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slayfics · 6 months

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Katsuki spends Halloween with you.

1,200 words~

You sniffled in your room waiting for your humidifier to finally help.

Of all days to come down with the cold, why did it have to be your favorite holiday, Halloween?

You looked at your forgotten costume in the corner of your dorm and sighed.

“Knock knock,” you heard followed by loud banging on your door.

Reluctantly you opened your door and we’re met with the sight of Denki, Eijiro, Hanta, and Katsuki.

“Um, why aren’t you in your costume yet? We’re totally going to be late for the party,” Denki asked.

“Isn’t it obvious Dunce Face, look at them! They are sick as hell!” Katsuki yelled as some of the boys shuffled into your dorm.

“No way are you really not feeling well? That’s such a bummer man,” Eijiro said, looking at you with puppy eyes.

“Yeah, it’s fine you guys go have fun,” you waved your hand for them to get out. “I don’t want to get you all sick.”

“That superrrr sucks. But, we need your expert opinion first. Tell me are the ladies ready for this costume,” Denki asked motioning to his devil costume.

You couldn’t help but laugh, Denki was relentless with his endless pinning. You yanked on his devil tail letting it snap back and hit him.

“Ow!” He yelled in surprise.

“You look great, Kaminari. I think the lady is going to love it,” you said, giving him a wink causing him to blush.

“And what about my cape? Does it look dumb?” Eijiro asked, looking a little self-conscious.

“A vampire, hu? Pretty smart with those teeth of yours. Yeah, it looks cute, Kirishima. Sero, your pirate looks great too. But, how did you boys manage to get Bakugo in a costume this year?”

“What?! I did this on my own!” Katsuki barked at you.

“Really? You chose a werewolf all by yourself, hu?” You asked.

“Tch, what’s the matter with it?! Better than these extras lame ass costumes,” he said defensively.

“It looks good Bakugo. Alright go, all of you get out of here before you catch my cold,” you said, encouraging them to leave.

“Ok, I’m sorry... feel better soon, ok?” Eijiro said as he, Hanta, and Denki started to make their way out.

“Kacchan come on we’re already super late,” Denki called.

“Nah- you idiots go,” Katsuki said.

“What no way, you’re seriously not going to come even after you picked out your whole costume?” Hanta asked.

“Parties are fucking dumb, get out of here already,” Katsuki yelled.

“Alright man, we’ll see you later then,” Eijiro said, pulling the other two boys who were still trying to convince Bakugo to come.

Once the other three were gone you turned to Katsuki, “You didn’t have to do that.”

“Tch I didn’t do it for you dumb ass! I was looking for any excuse not to go to that dumb party,” Katsuki said, crossing his arms.

“Mhm sure,” you said, rolling your eyes playfully at him.

“Whatever- your voice sounds like crap. Let’s go down to the common room and I’ll make you some tea and we can watch a dumb movie or something,” he suggested.

“You really want to watch a Halloween movie?!” You asked surprised by his holiday spirit.

“Uh yeah- isn’t that what you’re supposed to do on Halloween? Come on, let’s go. Tired of seeing you moping in your room,” he said, waving at you to follow him downstairs.

You followed Katsuki downstairs to the common room and started looking for movies while he made some tea for you.

“Do you want to watch an actual scary movie or a cheesy cute one like The Addams Family or something?” You asked.

Katsuki set the tea down next to you and sat on the couch. “I don’t give a fuck, they are all dumb.”

“Fine- I’m showing you my favorite then,” you decided, turning the movie on and sitting down next to him. Katsuki just grunted in response.

You settled in more into the couch drinking the tea he made, “The tea is good thank you,” you said.

“No need to thank me dumb ass, if you need more just let me know,” he said, eyes staying locked on the TV. You watched him for a few moments trying to make sense of his actions that never seemed to match his words.

You decided to take a risk and leaned a bit into Katsuki’s shoulder. To your surprise, he didn’t move or react at all. Instead, he looked down at you, “Why is this one your favorite Halloween movie?” He asked.

Katuski was a surprisingly good listener, and despite his disdain at first, he declared he didn’t completely hate every second of the movie you chose.

“Alright, what’s the next one?” He asked.

“You want to watch another?! Isn’t it kind of late for you?” You asked surprised.

“I don’t sleep that damn early! You all just stay up too late! Besides, those idiots aren’t back yet so- just put on another one,” he said.

You chose another movie and nuzzled back into the couch leaning more into Katsuki who again made no reaction.

Before you knew it, time had passed, and the occasional comments Katsuki made about the movie slowly stopped as you both felt sleepiness wash over you.

The next thing you knew you heard whispers from behind you.

“Should we wake them up?” Hanta whispered.

“Awe they look so comfy,” Eijiro said.

“What! How did Kacchan get more action than any of us?!” Denki said, irritated.

“Come on, let’s leave them,” Eijiro said, pulling his two friends away.

You opened your eyes slowly as you heard the boys finally leave back to their dorms. Immediately a blush took over your face as you realized you had fallen asleep in Katsuki’s lap. Katsuki was fast asleep with his head leaning against the couch.

You gently shook him a bit to bring him out of sleep.

Katsuki inhaled sharply and picked his head up, blinking hard he slowly came back to consciousness.

“Hey, um the others came through already. We must have fallen asleep.”

“Damn,” he said, stretching. “Must have been that boring ass movie.”

“Hey, it wasn’t that bad!” You said smacking his shoulder playfully.

“Yeah yeah whatever, I want to get out of this damn costume,” he said getting up off the couch. “Come on I’ll walk you to your dorm, I don’t want your sick ass passing out on the way up the elevator or anything.”

“I’m not that helpless,” you argued but followed Katsuki back to your dorm.

“Alright get some sleep idiot or you’re never going to get better,” he said, opening your door for you.

“Thank you,” you said awkwardly, passing him to step into your room.

“Yeah whatever- it wasn’t as awful as that party would have been I guess,” he said.

“Those ears are really cute on you by the way,” you said playfully patting his hair around his costume wolf ears.

“Tch,” he exclaimed, irritated looking at the floor but you caught the small tint that grew on his cheeks.

“Goodnight, Bakugo,” you said and moved closer to press a kiss to his cheek.

Katsuki backed up, surprised, “Trying to get me sick dumb ass,” he said, rubbing his cheek.

“Oh fuck- sorry,” you apologized.

“Don’t- it’s fine, but, you should try a little harder,” he said, grabbing your wrist and pulling you to him as he pressed his lips to yours. “Goodnight.” He said and swiftly left down the hallway.

An extra Halloween fic, since I was stuck in the house sick on my favorite holiday 😩! Hope y’all enjoy this self indulgent comfort fic.

Tags: @unofficialmuilover

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lkaruss · 27 days

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An extensive KFP 4 rant (spoiler heavy)

So, Kung Fu Panda 4 was… an experience. It took about 3 glasses of whiskey to get through it.

There is so much wrong with this movie, from the pacing to lore breaking issues. However, this is an attempt at trying to formulate my opinions regarding the film, and explain why certain story decisions were detrimental.

My live reaction to the film:

The movie makes it clear right from the start that it was made for very young children. It’s filled to the brim with jokes. If there is a chance to make a joke, then there is a joke. Regardless if it's appropriate or if it hurts the story/lore/characters. In normal circumstances, this would be offset by the fact that the jokes are creative and unpredictable, but they aren’t. I would say most of them can be seen either from a mile away, or they just fall flat. I think I only managed to laugh once or twice when Po’s dads were doing something, but outside of that, the film couldn’t get a chuckle out of me. On the contrary, I found many to be cringe, and some even made me uncomfortable.

But why am I talking so much about the jokes? In the previous Kung Fu Panda films, the jokes were used to break tension. The way the seriousness of the story and the jokes were in harmony is what made those films so memorable and impactful. The story (and films) took itself seriously, but it would sprinkle in jokes that fit the universe, the situation, and most importantly originated from the scene themselves.

Compared to this, the jokes in KFP 4 are, unoriginal, forced, and usually can be traced back to pop-culture. The last one being important as the original Kung Fu Panda films stayed away from referencing pop-culture as it would break the immersion and authenticity of the setting.

This ties into the ERA that these films depict.

Setting

Based on my limited understanding, the original films have done an excellent job at depicting a world that is supposedly set in an authentic ancient China. From the way names are handled, to symbolisms, everything was well done.

The same cannot be said about Kung Fu Panda 4.

I’m not an expert on chinese culture, but from what chinese friends have told me, „Juniper” city doesn’t sound Chinese at all, or has a meaning in Chinese. It’s essentially a Latin word for a common plant that can be found all over the globe.

The architecture of the city is also questionable. It’s trying to give off a metropolitan feel, which doesn’t fit the ERA. Additionally, the architecture of the buildings is odd. It’s like a mesh of the architecture of several Asian cultures.

Then there are some of the names. „Steve” and „Scott” to be specific. These are the names of some masters and I don’t think I need to explain why these don’t fit the setting at all.

I was constantly questioning what movie I was watching as it was hard to believe this is Kung Fu Panda.

Identity crysis

What made me question the film’s identity the most however is the story.

This 4th film felt like a 1st installment rather than a sequel. It conveniently disregards everything from the previous movies that would contradict its plot and world.

The film immediately starts with Shifu coming out of nowhere and saying Po has to choose a new Dragon Warrior at that very moment. Not only did this feel incredibly random, but it’s also thematically incorrect.

First off, why is Shifu saying this? Why would he want Po to pass on his „title” if it's destiny? Why would he want him to do it now? Why did he not even consider ANYONE FROM THE FIVE and instead got 5 randos as candidates out of the blue?

The issue with the whole premise is incredibly flawed. Let me explain…

Po was chosen as the dragon warrior in the first film. There he proved his worth as such. The key to this is that he is the chosen one because it’s his destiny to deal with threats that no one else can.

This doesn’t necessarily mean that he is the best. He is the guy who is and will be in the right place at the right time, with the right tools to deal with threats that no one else can deal with. But I digress, it's a different topic.

The point is that Po’s role as the Dragon Warrior is his destiny. The „title” merely represents that role in the world. So you can pass the title to anyone you want, but that does not change the fact that due to destiny, it’s still going to be Po’s role.

This is not just a coincidence though. Po has shown many times that he has a very open view of the world. This is then combined with his traits of being is warm, outgoing, energetic, friendly, goofy, and unorthodox. He represents the Dragon, Yang in the Yin Yang.

All of this is important to understanding why there is only 1 dragon warrior, and that is Po. End of the story.

The film however completely throws all of this out the window and goes with the new Dragon Warrior plot anyway.

That means the new Dragon Warrior is literally right there next to him. Master Tigress.

Now you might be asking why that would be the case.

This film, although throws out all the symbolisms of the previous films, still shouldn’t disregard the other characters that are around Po.

The 2 characters work like the 2 sides of the Yin-Yang, as complementary forces. They are opposite forces that need each other in order to create balance.

Her influence is extremely necessary throughout the three films, particularly the second and third. It is her companionship, her support, and her constant push against Po’s natural instincts that lead to the best outcome.

Po has achieved a lot of spiritual enlightenment and character development. A lot of it through his own means, but without Tigress he wouldn't be where he is right now.

The Yang is the strongest when it contains the Yin, and the Yin is the strongest when it contains the Yang.

But this dynamic goes both ways. Although we mostly see the effects of this relationship on Po as the films focus on him, it has also changed Tigress. This leads to her opening up more and being more expressive as the films went on, giving us glimpses into the compassionate person she truly is.

While symbolically she is not the dragon, the 4th film establishes that it doesn’t care about the symbolisms or anything that the previous films have established. So naturally a character that compliments Po this well, should be put into the spotlight and get the character development that she deserves. A character that went through serious changes, but is still left incomplete. You might as well make her the new Dragon Warrior then.

She - altough deserved the title the most even in the first film - lacked the ability to see the world from a perspective that's required to handle certain situations. The Dragon Warrior is way more than just being the perfect warrior. Po's presence was necessary for her to change her attitude. Leading to her slowly becoming her best self. Knowing all of this, it's not such a wild thought that if there has to be a new person who takes over that role, then Tigress would be a great choice for that.

But what is there for her to learn from Po? Spirituality.

Tigress has always been a grounded, by-the-book character. This can be mostly attributed to her upbringing. Her changing and becoming more open, seeing things differently would have been something interesting to explore, and this would also take care of the issue of the „new trilogy” copying the original trilogy’s main character development.

However, the film completely ignores her existence, and the new Dragon Warrior is instead a random Zootopia fox.

The (new) deuteragonist

There is so little to say about Zhen. The best thing I could compare her to is an untreated wooden board.

It’s rough, full of splinter, and there are many like it. Probably one of the most cliché characters I have seen in a very long time.

She is generic, has an overused „misunderstood fox thief” trope, and a character arc that is so predictable that we all knew what was going to happen just from reading the film’s synopsis at the beginning of 2023.

Her backstory is a copy of Tigress’ except if Shifu was evil. An orphan who is taken in by a master who emotionally neglects her. Said orphan doing what her master wants in order to be loved/accepted by said master. Except that Zhen doesn’t seem to have any attachment or loyalty to the Chameleon. So the „Sad backstory” fails to garner any sympathy towards the character.

Her dynamic with Po is non-existent, which is why their „friendship” is forced. The creators tried so hard to make the two bond, that they forgot to give them time, shared experiences, or anything that would resemble an emotional connection between them. They just quickly went over everything that they have in common in a dialogue and that’s it. There was no prerequisite completed that would make Po care about Zhen or vice versa.

Furthermore, Zhen doesn’t fit the traits that the dragon has, she is not spiritual either or has an open view of the world. So why is she the new one then?

And I wanted to avoid talking about this, but the character is a textbook Mary Sue.

per wikipedia

Zhen is more than capable in a fight to keep up with Po, even though it was not shown why she is so good at fighting. One thing is for sure, she shouldn’t know Kung Fu as she certainly didn’t learn it from her „master” the Chameleon if the film’s plot has any consistency.

She is not only able to manipulate Chi, but also to use Po’s staff without knowing anything about either of those.

A previous character’s role being retconned so that she can take it for herself (See the rant about the Dragon Warrior title above)

She always gets along with characters that matter, getting what she wants.

No real character drawbacks.

A throwaway character like this, should be a minor support character, not the new main protagonist for crying out loud.

Her inadequacies are so blatant as a character, that no wonder they didn’t even want to have at the very least Tigress in the film as Zhen would immediately become irrelevant to the audience. They put all the spotlight they could on her, at the expense of the story, and in the end achieved nothing in return.

Tell me with a straight face that a character that has an entire movie focusing on them - who still remains a generic, boring character by the end, without any story potential - should be the new main protagonist. The fact that most people don’t even refer to the character by her name, but by the actress’ name Awkwafina should tell you everything about how memorable she is.

Most new characters and animal designs don’t fit the KFP art style.

A good example of this is Zhen.

This is how a fox would look like in Nico Marlet’s KFP style:

And this is what we got:

Sorry, wrong picture. I meant this:

Now, I’m not a character designer, or a professional artist, I only draw a couple of his characters, but I can see that this is way too far off from his work. If not from personal experience, then from the interviews that Nico Marlet himself gave.

The same issue applies to the villain of the film, the chameleon, but atleast with her they tried (somewhat).

The Villain

They say a film is as good, as its villain. This seems to be true in the case of this film too.

The Chameleon sucks.

She has no connection to anyone from the cast. She has no emotional leverage or pressure on the cast. She is not scary or powerful enough to make the audience care about the cast. Her motivation is so terrible, it might be one of the reasons why the Five was kept out of the film because their mere existence single-handedly demolishes her reason for breaking bad.

Outside of this, the character is unoriginal and uninspired. She basically can “lick” people and steal their Kung Fu? I honestly don't know how to put this into words because it doesnt make any lick of sense (I did the funny). If anything it's a budget version of Kai.

They didn’t even bother to give her a name.

What I will say though is that Viola Davis did what she could with what she was given. I found it amusing that she managed to give the chameleon those serious villainous vibes, while at the same time, the character is a joke. If that’s not a testament to the voice actor’s abilities then I don’t know what is. She was definitely wasted on this role.

As for the “returning villains”. I knew they were only there for cash-grab from the moment they said that all of them would return. Shen, is dead. He is not a Kung Fu master, he doesn’t have any connection with Chi, and he hasn’t been banished to the spirit realm. Then there is Kai, whose soul/spirit doesn’t exist anymore.

The only one that could ever return was Tai Lung. However, due to the gravity of his character, if he does return it has to be done perfectly regardless of what direction his character takes.

Now, many of us knew from the start that whatever they were gonna do with him would be bad (I mean there is a massive beef between Tigress and him, and yet she is not even in the film), but I think I speak for all of us when I say that they managed to somehow lowball it even worse than expected.

Basically, the Chameleon brings him back from the spirit realm, licks the Kung Fu out of him, he says like 3-4 lines, and returns to the spirit realm…. what the actual f*ck.

I’m sure I don’t need to go into a 10-paragraph rant on how much storytelling potential was wasted with this, because everyone knows. From reconciling with his dad, to her little sister having a crazy beef with him, to having to accept all the wrongs he did, accepting that he is not the Dragon warrior etc. etc. etc…

There was always only 1 chance of bringing him back. If he came back in a new film or show (again) it wouldn’t have anywhere near the same impact as it should, and it would also feel weird to the audience.

DreamWorks, you had 1 chance to bring this guy back, and you wasted it all on this film.

The non-existent magic system.

Or rather, how this film didn’t care about it at all.

Kung Fu Panda has a relatively grounded world. It’s animals that do Kung Fu based on their natural abilities. The closest thing we got to supernatural was Chi, but it was well handled in the 3rd film in my opinion.

Chi is life force and not magic. This means if you use it, you are exhausting your own life force. This means you would only use it in certain situations, such as healing someone who is mortally wounded, or perhaps to enhance an attack in a desperate fight.

The film doesn’t care about this and handles it as just a regular, inexhaustible force of energy. This can mostly be seen with Po as he uses it whenever he feels like it.

The other type of magic is what the Chameleon is using. It’s not explained, or shown how it works. It’s just there to further progress the plot so that the character can take the Kung Fu from others. (Seriously, how does that work?)

The Kung Fu action

The fight scenes were also a downgrade compared to the previous films.

In KFP 4 they felt less energetic, less grounded, and overall too cartoonish. As an example, Po can jump ridiculously high because… I don’t know, I guess the film just ignores the fact that he is Panda who sometimes even struggles to pull himself up to a rooftop.

The previous films incorporated the strengths and weaknesses of the animals that fought. Po is not very mobile, but he is very durable, and his fighting style compliments this. However, when he really needs to get somewhere, his lack of mobility is then offset by his friends, the Furious Five.

The Furious Five

Their absence can be severely felt throughout the movie. That is because in their place was a generic character that had forced interactions with Po.

They have great synergy with him, that cannot be replicated, however minor their role might be sometimes. They serve as a great way to fill in those empty spots in the story, and to elevate the villain. Additionally, their fight scenes are entertaining and help to spice up the choreography.

Although they are great companions, if the film really doesn’t have the time to spare for them, then it's understandable if they aren’t around. However the same cannot be said about Tigress.

A Kung Fu Panda film has to have Po and Tigress interact, due to the reasons already explained above regarding her, and also because of the following:

They are direct opposites, which is why their relationship is so entertaining, regardless if you look at them as platonic best friends, or as a potential couple.

Po is warm, outgoing, brash, energetic, friendly, goofy, and unorthodox, however, he is also serious when needed. While Tigress is introverted, calm, calculated, passive, and intuitive, but deep down she is also a very compassionate and conflicted person that we rarely see. This is then in conjunction with the emotional bond that the previous films have built up between them. These are the reasons why just putting these two in a room is enough to create entertaining scenarios. They add a lot of fun, heartfelt, and emotional moments to every film.

Whenever Po is facing a problem, she is right there to help him through it, whether by talking it through or by beating some sense into him (literally).

She has always been quintessential in Po’s development and motivations.

Memberberries, Memberberries everywhere…

It was jarring to see the film disregarding the existence of the previous movies to justify its plot, but at the same time heavily relied on tropes, and scenes from said films. I’m not kidding when I say that there were moments that were ripped straight out of them.

One of those moments is the standoff between Po and Zhen before the final fight. Zhen wants to stop Po to avoid him getting hurt, but the fight ends with her hugging Po….

Yeah… it was a blatant copy of the prison scene from the 2nd film. However, I think the 2 scenes here perfectly encapsulate why the previous films worked, and why the 4th film doesn’t.

The prison scene in the 2nd film was essentially an emotionally unstable Po being held back by a caring Tigress. Po is so focused on getting to the truth that he forgets the reason they are there, and would put his and his friends’ lives in jeopardy to know what happened to him and his parents. So much so that Po was ready to get beaten to a pulp by Tigress instead of staying down there and waiting until the Five finished the task.

But instead of that happening, Tigress saw how lost Po was, and realized she needed to calm him down to help him understand their situation. And so the person who has always been portrayed as an unfeeling, hardcore, essentially perfect warrior gave Po an unexpected hug and told him he is too important for her to lose him.

This moment has gravity and weight, because of how she is perceived, because of how Po views her, and because Tigress was forced out of her comfort zone to emotionally connect with Po, to help him. It’s a moment of pure comradery and care towards each other that ascends the situation they are in. It’s a moment that in many ways defined their relationship going forward.

In comparison to this, the scene that copied this in the 4th film has none of the emotional underlinings that I discussed, and so it falls flat and feels cringe rather than heartfelt and warm. This is mainly due to Po and Zhen having no connection, bond, or reason to care about each other. But then there is the other element that I discussed when talking about the villain. Po is in no real danger, and it never felt like he was.

Production

From the early leaks, it was blatantly obvious that the production of this film was rushed. Between the artificially forced plot, the generic character designs, the non-existence of the Five, the lack of time, money, commitment, and care was apparent.

However, due to an interview that the Co-director did with some folks on the subreddit discord, light was shed on the nightmare that was the production. I won’t go into details, as everyone should read the Q&A for themselves, but I’ll touch upon a point that was brought up as an excuse for this film turning out the way it did.

(this is a real concept art from the production btw)

Some are saying the reason the film turned like this was due to the budget restriction. That they simply didn’t have the money to have characters like Tigress return due to Angelina Jolie costing a ridiculous amount of money.

But then I have to ask: They had the budget for characters like Shifu (Dustin Hoffman), Po’s dads (James Hong & Bryan Cranston), Tai Lung (Ian McShane), who in the end turned out to be completely irrelevant to the story, but not at the very least for Tigress (Angelina Jolie)?

I’m not saying that you cannot make a story with these characters, because you obviously could make a great one. What I’m trying to point out is if you have such a limited budget, are you really going to blow it all on actors who play characters that essentially add nothing to the story? This is why I call bullshit on them not getting at least Angelina Jolie back to play Tigress.

Let’s not even mention how you could always recast these characters anyway (although it's clear that the execs are the ones forcing the use of A-list actors).

So for the sake of the argument, let’s come up with a story, that has a reason to exist, has characters that you can do something with, and fits the budget that you are given.

For me - considering that this film was essentially a buddy adventure film - it's an easy task. Just have Po help Tigress explore her origins. I know it's cheesy and basic, but at the very least you have what’s needed for a decent story that would be able to expand on a beloved character, and even help develop Po into a spiritual leader as he has to aid her best friend.

Another idea is what my friend and I had come up with. Have Po bring Lei Lei (now much older, and is a student under him and Tigress) on an adventure. You wouldn’t even need Tigress to appear in the film, because these characters would reference her many times. Lei Lei is a copy of Po in the sense that she wanted to do Kung Fu because she puts Tigress on a pedestal. Because of how influential she was in her life, Lei Lei’s personality is a copy of Tigress’.

I’m just shooting ideas here, but at least these wouldn’t ruin the continuity of the franchise and would be able to navigate the studio limitations that the creators had to face. (from the ones we know of).

"Limitation is the mother of creativity"

KFP 4 was a shallow, artificial story that didn't add anything to the franchise, only degraded it and stripped it of it's remaining value. It's missing the foundations of a KFP film, such as the heart, artistry, and warmth. It's not unexpected as none of the original brains worked on this film.

So what can be expected from this franchise going forward?

Well, not much honestly. It was a weak attempt by DreamWorks to continue the main storyline, not for the sake of the story, but to milk as much money out of it as they can. Even though with a little bit of effort they really could have at least made a good film in the end. However, between the incompetence of the decision makers, the rushed production, and the new people not knowing much about the franchise, that was never going to happen.

The only thing that we can hope for is a spinoff (which is about a decade late at this point), that focuses on Tigress. It’s the only way I see anything for this franchise going forward and hopefully, this film served as a wakeup call for the executives.

Thank you to those who had the patience to read through my inessential rant. Let me know what you guys think about the film.

#kung fu panda #kung fu panda 4 #kfp #kfp 4 #review #rant post

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haechvn · 1 year

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Hold On

Pairing: Shuri x Reader

Warning: Angst and a lil fluff. Shuri is a little bit moody but who can really blame her

Summary/Request: y/n is a lab specialist and is sent to work in shuri’s lab after during that year after t’challa passed on (hurt/comfort) then maybe y/n was in the market when the tallokan attacked and shuri protects.

Word Count: 1.9k

Author’s Note: Takes place during Wakanda Forever so beware of spoilers.

I am working on a few rn but KEEP SENDING REQUESTS. We didn’t just have Shuri star in her OWN MOVIE for y'all to be ignoring her. You guys should be ashamed. Don't play with me, play with yourself. Enjoy my loves!

“Shuri, I get what you are trying to do but are you sure recreating the herb solely in a lab will give you the same results? Aren’t there any cultural lines you’d be crossing or something? Maybe we should ask the Queen about this first,” you quipped as you steadily chased Shuri around her lab, hoping to get her to reconsider her next steps with the current experiment.

It has been over a year since the sudden passing of her older brother and the only life she has been able to live is that of a mad scientist - nothing more and certainly nothing less. Of course she still took proper care of herself but her only desire was to find a way to crack the code that could have saved T’Challa’s life. That pain is with her everyday so to combat that, she has put together a squad of the most brilliant minds in Wakanda to help her efforts and that is where you come in. Working alongside the Princess as a Lab Specialist, who is an expert in working with organic matter and analyzing foreign and home-based substances. Truth be told, Shuri adores her entire team but values your opinion and work above all. Maybe it's because your eyes keep her up at night. But in this situation, no one's words were really as important as her own. At least, that’s what she thought.

“I know what I’m doing,” she seethed stentoriously, speaking as if every word was its own sentence. Stopping abruptly and turning around for you to greet her rigid eyes, her jaw clenched and the veins on her forehead looked like they wanted to break free. Shuri did not want to have this conversation with you again because as more time passed, the more her patience with this project wore thin. Why does everyone still view her as a child? Why can’t her plans be good enough? Every cell in your body told you that you had yet again irritated the Princess.

“I'm tired of everyone questioning me as if I am not the smartest woman in the world! Go to the market like I requested and pick up the items I asked you to so we can go back to experimenting and stop all this talking. That’s an order.”

Scoffing at her disrespectful tone, you continued on, wanting the Princess to fully think through the ramifications of what lies ahead. She may be royalty but she was also your friend so to hear her speak to you this way without any regard of how you may feel made your heart crack just a bit. You had done your best to be there for her during this very difficult last year and always offered a shoulder to cry on but she has unknowingly begun taking her anger out on you. Her taut voice introduced many onlooking eyes peering over to the previously quiet conversation the two of you were having. Crossing your arms in front of your chest, you held your ground.

“How long will this go on for? You constantly treat your colleagues like we are nothing but mere pets to you. Didn’t you bring us in so that we could help you find ways to solve your problem? That is what I am trying to do here and I don't understand why you can’t see that. I just want you to be safe,” you let out with your voice slightly cracking, exhausted from arguing and the constant back and forth. Sure you kept her on her toes from time to time but this just became too much. Thinking about what could happen if she ingested the curated herb and Bast forbid something went wrong. You wouldn’t be able to forgive yourself. No. You can’t let your mind go there.

Not letting her answer your questions, you bowed to the Princess and spun on your heels, signaling your exit from the lab with your coat rustling behind you. Quickly rushing out, you could hear her sigh and beckon you towards her but your head was held high as you trekked forward. You didn’t wish to be disregarded any further and the Princess clearly needed some time to think.

------------------------------------------------------------------------------

“That’ll be 12 Wakandan dollars pwease,” said the young girl selling herbs, plates and bowls with her mother. Dots and stripes dance on her face and her smile reminds you of the one Shuri used to carry. It has been so long - too long so maybe this will bring that back to her.

Thanking the girl and her mother, you start to head back to the lab but not without appreciating the breathtaking beauty of the culture in Wakanda. Such peaceful and vibrant people to match the ethereal aura of this wonderful nation is something that can only be witnessed with your own eyes. In the distance, you made out the figure of a certain Jabari leader smiling widely and waving his enormous hands at you. M’Baku has really proven himself to be a formidable and dependent member of the Wakandan civilization. Just as you lifted your hand to greet him back, you heard the girl and her mother that you bought from scream in anguish.

Whipping your head around, all you could see for miles was water exploding out of thin air. Everywhere started to flood and all the stores and their owners began disappearing before your eyes. Clutching the materials that Shuri requested, you tried your hardest to outrun the waves if that is even possible. You can’t even swim so trying to head towards the water was completely out of the question, especially once three foreign figures rose from the shore. Just like in those cliche horror films, you naturally lost your footing and all you could think was Wait. Atlantis is a real place??!!

Scared for your life, you gathered yourself up and continued onto the palace until the sweetest melody you have ever heard entered your senses. Dropping everything from your grasp, in a trance you found yourself facing the mysterious figures again, this time in the direction of a man adorned in gold, jade and what is that? Vibranium? However your thoughts were no longer your own and all you wanted to do at this present moment was obey the orders of the singing siren before you. Chaos and destruction ensued around you but all you felt was peace. An eerie peace that sent chills down your spine but whisked your mind away from any current circumstances. Your mind knew he was about to kill you.

On your way down to kneel in front of this unknown enemy, your name was shouted out at you from the heavens above. The voice held fear and grievance in it and it snapped you out of your hypnosis. It was the Princess. Up above in a ship with what looked like Nneka, waving you down endlessly in hopes to get your attention. Even during her most vulnerable moments, Shuri looked absolutely glorious. Maybe it’s the way her curls fell forward as if they were reaching out to you or her deep charcoal eyes that seems to call you hers. Either way, with the world crashing down around you, you still couldn’t help the butterflies in your chest every time you laid eyes on her.

Before you could register what was happening, her figure dove out of the aircraft and was headed straight towards you. It seems as though she cracked the code. Landing stealthy with her back turned towards you, her black panther suit seemed to glow in the sun. Decorated in gold and silver from top to bottom, you couldn't hold in your shock. Shuri had always said that the black panther died with her brother but it seems as though she was terribly incorrect.

“Namor. I guess this makes me your enemy now,” she stalked towards him as he slightly trembled in surprise.

Shuri’s languid movements reminded you of her brother but much more graceful and slightly less calculated but magnificent nonetheless. Intense blows were exchanged between the both of them as you scampered away to find safety in an attempt to avoid the crossfire. Namor eventually catapulted himself away from the Princess and made his way towards the Royal Palace. Getting ready to run in his direction, the Black Panther halted and turned to finally face you.

Your heart was pounding profusely as she neared you and her helmet disappeared. Her eyes held the story of everything she had been through yet she still carried on like royalty, with such poise and dignity.

She’s here. She’s here. She’s here. She really came here to save me.

You have never seen the Princess kneel before, especially not in a public place so your eyes went wide as she went down on one knee and grasped your hands. Her chest was going up and down at an alarming rate and the grip she had on you started to burn.

“I’m so sorry I-. I had hoped you were-. Ugh! I can’t believe he almost-,” her words failing her at every opportunity. Tears dropped onto your joined hands and her back shook with her cries. When Shuri had received a distress signal, she had no choice but to take the incomplete herb in an attempt to even the playing field with the submariner. It scared her even more to know that he was attacking the market, the same place she had sent you to in a fit of rage. She couldn’t even believe she used that tone on you of all people so the thought that that might have been the last conversation between you two - no. Not again. She shook her head over and over, not daring to look you in the eyes because she didn’t deserve your kindness. From the outside looking in, Princess Shuri was losing it and this new mantle she now carried was already beginning to be too much for her.

“Stand up! You are a Princess,” you bellowed, your heart breaking at the sight. Though you shared the same frightened feeling as her, she needed someone to be strong for her and who better than you.

"We can have this conversation later but your people need you. Your country needs you. Show them who you are, Shuri. Then come back to me.” You couldn't believe you were here offering this kind of counsel to the Princess. You two have really come a long way.

Her head snapped up, curls dancing across her forehead, showcasing her cherry red, tear-filled eyes. She really thought she lost you.

Quickly gathering her strength, she called for Nakia to “beam us up” and take you to safety. As you are being lifted up, her arms softly wrap themselves around your torso while your chests are conveniently pressed up against each other. Shuri’s eyes haven’t been able to leave yours and they are saying all the things her lips and insecurities wouldn’t allow her. You nod and offer a small smile, knowing that that’s the best thing you could muster up in the moment. Her eyes traveled between yours and your lips over and over. She licked her lips out of nervousness and tried to see if her actions would be accepted before she leaned forward to close the gap between you two. Just as her ready lips grazed yours, Okoye’s voice screeched and pierced through her earpiece.

“My Princess! The Royal Palace is underwater!”

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angorith-arts · 1 year

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The Hidden World Was Aesthetically Disconnected from the Other HTTYD Films: an essay no one asked for

Ok ok I know this is an art blog and I’m going off the rails a bit with this but I think it must be said: HTTYD The Hidden World was not animated in the same style as the other two films, and it has bothered me for a long time. We have all talked at length about the slow but significant dog-ification of Toothless that accompanied his dying character and personality (rip wild catlike Toothless), but I want to discuss the aesthetics of the films as a whole, discounting most changes to character designs themselves (except for one at the end because the light fury is to blame for all of this actually).

But angorith, you may very well ask, how can you say the animation is worse than the previous films when we got such breathtaking scenery as the hidden world and New Berk? To that I reply, the animation isn’t worse, its just not fitting in with the rest of the films.

Let’s take, for example, the first film. The animation style was thoroughly textured and gritty (partially due to technical limitations of CGI in the early 2000s but the animators leaned into it and I think it worked in their benefit due to the fact that they were animating gritty things like dragons and Vikings), creating a stylized but believable world of outdoorsy people and wild dragons. The dragons, specifically, were beautifully and realistically textured, with rough, detailed scales that made them feel believable despite being stylized in the manner of the film. The fur textures on the characters’ clothes were rough, resembling the fur that remains on tanned hides. The wood grain is old and worn, the weapons have nicks and scratches; you can tell the animators worked hard to make everything seem realistic despite technical drawbacks. And that’s not even to mention the beauty and depth in the outdoor scenery.

The second movie continues this trend. You can tell that the textures are more lifelike and that the animation has improved- especially when looking at the hair textures and fluid character movements- but it’s still textured and not over-polished. They aren’t afraid to show wear on objects or characters, they don’t shy away from giving Stoik, Gobber, and Valka age lines, they showcase the effects of riding on the leather equipment, the scars on the human and dragon characters are clearly visible without being too in-your-face, its a stunning and beautifully made piece of animation. But, in my opinion, most importantly, the characters are distinct from their backgrounds. This is seen in both of the first two films, where the distance between characters in the foreground and the scenery in the background is distinct. When silhouetted against the sky, the characters stand out from it instead of fading in to look flat and airbrushed against the scenery. This is largely due to the lighting and shadows being strictly defined throughout the movie. It allows for distinct shapes and clear definitions of character features. I’m no expert and may be speaking a bit from nostalgia, but I think the second film has the best animation of all three.

The Hidden World breaks this mold in a way that I found detrimental to the overall style of the film. Characters like Valka, who were once so convincingly animated to look their age, look fifteen years younger and airbrushed into smooth lines. Hiccup’s freckles are less prominent despite his outdoor lifestyle, and overall, despite the beauty of the scenery and the artful composition of many of the shots, the characters don’t have as much weight to them. The beautiful backgrounds in this movie seem like they’re swallowing the characters whole instead of remaining in the background, and I attribute this to what I call ‘the airbrushing effect.’ The shadows on the characters themselves and the boundaries between characters and backgrounds in this film are blurred, which takes away that depth that was so present in the first two movies. It looks like the characters are smushed into the background at times, leaving blurred expressions and less-defined features and boundaries. This isn’t the case in every scene, but it is in many of them, and it has bothered me since I first saw the film in theaters. Some of the textures look amazing, like the armor and dragon scales, but then you look at a character’s face and they look all fuzzy and indistinct, like they’re wearing makeup and dissolving around the edges. THW follows the growing trend of overly-blended animation, which isn’t necessarily bad in and of itself, but when an aesthetic precedent is set for your movies and then the third installment breaks the established rules, it can make that film fit in poorly with the rest of the franchise in a visual manner (not to mention the story incongruities but that’s a talk for another day).

Here are some examples:

In the second film, the boundary between Astrid and the background is distinct, despite her being farther away. Her face shape is more well defined, less round and fuzzy looking. Look at the boundaries around her face and head in the third film. There’s stil a foreground and background, but she looks like she’s blended a little too much into the background. Stormfly’s horns on the left are more jagged-looking, mimicking the texture of a realistic antler or horn, while on the right they’re smoother despite being in closer view.

Similar shots from 2 and THW here, see how much more defined the lines are between hiccup and the background on the left? Even just the features of his face are less clear; the bridge of his nose looks flattened.

Similar lighting from HTTYD 1and THW. The definition here is a bit better, but look at the skin textures. Hiccup looks like he’s wearing foundation in THW. For comparison, look at him from HTTYD 1! He’s got freckles! Don’t take away his freckles!!

Moving back to Berk means Valka must have gotten ahold of some de-aging cream, right?

I can’t add any more photos but hopefully y’all get the idea.

Now the reasons behind this stylistic change surprised me, and then really pissed me off. Its’s this thing’s fault:

I read an article a while back that said that in order for the crew to be able to animate the light fury, they had to devise new animation software for the third film (if anyone can find the article that would be a huge help, I can’t remember where I found it). She simply didn’t work in the established program, so they had to create a different software to accommodate the lighting effects of her sparkles and whatnot. Since the lighting seems to be one of the things that bother me most in this movie, this causes me some (slightly irrational) frustration, and brings me back to the question of why?

Why would you integrate a character whose design is so off-base from the other characters that you had to make new software just to make it work, to the detriment of the entire look of the movie? Wouldn’t that be one of the most clear signs that the character itself does. Not. Fit. The aesthetic of the film? this pisses me off so much. I know I’m irrationally angry about a movie that came out years ago, but from a visual, storytelling, and personal standpoint, I hate the way this turned out.

I’m not saying I hate the the third movie, or that if you like it you’re wrong. There’s so much about the film that I liked, but all the positives are outweighed by my disappointment.

TL;DR: the way that the crew made the light fury not only ruined the storytelling and conclusion to the franchise, but messed with the animation style too, which to me is an unforgivable sin.

Thank you for coming to my bitchy TedTalk

#httyd #httyd 2 #httyd the hidden world #thw salt #thw criticism #light fury #httyd thw #toothless #hiccup httyd

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artist-issues · 2 months

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Hi! I've seen you comment a bit here and there about Pocahontas. This movie has had this quite messy reputation attached to it since it came out and hasn't been able to escape from it since then. Personally, I've always liked Pocahontas, but I do acknowledge that it has its glaring issues, especially when it comes to the context of what actually went down and Pocahontas's true story. I'm interested in reading your thoughts on the movie and what Disney could have done better regarding the whole "diversity" and historical accuracy thing. I genuinely believe Disney had the best of intentions when it came to the themes, message and depiction of Native American culture, but the execution unfortunately did not seem the most appropriate at times. What do you think?

I don’t know. I don’t have a settled opinion on Pocahontas. I will say I really enjoy it, and I think maybe the aesthetics of the movie are what appeal to me the most because it’s the one I want to have on in the background most often.

When you say “what Disney could’ve done better regarding the whole ‘diversity’ and historical accuracy thing” and “did not seem the most appropriate at times,” I don’t know if I understand what you mean. I don’t know if I understand what anyone means when they say that.

There are almost zero cold hard facts about the historical Pocahontas that EXPERTS agree on. Almost zero. So when people say “oh no, it wasn’t historically accurate,” it’s like, “no, of course it’s not. It’s a fairy tale based on a historical person that we know very little about to begin with.” Seems like what they’re mainly mad about is that Historical John Smith’s version of Historical Pocahontas saving him is the framework for the animated film, and we all generally agree that his version was fake. And people are mad about that?

But…why? If it’s already supposed to be a fairy tale loosely inspired by a historical person we know very little about…I mean, nobody is furious with the Robin Hood stories and going “how dare you misrepresent Robin of Lockersley, 1160, and King Richard I!!” Because we all know that they’re stories loosely based on—anyway. You get my point. Why would you have beef about a fairy tale being based loosely? Moving on.

You can say “because now generations of kids are growing up thinking that’s the real story of Pocahontas!! What an outrage!”

…All right, well, then you’re doing a terrible job teaching your kids discernment as a parent. When kids I’m responsible for watch a movie, I tell them “it’s a movie. It’s not real.” If it’s a movie about historical events, I tell them, “If you want to know more about the real story, let’s learn about the real story.” It’s not on Disney to teach your kids that a fairy tale is a fairy tale, it’s on you.

Anyway, you get it. Moving on.

Thing is, the Pocahontas movie’s message is “Love tries to understand, not to possess.” Great message. Especially good when applied to the problem of prejudice.

So then, they just shift the events, the character motivations, and the depictions around as needed, like they would any fairy tale in order to send that message in the best way. And because it is a fairy tale, not a documentary, great. Do it.

If Historical John Smith’s fake story makes that message more compelling, great. Use pieces of it. Why not? After all, they never claimed that this was the true, accurate history of colonization, the Anglo-Powhatan war, or John Smith’s interactions with Pocahontas. If they had made that claim, sure, let’s talk about historical accuracy. But they didn’t, so let’s not.

That’s all I had to say about the “historical inaccuracies” thing. Now let’s talk about “representation.”

What is it that people have an issue with here? Did they really want Disney to animate hundreds of Powhatan’s people dying of disease? Did they want Disney to animate heads getting chopped off and women getting raped? What’s the argument? That Disney should’ve made the colonists the clear and undeniable villains, the monsters of history, and the Native Americans 100% pure and innocent, wronged victims?

They’re not mad that Disney did a bad job representing Native Americans in a movie that was supposed to be a fairy tale. They’re mad that Disney didn’t represent Native Americans the way they would’ve.

Far as my eyes can see, people who call Pocahontas racist or misrepresentative just don’t want the story to be “Love tries to understand, not to possess.” They want the story to be “White colonists were unredeemable racist monsters and sub-human tyrants who deserved to rot in hell, while the Native American people were entirely innocent victims who did nothing wrong.’

The problem is that’s just not a true, or even helpful message for any movie to have. Sorry. The statement I just typed out up there in bold is not a true or helpful statement. And thank God the Pocahontas movie didn’t make it.

There’s nothing racist being said in the Pocahontas movie. There are depictions of the sin of racism in the Pocahontas movie. There is a difference. Characters in the Pocahontas movie talk and sing about each other as if the other people group is sub-human. That is a depiction of racism. But the message of the movie, and the way it treats Native Americans, is to treat them like human beings. Therefore, the message is not racist.

In terms of who is good and who is bad, who is right and who is wrong, the movie very clearly shows that the Native American characters did not start the violence. The Native American characters did not want war. The Native American characters were willing to be friendly and willing to defend their land and each other. The Native American characters were the first to try and make peace with the colonist characters. And they were all (Kocoum included) entirely human characters. They were even the good-guy-coded characters, in the movie’s conflict. All of the Native American side characters are noticeably smarter, kinder, drawn more carefully, and are more heroic than the white characters. (When Thomas is thrown overboard the other white side characters leave him behind. In contrast, when Namonteck is shot the other Native American side characters rescue him immediately and fall back.) And, not a caricature among them. Meanwhile, Wiggins, Ben, and Lion are all drawn with exaggerated characteristics. The heroine is Pocahontas the Character, not John Smith the Character. So what is the issue you have?

What people think is racist is the “idealization” of a Native American woman falling in love—or, as they like to say now—“committing herself to a white colonist.” But that’s like…a gross oversimplification of the movie. John Smith (the character) committed himself right back to her, nobody wants to talk about that? Also, they low key didn’t commit themselves to each other at all costs—he tries to, at the end of the movie, stay with her or have her come with him, and she won’t leave her home and her people?? So what’s the argument?

Not to mention, why is anyone even upset that the character Pocahontas falls in love with a white colonist character? Are you saying that this sort of thing would never happen? That a young woman who’s people are embattled with and mistreated by invaders would never find one invader who comes to an understanding with her, and then they fall in love? You’re mad because that would never happen? Incorrect. It happened all the time in history. It happens all the time in other stories you love, like West Side Story.

Who the heck cares if it didn’t happen exactly that way (even though maybe it did) with the historical Pocahontas? We already established that this wasn’t supposed to be a historically accurate retelling, it was supposed to be a loosely-based fairy tale. And the message “Love tries to understand, not to possess,” works perfectly with a fairy tale where the girl from one side of a racially-charged hate war understands and falls in love with a guy from the other side.

I mean people who talk about Pocahontas, the historical figure, with reverence and respect, all usually agree on one thing: she did help maintain some kind of peace between colonists and Native Americans. Whether or not you think the colonists should’ve even been there in the first place is beside the point—sorry, but it is; they were there, now let’s deal with the reality.

So when Disney makes a movie where the goal is to tell the message “Love tries to understand, not to possess,” and they have to be true to the universally-agreed-upon “Pocahontas probably helped bring some peace…” in their fairy tale…why on earth do you have a problem with Pocahontas the Character falling in love as a reason for bringing about that peace?

It’s because you don’t find “falling in love” to be anything other than demeaning for a woman. And it’s because you don’t want John Smith, or any white colonist character, to be depicted as human. You want them all to be unredeemable racist monsters.

The goal is no longer to have movies that say what Pocahontas said. We don’t want movies where there’s messy racism, but then it ends with attempts at peace and understanding. We want movies where there’s entirely one-sided racism, and then revenge for that racism. That’s what we want. We want endless apologies and zero forgiveness.

And for better or worse, Pocahontas is not a movie about endless apologies and zero forgiveness.

IN CONCLUSION: 1. None of the “you” statements were directed at you, idiosyncraticrednebula. 🫡

2. Anyone who wants to teach me where I’m wrong is welcome to, but you have to show your work, and you have to be consistent, you can’t just say “lol imagine thinking Pocahontas isn’t racist. You are the problem.” and then block me. 🙄 all right, well, you can, but all you’ll get out of it is an echo chamber.

3. If you want me to talk about the art, the storytelling, the quality of the movie outside of all this (and it should be outside of all this, because this was a fairy tale, not a historically accurate documentary) it’ll have to be in a different ask, and I’m happy to.

4. Should Disney have made it more clear that this was a fairy tale, a stylized story based only loosely on historical events? …Yeah. Definitely should’ve done a Prince of Egypt-style title card or something. But they didn’t—so now show me why it’s racist or misrepresentative.

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myheartisoutatsea · 10 months

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Speaking ill of the Dead

Okay, let’s have this conversation. The tragedy on the Titan Sub is an incredibly complicated topic, less so because of the actual technical issues of the submarine but for the actions of the company and crew. Perhaps by calling it a tragedy I have already made my opinion somewhat clear, but let me lament about the topic a bit further.

Clearly the company did not take well enough actions prior to the dive of the submarine. It has had no peer review, not certification, and every attempt to express concern on the Submarines integrity was ignored in favor of a quicker time tune over and a profit. This is an inherent problem in the Adventure industry, where something that is meant to be undertaken slowly, carefully, and by well prepared experts is done by people who want an adrenaline rush and an experience. This leads to a lot of tragedy in the Industry.

Secondly, the crew aboard has made some questionable designs in their life. I believe one report I saw claimed the co-founder of OceanGate and pilot of the Submarine was previously a private jet owner and flyer and thus according the account responsible for heavy air pollution and in passion of already great wealth. I believe they (the author of the account) found this to be abhorrent, and anybody who respects this earth would react to pollution, and found him to be a terrible human being.

There is also the issue of whether or not the site of tragedy should be a tourist destination, and also the waver the crew signed when entering the vessel. The waver clearly stated it was an experimental vessel and an uncertified one at that.

Now none of these are what I have an issue with, seeing as I honestly think many mistake were made, that’s what makes it a tragedy and not a horror. What I have issue with it going around saying they deserved death, as though we should let people make their beds and lie in them, as though we should look death in the face and call it humane and right, as though I am supposed to speak ill of dead men for their money.

So I’m going to go into these issues, from the point of view of a Sailors child. My parent is a sailor, and a Submariner at that. We’ve had extensive talks about the issues here, and I’d like to poke a few holes, a patch a few others, and make some conversation while I’m at it.

I would like to ask you dear readers, what in the world do you actually know about Submarines? Had you read that waver, would you honestly believe there would better options? Would you know about the three to five organizations that certify Submarines or would you assume uncertified meant non-military? Would you not assume this new and amazing technologically was of course experimental? For what else could innovation in adventure be?

There has been some outrage about the fact that the submarine was piloted by a game controller, well guess what, Navy Submarines have them too. Until very recently most Periscopes on Submarines were made to function through a highly calibrated set of mirrors. Quite literally mirrors. The submarine scene from the Fast and Furious 8 movie made me so mad, because there is not enough technology in an older submarine for Cipher to hack if she tried. Now, the most recent submarines use digital cameras in their periscopes. Want to know how they maneuver that? With an Xbox game controller. One of the Sailors pointed out that the technology for game control, meant to be intuitive to the user, could be very useful on the submarine and thus the engineers made it happen. Do not pretend the wireless, intuitive controller is not amazing technology because it helps you play video games.

Another thing about Submarines, did you know that worldwide, during peace time, many nations have a specific system set up with each other to do search and rescue for submarines? Look up the disappearance of the ARA San Juan, an Argentina sub that also imploded and was only located with national help. The Hulk wasn’t too far off when he talked about being in a pressurized can being a bad idea. Submarines are some of the most deadly machines we have, in their military use and how much danger there is to operate them. As such, the international community reacts to them according. The US Navy specifically has a policy of being able to launch search and recovery equipment to the needed location or at least en route to within 24 hours of notification. This includes sonar and deep sea ROVs. Based on previous precedence set by Submarine emergencies, the international community is more likely to respond to Submarine disasters quicker, they have less time.

So Yes, the tragedy of the refugee ship of Greece is a politically fueled tragedy and loss of life, but it is not the same as the Titan. The Titan didn’t get more attention because it has billionaires on board, it got more attention because it was a Submarine. Submarines have the benefit of being a recent dilemma for the world theaters, so they have more modern solutions while Refugees and Sailing ships have had centuries of existence to be wrangled into political machinations that make it complicated to rescue too retrieve.

What is more likely to be a problem is the retrieval or lack there of the bodies, as those bodies are usually mounted over, but bodies lost at sea rarely get returned. The Navy has always held that the ocean is a fit and final resting place for those lost at sea, and while due respect is paid to their loss, retrieving the bodies and wreckage is harrowing and expensive. If you truly want to rage against those with a lot of a money, start asking who’s going to be paying for the retrieval operation and all that time spent searching. I would argue it should be OceanGate, for their negligence in the integrity of their Submarine lead to a loss of life.

I will also honestly say this, I hate to speak ill of the dead even when it must be done. Yes, some of these people lost did terrible things, but they did not only do evil in their life and their story should not just be “They did this but they also did this!” it should be instead “They did this and this.” Was the french diver not also one of the only certified people to take wreckage from the Titanic to surface for study, posterity, and for museums? Was the British explorer not also a history enthusiast who was excited to see a piece of history he studied so fondly? Was the Son not also a student? Perhaps the pilot did pollute the earth, you’d be hard pressed to find someone who hadn’t, his crime is perhaps instead doing nothing to fix pollution.

I believe a lot of us apply Spiderman's “With Great Power comes Great Responsibility” to those with Wealth, and while not wrong we get too disappointed when they fail to meet our standards. They are not obligated to help the world, as much as we need them to be. We want them to be better people, but they won’t always be. It is not wealth that made them bad, but their actions or lack thereof with it that did.

The Navy hosts something called the Submarine ball, to celebrate the creation of the Submarine force. And every Submarine ball, they will list the submarines sunk and the life lost on them. I have gone too many times, heard that speech and list too many times to call the death by horrific pressure and cold and drowning something somebody has to have had deserved.

Look up the specifics of implosion, of death, of how your blood boils if you rise to fast, of the cold seeping in so fast you feel like ice, to the lack of hair, and tell me you wish that on people. Tell me you have enough in you to wish somebody to die by the sea, lost and scared, and tell me how that makes you a righteous and good person. By all means rage an injustice, rage at the unfair, but do not turn that into a right to murder, to kill, and wish death on others.

#oceangate #titanic #titan #the titanic #spiderman #fast and furious 8 #venting #thoughts on death #tourist submarine #submarine

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june-julie · 10 months

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Heyy!!Um if you don’t mind can you write for mbav?(benny weir x fem reader) Something along the lines of evil benny creating reader’s evil copy and she starts flirting hard with the real Benny and when Sarah and the real reader destroys the evil copies Benny gets sad and misses the evil copy :>

Two is better than one.

Benny weir x fem!reader

“What were you thinking?”

Warnings: cursing, seductive behaviour, degradation.

— Summary; what anon said 🫶🏻

— A/N; I LIKE IT PICASSO this came to me when cleaning and I literally stopped everything to write it. I got so many evil copy requests I’m down them ALL.

Benny and you didn’t particularly have a clear relationship at times.

There were certain things he said or done that always had you second guessing,

maybe it was the way he looked into your eyes a second longer than usual when he smiled that signature grin of his or maybe it was the way he teased you until he was sure he made the tips of your ears red but one thing was clear,

It was the things he would do a second later that would make you uncertain It was obvious Benny weir flirts with any girl that walks his way and honestly you were thankfully that the girl were daft enough to pay more attention at the fuck boys than Benny otherwise you were sure he’d be snatch up by now.

“Ethan you’re delusional if you think Benny weir has any sort of romantical feelings for me at all.” You explained your frustrating case of what always clouded your mind.

“Why are you so sure of yourself? Why is it so hard to accept what I’m saying is true y/nn? You’re telling me you don’t see the way he looks at you?” Ethan protested but not as strongly as he had before, poor Ethan has this whole conversation rehearsed with not only you unfortunately.

Benny had to force a giggle out of himself to cover for the untrue words Ethan had mistakenly spoken “dude, no need to lie to me. I like the girl and all but I think by now I can tell when a girl doesn’t like me as hard as that is to believe.” Benny replied sarcastically to a eye rolling Ethan, his favourite expression in both Y/N and Benny’s opinion.

Christ you guys even argue the same.

“Let me entertain the possibility that you are right for a minute,” Ethan merely nodded mind elsewhere. “If I get as far as asking him out and not get rejected by whatever godsend was on my side that day that Benny didn’t run away scared of my ‘proposal’ “ you qoutated for your special day of the weeks rant affect “who’s to say he still wouldn’t make comments about every other woman he saw that day? We just wouldn’t work as much as I wanted to.”

“Denial is a river in Egypt.” Ethan chimed matter of factly with a cheeky smile he knew pissed you off “your just trying to convince yourself because you know none of that mumbo jumbo isn’t going anywhere with me.”

“E, you wanna know how I can see that she doesn’t like me?” Benny tugged on his backpack straps with a thin pressed lip “not really.” Ethan muttered unbothered “great, well for one I flirted with a girl right in front of her today to get any reaction out of her anything! And she didn’t care! That’s like movie 101 the chick totally storms off in jealousy yet she didn’t budge.” He finished

How was it that Ethan was the only expert in spotting the hurt in the teens faces ? Or the broken laugh he oh so quoted All you guys needed was to stop being so stubborn and a little confidence couldn’t hurt.

It was after school and you were walking home with your headphones on, playing whatever song your iPod had to offer on shuffle then you spotted something, oh cool benny grandma Evelynn is having a yard sale.

“Hey Benny what’s up?” You waved as you saw his grandmother leave the stall seemingly leaving Benny to sell the remaining products,

“grandma is selling all the junk in her house she no longer uses and she said if I help I get extra cash so currently being an entrepreneur.” He grinned leaning on the table with his collared striped sweater sleeves pulled up revealing his forearms, that mixed with his smile had you saying ‘shut up and take my money!’

“I don’t think that’s how that works but sure I’m always up to support a business.” You furrowed your brows but nonetheless went along with his playful manner “I’ll take that vintage camera.” Maybe it’ll help with you and your friends picture day project.

“Fine choice m’lady.” You giggled in response and took the camera “I’ll see you later benns’ “ and with that you left.

It was the next day at school and if you had known Benny and Ethan had their own school picture day idea maybe you wouldn’t have volunteered to help your friend.

But having said that it didn’t stop you from sticking your tongue out at Benny like a child cheekily as he slumped in defeat

“defeated with my own tools.” He muttered as you laughed sympathetically in response patting his shoulder “sorry Benny rabbit, maybe next year?” You teased further more making sure to use the name you knew he hated cause you just loved to be the person to grind his gears.

Unfortunately you missed what he whispered to Ethan “It’s cute when she says it..” ethan looked puzzled at the boy.

You agreed after class to futhermore help your friend by testing out your retro cam, having successfully found a dark room you firstly tested it with a simple selfie really 2010 pose of you, Y/n.

And then you set it aside to develop, continuing with your classes.

Later on you went to check on it and would you look at that! Perfect 80s selfie, you just Missed the laboured breaths behind you as you were knocked unconscious.

Benny tapped his pencil on his desk as he watched the clock on the wall, you should definitely be at this class he remembered on your timetable you had the same classes as him! So then where were you? 10 minutes went by and mid way through class Y/N finally showed up,And boy did she make an entrance.

Are you allowed to wear shorts that short? Or leather jackets that cool?

You slumped in your chair looking directly at the teacher, eye contact and all. “Care to explain what was more interesting than class that made you 20 minutes late Miss Y/N L/N?” The teacher rightfully asked through a stern voice.

“literally anything..?” Y/N replied as if it was a joke and not they were real consequences.

The Teacher was taken aback “Y/N this is nothing like you whatever has gotten into you I’m not dealing with this today.” She explained furthermore to a doodling Y/H/C.

“I didn’t want to deal with this math today and yet here we are.” Y/N shrugged “who in the right mind puts fucking letters in marginal equations?” The teacher scoffed “detention IMMEDIATELY.”

And with that Y/N stood up, smirking at Benny who’s mouth was agape “like what you see? Or is staring your new habit Dork?” She leaned on his desk table inching closer to him as she maintain intense eye contact “what did I just say?” The teacher raised her voice and with that Y/N practically strutted out.

Benny leaned into Ethan “I don’t know what Y/N has done with herself but I like it.” He spoke unbeknownst to Ethan’s bewildered expression, this has supernatural written all over it and yet again he was the only one to spot it.

Obviously Y/N wasn’t gonna listen to the teacher though, she had a better plan in mind. Why not finish what she started? So she dragged her friend to the room where she left the camera and made a copy of her, putting on her best sickly sweet voice imitating the other sweeter more rational Y/N she managed to fool her friend into becoming a copy just like her and whilst Y/N was having fun Terrorising other teens days her friend would make more evil duplicates.

Fun and innovative, woman in stem yk?

Mindlessly she walked through the halls she had about a few hours before school was over and then she could go to go carts she rented for the day.

That’s when she spotted him. Benny weir. she just needed to figure out why the other Y/N was so intrigued by him so she made her way over to him “well if it isn’t just the guy I was looking for, can I talk to you? “ benny looked around puzzled and then nodded, Y/N turned to look at Ethan “alone. take a hint third wheel.” She did a fake smile for a millisecond benny raised a brow

Third wheel? In what?

“What is it that makes you so important?” She began in a low tone as she eyed him head to toe slowly “my charm, i get A’s in calculus I do a killer Tom cruise from top gun impression” no one in the world could not cringe at the words Benny utters.

Well unless you got a tolerance like the other Y/N does, which was what evil Y/N was so aggravated to figure out.

“Not the things you say Idiot, the things you do.” She took a step closer to him “ I’m not sure I’m following now y/nn? This about my yearbook photo idea?” He guessed utterly lost, poor guy.

“This is about how every thing you say or do drives other me crazy, you’ve such nerdy arms and yet she fawns over your slender hands.” Evil Y/N sure knew how to cut and praise you in the same sentence that was for sure.

Benny didn’t respond he just looked down to said hands in question and then back at Y/N he was finding it hard to maintain eye contact under this pressure “I bet you haven’t even been with a girl, how pathetic.” She chuckled yet her eyes showed interest and she inches nearer again.

Benny gulped “Y/n what are you talking about…?” Benny managed to speak as he trailed off as if he spoke any louder than he did he was afraid you would stop.

“Maybe if I teach you a few things you might actually have the balls to get with me.” Why she was speaking about herself in the third person was beyond Benny but what wasn’t beyond him is whatever degrading kink evil you just summoned in him.

He grinned “if this is you getting back at me for teasing you so much I admit im not sorry.” You pressed your hands flat against his chest “that’s exactly what it is.” sexual frustration totally didn’t play a part at all.

So you tangled your hands in his brunette locks and peckered his neck then his lips

‘Whatthefuckishappeningohmygodsheskissingmethisissohot’

And then she stopped with a tug of his hair releasing a low whine from Benny as he opened his Green eyes “If you actually want to take me up on my offer find me in the dark room, I’m only having fun. Think you can do that pretty boy? Hm?” Benny nodded cheerfully She smirked and spon around on her heels and walked away.

Did Y/N just walk straight out of his wet dream or something?! Like I know yesterday Y/N was pretty Damn sexy in her flarely skirt that Benny was so sure she put on intentional to screw with his head but this was definitely a dream he had only a week ago.

Somwhere along the line you woke up, not evil you but actual you and you spotted your friend tied up,

“what happened?! Are you alright?” You asked frantically concerned as you untied her “there’s a evil copy of me and you going around terriorising people! I don’t know what’s going on but I think she knocked you out too!” That would explain the raging headache that got worse by the minute.

‘I have to go tell Sarah and Erica’ you thought.

Frantic to find Sarah you scanned the halls as you tucked a strand of Y/H/C behind your ears and was certainly not looking where you were going and it became more certain when you bumped into a unknown force.

Benny flushed being met with you, except you lost the shorts and the leather jacket, but hey you did sport his favourite skirt on you “I knew it was intentional!” He muttered under his breath thinking aloud

“benns’ are you okay? You look a little red and your shirt is all scrunched up..” you expressed with much concern for the boy “I’m fine, y/n. And if I’m not I’m still taking you up on your offer later and you can make me fine.” He grabbed your hand to politely shoo it away from his striped shirt as he winked

“offer? What offer? Benny I need your help finding Sarah.” Benny tilted his head in confusion That word be the third time today you drive him around the bend in mind whipping mood Change,

you are a force of nature woman.

He was gonna flirt but he saw your expression and put his feelings aside for a moment “what’s wrong bunny?” His brows furrowed “there’s these evil copies of me and (I forgot her name I’m so sorry) walking around and they’re planning on making way more! We need to stop them or who knows what they’ll do.” You pleaded with urgency.

“That chick Ethan’s into? Wait you have a copy?” You nodded, deciding against telling Benny that she had a boyfriend right now as it wasn’t the top priority going on right now.

Benny slumped, of course it wasn’t you.

“Benny? Hello? Come on!” You grabbed his hand and went to find Sarah and Ethan, unknowing to how extra sweaty his hands were today as you interlaced your fingers together.

“What in the Jennifer’s body is this bullshit? You’re meant to be evil Me?” You scoffed eyeing her “it’s not like I give a fuck what you think honestly cause you’ll be dead in a minute.”

“Honey you’re just another bad selfie gone wrong.”

A few minutes of bickering and fighting go by and you finally manage to tear the developed photo apart.

Sarah stormed into the bathroom after dealing with the other copy “are you okay?!” You nodded offering a Sympathetic smile “totally should’ve took that jacket before she vanished.” Sarah rolled her eyes reminding you of how she does it just like Ethan does and you both smiled.

“Let’s get you up.” She helped you from your position on the floor as you regained your breath and stood up.

Now with school done you rejoined your favourite best friends as Rory, Sarah, Erica and Ethan walked ahead. Benny still looked distant and you couldn’t help but notice it.

“Hey Benny you’ve been quiet all day, are you alright? I hope evil me didn’t say anything mean to you, If she hurt you that wasn’t me I’d never do any like that.”

Benny for the first time after today looked you in the eyes again with a hitched breath I don’t think he’ll ever forget your hands on him, or your pillowy soft lips for that matter.

“She didn’t it’s just she said some things…” you looked at him as he looked down “what did she say?” Her words played in his mind but he couldn’t bring himself to repeat them so he shook it off “nevermind it doesn’t matter, it’s stupid I’m all good.” He forced a smile but you saw through it “hey.. you know evil Y/N rented go carts?” You tried cheer him up and knowing Benny it worked and automatically he was back to his old self “only room for 2!” And with that you two scurried to front in giggles

Maybe things could be different now?

Ahhh I’m sorry that was so short but I hope you like it😭😭 I’m gonna proof read it later if I made any mistakes <33

#my babysitters a vampire #mbav #mbav benny #mbav ethan #mbav rory #mbav erica #benny weir #anon!#anon <3 #📝#💌 anon #you've got mail 💌#anon requests #anon!fics #ff #fanfic #oneshot #anon oneshot request

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tohellandback99 · 4 months

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Well, I feel bad for Raul who has to sit and listen to all the creepies online, white knighting him as if there was anything to white knight over. By also attacking and derailing and defaming his person of interest, Kat, for absolutely no fucking reason, all while choosing to be tone deaf to the whole reason why she’s the “asshole,” to begin with. And the fact that he stays with her throughout on his own accord because he genuinely likes her no matter how you choose to look at it, he’s not an imbecile and understands why she is having a hard time intrinsically (and from experiences,) and simply wants to support Kat.

Yes he probably understands. Yeah that’s right. During, those three nights, and four mornings of them knowing each other, or being reunited with each other. Because maybe, that’s the whole goddamn point. AND MAYBE, the ending of the movie was just the beginning of their “acquaintanceship.”

So wait…. you didn’t, watch the movie? All you did was lurk upon Raul in certain scenes with Kat and thought, “hey, she’s being a dick. I’m gonna go post about it now!”

Raul didn’t ask for this, and you’re not saving him at all you’re just sneakily choosing for him like he’s a baby with no autonomy. And just for which you feel so strongly about him without looking at anything else this movie had to say, makes me wonder if you want him all to yourself locked inside of your musty weird sultry basement.

What the hell is wrong with you? Why do you care so much who Raul wants to be around? Are you jealous of Kat or something? It kinda feels like it. Yikes

So for everyone’s sake,

Leave Raul, a fourteen. Yes, let me remind people since someone has forgotten already. Leave this FOURTEEN-year old transgender BOY, who is a literal DOLL, out of this! He’s not YOUR puppet. He’s his own boy and you can’t keep him contained in your deranged fantasyland. So he’s hanging out with a girl with bad PTSD who’s his own age!? Too bad, princess. Deal with it.

You have nothing to do with him. You ain’t his mom, you ain’t his dad, and you’re not his teachers, friends, and his doctor. Luckily, you’re not even the creep neighbor next door to him. You’re absolutely NOTHING, to Raul. So let the teenage boy, be a teenage boy. How bout that?

And if you didn’t watch the movie then don’t fucking come over here with your CORRUPTED Raul obsession and then tell everyone Kat’s story like you have any degrading leg to stand on. Lol, I scoff at the notion. You don’t, you’re not an expert on this subject, and your opinion is crap on my cat’s fuzzy ass that will just be stuck there for two days, and then later disposed of. Watch the movie and get some therapy, or fuck right the fuck off. And please for the love of all humanity, leave the children alone!

Thank you to the majority of the people who I know is almost everybody out and around and everywhere here, who either don’t care or who have the rationality to contemplate the fact. that actually. you can’t make Raul run around with no shoes on in the snow to desperately speak to anyone other than Kat, with VISCERAL YEARNING. This is not directed at you, just to the ONE PERSON, and potentially any other two people here who want to “protect” Raul. Happy Holidays 💜

Yes

(Deleted my post after because this one says all I needed to say really.)

#raul cocolotl #wendell and wild #w&w #jordan peele #henry selick #Raul and Kat #kat elliot #netflix #leave him the fuck alone #leave her alone #absolutely disgusting

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indigovigilance · 5 months

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How to Write Good Omens Meta

Someone left something in my ask box that intrigued me:

My Ask is for insight into the theory of clues and how S2 clues move and build S3. Is there a meta on this? (If not, would you consider it at some point?)

Well, I did consider it, and here’s my first shot at answering this really good question. It's more about the art of writing than of clue analysis, but I may do a second piece in this series, if it feels necessary. Anyway, here we go:

read on Ao3

Learn Something New

People want to read meta to learn something that they didn’t know before. This probably means you will have to learn something that you didn’t know before. Some meta-analysts arrive pre-loaded with a rich background in costuming, tarot, biblical canon, and the wide array of cultural references that appear in the show. We also seem to have a fair number of psychologists (formally trained or otherwise) representing. I (and others: see Chekhov's Contract by @ineffablyruined) happen to have a background in law and so I was able to make a unique contribution via my piece Sovereignty, Citizenship, and the Bookshop. But for other topics, I have to self-educate.

In my personal opinion, the work on direct canon analysis (that is, watching the show and reporting what you see) has largely been done and I don’t think there will be many more breakthroughs until some people go away and come back with a freshly informed perspective. Personally, I’m waiting for someone to go learn everything there is to know about S.W. Erdnase and tell us what they found, because that is a very specific reference that I haven’t seen fleshed out yet (link it in the reblogs if it already exists!).

Don’t Be Afraid of Outside Sources

For example, quite a few times I’ve gone away to read outside source material before writing a new meta. Good examples are: Honolulu Roast, The Lament of the Metatron, and The Hornet in the Beehive. These are topics where I had no particular advantage over anyone else, I just had a question and decided to keep digging until I had something that looked like an answer.

On choosing a topic: in each of these cases I began with an in-show piece of information that seemed both unambiguous in its directness and yet unexplained. Why is there a mysteriously appearing sign in the coffeeshop that says Honolulu Roast? Who is the Metatron? Why is there so much attention drawn to bees when Crowley goes up to Heaven? If I start with a solid question and then follow an investigative pathway, usually beginning with the Bible given the nature of this show but not always, I’ll usually find something.

There are also some Clues that we’re basically told to investigate. The books on the shelves. The movie playing in the background in The Resurrectionist Pub. These are unambiguous breadcrumbs but they’re a lot of labor. I’m not going to read all those books and watch all those movies. So pick one (1) and go read it, or watch it, and then tell us what you found, so I can read your 1,500 word piece to learn what I need to know about it.

Sometimes you get enough information for a meta just by hanging around long enough and absorbing information. That’s how I put together my pieces on Terry Pratchett’s Death and Crowley’s Dream. The trick in this case is to be able to synthesize it, and for that, the very best way to learn how to do that is read other people’s meta.

Specializing

The asker asked the most important question of all: what’s the balance between trying to manage all the Clues or ignoring them entirely? Well, think of it this way (I’m borrowing an XKCD comic for brevity):

The takeaway here is, when you get a PhD, you become a hyperfocused expert in a very narrow topic and you’re relying on lots and lots and lots of other PhD students becoming highly specialized experts in other topics so that together you are expanding the diameter of human knowledge.

We (meta-analysts) are all getting PhDs in Good Omens, one way or another. Some people are doing their theses in color theory. I am doing mine on the concept of memory and identity permanence (though frequently dabbling in law). Yet others have flung themselves body and soul into the topic of Crowley’s gender and God bless them. Heck, there’s a team of people on Discord who are on any given day ripping the Bentley down to its studs and building it back up again. Feel free to explore while you seek out your passionate topic but don’t feel the need to tackle all of them. You’ll find the one that you fit best in.

You do not have to solve the S3 plot puzzle by yourself. You have to find two pieces, put them together, and then go find a buddy that also has two pieces and see if your pair of pairs makes a quartet. Literally. That’s what we’re doing here guys. It’s a team effort or nothing at all.

Organize your ideas into digestible segments

Great, so you learned something new, you have a tantalizing hypothesis, and you’re ready to write! But what does a good meta look like?

Your abstract (which I recommend you write last) will go at the top, followed by evidence in a logically progressive order that finally culminates in your conclusion. If you’ve ever written a five paragraph essay, you have these tools in your toolbox. And yes, sometimes you will even need to rebut counterarguments (“but Neil said” is the bane of my existence) just like your teacher taught you. But it shouldn’t be formatted like a five-paragraph essay. This is not an 8.5”x11” sheet of paper with 1” margins: this is Tumblr.

Walls of text are great and all but reading handicaps come in all flavors and I for one benefit greatly from having section headers that help me navigate a meta. I’m much less likely to read it if all I have to find my place by is paragraph breaks.

Section headers should tell me what the next paragraph or two are about, and if I read just the section headers, I should have a pretty good idea of what evidence you’re pulling from where and what conclusion you’re going to support with that evidence.

Here’s my opinion on gifs: if I need to see Michael Sheen’s micro-expressions to really understand your point, include it. If I just need a reminder of where we are in the story, or what a costume looks like, a still is fine and less distracting. For a lot of things, though, images are unnecessary. You’ll find the right balance but don’t overburden your written work with images. I think there are quite a few people who only read my work on Ao3 because they simply don’t like the Tumblr, image-centric format.

Have a main takeaway

What does all your evidence point to? It may feel like stating the obvious, but state it anyway. Put a little ribbon on top of this gift you have given to the fandom. Label it. Tell them exactly what your conclusion is from all this information you gathered.

…but don’t feel a need to draw a firm conclusion

In my meta Continuity Errors, I conclude that Crowley stops time in order to move something that was hidden in the bookshop out of the bookshop. I do not speculate on what exactly that something is that he moved. I don’t need to. By leading others down this path, I am tapping the collective resources of the hive mind to think about what exactly was hidden with the bookshop’s protection. They may have some information I don’t because they’ve been looking other places. Not having a hypothesis for this shouldn’t (and didn’t) stop me from publishing my work.

Go back to the top and write your intro/abstract

Have you written your main takeaway? Did you support it with evidence? Good. Now take that and write a 20-30 word elevator pitch that you’re going to put at the top of the meta so that people know what it’s about before they commit to 1,000-2,000 words of being led down the garden path. I have a bad habit of burying the lead, and I’m trying to break it. For a moment people were worrying about putting big revelations below the cut so that we’re not interfering with Neil, but I don’t think Neil has ever seen my work and I doubt he ever will, and at this time my opinion is that playing “hide the lead” is more of a hindrance to the fandom than helpful to protecting the integrity of the IP. So be bold. Tell people exactly where you’re going with this and a short roadmap of how you’re going to get there. You don’t necessarily have to “give away the goods” but the theme should be obvious. An okay-ish example of an abstract is the intro to my first meta. My abstract for Continuity Errors is decidedly more tongue-in-cheek. You'll find your own style.

Cite and Tag

If you read someone’s post and it gave you a great idea, cite them as inspo! It’s a feel-good moment for them and it ties the fandom together. If you’re relying on your own prior work or someone else’s work to support a point, link the piece and tag the author. You will probably want to start copying links to metas that you like into a doc or spreadsheet to make this easier. Check out mine to get an idea of how you could organize a spreadsheet, or check out this doc to see an alternative approach to meta database management.

Speaking of which: @cobragardens, @aprilodite, @drconstellation, @vidavalor, and @irispurpurea, your work appears in this... whatever exactly this is idk.

Recruit a Mentor/beta

Various Tumblrites have published comments or posts that they are willing to beta other people’s work. Reach out to those people before you need them and ask if, whenever you’ve written your next piece, if they wouldn’t mind taking a look at it? Have an upfront discussion about turnaround time. Most of us work, and have other obligations, so it’s unlikely we can look at a thing the minute you send it to us, even if we’re active on Tumblr at that moment. Some people have set days off that they know they’ll have time to curl up with a cup of tea and read the first draft of your meta; you may find that having a weekly schedule with someone pushes you to produce and improve at a pace you wouldn’t achieve under your own steam. Writing is a skill; you get better by practicing and getting constructive feedback.

Anyways, I hope someone finds this helpful: maybe meta-analysis seems like an intimidating thing to get into, but it shouldn’t be! This is a welcoming community with room for all shapes, sizes and flavors of contributions. If you have any follow-up questions about this piece, please feel free to drop them in my ask box!

#good omens #good omens 2 #good omens meta #ineffable fandom #writing #on writing #meta on meta

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kingkatsuki · 3 months

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I have a pressing Bakugou question that I’ve been pondering about all day, so I came to seek an expert opinion on the matter…what do you think is bakugou’s ideal first date? MWAH 😽

When I’m asked questions like this I become incredibly selfish because I just give the answer that I like and not what I think he’d actually enjoy😭😂

But I think activity based dates? Either the movies, or bowling, axe throwing etc. Something where there’s a distraction between you and he doesn’t have to focus on conversation. Because no matter how much he likes you, and how excited he is that you’re going out on a date with him— he’s absolutely terrified about being able to hold down an actual conversation with you. So watching a film, or playing a game in between gives the perfect excuse to be quiet for a sec, and also allows you both to comment on the activity instead.

But Bakugou also doesn’t care that it’s a first date, he’ll still be so competitive that he’s hellbent on beating you whatever the game is.

#my PERSONAL choice would be arcade dates or mini-golf #I’ve talked on here so much about how obsessed I am with mini-golf😭😂

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twistedtummies2 · 3 months

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Top 15 Video Game Villains

Before I get into this list, given the topic, I have to make a very simple and honest confession: I’m really not much of a gamer. I’ve played some games, but not really that many. I’ve honestly WATCHED more games than I’ve actually PLAYED. There’s a lot of reasons why this is, but at the end of the day, the fact is that video games are just one of those forms of media where I’m really not an expert.

With that said, I have a great respect for video games as a medium, and I know a LOT of people are EXTREMELY into them. Video gaming has gone from something of a niche subculture to a MASSIVE market and piece of major pop culture in and of itself, just as generally respected, lauded, and appreciated as movies or television. Games themselves have come a long way: back when they were new, no one really cared about story or character, it was really a matter of just making things fun to play as a pastime. Over time, however, the medium has evolved, and the storytelling and characters in some of the greatest games have become just as important as the actual gameplay involved…which is why I’m able to say that, despite not playing many games, I can still make a list like this in good confidence. See, you don’t need to play something to understand how good a character is…and every game needs an obstacle. Something for the player to overcome. Like any other great story, one needs an antagonist…and sometimes, you need a villain. Many of the villains of video games, like games themselves, have become just as popular as the games themselves, as well as many other great and glorious villains throughout history. Through the ones that have lasted the longest, you can really trace the evolution of gaming itself, and with the ones that are more “one hit wonders,” you can see glimpses of some interesting moments in the grand pantheon of video games. So, despite hardly being an expert on the subject, I felt it was time I give these characters some time in the spotlight. Keep in mind, my opinions will DEFINITELY differ from those of a LOT of other people, simply because I have a different perspective on things. Also, with two exceptions, I’ll only be including one villain per game/franchise. With that said, let’s waste no more time! These are My Top 15 Favorite Video Game Villains!

15. The Phantom Blot & The Mad Doctor, from Epic Mickey.

This is the first exception I mentioned in my preamble. I couldn’t decide which of these two to include, so I just decided to include both. The Epic Mickey games - which were sadly cut short by various behind-the-scenes shenanigans - were Disney’s attempt to bring Mickey Mouse to the forefront in gaming, and to try and find a way to make Mickey “cool” again. The games are sort of a love letter to the Mouse’s long history as a character, as well as to Disney’s history as a whole, and while they are far from perfect, they still have a bit of a cult following, for various reasons. The main antagonists of the first game were these two scoundrels. The Phantom Blot - also known as “The Shadow Blot” or simply “The Blot,” in this specific title - is a character who has had a long history in Disney before this title. In comics and cartoons prior to the game, the Blot was a masked supervillain. In the games, the Blot is reimagined as a ravenous ink monster, who essentially acts as a force of pure destruction, with no apparent purpose but to spread ruin wherever he goes. The Mad Doctor, meanwhile, first appeared in a Mickey cartoon by the same name; in the games, he is a cyborganic mad scientist who started out as a friend to some of the characters, but ultimately revealed his true nature and joined forces with the Blot in a bid to become the greatest villain of all time. While the Blot never returned in any of the sequels, the Mad Doctor did, and the Blot’s impact was still felt even after the beast was defeated. Both were fun twists on classic, somewhat obscure characters, and more people know about them because of these games than anything else. I don’t really think that’s a bad thing.

14. The Crooked Man, from The Wolf Among Us.

This was a title released by Telltale Games, who specialized in games that were interactive “choose your own adventure”-type stories. The player’s choices would determine how the stories went, above all else. In the case of “The Wolf Among Us” - based on the comic series “Fables” - the story was a sort of fantasy and film noir blend, with Sheriff Bigby Wolf (guess who he is) trying to solve a case of mysterious murders in the city of Fabletown, where characters from fairy-tales, folklore, and mythology all live. At the end of this long and twisted case, it’s revealed the mastermind behind it all is this fellow: the Crooked Man. From the moment we start realizing his involvement, the Crooked Man seems like a total and pure nasty…and he is. But here’s the genius of the character: after going through so much to reach him and finally confront him, when the time finally arrives, he isn’t depicted as a dark-hearted monster, but instead a reasonable, intellectual, and EXTREMELY persuasive gentleman. The brilliance of the Crooked Man is that he doesn’t just get into the heads of the other characters in the story, but has the capacity to get into the head of the player, and make them doubt the decisions they are making. You know he can’t be trusted and has to be brought to justice, but he’s very skilled at twisting things around, making every moment tense as you wonder whether you’re making the right choice or not. His demeanor of composed, collected rationality almost never falters, making it feel like he’s in control even when you have the upper hand. In a game all about your choices and their consequences, that’s an EXTREMELY powerful villain to have, and no other main antagonists from other Telltale titles, in my opinion, are quite as effective in THAT regard. He may not be one of the most iconic villains in history, but he’ll always be one I hold in high esteem.

13. The Moon Bear King, from Puppeteer.

All of the other villains after this character are from series or franchise works. There are multiple installments in them, and so there are often many villains to choose from. The same goes with the previous two entries, as well: Epic Mickey had three games to its name, and a sequel to “The Wolf Among Us” is in development as we speak. “Puppeteer” is an oddball, as a result, because it’s a one-and-done deal: it’s not part of a major franchise or series, it’s just one single, lonely title, and it’s not necessarily one that tons of people would know. I doubt you’d be seeing cosplays or highly-viewed videos about this game anywhere of note. However, as far as one hit wonders go, it’s a VERY good game: it’s got a wicked sense of humor, simple and addictive gameplay that still manages to be challenging, and a very unique sense of aesthetic style. It also has a very fun main antagonist: the evil and bombastic Moon Bear King. The King is an evil, gluttonous monster who has taken over the kingdom of the moon. It’s eventually revealed that he was once a humble little teddy bear, who suffered from deep insecurity, and desperately wanted friendship. The Little Bear stole the Black Moonstone, a dangerous artifact, which corrupted his desires and transformed him into the beastly Moon Bear King: a literally power-hungry demon who longs to devour the souls of all of Earth’s children. Aided by his Twelve Generals (all themed around animals from the Chinese Zodiac), the King’s plans are challenged by the hero of the story, Kutaro. The King is one of those wonderful villains who mingles humor, menace, and pathos perfectly: he’s actually EXTREMELY funny, but he’s also extremely nasty, capable of some truly horrifying acts of evil. When you learn the truth of his origins and motivations, he becomes a sympathetic character, which only adds to the layers of his personality. On the one hand, it would have been nice to see more of him, and the world of Puppeteer in general. On the other hand, I think this is one of those games where its singular status is part of what makes it so special. If a sequel or spin-off ever does come out, I shall be curious…but as it stands, the King and his source work are perfectly grand on their own.

12. Kefka Palazzo, from Final Fantasy.

I’ll come right out and admit it, I’m not really super familiar with the Final Fantasy series and a lot of its characters. And that, very frankly, is why Kefka is so low on the list: he’s one of the very few characters from the franchise I do feel I know pretty well, even if I do say so myself. This is good for him in terms of his own merits, but it’s also why I don’t think I can honestly and justly place him higher. With that said, he IS a really fun villain. I know a lot of people praise Sephiroth as the greatest antagonist of the series, and he’s a good villain, too…but in my opinion, Kefka is even more interesting, as well as just a lot of fun. One of my issues with FF, and why I’m not really familiar with it, is that a lot of characters (among those I know) feel very similar, in terms of both personality and design. Kefka, however, is truly a one of a kind figure: he’s a wild, chaotic, childish, brightly colored jester who walks, sounds, and generally behaves in a way that is extremely unique compared to all the rest around him. As far as villainy goes, he’s wonderful in how he’s such a paradoxical character. Kefka is a nihilist of the highest order, who has no purpose in life other than to inflict suffering and death. While he can be manipulative and cunning, there is no end goal beyond just making others feel pain and seeing things perish. On the one hand, this makes him one of the most thoroughly vile figures in the franchise, and in some ways one of the most frightening. But at the same time, there’s a sort of sadness to Kefka: the reason he is so obsessed with destruction is because he literally cannot understand the ideas of love, compassion, or even hope. When others express those concepts, his physically incapable of comprehending them: he sees no meaning in life, because in his mind, there IS nothing but death looming on the horizon. His flamboyant and vibrant facade is exactly that: a sort of armor that hides an overwhelming emptiness, which only making others hurt seems to satisfy in any way. He is funny and frightening, tragic yet despicable, and those kinds of layers always make for fascinating antagonists. He would be MUCH higher if I just knew more about his universe in general.

11. Pagan Min, from Far Cry 4.

I should point out that Far Cry 4 is the only Far Cry game I know especially well, mostly because it’s the only one I’ve actually played. I have not played nor even looked at much from the other games in the series, so I really can’t comment on them. (I say this because I know there are some villains from other installments people might list over Pagan. In my case, he’s really the only one I know well.) Initially, when I was planning this list out, Pagan was a bit further down…but after revisiting FC4, I discovered he was a lot greater than I already recalled. He’s a villain who really works best IN a video game world, as his presence is felt through the gameplay and various other things that can ONLY work in a video game setting. Most of his time in the game is spent on the peripherals, but his impact is felt throughout the whole adventure. He’s also an intriguingly layered sort of villain: Pagan is a tyrant and a psychopath, with a flamboyant sense of style and a very freewheeling, jocular personality. However, as the game goes on, we quickly realize more sides to his personality. Perhaps the most notable is his relationship with the main character, Ajay: he actually LIKES Ajay, and doesn’t really want to kill him, because our protagonist has ties to Pagan’s past. Pagan seems to see Ajay as a sort of surrogate son, but unlike other “father nemeses” in fiction, he never goes down the path of “you may be my son, but I will still kill you because too far gone into evil and so forth.” Instead he just…kind of gets annoyed we’re playing with “naughty children.” Right up to the end, though, he’s jolly and sympathetic with the protagonist, which honestly makes the cruelty he shows towards others all the more unsettling. A lot of this game revolves around the question of loyalty, and of rightful leadership. Pagan Min represents the nightmare of absolute power, but he also represents a sort of strange temptation…and hey, it’s not like the alternative rulers the game presents are any nicer, at the end of the day. :P

10. Skull Face, from Metal Gear Solid V.

Most MGS fans would probably place a villain with longer standing here - such as Liquid Snake, Revolver Ocelot, or possibly Psycho Mantis. And all of them are fun villains, but I am not most fans. Skull Face may only appear in one game (well…technically two games, since MGSV was released effectively in two parts, “Ground Zeroes” and “Phantom Pain”), but that doesn’t negate him placement by any means. This character seems to be one fans are polarized over: depending on where you look and who you ask, he’s either one of the best villains from the series, or one of the worst. As you can imagine, I fall into the former category. Skull Face is an extremely messed up bad guy, with a very depressing past and remarkably twisted motivations. You feel sorry for him in some ways, but in other ways, he’s one of the most utterly reprehensible villains the series puts forth. His demeanor is equally paradoxical: his physical design and some of his mannerisms are rather over-the-top, but there’s a seriousness and a subtlety to him at the same time. He’s kind of everything you want from a villain…and to top it off, he’s the kind of villain who I feel really only works in a video game. (A bit like our previous pick.) See, part of what makes Skull Face so great is that, even when he isn’t onscreen, his presence is felt: what he does in the game affects the player even when they aren’t physically facing him down, and a lot of who he is is presented in things you find hidden throughout the game. It’s these little nuggets of intrigue that make him so fascinating, but even on a superficial level, I think he’s still a pretty great baddy. The only problem with the character I have, and why he doesn’t make the top ten, is that we never really get what I feel is a satisfying conclusion for him: his story ends, make no mistake, an what happens to him isn't WHOLLY disappointing, but I feel like a final boss fight against him would have helped him make even more of an impact. Maybe that’s one of the reasons some people have a problem with him, but for me, it doesn’t ruin him entirely.

9. Jack the Ripper AND Bartholomew Roberts, from Assassin’s Creed.

Here is the other exception I mentioned earlier, and it’s admittedly a somewhat more glaring example. With the Mad Doctor and the Blot, they at least appeared in the same title together, the first Epic Mickey game. Roberts and the Ripper appear in the same franchise, but in two completely different titles and storylines. There are lots of great villains in AC, from historical figures to totally fictional characters, but when trying to decide between my favorites, I knew it would have to be at least one of these two…and after revisiting their respective appearances, I couldn’t decide between them. The issue is that I like both for similar reasons, but also for totally different ones. Both are historical criminals of great infamy, and both are my favorite fictional depictions of those figures. Each is interesting in different ways, and also despicable in different ways. Roberts is one of the main antagonists of the game “Black Flag,” and is a prominent figure throughout the story, with a big impact on things that happen. He’s also a unique villain in that he is neither an Assassin nor a Templar, but a Sage; someone caught in-between the two feuding factions. Roberts also starts out as a sympathetic character, and even becomes an ally, before eventually showing his colors as an antagonist. In the Ripper’s case, he’s only the villain for a DLC package, which is optional; it doesn’t really affect the story of the main game for his title, “Syndicate,” if you play it or not. So in that regard, Roberts has him beat. However, Jack’s setup - as a former Assassin turned rogue - gives him a similarly unique status in the universe of the games. Plus, gameplay-wise, Jack is much more fascinating; first of all, you actually get to PLAY as the Ripper throughout the DLC. Second of all, his boss fight is probably one of the best bosses in the whole series. The battle with Roberts is nothing to scoff at either, but it’s comparatively much more standard; it’s great in its historical accuracy and grandiose nature. Between the two, I found the pros and cons of each evened out; I kept going back and forth on who really earned the spot. So, end of the day, I decided to just let both of these dastardly gentlemen have it.

8. Flowey/Asriel Dreemurr, from Undertale.

So, talking about this character/these characters means delivering MAJOR spoilers, just to warn everyone. However, since Undertale is such a big deal at this point, and since it’s now been ALMOST A DECADE since it came out? I think it’s okay for me to speak candidly about the subject. In “Undertale,” your main character - whose name is eventually revealed to be Frisk - winds up in a mysterious world populated by monsters. The game subverts the trope of RPG titles, where you boost your powers and abilities by slaying beasts in random encounters; you absolutely can slaughter every monster in sight, if you WANT to, but if you do that…well…“you’re gonna have a bad time,” as the game says. Most of the “enemies” you encounter in the game are actually friendly, or simply acting on a sort of misunderstanding, or otherwise able to be reasoned with. There is, however, one exception: throughout the game, in all of its different paths, you are plagued by a mysterious, talking sunflower simply known as “Flowey.” Flowey is a sadistic monster who revels in death and quite literally hungers for power. It’s eventually revealed, if you take the “True Pacifist” route - which is typically regarded as the “True Ending” of the game - that Flowey is the reincarnation (or something like it) of this character: Asriel Dreemurr, the long-dead prince of this underground world. Eventually, his true form is revealed, which leads to an epic final boss. (Though, to be fair, Flowey’s own boss, found in other routes, is pretty crazy, too.) Along with it comes his backstory, which is…really quite gut-wrenching. Asriel is both one of the most dangerous enemies you face, if not THE most dangerous, and yet also arguably the single most tragic character in the entire game. There’s not enough time and space for me to go into everything about him, but suffice it to say, when you learn why he is the way he is - both as Flowey and as himself - it’s honestly pretty heartbreaking. He’s the only character who one could argue doesn’t get a happy ending, in the True Pacifist route, and yet he’s also the character who you wish could have one the most, despite all the terrible things he does by the end of the story. Between both his true form and his appearance as the demented Flowey, he manages to kind of be everything you could want out of a villain: he’s powerful, menacing, rather creepy, and yet also shockingly sympathetic. If any villain on this list most exemplifies the idea of “sympathy for the devil,” it’s probably Asriel.

7. GLaDOS, from Portal.

This evil AI is another rather paradoxical villain. Most versions of the “Evil AI” concept - whether it be an out-of-control robot, or a computer program gone mad, depict the AI in question as somewhat morally ambiguous. They typically are just trying to carry out their programming, or see themselves in the right and humans in the wrong, seeing people as flawed and themselves as perfect. There’s a coldness, a detached-ness, to such creations, typically speaking; they aren’t necessarily EVIL, they’ve just gone to an extreme measure. GLaDOS, however, is different: she IS evil, plain and simple, and it’s not entirely clear why. She is openly sadistic, cruel, and murderous, and uses her power and presence to manipulate others in various ways. GLaDOS actually has a conscience, unlike most characters of this sort, but she deliberately ignores it, and her personality and desires go well beyond simply furthering science as she claims to do. What’s fascinating about GLaDOS, however, are the complex emotions that arise between her and the player’s main character, Chell. On the one hand, the two are arch-nemeses, but on the other hand, the two are almost friends. GLaDOS yearns to kill Chell in the first game, but Chell also relies on her a lot in both Portal games. GLaDOS is cynically sarcastic, passive-aggressive, and bitter towards Chell, in lots of ways and for lots of reasons, yet she also admits to thinking of Chell as “her best friend.” Indeed, GLaDOS seems pretty pissed at the player during the final boss in the first game, and after her defeat when we meet her in the second game, but not in a “How dare you, mere peon!” way so much as a feeling of bizarre, genuine betrayal. It’s the twisted emotions of GLaDOS, and her unique nature among other characters within her own archetype, that makes her so intriguing. She is, once again, a villain who melds so many different layers - humor, horror, and surprising empathy (if not necessarily sympathy) - making for a well-rounded and memorable antagonist.

6. Xehanort, from Kingdom Hearts.

“Kingdom Hearts” is one of my two favorite video game franchises (we’ll get to the other of those two soon), so it seemed only fair I place the main antagonist of the entire series high up. I nearly gave him a spot in the Top 5, but...well...when you see who DID take the number five slot, you'll understand. In some ways, having said that, I think Xehanort is one of the most underrated video game villains: despite the popularity and success of the KH series, I rarely hear Xehanort’s name mentioned when people bring up famous video game baddies, and I also don’t typically see much cosplay of him or anything like that. For me, though, he’s definitely one of the greats, and also one of the single most persistent buggers. It would take FOREVER to describe EVERYTHING that goes on with this guy, because, essentially, describing Xehanort’s story and setup in any meaningful way would mean going into the lore of the entire KH franchise, and…yeah, we’re not doing that here, if ever. XD For now, suffice it to say he’s a marvelous villain in how he permeates the whole franchise: everything that goes wrong in the heroes’ lives is either directly or indirectly thanks to Xehanort’s meddling, and with multiple different forms of himself - from Xemnas to “Terra-Nort” to the Seeker of Darkness - you can’t turn a corner without running into some version of this guy causing trouble somewhere. His motivations and character archetype ride a fine line between mad scientist and dark wizard, and despite causing all sorts of havoc across many different worlds…when his story comes to an end, you do sort of feel sorry to see him go. It’s been indicated Xehanort’s ultimate defeat may not be the end to KH as a whole, so time will tell what other villains could come in the future. And who knows? Considering how many times this character and his many forms have cheated death before, maybe we still haven’t seen the last of him…

5. Dr. Eggman, from Sonic the Hedgehog.

I’ve only actually played one Sonic game, that being “Sonic Unleashed.” (Apparently, that game is sort of a polarized one among fans.) However, I have looked at things from other games, as well as come to understand the franchise through its other outlets, such as television and movies. So while Sonic isn’t necessarily a universe I’m a pure-blooded expert on, I know a lot more about it than, say, Final Fantasy. One thing that’s consistent in every version, in my opinion, is this: Dr. Robotnik, also known as Dr. Eggman, is ALWAYS my favorite character. Eggman is one of the most iconic of all video game villains, perhaps second only to Bowser from Nintendo’s core lineup. He is the quintessential mad scientist: a greedy, ambitious lunatic and robotics expert who seeks to, of course, take over the world. If only he could just smash, shoot, or otherwise scuttle that annoying hedgehog who keeps ruining his dastardly schemes! Eggman is one of the most versatile villains in gaming, I would say, as well; different depictions of him throughout the Sonic franchise have handled the kind of villain he is in different ways. Some takes on Eggman are honestly VERY scary, making him a truly threatening and grotesque villain with no redeeming values whatsoever. Others make him into a clown, a sort of roly-poly goofball who isn’t really a threat so much as a persistent nuisance. My favorite ones, however, blend a bit of both; making Robotnik a character who can be funny, and perhaps even sympathetic, but is nevertheless totally capable of committing absolute atrocities. I always love villains who have that kind of multi-layered aspect to their personality, being empathetic and entertaining while also still able to pose a decent threat and act as a true obstacle to the hero. If there’s one thing that Eggman is consistently shown to be in every depiction, it’s determined; some might even say stubborn. No matter how many of his machines get ruined, no matter how many plans for global domination are foiled, he always comes back ready for more. He’s basically the Wile E. Coyote of video games: forever chasing a super-speedy foe, but seemingly destined to always come second place. Sometimes, that simple formula is all it takes to make a character fun.

4. Count Dracula, from Castlevania.

Alongside Kingdom Hearts, “Castlevania” is one of my two favorite video game franchises, and…to be honest, one of the single biggest reasons why is this guy. The Castlevania series started out as a tribute to classic horror and monster movies, featuring various references to both Universal Monsters and Hammer Horror. While it hasn’t abandoned those roots completely, over time, it’s become more and more its own thing, and most of the really famous classic monster figures - such as Frankenstein’s Monster, the Mummy, and the Creature from the Black Lagoon - while certainly persistent figures throughout the franchise, have always sort of remained background figures. The one great exception is the king of the monsters: the Prince of Darkness, the Lord of the Vampires, the Count of Transylvania…the One and Only Dracula. Castlevania’s Dracula may not have the automatic recognizability of some film versions, but over time, he has become more and more iconic, as he is the main antagonist of the whole franchise. And considering the franchise has been around since the 1980s, and has not only had multiple games under its belt but two very successful animated series adaptations, it’s not hard to understand why. Even when Dracula isn’t the final boss or main antagonist of a specific game, he’s always present in some form or another, and the different paths the franchise has gone down have evolved this villainous vampire in all sorts of ways. He’s gone from a pretty straightforward villain, to a sympathetic and tragic antagonist, to even getting to be a protagonistic anti-hero figure. And with every interpretation, he is always interesting and intimidating. He’s easily one of my favorite interpretations of Bram Stoker’s greatest creation, and has earned every ounce of respect as one of video gaming’s most classic adversaries: he’s just as immortal in those ranks as anywhere else.

3. Bowser, from Mario Bros.

Well, you can’t have a good list of video game villains and not at least mention this guy. As I said before, alongside Dr. Eggman, Bowser - the King Koopa himself - is quite possibly the single most iconic antagonist in video gaming history. Heck, whenever people bring up video games in general, the Mario Bros. series is probably one of the first examples to come to mind. Just as Robotnik will never seem to give up chasing Sonic, Bowser is thoroughly unceasing in his desire to abduct and wed the beautiful Princess Peach. No matter how often she spurns his advances, he always comes back to try a new plan to conquer the world and gain her hand in marriage…and every time he does, Mario is there to stop him, along with Luigi, Yoshi, Toad, and all the rest of the plumber’s playmates. Also, much like Eggman, Bowser is as versatile as he is iconic: some versions of the character depict him as a genuinely monstrous threat that needs to be beaten, others show him as more of a buffoon who tends to be more annoying than truly dangerous. Once again, like Dr. Robotnik, I like Bowser best when he’s somewhere in the middle: able to be funny and perhaps even sympathetic, but also still being a genuine menace and a villain to be reckoned with. What boosts Bowser above Eggman is primarily that I know and understand the Mario universe better than the Sonic universe, and I have a slightly bigger attachment to Bowser as a result. (Plus, I…sort of have a crush on him, I’ll confess. I can’t help it, he’s a big, burly, man-eating monster with a deep, powerful voice, I’M WEAK. >///> )

2. Carmen Sandiego.

You won’t find Carmen on a lot of other people’s video game villains lists, admittedly not without good reason, but there was never any doubt in my mind she’d rank highly here. If you only know this character through the Netflix television series, and its spin-offs, then you’re probably confused: in that version, Carmen is the main protagonist, and was depicted as a sort of misunderstood heroine. She’s akin to Arsene Lupin or The Saint: using crime to battle crime. That is NOT the original interpretation of Carmen Sandiego: Carmen had a loooong history before the Netflix reboot, and it started with a series of computer and console games, where she was the main antagonist. The games were “edutainment” packages: meant to offer educational value as well as entertainment. They were primarily focused on teaching children social studies, like Geography and History (although some other fields got covered, too, such as Math and English). I grew up playing a LOT of “edutainment” games (my mother was, and still is, a schoolteacher), and most of them were kind of “eh.” But the one series I absolutely loved, and STILL love, was Carmen Sandiego. The premise of the games had Carmen as the World’s Greatest Thief: the leader of a secret cabal of robbers and spies known as VILE, who sought to plunder the world’s greatest treasures. Everything from the Statue of Liberty, to Elvis’ Pink Cadillac, to the Mona Lisa…Carmen and her cohorts would steal everything rare or one-of-a-kind under the Sun, no matter how implausible the crime seemed. Throughout the franchise, Carmen was consistently depicted as a glamorous and mysterious character, a sort of teasing incentive: we wanted to capture this illusive, fascinating, shadowy woman in her fine red outfit, and the urge to know what it would be like to go toe-to-toe with her directly kept people playing. As time went on, Carmen’s character was developed further, giving her a more morally ambiguous personality, and a backstory that was both revealing…and yet still full of tantalizing holes. You never really knew why Carmen did what she did, or what she would do next, or where she could pop up. It was the eternal mystery of the character that made her so interesting. While her career has had ups and downs, she’s never really gone away, and while I do like the Netflix version and its more heroic depiction of her…I will always prefer the Classic Carmen, and all her villainous ways. The thrill of the chase she provided always made learning fun.

1. Joker, from Batman: Arkham.

As I think I’ve said before in the past, the Joker is quite possibly my favorite villain of all time. And as I ALSO think I’ve said before, Mark Hamill’s take on the character is my favorite version of the same. So it stands to reason, just by that logic alone, that the Batman: Arkham series would have my favorite villain in video games, since it features Hamill playing my favorite baddy, and it’s arguably his greatest work with the character aside from the DCAU. (Oh, and Troy Baker also took the reins a couple of times; he’s freaking awesome, too.) While the Joker was not the main antagonist of every single game in the franchise, he was always - as the character ever is - a persistent and impactful thorn in the Dark Knight’s side. The series focused a lot on the twisted, strange relationship between these two arch-enemies, and their seemingly eternal duel with each other was what drove much of the plot in each game, and provided many of the most interesting moments. Even after dying in-universe, officially, the Clown Prince of Crime would continue to plague the Caped Crusader from beyond the grave. You can really see the whole series, overall, as an exploration of the rivalry between these two characters, from where it started to how it ended. Other villains came and went, and were portrayed in a variety of ways - some better than others - but the Joker was consistently present, and consistently well-handled, making for not only one of the best versions of the comic book creep that’s ever been, but one of the most iconic and lauded villains in video game history. He is part of the reason the Arkham games were a success, as much as any of the gameplay and atmospheric elements, and there is so much you could analyze or say about the character - both onscreen and behind the scenes - to explain why. It’s therefore no surprise at all that he takes the cake as My Favorite Video Game Villain.

HONORABLE MENTIONS INCLUDE…

Albert Wesker, from Resident Evil. (I just don’t know a ton about these games or this character, so despite his iconography, it didn’t feel fair to place him in the ranks.)

SEVERAL Villains from American McGee’s Alice. (The Queen of Hearts, the Mad Hatter, and the Dollmaker from “Madness Returns”, in particular. All are great villains, but when I really looked at things, I felt other characters earned it more, and I felt like three villains at once would have been MAJOR cheating.)

Doc Ock, from the PS4 Spider-Man Game. (Wasn’t sure how else to credit that title. Also, I haven't played the sequel yet, but I hear Kraven the Hunter there is AWESOME.)

Ganon, from The Legend of Zelda. (Same issue as Wesker.)

Gruntilda, from Banjo-Kazooie. (Very nearly made the list, but I just have a bigger fondness for Epic Mickey.)

Rollo Flamme AND Fellow Honest, from Twisted Wonderland. (Oh, you all know I couldn’t ignore this one. These two are the most antagonistic characters so far, one could argue, as we really haven’t seen them become protagonists - at least not yet - and they do arguably the most reprehensible things of any character in the game. However, because of the way this whole game works, not sure if they really count enough to make the list.)

Shao Kahn, from Mortal Kombat. (Same issue as Gruntilda.)

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madamegemknight · 2 months

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I've finally watched the Muppets 2011 with my dad, and it was a blast!! I love its sense of humor (seriously, that Muppet man joke had me CACKLING), and it's so heart-warming in its simplicity and having a good time despite the trials the Muppets went through... I feel like I can't wipe this smile off my face (ehe)

Do you have any other Muppet or puppet media you'd recommend? I thought I'd ask you since you're the resident puppet expert, and I've been wanting to get into more puppet-related stuff :P

OH YAYYYY I’m so glad you liked it!!

And I do have other Muppet/puppet media I would recommend, thank you so much for asking (and gosh I am incredibly flattered you consider me the resident puppet expert). This is going to be LONG (sorry about that in advance), so under the cut it goes!

First off, I’d recommend the sequel to Muppets 2011, Muppets Most Wanted! It’s about the Muppets going on a world tour after getting back together in the previous movie, only for a criminal mastermind named Constantine (who looks exactly like Kermit) to hijack the tour, sending the real Kermit to prison and pretending to be Kermit so he can hide from the law and use the tour as a chance to steal the Crown Jewels. It’s a really great comedy heist that’s also an INCREDIBLE musical, and it has the same humor and sense of heart that Muppets 2011 has. I haven’t seen it in a while, but I have incredibly fond memories of watching it with my sibling when we were younger, and I think you would really enjoy it.

I would also recommend the original Muppet Show! I haven’t finished watching it yet (I’m on season 4 of 5 at the moment) but it’s a really fun show that serves as a love letter to old vaudeville theater and is just consistently entertaining. There’s no overarching plot and you can pretty much watch any episode in any order, though I would suggest that if you’re interested in checking it out, you watch the Harry Belafonte episode first - it’s regarded by a lot of fans (including me) as being the best episode of the series, and gives a very good idea of what the rest of the show is like.

(Also I HIGHLY recommend you watch the pitch reel for The Muppet Show, which you can find on YouTube here. It’s not essential viewing by any means, but it’s very funny and gives a bit of context for what the field of entertainment was like at the time the show was pitched)

The original trilogy of Muppet films are also absolutely stellar. The Muppet Movie is the story of how the Muppets got together, The Great Muppet Caper is essentially an AU where Fozzie and Kermit are brothers working for a newspaper and trying to prove Miss Piggy innocent of a jewel robbery, and Muppets Take Manhattan is essentially an AU where the Muppets were all friends in college and are trying to put on a show in New York. The original trilogy films are really fun in my opinion because they play fast and loose with what’s real and what’s fake; Kermit admits at the beginning of The Muppet Movie that it’s only an approximate retelling of how the Muppets actually got together, and the other two movies in the trilogy are telling completely separate stories than the main Muppet timeline, with The Great Muppet Caper even having an entire song devoted to telling the audience that it’s just a movie and that it isn’t actually canon. They all have INCREDIBLE soundtracks, too, the songs from these movies are some of my favorite Muppet songs ever.

Fraggle Rock isn’t really considered a piece of Muppet media anymore, since when Disney bought the rights to the Muppets they didn’t bother buying it as well, but it was originally a Muppet production and all of the stuff I watched as a kid referred to it as a Muppet production, so I’m counting it as a Muppet production still lol. Fraggle Rock is an absolutely amazing show on all levels; the puppetry is great, the songs are all stellar, the characters are so well-written, and despite being a show aimed at kids it never talks down to its audience, handling serious issues like death and prejudice with the respect they deserve. It’s probably best to go into Fraggle Rock as blind as possible (unlike The Muppet Show, there is an overarching story, though you don’t really find out that there is one until towards the end of Season 1) so all I’ll say is that it’s probably one of my favorite Muppet productions ever and that the finale, without exaggeration, made me cry for 30 minutes straight. There’s also a Fraggle Rock reboot called Fraggle Rock: Back to The Rock, and while I personally don’t think it’s as good as the original series, it’s still REALLY amazing and you can tell that the team working on it really cares about the og series. If you do end up watching Fraggle Rock, I’d recommend the reboot as well!

Getting into a bit more obscure territory here, but Tales From Muppetland: The Frog Prince is very near and dear to my heart. It’s a Muppet retelling of the Frog Prince fairytale, with the twist that the princess has been cursed by the same witch that the frog prince has been cursed by! The relationship between Prince Robin and Princess Melora is really cute, and it’s clear that the two of them really care for each other. I love the changes that it makes to the original fairytale, too; I mentioned the twist of Melora also being cursed, which gives her and Robin the chance to bond and leads to a very sweet song about finding someone who understands who you are and what you’ve gone through, but the story is also altered so that Robin explains why he needs Melora to kiss him instead of hiding the fact that he’s a prince from her - she doesn’t believe him, but I’m glad they made that change regardless. The witch is also a really fun villain! She’s reused from a previous Muppet production (Tales of The Tinkerdee) that was meant to be a pilot for a planned show but was never picked up, and I’m really glad she got a chance to shine in something that was actually officially released.

Sam and Friends is the first ever Muppet series, debuting in 1955, and while most of it is unfortunately lost media there are a couple episodes you can find online! I really like Sam and Friends (I have a book all about the making of the show), and I would recommend it both as a way to look at how far television puppetry has come and as just a genuinely very entertaining show in its own right - plus, the episodes are only 5 minutes long, so you can get through all the available episodes pretty quickly. My personal favorite episode is “Powder Burn,” a parody of the show Gunsmoke.

Emmet Otter’s Jug-Band Christmas is probably one of my favorite Christmas specials ever, despite me only watching it for the first time this past December. It’s a very earnest and emotional story about a family (Emmet Otter and his mother Alice Otter) living in poverty after the death of Emmet’s father. Both Emmet and Alice want to be able to give each other a good Christmas present, so they both enter the local talent contest on Christmas Eve in order to win the cash prize without telling each other. The soundtrack is done by the same man who did the soundtrack for The Muppet Movie (Paul Williams), and is just GORGEOUS - it manages to be silly and heartfelt at the same time, and does some really interesting stuff with the instrumentals, like having a kazoo solo during one of the more somber songs which somehow actually works! Like Fraggle Rock, it it isn’t afraid of tackling serious issues like death and poverty, and like Fraggle Rock, it made me bawl like a baby.

Finally, I would recommend both the documentary Of Muppets and Men and the Jim Henson Hour episode “Secrets of The Muppets” (I sadly haven’t watched enough of The Jim Henson Hour to give a proper recommendation, but from the little I’ve seen it’s very good). Both of these tackle the behind the scenes of working on the Muppets, with Of Muppets and Men being about the making of The Muppet Show specifically and “Secrets of The Muppets” being a general overview of the stuff the Muppets had done up to that point. I completely understand if you don’t want to see the behind the scenes workings of the Muppets (my mom doesn’t like seeing that kind of thing either and I get why), but if you do want to see it I can’t recommend these two enough. They do an excellent job at introducing and highlighting the skills of the troupe of Muppet performers, detailing specific tricks of puppeteering, and showing how everything comes together.

There’s definitely more Muppet media I want to recommend, but if I did so we’d be here FOREVER, and I still haven’t gotten to the puppet media recommendations! This list does serve as a pretty good starting point though - if you like Frog Prince and Jug-Band Christmas you’ll probably like the rest of the Tales From Muppetland specials, if you like one of the original trilogy of Muppet movies you’ll probably like the others in the trilogy, if you like Sam and Friends you’ll probably like the Muppets’ appearances on shows like the Ed Sullivan Show or the Jimmy Dean show that they made during that period, etc. Most of this stuff is on YouTube or the Internet Archive, but if you’re looking for something specific and can’t find it, let me know and I’ll do my best to locate it 👍

AND NOW AFTER 50 MILLION PARAGRAPHS WE ARE ON TO THE PUPPET MEDIA IN GENERAL RECOMMENDATIONS

I have to start this list off with my favorite movie of all time, The Dark Crystal. It’s a fantasy epic done entirely with puppets, and it is utterly gorgeous. All of the puppets are so detailed (I had the absolute blessing to see some of them when a local museum held a puppetry exhibit and the sheer amount of tiny details you can’t even SEE in the film are incredible), the world is so richly developed, the soundtrack is absolutely top-tier, and the amount of innovations in puppetry that this film causes are mind-blowing. There are traditional puppets, people in suits, radio-controlled puppets…the list goes on! I cannot recommend The Dark Crystal enough, it means so much to me and is probably the reason I’m so obsessed with puppets in the first place. It also has a prequel on Netflix called Age of Resistance - like the Fraggle Rock reboot, I don’t think it’s as good as the og, but it’s still absolutely stunning and the team working on it clearly cares about the world of the original film. Sadly, the prequel was cancelled after only one season :( I still recommend it if you like the film, but just go into it knowing that it’s gonna end on a cliffhanger.

The Little Shop of Horrors movie has an absolutely AMAZING puppet in the form of Audrey II, the film’s main antagonist. There are multiple Audrey II puppets, as the character grows throughout the entire film, and the biggest one required over 50 puppeteers to operate. There are no opticals or blue screens used for Audrey II (except for one scene at the very end of the film that they had to reshoot), and the effect is mind blowing. Little Shop is an absolutely incredible film overall, too, and thankfully doesn’t use Audrey II as a selling point or a gimmick - the puppet is incorporated very naturally into the film, and you appreciate the puppetry much more as a result.

I haven’t watched Labyrinth, but my sibling has and they really like it! From what I’ve seen of the puppetry, it’s really well done, and the movie seems very fun. Sorry I can’t give a better recommendation than that lol.

If we’re counting stop-motion animation as a form of puppetry (which I personally do considering the models are typically referred to as puppets), then I absolutely recommend checking out the work of LAIKA, which includes productions such as Coraline and Kubo and The Two Strings. I also highly recommend Wendell and Wild, made by former LAIKA supervising director Henry Selick, as well as Guillermo del Toro’s Pinocchio. All of these films are stunning, and they absolutely deserve the hype that surrounds them.

This one is a bit more preschool-centric, but when I was very little I was OBSESSED with Johnny and The Sprites, and having watched a bit of it again recently, I feel it still holds up somewhat for older audiences. It’s a show about a musician named Johnny who moves to a house in the woods in order to focus on his music only to find that the house is next to Grotto’s Grove, where a species of fairy-like beings called the Sprites live. The series is focused on Johnny teaching the Sprites about human stuff and the Sprites teaching Johnny about Sprite stuff in turn. It’s a very cute and charming show :3

On the complete opposite end of the spectrum is Mystery Science Theater 3000, a show about a man trapped in space with 4 robot companions and forced to watch bad movies as part of an evil science experiment. It’s very goofy and very immature at times, and 99% of the time you need a guide to understand the stuff they reference, but it’s great regardless, and despite being very simple the puppets are really well-designed. Unfortunately, one of the characters is named after the ethnic slur used against Romani people in the show’s original run; it wasn’t done out of any intentional malice and the creators changed her name when the show was revived and viewers expressed their concern, but if that sours your opinion on watching the original show I completely understand.

Don’t Hug Me I’m Scared is a classic, and for good reason - both the original webseries and the tv show riff off of and play with the stereotypes of traditional children’s puppet shows, while still clearly respecting the art of puppetry and giving it their own unique spin. It’s definitely on the spookier/gorier side of things, so MASSIVE content warning if you want to check it out, but DHMIS is very good and I adore it.

And with that, this very very very VERY long list comes to an end. I definitely didn’t mention everything that I wanted to - there are some excellent pieces of puppet media, like Starkid’s Starship, that I just haven’t gotten around to watching and thus can’t properly recommend - but like with the Muppet section, I’d suggest using this as a starting point. There’s a TON of puppet media out there, and this is just scratching the surface!

I hope this list helps, and that you find something on here that you enjoy :D

#I am SO SORRY for how long this got akabwkrnsalsk once you get me talking about puppets I cannot stop

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