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#novel-goddess
novel-goddess · 4 months
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Hi everyone ! I recently finished “Not My Problem” by Ciara Smyth and gave it 5 stars ✨ I loved it so much and hope one day they turn this into a movie or show because it was hilarious! I listened to the audiobook and it honestly reminded me of Derry Girls. This book also touches on some serious topics for teenagers like bullying, toxic friendships and parents with alcoholism. The author does a fantastic job of blending the funny and serious parts together in a way that didn’t mess up the flow of the story. There’s also a diverse group of teens in this book with LGBTQ+ representation (bonus points because one of the characters is Polish 🇵🇱♥️). Overall I’d recommend this book to anyone who loves funny, heart warming, coming of age stories mixed with a ton of cursing and shenanigans 📚
Follow me on insta: @ readingbysunlight
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godofdystopia · 2 years
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So many adaptation of Dracula make Mina the reincarnation of Drac's wife, because of COURSE they do, and try to force a romance between mina and Drac.
Dracula Daily has made me realize that Mina has pretty much *hated* Dracula on sight. Took one look at his rancid vibe having ass and said "take even one more look at Jonathan and I will not be held responsible for what happens next..."
Which made me realize, if you HAVE to make Mina and Dracula connected through reincarnation and shit, then make it accurate to the source material: make Mina the reincarnation of Draculas greatest enemy.
Mina was a peasant girl who got tired of Drac's lizard bullshit, rallied the peasantry, besieged Castle Dracula, burnt it to the ground, and then chased dracula into the wilderness with an army of pissed off serfs behind her.
Everytime she reincarnated, Dracula lives in absolute fear that she'll show up and beat him up before shoving him into a locker again.
He takes one look at her in London, shrieks like a banshee, and just hightails it back to his lair. Jonathan is confused but happy, Mina feels pleased and isn't sure why.
More Mina as draculas greatest enemy please and thank you.
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checkoutmybookshelf · 11 months
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The Quartet That Started It All
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As followers of this blog will note, this is not actually the quartet that started it all for me, but it DID launch author Tamora Pierce's career in the 1980s, and Alanna remains absolutely beloved among Pierce's heroines. Let's talk the Song of the Lioness Quartet.
In a classic case of "if I can't do this as a girl, then I'll do this as a boy and I have a handy twin brother to go full Twelfth Night with," Alanna of Trebond begins The First Adventure by dressing as a boy to train as a page in Tortall's royal court. This book introduces all our main characters and establishes Alan the page amongst his peers and Alanna as she finds herself and her place in chivalry.
One of the other amazing things about Alanna's story overall is that she begins it absolutely terrified of her own magical gift. Her arc includes learning to work with her magic rather than to fear it, and that's a twist on magic users that I really appreciated. We often get overly confident magic users--indeed, we'll get TWO of them later in the series--but it's rare that we get magic users who are fully aware of their powers and are still absolutely terrified of them. So of course, the story and the world and Pierce herself keep throwing Alanna into situations where she has no choice but to develop and use her gift. It's so, so good. This first book covers Alanna's page years, and we move into her squire years in book two.
In the Hand of the Goddess really expands on Alanna's key relationship with Prince Jon on Conte, Duke Roger of Conte, and Geroge Cooper. Alanna moves into a wider world of adult politics and stakes in this book. From being able to defeat an older, stronger, and more experienced opponent in a duel to developing her healing skills when a wound puts her out of commission during a war, Alanna cements her skills, connections, and position in society. This culminates with unmasking Roger as an attempting regicide and the accidental reveal of her gender.
This book is really, really good, and extends Alanna's childhood fear of magic to her fear of Roger specifically in a really natural, logical way. I could say more about the details, but these two books have an episodic vibe to them, so I won't spend too much time exploring every single key plot event.
The Woman Who Rides Like a Man sees Alanna spending her first year as a knight in the desert, with a Bazhir tribe. She becomes their shaman by way of self-defense; she murders their first shaman when he tries to murder her for "being unnatural." Then it falls to Alanna to train three magic users for the tribe, and this is where we see more nuance into how different magic users relate to their powers, from sheer hubris to fear to "this is just part of me, let's do this." It's a phenomenal experience for Alanna, and she learns as much from her students as they do
Book three also sees Jonathan bitching to hell and back about having to be king, which is not a great look, and it's one Alanna calls him on. He spends most of the book alternating between pitching a hissy fit, begging Alanna to marry him, and training to take over as Voice of the Tribes. The interesting thing here is that Alanna refuses to marry Jon. He is trying to fit Alanna into his own fairy tale, and she very much goes "That isn't our relationship, I can't do that. We aren't meant to be like that, and that's ok." If I could inject that lesson into humanity's collective head, I would. It's well done and it's great.
Lioness Rampant picks up on Alanna's travels after she leaves the Bazhir, and eventually sees her return to Corus with a magical artifact to help secure Jonathan's position as king.
There's also the teeny tiny complication that Alanna's twin brother, Thom, has resurrected Duke Roger. Absolute chaos ensues, and Roger almost manages to take out the entire court during Jonathan's coronation. Nobody should have to kill an evil sorceror twice, but Alanna did.
If you want to dive into Tamora Pierce's Tortall Universe, starting with Alanna is absolutely a good choice. These books hold a very soft spot in my heart, and they're never not engaging.
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a-titty-ninja · 7 months
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wisebeth · 29 days
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why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
#all the gods and goddesses in the greek mythology are flawed in their own way#it doesn't make sense why the books were so unnecessarily biased towards certain gods?#it bothers me specifically that hera and athena are SO unnecessarily painted as villains#while posiedon is ‘cool’ dad ‘great’ lover ‘decent’ god ‘reasonable’ than other olympians#i get it he's the main character's father of a children's fantasy novel so rick painted him in a good light#but my man? then why are you painting other gods who are arguably just as bad as him as WORSE#shut up i feel strongly about it#i love the percy jackson series#but i hate how the gods are portrayed#is trials of apollo a good series? yes#does it make sense why he's shown as a human-like god with redemption arc#while hera is reduced to ‘evil stepmom’ and ‘bitch to annabeth’ even if apollo is JUST as bad as her?#no#and aphrodite is not some ‘silly fangirl’ whose personality revolves around shipping percabeth#she is powerful terrifying and cunning who can bestow some of worst revenge on those who offend her#demeter is not a silly crop goddess#her love for her daughter was so strong it almost ended the world and destroyed mankind#shes in charge of harvest and agriculture without her humanity will starve to death#shes just as powerful as the big-3 or at least she should be#posiedon is not this cool perfect rational god#medusa would disagree demeter would disagree pasiphae would disagree odysseus would disagree#apollo cursed women posiedon raped yet ares killed a rapist BUT nooo let's make ares the bad one#percy jackson#rr crit#greek mythology#heroes of olympus#trials of apollo
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atomic-chronoscaph · 8 months
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art by John Berkey
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forsakenwitchery · 3 months
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Rage of the Titans turns 3 today, so it's a good day to post more Aphrodite legs. :D
Photo by Rei  Heather/Aphrodite & edit by me (insta)
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husbandogoddess · 1 month
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Monochrome Pixels
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Can you bring back the colors into your life?
Story
Diana, a Senior Game Designer from Mad Lobster Interactive, deals with burnout, night terrors and work harassment at the hands of her narcissistic boss, Godric, on a daily basis.
One morning like any other, without paying any mind to her already busy schedule, Godric tasks her with mentoring their new employee: Enya, an upbeat and passionate newbie who's yet to see the struggles of the game development industry.
Very much at her wit's end, Diana has to make an important decision that may affect not only her career but her life as a whole. Will she mentor Enya in her own way and get to know them better? Or will she be at the service of Godric and her own inner demons?
A game made for NaNoRenO 2024, with @prikarin @theominute @chzhxiayun @florisam and many more!
Features
29k words, roughly 1.5 - 3 hours depending on reading speed!
3 Endings
4 CGS
Partial Voice Acting
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Accessibility Options!
Font options
Change UI Colors
Sound & Image captions
Reduce Animations
This will disable bright flashes
Self-Voicing
Content Warning
Although the characters and story of Monochrome Pixels are fictional, the issues of abuse and mistreatment in the games industry are not. This game contains the following content:
Toxic workplace
Abusive and oppressive boss
Struggles with mental health/depression
Nightmares
Burnout
Harassment
Misogyny
Play now On itch.io
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passionsofthegods · 13 days
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Hebe Tells Ares What To Wear 😖
***Ares is home from battle, dressed in "barbarian" warrior attire, discussing Hebe's upcoming bday.***
Hebe: I hope you are planning to change your outfit before my celebration.
Ares: What is wrong with what I am wearing?
Hebe: (scrunches face) Trousers are informal attire.
Ares: But they grant me flexibility in combat. A long tunic is much too constricting.
Hebe: I can assure you there will be no fighting at my party. 
Ares: (heavy sigh) For shame.
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libraryleopard · 6 months
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reading monstrous regiment and wrath goddess sing at the same time is really wild because they're both fantasy novels about gender and the patriarchy during wartime that also include a dead god and characters trying to get into the enemy's stronghold but they're completely different in tone and plot
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novel-goddess · 2 years
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“I’m Glad My Mom Died” by Jennette McCurdy
I read this book back in august but forgot I request it from my library and it just arrived ! The holds list is insane and rightfully so because this book was a 5/5 ⭐️ for me. Jennette is an incredible storyteller and was extremely honest in her New memoir. She writes about the abuse she had to endure from her mother and the Hollywood industry beginning from a very young age up until adulthood. As someone who watched ICarly growing up it was shocking to find out what was going on behind the scenes in Jennette’s life. It really opened my eyes and I admire Jennette for sharing her story. I highly recommend this book but as always please check trigger warnings.
Follow me on Insta @ ReadingBySunlight
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He showed me his scars, and in return he let me pretend that I had none.
-Madeline Miller (Circe)
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the-legit-boss · 9 months
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The character her weakness
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Star Platinum (nsfw game), PC-98
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mauzeart · 4 months
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Hey there! I've updated and simplified Devana's design a bit. Otherwise drawing her would be excruciating in a comic…
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ofgreatart · 30 days
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'the Dostoevsky woman (as distinctive as a Rembrandt woman) with her mysterious face, whose engaging beauty changes abruptly, as though her apparent good nature had been but make-believe, to a terrible insolence.' (Marcel Proust)
+ Terrence Malick, Olga Kurylenko: 'He wanted me to combine their influences—the romantic and innocent side, with the insolent and daring side.'
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Nastasya Filippovna - Dostoevsky (The Idiot)
“I know that once when your sister Adelaida saw my portrait she said that such beauty could overthrow the world. But I have renounced the world. You think it strange that I should say so, for you saw me decked with lace and diamonds, in the company of drunkards and wastrels. Take no notice of that; I know that I have almost ceased to exist. God knows what it is dwelling within me now–it is not myself. I can see it every day in two dreadful eyes which are always looking at me, even when not present. These eyes are silent now, they say nothing; but I know their secret. His house is gloomy, and there is a secret in it. I am convinced that in some box he has a razor hidden, tied round with silk, just like the one that Moscow murderer had. This man also lived with his mother, and had a razor hidden away, tied round with white silk, and with this razor he intended to cut a throat.
All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!
He is always silent, but I know well that he loves me so much that he must hate me. My wedding and yours are to be on the same day; so I have arranged with him. I have no secrets from him. I would kill him from very fright, but he will kill me first. He has just burst out laughing, and says that I am raving. He knows I am writing to you.”
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Dostoevsky’s Nastasya Filippovna from “THE IDIOT” (Snegovski _)
“but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
He longed to solve the mystery of something in the face of Nastasia Philipovna, something which had struck him as he looked at the portrait for the first time; the impression had not left him. It was partly the fact of her marvellous beauty that struck him, and partly something else. There was a suggestion of immense pride and disdain in the face almost of hatred, and at the same time something confiding and very full of simplicity. The contrast aroused a deep sympathy in his heart as he looked at the lovely face. The blinding loveliness of it was almost intolerable, this pale thin face with its flaming eyes; it was a strange beauty.
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed.
Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length.
“Yes, she is pretty,” she said at last, “even very pretty. I have seen her twice, but only at a distance. So you admire this kind of beauty, do you?” she asked the prince, suddenly.
“Yes, I do—this kind.”
“Do you mean especially this kind?”
“Yes, especially this kind.”
“Why?”
“There is much suffering in this face,” murmured the prince, more as though talking to himself than answering the question.
“I think you are wandering a little, prince,” Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily.
Alexandra took it, and Adelaida came up, and both the girls examined the photograph. Just then Aglaya entered the room.
“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.
“Whom? What power?” asked her mother, crossly.
“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.
Aglaya merely glanced at the portrait—frowned, and put out her underlip; then went and sat down on the sofa with folded hands.”
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“The prince declares, upon marrying Nastasya Filippovna, that it is better to resurrect a woman than to perform the actions of Alexander of Macedonia.”
“The prince. Essential social conviction: the economic doctrine of the uselessness of individual good actions is absurd. On the contrary, everything is based on individual action.”
Dostoevsky, The Idiot’s Notebooks
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Photo via X/Twitter
“All we Karamazovs are such insects, and, angel as you are, that insect lives in you, too, and will stir up a tempest in your blood. Tempests, because sensual lust is a tempest—worse than a tempest! Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and never can be fathomed, for God sets us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. I am not a cultivated man, brother, but I’ve thought a lot about this. It’s terrible what mysteries there are! Too many riddles weigh men down on earth. We must solve them as we can, and try to keep a dry skin in the water. Beauty!
… Yes, man is broad, too broad, indeed. I’d have him narrower. The devil only knows what to make of it! What to the mind is shameful is beauty and nothing else to the heart. Is there beauty in Sodom? Believe me, that for the immense mass of mankind beauty is found in Sodom. Did you know that secret? The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man. But a man always talks of his own ache.”
The Brothers Karamazov - Dostoevsky
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Marcel Proust: “Well, then, this novel beauty remains identical in all Dostoevsky’s works, the Dostoevsky woman (as distinctive as a Rembrandt woman) with her mysterious face, whose engaging beauty changes abruptly, as though her apparent good nature had been but make-believe, to a terrible insolence (although at heart it seems that she is more good than bad), is she not always the same, whether it be Nastasia Philipovna writing love letters to Aglaé and telling her that she hates her, or in a visit which is wholly identical with this — as also with that in which Nastasia Philipovna insults Vania’s family — Grouchenka, as charming in Katherina Ivanovna’s house as the other had supposed her to be terrible, then suddenly revealing her malevolence by insulting Katherina Ivanovna (although Grouchenka is good at heart); Grouchenka, Nastasia, figures as original, as mysterious not merely as Carpaccio’s courtesans but as Rembrandt’s Bathsheba.”
“This radiant, dual face, with sudden bursts of pride that make the woman appear other than she is (‘You are not such,’ Muichkine says to Nastasia in the visit to Gania’s parents, and Alyosha could say it to Grushenka in the visit to Katherina Ivanovna).”
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Photo: Olga Kurylenko: Marina, To the Wonder, Terrence Malick
“Terrence Malick recommended that Olga Kurylenko read The Idiot with a particular eye on two characters: the young and prideful Aglaya Yepanchin, and the fallen, tragic Nastassya Filippovna.”
Olga Kurylenko: “He wanted me to combine their influences — the romantic and innocent side, with the insolent and daring side. ‘For some reason, you only ever see that combination in Russian characters,’ he said to me.”
“Anna Karenina, The Brothers Karamazov, and The Idiot: Those books were, in a way, his script,” Olga Kurylenko says”. - BEHIND THE SCENES: https://www.vulture.com/2013/04/how-terrence-malick-wrote-filmed-edited-to-the-wonder.html
“In To the Wonder (Terrence Malick), Marina (Olga Kurylenko) has a predisposition to melancholy,” Kurylenko says. “She’s a very unstable woman. She’s suffering. So when she meets a man, she sees him as the ending of all her suffering. But it’s just an illusion.” To prepare, Terrence Malick directed the actress to the bricks of Russian literature – Anna Karenina (Leo Tolstoy), The Brothers Karamazov, and The Idiot (Dostoevsky). Olga Kurylenko: “I didn’t even need the script after that. Those were my script. I built the character as a combination of the different female characters in those books.” https://www.rollingstone.com/tv-movies/tv-movie-news/olga-kurylenko-talks-russian-literature-and-terrence-malick-181787/
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"Terrence Malick asked me to reread Anna Karenina, The Brothers Karamazov and The Idiot. All the three of them are that thick!" Olga Kurylenko, 'To The Wonder’, Terrence Malick
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“Because life is not a thin book. It is terribly long, and tangled, and dense. Tolstoy didn’t even want to stop War and Peace. Two epilogues, eight new chapters… it was like Time itself in motion. And Dostoevsky, writing these gigantic books precisely because he always wants to start reality anew.” George Steiner, translated from French
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