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#something to live by
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Be guided by the Soul and not driven by ego.
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titleofpersonage-p01 · 2 months
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liquidstar · 6 months
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If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)
At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.
Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.
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hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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druid-for-hire · 1 year
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[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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lgbtlunaverse · 6 months
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Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.
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quibbs · 14 days
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just had SO much fun with the fallout tv show... i love you missus okey dokey
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xekstrin · 9 months
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RE: talking to conservative parents, I’ve found a good method to de-worming their brains is to not get riled up, just act a little bored and remind them “the news cycle only shows salacious stuff. They want you to be mad and scared because it makes you easier to control. Think about it for a second. Do you REALLY believe everything they have to say?” Or “you can’t believe everything you read or see on the internet. Remember, they earn money every time you click on their video.”
And especially when my dad starts getting huffy about Prices or Artists He Doesn’t Like, I tell him “that’s the beauty of capitalism. they have a product to sell and the freedom of expression if you don’t like it you don’t have to buy it.”
Might not work for everyone but dad’s KRYPTONITE especially is saying “but dad that’s capitalism! You LOVE capitalism!” And he either has to stop complaining or admit capitalism is bad and so far I haven’t lost
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When you mess up, make up for it in the next moment or minute or day.
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sheepgirlmaidtummy · 2 months
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man. this whole thing pisses me off because like. even when people talk about staff having a history of hating trans women, that this isnt the first time, without fail black trans women are forgotten to be included again and again. im not surprised this caused such an uproar when the popular white woman gets deleted. nobody should be, its been that way like forever. some cunt in my inbox got annoyed i called rita a sex worker (lol? okay)
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but i mentioned that in my post because so many black trans women have gotten removed from this site for their sex work alone, regardless of if it "broke community guidelines" or not, especially when tumblr live and the ads on this website are so fucking horny. idek what to say rn because like. this wont get as many notes as the posts talking about her will. the exploding car thing is gonna get more attention than the trans women on this site you dont actually care about listening to. ive been talking about how unfair it is to be a black tgirl on this site for years and nobody cares.
i love rita, we talked abit the other day and she's doing fine, dont get it twisted and think i hate her or some bs, she's a big fucking reason im not fucking homeless.
but part of why her deletion got to #1 trending on tumblr for multiple days in a row is that she's white
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jesterpunk · 3 months
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[ID: A digital painting in pastel colors showing a colorful crowd of different animals holding a Palestinian and Indiginous Australian flags, with text above them that reads, "From the river to the Sea, always was, always will be", with white doves flying next to the flags. A small artist's signature at the bottom reads, "jesterpunk". End ID.]
🕊️ every year in my lifetime, I've seen an ugly blue british flag printed on single use cups and ugly tshirts on January 26th, celebrating stolen land, stolen language and stolen children. this year in particular, I feel the need to make my politics clear through art, as the horrors of colonialism and genocide are mirrored internationally in Palestine. I want to be clear, you do not get to enjoy my art without knowing clearly what my politics are, and you do not get to ignore my politics as an inherent part of my art. no one is free until everyone is free 🖤💛❤️🇵🇸
[Emoji description: A white dove with a green sprig. A black heart, a yellow heart, a red heart, and the Palestinian flag. End emoji description.]
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kaogens · 10 days
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static
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mintypsii · 8 months
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i can't believe one piece invented gay people
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locallibrarylover · 7 months
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*by live theatre i mean plays, musicals, operas, ballets, concert versions of musicals, staged readings, & things of that nature. EDIT: YES this includes amateur, local, kids, high school, & community theatre. almost every show i've seen has been local
if you want, list the names of the shows you've seen in the tags!
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bats-and-the-birds · 10 days
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In situations and headcanons and such where Bruce doesn't tell the justice league his identity, I feel like one of the most often cited reasons is that they'd then immediately connect all of his many waves of increasingly smaller vigilantes back to him.
But I'd like to think it doesn't happen like that.
Like, at some point, Nightwing has been on the team for years, and somehow, no one that didn't already know him as Robin has connected him back to Batman, but of course both Bruce and Dick think they know, because they have to, right?
But then Bruce's identity gets revealed while Dick's off world or something, but he gets filled in, so he assumes that his identity is blown too, right? Of course, once you know Batman is Bruce Wayne, it'd be easy to put together that Dick Grayson is Nightwing.
So then Bruce and Dick have to rush to the watchtower from some sort of Wayne family event one day, but there's no real need to put on their costumes yet, because the league already knows their identities.
Until...
Green Lantern, watching a young man that he's only ever seen through gossip magazines fiddle around in the watchtower: Hey, Bru-Batman, I know we found out your identity and all, but do you really think it's a good idea to bring your children into this? I mean, what if he gets hurt?
Dick, incredulous: You... you do know who I am, right?
GL: It's hard to not know who you are. I saw you on a magazine cover just the other day.
-long pause-
Dick: Bruce, when you used to complain that you work with idiots, I thought you were exaggerating.
-general sounds of outrage from the JL-
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