Sweets (1/?)
The snugness was barely tolerable. She had overestimated herself. She looked surreptitiously over her shoulder and ducked around a corner. The only thing following her were her bad decisions, but she felt chased all the same.
Okay. Calm down. Breathe (but not too deep). Evaluate the situation. What are your options? Can you loosen anything?
She looked down at herself. Past her swollen breasts, past a fluffy roll of upper belly, she examined her waistline. Nope. The button was the only thing keeping the zipper together, and vice versa. For the millionth time, she lamented her morning. What a bright idea, interviewing for a job with a snack company. She was very well aware of how sweets affected her.
Could she find somewhere discrete to wait out her... little metabolic mishap? She looked around for a discrete nook to accommodate her fresh bulk.
The little atrium she had found had a series of plush benches around the walls. She sighed and headed for the one in the corner. She sucked in as best she could and sat down. Some horny little corner of her mind made note of how it felt as her tight belly shifted against her puffy thighs.
Sitting like this, only barely upright lest bending too far compromise her jeans, she couldn't ignore how her waistband was trying to cut her in half. She thought back to how she had done this to herself. The lovely HR manager had very explicitly pointed out the basket of the company's sugary offerings there in the middle of interview table. The woman had been insistent that she try at least one of each, gushing like any good salesperson about their rich flavors and subtle textures, occasionally even peeling one out of its wrapper and handing it to her.
How could she have done anything but eat what was offered to her? And by a beautiful woman, no less. She knew how her body reacted to food like this, but she had been desperate to make a good impression, to look good and eager and employable. A good girl. She ignored that last thought, and the accompanying shiver through her frazzled tummy.
She closed her eyes and tried to steady herself. Breathe in through the nose and out through the mouth (but not too deeply). All she had to do was calm down, and give her body a chance to do the same. Then she could find a back door to sneak out of, go home and hope that somehow that she hadn't blown the interview.
She opened her eyes again and caught sight of herself in a mirror across the room. Holy crap, she was huge. She had been her normal, narrow self, and her outfit had fit very very normally, when she had arrived. But now? Now it looked positively painted onto her. Her breasts were trying to spill out of her tastefully exposed bra and over the lapel of her blouse. She was more balloon than woman at this point. She ignored another tingle.
As she watched herself in the mirror, she noticed something change. Slowly but surely, the last wrinkle in her blouse smoothed out. Uh oh. That meant... she was still filling out. Panic. She tingled again.
No. No. Calm. Breathe (but not too deep). She closed her eyes again, and could feel her plump body quietly grow. Crap.
Panic. Calm. Breathe (but not too deep). Calm.
Maybe if she didn't look, it would go away. That had never worked before, sure, but there's a first time for everything, right?
As she rationalized to herself, she noticed the sound of heels clacking towards her hiding spot. Panic!
Maybe their owner would pass and not notice her?
No such luck.
The woman who had interviewed her rounded the corner.
"There you are!"
She struggled to stand. So tight.
"You left your purse upstairs. I get it, though. Interviews can be pretty stressful, huh?"
Like nothing had changed. Did this woman not notice that she was currently three times the size she was when she had shown up? Could this woman not hear every seam in her clothes creaking in harmony? Could the woman not see how wide and deep and round she was becoming?
"It's such a beautiful handbag, I almost wanted to keep it for myself!" The woman laughed. "Oh well."
She took the bag from the woman. "O-oh! Thank you!" Leapt out of her.
"Listen," said the woman, "technically I have to review a few other candidates, but I think you're a shoo-in for the position." The woman moved closer. "No one else has shown so much... enthusiasm." Closer still. She basked in the smell of the woman's musky perfume.
"Oh... that's great!" she managed to squeak out.
"In fact," the woman continued, "if you'd like to come back upstairs, we can have you fill out the onboarding paperwork now, so you don't have to come back just to fill out some forms if... when we give you the job." So close now.
"Um! Okay!" What.
The woman placed a gentle hand on the side of her massive, tight, growing belly. "Listen, between you and me, that passion you showed today will take you far with us. Do you feel like the offer is fair? We can negotiate further if you need." The woman's eyes were so sincere.
What was going on here? She could barely think.
The woman placed her other hand on top of her belly, well hidden by her burgeoning breasts. "I do hope you'll say yes."
"Um..."
There was a pop. Her button pinged away across the room from her overburdened jeans. It made a little thwack sound as it hit the far wall. Her zipper flew down, zizzing audibly. Her belly erupted through the breach. Her blouse retreated upwards. The tingling became a roar. All the while, the woman, as though no tectonic shifts were happening right there and then, continued to implore with borderline puppydog eyes.
The world held its breath with her. How had this woman not reacted to any of that?! What? Was the woman still waiting for an answer?
"...okay?" She tried. She wasn't sure if her brain was still working. "Sure?" Best to stick to small sentences.
"Yay!" cheered the woman, "I really think you'll love it here!" The woman launched in for a quick hug around her exposed belly. The woman's arms didn't go even halfway around her. And still the woman didn't seem to notice that anything was wrong.
"Well! If you'll follow me back to the elevators, we can at least get the formalities out of the way."
The woman took her by the hand and pulled, still gentle. She followed, mutely. Even the horniest, shamiest corners of her mind were silent, waiting with bated breath.
As they reached the elevators, the woman pushed the up button and stood to the side. "Please," said the woman, "after you!"
On autopilot now, she stepped into the elevator and... wedged into the door. Stuck. What. Panic? Calm? The elevator dinged again as if to say "I'm waiting!"
The cold of the elevator doors brought her back to reality. She put a hand on either side of herself and tried to pull herself in. As though this were somehow normal, the woman chirped "Oh, here, let me help!"
She felt a gentle pair of hands press into her oceanic bottom. Her horny brain thrilled again. She clamped down on those thoughts. No time to be a pervert.
Between the two of them, they muscled her into the elevator. She turned to face the doors in time to watch the woman press into her in order to let the doors close. Normally equipped for eight full-sized human adults, due to her immensity, it very barely fit two.
"We need floor thirty," said the woman into her barely contained cleavage. She tried to reach for the panel of buttons, but by now there was simply too much of her in the way.
"I've got it," said the woman, reaching behind her without looking.
They rode the thirty floors quietly. She could feel herself still widening, pressing towards the walls of the elevator car. Her embarrassment had burnt out, leaving only a kind of stunned peace in her mind. She tried to will her body away from the woman, but where else could it really go?
By the time they reached their destination, the woman was firmly pressed against the doors, still showing no indication of the extra-ordinariness of the situation.
As the doors opened, the woman stepped back, grabbed her hands, and pulled as she tried to wiggle through the door. Eventually she floomped through, and they set off toward the HR suite.
Full-on waddling now, she felt an inner tension release. She had stopped growing. Relief. If nothing else, at least things had stopped getting worse. Sure, she was almost round enough to roll. Tingle. Sure, her clothing had been reduced to barely covering her... rude areas. Tingle. Sure, a beautiful woman was acting as though this was all perfectly normal. Tingle tingle tingle. But hey, at least it finally wasn't getting worse.
The woman pushed open the double doors to the HR suite and welcomed her in with another glittering smile. They seemed to be the only ones there. The woman led her, patiently, to the front desk area. The woman ducked behind the desk, looking for something.
"Hmm, it looks like I'll need to go print off more some more copies of the forms. Shouldn't take more than a minute or two." Finally she'd have a moment to collect herself.
Then the woman produced a basket, laden with various goodies, from underneath the desk. "Here! Help yourself, sorry to make you wait." Uh.
"Oh, here, allow me," said the woman, picking out a chocolate confection, peeling it, and pressing it into her mouth. "I'll be right back!"
She chewed and swallowed the treat.
Uh oh.
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you were raised in comparison.
it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.
you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.
you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.
what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.
it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.
you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.
you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?
a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.
you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.
it's just - when it died, it curled up into a tight little ball.
something kind of uncomfortable: you do that when you sleep.
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I can't see how the writers still think Skystar's a good person. Like, twelve year old me liked him and thought he was interesting, but I was like twelve. And even I knew he was an irredeemable asshole after Moth Flight's Vision.
If a twelve year old can figure this stuff out I have no idea what these grown ass writers were doing.
DOTC has a thesis, stated in The First Battle, that really explains everything.
"Fear and Greed" is just a fake-deep way to reinvent a Good and Evil dichotomy. Because Clear Sky's abuse comes from a place of fear, it means it's not malicious, unlike a "greedy" cat.
He can be "soothed," ergo, he's a fundamentally good person.
Post-First Battle, the books are focusing constantly on his feelings, how sad it makes him to not be trusted, how happy he is when people are on his side. All while he continues to screech at people who tell him what to do, manipulate and mistreat his son, and even still beats and mauls those who offend him.
But because it's "fear," that doesn't matter. That's a justification, an excuse. The writers don't seem to believe in good and bad actions as much as they do good and bad people. True 'evil' comes from a person who hurts others for the wrong reasons, like 'revenge' or malice.
It's abuse apologia. Plain and simple.
The truth is that abusers don't think of themselves as evil people, and everyone, even you and me, is capable of being toxic or abusive. Talk to those who have been abused and we'll tell you; we often stayed because we "saw the good," or even felt responsible for them. Abuse can be passed down through generations because the kids come to believe the way they were treated was normal and okay.
If you go through life thinking that abuse only comes from evil/greedy people, you won't see it when it happens right in front of you. Fundamental good and evil is childish. Abuse comes from fear all the time.
Abuse is about power and control. Fear of rejection, of losing someone, of pain, those are all very common motivators as the abuser tries to stop them from happening before they even begin. It doesn't MATTER that your abuser is in pain too, you NEVER "deserved" what they did in an attempt to break your legs so you wouldn't run.
But... we can all change. Even the worst of us. It's never too late to stop hurting others, move on to a better life, but some people never will. Skystar loves his power, and he keeps that power no matter how many times he misuses it.
He has no reason to change as long as his cruelty rewards him with status and authority.
But the writers are incapable of recognizing that, because for this entire arc, they were stuck in an absurd view of the world in terms of Fear and Greed. Abuse can be excused if he did it for the "right reason," and that makes him "fundamentally different" from the truly evil villains, Slash and One Eye.
Hopefully, it now makes more sense to you.
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Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)
It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.
IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.
I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.
And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."
It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."
This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.
Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.
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