The death of Jack, the rise of the Evil Shadow-Child:
Jack dies.
On the battlefield, TFW is overwhelmed, and Cas more easily takes on the role of acting commander. This makes good sense to me, as angels are codified by open war, and hunters are more associated with guerilla tactics. The way the spirits hit look like bombs, further underlining the battlefield motif.
Cas calls for them to follow and cover him as they try to get Jack to "safety," as if they're still moving on heroic muscle memory.
As if things will be fine.
Cas takes Jack in a "fireman's carry." This emphasizes his strength and protector status.
Even though Sam and Dean clear the way ahead, at some point Dean drops back to run with Cas, covering his peripheral.
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Inside, they're reeling. Not processing:
Cas looks away. Dean will do the same shortly, hiding his grief.
Dean's chest starts to heave after he looks down.
Meanwhile, Sam...bargains. Hopes Cas can fix it. (This recalls when Cas died, and Sam asked Dean: "What about Cas...is he really dead?")
Here, he looks to Cas to make things better:
Sam's chest breathes heavily in disbelief, like it's hitting him for the first time what's actually happened.
///
Meanwhile, Dean looks for someone to blame, trying to find a common enemy as a rallying point. He's also in fact trying to re-establish a connection with Cas for support and comfort. (But there is no comfort to be had here.)
His distress comes spilling out as anger. To me, it reads as irrational, panicked spousal anger. Cas is the one who makes it okay. "What do we do Cas?"
We get my favorite Dean-Cas sniping at each other. When one doesn't know what to do, there is appealing to one another + frustration.
["I don't know / I don't know what's going on here / I didn't know this would involve ingesting some magic sphere and disappearing, Dean!" Etc. (Cas has been doing this since at least season 6, and vice versa). TFW appeals to each other in general when they're lost, but the Dean-Cas appealing is typically a very emotional appeal.]
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And here is the glimpse of aborted grief.
...followed by rationalizing and denying culpability: "Chuck. Man, I knew it." (It's like the script says: He didn't. He was wrong. He trusted the wrong person. It's like Metatron. Like Gadreel. Rinse, repeat.)
Jack's death hurts.
And it also hurts to be wrong.
Placing and displacing blame on Chuck allows grief to be sidestepped. Since Dean cannot face the weight of that grief, he turns to revenge. (Like how John could never look directly at Mary's death. Revenge is a shield against reality, delaying grief and intense emotions.)
So, Sam. Sam hops into solve-it mode:
Sensing a potential escape, they work to move the stones. Of note, they struggle with the stones. This is building towards the Evil Child motif, because like the fireman's carry, it serves to highlight Castiel's protector and strength imagery. Cas's difference in strength is usually hidden away by narrative mechanism, but here it's allowed to be more obvious.
Sam and Dean having to work together to drag the stone away from the wall, but when a zombie tunnels through, Cas just--
Cass nods-- welcome. Dean rises--
///
Side note: If Dean is playing the blame game in response to Jack's death, and Sam is in problem-solving mode, Cas grief gets channeled into stoic violence. We'll see this again when he absolutely obliterates Belphegor and "brutally" stabs the djinn. Like with Lucifer, his power is actually accented by anger. He is simmering, unable to do the peaceful things (healing, control, discipline). However, when he's angry? HIs powers almost work too well.
Instinctually, I think Cas pulls his powers back when he gets strong emotions, lest he become like Lucifer or soulless!Jack, powering it into a, to quote the 15x03 script, "rage kill."
Being gentle towards his loved ones, dutiful, and reserved is his emotions is something he seems to pride himself on. He doesn't want to lose that, so he steps away--distances.
///
And finally, we get Belphegor, the ultimate grief delaying tactic. His appearance functions to delay the reality of Jack's passing further:
CAS: That's not Jack. That's a demon.
And yet...it looks like him. It's almost like Jack's still alive--
But Belphegor is a false notion.
He's a shadow anxiety. Not "real," in a sense. It's authorial interference, superimposing discomfort on an already terrible trauma. Jack has been recently soulless, he's killed Mary, and Bel is a natural outcropping of every toxic anxiety you can think of.
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The first thing Belphegor does is dons sunglasses.
He puts on the sunglasses to hide the reminder of his death, of course, but in doing so he also becoming a dark reflection. Jack reversed. Evil child. Changeling. The dark reflection of Jack contains all the shadow-family-unit anxieties--
--and most of those are focused on Dean and Cas, not Sam.
(Why? You know why.)
[Symbolically, sunglasses give you self-confidence and freedom to act against your personas. They hide our insecurities and our pain.]
Belpheghor will directly embody the narrative's trite cliche of "dark family" -> Freudian pop-psy shadow:
(a) The protector-father Cas "is muscle." But ultimately, he's a rival to be barraged with hostility and supplanted. That's why Bel's motif directly parallels Godstiel's past actions.
(b) The [other father] Dean is an object of desire to be admired and possessed: "You're gorgeous." Ultimately, he wants to drive the protector-parent away so he can suck up all the attention from the parent he admires.
There is no scientific basic for this particular pop-psy, and I find it something of a cliche/overused/overemphasized in media (to say nothing of what the flawed case studies usually reveal about the analysts themselves), but I do think Bel taps into this narrative anxiety as the "Evil Child / Supplanter."
It's a trope. If Bel were to become a recurring characters, he would narratively resolve by identifying with the object of hostility and subsequently abandoning the desire of false fixation. (Like how in Amara's case, healthily identifying with her hated brother and understanding his actions allowed her to abandon her Civil War-type aggression and see through the falsely constructed love object, Dean.)
But in Bel's case, he's not a recurring character. He's a falsity, a doppleganger. This false image is simply killed, and the Enchantment of Delayed Grief breaks. Jack's death has no root in this false construction of "secret psy-pop drama." Instead, it's a tragedy.
Nevertheless, AS a trope, it's a flashing neon sign that Bel pretty much...doesn't pay Sam a lick of attention, lol. This motif underlines that while Sam is a mentor type of parent, he's more of an older brother who shares in the village caretaking, not the root material for a pop drama the way that Dean and Cas are.
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Anyway, OVERALL, Bel is just a symbol of anxiety in the viewer.
For the characters, he's simply a delaying and denial of reality . When Bel dies, Jack's death becomes real, and the grief is all the worse for the delay.
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