At @poetryorchard orchard’s Invisible Illness Creative Writing Workshop…I wrote this poem. And I hope it resonates with y’all as much as it did the attendees and facilitators of this workshop.
I also wrote another poem after and before this. But I don’t think I should post either right now. I’m having a lot of pain in my headaches at the moment. I’m not having a good time either with my mental state. I thank you for your patience. Hopefully I’ll be able to pay my bills as well as mentioned on @mars-da-volcanic-elemental.
I hope everyone has a good weekend.
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Please give a warm welcome to the Adventurer’s Writing Guild, a writing community exclusively open in April & August! Public invites close in 2 weeks 🔮
🦋🔗Join us here! 🔗🦋
In 2020, @nashxra and @shylovrs started a writing Discord server called “let’s #Escapril” in dedication to the April challenge by Savannah Brown. We’ve grown a loving, warm community in the years since…but there’s a fork in every road, adventurers. We’ve decided to rebrand to the AWG to welcome every writer from every creed ⚔🛡
Check out our About page for more info, but here's a quick breakdown of what we provide:
An Inclusive Discord Server: Discuss your writing ventures & share your work
Prompts & Challenges: Curated to inspire your writing adventures
Community-curated Playlists: Sate your daydreaming needs
Exclusive Workshops: Held in collaboration with @poetryorchard
Collaborative Annual Anthologies: Free & featuring work from members of the guild
Dedicated Co-writing Sessions: Work on projects with fellow adventurers
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Hi friends! If you're interested in what we're doing at @poetryorchard please consider supporting me on Patreon.
$1+ patrons enjoy a silly lil email w/ a unique prompt each week $15+ patrons are invited to any 1 workshop/month, free!
Only 2 spots left! http://patreon.com/nashxra
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the path of tenderness is endless…
Rainer Maria Rilke, Orchard
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favourite poems of october
alfred starr a dark dreambox of another kind: the poems of alfred starr: "didn't you ever search for another star?
stephen spender new collected poems: "auden's funeral"
marianne boruch keats is coughing
noa micaela fields zoeglossia: poem of the week, may 17, 2021: "echolalia"
kevin young diptych
richard siken real estate
crisosto apache kúghą/home
mikko harvey for m
nathan hoks nests in air: "the barbed wire nest"
john a. holmes noon waking
crisosto apache 37 common characterisi(x)s of a displaced indian with a learning disability
oliver de la paz requiem for the orchard: "at the time of my birth"
zhang xun jiangnan song (tr. bijaan noormohamed)
paul violi fracas: "extenuating circumstances"
tianru wang after "yellow crane tower"
lloyd schwartz cairo traffic: "nostalgia (the lake at night)"
kamiko han the narrow road to the interior: "the orient"
rigoberto gonzalez unpeopled eden: "unpeopled eden"
adelaide crapsey verse: "to the dead in the graveyard underneath my window"
chester kallman night music
alan shapiro covenant: "covenant"
tom clark light and shade: new and selected poems: "radio"
tc tolbert my melissa,
charlie smith in praise of regret
carolyn kizer cool, calm, and collected: poems 1960-2000: "fanny"
julie sheehan orient point: "hate poem"
arthur sze the redshifting web: poems 1970-1998: "streamers"
joumana altallal everything here...in the voice of tara fares
abid b al-abras last simile
w.s. merwin to lingering regrets
george scarbrough music
shout me a coffee
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Rita Dove, from On the bus with Rosa Parks; Poems; "The Pink Orchard,"
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A blizzard is a day at the beach in your arms.
A ghost story sounds like a lovers sonnet from your voice.
A thought from you turns my sobs into laughter.
I look at the future and I want to crawl away and hide.
But I see you on that terrifying horizon and I wanna rush to it.
I love you so much, Lily.
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Vincent van Gogh, The Flowering Orchard (Arles, 1888).
The arrival of spring in Arles in 1888 found Van Gogh "in a fury of work." As he wrote to his brother Theo, "the trees are in blossom and I would like to do a Provençal orchard of tremendous gaiety." Between late March and late April, the artist dedicated fourteen canvases to the subject, working in a range of sizes, formats, and styles. This composition, dominated by the angular, elongated branches of the budding trees, attests to Van Gogh’s admiration for Japanese prints. His inclusion of the scythe and rake makes this one of only two orchard paintings to hint at a human presence. :: [Robert Scott Horton]
* * * * *
"We journey to the day,
And tell each other how we sang
To keep the dark away."
Emily Dickinson, from “[114]”
(via proustitute)
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Okay, so Kilmeny opens with an epigraph from a poem called The Queen's Wake, by James Hogg. I looked it up, and it is free to read on google books. The overall poem is a bardic competition held by Mary Queen of Scots, and the ballad of Kilmeny is one of the songs in the competition. (If you ctrl f 'kilmeny' you can go straight to that ballad if you don't want to read the whole thing.) The epic is in Scots, so I didn't grasp all the nuances (also I'm Bad At Poetry) but from what I can tell, the epic is about a beautiful young woman named Kilmeny who is so beautiful and pure that she gets kidnapped by fairies and taken off to their world. She sees sights too wondrous and complex for human recounting (literally at one point the narrator of the song is like, 'I would love to tell you what she saw, but human lips can't express such things so I can't. Moving on!') but eventually asks to be shown her own country again. She is then returned to her country and tells of what she saw, but she was away for seven years and hasn't changed at all and everyone -- including possibly her? -- is unclear on if she's actually alive or even human anymore, so fairly quickly she goes back to fairy land because she no longer belongs to the human world anymore.
So. There is A Lot To Unpack here! With the caveat that I haven't read the actual novel yet, because I got sidetracked into poetry, several themes emerge:
1- obviously, Mortal Woman Is Too Beautiful. LMM pulls out several snippets for the epigraph, and all of them are about how beautiful Kilmeny is:
“Kilmeny looked up with a lovely grace, But nae smile was seen on Kilmeny’s face; As still was her look, and as still was her ee, As the stillness that lay on the emerant lea, Or the mist that sleeps on a waveless sea. . . . . . . . . . . . . . Such beauty bard may never declare, For there was no pride nor passion there; . . . . . . . . . . . . . Her seymar was the lily flower, And her cheek the moss-rose in the shower; And her voice like the distant melodye That floats along the twilight sea.” — The Queen’s Wake JAMES HOGG
2- Even in these snippets we see that Kilmeny has been changed by her experiences. She does not smile anymore, and her beauty is passionless and serene. Later, we learn that when she comes back to the human world she avoids men (I think meaning all humans here) and roams the countryside singing to wild animals. This bodes ill for a story about how a man bursts into Kilmeny's garden and takes her out of it.
2.5- Anyone else know the song "The Willow Maid" by Erutan? Don't take the fairy women out of their forests!
3- I know this is intended to be a romance, and that Eric is not written as the bad guy, but starting with this particular poem is really priming me to be wary of him. In general, in folklore, you Do Not Marry the fairy women. Bad things will happen to them if you do.
3.5- I haven't even started the actual text but, uh, changeling AU anyone?
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Lucie Brock-Broido
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Actions are mountains. Feelings are orchards. Thoughts are atmospheres.
Ahmed Salman
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Hark, Adventurers! @poetryorchard is excited to welcome the newly re-branded Adventurer's Writing Guild for a workshop celebrating the work of poets in community! Please join us for the first of four workshop held in collaboration between Poetry Orchard and the Adventurer's Writing Guild.
These workshops are especially open to those who have not attended a writing workshop before!
Sign up here
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When April scatters charms of primrose gold
Among the copper leaves in thickets old,
And singing skylarks from the meadows rise,
To twinkle like black stars in sunny skies
William Henry Davies, from ‘April’s Charms’
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Little Owl Who Lives in the Orchard
by Mary Oliver
His beak could open a bottle,
and his eyes--when he lifts their soft lids--
go on reading something
just beyond your shoulder--
Blake, maybe,
or the Book of Revelation.
Never mind that he eats only
the black-smocked crickets,
and the dragonflies if they happen
to be out late over the ponds, and of course
the occasional festal mouse.
Never mind that he is only a memo
from the offices of fear--
it’s not size but surge that tells us
when we’re in touch with something real,
and when I hear him in the orchard
fluttering
down the little aluminum
ladder of his scream--
when I see his wings open, like two black ferns,
a flurry of palpitations
as cold as sleet
rackets across the marshlands
of my heart
like a wild spring day.
Somewhere in the universe,
in the gallery of important things,
the babyish owl, ruffled and rakish,
sits on its pedestal.
Dear, dark dapple of plush!
A message, reads the label,
from that mysterious conglomerate:
Oblivion and Co.
The hooked head stares
from its house of dark, feathery lace.
It could be a valentine.
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