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#renaissance blogging
anghraine · 14 days
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dontstandmedown replied to this post:
re:tags could you share the playwright you're talking about? :0
No problem! For others, the tags in question are this:
#thinking about this partly because the softer & gentler versions of fanfic discourse keep crossing my dash #and partly because i've written like 30 pages about a playwright i adore who was just not very good at 'original fiction' as we'd define it #both his major works are ... glorified rpf in our context but splendid tragedies in his #and the idea of categorizing /anything/ in that era by originality of conception rather than comedy/tragedy/etc would be buckwild
I am always delighted to share the good news of John Webster! If you're not familiar with him, he was an early seventeenth-century English playwright known for being a slow, painstaking, but reliable writer. He did various collaborations with other playwrights (and acknowledges a bunch of his peers in an author's note to The White Devil, including Jonson and Shakespeare) and wrote some middling plays in various genres that could be more or less termed "original fiction," but he's remembered for two brilliant, bloody tragedies.
The basic premises/plots of both of these were essentially ripped from the headlines of the previous century, and Webster makes zero attempt to conceal that fact.
I couldn't shut up about my guy so more under a cut!
The White Devil is based on the actual murder of Vittoria Accoramboni in the late sixteenth century and the characters in the play are generally given the same or similar names as the real life people in the story as known at the time, so there's no attempt to conceal the play's origins (the anti-heroine/villain???[debatable] is named Vittoria Corombona in the play, for instance).
The original production of The White Devil largely failed, which Webster blamed mainly on bad weather and an audience who just didn't get his ~vision and what he was trying to do. It would not be unsurprising for a contemporary audience to struggle with it given that it's a complicated play in which, among other things, Vittoria is put on trial and rhetorically shreds the underlying misogyny of the entire legal process.
The Duchess of Malfi, generally considered a still greater achievement, is based directly on the murder of Giovanna d'Aragona, Duchess of Amalfi by her brothers (it was presumed, likely correctly). Lope de Vega also wrote a play about this tragedy not long before Webster did, though the plays are very different and it's unlikely that Webster would have had the time or linguistic knowledge necessary to read Lope's version. Probably part of the reason for the differences between Lope's and Webster's takes is that Lope had to be careful about the reception by the Catholic Church given that one of the murderers was a cardinal, while obviously an English Protestant like Webster could say whatever he wanted about eeeeevil cardinals.
Webster takes a lot of artistic license, a normal approach at the time to adapting previously-established narratives, but the source material is very recognizable. One of the commendatory verses at the beginning of the play (blurbs in poetic form from other playwrights) is like "I'm sure the real duchess was cool but she couldn't be as cool as Webster's heroine, wow <3". (One of the other commendations is by another fave of mine, John Ford.)
Bosola, the historically mysterious minion of the Duchess's murderous brothers (=Bozolo in the historical narrative) gets an elaborate quasi-redemption arc in the play. And the play is extremely critical of various characters' obsession with and attempts to control the Duchess's sexual behavior (a fixation that is often extremely normalized in early modern British drama, but which comes off really badly here).
Ultimately this obsessiveness leads to her brothers, the Cardinal (=the historical Cardinal Luigi d'Aragona) and Ferdinand (=Carlo d'Aragona) orchestrating her torment and murder in which she emerges with her sanity and integrity intact and dies with dignity. Meanwhile, the Cardinal is exposed as a remorseless villain (he proceeds to murder his mistress with a Bible) and Ferdinand's already-shaky sanity snaps under the realization of what he's done.
Webster's Duchess is often considered the first real female tragic hero in British drama—the tragic is especially significant because tragedy was typically considered a higher art form than comedy and the truly great female characters from that era of drama are often restricted to comedies or secondary roles in tragedy (a marked trend in Shakespeare, for instance). The Duchess in the play is virtuous, strong-willed, witty, and fairly unabashedly sexual in the context of the time, a concept that several hundred years of critics have struggled with. (My favorite OTT complaint is from Martin Sampson, an early 20th century critic who lamented the conspicuous absence of a "strong active man, following righteous things" in Webster's work, to which I say l m a o.)
Anyway, among scholars of early modern British drama, Webster is often considered second only to Shakespeare as a tragedian, on the basis of those two plays. And the modern obsession w/ originality and novelty makes this kind of fascinating, given that his "original" work (in our sense—again, the original vs fanfic dichotomy was not a thing in that cultural context) is sort of meh but his work with pre-existing sources turns them into these staggering dramatic achievements.
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bebs-art-gallery · 7 months
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Tears in Paintings
source: x
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blugirl333 · 8 months
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edwardsdeathcabcd · 6 months
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what makes me actually boil with rage is the way it’s framed as though jacob & the cullens have an even rivalry and like, he hates them just as much as they hate him, but like… jacob is a lower class kid who lives on the rez, the cullens live in a plantation home on private property. jacob calling alice a leech is an insult, but alice calling him a mongrel calls into power and privilege, ya know. like am i supposed to honestly think jake making blonde jokes to rosalie (which is certainly sexist and uncalled for) is on the same level as her serving him food in a dog dish? him seeing the cullens as bloodsuckers and murderers is just like, incorrect and unfair, but them seeing him as uncivilized and over-aggressive has implications deeply rooted in the oppression of his people
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fairy-woes · 6 months
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[ DARK COTTAGECORE ]
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Domenico Fiasella, Bacchus and Ariadne 
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pencilscratchins · 1 year
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sometimes i think about the very odd internet presence over the last 7 years on this blog, and i almost want to apologize for any whiplash this username has given you. but honestly. it’s a little funny
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teenagenutant · 1 year
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for some reason i have been thinking about fusions a lot recently... here's some of my takes ^_^
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jordanjump-scare · 4 months
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Tripp NYC pants.
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vile4lesbianvampyres · 5 months
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lexilapis · 22 days
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Obsessed with my new ren faire dress!! Luna moth fairy here I come!
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anghraine · 19 days
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I should be working on my dissertation, and have been, but I thought it'd be fun (for me :P) to loop you all in somehow. Therefore I bring you a very silly poll!
*best means whatever it means to you; feel free to propagandize
**yes, I deliberately excluded Shakespeare (from the poll, not the dissertation, lol)
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bebs-art-gallery · 8 months
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Dante and Virgil in Hell (1850)
— by William-Adolphe Bouguereau
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xxxfrankyfiendxxx · 4 months
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New year, new hair
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perpetualcosmos · 28 days
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Astrology insights on Health & More! Pt. 2
*Please Note these are all my personal observations and research, not yet from a professional opinion!*
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---> Body part ruled by Taurus is... Neck, shoulders, ears and throat! Now, What it means is that these natives usually have wide, elegant necks, shoulders and even jawlines depending on where they have their Taurus placements. Ex: Personally seen that natives which have Taurus in either 3rd house, in mercury or Venus conjunct mercury in, 2nd house placements, 3rd house placement and basically mercury placements indicating that these natives have a deep voice.
---> Taurus placements (Specially in conjunction, sextile or trine) always carry an energy of elegance. These natives always have a way with their voice, their body and their posture that draws people in. A pull, sensual and hypnotizing.
---> Prone to be interested in Art, Design, Photography, cinematography, music, dancing, etc., in it's most Venusian form, Taurus natives are hard working... when they want to be, otherwise you cannot pull them for anything to do. They have their priorities straight and keep clear of what doesn't suit them. But the tendency to overindulgence in things like food, sex, drugs, money, etc. Is highly prominent.
---> Really, Financial freedom isn't everything, and so isn't pleasure. A thing I have always noticed with Taurus natives is that they might be inclined to aroma and massages, a good way for these natives to decompress is maybe having a self care day with going to the spa, taking care of your hair, going for aromatherapy, going for shopping and indulging in things which make them feel safe.
---> Security & stability is extremely important to Taurus placements/2nd House placements/Taurus degrees holders (2°,14°,26°). But because of their nature, these natives tend to only focus on financial stability, often forgetting emotional investment is just as important. Signs in the body could be stiff shoulders, a blocked throat, always being told they don't "listen", not being able to take a proper break, mood swings, etc. Extremely prominent when these placements in a person's chart are underdeveloped.
---> Taurus placement carry similarities with their sister sign, Scropio, such as:
• Control - a major theme for both signs in opposite sectors, for Taurus natives, it's mostly money and finance. On the other hand, emotional and sensual control is for Scorpio natives.
• Obsession - as mentioned above, in the sectors.
• Pleasure - Both appreciate Pleasure, for Scorpio placements it's intimate, powerful, a connection and always transformative -- it's in the emotional. For Taurus placements, it's imagination, realistic and 3D focused -- it's in the material.
Ex: Adele with a Taurus Sun in 11th house at 15° (cancer degree)! Should I be even shocked that she is a singer, known for her voice and beauty everywhere? Absolutely not lol. Supporting this, is her Mercury in Gemini in the 12th house at 0° (I can't make this up). She is someone who is known for her music all over the world, carrying so much of her emotions and her ability to reach high notes. She definitely has a beautiful neck and shoulders, with her being very expressive about what she wants through art (which in her case, is music!). Another example is of Keira Knightley with a Taurus moon. Definitely something who carries a strong Jaw and bone structure, along with again wide shoulders and great posture. Her energy also draws in people on the stage, you can't help falling in love with how dedicatedly she carries her with her Moon conjunct Mars in Taurus. No wonder she is so dedicated to her Art (here it's acting). A beautiful thing about Taurus moons is when they find something that they are extremely passionate about, no one can stop them from achieving their goals and giving their best. Especially when they love their work, it shows Everywhere.
Other examples are Zendaya, Nick Jonas, Lindsay Lohan, Donald Grover, Channing Tatum, Miley Cyrus, Gigi Hadid, Robert Pattinson and more.
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Source: Pinterest
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A/N: Thank you for checking this post out and omg thank you for the likes and follows 🥹🫶
*I am so grateful for all of you, thank you for your support. I wasn't sure if I should do this but because of you... I am here. Thank you. And I just want to say if no one has told you lately... I am proud of you, you are trying so hard, even if it's just you being alive. Thank you, I am grateful you are here to read this.*
With love & grace 🥹✨
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fairy-woes · 7 months
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[ROMANTIC GOTH]
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