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#so the month file is just the fully finished and saved drawing
mokeonn · 25 days
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I know that like when you get better at art there's like more choices being made and so you can't really pump out art like you used to anymore because you know better and blah blah blah but after years of being able to finish a whole piece in a day, having to work on the same drawing for 3 days is a crime what do you MEAN I only made 5 finished drawings this month?? What happened to the good ol' 57???
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iraprince · 2 months
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Hey! I have a couple of questions whenever you have the time for them...
First off I've started sometimes recording timelapses on csp, but as far as I can tell you have to export every single time before you fully exit the program (I've had to lose the footage to learn this lesson 😭), but the clips also always seem to start with the final frame? Idk if you record them long enough to need to merge clips but if so I'd appreciate any guidance you'd have to make that merging seamless, bc I tried cuttting the beginning of the clips and it still does a stupid lil jump to that final image :(
And second, I thiiiink it was you that mentioned having a "gas arm" that you mount your tablet to? If so I can NOT find that post but it's something I'm interested in investing in!
the ask where i talk abt my tablet mount is here!
as for the timelapse, i'm afraid i can't help bc i've never experienced the specific issue you're describing -- my experience has always been that the timelapse footage saves when you save the file! the only thing i really use the timelapse function on is my monthly sketchbook/warmup files, and i don't splice clips for that, i just pile up a bunch of folders on one canvas that i draw in all month, and then i export the whole thing at the end! i've never exported multiple times thruout the 'lifespan' of a file so to speak. if u would like to have multiple different drawings all strung together in one long timelapse, i think the easiest thing to do is what i do for my sketchbooks: just have those all in one clip studio file, hiding things as you finish them. (this DOES make file size balloon a LOT, so if ur computer can't handle that u might have no choice but to do smaller bursts.)
if you're losing footage in a saved document (that has the "record timelapse" function checked, which you can do when u first create the file but u can also switch on from the file menu if u forgot at first), that sounds to me like a bug, and it may be something u want to email support about! i also don't think u can control the fact that the opening frame is the final, i think you'd have to trim that off manually after export in a different video editing software; the actual options u have for fiddling w the timelapse in clip studio natively are extremely limited.
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veworhorse · 2 years
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Mario paint composer download
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To get Mario Paint Composer to MP3 you'd have to record from your sound card, ie the sound before it comes to your speaker. txt but it wouldn't be possible to run it nor convert it back, but just to give you an idea. Mario Paint is an educational game that allows anyone to create simple pictures, paint over black and white pictures, or free draw their own using the specially developed SNES Mouse.Play Mario Paint online ( This is a Mario Paint hack. Mario Paint is an educational game that allows anyone to create simple pictures, paint over black and white pictures, or free draw their own using the specially developed SNES Mouse. I could take any program, open it in notepad and save it as a.
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When you have finished creating or editing a song, you can give it a name and save it in the application's database, so that you can play it back when ever you want to. A title that takes full advantage of the pack-in SNES mouse accessory, allowing the player to paint pictures, compose music, and play mini-games. The program also give you the option to repeat the song, once it has finished playing it. Mario Paint Composer allows you to change the volume of each individual note and the tempo of the song. The pitch of the note will depend on where the note is placed on the music sheet. Some of the characters are Mario, Yoshi, Boo, and Toad. Fascination About music lyric pictures Mario Paint Soundfont Select the following files that you wish to download or play stream, if you do not find them, please search only for artist, song, video title. Each sound is represented by characters and objects from popular Mario games. 91 download of Mario Paint Soundfont, download Mario Paint Soundfont on qq. for free. The program displays a music sheet on which you can apply various sounds. Any melody that you create or edit will have the same effects and the same style as the sounds that are used in Super Mario Bros. “The price will not change after leaving early access though it may increase a little over time as more advanced features are added.Mario Paint Composer is an application that is designed to allow you to create and to edit songs from the Super Nintendo game 'Mario Paint'. Will the game be priced differently during and after Early Access? What is the current state of the Early Access version?
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How is the full version planned to differ from the Early Access version? Once you have tried it out make sure to check out what.
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Mario Paint Composer for Mac OSX download. I havent been able to test this personally but I am assured it works. For this release of the game, a Mario Paint contest was held, in which contestants of exceptional Mario Paint artistic skill made artwork pieces. The above download is for the windows/PC version but I also stumbled across a Mac version which seems to have disappeared from the UnFun website. Mario Paint BS Ban (BS) is a version of Mario Paint which had joypad support. “Our current estimation is that the game will be in Early Access for three to six months while we finish up the final features on our roadmap to 1.0” Mario Paint was re-released in two minor variations on the Satellaview. Gathering feedback from the community helps to make sure that the 1.0 version is a true masterpiece!”Īpproximately how long will this game be in Early Access? Below, I have mirrored the downloads of many popular sequencers, tools, and SoundFonts for Mario Paint. Though the game is fully functional there is a list of features we'd like to have before calling it a full release. Mario Paint Composer - Download for PC Free - Mario Paint Composer is a program to compose music based on the sounds from the Mario Bros. “Releasing in Early Access allows us to gather important feedback from people interested in shaping the direction of the product.
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so-many-muses-rp · 2 years
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Tell us your cautionary tale! (the comic is great btw)
So this ask had been sitting in my inbox since August 2022.
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Very long rant/vent/story below cut
However, the idea of Jr's introduction comic has been in my mind since June 2021, however, I didn't fully flesh out Jr's model sheet until December 31, 2021...
Around January 2022, is when I started working on the comic. I know this was going to be a big comic, I wanted to do to pace myself. I was only spending a few hours, a few days at a time to give myself breaks in between, saving as I went, super happy with my progress.
Showing my friend's wips of my work asking for tips or how it reads (important), I felt like everything was coming together, and just as I was done planning the last page.
But on May 3rd, 2022. I was in the mood to draw something else... so I opened a new document so I could work on something for fun. Something I didn't need to worry over every little pen stroke but then I felt like if I didn't get any work on the comic, then it'd never get done.
So, of course, I went to press open to open the document for the comic and ended up saving the new blank document I opened a few minutes ago, overwriting 5 months worth of work. 5 months of work. Blip gone.
Now I'm sure, any of you can imagine the pain of having so much work just be lost because you didn't click the right option in the menu. I cursed at myself for being an oblivious moron who couldn't read the options in a menu properly.
I vented to my friends about it. I remembered the comfort, the apologies, the 'if it were me, i'd just quit art all together' and the advice as well. I had this idea in my mind for months... I wasn't about to throw in the metaphorical towel. I looked up recovery methods. (I use FireAlpaca for my art, and their recovery system is a bit hard for me to understand and also completely useless because I SAVED OVER THE FILE I WAS TRYING TO RECOVER)
So I took my wips that I sent to my friends, and put together a new foundation for the comic. I redid 5 months of work and then some, building out more and more until I was satisfied with it... and only this morning at 1-3am did I finish this comic, after doing all the minor tweaks I could to make sure it was completely done.
This comic took 9 months to complete. How fitting is that for a comic about my su/oc fan kid to take 9 months to make before this sucker is visible in color for everyone to see. Here's the link
But yea over all I'd think the takeaways from this would be: - Take your time, take breaks ( rushing yourself is bad for your mental and physical health - Make sure to READ things before you confirm. (I was going off pure muscle memory and didn't read the button that said save instead of open.) - Never give up. (Things might feel like they are crashing all around you, but you got this if you just persevere through the storm of doubt) - Also even if you don't have anyone to send wips, its always good to save copies of your work so if something happens and corrupts your file, its always good to have a little foundation to work off of instead of working from complete scratch.
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simp-cityxx · 3 years
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It’s Showtime~
A Toji Fushiguro x Fem! Reader fic (NSFW)
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Summary: Your lowkey malewife Fushiguro comes to pick you up from work, but you have some ulterior plans for the night…
Warnings: Praise, Degradation, Lots of dirty talk, spanking, breeding, possessiveness; other general smutty stuff (read at your own risk)
A/N: so yea, Nanami and Toji exist simultaneously in this story which doesn’t make sense (but that’s hawt so) but yk what else doesn’t make sense? THE WORD MALEWIFE AND TOJI BEING REMOTELY CLOSE TO ONE ANOTHER! But yeh enjoy
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“Late again, huh.”
As you walked under the dim streetlight, Toji opened up your passenger door before crossing his arms with a blank stare on his face.
“Sorry. Nanami just needed someone to stay back and help file a few-“
He slithers a hand on your waist as the other tilts your chin. “Yeah princess, whatever.” Although his approach is far from polite, you’re far too focused on his touches to come up with a witty response. The way his words, gazes, and touches were coated with gracefulness but tinged with urgency drove you wild. It was far from erratic but not essentially delicate…this must’ve been the delicious taste of experience, and you were set for sails just thinking about it.
“What am I going to do with you…” he chuckles, pulling you into a kiss; one that feels almost too intimate. You grip onto his tight shirt with his toned muscles enclosed, leaving you practically gasping for air.
The kiss finally calms down and you hop in the front seat of Toji’s car. It always puzzled you how the man was able to afford such a lavish car on his own, Given the fact that he often took on the role of your “househusband”. You focused your attention as Fushiguro unexpectedly brushed a lose piece of hair out of your face. Even such a simple gesture had your thighs squeezing together, tensing up as the engine started.
“So why does that blondie keep working you so late anyways?”, He sits his hand on his chin.
“I think it’s simply the fact that im the only one who fully understands Mr.Nanami’s file systems.”
He chuckles, “Bullshit. Your boss totally has the hots for ya.” Trying to conceal his feelings on the matter, he opts to keeping his blank stare on the road.
You rolls your eyes, “You know it’s not like that.”
“Well if even if it was, you know I’m still your man,” he shoots you a toothy smile, god he was so hot when he smiled…
You giggle, rolling your eyes.
“You are so damn corny.”
The rest of the ride is quiet, as you’re caught up in your own head. This relationship with the sorcerer killer had been such a whirlwind, even after about three months. His arrogant and flirtatious demeanor never gave any indication that he would want to ‘slow down’, but somehow you were able to mellow him out. In some ways at least.
Before you knew it Toji was opening the passenger door.
“Baby,…..y/n”, He tapped your shoulder as you had kinda zoned out.
“Oh yeah sorry”, you stood up, only to immediately get tossed over the mans broad shoulder, sneakily hoisting you up with a hand on your ass.
“IM NOT YOUR FUCKIN WORM PUT ME DOWN!”
“Huh?”
Without batting an eye, he puts you down as soon as the front door opens.
……..
Walking into the bedroom, you decide to throw on something a little more…causal. (Something you really know will get him going). You grab one of Fushiguro’s oversized collared shirts, leaving it open to expose the skimpy new lingerie you had just bought. Although not something you felt totally comfortable in, one of your office friends insisted you buy it for a night just like this.
You sluggishly walk into the kitchen where dinner is prepared, stretching your spine with a heavy yawn, before glaring up at Toji’s ample chest, merely covered by a black apron.
The raven haired man looks towards you, almost as if he hasn’t noticed your change in attire. You sit down for your meal, a little disappointed at the lack of reaction from your man. You finish up dinner and sluggishly stumble to the living room. Toji is sitting with eyes unenthusiastically glued to the tv. As you make your way over to join him, you feel a tight grip placed on your hip, pulling you into a rather compromising position.
“I told you last time about wearing satin..”
The words crinkle in your ear, causing your spine to tingle. (He has a thing for satin, lordt knows why)
The muscular man begins to spank you, causing an unexpected moan to escape.
“Shhhh.” A deep sinister grin is painted on his face. “There’s no use in screaming anything but my name sweetie.” God, you hated the way his corniness turned you on.
He persisted, already pushing you to the brink as he increased the intensity through his large palm. occasionally he paused to admire his dirty work, placing the gentlest caresses on your stinging ass before causing you to whimper once again.
You were already panting when Toji positioned you in his arms bridal style. “Tired already dollface? But I haven’t had my way with you yet…”
Fuck. You clench your legs as the heat between your legs intensifies. The raven haired man picks up and shoots one of his grins, floppy hair covering his emerald eyes. You could just die right here.
Gently laying his prized possession on the bed, he positions himself in front of you as you undress him. He throws the apron to the side and wastes no time utterly demolishing the lacey lingere you had picked out for him.
“Toji! That was expensive!”
He merely shrugs it off. “Black card is on the desk babe. You don’t even need all this frilly shit to get me to fuck you.” You cross your arms and avert your gaze; pretending this isn’t the exact outcome you wanted.
“Pout all you want, but your body tells me everything I need to know princess.” As he whispers, He glides a finger over your drenched folds, causing you to release the most sickening moan to ever escape your lips.
“I never knew you were this much of a slut for me. We’ve barely even started…”
As much as you want to give a witty response, his electric fingers slip and stretch inside you, leaving you breathless. You burn all over as he leaves intense marks and kisses all over your skin.
“Stammering already?” He grabs your chin and leans in, pressed against your chest.
“How pathetic. Guess we’ll have to teach you a lesson in manners…” with that he growls, slinging your delicate legs over his broad shoulders. As he leaves kisses on your soft thighs, you shudder in ecstasy. He lets out a chuckle.
“You’re so cute when you tense up like that. Just relax; I’ll take care of it.”
Swiftly he begins unrelentingly devouring you. Kisses pepper your sopping cunt, accompanying the intoxicating hums he makes on your bud. Even with your screams and cries, he only lets up when you finally come.
“Good girl. Now can you do something for me?”
As you nod, he sits you down on the edge of the bed. He positions himself in front of you, giving you a clear look at his egregiously long and thick member. It’s a wonder the thing fit inside you.
“I’m just in need of a little warmup. Think you can handle it sweet heart?”
You nod, regaining your composure.
“Yes sir.”
With that, you take as much of his 13 inches as you can fit in your mouth, but as he hits the back of your throat you begin to choke. Noticing, he slides himself out.
“Don’t overextend yourself little whore. Just the tip is fine…”
After affirming his words, you use your methodical tongue to play with his cock, causing him to release little fucks and hisses from the back of his throat. The way you fit him so well always got him going.
You giggle, “who’s stammering now?”
Teasing him was a big mistase. He furrows his brow and pulls away from you leaving you hungry for more.
“Enough. Lay down skank.”
There was no saving you now. It was much too late. You just guaranteed you’d need to use one your sick days just to recuperate. He pins you down by the wrists and starts biting hard onto your chest, causing you to whimper.
“You thought you were real slick huh.”
“I was only-“
Before you can even finish your sentence, the space in between your legs is stuffed full. He pounds hard into your throbbing cunt, amused by your gasps for air, and leaning down occasionally to leave you kisses. He was just too good, from his dirty talk to the slightest of touch, he just knew every little way to turn you to mush. He grinned as he put a hand to your stomach, feeling his cock penetrate you to your highest capacity. He was so proud have pleasured you in such a way, falling in love with the ways you screamed his name, the way your clever ass could turn into this love drunk fool with no one but him. The love he made between your thighs was proof enough that you could be no one but his. Toji may have been a master of his craft, but the way you wrapped around him even left him begging for more.
As you bucked your hips into him, Toji positioned you on top of him.
“It’s time baby.”
He released more of his intoxicating sounds as you both found yourself on the brink of climax. You pleaded for him to stuff you full, so he did just that, speeding up by grabbing your hips before one final thrust, leaving your thighs shaking around his burning shaft. You were all his as you laid there, dazed by just how amazing the feeling it was.
“You did so well for me today honey. I’m glad you learned your lesson.”
He placed a kiss onto your forehead before getting up to draw you a bath.
Oh lordt have mercy </3
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luffles424 · 4 years
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Cigarette Burns
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☼ Pairing: Seokjin x reader x Taehyung
☼ Genre: angel!reader, angel!Taehyung, horror, angst, some fluff, smut
☼ Count: 10.6K
☼ Warnings: 18+, death (minor characters), blood, mentions/descriptions of injuries, mentioned mutilation, hallucinations, oral (m receiving), double blowjob, cumplay, cum sharing, deep throating, face fucking, teasing, ball play, dom/sub themes, hair pulling
☼ Summary: Seokjin’s been tasked with finding a film that is thought to be a myth. A legend that caused a theater full of people to turn to violence and then was never seen again. With the mystery that swirls around the film and the increasingly strange things that happens as he hunts for it, is he fully prepared for what waits for him at the end of his journey?
☼ a/n: This is based on my favorite horror movie ever, Cigarette Burns! The story is changed some, but I can’t explain in a way that doesn’t spoil both the film and the fic. I’ve pulled back on some of the gore from the original film too. I hope you enjoy, as I’ve not really written a horror fic before! Let me know what you think! My ask box is always open ~ 💙💙💙💙
☼ Written for @btsholidaybingo​ to fill the square Blood, Sweat, and Tears
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The theater is quiet as Seokjin enters it, understandably so since it’s almost closing and the theater is so small that there’s likely no one at the last showing. One of the downsides of a more indie theater, he supposes. But it had been his dream, keep the older films alive, even if it didn’t necessarily prove to be super lucrative. Which is where his second job came in, that people (Taehyung) would argue should really be his primary job considering how good he is at it. 
Seokjin doesn’t want his primary job to be hunting down rare prints. He likes it well enough, sure. It’s thrilling to find a new piece that was thought to be lost to time (and to negotiate into the deal that he’d get to hold a showing of whatever he found too). But it’s really only something to help keep the lights on at the theater. Taehyung also suggests adding newer films to the theater's showings to draw in new crowds and get them interested in the older ones so Seokjin chooses to ignore most of Taehyung’s “helpful” suggestions. 
He makes his way to his office, where Taehyung is sprawled out in a chair, perking up once the older man enters. 
“What’s the film this time?”
Seokjin chuckles as he sits down at his desk, setting a thin file down. Taehyung might be more invested in Seokjin’s side job than Seokjin is. Maybe he should teach Taehyung how to do it so the younger can take over. He’s inquisitive and bright enough that he’d be good at it. “Hi, how are you, Tae? Oh, me? I’m doing good.”
Taehyung rolls his eyes. “Oh come on, I saw you this morning. Now what film are you looking for?”
Seokjin eyes him up for a moment. He’s never seen Taehyung so interested; he seems more interested than usual and he doesn’t even know what the film is yet. He’s not sure if he’s interested in the film or hearing about the process Seokjin goes through to find them. Seokjin’s good at his job, good at finding the relics of an era where everything couldn’t be easily backed up. And while he makes sure to get a favorable deal and be able to show what he worked so hard to find, Seokjin maybe also makes duplicates for the sake of preserving the content of the old films. Taehyung always seems delighted to go through the unofficial prints that Seokjin keeps stored in the theater (or at his house because multiple copies is always best when it comes to preservation). 
“I don’t know if I’ll find this one. It’s pretty legendary and notably thought to be either fake or destroyed.”
Taehyung leans forward, eyes wide with barely contained interest. “What is it?”
“La Fin Absolue du Monde.”
There’s a flicker of something in Taehyung’s eyes that Seokjin can’t decipher and it’s gone too fast for him to even try. “Isn’t that that film that only ever had one showing and everyone at the showing killed each other or themselves?”
Seokjin nods, pulling a yellowed newspaper clipping from the folder he brought. It’s all in French but there’s a translation written in the blank space of the paper the clipping is attached to. It details the bloodbath that the theater turned into before the film even finished and how the only print of the film was destroyed right after.
Taehyung looks up at Seokjin, expression unreadable. “Do you think it still exists?”
Seokjin shrugs. “The guy, Bellinger, seemed very positive that it does. Said he would know if the film had been destroyed. I didn’t ask how because that seemed like a path I didn’t really want to go down. He was weirdly obsessed with the props he had from it. But he gave me the information he had and said that if I couldn’t track it down within a month that he would admit that it was gone. But he paid half up front for the whole month. Double my rate too. He seems to really want this found and to honestly believe that it’s still out there.”
Taehyung nods stiffly before he’s flashing Seokjin his usual boxy grin. “I’m sure you’ll find it. You are the best after all.”
Seokjin snorts. He wonders if he should question Taehyung’s sudden shift at the mention of the film. It’s not like him to be so serious about a film. “I don’t know if I’d go that far, but thanks.”
“Do you have any leads?”
“Not really.” He flips open the folder and shows that besides the article clipping is just a printout of the poster from the film’s only showing and another printed page with a film review on it. He taps the review. “This was written by a critic who was at the showing. As far as I can tell, he’s still alive. But he seems to have become incredibly reclusive in the decades since the showing. I’m going to ask around and see if I can track him down.”
Taehyung stands and drums his fingers on the desk. “Well good luck. Keep me updated as always.” He turns to go, pausing in the doorway. “Seokjin… whatever you do, don’t watch the film.”
And then he leaves, leaving Seokjin confused because it seems like Taehyung believes the film still exists and that somehow something bad will happen if Seokjin were to watch it. Maybe he just believes the stories around it and thinks that the crazy stuff that happened was due to the film and not something more easily explained like the crowd being poisoned or something much more logical than the movie made them do it. He shakes his head, it’s probably just a friendly warning out of worry. Turning to his computer, he starts digging into the sole survivor of the film’s only showing.
It takes some time, hours of staring at the screen, to find anything substantial on the critic. It’s nearly morning, gray light filtering through the slates in his closed blinds, but he finally finds where the critic has most likely holed up. For what reason, no one seems to really know, just that he disappeared after his review and hasn’t really been seen since. But it’s as good a place to start as any. Seokjin saves the address onto his phone and leaves the theater, stopping at his apartment for a moment to shower, change, and pack a quick bag before he’s grabbing some coffee and heading to the airport.
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Upstate New York is far more woodsy than Seokjin had expected. Although he supposes when he’s only imagined New York City when thinking of New York, that’s an easy mistake to make. The foliage makes navigating to the critic’s house in his rental car a little difficult since it’s seclusion means that the road to the house is nearly completely overgrown. He wonders how the guy gets food if the path there looks as if no one’s been on it in months. The house itself is simple, but appears abandoned given the lack of care to the outside and the way all the rooms that Seokjin can see into are darkened. Still, Seokjin isn’t one to be deterred, the porch looks nice enough, he can always just wait a while if there happens to be no one home before maybe finding an open window or door to check out the house. But first he approaches and knocks on the front door. He gets no immediate response but when he steps back to look in the windows on the far side of the door, he’s able to pick up the sound of a typewriter. 
Well someone’s definitely home. He moves back to the door, knocking again. 
“Mr. Meyers?” He calls out, the typing stops and he gets an answering ‘go away.’
“I just need to speak to you for a moment.” There’s a resounding ‘no’ in response and the typing starts up again. “Please, it’ll be quick. I wanted to ask you about your review for La Fin Absolue du Monde.”
The typing stops again and then there’s a loud buzz and the door swings open an inch. Eerie, but Seokjin pushes the door open and steps inside. The house is dark, blanketed in shadows caused by the only light that streams in through the cracked curtains. There’s a stale quality to the air, like the house has been closed up for months and there’s a gray cloud of smoke that clings to the ceiling, swirling with the sudden air flow. As Seokjin looks around, he sees that there are stacks and stacks of paper piled everywhere that there is space, leaving just a narrow pathway from the entrance to the living room. He rounds the corner into the living room and there’s even more stacks here, piled high around the critic as he sits hunched over his typewriter, typing away once more. 
“Were there press notes?” He asks, glancing over one of the nearby stacks, skimming the top page. It talks about the film. He gets a curt ‘yes’ in response to his question. “Did you save them? Could I read them?”
“Dangerous.” Seokjin frowns at Meyers’ statement. They’re just notes, how could they possibly be dangerous. “The back said ‘Film in the right hands is a weapon.’ He was right and we didn’t even know it.” There’s a heavy silence before he continues. “We trust film makers when we go and watch films. We sit there, in the dark, and trust in what they’re going to show us. That it’ll affect us but we trust that they won’t go too far.”
Seokjin waits but Meyers doesn’t seem inclined to continue now, though his words haven’t been particularly helpful anyway. He’s not even particularly sure what he’s talking about. It’s almost like Meyers has used up all his words on the pages taking over his home or that he’s forgotten how to hold a conversation. Has he been here since the film release? If so, he’s been out here alone for decades. 
Seokjin decides to try directing the conversation back to the film. “I’ve read your review. A few times on the plane. And I still have no idea what the film is even about.”
“Hans Backovic was a monster. He took that trust and abused it. He didn’t want to just hurt us, he wanted to absolutely destroy us.”
Seokjin feels like they’re having two different conversations. He’s not even sure that Meyers heard what he said. Backovic was a director, how could he possibly have destroyed an entire audience? “I’ve seen extreme gore before. It didn’t drive me to violence. Why is this film so dangerous? Surely all that violence in the theater was exaggerated?”
Meyers leans back in his chair and he looks older, exhausted. His eyes seem slightly unfocused. “Oh no, not at all. If anything, it was downplayed.” He pauses and takes a slow breath. He’s staring at his desk but the look in his eyes says he’s somewhere far away, reliving something he doesn’t want to be reliving. “I watched four people die. Blood slicked every inch of that theater floor. The chairs, the walls, the screen. It reeked of death.”
There’s a charged pause and then Meyers leans forward again, looking at Seokjin and Seokjin feels unsettled, that faraway look is gone, instead replaced by a wild almost manic look. “Backovic knew what he was doing. He told me exactly what would happen when that film played.” He chuckles and it’s completely humorless. “I thought he was joking.”
Seokjin moves closer, suddenly interested. Meyers had spoken to Backovic? About the film specifically? Finally, a possible lead, something to have made this trip worth it. “You spoke to him?”
“Yes. Before the film. I recorded an interview with him.”
“Do you still have that tape? Can I listen to it?”
“No one’s ready for that film. They weren’t then and they aren’t now. I failed in my one job as messenger for the film. That review was a joke. But everyone will know, once I finish my new review. They’ll see what the film is really about.” He seems to be almost talking to himself as he pulls the sheet of paper he’d been typing out of the typewriter and adds it to the pile beside him. He slips a blank sheet into the typewriter. 
Seokjin glances around in alarm, gesturing to the stacks of paper. “Is that what all this is? Your new review?”
He lets out a slightly maniacal laugh. “I’m almost done!”
Seokjin swallows. There’s easily a million typed pages here. And it’s all about the film? Unease fills Seokjin as he casts his gaze over the stacks again. What happened in that theater that could drive someone to spend decades typing this much? And to call it a review? He doesn’t want to ask more about the review and what could possibly be compelling this man. “Well, there’s a chance that there’s still a print out there. I’ve been paid to find it.”
Meyers stares at him for a long moment and Seokjin shifts in discomfort. There’s so much mystery around this film and this talk with Meyers has only increased that. Then he laughs again and stands. Seokjin thinks maybe he should leave, for a split second he fears that Meyers has been so hard to find because he’s killed anyone who’s come to find him before. “You should know what you’re in for.” He says cryptically before moving to a trunk nearby. He rifles through it for a moment before pulling out a tape. 
He presses it into Seokjin’s hands, but when Seokjin goes to pull away, Meyers’ hands tighten around his, keeping him in place. “Promise me. Promise when you find it that you’ll let me see it again. I’ve dreamt about that film every night since I’ve seen it. This film it… it crawls inside you. It just doesn’t leave.”
He releases Seokjin’s hands and goes back to his desk, staring at the typewriter for a long moment before he starts typing. It’s as clear a dismissal as anything and at this point, Seokjin is more than happy to leave Meyers to his stacks of papers. 
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Paris is the next stop for Seokjin. He has a friend, Henri, who works at one of the bigger film archives in the city and he might have leads for him. But first he needs a moment to himself, so he spends his first night in the hotel. Where he figures he might as well listen to the interview while he’s got some time. It could give him some help in where to look when he goes to see Henri tomorrow. 
The interview seems normal enough. Backovic talks like most of the more pretentious indie filmmakers. Those who believe that their art is superior and above so much else of what’s out there, especially what comes out of Hollywood. Seokjin vows to never tell Taehyung about the interview because he’ll only use it as fodder to mock him and how he has the same ideas with his theater. Which is not true. Seokjin shows plenty of films aside from indies. They’re just usually classics, films from the 70s and 80s, cult classics that don’t really show in theaters that much. Things that draw specific crowds but aren’t always popular with most but the theater does just fine with how it is now. He sees no reason to change.
Halfway through listening to the interview, a searing pain flairs in Seokjin’s head and he jerks the headphones off as he tries to blink the orange ring from his vision. 
His heart is pounding for the start and he sees the flash of something out of the corner of his eye. He stumbles off the bed to move towards the bathroom where he saw the shadow. The room is empty, which should be unsurprising since Seokjin is alone in his hotel room, though now he can’t remember if he had left the light on or not. 
But it seemed so real, like there really was someone else here. He glances at the mirror and for a brief second, he swears that he sees Taehyung. He rubs at his eyes, heels digging in almost painfully. He blinks the spots from his vision and stares at the mirror a little longer, like if he stares at it enough, something will happen. Like Taehyung might appear on the surface again and prove that Seokjin is not losing his mind right now. But when nothing happens, he finally, reluctantly, moves back to the main room, sitting heavily on the edge of the bed. His hands shake as he picks up his phone to send a quick message to Taehyung. 
He gets a response within a few minutes and it makes discomfort settle in him when Taehyung confirms that he’s at the theater right now working. He even makes a joke how he’s sure people come to see the old films on the days that he hangs around not for the films but to see Taehyung’s face. He knows Taehyung’s just trying to draw a response from him, to tease and coax him into some flirtatious banter. But Seokjin’s suddenly much too exhausted for that. He lays down without responding, but it takes him a long time to fall asleep and even when he does, it’s restless and plagued by dreams that leave him the second he wakes. But while the images fade with the growing light, the sound remains; the chilling screams that sound so much like Taehyung that Seokjin almost calls him just to confirm that he’s okay.
In the morning, he makes his way to the archives to speak with Henri, who apologizes that he can’t be of too much help since they’re in the process of moving, but he says he can help direct Seokjin in the right direction if he tells him what movie he’s looking for. Seokjin is a little reluctant after the meeting with the critic. He waves off the help, telling Henri that he’ll just look around on his own to not get in his way. Henri insists, saying that the move will make it harder for Seokjin to look.
When Seokjin mentions the film, Herni’s entire demeanor shifts, the friendly man suddenly cold as he tries to warn Seokjin away. When Seokjin won’t, Henri tells him he’s welcome to use his assistant’s office, though there’s not much on the film and that the film is certainly not there. He leaves him with an ominous warning about having to earn this film, hand tucked firmly in his pocket.
Seokjin pours over what little information there is. The most promising thing he gets is the crew list for the film, something that Seokjin didn’t see listed anywhere online and it really only lended to the idea that this film wasn’t real. But now he has some physical evidence that people worked on this, that they saw the film unfold in person. His joy at the discovery is short-lived though when he realizes that this is proving less and less useful with each name he has to cross off because they’re dead. Of the eleven crew members, all but two are dead. He goes out to find Henri, showing him the paper. 
“How easy is it to find either of them?”
Henri looks at the list and nods, almost like he knew this was coming. Seokjin wonders how many people he’s seen come through here looking for the movie. “Patton was blinded after filming. And he won’t speak on the film. He nearly killed the last person to ask him about it.”
Seokjin gestures to the other name. “And Backovic? Surely he’d have some idea where his film ended up.”
Henri scoffs. “Backovic is dead.”
“How do you know that? There’s no death certificates or records or anything.”
Henri shoots him a look. “Trust me, Seokjin. Backovic is dead.” When Seokjin goes to speak again, Henri interrupts. “I’m sorry but I have nothing else to tell you.”
Seokjin knows that Henri’s not telling him something. Years of working together and he’s learned a thing or two about his friend and his tells. He doesn’t know what, but there’s something he knows that Seokjin knows he’ll need to be able to find this stupid film. He stops just outside the door, hidden from sight and he hears Henri make a phone call. He doesn’t know much French, but he knows that he mentions the film. Seokjin leaves quickly, making plans to come back later and force Henri to tell him what he knows. 
Henri seems startled when Seokjin appears again a few hours later. He really should’ve expected it. Seokjin’s never been one to give up so easily and they both know that. 
“I know you’re lying. You know more than you’re telling me.”
“You don’t understand what you’re asking.”
“Yeah, I don’t understand anything that’s happening. There’s so much mystery around this film, how can I possibly know anything. Fuck, last night I saw…” Seokjin trails off, he doesn’t know how to explain last night. Maybe it was just jet lag and exhaustion and the unknown of this film that caused the hallucinations. Or maybe he dreamed the whole thing.
Henri straightens, eyes wide with alarm. He moves closer to Seokjin. “A circle? Like the reel change in a movie?” At Seokjin’s nod, Henri pales. “Then it’s too late. You’ve already started a process which cannot be stopped. It’s only going to get worse. I’m so sorry.”
“What started? I don’t understand.”
“When you look for the film, it does something to you. You see those burns. It’s payment for every step closer you make to the film. You need to stop now. Before it’s really too late. You don’t want to continue on this path, Seokjin. You have to ignore the curiosity. The itch to dig a little deeper, find out a little more. Walk away. I know it’s hard. But you have to.”
“You know?” 
Henri nods and pulls his hand from his pocket where he always keeps it tucked, revealing severe burns, so bad that his fingers have fused together. Seokjin takes a small step back in surprise. 
“But… How?”
“I was the projectionist at a private screening of the film. I was curious about it too. Much like you. Much like everyone who eventually comes searching for the film that’s only been shown once, twice now. But most don’t know that. It was kept from the public and the film disappeared again.”
Henri pauses and takes a deep breath. “I chickened out. I got scared once it started and I looked away.” He closes his eyes. “When the screaming started, I tried to stop the projector but it wouldn’t stop. So I grabbed the film reel. I saw that some circle you did and I… I blacked out. When I came to, my hand was burned and the film was over.”
Seokjin swallows. This film is starting to seem more and more like a bad idea. Taehyung’s warning flits through his mind as well, telling him not to watch the film. Maybe he should’ve told him to just give up the job. Not that Seokjin would’ve listened. Maybe he should’ve charged more to find this. “I won’t watch it. I’ll just take it and give it to the collector. But… I could really use the money for the theater. I can’t just give up looking.”
Henri’s gaze darts over Seokjin’s face and then he gives a small nod. There’s a sadness in his eyes as he picks up a small piece of paper. “I wouldn’t call this man if I were you. He has an… extensive collection but he’s dangerous.” He hands the number over to Seokjin. 
“Does he have it?”
Henri shakes his head. “No. But he’s been given things from the Backovic estate. He can possibly get you in contact with them.”
“Thank you.”
Henri shakes his head again. “Don’t thank me for sending a friend into danger.”
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Seokjin takes a taxi to the address given to him when he calls the number that Henri gave him. The warehouse is run down looking and at a dead end about halfway up a big hill. The only other buildings are some houses further up the hill from the road and the town he can see over the road barricade looking down. He pays the taxi driver extra and tells her to stay then makes his way towards the two burly men who have appeared at the massive open doors to the warehouse. 
The warehouse is shadowy, lighting sparse and everything appears to be covered by a layer of dust with the exception of a few items in the room that they lead him to.The room is large and another man stands almost in the middle of the room, he’s wearing all dark leather and has his back towards Seokjin. He stands just behind a wooden crate that’s been set on a chair. It has a printed label that reads ‘La Fin Absolue du Monde.’
“It’s not for me.” Seokjin begins. Might as well start with that. Maybe it’ll make it easier for him to get the film.
“But you’re curious.”
“I suppose a little. Have you seen it?”
“No. But I would. Who wouldn’t?” The man walks a few steps away to a camera and begins to fiddle with the settings. “I admire a man like Backovic. So unafraid to be real. I detest the fakeness of Hollywood. I want to be great like Backovic. Groundbreaking. Real.”
Seokjin moves to the crate, opening it up. He’d idly hoped that maybe it was the film and he could take it to Bellinger and be done with this. But the crate is only about half full, mostly with filler to keep a film reel cushioned during transport. Other than that, there’s a few different manila envelopes. 
The first envelope has a return address to Katja Backovic. If Seokjin’s remembering correctly, that’s Backovic’s wife and according to Henri, is actually his widow. That’s certainly a good lead. There’s not a lot of information out there about her in recent years either. He sets it down and picks up another, it’s blank on the outside and so he slips the pictures out that are contained within. 
The first is of a winged figure, one that appears to be a woman, her face turned away from the camera and surrounded by other people. Her wings look beautiful even through an image, glossy black and full. The next is a silhouette of a figure holding a knife and it looks like they’re in front of a window or some other light source. 
As he shuffles through the photos, they become increasingly bizarre. A photo of someone on a neighborhood street and the sky is red but looks off, like someone has overlaid another image over the sky. He thinks they’re set photos. The last one shows two winged figures, both facing away from the camera and chained to the wall. Their heads are bowed towards each other. One seems to be the woman from the first still and the other seems to be a man, but there’s a table or something that blocks Seokjin from seeing much more than his wings and back of his head. 
Seokjin is suddenly grabbed from behind, the photos falling from his hands to scatter on the floor as the two men drag him a few feet backwards. The other man, the one who he’d been speaking with has a syringe now. Seokjin’s blood runs cold. 
“Oh, you can’t leave already. We have so much left to discuss.”
Seokjin squirms, trying to fight the men off, but their hold on him is firm and in a matter of seconds, the needle is in his neck and consciousness is leaving him.
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Seokjin comes to some time later, he has no idea how long but there’s light filtering through the window so it’s either not been that long or he’s been out for a whole day. He’s tied to a chair and duct tape firm across his mouth. He feels foggy and when he looks around, he sees the two burly men are now operating the camera. There’s a woman tied to another chair in front of him and the man from before is now shirtless and holding a machete. Seokjin feels like he’s going to be sick.
He fights against his bonds, but he’s helpless to stop as the man approaches the woman and, with no preamble, embeds the machete in her neck with one strong thwack. He pulls it free and pushes her head so blood sprays his bare chest, head tilting back like he’s being hosed down on a hot day. 
Seokjin screams, though it's muffled and continues to fight against his bonds as the man pulls the machete out and makes quick work of getting through her neck. Her head is dropped to the ground and then the man approaches him and Seokjin tries to push himself away. He talks about how he turned her into art, about the realness of what he’s created, but the words barely register to Seokjin in his panicked state. Maybe he should’ve told the taxi driver to call the authorities if he took too long.
The man leans closer. “Something happens when you point the camera at something terrible. The resulting film takes on power.” He grins and rips the tape off of Seokjin’s mouth. 
“Snuff is not power! It’s just fucked up! It’s murder.”
The man laughs and straddles Seokjin’s lap and Seokjin feels his heart in his throat as his stomach turns in revulsion. He can feel the blood soaking through his jeans where the man sits. 
“You’re not listening to me. You came all this way but you won’t listen. You want to know why the film destroyed its audience?” His hand squishes Seokjin’s cheeks and Seokjin tries not to think about how slick they feel against his skin. “Backovic was an exceptional editor. He understood the value of a cut. But there was more to it. They say the movie works subliminally while you watch it. But the thing that made the film a weapon?” His grin is deranged. “Blood. Spilled blood. What if you got hold of an angel? A divine being with the blood of God flowing through its veins. And what if you sacrificed it on camera?”
Seokjin gets a flash of the circle again, the sharp sting as his vision is suddenly obscured. He sees a flash of a woman, chained to the ground, shuddering and emaciated, a pair of glossy, black wings mounted on the wall behind her. His breath shudders through him as the man bleeds back into focus.
“Something that profound, that personal. It changes everyone who was a part of putting it on film. And everyone who sees it. The closer you get to the film, the more you’ll be changed too. That’s Backovic’s secret. ‘Film is magic,’ he said. And he was right.”
Seokjin sees another flash. A split second of a circle with Taehyung in the middle of it, face full of anguish. 
“What do you see? What haunts you? Will they be waiting for you on the other side?”
Seokjin’s vision goes white. 
When he comes to again, he’s standing, completely free of his bonds and machete in hand. He drops it immediately, it looks bloodier than it had before. He catches sight of the man laying on the ground not too far from him but he tries not to look at it. Vaguely grateful for the fact that the man has fallen half behind a crate. The camera’s been knocked over as well. The two burly and the woman’s body are gone. He doesn’t want to know what happened. He has a gut feeling and it’s not one that he particularly wants to think too hard on. He’d really just like to forget that this entire warehouse ever existed.
The box is beside him now and he digs through it quickly, finding the envelope with Katja’s address in Vancouver on it and runs, taking the road back to the main street on foot. When he gets to the main road, it’s getting dark and he takes a cab. Shakily handing the driver a few extra bills in the hopes that they won’t ask any questions about his state. 
He takes a scalding shower once back at his hotel, scrubs himself raw but he can still feel like blood, no matter how hard and long he scrubs for. He stuffs the bloody clothes into a paper bag and gets dressed. He hastily packs the rest of his things and goes down to check out. He shoves the bag with the bloody clothes into a trash can on the street before getting into a taxi and heading to the airport. He’s ready to be fucking done with this. He’s ready to be away from this city.
Taehyung texts him while he’s on the flight. Asking how the search is going. He’s too exhausted to even think and so he leaves Taehyung unanswered. 
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He takes another shower once he lands in Vancouver, but he still feels dirty. He stares at himself in the mirror and tries to make it look like he’s not on the verge of a breakdown and leaves his room to Katja’s address. 
Seokjin presses the button beside her name on the building. 
“Yes?” Her voice is softer than he expected, though he’s not really sure what he was expecting.
“Mrs. Backovic? Can I speak to you for a minute? I’ve come a long way.”
He’s answered by the door buzzing open and he moves quickly through the lobby to the elevator. Seokjin presses the button for the penthouse, scrubbing his hand over his face once the elevator starts moving. Maybe he should make this his last film job. It’s far more than he expected it to be and he’s just so tired. There’s a jolt and then the elevator stops and the lights go out. 
He feels a body press to his back and he tenses. It’s not real, he thinks, eyes squeezing shut. Just like everything else.  
“Save her. Please.” When Seokjin turns and thrusts his hand out, he’s met only with air. The voice had been hauntingly familiar. It sounded like Taehyung. It’s not real, he repeats to himself. Taehyung is back home. Probably asleep right now. He can’t be here. It’s completely illogical.
The elevator dings and Seokjin opens his eyes to see the doors sliding open to reveal he’s at the top floor. He’d been moving the whole time. Seokjin blinks a few times. He needs to get this film and hand it off. Now. He walks towards the living room, revealing a woman standing there. Katja. 
“Something happened in the elevator.” It’s a statement, not a question.
“Sure. Something like that.”
“You must want this very bad to have some so far. I must admit, you’re the first to ever make it here.”
“I have… so many questions.”
She smiles, but it doesn’t quite touch her eyes. “I’m not sure I have your answers. But we’ll see.”
She leads him a little further into the room, taking a seat in an armchair and gesturing for him to take a seat on the adjoining sofa. 
They sit in silence for a while, Seokjin taking a moment to think and gather his thoughts before finally speaking. “Do you have a copy of the film?”
She smiles that half smile again. “That’s not what you’re really curious about. You want to know if the stories are true.” Seokjin nods, though both are true. “They are. Unfortunately. Why are you looking for the film?”
“I was paid to.”
She lets out a bitter laugh. “That’s not the real reason.”
Seokjin chews his lip. “I… I don’t know anymore. There’s… I just have to find it.” He doesn’t understand. He’s walked away from lesser jobs. He has no idea what keeps compelling him to push here, what’s making him want to find this so badly.
Her head tilts like she didn’t expect his answer. She observes him quietly before nodding to herself, like Seokjin just took some big test and she’s pleased with how he did. 
Silence settles again before Seokjin asks a question he’s had since he saw the crew list. “Who produced this film?”
Katja’s eyebrows raise. “You’re quite direct.”
Seokjin just gives a small shrug. “I just want someone to say it.”
Sadness softens her features as she looks down. “I asked Hans the same question. Many times. The producers of this film produce many other things. Chaos, sorrow, suffering, famine.”
Seokjin’s brows furrow. “What does that mean? The devil? Demons?”
Katja gives another sad smile. “Hans never put a name on it. ‘Evil is evil,’ he would say, ‘does a name really matter?’” They stare at each other, the real implication of her words settling between them, and then she stands. “Come with me.”
She leads him to a film editing studio. It’s a little dated, but the equipment is well taken care of. Reels still set up and ready for editing. Like any second Hans might walk in to begin working. Seokjin glances at her. 
“How did he die? There’s no official records or anything about it.”
She glances away and Seokjin regrets asking only a little bit. This film has done so much damage, he has to know how the creator met his end. “He became… obsessed with La Fin Absolue du Monde. During the last year of his life, all he did was watch it. Over and over again. Like it was a punishment for what he had done. He got too close to the fire. The film worked the way it was meant. He became paranoid, skittish. It got to him.” 
Tears gather in her eyes as she continues. “He grabbed a knife on the way to find me in the bedroom. Only when he slit my throat,” she pulls her scarf down to show a scar running across her throat, “he just disfigured me. When he did it to himself, he died.” She laughs bitterly. “I don’t know who got the better end of that. I was left to watch over the film. I hate that film. I hate everything that it caused. I hate that it was always going to be too late to make it better.”
Seokjin swallows. That’s a lot to take in. It still doesn’t really answer why there’s no record, though he supposes that given enough infamy and money, keeping a death quiet is easy enough. 
“Can… I have the film?
She stares at him for a long moment then moves over to a rack of reels. She goes to touch it but her hand stops shy of making contact. “I put it here. I hate even having it in the house.”
Seokjin moves over when she steps back, fingers brushing the shelf just below where the film sits. He honestly can’t believe that he’s here. That he actually found it. What’s more baffling is that it seems that no one ever thought to check with Backovic’s wife for the location of the film. The easiest place to hide, in the most obvious place. “Ever since I’ve been tracking this, I’ve been seeing flashes. Circles with images inside.”
“The cigarette burns?” Katja’s eyes fill with pity at his nod. “When did they start?”
“I heard this interview, with Hans, from the night of the premiere-”
“You were marked. That’s how potent the film is. You don’t even have to watch it to be affected by it. As soon as you start getting close to it, it’s got you. Slowly, like sinking into quicksand.” She gives him a last sad smile, like she already knows what the future holds for him. “Take the film. It’s already too late.”
Seokjin takes the films from the shelf. He feels strange, something not quite sitting right with him. He’s not sure if it’s her cryptic answers or the way the films feel heavier that film reels should. But he leaves, flies back home because his current employer happens to live within driving distance of his apartment. He takes them as soon as he makes it back to his apartment. He wants them gone as soon as possible.
He leaves the reels in the trunk of his car because they make his skin crawl to have them on the seat beside him. He doesn’t want to touch them anymore than he has too. 
When Seokjin arrives at Bellinger’s house, the man in question and his butler are both waiting on the steps. Seokjin pops the trunk open and Bellinger is quick to rub his hands across the cases, a pleased hum leaving him. Then he’s pulling them out and handing him to his butler with the instruction to go set up the projector. 
Bellinger turns back to Seokjin. “I never showed you how I knew that this film still existed. Would you like to see before you leave?”
Seokjin shifts. He doesn’t really want to. He wants to go home, forget that he ever looked for this film. Go back to his normal life, taking care of his theater and spending time with Taehyung. But it seems rude and so he nods. Bellinger leads him into the house and down a short hallway. When he opens a door, Seokjin feels like all the air has been sucked from his lungs with what he sees. 
It’s the woman from the circles. Chained to the floor and wings mounted on the wall. Bellinger enters the room and she immediately cowers, giving Seokjin a view of her back and where two long, red cuts sit. Right about where wings would attach. They look fresher than decades old wounds should look. Because Seokjin knows she must be the one from the stills. One of the angels in Backovic’s film. The man from the warehouse’s words comes back to him as he’s staring at her. Divine blood spilled on camera. Seokjin’s chest aches.
Bellinger runs a hand across her head and she curls more into herself. “I happened to be lucky enough to acquire a few props from the film.”
Seokjin’s stomach turns at a being, an angel, being referred to as nothing more than a prop. “Can I have the rest of my payment?”
“Ah! Of course!” Bellinger reaches into his pocket and hands Seokjin an envelope. 
Seokjin doesn’t even care if it’s the right amount. He needs to get out of here. He wants to claw his skin off the longer he stays. He turns and leaves, missing the look the angel sends him. 
Seokjin rests his forehead against the steering wheel once he’s in the car. He allows himself a few deep breaths before finally pulling away from the house. He needs to just not think about this for a few hours. And then he can figure out what he should do with the new weight of information that’s been bestowed upon him. He taps the console, dialing Taehyung.
“Hey! You’ve been pretty quiet lately, you good?” He answers cheerily. 
“Better now.”
“Oh?” Taehyung sounds excited. “What happened?”
“I found it. Fuck, I can’t… I can’t even explain anything properly. But… fuck, Tae, I really found it. I found La Fin Absolue du Monde.”
“Where is it now?”
Seokjin frowns. That’s a weird question. Taehyung knows pretty well how this works, plus Seokjin left Bellinger’s information in his office in case he needed Taehyung to get in contact with him should something go wrong. “Tae, what-” He cuts off when his call waiting pops up, revealing that Bellinger is calling him. “Sorry Tae, that’s the other line. I’ll talk to you when I get home.”
“Seokjin no! Wait! Whatever you do, don’t watch-” Seokjin cuts him off as he switches to Bellinger’s call. 
Bellinger starts babbling, it sounds like he was babbling before Seokjin even answered the call. It’s hard for Seokjin to follow most of what he’s saying. Eventually he gathers enough that Bellinger needs him to come back. Had he grabbed the wrong film? Had Katja switched them on purpose? Or lied about it still existing? That seems unlikely, but he supposes he’ll find out when he gets back to Bellinger’s mansion. He turns the car around the first chance he gets. 
Bellinger’s house is quiet when he enters after he receives no answer to his knocking. But he makes it only a few feet past the foyer when the butler staggers out from a room, covered in cuts and knife still in hand. He points a finger at Seokjin.
“This is all your fault. You brought this evil here!” 
And Seokjin can only watch with a horrified expression as the butler stabs the knife into one eye and then the other. Panic wells in his chest and Seokjin moves quickly through the house, finding the small theater room with ease after heading the direction that the butler had come from. There’s no one in the seats, but he sees movement in the projection booth so he heads back there. 
Bellinger stands on the other side of the room, next to an empty projector. He murmurs something, though Seokjin’s unsure if he meant it for him or if he is just talking to himself. He lifts a straight razor, setting it on top of the projector like it’s a normal thing to do. He’s sweaty and winces every so often as his arm moves behind the projector. Seokjin wants to help, but he has a feeling he might be a little too late for that. And he’d prefer to not get closer and see just what Bellinger did with that straight razor. 
“I’ve done some terrible things,” he gasps out. “You have to to become this rich.”
Seokjin sees a flash of the angel and realization washes over him. “You watched La Fin Absolue du Monde.”
Bellinger jerks forward, wincing at the sudden movement, but there's a wild look in his eye. He seems unphased by the jarring motion that caused him further harm, too engrossed in the need to tell Seokjin about the movie. “Yeah… I recommend it.” He shakes his head and groans. “It’s not a movie though. Just a preview. The coming attractions of the soul.”
“You said you needed help.”
“I was going to ask you to find another movie for me. But… I don’t need it anymore. I have been… inspired.” There’s a disconcerting squelch and then Bellinger flicks the projector on and a second later something red and gooey slides through the projector like a film reel. It takes Seokjin only a second to realize what it is and he covers his mouth in horror and backs out of the room as he retches. Bellinger’s wheezed laughter follows him out as he sits heavily in one of the theater chairs. He just needs a minute to collect himself. He’s never been faced with so much blood and death in person. Movies sure, but those are fake. Actors with makeup and corn syrup. People who get up and walk away after the scene is done. Not this. 
He buries his face in his hands. He has no idea how long he sits there, but when he looks up, he’s horrified to realize that the film restarted. He has no idea if it was Bellinger doing it and that’s why he called him here, compelled by the film to get someone else to watch or if there’s some other force at play that started it. Taehyung’s warnings float through his mind.
He squeezes his eyes shut. He can’t watch this. He doesn’t want to, he wants to leave and never come back. Maybe never watch a movie again. But then there’s a scream and something makes him open his eyes. And there, projected on the screen, is Taehyung. Strapped belly down on a table as a masked man laughs and hacks at the base of Taehyung’s wings. Screen Taehyung lets out another anguished scream and Seokjin forces his eyes closed again. 
He’s not going to watch. He won’t. There’s a need to do something in his chest but he can’t figure out what it is. A woman screams on screen and with a sudden, bright clarity, Seokjin knows what it is that he needs to do. He scrambles out of his seat, blindly feeling his way out of the room as best he can. Once in the relative safety of the hallway, he heads immediately towards the angel. She’s staring directly at the door when he enters, like she was expecting him. And Seokjin would be disconcerted if he hadn’t just seen his best friend and the guy who he’s maybe interested in getting his literal, actual wings cut off. Seokjin thinks that nothing could ever phase him again after this. He moves to the desk on the far wall, tearing through the drawers until he finds the shackle keys. 
He approaches slowly, getting to his knees and crawling the last few feet to her. He reaches out just as slowly, but she doesn’t move an inch. He’d think she was a statue if he hadn’t seen her moving before. He undoes each of the cuffs then slides himself back to give her space. 
She doesn’t move at first and when she does, it’s to look back to the door, a small smile gracing her lips. “Taehyung,” she sighs.
Seokjin jerks, turning to see Taehyung standing in the doorway, shirtless with the film reels tucked under one arm. He quickly approaches the woman, completely ignoring Seokjin’s presence. The lack of attention gives Seokjin the opportunity to see Taehyung’s back and see that the same two marks that marr her back also marr his. 
The two press their foreheads together and stay like that for a long while. Seokjin begins to feel like an intruder and so he tries to quietly stand and slip out. But he only makes it to standing before Taehyung is turning towards him. 
Seokjin…” His eyes are watery. “Thank you.”
Seokjin gives a jerky nod and quickly leaves. He doesn’t know what he’d say to Taehyung. He just found out that he’s actually an angel. What do you even say to that? Sorry some asshole film director mutilated you on film and someone else captured your angel… friend? Partner? Seokjin doesn’t want to think about it. They seem to know what they need now that they’re in possession of the films. He’s not needed anymore.
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Seokjin tries to get back to normal life. He really does, though Taehyung’s disappearance leaves a bigger hole in his life than he would’ve thought. It’s a little heartbreaking too. He’d been seriously considering seeing if the younger would be interested in something more. 
Plus he’s now lost some of the help he had at the theater. He hires someone else, a sweet kid named Jungkook and he lets him help find more current or interesting films to show alongside some older and more indie films and business steadily picks up. Yoongi questions his sudden change of heart on the films he shows and Seokjin staunchly refuses to admit that he did it in honor of Taehyung who always nagged him to get newer films in. He spends more time with other friends and tries not to think about how much he misses Taehyung. 
That is, until he’s home one night and there’s a knock on his balcony door. Which is baffling because Seokjin lives on the 25th floor and it’s a fucking balcony. Cautiously, he slides open the door, jaw dropping when he sees Taehyung and you, looking full and happy and with pretty black wings folded neatly behind you both. Seokjin rubs at his eyes. There’s no way. He’s got to be dreaming.  
Taehyung moves in to give Seokjin a hug but Seokjin takes a quick step back. Taehyung’s face falls slightly and you reach out to rub his arm comfortingly. 
You give Seokjin a soft smile. “We wanted to come thank you.”
Seokjin flushes. “It was nothing.”
You shake your head. “No you don’t understand. It was everything. Taehyung and I were bound to that film. As long as it existed, we were trapped and broken. But you saved us.”
“Seokjin…” Taehyung’s voice sounds so small and Seokjin aches to hold him. 
But he can’t. Not yet. He has to know. It’s been festering in his mind ever since Taehyung disappeared. “Did you befriend me just so I’d find your film?”
Taehyung’s eyes widen and he’s quick to shake his head. “No! I was your friend because I wanted to be! I was trapped here. It was so lonely without Y/n. But I found you and… I don’t know. Something just drew me to you.” Taehyung ducks his head in shame. “I’m sorry that I didn’t tell you what I was. I didn’t want you to think I was crazy and stop being my friend.”
Seokjin’s heart breaks and before Taehyung can utter another word, Seokjin is crushing him in a hug. Taehyung lets out a watery laugh and they stay like that for a long minute before finally pulling away. 
“You two should probably come in so people don’t see the wings and think I’m hiding mothman or something.”
Taehyung perks up. “Oh, we can fix that.”
And before Seokjin can ask what he means, the air around the both of you shimmers and when it clears, you’re both standing there, wingless.
Taehyung grins. “Angel powers are pretty cool, huh?”
Seokjin blinks. “Y-yeah… Uh, you can still come in though. Wings or not.”
Taehyung grins and ushers both Seokjin and you into the apartment. You all sit and an awkward silence settles on the room. 
“So… Where did you disappear to?”
Taehyung grimaces and you reach over to take his hand before turning to Seokjin. “Hand to find a creative way to get home without powers so we could get the film destroyed and recover. The recovery didn’t take long. But trying to find the way home proved tricky when we didn’t have our powers to locate other angels.”
Seokjin glances at you then at Taehyung, a lump forming in his throat. “Are… you going to stick around?”
Taehyung smirks and slides closer to Seokjin. “Depends. Do we have a reason to stick around?”
Seokjin gulps. “We?”
You rise and settle on Seokjin’s other side and both your hand and Taehyung’s come to rest on Seokjin’s thighs in perfect synchrony. “We.” You confirm with a coy smile. “We’d really like to thank you properly first though.”
“Can… Can angels even do that?”
He gets two giggles in response and then both you and Taehyung are slipping from the couch to kneel before him. Seokjin wonders how much you’ve done this to be so in sync with one another. It makes him equals parts aroused and jealous. Two hands slide up his thigh, playing with the waistband of his sweats. Taehyung looks smug and you have a matching expression as you bat your eyelashes up at him, looking every inch like an innocent angel despite the hand that is dangerously close to his rapidly filling cock. 
“You can say no,” you offer, when his silence continues to stretch. 
“No!”
Taehyung snickers. “I told you. We already had a thing almost going. And who wouldn’t go for you.”
You nudge Taehyung playfully. “Stop that. This is about Seokjin.”
Taehyung turns back to Seokjin, grin much darker than before as his hand tightens on Seokjin’s waistband. “You’re right. So? Will you let us thank you?”
Seokjin blinks. He’s still trying to figure out how he ended up here. The two of you look far more salacious than Seokjin thinks a pair of angels should ever look. He wonders if you’re not just some demons pretending. He can’t deny that the thought of both of you doing whatever you deem as showing your thanks is intriguing. And Taehyung’s not wrong. They had been close. He just didn’t expect that to work out this way. He doesn’t think he can find a thing to complain about when he looks at how pretty you both look between his legs and eager to please. 
“Hm, do you think he’s distracted by the thought of what we’ll do to him?” Your gaze slides towards Taehyung.” “Or how we look together?”
A groan rumbles in Seokjin’s chest. Fuck, he hadn’t even thought about seeing the two of you together. You both smile at the reaction and take that as consent to tug Seokjin’s pants down and off. His cock rests hard and heavy against his belly as the both of you greedily drink in the sight. 
Your tongue darts out to lick your lips as Taehyung presses Seokjin’s legs a little further apart so that both you and Taehyung fit between them. You make eye contact with Seokjin and wink before turning to Taehyung and pulling him in for a kiss. The kiss is immediately filthy and Seokjin groans at the slick sounds coming from you both. It’s clear that you are familiar with each other, an ease that oozes from you both as you kiss. Taehyung’s hands tangle in your hair, drawing a loud moan that he’s quick to swallow. 
Seokjin starts to feel a little like an intruder, but as soon as he has the thought, there’s your hand is sliding up his calf. You stop at the bend of his knee and Seokjin only has a moment to ponder what you’re doing before you’re tugging him closer until his ass is perched on the edge of the couch. He’d be a little scared at the casual display of power if it didn’t turn him on more. Not breaking contact with your kiss with Taehyung, your hand continues its path up his leg until you can wrap your hand around his cock.
Seokjin’s hips jerk into your grip and he can see the slightest edge of a smile tugging at your lips. You give him a squeeze before sliding your hand up the thick length. Seokjin wants to squeeze his eyes shut but he’s too drawn to the way you and Taehyung look together. He almost wants to bat your hand away and see what the two of you do together.
Jolting, his gaze drops to where Taehyung’s hand has joined your’s on his cock, thumb circling the head and gathering precum. Then he’s pulling his hand back and slipping his thumb between your mouths. Seokjin sees your tongue brush the pad of his thumb and then brush against Taehyung’s to share the taste of Seokjin with him. It’s unfair how erotic the two of your are together. 
Seokjin just might die. Actually, maybe he’s already dead. Maybe that film actually did kill him. If this is the afterlife, he certainly can’t complain. Your hand settles at the base once again and you use your grip to tilt it closer to your and Taehyung’s mouths. You both shift closer, until your tongues brush the head of Seokjin’s cock just as much as they do against each other. 
Groaning, Seokjin’s hands curl into fists where they rest on the couch, at a complete loss of what to do as the two of you seem content to torture him by making out with his dick trapped in the middle. The two of you continue like that, tongues brushing the sensitive head of his cock with every brush against each other, lips occasionally dragging with the movement. 
Seokjin kind of hopes that he is dead, because he might die with how slow the two of you decide to go. He hesitates for only a moment before he’s unclenching his fists and resting his hand on each of your heads. Getting a pleased hum from you, he takes that as encouragement to push a little more and he pushes both of your heads further down his cock. Your lips barely touch Taehyung’s now that Seokjin’s cock is properly between you, girth forcing you too far apart. You work your tongue, moving lower as Taehyung moves back towards the tip. 
You trace a vein until it disappears at the base of his cock, shifting then to lap at his balls. Taehyung’s tongue swirls around the head, taking his time playing with the slit before wrapping his lips around and sucking. Seokjin moans, hands tightening in both yours and Taehyung’s hair. 
You let your hand closest to Taehyung trace his thigh before you’re pressing against his clothed erection. Taehyung whines, accidently sliding further down Seokjin’s cock and making himself gag. You smother your laugh against Seokjin’s thigh and Seokjin uses his grip of your hair to pull your face up. 
You blink up at him with wide eyes at the sudden action and Seokjin smirks. “I don’t think that was a very nice thing to do, princess.” He gently pulls Taehyung off his cock. “What do you think, prince? Was that very nice?”
Taehyung stares up at Seokjin with wide, blown out eyes, lips plump and spit slick. He licks his lips and shakes his head and Seokjin gives him an indulgent smile and cups his cheek. Taehyung leans into his palm, eyes slipping closed. Seokjin turns back to you and the soft look melts away and you gulp. 
He smirks. “Why don’t we give her a taste of her own medicine, my little prince?”
Taehyung shoots you a smug look and nods again, making Seokjin chuckle. He releases Taehyung, who shifts slightly out of the way. Seokjin grips his cock with one hand and guides you down onto it with the other. You open easily, squirming as Seokjin slowly feeds his cock into your mouth until he hits the back of your throat. 
He drags you back, just as slow, before pushing you back down, cock hitting the back of your throat with more force and you gag. Taehyung’s hand finds yours, giving it a squeeze as Seokjin quickly works up a rhythm fucking your mouth. You struggle to take him, Seokjin thrusting before you have a chance to catch your breath. 
Tears spring to your eyes and Seokjin chuckles. “Where’s the laughter now, hm, princess? It was so funny when Taehyungie was the one gagging on my cock.”
You whine around him and Seokjin picks up his pace, thighs flexing beneath your hands. Taehyung’s nails scratch along Seokjin’s thighs, sliding up to cup his balls and give them a tug. Seokjin moans and takes only a few more thrusts before he’s cuming in your mouth. You suck him through until he pushes you off and you sit back on your heels waiting for him to look at you. 
When he does, you open your mouth to show the mouthful of cum and then you smirk and pull Taehyung back in for a messy kiss, swapping Seokjin’s cum between you both. Seokjin groans, watching the time you take to make sure every drop is cleaned from your lips. 
Once you’re finished, you both crawl back onto the couch, each straddling one of his thighs. Seokjin cups each of your faces with one of his hands. Taehyung leans forward to press a soft kiss to Seokjin’s lips and when he pulls back you lean in to place a kiss of your own on his lips. 
Taehyung grins when you both press your foreheads to Seokjin’s. “We’re gonna stick around for a while.”
Seokjin can’t say he minds having two angels stick around. It’s a good thing he’s got a king sized bed.
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write-orflight · 4 years
Text
Like Real People Do. Chapter 3
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*Gif not mine*
Prologue  Chapter 1 Chapter 2
Rating: M, eventually will be smut.
Words: 2.5k
Warnings: Sexual themes, talk about sex (not NSFW though), 
Request: OPEN/CLOSED
A.N Y’all are really benefiting from my insomnia rn. I do have a plan to go back to my regular posting schedule but for right now enjoy the things starting to happen. Much love, Cia
       Chapter 3: The bugs and the dirt  
You’ve been on the team for about 6 months now, and you were loving it. Sure it was long hours, constant danger, and mounds of paperwork but you couldn’t be happier. You felt like you were doing what you were meant to do. The team had fully accepted you in the family around month 2. You and Morgan had become close after your “personal day” in October. He expressed that he knew what it was like to lose a parent and though he’d never understand losing both so quickly he offered you condolences and free drinks with him and Prentiss that night. Since then, the 3 of you have become good friends. 
There was always the occasional girls night with Emily, JJ, and Garcia, Dinner at Rossi’s and afternoon picnics with Hotch and Jack(which eventually just turned into you babysitting Jack while Aaron took a deserved nap). Your favorite however, was Saturday’s with Spencer. 
The two of you had fallen asleep that Friday night him and Garcia came over to watch Doctor Who. You woke up laid on top of him, legs tangled while your head was resting on his chest tucked under his chin. His arms were wrapped around you, hand resting heavily on the small of your back. You try to get up without waking him but of course you do, he startles awake in turn startling you causing you to fall off the couch. 
“Oh, Y/N,I’m so sorry--” He starts, immediately flushing. He stands to immediately help you up.
“No worries, Spen. Not made of glass.” You laugh. 
He blushes more at the new nickname. “Spen?” he asks. 
“Uh, yea.” You say. “Do you not like it?” 
“No-no, I like it.” He says. 
“Ok then.” You smile. “Do you have plans today?” He shakes his head. “Well, Saturday’s when I usually get coffee and work on homework at a cafe down the street, do you maybe wanna tag along?” you ask. He nods furiously. 
And every Saturday you guys had free since Spencer would meet you in the small cafe near your apartment. He would order an Americano with an ungodly amount of sugar and you would get a cold brew, despite it being winter still and you would sit and talk while you did work. Often he would help you with your thesis, telling you things you should add or consider. Sometimes you would just sit and talk about books you’ve both read or often you would explain the plots to various reality shows you know Spencer would never watch but he would sit and listen intently just like he did with everything you said. He treated every word that came out of your mouth like it was the most important thing in the world, treated every minuscule fact he learned about you, like it was treasured information to solving the mystery in front of him. You had become his personal cryptid. 
Of course the rest of the team had caught on to your Saturdays together, you worked with profilers and a very gossipy tech analyst. The amount of times you two had walked in together from being called in for a case last minute was enough to give you away. You thought back to a very uncomfortable conversation you had with Hotch one morning. You had come to drop off files JJ just pawned off to you to take upstairs. You held up your hand in a small wave walking into the office door. You put the files on his desk, starting to walk out when he stops you. 
“Y/N, we need to talk for a second. Close the door.” Hotch says. You nodded closing the door. You immediately tried to rattle off everything you’d done wrong to Hotch that could possibly warrant a talk. I forgot his coffee order that one time it was my turn, I missed Jack’s birthday once, I took a nap in the file room. You thought, all weren’t good but none warranted a closed door talk. 
“Yes, sir?” you ask, he gives you a weird look before it dissipates into his usual scowl,  neither of you used to the professional formalities still. 
“I’m sure you’re aware of the FBI’s fraternization policy.” He says. 
“Yes, sir…?” You say, not knowing where he was going with this. You weren’t fraternizing with anyone and no one knew that more than you except maybe your right hand. 
“Now there’s things I’d be willing to overlook as long as you don’t let it affect your work. But you would have to tell me and you would have to fill out an office relationship form--” 
“Whoa-wait a second.” you say. “What’re we talking about?” 
“If there’s something going on between you and Spencer you would have--”
“Hotch! There’s nothing going on between me an--What?” You say, you knew you had to be beet red right now. God this is humiliating. You thought.
“Really?” he said. 
“Yes! There’s nothing going on.” 
“But you guys have been together every week--” 
God, how did he even know that. “He’s helping me with my thesis, Hotch!” you exclaim, if this conversation continued you were going to be the same shade of red as the shirt you were wearing. “Why do you even know about that?” 
“Garcia.” he says, matter-of-factly. 
Of course, Garcia. 
 “Well, there’s nothing going on so now you can save the fraternization speech for someone else.” You move to stand. 
“You want there to be.” He points out. “Something going on, I mean.” 
“Oh my god. Aaron, I have a deep amount of respect for you and I revere you very much as a role model.” you say. “That being said, I will not be discussing my nonexistent love life with my boss! Jesus!” You exclaim. You see the smile ghosting his lips. He always enjoyed embarrassing you. “Can I leave now?” you asked. 
He nodded, waving his hand to dismiss you. You walk out of the office back to your desk, conveniently across from Spencer’s. 
“What did Hotch need?” He asked you. 
“Nothing!” You say instantly. Spencer just shrugged, returning to the file he had been reading.
---------------------------------------
Now you were here in the present, at a bar with the team celebrating the final results you had gotten back on your doctoral thesis. The Diploma hasn't come in the mail yet but it was official, you were officially Dr. Y/N Y/L/N. 
“To Dr. Y/N.” Garcia said, raising the shots Prentiss had just handed to you, Morgan and JJ. Rossi and Hotch raised their beers and Spencer clinked his water he’d been nursing to your shot glass. You smiled at her, before taking the shot quickly grimacing at the harshness of the alcohol. 
“Thanks, you guys.” You say, smiling widely. Your plan before to celebrate your doctorate had been to draw a bubble bath and try not to think of the student loans you’d accumulated. But of course Garcia being the genius and snoop that she was found out your results and insisted on a night out. 
“Y/N.” Emily said, getting your attention. “I think you should get the next round of drinks because that guy at the bar has been staring at you all night.” She said, leaning close to you to point at him. You look up to see a fairly built, tan man, with brown eyes and a well-maintenanced beard. Due to the amount of drinks you had and your inhibitions lowered, you smile at him automatically. He smiles back, lifting his drink to his mouth still looking at you. You look back down. 
“I don’t know, Emily.” You say, looking down at your mixed drink. 
“Come on, Y/N. We both know it’s been a while and you said you weren’t going to focus on that until you finished your doctorate.” Emily smirks, nudging you. “Now you’re finished so, come on, write him a prescription, Doc.” She laughs, inducing a few giggles from the rest of the group. Except for Rossi and Hotch who weren’t paying attention and Spencer, who seemed bothered but you didn’t know by what. 
“Hold on, mama, I have to know what a while means.” Derek says, laughing. 
“It means a while~”  Emily says, exaggerating the last word so that it was extra long. 
“Yea, a long~ while.” Garcia says, joining in, giggling all the while. 
“Ok, didn’t know you guys were moonlighting as comedians.” You say sarcastically, rolling your eyes. You turn towards Derek, the alcohol clearly lowered your inhibitions enough to answer his question. “I mean, I went through the phase everyone went through in the first couple years of college. Partying, drinking, and unfortunately ending up in a frat guys bed, but after a while I realized that I had different goals then most of my peers so I put all my focus on getting my degrees. I’d say that was when I was what? 19?” You said, recalling. 
Morgan almost did a spit take, “6 years?” 
“Don’t make it sound so incredulous!” You say, drinking your mixed drink. “I was busy!” 
“Sounds like you and Pretty boy can start your own celibacy club!” Morgan says, patting Spencer back, laughing. 
“I’m not celibate, Morgan.” Reid says, rolling his eyes. 
“Pfft,” you blow a raspberry, incredulously. “When’s the last time you’ve gotten any?” Whoa, you had to have been drunk because you never would’ve asked anything like that sober. 
“It certainly hasn’t been 6 years.” He says back to you, smirking over his glass of water. 
“Whatever.” You roll your eyes. “Seriously, When?” 
“Wouldn’t you like to know?” 
You would. 
You would very much like to know. 
“Whatever, it doesn’t matter because I’ll still be the last one after I go get that guy’s number.” You say, downing your drink for liquid courage before standing to go to the bar, towards the guy who had been looking at you before. Sure, your game was a little rusty but you were a profiler and now a doctor of psychology, men were...simple. 
Reid watched  you go, your hips swaying way more as they usually do as you sauntered towards the man her and Prentiss had been talking about before. He saw you smiling at the guy who had just purchased you another drink. You trailed a hand down the man’s chest, as he moved closer into your space. Spencer looked away, he was going to be sick if he kept watching that. 
“Hey, Emily, do you see that?” Garcia said.
“No, Penelope what is it?” She said indulging her. 
“It’s our friend, slowly turning into the green eyed monster.” Garcia said looking back to Reid, the table erupting in laughter. 
Reid leaned back. “I don’t know what you’re talking about.” 
“Sure, you don’t.” Emily says, rolling her eyes. “Look Spence, If you like her you should say something and if you don’t, you can’t get upset about her looking for something else out there.” Spencer didn’t say anything to that, opting to turn his attention back to you. He watched you laugh at something the guy had said and a smile crossed his face. That wasn’t your laugh, he knew your laugh. Your real laugh, and thanks to his eidetic memory he could (and did) replay it whenever he wanted. He knew your laugh and that wasn’t it. 
He watched as you sauntered back up to the group. He already had trouble focusing on anything that wasn’t your body most of the time and the dress you wore tonight didn’t make it any better. A simple, deep blue dress that held your curves perfectly with a large slit up the leg that was probably to make it easier to walk in though right now all it was doing was distracting Spencer. You slid into the both back next to Prentiss. 
“So…” Emily said, smiling. “How’d it go?”
“Oh, I got his number.” You say, nonchalantly. You knew you would, it’s not like regular men were a challenge to you. Every man wanted 2 things; to think they’re funny and to think they’re smart. 
“Nice!” She says, holding her hand out you instantly slap it with your own. “Are you going to call him?” 
“Probably not.” You shrug. “We’ll see if I get bored this week.” 
That causes all the girls in the group to giggle. The night continued, more drinks being put in your system by your friends who want you to truly celebrate. Eventually Rossi and Hotch leave, both hugging you tightly, Hotch whispering a quick “I’m proud of you” in your ear. You smile brightly back at him.
Towards closing time you all leave, you’re a little more sober than before but you’re definitely still tipsy. You all say your goodbyes, promises to see each other at work then Spencer stretches an arm around your waist, ushering you to his car as he agreed to be your DD before.    
He slides you into the seat before climbing in on the drivers side. 
“Thanks Spen, I know you hate driving.” You say, patting Spencer on the leg. 
“No problem, Y/N” He smiles back at you, before turning his attention back to the road. You notice your hands still on his leg. He hasn’t tried to move it or move away from it so the alcohol in your system decides to take a risk and inch your hand up his thigh. One of his hands leaves the steering wheel immediately grasping your hand. 
“Stop.” He says, not sounding entirely convinced that’s what he wants himself. So you ask. 
“Do you want me to stop?” You say, innocently. 
“Obviously, I don’t want you to stop but you’re not sober so you have to.” He says, moving your hand back to your own lap. You decide it’s probably best to concede and lean your head against the cool glass of the window as street lamps roll by. 
Eventually, you make it back to your house. You sigh before turning to Spencer. 
 “Thanks again, Spen.” You say, moving to grab  your bag and the door handle. “I’ll see you at work.” Before you can move fully, Long fingers are circling your wrist. 
“You shouldn’t call him.” He says. 
“What?” You say, dazed by the close contact between you two. 
“The guy from the bar. You shouldn’t call him.” He says. 
“Why not?” You ask. You know the answer, or you think you know the answer but you have to hear him say it. You need to hear him say it. 
“Because I-” He cuts himself off. “I don’t know.” he says, looking down very dejected. 
“Well…” You say. You lean close to him. You guys are close, so close if you wanted you could kiss him and you know he would let you by the way his eyes flutter, pupils dilating instantly when you do. “Will you tell me when you figure it out?” You ask. 
He nods, letting go of the wrist you forgot he was holding. 
“Well then.” You say, getting out of the car and leaning through the open window. “Goodnight, Dr. Reid.” You smile. 
“Goodnight, Dr. Y/L/N.” He smiles back, before driving into the night.
Taglist: @haylaansmi​     @yoruebeautiful​ @kianagilder-blog​ @l0ve-0f-my-life​ @bihoeofmanyfandoms @dreamer7black​ @baby-banana​ @drreidshands​
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speechlessxx · 4 years
Text
Fall For You (Steve Rogers x Reader)
Summary: In which Steve is the emergency contact of his ex-wife.
Warnings: amnesia, mentioned accident, incorrect medical banter, sad Steve, bad writing, angst, language, divorce... for some reason I’m always writing about divorce.
Word Count: 1.9k
Inspired from: Fall For You by Secondhand Serenade
Feedback is appreciated! 
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The cabin used to be a home. It was filled with laughter, excited chatter, loving moans. Steve recalled when he carried you bridal-style over the threshold. You were all giggles and he was all smiles. Both of you excited for the next chapter in your lives. What happened? 
Steve questioned that every day as he walked past your favorite wedding photo. It was hung over the fireplace. Albeit, it hung crookedly after you slammed the front door - the same door he carried you through - and never returned. 
As easily as he could’ve straightened out the photo - or even taken it down - he couldn’t find the strength to do so. He found irony in that. He was a super soldier and he couldn’t bring himself to take down a picture frame. 
You and Steve were different in many, many ways. However, you both managed to balance one another out. Where he was strict and followed orders to the tee, you were a go-with-the-flow type of agent, a master of adaptability. Where you always felt like you were floating away into nothingness, he was grounded. He kept you steady while you kept him on his toes.
You were a perfect couple. Were.
 Steve wanted to retire. After saving the universe, defeating Thanos, losing Tony and Nat, he longed for normalcy. He wanted a home, a wife, kids. And for a time, you wanted the same thing.
However, you couldn’t find yourself settling into the life Steve wanted. You were itching for something else -- that excitement that came with missions. And after a year, you realized you didn’t want retirement, at least not yet. You felt as if you could still contribute to the world and felt selfish hiding away in your perfect cabin home.
Steve disagreed. He always disagreed. He told you that you both deserved to settle down. It was okay that you both walked away. It wasn’t selfish. In fact, he called you selfish for wanting your old life back. He tried to convince you for days and you tried to let yourself be convinced. But it just wasn’t enough.
On a stormy night, the once laughter filled home was full of screams. The once perfect couple yelled at one another at the top of their lungs. You had enough. You raced to your shared bedroom, packed a back, and left with the slamming of the door. And he let you go. 
Give her an hour, or two. Steve told himself. But two hours turned into a day. And a day turned into a week. He grew anxious. He prepared to follow you out. He had connections. He knew he could find you. But just as he opened the door, Sam stood there with his head hung low and a somber look on his face. He handed Steve a file and said, “I’m sorry, man.” 
You divorced your husband. 
-=+=-
It’s been over a year. Through Sam and Bucky, Steve kept tabs on you. Eventually, that stopped. They advised Steve to move on which angered him. Had you moved on, too? (The answer was no. You still loved him very much). 
With your absence, Steve preoccupied himself with home renovations. He adopted a dog, a golden retriever whose previous owners named “Captain”. 
As he juggled cutting wood and playing fetch with Captain, his phone rang. It was an unknown number. He frowned as he put the phone to his ear, “hello?”
“Hi, is this Mr. Steven Rogers?” A woman’s voice rang through the phone. 
“This is he. What’s this about?” 
“Hi, Mr. Rogers. I - There’s no easy way for me to say this, but you’re the emergency contact of a Mrs. (Y/N) Rogers.” Color drained from his face. “Well... she’s been involved in an accident.” 
It had been weeks since he received that phone call. He stayed by your bedside with Captain at his feet. Bucky had explained you were following a mafia boss. Apparently, you had followed a lead but the boss knew about you. He had his goons crash into your car as you were driving to the compound. Doctors explained Steve that you had severe trauma to the head. Steve thought the image of your puffy eyes and tear stained cheeks would haunt him for the rest of his life. He was wrong. You were bruised and bandaged, cuts ans scrapes littered all over your body. Your lifeless body hooked up to machines. That would haunt him for the rest of his life.
“Expect the worst,” the doctor advise.
-=+=-
When you awoke, Steve was happy. You, on the other hand, were confused. Who was this blonde man celebrating your eyes opening? His smile quickly faded as he saw your confusion. “Do you know who I am?” he asked you and he prayed for a yes. But you did your best to shake your head. No. You didn’t know this man. 
The doctors explained that you had amnesia. The man at your bedside asked if your memories would be recovered, but the doctor didn’t give a definite answer. 
All you knew about yourself was your name, so you relied on the handsome blonde man to fill in the gaps. You returned to your room at the Avengers Compound a week after waking up. From what you gathered, he had a cabin in the woods, but he refused to go back. He chose to stay by your side. 
Throughout the weeks, he was your sense of comfort. Your sense of familiarity. Although you didn’t recognize him or had any memory of your past with him, something inside you told you to trust him. 
He explained to you what you did as a living -- an Avenger. He explained that you were married to him, he had photographic proof. He explained that you left him to go back to being an Avenger. You chuckled when he finished. “I’m an idiot,” you thought aloud. Why would you leave this man? 
Steve Rogers. 
Throughout your months recuperating, you found yourself falling in love with Steve Rogers. He tended to you and cared for you. Why would you leave such a man? You scolded past self daily for her mistake. 
“You good?” Steve asked as he finished drying your hair. You nodded. “You’re quiet today.”
“Just thinking,” you smiled. He hummed in response. “You don’t need to be my personal slave, Steve... I can dry my own hair.” 
He chuckled but didn’t respond. In truth, many of the small deeds that Steve did for you, you could do on your own. He just used it as an excuse to be around you -- not that you minded. 
He helped you get into your bed, tucking you in. He pressed a kiss to your forehead before turning to leave. You sat up on your bed and grabbed his arm. “Can you... uh... can you stay with me for the night?” 
Steve gave you a warm smile as he nodded. “Scoot over,” he said and you did as told. You turned to your side as he draped his arm over your waist. “This okay?” he asked, not wanting to push you. 
“Yeah.” Steve let out a sigh of relief. He was always careful. He knew with your situation, he shouldn’t expect you to still be in love with him. He fluttered around you like a moth to a light because he was afraid no one else would take care of you considering everyone in the compound was busy. And you were grateful for his company. 
“Stevie?” you asked after a few moments of silence. He hummed. “Do you think tomorrow... you can take me to the cabin?” You turned in the bed to look at him. 
He gave you a smile. “It’ll be my pleasure.” 
-=+=-
The next morning, he drove you up to the cabin. The ride was full of laughs as he played music that he claimed was your favorite. You danced in the passenger seat as he sung. Honestly, you preferred his singing over the music. 
He opened your passenger door and helped you get out the truck. You took in the sight of the cabin as he let Captain out the backseat. It felt familiar. 
Your fingertips grazed the wooden banister of the front porch. You suddenly had a memory of laughing as you sat on the porch, painting it with Steve. 
“Can I do something?” Steve asked, bringing you back to the present. You nodded. You let out a squeal as he suddenly picked you up bridal style.
“Steve!” You laughed as you squirmed in his arms. You wrapped your arms around his neck and held on tightly. “Don’t drop me!” 
He chuckled. “I won’t, I won’t!” 
He pushed the front door open as he maneuvered your bodies into the house. You were both a giggling mess as he finally let you down. He whistled for Captain who ran into the house and nuzzled his face into the back of your knee. You laughed as you bent down to scratch his ear. 
“So this was our home,” Steve said, a sad smile on his face as he closed the door. 
“Whoever decorated it had a great sense of style,” you complimented.
“Yeah, you definitely had a good eye.” Steve nodded.
“Oh c’mon, you helped too, right!” You argued. Steve just shook his head. 
“I mean, I suggested a thing or two,” he shrugged. “Go ‘head. Look around.” 
You smiled at him as you carefully walked around the house. You examined every little scratch in the paint, every trinket on display -- everything. There was a small desk pushed to the side of the living room. Its drawer was ajar. You opened it fully and saw sketches. Pages upon pages of sketches. 
Some were of the New York City skyline. Others were the trees that surrounded your home. There was one of the cabin. But what caught your eye were the drawings of a woman. Some had her posing. Some were candid with her washing the dishes, eating, looking out a window. Every detail was drawn. You smiled. “You’re quite the artist,” you told Steve.
He smirked, “what made you think those were mine?”
“Well, considering I’m not much of an artist,” you laughed. “And I’m not so self-absorbed that I’d draw myself.” He chuckled. “No, you’re really talented.” He muttered a thank you as you put the drawings back, closing the drawer. 
You turned and saw the fireplace. Steve stiffened when he realized what you were staring at -- the crooked picture frame. You frowned slightly as You carefully walked over and reached up to adjust it. 
After straightening it out, you realized what it was. Steve had shown you pictures of your wedding, but you had never seen this one. You were in the same white wedding gown and he his tux. The photo was taken off guard. You were in each other’s arms as you swayed to the music. 
You stared at the photo and it felt like it started moving. You remembered the ceremony. You remembered Steve tearing up as you walked down the aisle. You remembered Bucky and Sam sharing the honor of the best man and their bickering during the speeches. You remembered your speech and Steve’s. You remembered the honeymoon. The blissful getaway. You remembered him carrying you into the cabin. You remembered the fight. You remembered slamming the door shut and not looking back. 
You gasped as you backed away from the photo. Steve rushed to your side, catching you as you stumbled. “You alright?” He asked you. 
You blinked away tears as you nodded. You looked up at him and cupped his face in your hands, pulling him in for a kiss. He was surprised at first, but quickly melted into your touch. Oh, how he missed your touch. 
You pulled away. “I remember...” you smiled, happy tears falling from your eyes. “I remember...” 
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reena-jenkins · 3 years
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Podficcing Without A Laptop
My laptop was fried earlier this week, so of course my first thought was that this is the perfect time to Record All The Things. Since I made a post ~4 years ago about podficcing without a laptop, and it's basically a whole new world now, I figured I'd make a post with the steps I took to make a podfic fully and completely on my phone:
- hooked up my Samson Meteor mic to a usb a-usb c adapter
- plugged the mic into my phone
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- recorded 2 different audio files in ASR, as .wav and .flac (tried both to experiment, as both are lossless file formats - the .flac file took up less space on my phone’s memory when compared to a similarly-length’d podfic in .wav format)
- edited the audio file in Lexis Audio (and saved a copy as both .wav and .flac for further experiments)
- made some coverart in PicsArt
- put the edited audio file and cover into Auphonic to combine & convert to mp3 (Auphonic has a free tier that gives you up to 2 hours of audio editing per month, per email address/account: you can convert file types, reduce file size, switch from stereo to mono if need be, do noise leveling and hum removal, add art and metadata to the final file all at once, and even use their AI-powered adaptive filtering to get rid of intermittent background noise. I had a hard time uploading the .flac file to Auphonic, but the .wav file worked a charm.) SOME HELPFUL AUPHONIC TUTORIAL STUFF
- uploaded mp3 & coverart to mediafire or box.com for hosting (Mediafire is good for longterm downloads-only podfic posting, while box has a streaming embed that used to work well with AO3 (though I’m not sure if that’s still the case, now that the switch to new streaming code is happening))
- bragged about my technological prowess on twitter
Things I learned during this process:
LEXIS IS SO MUCH EASIER THAN WAVEPAD
The user interface is so much clearer! There are almost a dozen different sfx you can incorporate! You can zoom in and out of the track, to make very specific selections! YOU CAN SAVE AS YOUR WORK AS YOU WORK. There is even a whole tutorial reference site, maintained by the app’s developers, to talk you through technical stuff you might be confused about: SUPPORT AND TUTORIALS FOR ANDROID, IOS, AND WINDOWS
Take a look at these screencaps of the user interface, and marvel at the UI clarity:
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(NB: I did kind of make this all slightly more complicated than it needed to be.
- You don’t need a USB mic: you can just record into the phone mic itself. Your smartphone is MADE to capture audio in the first place; it will definitely pick up your voice without the extra hardware. If you don’t have to plug stuff in, the whole process is ever so much more streamlined.
- You do not need to use ASR at all, in this scenario. You can record directly into Lexis Audio, and then edit that same file to delete all your flubs! But I like the joy of pushing the Big Red Button that ASR gives me, so I keep it around.
- If you use the free version of Lexis, you can save your finished audio in the following file formats: .wav, .flac, .m4a, .aac and .wma. If you want to give google cash money for the paid version of the app, you can also save as .mp3 files (and skip the step of uploading/converting in Auphonic). But I’m cheap, so I’d rather take the extra step workaround.)
Other cool note: USB mics draw power from the device they’re plugged into, that’s what makes them work without needing an external battery or plug. Some USB mics have a heavy power draw, and you can only use them on a laptop for best results. HOWEVER, the Samson Meteor mic, the Samson Go mic, and the Samson Meteorite mic are all USB mics that have a relatively lower power draw, and you can straight-up plug them into your phone for podficcing on the go!
...I'll include the links to my final podfic posts om AO3, when they finally go up, to show off the fruits of my technological labor detailed above.
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alaraxia · 4 years
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Process Breakdown: Starfall
Since I got some positive responses to my question on process stuff I’m gonna do a behind the scenes breakdown for my most recent piece to help people see the process I use and how I problem solve. I didn’t plan to do this initially so I won’t have a ton of process shots but I did save a handful. There’s a few scattered hyperlinks to other pieces I reference too. Just a warning this is mostly train of thought so it’s super verbose.  
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So base sketches were mostly focused around me defining the shape of the girl since she was the focal point and building the environment around her. Going in the things I knew I wanted were a girl precariously balanced on top of a massive capybara catching a falling star, while surrounded by smaller sleeping capybaras on rocks. I layered out a general forest scene surrounding it but didn’t really commit to much in the sketches. Messed with the angles of the large capybara a few times to make it feel less flat and more 3D in the space, used a lot of reference photos of capybaras and sorta simplified them to what I thought was cute/ what stood out to me as their defining features.
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Skipping ahead a solid amount is midway through the initial lineart, with some areas just colored in to define them as separate. Initially this piece was supposed to be in a similar style as my “Stratosphere Dreaming” art, with a single uniform line thickness, bright colors, and no gradient shading at all, but I realized pretty soon after I finished the lineart and started coloring that I had done what I tend to do a lot and made it too complex to pull off successfully in that style so I had to pivot to using gradient shading and other non-cell style techniques (though you can see a lot of those methods still in the coloring of the girl). This caused an even bigger challenge as I was drawing on a large canvas with high DPI in Procreate which resulted in me having a cumulative 50 layers to work with at any given time (hell).
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Now once I made that rendering style pivot is when the really hard part began, and why on top of my persistent arm injuries this took me about two months to finally finish.
1.) I had an extremely difficult time trying to figure out the color pallet for the piece. I had an idea of the values and general colors I wanted (you can see some pallets and random base color tests in the image above) but I just couldn’t get them to look right and I became extremely more aggravated as I kept trying new and different things. My biggest mental block was feeling like I was stuck trying to make the initial pallet idea work, but eventually I was able to bump it to a slightly adjacent pallet and it worked far better. Essentially a lot of angry experimenting and testing.
2.) I made the piece too complex for its own good when it came to the foliage and scene. After finding success with a very specific way to render foliage in one of my favorite pieces I started to use it as my standard, but that standard started to show cracks when I had foliage heavy scenes like in my Hollow Knight piece from last year. The rendering style became insanely too time consuming, and incredibly distracting when used in abundance, taking away from the focal point. I knew this but I still attempted to use the same style to render the foreground foliage MULTIPLE times in increasing states of frustration until I stepped back, evaluated it wasn’t working, and tested out a very similar style with the same effect but that I could throw together twice as fast without the aggressive distraction and minuscule details that were irrelevant in the scheme of the art. This frustration in the rendering not working was only exacerbated by the color pallet indecision making a lot of the attempts just look bad both color and style wise.
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Due to the limited layers I had to finish rendering out the girl very early and merge her together to free up layer space, and couldn’t keep my lineart layers as separate as I would have liked to allow for quick line color swaps. She ended up being a key point in defining the rest of the color pallet of the piece. The dress shape was indeed inspired by the Lirika Matoshi strawberry dress, but with my own twist.  
Once I got a more solid color pallet down the rest started to come a lot easier and I was able to begin filling stuff in and doing general color adjustments to make the backgrounds darker and give it more depth. I don’t have any more process shots beyond the initial color pallet exploration unfortunately, but the last hurdle I hit was at the very end once I was doing final touch ups. I found that with the only light source/ lighter color being the falling star that it washed out a lot of the rest of the pieces and made the details I spend so much time on feel unnoticed. I found though that adding the bright orange stardust specks into the trees, the girls hair, and falling from the star itself gave the last bit of color I think it needed without completely destroying the atmosphere. Originally (you may see it in some of the process shots) there were going to be jars with stars already in them illuminating the bottom of the piece, but after multiple trial and error iterations it just didn’t work out and ended up taking the focal point away from the girl and the star too much so I scrapped it.
Finally once I got everything done I made a copy of the entire art file to save as a backup, then with one of the copies merged all the layers together. Once all merged I made a copy of the fully merged layer, and went and adjusted the entire layer copy using a Gaussian Blur, reduced the opacity of the blurred layer to a super low percent, and put it on top of the original merged layer. This gave it that ethereal sort of feel that is difficult to notice unless you zoom in but really helps soften the piece and make it more dreamlike overall. Then I merged that blur layer down, and turned on about a 3% noise layer on it all to give it a bit of texture.
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But that’s enough rambling from me, hope this helps give a bit of background to my process and decision making and it wasn’t just a wall of random musings. 
My last piece of advice is if you’re looking to do art professionally, do commissions, or make a lot of pieces in a short period of time I would highly advise against directly copying techniques I use. Because while I’m always working to improve I do only do this as a hobby rn so I have the luxury of being able to invest a lot of time, energy, and details into higher complexity pieces that would take way too long in a professional environment. I can put a lot of time into making a single piece exactly as I want it since I’m not reliant on art as my sole income. As I improve I can make things faster, but it’s still an overall slow process and I just end up moving my quality standards up with any level of improvement anyway. Use stuff I do as inspiration but I cannot stress enough to learn as many shortcuts as possible (I’m still struggling with this myself).
If y’all have any questions about bits feel free to dm, if I do something like this again I’ll try to get better screenshots during the process n try to be less verbose.
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reinahwanggg · 4 years
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𝒟𝒶𝓉𝒾𝓃𝑔, 𝓌𝒾𝓉𝒽 𝒥𝑒𝑜𝓃𝑔𝑔𝓊𝓀
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╔═════ஓ๑♡๑ஓ═════╗
               𝕮𝖔𝖓𝖋𝖊𝖘𝖘𝖎𝖔𝖓
╚═════ஓ๑♡๑ஓ═════╝
⇸ i feel like he’s someone who wouldn’t wanna confess.
⇸ like, he’s so content with just watching you from afar.
⇸ how you love the little things, capturing the world with your camera.
⇸ he practically joined photography for you. came for y/n, stayed for the fun.
⇸ it was purely an accidental confession.
⇸ you know those stupid ones where the main character is staring at their crush and blurt out how ethereal they looked?
⇸ that was gguk but like, not in a whisper. 
⇸ poor boy yelled out your name and how much he loved you after he saw you laughing with your friends during photography.
⇸ he had the whole class staring at him, including you, and he wanted to D I E
⇸ dude basically screamed out that he wished he had the privilege to marry your laugh. that’s lit rally embarrassing luv. 
⇸ after class, you stayed behind and walked up to him. (lol, ᶦⁿᶦᵗᶦᵃᵗᵉ ᵐᵉⁿᵗᵃˡ ᵇʳᵉᵃᵏᵈᵒʷⁿ ʰᵉʳᵉ) 
⇸ dude felt like shitting his pants. you were much prettier up close. you smiled at him, a bit too wide and stuttered out that you wanted to marry his voice.
⇸ dude panicked and said “why don’t we just marry each other?” and he probably did shit his pants that day, who knows? 
⇸ you smiled, and jokingly you told him “bring me an engagement ring, and i’ll think about it.”
⇸ bright and early the next morning, he handed you a small box and ran out of the classroom. 
⇸ cutest confession ever.
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╔═════ஓ๑♡๑ஓ═════╗
              𝓓𝓪𝓽𝓲𝓷𝓰
╚═════ஓ๑♡๑ஓ═════╝
⇸ jeongguk was obviously so eager to do everything with you, hold your hand, hug you, take you out on dates, just, anything he can do with and for you.
⇸ hugest simp on the block.
⇸ would literally bend over backwards just to see you smile.
⇸ you, being the lover of little things that you are, would always fix his collar, file his nails, get him banana milk when he steps on campus after long hours of editing. make him breakfast. fiddle with his hair, take pictures of him from a distance to create that weird silhouette effect thing.
⇸ unintentionally, in terms of skinship, it went hella slow.
⇸ you guys didn’t hold hands until a month and a half in, when he wanted you to stay close to him during the annual club fair.
⇸ you didn’t hug until a week afterwards, when he was leaving to go back to Busan for the break.
⇸ and you didn’t even hug as much afterwards. you guys would just stare at each other, so content, yet a feeling, a yearning for the other’s touch was evident in your eyes.
⇸ you guys would go on weekly dates. study dates, picnics, amusement park dates, aquarium dates, park dates, movie dates, every week, there was always something different, and you loved the adventurous side of gguk.
⇸ three months into the relationship, and he took you to the rooftop of one of the buildings.
⇸ it was a stargazing date this week.
⇸ gguk sang songs and you took pictures, scribbling down lyrics, and doodling as you pleased, telescope here, waiting to be used by someone other than namjoon from the astronomy club.
⇸ you were so focused on your doodles, that you practically tuned out everything around you. you hummed a song gguk would always sing while he's around you as you doodled.
⇸ didn't even notice when he stopped singing and just started to stare at you.
⇸ ask this dude what his favorite hobby is, and he'll deadass say looking at you.
⇸ the moon, coincidentally, was shining brightly that day, and the moonlight made your face glow, the side profile in which he stared at looked so much more perfect to him.
⇸ i swear, either this boy has no control over his mouth, or he's constantly shouting in his head, because he yelled out his thoughts, A G A I N
⇸ you immediately stopped your doodles, looking up at him, eyes wide, probably blushing, who knows? all you know, is that you're surprised. he wants to kiss you.
⇸ fucking F I N A L LY. like omg, you don't know how much more hints you had to throw at him, because he sure is dense sometimes.
⇸ a N Y W A Y S
⇸ you rest your book down, automatically getting up to walk towards him. and he's just staring at you man.
⇸ at this point, the both of you said fuck them stars, cause all the constellations in his honey irises looks like the perfect view, and you stuff that image in your mind to draw that because W H E T
⇸ as soon as you reach to him, bITCH you wasted no time at all. you grab him by the chin and softly place your lips on his, and like mAGIC it happened.
⇸ your lips molded together, with the satisfaction of finally finishing a a puzzle. the joy of watching the array of colors explode in the sky from the fireworks that held them captive. the relief of watching a flower fully bloom. the feeling of now entering a field on a farm, as you stare at the cloudless sky, and a gentle breeze waltz around with the trees.
⇸ you could practically taste the cherry lip balm you would often restock on whenever it did finish from his lips, and you immediately indulge in the warmth that engulfs you as he kisses you back.
⇸ in all honesty, you don't know how long it went on for. when he gripped you by the waist, or when he pulled you down on his lap. even when your fingers moved from his and wove together to the back of his neck, as you both deepened into the intoxication of each other.
⇸ sooner or later, though, you had to grasp onto the feeling of the air, and your lungs pleaded to be filled by its addiction.
⇸ your skinship after that, did change, not drastically, but it did.
⇸ life was fun now, and dating jeongguk was probably the best decision ever.
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okay, am i blind or does it look like gguk has on braces ? aksnejsjansn lol
hope you guys enjoyed this. i had another version of this written, but it didn't FLIPPING SAVE.
glad it didn't though, because i honestly like this one better.
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sansimeonsims · 4 years
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Introduction: The Camayao Project
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Hey everyone. The year has been a crazy and often frustrating ride. As of that last update, I can confirm that I am still working on Filipino-themed Sims world: Camayao. Unlike San Simeon, which was a colonial-era world built on a pre-existing base, Camayao is being built on an entirely new foundation and is based on the modern day. There are other differences as well, mostly in terms of construction and theme.
Moreover, I’ve come to the decision to make Camayao a collaborative project, the details of which will be hammered out over the course of a few weeks due to life concerns. 
Where have I been?
Stuck in quarantine, for starters. The need to stay indoors because of Covid-19 is in fact a major factor in the project, both positive and negative. During the extended community quarantine, I was left with very little to do at home and began working on both the Manila Project and Camayao. However, being stuck indoors and left with few options meant that I had to scour the Internet for resources, which are often not as satisfactory as going out there and taking pictures myself.
At the time of writing, I’ve also undergone wisdom tooth removal surgery (and will be due for another one in a month). The pain I experienced before the surgery (and the surgery itself) hindered my ability to work, let alone do leisure activities. Thus, my ability to plan and build is limited until late in November when the last scheduled surgery is done.
About Camayao
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An early test shot of Carmilla Homes Camayao
As currently imagined, Camayao is a fictional component city of the National Capital Region (i.e. what people usually think when they say “Manila”, rather than the capital itself) and is heavily based on various neighborhoods I’ve encountered across Metropolitan Manila. In general, the world draws heavy inspiration from Pasig and Taguig, with heavy admixtures from Muntinlupa, Las Piñas, and Manila itself. 
The playable area of Camayao is planned across nine ten eleven different districts, each based on specific neighborhoods in Manila.
Poblacion: A traditional town center similar to the plaza area of San Simeon, dotted with colonial-era buildings in various states of conservation.
The Midtown  (Actual name TBD): A medium-density commercial area dotted with buildings that have seen better days.
Parian: An extension of the town center with a Chinese Filipino flavor. Many buildings are in states of disrepair.
Tabinglaua: An actually rural area located close to the lake inhabited by farmers
Bacbacan: An industrial area with squatter colony built up around the remains of a burned down former factory compound.
Esteros: A riverside industrial area, also dotted with slums.
Villareal: A community of contrasts, one a gated community for the city’s elite and the spartan accommodations for the soldiers near the airbase.
The Village: An upper- to middle-middle class gated community filled with various suburban homes 
Jacinto: An upscale high rise urban development, mostly populated by office dwellers and the nouveau riche.
Carmilla Homes: A cookie-cutter low-cost suburban residential development located in an out of the way area far from the city center.
The Port: A third industrial area, a seedy locale filled with dive bars, underground clubs, and more slums.
Among the things I’ll need to hammer out are the map details and the placement of the lots. 
Rather than representing a real place, it acts as a microcosm of various places within Metropolitan Manila and its suburbs. Besides being built on an original map, Camayao is planned to be a turnkey world. Unlike with San Simeon, I plan to fully furnish almost all of the buildings available in Camayao. This meant, of course, that I had to keep track of the content I used. If all goes well, you will not need Monte Vista like you would with San Simeon.
I also intend to create a populated save file with a storyline. A world just seems more alive that way. Besides call backs to history and popular culture, Camayao also has elements of socio-political satire, one that’s inescapable when constructing a world based on a place with such disparate populations and social classes. That said, I do hope to avoid the egregious cliches such as poverty porn in the process.
Camayao and its updates will have its own Tumblelog.
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An older version featuring some of the slums. This is a scene I hope to capture throughout Camayao.
Community Involvement
I’m taking a gamble and am opening up Camayao to community involvement to those interested. As soon as I am able, I will call upon interested simmers to work on some of the other buildings with me. 
While I’m technically sending the invitation out to anyone willing to give it a go, I’m especially encouraging (the rather small remnant) Filipino TS3 community or anyone who has been to the Philippines for an extended period. Locals can provide the needed feedback and awareness to give the world a sense of authenticity. If possible, I’d also like feedback and contributions from minority populations (Muslims, Taoist Chinese, etc.) to lend authenticity to some of the representative families.
I’ll be preparing a Discord server for this purpose. Stay tuned to see if and when it’s up.
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Plaza Rizal, one of the completed lots
What of Colonial Manila?
I’ve been meaning to create a version of Manila in the Sims for some time now but the limits of what I can do in CAW have limited my ability to do so. My original plan was to create a condensed version of the Manila Bay area with the  I finally mustered up some of the courage to build Manila in the months leading to the quarantine. 
My Colonial Manila project aimed to create a realistic facsimile of the IRL districts of Intramuros and Binondo a few decades before the end of Spanish rule. I pegged the world at approximately 1879, a year before the great earthquake that destroyed the belfry of the Manila Cathedral. However, I immediately faced a lot of problems on that end. Quarantine limited my ability to research since I was stuck at home. Thus did I quickly realize how out of depth I was. I was able to create the exteriors of several buildings, of course, but could never finish the interiors since I’ve very little idea on what they looked like.
Due to the scale of the project and the amount of research and custom content it needs, I had to put the project on hold in the meantime. Nonetheless, I did back up my project and will gladly resume them in the future, though the map itself will need a complete overhaul.
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ixnova · 3 years
Text
My PC is royally fucked and I’m really fucking upset about it! Fucker keeps blue screening and it just happened RANDOMLY, before that it was working just fine! Mom got a new PC yesterday and she asked me if I wanted one too - it wasn’t really worth the price for me because it was only a 25% upgrade compared to what I had and what I had was working just fine. She went ahead and ordered hers she got a nice pre-built gaming one for a good price from Dell because they had a sale and with the scalping of graphics cards for gaming it was stupid NOT to buy that. I should of said yes tho and got one for myself if I knew this bullshit was going to happen to mine.
It was literally working FINE as it normally did and then the MINUTE moms PC showed up it broke. I cannot believe this jealous bitch committed suicide the moment a new machine was brought in the house that was better than it. I’m really annoyed too because I can’t play Apex. I tried on my switch and it sucks, plus no cross progression, I just want the ugly Pathfinder skin. Mom is letting me play on her PC while we’re trying to figure out what to do with mine (will probably have to buy a new one anyway at an arm and a leg which SUCKS because I’m trying to save up for school and I hate my job and that’s another 6 months working a shitty ass job I hate.) but her keyboard is not comfy and her new mouse has no shoulder buttons so I can’t quick punch. Game isn’t even finished installing yet, it’s at halfway as I type and I’ve been waiting 30 mins for it. Mom’s on wifi in the living room and its... not the best, we’ve had issues with wifi in this spot for ages even on her old PC. I’m probably not gonna have good enough ping to actually play any games dghwjaklsa. So I can’t draw or write fanfiction either which sucks. I literally was just trying to play Minecraft with the boys and it died on me. It keeps bluescreening. Kernel Power error. We’ve reset it fully now too (I managed to save my core files but I have to re-install everything now too which sucks ass and I can’t remember half my account log ins.) It’s still failing after 30 mins uptime roughly. Just started happening randomly yesturday. I am so fucking mad. I wanted to draw, I wanted to write, and I’m fucked. I can’t even play Mom’s PC until like 12am because she uses it too and she works from home and is at her work PC at her desk, which is dumb I keep telling her to use the home office downstairs no one uses but she wont, so I can’t play while she’s working and I can’t play after work because she will be using it - which is fair its her new pc and she SHOULD be playing on it now that its not ass and can run shit she wants to play, but STILL. I’m stuck with nothing but my switch to tide me over me now and I’m very upset about that.
Shout out to Spotify for having a website app tho at least I can run my tunes in another tab.
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thanksjro · 4 years
Text
More Than Meets the Eye #3- Robots in the Vents, Because It’s Not a Roberts Story if It Doesn’t Happen at Least Once
So, the duobots are having a hell of a day.
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Shock, our resident obligate belly-sleeper and newly-single robot, laments the passing of his buddy, leaves a vial of innermost energon by his body- a practice that will be expanded upon later- then covers up any and all traces of their having worked with Prowl. These are the inside guys Prowl called after he flipped that table in issue #1.
As Shock tracks down the tracer Ore was supposed to be planting instead of being eaten by the quantum drive, he comes across that sparkeater that got mentioned last issue.
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That is his brain.
Then he explodes.
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Which brings us to the scene we left in issue #2. Sparkeater on board the Lost Light, which is full of sparks that probably would prefer not to get eaten.
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Holy shit Cosmos is huge. I don’t remember him being that goddamn big.
Rodimus thinks that this whole sparkeater thing is really neat, and he’s happy to be a part of it, but he’s not so thrilled about the prospect of subjecting the others to this event, so he orders everyone to find a friend and go to their rooms until he and his select few sort this whole thing out. He doesn’t tell them about the sparkeater, because that’s some scary bullshit to throw out there less than a day into the trip.
Everyone files out, Swerve having forgotten about Tailgate, who’s having a minor wardrobe malfunction. Since he doesn’t have legs at present, he calls out to the one other guy he knows on the Lost Light.
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Tailgate really knows how to pick ‘em.
Over with the dead body, everyone stands what is probably unadvisedly close to the scene of the crime and Ratchet performs a quick and dirty autopsy. The boys discuss the validity of Red Alert’s theory that this was caused by a sparkeater, with the mention of Rewind’s grainy footage making the creature seem like the Cybertronian equivalent of a cryptid. Probably less Fresno nightcrawler and more chupacabra. Ratchet tries to get everyone to focus for two goddamn seconds, when Trailbreaker picks up Shock’s brain module, knocking everyone right back off track again with the discussion of Rossum’s Trinity, the idea that the spark, brain module, and transformation cog are all interconnected, and damage to one can cause the others to shut down.
Ratchet’s had just about enough of this lot, but he gets through his examination.
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This is the issue Alex Milne started drawing the insignias in himself as opposed to the previous practice of IDW having them put in in post.
Rodimus, however, wants to show off his new toys as it were, and asks Chromedome to take a gander. Chromedome wearily obliges, having Ratchet pop the brain back in Shock’s head so he can do his thing. Every other person on this fucking ship is a doctor, you see, and Chromedome is no exception- he’s a mnemosurgeon.
(Yes, my spellcheck DOES lose its mind every time I type that.)
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Chromedome takes his terrifying pointy hands, jams them into the eye sockets of this corpse, and gets a brainfull of Shock’s final moments.
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This is such a cool panel, and I went and ruined it for myself by realizing the upper left portion shouldn’t be visible, seeing as the brain is already outside Shock’s head, without any sort of cord connecting it to his body.
Back upstairs, folks are moving into their rooms for the surprise lockdown. Cyclonus is being a pal and is carrying Tailgate, because I’m pretty sure the little guy is just about the only person who’s talked to him in a non-hostile fashion in the last couple of months, and that really gets old after a while.
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Those legs sure are something, Hoist. Is it just, like, a rule that a certain percentage of Transformers designs have to be at least somewhat unintentionally horny?
The two find a room, and then Cyclonus remembers that he’s not supposed to show things like empathy until later in the series, and drops Tailgate on the floor unceremoniously.
Meanwhile, over with Skids and Swerve, the pair’s found something truly wonderful- a fully-stocked bar. Swerve’s always wanted to run a bar, and this just might be his chance to chase his dreams.
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Swerve is the punching bag for MTMTE, in case you couldn’t tell.
While Swerve is not-so-subtly crying for help, Skids is busy enacting another Roberts writing-staple- the robot in the vents. See, Skids has hit his bad boy phase; he doesn’t play by your daddy’s rules, so he’s gonna sneak out and do generally whatever pleases him, because he’s got a big honkin’ chunk of memories that just aren’t there anymore. Apparently that’s all he needs to go AWOL.
As Skids lifts himself up into the ceiling to fulfill his destiny as a vent-pest, he asks Swerve if he listens to music, which is met with a negatory. Odd, given his later characterization, but maybe he’s more into contemporary works.
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The ass poking worked! Swerve is now the proud owner of one whole entire friend!
Back with the corpse crew, Chromedome’s finished his assessment of the body, and agrees that there’s a sparkeater amongst them. This is a huge fucking problem, to put it lightly, both in the sense of actual, physical danger, and the metaphysical space of the Lost Light itself.
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Are we sure this thing didn’t just see this ship full of over 200 war veterans and say “that’s some good eatin’ right there” and snuck on board? Because if I were a horrific monster that was drawn to pain and emotional trauma, I’d absolutely consider the Lost Light a gold mine.
As Chromedome lays his head in Rewind’s lap, the others weigh their options. Sparkeaters go after the brightest sparks, then work their way down, so this thing is probably on the move as they speak. The thing’s eaten recently, the sparks haven’t completely digested, and that means they can’t just shoot it, because then it’ll explode, and we’ve had enough of that for one day.
Rodimus has everyone else go to hunt the thing down, while he and Drift hang out here in the basement. When Ultra Magnus questions this plan of attack, he’s brushed off, though Rodimus appears to imply that he thinks he’s got the brightest spark on the ship. Probably all that Matrix nonsense he went through.
Back upstairs, Animus gets shot with the irony gun and gets his soul vored.
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This is what happens when you tell lies, kids. Your lemon-lime flavored soul gets eaten by the mecha-Krampus.
Whirl, who had locked the door to the habsuite, which is why Animus was out in the hall to begin with, realizes that something seriously messed up is happening, and does what he knows best, i.e. shooting first and asking questions probably never.
Good thing Trailbreaker is there to keep Whirl from exploding the entire ship, employing the help of his forcefield ability to contain the barrage.
In the resulting chaos, the sparkeater escapes, having triangulated its next meal, and it’s not Rodimus.
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It’s this dweeb.
You can tell he’s in his office, because he’s got a landscape painting in there. Landscape paintings are pretty much the only decor allowed in doctors’ offices, I’m pretty sure it’s, like, a law or something.
Luckily, Rung decided to get threatened by a space-cryptid directly under a vent, so Skids can save his skinny little butt. Good job, Skids. Proud of you.
Back with Tailgate and Cyclonus, little dude’s just finished explaining his whole deal. He’s still trying to figure out what the hell happened during his dirt nap, so Cyclonus tries his best to fill him in on the several million year war. Keep in mind, Cyclonus wasn’t exactly there either, so his whole explanation probably isn’t the best. He wonders out loud which side Tailgate would have gravitated towards, had he been around for the massive mess the Autobots and Decepticons made.
Meanwhile, back in the GODDAMNED DUCTWORK, Rung and Skids are crawling as fast as they can to escape the sparkeater, though they can’t be that worried about it, seeing as Rung answers a phone call on his weird body-harness phone setup. Rodimus tells the two of them to head for the engine room, so that the sparkeater follows them down. Rung doesn’t seem too thrilled about this plan, but what’s he gonna do, argue with a potential space-pope?
Skids punches through a vent into the elevator shaft, then uses his grappling hook- which I want to say is never seen again after this issue- to lower them down in one of the most well-known crotch shots in the entire comic series.
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Iconic.
They land on top of the elevator, and Skids yells at Brainstorm to punch the "E for Engine Room” button. The sparkeater bursts in through the ceiling, and Skids and Rung book it out of there, leaving Brainstorm to his inevitable demise.
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Or not.
Rung and Skids have made it to the engine room, so now it’s time for the next portion of Rodimus’ plan, which is really only a small tweaking of what Rung was doing earlier- instead of being a moving target, he’ll be playing the role of stationary bait, as Rodimus holds him like a fucking crucifix made out of people, urging the sparkeater to come take a bite.
Up on the bridge, Perceptor gets ready to kick on the quantum engine, as per his captain’s request. Sure hope this plan works, because if they lose Rung, I don’t think they’ll ever find another therapist, thanks to the apparent ratio of 1:1/3 of the entire population of Cybertron.
The sparkeater lunges, Rodimus throws Rung off to the side, and he and the beast wrestle, Crocodile Dundee style. Perceptor initializes the jump, and, because they’re in the danger zone for the quantum engine, they get sucked in.
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Rung seems a little miffed, but I’d say this is a win for Team Rodimus, even if those arms of his are toast. It’s cool though, he can get new ones.
Smashcut to Rodimus and his sick new arms, as he finishes explaining just what the hell happened to Magnus. Magnus isn’t quite as jazzed about the whole “used our therapist as a worm on a hook” thing as one would think, surprisingly, but Rodimus isn’t in the mood for a lecture. Off in the background, Tailgate’s getting his butt fixed, curtesy of Ratchet. Tailgate’s talking up a storm, regardless of Ratchet’s rather cool reception to the chatter.
Tailgate did some thinking while everyone was locked in their rooms, and he’s made a decision, based on his limited understanding of the Autobot/Decepticon war.
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I guess Cyclonus forgot to mention the fact that there isn’t a single Decepticon on this ship for a reason.
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olicitysecretsanta · 4 years
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Convergence
For @swiftletinthecloud 
Hello! We have never met or spoken before, but I am so happy to have you as my giftee because now we have! I was so happy about your response to my anon ask about what kinds of fic you like, because so many of your interests are also mine. It was actually a problem because I had too many interesting ideas for fic that were inspired by your suggestions. Now I just have more fic to write, I guess. 
Anyway, I decided to write this idea for you because it was the SHORTEST of all the ideas I had. You can see how well that turned out. What is below is 2 out of 3 total chapters. The last chapter still needs editing, so your gift will be fully complete when I post this to AO3. Until then, please enjoy these first two chapters of season 1 alternate canon!
Much love, @allimariexf
Title: Convergence
Warnings: No warnings apply
Relationship: Oliver Queen/Felicity Smoak
Tags: Arrow season 1, alternate canon AU, episode tag 1x21 (The Undertaking)
Chapter 1
Oliver Queen moved like a panther through the underground casino, a sleek and beautiful predator at home among the understated opulence. His eyes strayed around the room, a careless smirk masking his close assessment of the security.
Two pit bosses, a floorman, and six armed guards, two of which flanked a hallway that must lead to Dominic Alonzo’s office. If he was going to get in there, he needed to come up with a distraction.
His mind went back to the document he’d found saved on his computer. Like all the previous messages he’d gotten over the past seven months, it took the form of a simple text file, saved prominently on the desktop of his computer in the foundry.
December 12, 2012: Harold Backman deposits $2 million to Cayman Fidelity on behalf of Dominic Alonzo, known kidnapper.
Also December 12: Walter Steele goes missing.
Coincidence? I don’t think so. 
I know I normally don’t agree with your “shoot first, ask questions later” policy, but I’m willing to give you a pass on Alonzo. He seems like just the kind of low-life someone would pay to kidnap Mr. Steele. How many arrows do you think you’d need to put in Alonzo before he gave up Mr. Steele’s location - probably a lot, right?
Never mind, forget I said that. Alonzo’s private records are offline - likely stored in his office in his base of operations, an underground casino with basically its own private army. Not the best odds, even for you. But I have a plan that doesn’t involve arrows or any other pointy objects, so sit tight and I’ll contact you tomorrow. 
The corners of his lips lifted at the memory. The anonymous hacker who’d been helping him certainly had a way with words, and in their months together she’d often surprised him with her uncannily insightful observations. But if she honestly thought he’d sit back and wait when they finally had a solid lead on finding Walter, maybe she didn’t know him as well as he sometimes suspected. Not when Walter had been missing for almost five months and the likelihood of him being found alive decreased every day. Not with the recorded evidence John Diggle had collected that seemed to confirm his mother had something to do with Walter’s disappearance - and that it was all connected to the List. 
Oliver was tired of waiting for answers. This was something he could do. It just so happened that this time, he needed a bespoke suit of Italian wool, rather than green leather in order to do it.
Eyes tracking the movement of the guards, Oliver positioned himself at a well-situated roulette table. Several wealthy patrons crowded around the dealer, including an elegant brunette who instantly met his gaze. 
“You’re Oliver Queen,” she purred, reaching out with graceful fingers to draw him toward her. Slipping easily into the role, he let his eyes travel down her body as she trailed her hand down his arm. 
Choosing not to answer with words, he winked and held out his dice for her to blow on. It was enough to maintain the part he was playing, and in another life he would have taken her up on the unspoken invitation written in every line of her body. But as his eyes slid down her lithe frame, he barely saw her. Instead, he was seeking something else, some spark of her. 
Huli jing. 
His anonymous hacker ally. 
His thoughts turned to her, as they had increasingly done over the past several months. Who was she, in her normal life? Where was she, what was she doing? When he mingled among the residents of Starling City by day, could she be right next to him, without either of them realizing it? Like always, the possibility sent a thrill of excitement through him.
Part of him was acutely aware that it was futile, even ridiculous, to entertain those thoughts, but as long as they only existed on the fringes of his mind, he indulged them. His life was his mission, and there was no room for anything else, but there was no harm in letting his mind play with the idea of her in his downtime. Not when there was no chance they could ever meet. So when he put in his appearances at Verdant, when he met up with Thea at her favorite cafe, when he picked up his mom from Queen consolidated, he allowed himself to wonder. And if his eyes caught on long red hair, a charming smile, or a long length of exposed thigh, he’d mentally compare the woman in front of him with his mental picture of her. But none of them ever had her unique, undefinable spark. And somehow, by comparison, every woman he saw seemed somehow less because they were not her.
She had contacted him for the first time seven months ago, though “contacted” hardly felt like the right term. He’d arrived at the foundry and booted up his computer one night only to find the entire system had been upgraded, and simple text document saved to the desktop:
I’m truly stunned that no one managed to trace the redistribution of Adam Hunt’s funds back to you. No one else, I mean. 
Now that I mention it, I’m even more surprised you managed to steal that $40 million in the first place. Your system looks like it’s from the 80s.
(And not the good part of the 80s, like Madonna and legwarmers, to be clear.) I maybe spruced things up a little bit while I was in there. Seeing a network that poorly set up hurts me in my soul. Seriously it was like you left a crying infant on my doorstep, except it was like a 30 year old baby and it wasn’t my doorstep, because I was the one who kind of broke into your house. But my point is, you have a severely neglected computer setup, and I guess my maternal instinct kicked in. So to speak.
Oliver had barely finished reading the note before he’d ransacked the bunker, searching for evidence of a breach. When he found none, he read the note several more times, seeking hidden clues as to what the infiltrator knew, what they wanted. The program he used to take Adam Hunt’s money was something he’d taken from ARGUS, and no one should have been able to track it. Deeply alarmed, he read the note again and again. Not until the sixth time did he finally consider the playful tone of the note might be sincere, and only then did it occur to him that there might not be a threat buried in the message at all.  
He remained on heightened alert for several days after that, but only on principle. The improvements she’d made (and she was a she, he was sure) to his system made his ARGUS programs run faster, and while using compromised equipment was normally a risk he would never take, his gut told him there was no danger. For reasons he didn’t examine, he found himself rereading the note, until he had it memorized word for word. 
When he didn’t hear from her for three weeks, he told himself the sense of disappointment he felt was only because lingering questions felt too much like unfinished business. Not because he was intrigued by the hacker. Not because her note had made him smile the way no one had since he’d returned from the island. 
He was starting to think of the incident as an amusing, but ultimately harmless one-time stunt when one night, after an afternoon of failing to get data off of Floyd Lawton’s computer and an evening taking his frustration out on a slum lord, he returned to the foundry and discovered a large data dump open on his computer - along with another note. 
Blueprints to the Exchange Building, where the Unidac Industries auction is scheduled to take place. Gonna be a pretty target-rich environment. For the person who is trying to eliminate bidders in the auction via assassination, I mean. Which, to be clear, someone IS trying to do, according to the SCPD’s unreleased records. Anyway, do with this information as you wish. (Not “as you wish,” as in code for “I love you.” Obviously, I don’t even know you. Though from the captured video footage of you, I can say with confidence that you can really wear a pair of leather pants. Anyway, speaking of Westley, the papers are calling you “the vigilante” or “the hood,” but maybe you should consider adopting Dread Pirate Roberts. A name that inspires fear, so that you don’t have to do so much arrowing in order to get your point across. You should consider it. Good luck with the auction.
Oliver huffed out his nose, struck by her abrupt topic changes and her particular, rambly way of putting things before it even occurred to him to wonder how she’d managed to pull any information off Lawton’s damaged laptop. Or question whether she had any ulterior motive in doing so.
It was unusual for him to trust anyone so quickly, especially someone he knew virtually nothing about. But somehow, he did, and when her tip about Lawton proved sound, he found he wasn’t surprised at all. 
After that he began to seek out her help, adopting her habit of communicating via text document saved to his computer. With each tip she left him, she proved herself invaluable to bringing down another of the city’s worst offenders. He could tell that she was brave, fearless even, and before he knew it, they had developed a rapport. And while it wasn’t exactly a partnership, it worked. 
If I’m the the Dread Pirate Roberts, who are you? He asked finally, against the advice of the inner voice that cautioned him that the more he knew about her, the harder it would be to one day give her up.
But in answer, all she said was, You can call me Huli jing.
The Dark Archer, Ted Gaynor, Count Vertigo, Ken Williams, and the list went on. The notes came more frequently, and Oliver found himself looking forward to them, the first thing he’d check for every night. Even having never been there, she filled the dark, dank foundry basement with a bright presence that was just as tangible as John Diggle’s reliable support. 
What do you think keeps these bad guys up at night? Probably not worrying about that one time they accidentally stared at a man for two full minutes while they were busy trying to figure out what the Cylons’ plan really was. They said they had “a Plan,” like capital P PLAN, you know? Anyway, despite what that guy probably thought, I was NOT creeping on him. But to my point, now that I think of it these criminals probably just close their eyes and get a full 8 hours every night. Sometimes it really sucks to have a conscience.
As the months wore on, he learned that she wielded a formidable intelligence, a sharp sense of humor, an unerring sense of justice, and, somehow, an unshakeable confidence in his mission. In him. She became a voice in his head that he couldn’t tune out. And he found, more and more, that he didn’t want to.
Anyway, while I’m at it, did you ever think about not killing some of these thugs? Look, I get it - they’re taking shots at you and you’re just trying to stay alive, but on the other hand, they’re just hired guns and you’re…you know. You. All I’m saying is, with your aim - which I have seen evidence of, so please don’t start with the false modesty - you could just as easily be shooting these guys in the hand or leg or something, you know? Anyway. Just a thought.
Before he realized it, she had come to haunt his thoughts. When he was wrestling with a problem, he found himself playing out imaginary conversations with her, unerringly channeling her firm conviction and steady support. 
He didn’t even know what she looked like, but he couldn’t get her out of his head. Sometimes he thought he was half in love with her. No; that was ridiculous. It was the fantasy, the not knowing, that fascinated him. The idea that she could be anyone. He told himself didn’t want to know who she really was, because there was no way the reality could live up to the fantasy he’d built up in his mind.
A rough voice, intentionally pitched to grab his attention, cut into his reverie. “Is that Oliver Queen?” 
“No, couldn’t be,” came a loud, theatrical reply, drawing closer toward him. 
“Why not?” the first voice asked from somewhere right behind him. Oliver turned his head to present the speakers with a careless smirk.
“Because Oliver Queen wouldn’t be caught dead in a place like this,” the second man sneered, pressing a gun against his back.
The gun cocked. “Well then I guess he has a death wish.”
So much for blending in, he thought as they dragged him toward the back hallway.
* * * * * * * * * * * * * * * * * * * * * * * * * *
Felicity stilled her frantic movements to free herself from the ties that were cutting into her wrists as the door abruptly opened and a man was pushed inside. She tried not to gape as her captor stepped in behind him and roughly zip-tied his hands behind his back, exactly as he had done to Felicity not ten minutes before. 
Despite her situation, she couldn’t stop the flow of words that spilled out of her mouth when she saw who had joined her. “Oh, great. It’s you.” The newcomer whipped his head up and she locked gazes with a pair of striking blue eyes. 
Strangely, the first thought that crossed her mind was that if she had known her curiosity about the hood was going to lead to crossing paths with Oliver Queen, she would never have tried to solve the mystery of Adam Hunt’s $40 million in the first place.
Though to be fair, her interest in the Hood pre-dated the article that mentioned Hunt’s missing money, so she couldn’t entirely blame her entanglement with the vigilante on her compulsive need to unravel knotty mysteries. And it wasn’t just the allure of a dark and brooding man who could pull off leather, either. Something about his single-minded dedication and passion, at the risk to his own freedom and safety, was simply irresistible. 
It was curiosity that first led her to him. Maybe boredom. Her job was monotonous and unchallenging, something she’d sought out after her brief brush with hacktivism had backfired so spectacularly. When she first read about the Hood, she dismissed him as some whacko loose canon. But she followed the story - and the police reports - for lack of anything better to do. But when she read that Adam Hunt claimed the Hood had stolen $40 million, Felicity was intrigued. A crazy person couldn’t - wouldn’t - pull something like that off. So she hacked into Hunt’s accounts, following the trail back to a program that emptied the money and redistributed it to Hunt’s victims. It was shockingly easy, like following a flashing neon sign, and she was legitimately stunned that the police hadn’t managed to do the same. They also had no idea that the missing money had been returned to its rightful owners. On impulse, she erased the digital evidence. 
She could have left it at that, but the mystery was too compelling. She told herself she just wanted to make sure she hadn’t just enabled a psycho or terrorist to do even more psychotic and terrifying things, but the truth was, the fact that he’d quietly returned Hunt’s victims’ money to them cast him in an entirely unexpected light. She needed to know more.
She found that his system was alarmingly, disturbingly unprotected. And primitive. Really, it wasn’t even tolerable for the tiny amount of poking around and passive monitoring that she planned to do. Which is why she discreetly updated speed and capacity as much as she could without added hardware, then added a few dozen security protocols, because anything less was begging the police to come find him. 
Then she established several monitoring programs and alerts, and waited. Just a few weeks later, she got an alert that an unprotected device had been plugged in - a quick remote in revealed that it was one of those Tuff laptops, with a damaged system. It was clear that the Hood hadn’t been able to access the drive, but Felicity was curious, so she remotely cloned the data and opened it on her own system. When she discovered the blueprints of the Exchange Building on the drive, she remembered that the Unidac auction was shortly going to be held there, which naturally reminded her of recent news that one of bidders, James Holder of Holder Group, had recently been murdered. Which naturally then led to a little bit of unsanctioned poking around the SCPD’s internal files, and before she knew it the she found herself composing a message to the Hood before she’d even consciously decided to get involved.
After all, she didn’t actually want to be involved. She was just an IT girl, and she intended to keep a low profile. But the possibility that she could help prevent another murder weighed on her conscience, so she left a message pointing him in the right direction, hoping her suspicions were false. 
When she heard about the shooting at the auction, she poured herself a glass of wine - well, a bottle, really - and gave herself a talk. It wasn’t that she wasn’t glad she’d helped prevent an even greater catastrophe, because she was. It was just that the reality of the situation finally hit her, and she was faced with a choice.
Get involved, take a stance, use her powers in the real world again? She’d been down this road, she’d seen what her interference was capable of. She’d played with fire and hadn’t just gotten burned; she’d burned down her entire world - and Cooper’s. 
But the Hood wasn’t Cooper. He wasn’t innocent. He wasn’t naive to the forces he was playing with. She wasn’t sure what he was. He’d killed, and he would kill again, she was sure. 
But as much as she couldn’t condone the killing, she also couldn’t ignore the good that he’d done, and she realized she already didn’t have a choice. Something was happening in her city, the signs were all around her, and choosing to do nothing would only make her complicit. 
From then on, she kept tabs on the Hood’s activities, always leaving documents on his desktop explaining, briefly, what he needed to know. It wasn’t long until he began leaving notes of his own.
Through unspoken agreement, they never asked each other personal questions, but between the lines, she gained a sense of the man he was. Compassionate. Loyal. Selfless.  
When Oliver Queen was arrested as the suspected Hood, Felicity instantly dismissed the idea. She knew about the arresting officer’s personal grudge against Oliver Queen, which explained why he pursued him like a dog with a bone. But Felicity knew it was impossible; she knew what kind of person Oliver Queen was, and there was no overlap with the kind of person the vigilante was.
Aside from that, she purposely avoided speculating about who the Hood could be. If she had wanted to know, she could have found out easily enough, but she didn’t want to know. She told herself it didn’t matter; that the work he was doing was what was important. She didn’t want to put a face to the hood, because then she would begin to worry about him.
More than she already did, that is. Despite not knowing his name, she felt a connection with him that sometimes felt stronger for their mutual anonymity. His notes were always brief, especially compared to hers, but she learned to read what he didn’t say. And when he was repeatedly crucified in the media while his quietly heroic actions went unnoticed, he never complained, never faltered in his mission. He never even acknowledged the subtle tones of praise layered into her notes. She would almost suspect him of being a robot if it weren’t for the clear passion that underscored every action.
So when Walter Steele gave her the notebook that turned out to be filled with names that correlated with the criminals the vigilante was confronting, she didn’t say anything. There was too much she still didn’t know about the notebook to risk jeopardizing their relationship over it. Because if there was one thing she did know, it was that she trusted him. 
When Mr. Steele went missing, however, she had to break her silence. Without giving away details that could expose her own identity, she presented him with digital evidence of Moira Queen’s involvement of the events that likely got her husband kidnapped, and asked him for help. 
Which was how she now found herself in this hideously decorated criminal lair staring into the supremely beautiful face of Oliver Queen.
Chapter 2
“Oh great. It’s you.”
Oliver looked up at the sarcastic words being spoken by a stunning blonde. Even as he was roughly manhandled, his hands being zip-tied behind his back, he couldn’t help but be a little offended at her tone. “Excuse me?” Beautiful women treating him like some kind of disease was something he’d never experienced before, and while he wasn’t the same person he used to be, he had to admit his ego took a hit.
She stared at him silently, eyes flashing with undisguised contempt, until after Dominic Alonzo’s minion had left the room.
“Oliver Queen?” she finally answered distastefully, tilting her head at him in an exaggerated motion, as if his name was explanation enough. “Entitled billionaire and general asshole?” 
Her stomach swooped as his eyes searched her face. Disturbingly, and contrary to the cool attitude she was projecting, Felicity found his presence a little overwhelming, not quite matching the plastic and glossy picture presented by the tabloids. Rather than being some kind of smarmy Trust Fund Ken, in person he was exquisitely human. Felicity had always suspected she was immune to the appeal of a man in a suit, but on him, the tapered line from broad shoulder to narrow waist suggested an essential masculinity that awoke a deeply primal response she’d never experienced before. In contrast to the brutal strength of his body, his eyes were startlingly expressive; his chiseled jaw was complemented by soft, sensual lips. In short, he was utterly, unfairly beautiful in a way that affected her immediately, physically, and urgently. 
“Wow, okay,” Oliver scoffed, unaware of her internal struggle. “Most people lead with ‘Are you okay, Mr. Queen?’ ‘How did you survive all those years alone, Mr. Queen?’ ‘What does it feel like to be the only survivor in an accident that killed your father, Mr. Queen?’” He spoke harshly, wielding the crude words like a club. While he usually found the subject too intrusive to mention to anyone, let alone complete strangers, something about this woman’s fiery disdain was really getting under his skin, and extreme measures were called for.
Felicity smiled insincerely, holding on to her irritation like a shield from the confusing wave of sympathy that, along with his sheer attractiveness, threatened to undo her. This man slept with his girlfriend’s sister, she firmly reminded herself. “Well, I’m sorry, but my concern didn’t really seem necessary, given the fact that you seem utterly unaffected by what you went through. I caught your appearance at the opening of Queen Consolidated’s Applied Sciences building,” she added witheringly. “You seemed perfectly okay. Or at least as okay as you ever were.” 
Oliver crossed his arms, bothered by her words even though the image she described was the exact public persona he’d been purposefully crafting. For reasons he couldn’t explain, he couldn’t stand the idea that this woman found him so completely and vehemently offensive. Shaking his head, he tried a different tack. “Have we met before? Have I done something to offend you?” There was something compelling and almost familiar about her, but he was pretty sure he would remember if they’d met.
She scoffed dismissively. “No, definitely not.”
“Well, you sure have a lot of opinions about me for someone who doesn’t know me.” His eyes ran over her again, trying to figure out why she seemed so familiar. She was undeniably beautiful, with delicate features animated by a streak of passion that was not characteristic of the type of woman he’d have gone for before the island.
“Oh, I know all about you, Oliver Queen. If it’s on the internet, I can find it. Not -” her eyes flew to the ceiling as she turned pink, “not that I’ve looked into you!” Her sudden lack of composure was completely unexpected and disarming, and Oliver was intrigued and charmed by the new side of Felicity it revealed. And, if he was being honest, gratified by the suggestion that maybe she was not as immune to him as he originally thought. “It’s just that I work for your company,” she continued, straightening her shoulders and meeting his eyes again as sarcasm crept back into her tone, “and it’s a little hard to avoid hearing about all your little…adventures and mishaps.” 
“Hmm,” he answered, covering the dismay he felt at hearing her refer to his past actions when he suddenly, illogically, wanted her to know that he wasn’t that person anymore. “You work for Queen Consolidated?”
“Yeah, I do.” She pinned him with a fierce look. “But don’t go getting any weird ideas. I don’t work for you.” 
Felicity rolled her eyes to illustrate how distasteful she found that idea, and to cover up the effect his nearness was having on her. This was Oliver Queen, Frat Boy Extraordinaire, Professional Heartbreaker. She should not be flattered by any interest he showed to her. Anyway, he was probably just talking to her because there was no one else to talk to, as they were both literally imprisoned together. Speaking of, she needed to stop being distracted by Oliver Queen’s whole overwhelmingness, and start figuring out a way out of her handcuffs so she could carry out her plan to infiltrate Dominic Alonzo’s computer. She was lucky that when they caught her counting cards they brought her here, at least. Though she would have preferred that she hadn’t gotten caught at all, so she could have found her way here without the zip-tie cuffs, as she had planned. But dammit, she was new to this. She didn’t know anything about going undercover in an underground casino. As evidenced by the very great misfortune of finding herself trapped with Oliver Queen, of all people. Well, at least his presence solved one problem. “So anyway, how is it that Oliver Queen ends up handcuffed in the back of an underground casino?” she asked, deliberately toning down her attitude in the hopes that he’d prove cooperative.
“I could ask you the same thing, Miss…” he trailed off in question, a clear indication that she should fill in her name, as he tried to figure out how to respond. 
The truth was certainly not an option. Even if he could trust her with his secret - and for some inexplicable reason, he did feel generally inclined to trust her - doing so would put her at risk. He couldn’t even tell her a half-truth. Sure, the whole city at this point knew that his step-father was missing, possibly kidnapped, probably dead, but there was no good reason why Oliver Queen would be investigating that. Or that he should have figured out that Alonzo was the person who had him kidnapped. 
Felicity met his eyes warily, aware that she didn’t have an acceptable explanation for being there either, and they came to a silent agreement not to press each other for information. For now. “Felicity Smoak,” she supplied.
He smiled. She stared back, refusing to be charmed, even though she detected a hint of dimple.
Needing to get him to stop smiling at her, because she was much more susceptible than she wanted him to know, she hastened on, “It’s good that you’re here, actually, because you can help me.” 
Oliver raised his eyebrows. “Help you?” Help her do what? He didn’t expect his co-hostage to have any sort of plan; rather, he was busy trying to figure out how he could convince her to stay calm, and possibly hide in a closet, while he dislocated his thumb, got out of the zip-ties, searched through the office, and then called the police to come rescue them. 
It wasn’t an ideal plan; he considered all the variables, all the things that could go wrong. Getting made definitely hadn’t been part of his plan. He’d hoped to sneak in the back without being noticed, not get thrown there with the attention of Alonzo and his thugs. And Felicity proved an even bigger problem. While he could easily hold himself back and take a beating if necessary, he wasn’t sure he’d be able to do the same if they threatened her; and if it came to a fight, he wasn’t sure how he was going to preserve his secret. 
“Help me get out of these zip-ties,” Felicity answered, taking a deliberate step toward Oliver. Her heart was pounding at what she was about to suggest, but she schooled her expression to appear nonchalant, annoyed by the necessity, even. Not flustered. And definitely, definitely not turned on by the prospect. She took a deep breath. “I need you to get the knife out of my bra.” 
Oliver blinked. No words could have been more unexpected coming from her mouth. “What?” 
She rolled her eyes to distract from the fact that she was blushing. Eyes firmly locked on the ceiling, she elaborated, “There is a pocketknife in my bra and we can use it to cut our binds.”
Oliver stared at her in wonder, steadfastly ignoring the primal thrill that ran through him at her suggestion. It seemed he had severely underestimated Felicity Smoak. His mind was racing with questions, but the one that he blurted out was “Why do you have a pocketknife in your bra?”
“Mr. Queen!” she flared, exasperated nerves causing her to meet his gaze. “Do you want to get out of here or not?”
Oliver’s mind was suddenly reeling with images of what she was proposing. In an instinctual stalling tactic, he said the first words that came to him. “Mr. Queen was my father.”
Felicity gaped at him.
Oliver shook his head at himself, saying nothing as he attempted to get his head on straight. He considered her plan rationally. Aside from the question of why it was so important to Felicity that she get out of her cuffs, and the mystery of what she planned to do once she was free of them, the fact of the matter was that going along with her plan would free him to search the office without having to dislocate his thumb. Deciding to continue their no-questions truce, he nodded. “Okay. But…,” he trailed off, throat dry as he looked looking down into unexpectedly near wide blue eyes.
Felicity was pretty sure they were both imagining what he was about to do. “Yeah,” she exhaled, suddenly very aware of the cadence of his breaths, his intoxicatingly masculine scent. Throughout the course of their discussion, he had moved closer to her, and now his expressive eyes fixed on her, waiting. “You won’t be able to see what you’re doing, but if you’re standing, I can kneel behind you and you can kind of…feel around.” 
Oliver’s eyes widened as she spoke, her matter-of-fact words making the situation more real. More shocking. It wasn’t that he hadn’t done more with women he’d known for less time in much less dire circumstances, but something about touching Felicity in these circumstances felt wrong, like a violation, and he suddenly, irrationally found himself wanting to get to know her first, and to tell her about himself, about the real him.  He briefly reconsidered his original plan of dislocating his thumb. 
Mortified by Oliver’s reaction to her words, Felicity tried to cut the tension. “I mean, I know it’s not ideal, but I figure it’s gotta be better than the alternative.”
Caught up, Oliver automatically asked, “What’s the alternative?”
Her eyes dropped involuntarily to his lips and she swayed a little toward him as she whispered, “Using your mouth.” But when her eyes flicked up to meet his, neither of them were laughing. 
Oliver’s mouth fell open in surprise, his gaze dropping to the deep vee of her bodice, before dragging back up to her face. The action pulled him even closer toward her, and a rush of heat washed over him as he fully took her in for the first time. The red chiffon dress clung to her curves, outlining a deeply feminine, lush  body. She was a study in contradictions, watching him through darkly-lashed eyes that were somehow both innocent and knowing; her face lightly dusted with freckles that contrasted alluringly with a sinfully soft mouth. She watched him with dilated pupils and parted lips, and his cock twitched in response. 
But then reality crashed back in on him as she interrupted, “Not that I’m suggesting anything! I’m not coming on to you or anything.”
Oliver blinked, trying to regain control by reminding himself where they were and why. Catching her gaze, he nodded in an attempt to reassure her. Hoping that she didn’t pick up on just how affected he himself was. 
Felicity took a deep, centering breath. It didn’t make any sense that Oliver Queen was having this effect on her. He was just some shallow billionaire, a douchebag womanizer. None of it made any sense. When he looked at her, it was like he saw her. And as much as she told herself it was impossible, it looked as if he wanted her. No. She had to be projecting. And she didn’t want him to want her, anyway. Sure, he was gorgeous. So, so masculine and touchable he smelled so good, with an essential manliness that was softened by those eyes…but no. He was still Oliver Queen, and the fact that she was so attracted to him only explained why so many women had given in to his appeal, despite the long list of reasons to avoid him. She might have judged those women in the past, but now she could not. 
She squared her shoulders, trying to clear the attraction from her mind and prepare for what had to happen next. “So, okay?” She chanced a look in his direction, not quite meeting his eyes. 
Oliver nodded, and Felicity took refuge in remembering her mission. After all, she was here to help the Hood, and she could not have her sudden weakness to very handsome men - or rather, one specific very handsome man - getting in the way of that. 
“All right, just turn a little to your right,” she directed hoarsely, nodding encouragingly as he complied. “Okay, stop there. I’ll position myself so you should be able to locate the knife relatively easily.” She lowered herself to the ground behind him as she was speaking, her voice only slightly wavering with the awareness that Oliver Queen was about to feel her up. “It’s on the left side,” she rambled, masking her response to the feeling of his surprisingly rough fingers dipping below her bodice, carrying on as if this were normal, as if she were directing someone to the library, as if Oliver Queen’s very large hands weren’t currently sliding along the sides of her breasts…her words tapered off and she bit her bottom lip, concentrating on not moaning out loud because oh god, his fingers brushed against her nipple and her body responded as if he was tugging on a string tied directly to her thrumming core. 
Oliver squeezed his eyes shut, trying to be quick, methodical, and clinical, but he had felt enough breasts in his life to know that Felicity Smoak’s were a rarity. As much as he tried to stay on task,he found himself getting distracted, unable to stop the picture that drifted through his mind. Perfect breasts, not large, but extremely full; firm but very soft, with tight nipples that his fingertips couldn’t help brushing over repeatedly as he wedged his large hand into the tight space of her bodice. Tight, very sensitive nipples, he corrected unhelpfully, judging by the way she gasped softly in response to his inadvertent touches. As her voice trailed off, he remained aware of the soft catching of her breath, and even with his back to her, he he felt completely in tune with her, much more intimately than if they had only been having sex. Finally, his fingers touched upon warm metal, and even though the entire encounter lasted less than fifteen seconds, he was out of breath as he withdrew the pocketknife and turned to meet her eyes. His dick was rock hard, and the look she returned him said she was equally affected. 
She was staring up at him, speechless, so he took the lead, flipping open the knife and directing her in a soft voice, “Turn around. I’ll cut your ties.”
Felicity nodded silently, turning so that they were back to back and trusting that he wouldn’t cut her as he twisted around to line her zip-ties up with the blade. “Okay,” he told her when the knife was in position, “try an up and down sawing motion,” and they easily and wordlessly fell into a rhythm that quickly parted the plastic around her wrists. 
“Oh thank god,” she exhaled as her hands came free. She instantly started rubbing her wrists, then silently turned to take the knife. 
Oliver felt her warm hand close around his wrists, steadying him as she positioned the blade against his ties. He took a steadying breath as she freed him. “I probably shouldn’t do this,” she commented, “since my plan is to maintain the illusion that we’re still tied up and that would be easier to do if you actually were still tied up, but I have to admit that I’ll feel safer if your hands are free.” With a final tug, the plastic came apart, but she didn’t release his hands immediately. Inexplicably, her words inflated him with a disproportionate sense of pride and purpose. He liked that she felt safe with him, that even without knowing his alternate identity, and despite her pre-existing opinion of Oliver Queen, she somehow trusted him. He was struck with an acute desire to be worthy of that trust, and a deep yearning to prove to her that it was not misplaced. 
After a long moment, Felicity dropped his hands, taking large step backward in a move designed to decrease the tension. Truthfully, she was a little impressed by Oliver Queen. He was a lot more gentle, sensitive, and thoughtful than she would have thought.  She had expected him to be obnoxious, entitled, and immature, the type of person who, finding himself in this situation, would either panic or make a joke of the whole thing. Either way, she’d have expected him to be throwing his money around trying to save himself, not quietly and calmly following her lead. And no way would she have predicted he was capable of being so respectful of her body. Probably more respectful of her body than she was being of his. Not that she had forced him to feel her up…but she’d be lying if she said she hadn’t enjoyed it. Fleetingly, she wondered if it counted as sexual harassment to get turned on when a man was merely trying to locate a knife in your bra so you could escape a kidnapping situation. 
For his part, Oliver’s admiration for Felicity was growing exponentially. She was much more resourceful and level headed than he would have expected anyone to be in her situation. From the moment she opened her mouth, she’d already proven herself smarter and more sensible than most people in his experience - she had a cautious,  strategic manner that he was unused to in other people. 
“So now what?” he asked, caught up in the intelligence in her eyes, the mystery of her presence. Even though he was the one with a plan and she was technically just an inconvenience, he momentarily set that aside because he just wanted to know. He wanted to know what she was planning to do. He wanted to know her. “You mentioned you have a plan, one that requires your hands be free,” he prodded, hoping she would fill in some pieces of the puzzle.
“That’s for me to know,” she countered playfully, holding his gaze as she reached into her bra, pulling something else out, “and you to find out.”
His eyes widened and dropped to her chest before snapping back up, unsure if she meant anything by it. Again, it was the last thing he expected. And again, it set his heart racing. 
“Or, I mean, not to find out. There will be no finding out, from you. Just stay there and look pretty.” Her eyes grew rounder. “Not that you’re pretty, it’s just an expression. Just sit there.” She backed away until she ran into the desk, and then she dropped to the ground and started feeling around underneath it.
He watched her with amused eyes, interested in her actions and utterly captivated by her. “I’m not pretty?” he pressed, curious to know how she would react.
Her head popped up from the other side of the desk, sending him an exasperated look. “No! I mean, yes! Very pretty like, really very attractive, objectively speaking I mean, I’m not coming on to you. It’s science; you’re scientifically pretty.” Her head disappeared again beneath the desk.
Oliver stood up, drawn to her, until he was leaning over the desk looking down at her ass protruding from under the desk. “Scientifically pretty?”
Felicity visibly startled, then took a deep breath, then carefully, and with as much dignity as possible, crawled backwards and rose out from under the desk, smoothing down her hair. She arched her brow at him. “Don’t tell me you’re one of these anti-science climate change denier people.”
Oliver guffawed, unable to come up with a fitting response. She was unlike anyone he’d ever come across. Instead of answering, he watched as she sat herself at the desk and instantly penetrated the password protection, diving with singular focus directly into the files on Alonzo’s computer. “What are you doing?” he asked after a moment, fascinated by her actions. He knew time was precious, that he should be taking the opportunity to riffle through drawers, search filing cabinets, etc., but rather than pursue his mission, he couldn’t help but pull at the loose thread that was Felicity Smoak. 
She lifted distracted eyes to him, giving the distinct impression that he had yanked her out of a very deep concentration, despite the fact that it had only been twenty seconds since she’d sat down. He expected her to crack another joke, but instead she blinked and said seriously, “It’s better you don’t know,” before returning her attention to the computer. 
Surprised, Oliver slipped off the desk he’d been casually leaning against, the hair raising on the back of his neck; her words were like a warning, almost ominous. Who was she? Why was she here? What was she involved in? Habits shaped over the past five years forced him to question her motives: honest people rarely found themselves involved with guys like Dominic Alonzo; he had to consider that Felicity might not be as innocent as she seemed; he had to wonder if she might even be on the list. But as soon as the thought surfaced, he dismissed it. His five years away had also taught him to trust his instincts, and every single part of him was shouting at him to trust her. 
“Okay,” she announced a few seconds later, “I need you to come here and keep an eye on this feed.” 
Oliver stepped up beside her to where she was pointing at CCTV footage in a corner of the computer monitor. “What is that?”
“Security feed, showing the corridor just outside. This way we can know ahead of time if anyone’s coming.” Her eyes returned to the screen, where she was still methodically searching through the computer’s files.
“Felicity,” Oliver said firmly, coming to a decision even as his eyes obediently remained glued on the feed. 
“Hmm?”
Oliver took a deep breath, his racing mind rapidly drawing conclusions that he couldn’t quite believe were true. But every objection he came up with was easily disproved; rather, every detail about her only seemed to confirm the picture that was forming in his mind. 
Huli jing.
“Felicity,” he repeated, and this time the name felt familiar on his tongue, like he had been saying it his whole life, like he had been born to say it. “You need to tell me why you’re here.” 
He knew. There was no denying it; when she spoke, it was with the voice he’d been hearing in his head for seven months. When she smiled, it was with the unique humor that had amused him like nothing else had been able to do since returning from the island. And when she looked at him, it was with eyes that perceived all the things he didn’t say. It was her. But he needed to hear her say it.
“Oliver, look,” she began, unexpectedly turning to meet his eyes. He was nearly flattened by the look of sincere regret and conviction in her eyes. “I’m sorry about before, what I said.”
His eyebrows draw together in confusion. 
“When I said you hadn’t changed. I was wrong. The person the tabloids make you out to be - that’s not who you are. And I’m sorry I misjudged you.”
Oliver’s lips parted in surprise. “That’s not -”
“No, it is necessary,” she pressed, misunderstanding what he was going to say. “I made assumptions, and they were completely unfair.” Over his protests, she continued, “I don’t know what you did out there to piss off the casino bosses, but I’m really sorry you’re caught up in this. Please,” she emphasized, “just believe me when I tell you that the less you know, the safer you’ll be.” She reached out a hand but started to pull it back before it made contact with his chest, and he caught it between his own before she could fully withdraw.
“Felicity.” He fixed her with a steady, knowing look, and he heard her breath catch, and felt her pulse pick up under his fingers. “I need to ask you something.”
Felicity’s eyes widened at his sudden, inexplicable intensity and focus. She had no idea Oliver Queen was capable of such depth and sincerity. His large hands were cradling her, his thumb soothing over her wrist, and she had long ago surrendered to that penetrating look in his eyes. “What?” she breathed, not knowing what Oliver Queen could tell her that required so much intensity and passion, but suddenly very much wanting to find out.
His words were the last thing she expected to hear. “Are you here because of the Hood?”
Her stomach dropped. “What?”
Before he could respond, he caught sight of someone on the security feed walking up the hallway. “Someone’s coming!”
She turned to the feed, then instantly went to the computer and, with a blur of hands on the keyboard, logged off and put the monitor to sleep. There was no time for anything else, so without thinking any further, Oliver reached around her body, pressing her wrists together behind her in an approximation of being handcuffed, secured his own hands behind his back, then pressed his mouth to hers in an urgent kiss.  
Felicity gasped in surprise, and he instinctively used the opportunity to deepen the kiss, coaxing her lips open, his tongue seeking hers. After a stunned moment, she responded with ardor, the passion exploding like a match to dry tinder. 
Kissing her was like putting the last piece of the puzzle in place. 
For seven months, he had been drawn to the woman with intriguingly contradictory parts: a dizzyingly sharp partner who amused and irritated and charmed and inspired him. 
For seven months, the more space he allowed her in his mission, the wider the empty hole that only she could fill had become in his life. He hadn’t allowed himself to acknowledge it, but meeting her face to face meant he could no longer deny how he felt about her.  He had been drawn to her since he saw her, his body seeking any excuse to touch hers. Everything about her provoked and challenged and called to him; her passion, her intelligence, her humor, her bravery, and the glimpses of vulnerability. 
She was the woman he’d been waiting for, and if the way she was responding to him was any indication, she’d been waiting for him too. 
He bore down on her, covering her with his body, and it was everything he could do to keep his hands behind his back. The need to touch her is like electricity in his veins, and he forgot everything but the urgent need to be close to her.  
“What’s going on?” The voice broke into the moment like a bucket of cold water. 
Oliver’s lips released Felicity’s reluctantly, and she met his eyes as she pulled back. Her pupils were nearly black, her lips parted and swollen, and the sight sent a jolt through his body to his already throbbing dick. 
“Oliver Queen, you really can’t control yourself, can you?” asked Dominic Alonzo, striding into the room. “I’d almost be impressed if you weren’t such a pain in my ass.”
Oliver glanced once more at Felicity, and the last thought he had before turning his attention to Alonzo was that she looked utterly shell-shocked.
…to be continued…
62 notes · View notes
fmdtaeyongarchive · 3 years
Text
↬ i just wanted to play this game.
date: september 2020 / october 2020.
location: unspecified / ash’s home studio.
word count: 1,623 words.
summary: n/a.
triggers: mention of hospitalization.
notes: creative claims verification for kami and chan’s “jenga”.
september 2020.
the messages that light up ash’s phone lead to a weird mix of feeling flattered and bitterly stubborn swirling together in his chest. normally, only the flattery would be there when messaged with such a request, but the place he’s been in for the past few weeks has been far from his normal, and even the most positive of opportunities that fall into his lap feel like a double-edged sword sharpened to the most dangerous blade.
at no point in his life did ash think he’d prove himself a worthy enough songwriter to have others in the industry sending him unfinished song drafts and trusting that he’d be able to craft a full song out of them that would fit to their standards. but, without fail, even the realization that he might be becoming that kind of person has a negative edge to it now. another task being set on his plate sends his anxiety momentarily skyrocketing inside of his chest. yes, he can tell kami he’s really busy and he isn’t sure he’ll be able to get anything done, but he likes working with her and what if she takes offense to him being too busy for her and he never hears from her again? it’s an unsettling mix of emotions that exists inside him before he’s even taken a look at the file of lyrics she’s sent him.
once he does read the lyrics over, he knows he doesn’t have a choice. songs are alive in that way, ash will swear, where they can lure him in in one brief moment and cause him to leave behind anything else he should be doing instead of spending all of his time on them. that’s why he believes falling in love with music is the closest thing one can ever get to falling in love with another person. music has a life of its own, and when in a situation such as this, there’s the fear that he’s trying to force it down a life path other than the one it’d been intended for.
yet, simply reading the words in his head, he feels a melody to them and the words settle into the notches between his ribs like there’s no other alternative. it’s something he needs to flesh out, if only for the therapeutic results of flushing out the thoughts only a verse and a chorus of lyrics have sprouted in his head like malicious weeds, feeding on all of the nutrients that are supposed to be going to giving life to anything else with a deadline and his entire career riding on it. his mind doesn’t seem to want anything to do with those now, though, instead turning his thoughts to their own dark reflection. it’s hard to miss the way kami seems to have ripped out his brain and milked his current anxieties onto paper before sending it to him in some sadistic form of forced self-realization.
that hadn’t been her intention. he knows that because reality hasn’t entirely slipped from his grasp yet, but it’s eerie how he feels as if he’s stumbled upon that one perfect song that describes what’s going on in the back of his mind, except this time, the song is far from finished and it’s fallen into his lap for him to put into the world for others to possibly have that experience.
the base theme of the song is clear, even with incomplete lyrics. relying on a lovegame to keep the narrator standing tall. isn’t that his favorite vice? he feels the pieces he’s stacked up below him disappearing as he wavers at the top, only a few moments away from it all being brought down at any time.
in her lyrics, kami has mentioned the tower of pisa, and ash’s brain immediately pulls the game of jenga to the forefront. he can’t know how explicit that intention had been, or if it’d been imagery in the back of her mind, but ash makes a choice to latch onto it only a few moments after he makes the choice to set everything he’s working on her his own album aside to pour out his soul like the page of lyrics he’d opened is pleading with him to.
the chorus melody is his first real breakthrough past the cold pit in his stomach. it comes as naturally as reading the lyrics, as if she’d sent him an audio file instead of a lyric sheet. it’s no crazy show of vocals, and he knows already that this song isn’t going to be soaring high notes and agile adlibs in the background. kami being more of a rapper aside, this is fear, not drama and fear comes in the form of lilting vulnerability climbing higher and higher in an ascending line up to a heady peak, not every worry belted to the world in the fifth octave.
as the melody comes to him, it becomes easy to find the hidden music meant to be lying underneath it. the melody alone has led him deep into something jazzy and soulful, and it’s well within his own personal comfort zone, so the underlying piano comes easily to him. piano is  only the natural choice for the standout instrumentation. something about the twinkling keys warbling back and forth suggests a tower ready to topple at any moment.
he keeps kami’s voice in mind nearly the entire time, only letting his choices eschew context once or twice when inspiration strikes without time to determine the suitability for her voice and image, but most of those choices are removed before the draft meets its final form anyway. the only self-indulgent section he fully commits to is the piano spotlight he places near the conclusion of the song — the most earnestly jazzy part of the song as an homage to the more true-to-form jazz track that convention and circumstance prevents him from writing. odds are, a professional pianist will be hired to record the piano line in the studio if this song ever makes it that far in this form, but ash has fun with it anyway. it’s not often he really gets to lean into playing so stylistically in his piano playing for demos, and he would be happy to spend an absurd amount of time on it, but the deadlines he’s on for his own work never leave their spot swinging their sharp blades over his head and drawing ever closer for long and at some point they invade his mind so much that he has to set the song aside, further along than when he’d gotten it but still woefully unfinished.
october 2020.
time to finish the song comes when he least expects it. hospitalization as a result of the nosedive his health has taken rids him of all other schedules for a period of weeks and he has little to do other than work on music to avoid going crazy thinking about how his career is slipping out from between his fingers.
upon his return to his apartment, he holes up in his studio and retraces his steps back to the file he’d saved the month prior with the title being the line that kami had sent him that now comprises the main hook of the song.
he doesn’t know if kami even needs him to flesh out the song still and, as she’d so kindly put it, “make magic out of it”, but he’s a little afraid to ask empty-handed after the mood he’d been in last time they’d actually seen each other, so he decides to finish the work he started, even if it turns out he’s doing it in vain.
he’s glad to find he only has to make minor adjustments to the lyrics he’d written. they’d been too close to the bone at the time he’d written them, and he doesn’t want to dwell too much on the toxic, festering emotions he’d had at the time, so he glosses over the rawness with a more objective eye, but largely leaves the narrative he’d crafted around what the’d been given untouched. he’d been told over and over again that his strong point is telling a story that feels personal, and even if this isn’t his song, “sorry” had taught him that there’s a unique art to shedding one’s soul to be re-told by another. it’s the different between an autobiography and a folktale passed down; there’s a defining art to both that can be appreciated.
ash finally sends a demo back to her as october days grow colder, and he puts nearly as much effort into figuring out what words should accompany it as he had crafting the song himself. nearly.
in the end, his message comes in the form of a file sent to her and an accompanying message of: hey, don’t know if you still want this, but here’s what i came up with. let me know what you think. i’d love to get you in to lay down vocals for a real demo when i’m out of hiatus jail.
he cuts it off there to keep it concise, forgoing any mention of the other ideas he has in mind for layering and vocal production. he’ll be happy to get back to work in the studio with someone other than himself if given the chance, but a few successful creative collaborations with kami doesn’t mean that he’s tuned into what she wants this time.
all he can do now is wait to hear back, but he can’t deny that he waits on the edge of his seat until he does, just a little more hopeful than usual that this won’t be something that gets relegated to his archived files forever.
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