCU’s same shitty changes are made in the comics, effectively ruining that character.
A prime example is the terrible jokes. Before 2008, comics would mostly have little to no humor. And if/when they did, it would usually be the focus of the story (Deadpool’s entire character for example). But following the release of Iron Man, comics began to change to mimic MCU!Tony Stark’s silly little one liners that somehow gave Marvel Studios a blockbuster hit. What I’m about to say is just personal opinion, but I honest to god hate the “comedy” in the MCU. A couple movies pull it off by making it the focus of the movie (Thor: Ragnarok and Ant-Man 1+2), but for the most part, the inconsistent dry humor is awkward and boring. I didn’t realize this until The Batman, a movie that consistently maintains its dark aesthetic, came out and my mind was blowed by the cinematography. My best friend @gothictoxicc pointed out to me that that movie was so good because it didn’t ruin every dramatic scene with a dry joke that ruins the vibe. Anyways, I fucking hate that I can’t read a new Avengers comic without finding several random jokes that ruin the seriousness of the situation at hand.
Another example of an MCU fuckup that dripped into the comics is Wanda Maximoff. Oftentimes when a character is adapted to the MCU, their 616 version is subsequently drawn to look exactly like their MCU actor, despite that character clearly looking very differently for decades prior. Now if you’re an MCU fan you may be wondering why this is so frustrating for a comic fan, and I’ll tell you. It’s because of whitewashing and lightwashing. Wanda’s been around since the 1960’s and often has a distinct look (kinky/curly hair that’s either auburn or brown depending on the illustrator, and sometimes other ethnic features such as a hooked nose, tan skin, and dark eyes) yet once Elizabeth Olsen was cast in the role, Wanda began to be drawn like this in the comics. The erasure of Wanda’s ethnic features for the sake of pale skin, straight hair, and green eyes matters because Wanda is Romani. However now, her whitewashing is more easily excusable by MCU fans because “she looks white in the comics anyway.”
Side note for paragraph above: The same thing has happened with many other characters such as Natasha Romanoff, and although it’s not necessarily bigoted in any way to draw Nat like Scarlett Johansson in the comics, it does make me want to cry every time I see it.
While we’re on the subject of things that make me want to cry, let’s talk about Clint Barton. In the comics, he’s rocked a lot of funky (honestly the best adjective for them) and colorful costumes that make him stand out and look easily identifiable in comics. However, since the MCU is goddamn boring, they put Jeremy Renner in all black and called it a day. Following that, 616!Clint started dressing like a boring loser. I personally can never forgive the MCU for stripping Clint of his camp (I’ve never used that word but it feels right) outfits.
MCU influence changing the comics: Honorable mentions:
- The entire GoTG team being changed to fit their MCU counterparts in both looks and personalities. I’m talking Gamora, Peter Quill, Nebula, Groot, etc. Literally all of them.
- A younger Black Nick Fury was introduced to the comics following Samuel L. Jackson’s popularity in the MCU (which I have no problem with because who doesn’t love Samuel L. Jackson)
- Loki is now portrayed as morally grey rather than an evil little slut
- Magneto and the Maximoff twins suffered that atrocious retcon where they were revealed not to be Magneto’s children, nor to be mutants at all. This happened as a result of the dispute between Fox (daddy company of the x-men movies) and Marvel Studios over rights to the Maximoff twins, whose terms were unclear because Fox claimed rights to mutant characters while Marvel Studios claimed rights to Avengers characters, and the Maximoff twins were both. To simplify things, the twins had their origins changed in the comics so Fox wouldn’t be able to claim them. Ultimately, the two companies agreed that Marvel Studios could include both twins but had to kill one off, and Fox could include the twin that would be killed off.
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d1anna · 4 months
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also need to talk about godzilla minus one …
this is so random but my dad and my little brother love godzilla and we went to see it and it was so good. literally have never seen my little brother sob so badly at a movie i had to hold him since he was shaking ☹️ i get mad at him a lot (for petty things lol nothing serious) and am tough on him but he’s my baby brother so i was so sad at seeing him cry. BUT the movie was so good at this has spoilers in what i’m about to write but i need to get it out. so this semester i took a japanese politics class and side note—i’m still salty about getting a B even though i got consistent A’s on my exams despite getting a goddamn C on the one essay we had to write (the whole grade weighing was fucked since we only had like four assignments that were counted).
but anyway the movie starts in 1945 right at the end of the war in japan and i think my having taken that class made so much of the movie more meaningful!! also godzilla as a monster have more emotional weight than just being a death destroying monster. like the main events really start in a carpetbombed and firebombed tokyo, and i think seeing how people in japan fared right after was genuinely devastating. especially when you know what happened in japan and WHY they were being attacked if you don’t know much about ww2 or maybe aren’t american… (even though i think a lot of americans don’t know about ww2 in japan and postwar japan other than pearl harbor). like one of the things that we learned in class is that tokyo was leveled (basically) and why hiroshima and nagasaki were bombed by a nuclear bomb is because the us didn’t want japan to think it had the power to rise up again. it’s also why japan was so weak in military power right after the war because scap (the american occupation headed by general macarthur) made it so in the japanese constitution through article ix—which outlawed war in japan’s international disputes. one of the ways you see that is through the little fire power japan has against godzilla. in one of the movie’s like most shocking scenes you see a group of tanks shooting at godzilla in front of the building that scap operated out of. it’s also the building that godzilla shoots its deathray through. so i think in this timeline macarthur is dead lol… yay?
also what i found honestly pretty accurate is that the occupation did basically nothing to help japan—and while that was excused with america not wanting to stir soviet suspicions or fear by showing military power against godzilla, i think it’s more accurate to say that american did it to leave japan to die. like if you’re not from the us you probably wouldn’t know how angry americans were over pearl harbor. and also how they dehumanized the japanese during the war (maybe if you’re from the west you’ll know this though), like they used to draw terrible cartoons like tokio kid and about general tōjō, also not to mention what happened after the war with japanese internment camps (especially in the west in the usa). they did what they did to tokyo and to hiroshima and to nagasaki and to japanese nationals and diaspora because they wanted to crush their morale and destroy their hope. like right after the war in japan, so many people were so poor and also suffering from disease because of pollution and starvation.
and also another big spoiler is how like their plan to fend off godzilla was not japanese government nor scap sponsored. one of the articles we read in my japanese politics class was how flat democracy and even like women receiving more equal rights based on the american-written japanese constitution (fun fact an american russian-jewish woman named beate sirota gordon living in japan wrote the bill of rights—she was the daughter to two diplomats, she died ten years ago i think?). it was because it was imposed on them rather than forged by japanese people and nationals, it wasn’t fought for it was just given to them. i think the whole plan being led by civilians and war veterans was an act of liberation but also meaningful culturally and currently. one of the old pms—abe shinzo (you might know him for being a warcrime denier since he dismissed the existence of korean comfort women)—like one of his big things was for japan to be better equipped against foreign powers (aka arms). he wanted article ix to be abolished since it stood in the way of japan ever doing anything hostile against another foreign power.
however while shinzo was mostly popular (until the latter time when he was pm when his popularity started going down. also he wasn’t pm anymore when he was assassinated—also he was assassinated by a guy who had been done wrong (i believe he was extorted out of his money) by moonies (prolific korean cult) that abe had connections to, he killed himself i think after?), i also want to stress that politicians for a while, especially in the modern era are not (i think pretty internationally too) representing what people want. and while japanese people are GENERALLY pretty ambivalent (like on what to do politically) and also generally pessimistic about the future, i still think it’s safe to say they aren’t being well represented by politicians. especially since the ldp (the ruling party in the diet) prides itself on being a catch-all conservative (not capitalized c) party, and most japanese voters are floaters (kind of one issue voters), the ldp just tends to put on a mask based on when it benefits itself.
though it’s a counterfactual, it would be interesting to see a japan not under american occupation and free to do what it wanted/wants. i’d also be curious to see what kind of political style government it would have arrived at without american interference. my professor talked about how there was a red wave (communism) in japan that was ultimately put down by scap, but i’m not entirely sure if japan would have become a communist state considering how feudal landlords and rice farmers were lol. i also don’t know that much either and am just synthesizing what i learned too in class, but cool for me to think about.
also i wanted to say that this film is nationalistic—i mean the whole impetus around godzilla’s creation is a political commentary on hiroshima, and since godzilla has nuclear powers… well the us never needed to bomb hiroshima or nagasaki if there was godzilla to do it. and i think by its nature is propaganda but i want to say that softly even though i am disgusted by what japan did in china, korea, and also in the philippines—like that hits home for me since im ethnically (half) filipino. but japanese civilians shouldn’t have had to suffer being carpetbombed and firebombed or be killed by a nuclear bomb. i really think this film is genuinely quite good and also not sympathetic to american encouragement about war. one of the characters says to a younger character that he should be proud (rather than ashamed) that he had never gone to war like the other characters.
i feel like i’ve been seeing a lot of films talking about war (like that stupid one—it was well-edited though don’t get me wrong—with julia roberts and mahershala ali + ethan hawke; or that one during the korean war; or this new one with ariana debose and the iss) and like new wars on the horizon and i feel like it’s unnecessary and don’t feed into them if you’re american. to me it just feels wrong to speculate about a new war through this level of media and audience; especially if you consider how us unipolarity is waning … yay!!). i hate films that encourage war especially on the side of the us. it’s just immoral to me.
anyway watch godzilla minus zero, one of the main actresses is in one of my favorite j-dramas, watashitachi wa douka shiteiru (cursed in love is the english title—not a translation of the japanese titlle—LOVE her and ryūsei) and she’s so cute and genuinely a great actress.
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cowboychrome · 11 months
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Power Rangers Mighty Morphin the Movie is just so goddamn good, and not even in a "it's so bad it's good" way. NO! It's just GOOD. Like it's so 90s and encapsulates everything about awesome 90s movies and the 90s camp of it all is *chef's kiss*.
The fact it takes place in its own timeline and has no bearing on the show's story. The fact that we get MULTIPLE morphing scenes as opposed to the two movies that came after. The one-liners?! Hello! And it's one of those movies where you're enjoying it so much that you don't want it to end, so when the fireworks go off at the end thanking the Rangers, followed up by Van Halen - Dreams you're feeling this weight of happiness and sadness because you want more!
Nah, man, this movie is perfect. I love Turbo and even the 2017 movie but MMPR: The Movie is unfuckwithable, argue with your mother about it.
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