#its not the real version of the myth | Explore Tumblr Posts and Blogs

atlabeth · 3 months

Text

geyser

series masterlist

pairing: luke castellan x daughter of poseidon!reader

summary: percy learns about the first girl luke castellan ever loved.

a/n: this is a lil sad. sorry about that. but i really like it and it came out of nowhere in like 2 days so i hope you enjoy despite the sadness. title from the mitski song

wc: 6.5k

warning(s): major character death; not shown but hangs over the whole fic. angst made angstier by fluffy flashbacks. mostly told through percy’s pov but includes luke, annabeth, and reader povs

also if you saw this before on another account DONT WORRY... that account was also me. im just doing some stuff behind the scenes right now as i figure stuff out lol i promise no plagiarism is going on

Percy thought that his head might explode.

He didn’t know how he was still walking, honestly. His mom died, he killed a— no, the— Minotaur, all the Greek myths were real and his dad was one of them, and now he had to deal with that freak accident with Clarisse and the toilets.

At least he would be ready next time she tried to beat him up. Percy had been the new kid enough to know there would be a next time.

All he could do was stare at the Minotaur horn in his hands, the only sign that what happened outside the border was real. The horn in his hands and the hole in his heart.

Percy swallowed the lump in his throat. He’d been thrown into the deep end, and the only thing on his mind was when he would start to drown.

“Hey.” Percy looked up to see the counselor he’d met earlier with Annabeth—Luke. He tossed a ziploc bag at him and he caught it, taking a moment to look at what was in it.

“I stole you some toiletries from the camp store,” he explained. “Thought it might make you feel more at home.”

“…Thanks.” He didn’t know if Luke was joking, but the damage had already been done. And it was the nicest thing someone had done for him so far. He set it down next to his Minotaur shoebox. “Is this the best that it gets?”

Luke’s lips quirked up in a slight smile. “For now. We’re a little crowded, if you couldn’t tell.”

“Just a little bit.” Percy stood up from his sleeping bag and worked out the knot in his shoulder. “Where’s your bed? Assuming you have one.”

“I couldn’t wrangle all these cats without some back support,” he said, and he pointed to a bed in the corner. It was the only one on its own without a bunk, and he had a fair amount of decorations. Counselor privileges, he figured. Percy walked over, Luke trailing behind him.

“Nice place,” he said. Percy picked up the Yankee’s cap on his bedside table and nodded as he looked back at him. “Nice taste.”

“It’s for Annabeth,” Luke said. “She wanted us to match.”

Percy nodded again in approval. “Good taste for both of you.”

Luke had various other things around — an alarm clock knocked over next to the baseball cap, a huskie sticker on the wall half-scraped off, a poster for an album he didn’t recognize.

But the thing that caught his eye was a polaroid hanging on the wall, surrounded by a smattering of others varying in size.

The first one had to be an old picture—Luke didn’t have his scar, and the biggest smile stretched across his face. He had a girl close with an arm slung around her waist, and she might’ve been smiling even more than Luke. A bright energy emanated around her, something that must have transferred through the picture, because Percy found himself feeling a little better just looking at her. He wondered if she was a camper.

His eyes flicked to the next picture, which was another one of Luke and that girl. They were both laughing as she tried to put a blue hat on Luke’s head, and he protested with a hand on her wrist. They were in the forefront of a baseball game, Percy noticed.

There were other pictures, too—Luke, a girl dressed all punk, and what looked like a young version of Annabeth, most notably—but a majority of them were either Luke and that girl, or the girl all on her own. In every single one, she beamed brighter than the sun.

Percy pointed at the picture of Luke and the girl at the baseball game, his curiosity getting the better of him. “Who’s that?”

That seemed to catch Luke off-guard, his lips parting for a moment as if he wanted to say something. It barely took him any time to get back on track, but Percy found himself frowning.

“That’s…” Luke cleared his throat, wet his lips, shook his head. “A friend. A very good friend.”

“Does she go here?” Percy asked.

“She did.”

He frowned. “Where is she, then?”

“Percy—” Luke’s voice was strained, but he didn’t really notice as he went on.

“I didn’t see her around,” he continued, “and you look pretty close.”

Luke blinked a couple times, and Percy swore he could see the telltale glimmer of tears starting in his eyes. A muscle worked in his jaw, and suddenly Percy was worried that he’d said something horribly wrong. He had a talent for that, it seemed.

Fortunately, he was saved by the bell—conch shell?—and something like relief flooded through Luke’s expression. Tension still coiled in his body.

“Come on,” he said, that camp counselor smile coming back as he put his hand on Percy’s shoulder and guided him away from the enclave. “That means dinner’s about to start.”

Percy’s frown deepened as curiosity won out again. “Was she your—”

“You don’t wanna be late,” Luke continued, ignoring his attempt. “I assume you’re pretty hungry after two days spent out?”

Well, that only made him want to push harder. But Percy figured he wouldn’t get anything out of him—especially not now.

“…Yeah,” Percy said. “Starving.”

An odd look flickered across his face, but again, it only lasted for a second before he was back to normal. He cupped his hands around his mouth and yelled, “Eleven! Fall in!”

Percy was at the back of the line by virtue of him being the new kid, and he found himself looking back at that picture of Luke and the girl. He didn’t know why, but something drew him to her. Before Percy could think about it more, the line was moving and his growling stomach drew his attention away.

He would have plenty of time to ask Luke about it later.

Or rather, ask him and piss off the only person who’d tried to be his friend so far.

…Gods.

Maybe he was going to drown sooner than he thought.

“Luke—”

“No!”

“Luke, please!”

“Annabeth will kill me if she knows—”

“She won’t know!”

“Alright, alright— stay still, you two!”

Your mother laughed from behind the camera as you and Luke fought with each other, you trying your damnedest to get your Red Sox cap on his head as he tried his damnedest to stop you. The frantic laughter on both sides made it a little difficult for either of you to succeed in your quest, but eventually, you got the rock up the hill and the hat on his head.

“Take the picture, Mom!” you exclaimed, pulling Luke even closer by his arms so he couldn’t get it off. “I need the proof!”

“I knew this was a bad idea,” Luke groaned, staring at the camera as you wrapped your arm around his side and leaned into him. He could already imagine your victorious smile, brighter than the sun beating down on them in the stadium, and just the thought of it made one of his own flit across his lips.

“Oh, shut up, Castellan,” you said. “You chose to come to this game. Everyone’s gonna know you’re a Red Sox fan now.”

“You said you wouldn’t tell her!” Luke defended, wrenching his arms free of your control to take the hat off his head. “I don’t even care about baseball!”

“You care so much about it,” you said cloyingly, “and you’re ride or die for the Boston Red Sox.”

“If you say a single word—”

“Okay, kids!” Your mother pointed at the seats next to her. “The game’s about to start—you can keep arguing, but only if you sit down so I can see.”

“Sorry, Mom.” You grinned at her as you pulled Luke over to your seats—they were a step up from nosebleeds, but they were the ones closest to the balcony so you could at least peer over the railing down to the diamond.

“It’s alright, sweetheart.” She glanced at Luke with a smile, and he could really see where you got it from. “We’ve gotta make him a fan somehow.”

“I guess I can live with the brand.” Luke set the cap back on your head once you were seated, purposefully pulling the brim a little over your eyes, and he smiled at you. “Even though it looks better on you, anyways.”

“You just don’t have what it takes to be a Red Sox fan in the heart of Yank territory,” you mused, pushing the hat back up so you could see. “It’s fine.”

Luke rolled his eyes, but he could hardly bite back his smile.

“I am glad you came, though,” you said, glancing back at him. “I’m glad you came with me in the first place. This is gonna be the best semester.”

“Thanks for having me,” Luke said. “It’s… it’s been a while since I’ve left camp.”

“Fingers crossed for no monster attacks, eh?” You held up your hand. “At least, not during the game. I could live with it happening any other time.”

“Don’t speak it into existence,” your mom said. “We’re going to have a monster-free school year.”

To humor her, you made a claw over your heart and pushed out. She hummed in satisfaction, and you looked over at Luke. “It’s gonna be fine.”

“Yeah,” he said. “Because two kids like us aren’t gonna draw any attention.”

“Oh, I know we will,” you said. “But I know it’ll be fine.”

Luke frowned. “How can you be so sure?”

You shrugged with a smile. “I’ve got you.”

And in that moment, he was thankful for the freakish heat that honestly made no sense in the spring—at least it covered up any sign of what your words did to him.

Luke thought you were joking when you asked him if he wanted to come back home with you for the school year. He didn’t know why you wanted to go back in the first place, being a Big Three kid that apparently had a death wish, but the thought of him leaving camp was almost inconceivable.

Even after you assured him you weren’t joking, he still wasn’t sure. He was on the run with you for three years, then…

Well, he couldn’t think about it for too long. But Luke had been on the outskirts of regular society for so long, doing nothing but fighting for his life, that he didn’t know if he could actually function at a normal school.

But it felt right for you two to get some normal time together after you were separated for so long. It took him a semester to decide, but one day during your usual Iris message conversations, he told you he’d love to spend the rest of the year in Boston with you. Luke still remembered the grin you wore, your disbelieving but victorious cheers, the apology you yelled back at your mother for your noise.

Luke watched you as you talked with your mom, discussing Boston’s chances and player statistics and baseball jargon he didn’t think he’d ever understand, and he knew he would sit through a thousand Red Sox games if it meant he would get to keep seeing your smile.

You must have felt his eyes on you, because you glanced over at him. “Are you okay?”

Luke smiled. Gods, he was so glad you were here.

“Never better.”

“That one nearly got me,” Luke said.

Percy huffed as he picked up his sword from the ground—he was pretty sure he would officially lose his mind if Luke disarmed him with that stupid move one more time. One benefit to the Hermes cabin being too scared to associate with him after getting claimed was that he wasn’t making a fool out of himself in front of other people.

“Maybe I can only beat you when I pour water on myself,” he said.

Luke chuckled as he took a bottle from the cooler on the side and held it up. “Wanna try?”

He shook his head. “I think my arms will fall off if I keep going with you.”

He tipped his shoulder. “Fair.”

Percy stared at the ground as Luke gathered himself, trying to put the free range thoughts roaming around his head in order. It didn’t help that he’d gained a million questions after Poseidon claimed him, and it didn’t help that there’s been a newest addition to his dream last night.

He still felt strange asking Luke about it, but he had to know more about her. Percy didn’t know why it felt like his mission to find out who this mysterious girl was, or why he felt that strange connection to her. Maybe it was the way Luke acted whenever he brought her up, maybe it was that she’d popped up in his dream next to him at the very end, maybe it was just plain old curiosity.

“I’m not supposed to be alive,” Percy said, breaking the silence. “I could die at any time in a bunch of different horrible ways. So will you tell me more about that girl on your wall?”

Again, Luke seemed to be caught off guard by it. Percy heard the crunch of plastic as his hand clenched ever so slightly around the bottle, and he tried to cover it up with an arched eyebrow. “Why do you want to know so badly?”

He shrugged. What was he supposed to say?

“I’m curious,” he decided.

Luke huffed a dry laugh before he took a sip of water, and he stared off into the distance for a while. He did a lot of staring whenever this girl was brought up. They looked like they were best friends in those pictures, but maybe whatever they had ended badly. And if she was a demigod too…

Well, it would make sense why he didn’t want to talk about her.

“You know that phrase about curiosity?” Luke asked.

“And how it killed the cat?”

He nodded, drinking some more. “It goes double for demigods.”

“Everything else wants to kill me,” Percy said. “So curiosity’s gonna have to get in line.”

Luke’s laugh was a little more genuine this time, and he shook his head. “I guess I can tell you a little about her. You actually probably have a right to know.”

“Is she a half-blood?” Percy asked immediately.

He nodded. “Yeah.”

“Who’s her parent?”

Luke capped his water bottle and looked at Percy for a good, long moment. His face glowed in the warm afternoon sun, his scar cast in a softer light than usual. The scar used to unnerve him, but he’d gotten used to it after weeks staring at it during sword fighting.

“She was a child of Poseidon, Percy,” he said. “Just like you.”

Percy felt short of breath, like Luke had just knocked his sword out of his hand and shoved him to the ground. But he stood on his own two legs that somehow still worked, and Luke hadn’t moved.

He had a sister?

“I have a sister?”

“…Had,” Luke corrected. “She… she died a few years back.”

A vice latched onto Percy’s heart. He was still having a hard time breathing. No wonder Luke always used past tense when he was talking about her.

He had a sister, he wasn’t alone, but he was because she was dead. And if Luke was one of her friends, that meant she died young.

Gods.

“What about their oath?” Percy asked, trying to ignore the aching in his chest. “I’m already on thin ice for my whole existing thing. How did Poseidon get away with two kids so close to each other?”

Luke shrugged. “I’ve never known why gods do things. Her mother was a great woman, though—I could see what drew Poseidon to her against the oath.”

One half of Percy wanted to ask every question that kept popping into his head. The other side of him wanted to break down and cry.

“How did you meet her?”

“We ran into each other when we were both young,” he said. “Both child runaways, both demigods, both New Englanders—we decided to rough it out on the road together. Couldn’t be any worse than doing it on our own.”

Percy tried to imagine it. A young Luke and a younger version of that girl—maybe Percy’s age—living together in the wilderness and fighting monsters. Surviving off of nothing but their wit and skill, facing death each day before they’d even reached middle school.

“It… it didn’t happen then, did it?” he asked hesitantly.

Luke shook his head. “Couple years later. All we did was watch each other’s backs out there.”

Percy couldn’t help himself. “What happened to her?”

“The same thing that happens to everyone,” Luke said flatly. “There’s a reason I’m the oldest one here.”

“That doesn’t make it better,” Percy insisted. “It— it makes it worse, Luke. You see that, right?”

Luke stared at his empty water bottle then tossed it back into the cooler. When his gaze met Percy’s, he was shocked by how… tired he looked. Beyond exhausted—bone-weary. Percy wanted to say more, but he didn’t get the chance.

“This isn’t good conversation,” Luke said, “and it’s getting late. You should hit the showers before dinner.”

The sun still beat down on them, bright and angry in the sky, but Percy provided no argument. He had a lot to think about.

Before they went their separate ways, Percy stopped and looked back at him. “I’m sorry she’s gone, Luke.”

Luke’s gaze went unfocused for a moment, his eyes growing glossy. “So am I.”

Percy sat on the floor of the Hermes cabin in the corner that used to be his, staring at his meager belongings. He had to decide what to take on his quest, which was made easier by the fact that he hardly had anything to his name. Things could always be worse, though. At least he would have a change of clothes.

He should’ve been doing this in his own cabin, but it felt too empty, too suffocating in its silence. Eleven was still more familiar. He heard the door open and saw Luke walk in, and his eyes lit up when he saw Percy.

“Hey,” he said. “I wanted to see you before you left. How’re you feeling pre-quest?”

“Like the world’s about to end,” he said.

Luke’s lips twitched into a smile as he sat on the bed across from Percy. “Understandable. It kinda is.”

“It’s just overwhelming.” Percy shoved the unfolded clothes into his backpack. “I have to clear mine and my dad’s names and get Zeus’s bolt back, or else war will start. No pressure at all.”

“You were chosen for a reason,” Luke said. “You may not see it, Percy, but you’ve improved a lot since you got here. If anyone can do this, I think it’s you.”

Percy looked up at him, and he was reminded of the way their last conversation went. He was asking before he could really stop himself.

“I could die on this quest and never see you again,” Percy said. “So could you tell me more about my sister before I go?”

Luke smiled wistfully and sighed. “You really won’t let this go, will you?”

“It’s not really something you just let go,” he said. “Besides, I… I saw her in my dream last night.”

Luke’s smile faded. “You did?”

Percy nodded. “For a split second, but I know it was her. I felt the same way I did whenever I looked at her pictures. And… it’s the second time she’s shown up.”

He let out a long sigh and shook his head, his gaze trailing off to the wall. He always looked so much older when he talked about this girl, like he was a war veteran reminiscing on his lost love. And from what he’d gathered, it might not have been too far off.

“I told you we ran together when we were young,” he said, and Percy nodded. “We were both nine, and it should’ve been terrible, but she had a way of making everything better. Always found the bright side of things, was always able to make me laugh.”

“She was from Massachusetts—right in the middle of Boston.” Luke chuckled as he looked at Percy. “Huge Red Sox fan.”

Percy grimaced. “We all make mistakes.”

Luke smiled, though it faded a bit. “We got separated for a while, but we found each other again when I got to camp. Things were more peaceful than they are now, so she’d been claimed at camp pretty quickly. I figure Poseidon wanted her to have the protection of him openly standing behind her after what happened.”

He frowned. “What do you mean, ‘what happened’?”

Luke shook his head. “That would be an awful story to send you off on.”

Percy wanted to protest, but he didn’t. Luke was probably right—Percy didn’t want to make him relive it and then have to go on a death quest right after.

“A happier part, then,” he suggested.

“She ran away from home as a kid to protect her mom, but now that she had an idea of what she was doing, she started going back to school. She invited me to stay with her during the school year one year, and I accepted. That—” Luke’s throat bobbed, and the other hand clenched into a fist— “that was when she died.”

In his stunned silence, Luke got up and went over to his alcove. He pulled the drawer open on his bedside table and pulled out a neatly folded piece of paper. It must’ve been folded and crumpled a million other times in messier ways by all the creases he could see, but when Luke opened it, he could see handwriting all over the front.

A letter.

“We Iris messaged each other constantly while she was at school,” he said, “and we wrote back and forth when we couldn’t. This was the last letter she sent me.”

Percy’s first instinct was to say he wouldn’t be able to read it, but he realized that he didn’t really care. These were words that his sister wrote—he would sit here the rest of the day forcing sentences to make sense if that was what it took.

So he took the letter when Luke offered it.

To the one and only Luke Castellan,

My mom said yes! After a very long interrogation (she now knows basically everything about you) and a million promises that you would be as careful as possible and that you were good enough at sword fighting to take down anything that could come after us, she said you can spend the year here. We spent a couple hours every day making my mom’s study into a guest room, so you have a place to stay.

I’m an idiot that didn’t bring enough drachmas so that’s why I have to send this letter—hopefully it gets to you soon enough, because we’re gonna come get you a week before my winter break is over. Mom is letting me drive down because she says I have to get my permit soon. It makes sense that my first big test is getting to you. If we don’t make it, it’s because we died in a fiery crash.

Just kidding. I’m a great driver. But tell me some of your favorite songs when you reply and I’ll burn a CD for the ride—I figured out how to use LimeWire. Oh, and throw in a couple drachmas with the envelope so I can Iris message you next time. I miss your face and your voice, and my hand is cramping up writing all of this.

But this is so exciting! I can’t wait to introduce you to all my friends at school, and show you my favorite places in the city, and make you into a Red Sox fan. And you can come to my soccer games— I’m the greatest forward there is.

Jokes aside, I’m going to make sure you have the best time. We’ll spend every second together, Luke. We’re gonna make up for the time we lost.

I can’t wait to see you again.

Your hurricane.

It took Percy a long time to get through it with the words swimming all over, and it didn’t help that his vision had grown blurry.

Tears, he realized as he blinked, and he did it again to make sure they wouldn’t fall. He couldn’t cry in front of Luke, not over a girl he didn’t even know—even if she was his sister. But maybe he was grieving that—the fact that he would never get to know her.

“God, man. I— I’m sorry.” Percy couldn’t think of anything else to say. “She sounds like she was great.”

Luke couldn’t even manage a smile this time as he stared at the wall. Percy was surprised he could even talk to him about it.

“She was,” he murmured. “You would’ve liked her. And gods,” this time, a bit of a smile broke through despite it all, “she would have loved a little brother.”

“I’m gonna make her proud on this quest,” Percy vowed. “I’m gonna clear our dad’s name for her.”

Something in Luke’s gaze had changed—sadness, almost regret. “You’re a good kid, Percy. I hope your quest doesn’t change that.”

I hope I come back alive, he wanted to say. But given the topic matter, he didn’t. Percy carefully folded the letter back up and handed it to Luke.

“Thank you for telling me about her, man,” Percy said. “I… I know it can’t be easy.”

Luke let out a shuddering breath as he stared at the closed letter—Percy wondered how many times he must have sat in this same position, reading her words. “No better way to honor her memory than helping her brother.” He glanced at Percy. “I see a lot of her in you.”

He’d been wondering if he had anything in common with her. Percy felt a sudden flare of anger shoot through him—it wasn’t fair that she was dead. Poseidon was a god, and she was a teenager. He should have saved her.

Percy’s mouth was drier than a desert. A part of him wanted to curl up in a ball and sob over the sister he never got the chance to know, but the other part of him knew—from what little Luke had told him about her—that she wouldn’t want him to.

“I should get going,” Percy said, standing up from the floor. “We have to leave for the quest soon, and Annabeth and Grover are probably wondering where I am, and…”

Percy trailed off, and Luke nodded in understanding. He turned around and took one of the photos off the wall—one of you alone in the middle of a park, wearing a bucket hat and absolutely beaming.

“You deserve to have a part of her with you,” he said. “For good luck.”

He felt himself choking up, and he pushed it down as he accepted the photo. “Thanks, man. It means a lot.”

“Good luck, Percy,” Luke said. “You’ve got a lot of people rooting for you.”

Percy found himself studying the picture of you once he made it outside, trying to memorize your face. With your wide, infectious smile that emanated pure sunlight, he could have mistaken you for an Apollo kid. But when he looked at you, he got that same warmth that he felt every time he imagined his father.

“I won’t let you down,” he murmured. “I promise.”

After sleeping in his train seat for half the day, Percy vowed to never complain about his bed in Cabin Three again. He was gonna be going down to the Underworld with permanent cricks in his neck.

Grover was still sound asleep—Percy envied him for how easily it came to him in the worst conditions—but thankfully, Annabeth wasn’t. Her gaze was focused on the view as their train chugged along.

Percy cleared his throat in a flawless attempt at getting her attention, and it worked.

“You’re awake,” she said.

“Unfortunately.” Percy sighed. “How much longer do you think it’ll be?”

“Another day, at least,” she said. “And we’ve got a layover in St. Louis.”

“St. Louis,” he hummed. “Nice.”

They sat in silence for a while—there wasn’t much to talk about when they were coming off of two— or was it three, now?—near-death experiences. But eventually, Annabeth cleared her throat, taking a page from his book, and it worked again.

“There— there’s probably something you should know,” Annabeth said, and that worked even better than clearing her throat. “You’re not the only Big Three kid to come through Camp Half-blood lately.”

“I know,” he said. “Grover and Luke explained it.”

Her eyes widened slightly and she leaned forward in her seat. “Luke did?”

“…Yeah. You all already told me about Thalia.” Percy glanced away, suddenly feeling a chill in the train car. “Luke told me about my sister.”

Annabeth went silent.

“It’s okay,” he said. “I kind of annoyed Luke until he told me. Doesn’t really seem like a subject people at camp like to talk about.”

“I’m just surprised he did,” she murmured. “They were… they were close, Percy. Her death destroyed him—Thalia and your sister. All of it’s complicated.”

“Yeah,” he sighed, “I got some of that.”

“I only knew her for a year at camp, but everyone loved her,” she said. “She was nice. Popular. Always helped when she could, always had the biggest, most infectious smile on her face.” Annabeth looked down at her hands. “She didn’t deserve the fate she got.”

Percy didn’t think he’d ever grieved so much for someone he never knew. “But her and Luke—were they…?”

“Yeah,” Annabeth said, “they were a thing, later on.”

That seemed to be all she wanted to say on the matter. Percy decided not to push.

“How did you meet her?” he asked.

Annabeth’s lips pressed into a thin line. “I met her on the day I thought I would die.”

For the first time in her life, Annabeth Chase couldn’t think.

It had all happened so fast. One second she was running with Luke and Thalia and Grover, praying to her mother and any other gods that would listen to make the horde of monsters let up even a centimeter.

The next, she’d collapsed on the ground, never so grateful to have grass and dirt and dust in her face. But she could hear Luke yelling, barely able to make it out in her delirious state—she didn’t know when she’d last had a sip of water, and they’d been running for at least three miles—but he sounded hysterical.

She remembered her last clear thought: they weren’t going to make it.

But they had. They had, so why was Luke losing his mind?

Annabeth pulled herself up from the ground—how long had she been bleeding out of those slashes on her arm?—and looked for the rest of her friends. Luke wasn’t yelling anymore, instead arguing with someone she didn’t recognize in a bright orange shirt. Grover’s furry legs trembled as he stared down the hill they’d just gotten up, completely silent, and Thalia—

Where was Thalia?

Annabeth tried to get up but her legs gave out almost immediately, and steady arms caught her before she could fall to the ground again. Kind eyes served to ease some of her panic—she was older than Annabeth, maybe around Luke or Thalia’s age.

Thalia—

“Hey, you’re okay,” the voice said, and Annabeth’s attention was drawn back to you. “I’ve got you.”

“Where’s Thalia?” she blurted out, because now she couldn’t think of anything else.

Your brows creased and you glanced back down the hill—Annabeth did too, and she saw Grover and Luke arguing with each other. Or rather, Luke was yelling at him as Grover anxiously hooked his hands through his hair.

“I don’t know,” you said, “but right now, I need to make sure you’re okay. Are you hurt?”

Annabeth absentmindedly held up her arm, but she was only focused on her friends. Why wasn’t Thalia with them? Why was Luke so upset?

You cursed under your breath in Ancient Greek as you cradled her arm, and you looked back down the hill. Annabeth could see at least half a dozen other kids.

“We’ve got two half-bloods and a satyr, one injured!” you yelled back. “Get Molly and Brayden!”

“Three,” Annabeth found herself saying. “There’s three half-bloods—”

“Annabeth!”

Her head shot up at the sound of Luke calling her name as he bounded over, and her eyes widened at the blood steadily spidering across the fabric of his shirt.

“Luke, you’re hurt—”

“I’m fine,” he insisted. “It’s fine.”

“We have Apollo kids coming,” you said, looking up at him, still cradling Annabeth’s arm. “We’ll get y—”

Your sentence stuck in your throat, and Annabeth could see tears welling in your eyes as your brows furrowed. She thought Luke’s eyes might burst out of his skull as he stared at you, his lips parted but nothing coming out. Neither of you were able to form words.

When he finally did get something out, it was a single name. One Annabeth knew by heart, one that he’d mourned for years.

“Luke?” you whispered.

Before he had the chance to do anything, two teenagers got over the hill and called out your name, the same one Luke used. He always said you were dead, but you clearly weren’t dead, because you were here and you had her arm in your grasp and while your hands were cold, they weren’t cold enough to be dead—

“Molly’s gonna take care of you,” you said, looking back at Annabeth and cutting off her inner dialogue. “She’ll get you to the infirmary and heal you up, okay?”

“My friends—”

“They’re gonna be okay too,” you said. “I promise.”

Annabeth looked up at Luke, and he nodded. “We’ll be with you soon, Annabeth. We— we have to talk about some things.”

So she went with Molly down the hill, and Annabeth put pressure on her bleeding wound when she told her to—it had started to sting like hell now that her adrenaline was fading.

She looked back just in time to see you and Luke share the tightest hug ever.

The hug of two people who realized they weren’t seeing ghosts, Annabeth thought.

You bolted up in bed, eyes wide and your chest heaving as you rapidly sucked in air. Your fingers found purchase in your bedsheets, desperate for something familiar—it took a second for you to recognize your surroundings, that you weren’t in an endless void, but your childhood bedroom offered little comfort.

You ran a hand over your forehead, damp with sweat, as you tried to calm down. Your breathing slowed, but you couldn’t shake that awful feeling that hung over you in your sleep.

Your nightmares were getting worse, you knew that much. That raspy, demented voice used to be a rarity, and now it appeared every night. You could usually deal with your nightmares, but the sense of absolute dread that voice and the pit fostered in you was too much. You hadn’t managed to sleep through the night once since you came home for the school year.

You could deal with the monsters—to you, this was the worst part of your godly blood.

A knock rattled on the door out of nowhere, and you nearly jumped out of your skin. The only thing that calmed you down was the thought that monsters didn’t knock.

“Come in,” you croaked, your throat drier than a desert.

Thankfully, a monster hadn’t come to make your night even more miserable. Luke stood in the doorway, his eyebrows creased in concern, messy curls hanging just above his eyes. He wore the Red Sox t-shirt you’d bought for him at the game you dragged him to, and in your addled state, you didn’t even think to tease him about it.

“Are you okay?” He should’ve been as disoriented as you, but his alerted eyes told a different story.

You could only think of one thing. “How did you know?”

Luke’s lips parted for a moment, as if he hadn’t even considered it. “I could just feel it.”

You managed a smile despite every atom in your body screaming at you. “I think that means you can come in.”

He closed the door behind him, and you shifted over in your bed to make room for him. There wasn’t much in a twin, but you made it work. Luke’s weight pressed into the mattress, making you adjust your position, and it was more comforting than any amount of blankets.

“You’re so cold,” he murmured, laying the back of his hand against your arm. “How do you live like that?”

“Blame my dad,” you said. “I’ve got water in my blood.”

“I think that’s probably a bad thing,” Luke said, and you knocked your shoulder into his with a huff.

“You know what I mean.”

Luke let his hand fall back in his lap, and as you brought your knees up to your chest, you pulled the covers with them.

“So,” Luke said, glancing at you, “what’s got you awake at the witching hour?”

“The usual,” you mumbled.

“Nightmares that might be prophetic?” he asked.

You made a lazy gesture with your hand. “Bingo.”

“The worst sense of dread imaginable?”

“Bullseye.”

“I’m sorry,” he said.

You shrugged. “It’s nothing I can’t deal with.”

“You don’t always have to put on a front, y’know,” Luke said. You felt his eyes on you. “You don’t always have to be strong.”

“I’m naturally strong,” you said with mock austerity. “Comes with the god for a dad.”

Luke chuckled and shook his head. “You know what I mean.”

“Yeah,” you murmured.

You leaned into his side, fitting your head into the crook of his neck. Luke wrapped his arm around you, pulling you closer, and you let out a contented sigh.

That voice in your nightmares seemed so small when you had Luke.

“Can you stay?” you asked softly.

He didn’t hesitate. “Of course.”

“Just like old times,” you whispered.

“Just like old times,” he agreed.

Luke ran hot, and you’d never been more thankful for it as you fully settled into his side. Icy blood ran through your veins, and you let out a shaky sigh. You could hear his steady breathing, feel his heartbeat through his chest, and the anxiety from earlier began to steadily fade. You never felt safer than when you were with Luke.

There was something between you—you weren’t that stupid—but you hadn’t talked about it. With you and Luke, it was just… you and Luke. You didn’t have to put a label to it.

How could you put a label to your relationship, when you’d spent your first few years together fighting for each day, and then the next few thinking the other was dead?

Maybe someday, you would talk about it. But for now, this was more than enough.

“Don’t worry,” Luke murmured in your ear as your eyes began to droop. “I’m not gonna let anything happen to you.”

And by the gods, you believed him.

#reader is the mara of she ra the mikey berzatto of the bear the nellie crain of hill house DO YOU UNDERSTAND ME #luke castellan x reader #luke castellan fic #luke castellan angst #percy jackson and the olympians x reader #pjo x reader #x reader #daughter of poseidon #child of poseidon #sadie writes

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carebooks · 5 months

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to all those new comers to the Percy Jackson world and being off on shipping Percabeth because Poseidon and Athena are uncle and niece, it’s stated in the books (specifically The Lost Hero) that gods don’t have DNA the way humans do.

and if that still doesn’t convince you or you may think it’s not a real or valuable explanation, let’s recall other ways that births happen in both greek myths and the Riordanverse:

- Zeus birthed Athena from his brain

- Athena’s demigod children are born the same way. out of her mind. so Annabeth is already way off from the usual goddess birth route

- Zeus also birthed Dionysus from his thigh

- Hephaestus was born from Hera and Zeus, but in a lot of versions its actually Hera who just had him by herself. she got pregnant and it happened. they’re gods. (then chucked him down a mountain) again, they’re gods.

- Hebe, goddess of youth, was born from Hera and a piece lettuce she ate

- in the Trials of Apollo, we learn that Kayla Knowles, daughter of Apollo, has a human father, Darren. meaning she has two fathers: Darren and Apollo. no mother involved in her creation whatsoever.

- Zeus has impregnated quite a large number of people during his time and in various different forms. one of the weirdest ones by far was when he came to a queen in the form of a swan, embraced her as that swan and nine months later she gave birth to two eggs. they hatched and inside was Helen of Sparta (as in Helen of Troy), Clytemnestra, Castur and Pollox.

- Poseidon and Medusa had a child and that child was born from Perseus cutting off Medusa’s head. that child was Pegasus. (yes, that Pegasus) (also some other dude was born too)

- Aphrodite was born out of sea foam made from the severed genitals of Ouranos that fell to the oceans

have i convinced you already? are we done here?

#like seriously do you know how weird greek myth births are?#how can anyone see twins hatch from eggs and think ‘huh DNA? lets find out’ like no #there is no DNA #apollo becomes a hummingbird for days on end and probably has children in dofferent forms of animals too #he can become pure light #and you wann boil it down to DNA #booo tomato tomato #percy jackson #percy jackon and the olympians #percy series #pjo #annabeth chase #percabeth #trials of apollo

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cosmonadarovicarts · 2 months

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In the time of Eden

Fanfic Comic Hazbin Hotel

Part 18

(HE finds out)

I imagine it could cause outrage with the design of Beelzebub, Asmodeus and Mammon! But I tried to adapt it to the style I was drawing and make them more angelic! I went back to reading about demology to try to be more precise -apart from the reference to Helluva Boss and Hazbin Hotel obviously- about its origins. As you can imagine, there are different views on this.

Asmodeus had his origins right in the middle of syncretism (in his real-life conception, not mythological/religious), but in some versions he was seen as a fallen Seraphim, where he fought alongside Lucifer.

Beelzebub is also, like most demons, the result of syncretism and the need -mainly Catholic- to internalize gods from other religions. He - or she, in the Helluva Boss version - was described in myths as a not very intelligent but extremely powerful demon. So I left her too like a fallen Seraphim. And I wanted to draw her younger!

Mammon was the one I forced the most here haha it was a word that literally meant money/greed. he did not have an origin from a pagan God or adapted to a fallen angel (if anyone has a text about him refuting what I said, please send it to me!!), so he is not exactly a Seraphim, but still an angel. ...

Anyway, I wanted to bring some of these angels that will fall with Lucifer - besides mentioning Leviathan- I just didn't have much creativity in making a better design haha

It was never my intention to make Adam suffer so much in the story! But still, it's the villain's past... sorry!

Part 19

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codenamethebird · 10 days

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Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.

Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.

This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.

For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.

And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.

Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.

In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).

Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!

And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.

#hades 2 #hades game #hades ii #hades supergiant #hades #I also realized after finishing this that another example of the gods being shit is with Heracles #and considering how little dialouge of his is out yet #im super curious of what that'll bring about #but yeah as I said in the middle of this #I really want at least of the mortals in Chronos's army to be a proper character that interacts with Melinoë #oooooh maybe they can foil Melinoë and their family was killed due to some godly interference #theres just so much potential #hades 2 spoilers #edit: ahhhh i forgot my girl Arachne im sorry best girl #but yes further proving my point

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orangeblossombitch · 7 months

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Maybe don't say you want to eat all Zionists if you don't want to be told not to do that idk :/

(Also not that you'll care but political Zionism and the version of Zionism that just says 'Jews should be able to visit or live in the Levant since it once was our home and if nowhere else is safe for us, there at least should be' are different and saying they're deserving of equal condemnation and violence or that those people should die is kinda fucked of you)

(Also also you shouldn't get to choose who lives or who dies regardless of how bad of people they are according to you. Like idk how to explain to you that you shouldn't think the right to be alive is conditional.)

As a Muslim i obviously cannot condone eating ppl since its not halal and especially fascist lil piggies are sure to be extra haram and yucky :)). Idgaf about some version of zionism that existed at some point and meant something positive when there is a real version out there that is fucking fascist and responsible for the death of hundreds of thousands of people. N literally no one ever forbade Jewish ppl from visiting or living in the Levant. Youll be surprised to find that there were in fact many Jewish ppl living in Palestine prior to 1948, many of them immigrants from other countries. Also nice fucking job at equating Jewish ppl w zionists ya 7mar. Idgaf about what you think the rights of ppl should be that are indulging a fascist and genocidal ideology, if you dont wanna be eaten by the wolf dont be zionist, its That easy❤. And its absolutely hysterical how you fall in line w the ppl who cry that Jewish ppl are safe nowhere else, like maybe that should be fixed instead of shipping everyone off, away from the places that have been their homes for centuries, plus the fact that you are the same ppl bitching about how "israel" is surrounded by murderous Arabs who wanna toss all the Jewish ppl in the sea. Like make up your mind, cuz that doesnt sound safe to me.

Lastly whats kinda fucked is your cognitive function and ability to think for yourself, clearly. Israeli politicians and Zionists in the West literally calling to wipe Gazans off the face of the earth, using the same language Nazis did. Idk ya might wanna readjust your priorities a bit. Now you better climb a tree or smt bc the wolf is imprinted on your scent and its coming for youuu 🐺

#lol #lmao even #10000 wiped out and you got the audacity whime about the term zionism #travel back in time and off ben gurion amd theodor herzl if its such a big concern for you #whos oomf is this #pls reclaim your garbage chold

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sherdnerd · 7 months

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I stg if I see one more "Justice for medusa's TRUE story!" post I'm gonna kill someone.

(TW: Assault mention)

The medusa is assaulted by posidon then cursed by athena for being assaulted in her temple only appears in Ovid's Metamorphoses, which is written as a purposeful subversion of Greco-roman myths. most are reframed or rewritten from just kinda a thing that exists or a black and white moral tale of why you shouldn't be hubristic to full on tragedies on the part of the person often getting their comeuppance or the monster. Heck in book 13 we get a love story starring Polyphemus, the cyclops from the Odyssey.

In general mythology, Medusa is just another monster. Ovid revises the myth to turn it into a tragedy. I absolutely love ovid's work, he does so many clever things with the myths, but for the love of the gods its the furthest from the real version you can get

#And yeah obviously its greek mythology so theres no set canon and you can kind of pick and choose tellings #but Ovid's one isn't a tradition of belief its just literature #its damn good literature but in terms of religion its like claiming good omens is part of the christian canon #classics #ancient history #tagamemnon #ancient rome #greek mythology #medusa #ovid #latin literature #ancient greece #mythology

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withoutyouimsaskia · 4 months

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Sometimes It's Fated (Sandman Short Story Part 1)

Part 2 | Part 3 | Part 4 | Part 5 | Part 6

GIF: Originally posted by @tavners

Pairing: Morpheus/Dream of the Endless x AFAB reader

Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)

Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Tension. Home invasion. Voyeurism. Implied masturbation. Dream manipulation.

Word Count: 2.6k

A/N: Wow, this took way longer to finish than I had originally planned. My head's been all over the place with trying (and thus far failing) to find a new job. The themes are very different to what I've written before; I hope it reads okay. Please let me know what you think. All my love, Saskia xx

Sandman Masterlist

---------------------------------------------

Fate.

A phenomenon that governed every particle of matter within the known universe and even those beyond.

Some considered it a comforting concept that excused them from the burden of decision making, citing: "I'll leave it up to fate." For others the phrase was a cursory, throw-away comment or a romantic line they heard in the lyrics of a song.

The real truth of the matter was that Fate was a trio of immortal beings, goddesses, with sight so potent that they knew the past, present and future of every individual to have lived. The mythology of the Greeks, Romans and Norse hadn't been too far off with their stories of the Moirai, Parcae and Norns but of course, no humans really believed there to be any realism in myths. They were just stories. It didn't matter either way; they existed and had influence regardless of what the majority believed.

For beings such as The Endless siblings, the presence of Fate in the cosmos was not only real, but also something that affected even themselves.

For the King of Dreams, an eventuality had been prophesised long ago by The Kindly Ones that spoke of a bond that was to be forged between himself and a mortal.

Lord Morpheus, in his pride, had tried to be above such a foretelling, even questioning its validity because the notion of a mortal accepting his version of the universe seemed wholly implausible.

But he could not truly stop himself from wondering about you, reaching out to see if he could feel your presence in the minds of the dreamers he hosted.

It wasn't something he indulged in with frequency. More of a once-in a-decade interval. Enough to appease his curiosity.

Of course, this was put on hold during his imprisonment at Fawney Rig.

Morpheus had had much to contemplate during this period. The damage his absence caused to the collective subconscious, the decay of his realm, the loss of freedom and dignity. There was also a chance that you had been born and died in the 106 years he spent in captivity.

What if he was too late and had lost the chance of discovering who you were?

It was a nauseating prospect that scraped and scratched a space deep within his being; bleeding him of his remaining stores of hope that were so significantly depleted after the death of beloved Jessamy.

Despite the nasty emotional wound, finding you was a charge that he assigned at the end of his priorities after his escape.

Recovering his scattered tools, restoring the Dreaming, locating his absent creations, unravelling the mystery of Rose Walker and confronting Desire all had needed to come first.

The latter interaction had left Morpheus with a seething rage that was currently propelling him down the boards of the dock that sit above the Ocean of Dreams.

The dense mist in the air is buffeted by his movements and the only sounds are the tread of boots, the creak of wooden slats and the lap of water.

With each step, the liquid becomes choppier as it reacts to its master's mood and by the time he has reached the end of the dock, the surface of the water roils fervorously, completely in line with Morpheus' dangerous temperament.

The words of Desire's final silken-toned taunt echo in his mind with grating persistence.

"Oh, poor Dream. I really got under your skin this time, didn't I?"

He is loathe to admit there is truth in the question.

There are moments where Morpheus ponders the turn that the relationship between them has taken. How Desire went from being his favourite sibling to someone one shade shy of an adversary. Their faultless adeptness at provoking his temper and manipulating the events that encircle him would be impressive if not for the danger posed to humanity.

The agitated water eventually draws focus to how out of control he and his emotions have become. Morpheus knows he must get them in check, and quickly, for he knows the consequences all too well should he ignore it.

He clenches his fist and swallows it all down, pushing it deep inside his belly until the crackling entropy of the anger is fully dispelled.

Morpheus then sweeps his coat out behind him as he sinks lithely into a crouch. Trepidation nips at his heart and tugs his attention to a sobering thought.

This foray into the water may be fruitless.

You may be long gone and there would be no way of ever knowing you.

His nostrils flare as he takes a deep breath; he has run out of excuses to not look, even if he is afraid of the outcome.

Long, delicate fingers dapple the surface of the inky ocean. The waves still at the touch, obedient to him with instancy.

He repositions to full height and reaches into his coat to find the pouch of sand stashed in the pocket. A handful of twinkling grains slip off his palm into the ocean, lighting the water it touches to a luminous green.

"Find my soulmate," Morpheus commands silently.

The intention is set. He steps off the dock into the water.

At first, like every other prior attempt, there is no sign of you. Morpheus floats submerged in the tepid liquid, filtering through the hubbub of countless other dreams and nightmares.

Then there is a pull.

It is faint yet indisputable. Warmth explodes in his chest and he groans inwardly from the delicious sensation of relief.

You are alive, and you are dreaming.

A path of radiance appears in the water, a line that shows your connection, and provides a location for him to hone in on.

Morpheus dives deeper without hesitation.

As he reaches the edge of your subconscious, he rejoices that he got a handle on his emotions. He wouldn't want your first perception of him to be one tinged with rage, however unaware you were of him, with your soulmate being the source.

He hesitates for a moment before entering the dream you are in and is somewhat taken aback by what he finds.

A room comprising of four blank walls, a floor, a ceiling and a door. There is but one other feature; a window, and its view is as non-descript and inoffensive as the internal space.

You stand by said window, head turned from him.

Despite being unable to see your face, he sees your anxiety with immediacy. It is an aura hovering about your body, being sucked into your lungs with every fast-paced breath.

You begin to throw glances towards the door. Morpheus filters through the layers of the dream. No one is scheduled to come across the threshold.

The more he observes, the more questions arise in Morpheus' mind.

What was making you so affected? What were you expecting to happen?

There's nothing in the scene that is intended to be unpleasant yet you are reacting in a way that most observers would characterise as unsettled.

Morpheus, despite not yet knowing you, doesn't like to see you this way. His dominant instinct is to end the dream but he quashes the desire to review the bigger picture.

The empty room dream was symbolic of a beginning.

It clicks into place.

What you were feeling, even if on a purely instinctual level, was the anticipation of meeting your soulmate and starting your new life.

Morpheus steps into the frame, just a couple of paces behind you.

You feel his presence instantly, eyes full to the brim with tears as you whirl around with a soft gasp.

You see him.

The tears spill and patter onto the white floor.

Morpheus reaches out, overcome by his need to provide comfort.

You disappear.

-------------------------------------

Morpheus is sat on his throne. He pores over the book he had located in the Dreaming's library a little over a week ago that contains the details of your life. It is something he has taken to doing when the impatience of waiting for you to fall asleep becomes too keen.

Your subconscious has him enraptured, watching it every night as if it is a stage show. Each dream he delves into is like the tug of fingers on a loose thread, your psyche has begun to unravel before him.

Everything from whims to cravings, hopes to fears. Your temperament, the things that delight and irk you. What drives you and demotivates you. He consumes it all with an insatiable hunger.

Based on the projection of yourself that he sees, there is no doubt that he is attracted to you.

All that prior haughty disregard for the Fates' prophecy has been cast aside like a negative thought in a meditation session. Morpheus is a romantic. A believer. He is ashamed to have even doubted your coming.

He wonders if it would vex Desire to learn of him finding his soulmate and by extension, the prospect of companionship, perhaps even physical intimacy or love.

It is all too easy to imagine the sickly sweet grin they would smile at him, shown to be fake by the almost imperceptible contempt glinting in their golden eyes.

Would his triumph drive them to distraction?

It is this smug sentiment that spurs his next decision. He wants more. The next logical step is to find you in the waking world.

He rises from his throne, a sure hand ready to bring forth his pouch of sand when he falters.

Tears pool in his eyes.

His mind is suddenly marred with the memories of what happened in 1916. The agony, mortification and rage that followed. He couldn't go through that kind of treatment ever again and the waking world expanded the risk of it transpiring.

"No," he says resolutely. His sadness turns to resolve, the hard line of his grimace matching those set in his brows.

He will not let the actions of a group of mortals dissuade him from going to you. And besides, he has researched everything he can about you from within the safety of the Dreaming.

He takes a measure of sand and uses it to materialise within your bedroom.

It is obvious from a quick scan of it that deliberate attempts have been made to ensure the space is cosy and calming.

Two marshmallowy pillows support your head. The cotton sheets have been meticulously tucked to avoid drafts. A lavender reed diffuser fragrances the air with a subtle scent. There are no devices or screens visible.

Everything has its place. A coaster supported glass of water within reaching distance. Touch activated lamp in case of emergency. The diary lined up with the back left corner of the bedside table, pen placed parallel in the spine dent. All clothes are in the wardrobe or stashed in the laundry basket.

Morpheus moves to the curtain-shrouded window and delicately moves the dark, heavy fabric to catch a glimpse of the outside world.

The scene is sepia stained from an old streetlight positioned right outside your home. It explained the choice of curtains.

You stir slightly from the change in environment and Morpheus allows the curtain to fall back in place. He remains stationary until your breathing returns to its previous pace. It is imperative that his presence remains undisclosed. He knows that mortals do not take well to home invasion.

Then, your right hand slips out from the duvet cocoon revealing a cushion cut ruby ring on your middle finger.

He smiles exultantly. The similarity between the jewel and his own now-destroyed dreamstone was undeniable.

The Fates were making it transparent.

You were the one.

Morpheus approaches the side of your bed now. In your momentary discomfort, you had moved your head, making your whole face visible to your uninvited guest.

He bends gracefully so his face is closer to yours and observes you with an intent fascination.

Even in the gloom, Morpheus asserts that your features are even more captivating now that he is able to look upon them in person and is certain that if he could guarantee an absence of fear then he would fall to knees and worship you right there.

Fingers stroke a lock of hair splayed across the pillow and his thoughts turn darker still, imagining what he would do with you if he could get you alone in the Dreaming. How he would seduce you with words, and then pleasure your body with his own until you were senseless.

Getting you there would be so easy, all he needed to do was move his hand up and touch your skin and -

Morpheus stops himself, deciding that now is not the time for an introduction. He will wait until tomorrow. You need to rest. It will be quite the revelation for your sweet mortal heart.

Morpheus whispers a promise, "We will be together soon, my precious soulmate."

He leaves after taking one last look at your peaceful form.

When he returns to the Dreaming, Morpheus discovers that the visit has riled him way beyond what he thought possible.

It was supposed to sate his curiosity and answer some questions.

It has done the opposite.

His craving for you is sublimely intense, opiate-like in its ensnarement.

He needs to possess you. To have you all to himself. Everything would fall into place. Loneliness, disillusionment, jealousy; they would never darken his outlook again. You would heal him, he is certain of it.

He paces restlessly in the low light of his private chambers as heat ripples beneath the surface of his being, charging him with pure sexual lust.

He hungers for the moment when you feel the same about him.

For now, all he can do is stand and touch himself while thinking of your face, an act that has been carried out repeatedly in the days since he found you in the Ocean of Dreams.

An erotic idea enters his mind.

Your subconscious is still in the Dreaming; he knows the feeling of it intimately.

Perhaps he could bring you a dream mirroring his own current fantasy.

To give you a taste of what was to come.

A gift that only he could bestow.

The mere thought of it turns him on even more. His back arches and his eyes roll back as he choses the words through which he would deliver the offering.

"Dream of me," Morpheus murmurs breathlessly. "Dream of me."

He repeats the phrase until he is unable to continue, moans taking over the darkened space around him.

-------------------------------------

It is dusk the next day when Morpheus returns to the waking world.

The instant he touches down on the Earth's surface, he knows exactly where to go. The metaphysical connection between you is as strong as the energy pulsing through a ley line.

The city he is directed to is thrumming with life but the side street he stands in has been spared from the furore.

It is fortuitous that he is permitted to be unobserved for Morpheus is struggling now with the urge to get closer.

Providence is pulling him in and also locking him out.

He walks up to the door and then an invisible force makes him back away.

He doesn't even try to fight it.

The Fates hold all the cards. Morpheus is beholden to their each and every whim.

It is surprisingly liberating.

He is dancing in the cross hairs. Blinkered by the tie the universe has fashioned for you.

All he has to do is wait.

The door to the building is pushed open.

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Taglist: @herfantasyworldd

"Fate. Up against your will. Through the thick and thin. He will wait until you give yourself to him."

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autolenaphilia · 10 months

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Farrell's Fallacy

One of the most common forms of antifeminist arguments is something I'm now going to call Farrell's Fallacy. I've discussed it before in this essay, but now I have a snappy name for it and what I said bears repeating. Farrell's fallacy goes like this.

"Feminists say we live in a patriarchy and men have male privilege. But look at this group of men undeniably experiencing marginalization and oppression. Where is their male privilege? Checkmate, feminists!"

It's named after Warren Farrell, "father of the men's rights movement." This is admittedly partly for alliterative reasons, but also because he used an early version of it in his 1993 book The Myth of Male Power, where he used the fact that working class men are exploited by capitalism and are drafted to die in wars to argue that, well, male power is a myth and in fact "men are the disposable sex."

Yet you can substitute any group of marginalized men in the argument, and the argument is pretty much the same. The "group of men undeniably experiencing marginalization and oppression" can be non-white men, disabled men, gay men, trans men, and so on, sometimes all of them at once. It's therefore very popular here on tumblr as a way to sell antifeminism to social justice people who have a poor grasp of feminist theory, because it appeals to their understandable desire to support marginalized groups.

And it is a fallacy, because it relies on a strawman. It presumes feminists are doing the most simplistic analysis possible of patriarchy and male privilege, where only gender is taken into account and complicating factors like class and race are ignored. In reality intersectionality has been an important part of feminist analysis for over 30 years.

And while Farrell's Fallacy uses real oppression as part of its argument, it dishonestly contextualizes that oppression. It ignores that the oppression is not on the basis of these men's gender, but on other factors. These men are oppressed, yes, but it's because of systemic injustices based on class, race, disability and queerness and so on.

This often means their male privilege is severely curtailed, but it doesn't remove it. Women also suffer from these forms of oppression and they are often worse for women because they often intersect with the misogyny of patriarchal society, which is why we have terms like misogynynoir, lesbophobia and transmisogyny. It is in comparison with similarly marginalized women that we can see the male privilege of marginalized men.

This is one of the most common antifeminist arguments, especially here on tumblr. And i hope this post helps you recognize it for the nonsese it is.

#my writings #farrell's fallacy #feminism #misogyny

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tyrantisterror · 5 days

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What are some examples of benevolent (or at least benign) dragons in classical western folklore? I recall you mentioning that they did indeed exist, but I don’t recall you ever mentioning any specific examples.

Well, firstly, most of the dragons from Greek mythology. Like, the dragon that Cadmus slew was Ares's pet, and Cadmus had to build an army to fight war in Ares's name as penance. The dragon of Colchis was beloved by Medea and viewed as a protector by her people, and in some versions of the Argonauts myth was put to sleep peacefully instead of slain. Ladon, the dragon who guards the Hesperides, was specifically beloved by the nymphs who lived alongside him, and in the versions of the myth where Heracles slays him, Ladon is explicitly mourned by those same nymphs. Dragons were agents of the divine in Greek myth as often is not more so than they were enemies of it, which makes sense given that so many of them were, like, first cousins with the Olympians. It's really funny that people will cite the Greek myths as examples of dragons as "agents of evil" in the same way it's funny when people cite Greek heroes as moral paragons, when any actual look at Greek mythology shows its morality was always very murky shades of gray rather than the black and white view we like to pretend all European mythology shares.

I think this inflicting of Christian black and white thinking on a morally gray mythology also occurs with Norse myth, though sadly we don't have a lot of pre-Christian Norse literature to serve as concrete evidence for this opinion the way we do with Greek dragons. Like, outside of Ragnorok (which some have argued is not a REAL Norse myth, but something concocted during the Christian-ization of Europe as a way to placate Christianity into not destroying all of Norse culture), Jormungandr doesn't do a single malevolent thing in any Norse story. The most he ever antagonizes anyone is when he lets Utgard Loki (no relation to normal Loki) make him look like a cat to teach Thor a lesson in humility that the god of thunder never fully learns. All subsequent encounters are a result of Thor fucking with Jormungandr out of spite for the cat prank. The corpse chewer dragons in Niflheim are terrifying, but the souls they're gnawing on are the dishonored dead, and they don't cause problems for the living until - well, until Ragnorok, which again, may not be a real Norse myth. Fafnir's a piece of shit, sure, but he's not a dragon by birth - he's a dwarf who turned into one out of greed for gold.

Then you have a myriad of stories about dragons who were tamed by saints or heroes only to be killed by townsfolk who thought they were still vicious, and promptly mourned afterwards - the Tarasque is probably the most prominent of these, but there are other stories that are variations on the formula. I'd also include Maud and the Wyvern/Dragon of Mordiford in this category, as while the dragon is never fully tamed by Maud's affection, it's nonetheless kind to her, and the story ends with her mourning its death rather than the townsfolk celebrating it. You are clearly supposed to feel sympathy for these dragons, even if the stories present their deaths as necessary or inevitable.

There are even examples of good dragons in explicitly Christian Medieval stories, despite them usually opting to treat dragons as purely evil. You have Y Ddraig Goch, the red dragon of Wales, whose defeat of a white dragon is an explicit omen of how the wicked Saxons will be overthrown and driven out by a good (or at least better) king in time, and who becomes the heraldry of King Arthur, a paragon of virtue by the standards of the times each of his stories are told in. There's one saint - I think Carantoc? - who found a dragon sleeping in a well and convinced it to move without much complaint, and another, St. Simeon, who removed a thorn from a dragon's eye to the amazement of all and was shown gratitude by the dragon in turn.

Benign/benevolent/not-explicitly-evil dragons may not make up the majority of European dragons, but they're not as rare as modern generalizations of it would have you believe.

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thecreaturecodex · 2 years

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Monster Art History: The Wendigo

You may be wondering why the wendigo, which has become very popular in pop culture over the last 10 years or so, is usually depicted in Western sources with a deer head. This appears nowhere in Native American traditions, despite the creature having lots of folkloric variations. The association of the wendigo with deer is 100% Western, 100% modern, and has a long, weird history.

Just in case you need a primer, the windigo or witiko is a supernatural being from the Algonquin speaking nations of the eastern American continent. It appears as an emaciated figure, sometimes giant, sometimes covered in ice, sometimes both. In many stories, they have a literal heart of ice. Windigos are manifestations of cannibalism and winter, and hunt, kill and eat people. Someone who resorts to cannibalism to survive, or otherwise abandons their community for personal gain, will become one of them. A few stories tell of someone being “cured” and turned back into a human, but usually the only cure is to kill the monster. In the last several decades, native writers have associated windigos with capitalism and deforestation as an extension of their selfishness. If you would like to know more about the properly Native windigo in context, I recommend Dangerous Spirits: The Windigo in Myth and History by Shawn Smallman.

The creature first came into horror fiction with Algernon Blackwood’s “The Wendigo”. Note the spelling, which would become the standard in horror, and generally in non-academic Western sources. In that story, it is not associated with cannibalism, but instead is a more generic “evil spirit of nature”. This wendigo stalks white people in the wilderness and turns a Native character into a new wendigo by seizing them and flying with them into the sky. This definitely better fits fears about non white people, fears about nature, and how the one is closer to the other than “civilized” people. Its description in the story is vague (the most we get is that it has burned its feet away by running into the sky). But when the story appeared in Weird Tales in the 1930s, Virgil Finlay illustrated it like this, the first antlered wendigo I know of.

This story was ripped off by August Derleth, a prominent Weird author in the 1940s and the main popularizer of HP Lovecraft. In his Cthulhu Mythos stories, he introduces Ithaqua the Wind Walker, which is an alien version of Blackwood’s monster. This fits into Derleth’s vision of the gods and monsters of HP Lovecraft falling into the four classical elements, with Ithaqua being invented to represent Air. Ithaqua is usually depicted as an icy, emaciated giant, so ironically is one of the more accurate wendigos to Indigeonous beliefs in pop culture.

Image from a recent French edition of Call of Cthulhu RPG, by Loic Muzy

In Pet Sematary, Stephen King uses a wendigo as the reason for why the titular cemetery is cursed. This is an update of the classic racist trope of the “Indian Burial Ground”, except this time what gets buried there comes back animalistic and evil. The racist implications of that are pretty apparent. This wendigo is seen briefly and has ram’s horns. It does not appear in the first film adaptation, but does in the more recent one... with deer horns instead, because those are trendy right now.

A good scholarly look at the real windigo versus the 20th century horror wendigo is “The Appropriation of the Windigo Spirit in Horror Literature” by Kallie Hunchman.

In the 1980s, a movie called Frostbiter: Wrath of the Wendigo was produced, but it wasn’t released until 1995 by Troma. From what I’ve read, it’s a pretty transparent ripoff of Evil Dead 2, with the characters being picked off in a haunted cabin with a zombie in the basement. The “twist” is that the origin of the horrors is a wendigo released by breaking a Christian demonology-style sacred circle. This wendigo is realized in stop motion animation, and has the most deer-like body yet.

A number of other independent horror movies in the 90s and 2000s used wendigos as a plot element. These follow the Blackwood/King approach of having the wendigo being something evil, ancient and Native American, reflecting white anxieties about living on stolen land more than Native anxieties about cannibalism and greed. Wendigo (2001) has the creature sicced on a white family when they hit a deer with their car. The Last Winter (2006) posits that global warming and fossil fuel extraction have unleashed the ghosts of dead animals, which are wendigo apparently, to revenge themselves on mankind. Which approaches the idea that greed is wendigo sickness, but I don’t think intentionally as a reference to modern Native literature. The “wendigo” in this movie are spectral moose and caribou.

The mainstream breakthrough of the deer-headed wendigo was in, appropriately enough for this blog, Pathfinder RPG. In “Spires of Xin-Shalast”, the last volume of Rise of the Runelords published in 2008, a wendigo is a major encounter. I suspect that either the author (Greg A. Vaughn), or one of the editorial staff had seen Frostbiter, as the setup involves a cabin haunted by dwarven cannibal ghosts who all killed and ate each other due to a wendigo’s influence. This wendigo is a hybrid of the Blackwood and Cree versions in terms of its MO: it is a cannibal ice spirit that wants to make more cannibals, and does so by abducting people and running off into the sky with them. Its design is the standard for what most Western artists depict wendigos as these days: an emaciated humanoid with the head and antlers of a deer (and the burned off feet of Algernon Blackwood, which are less common):

This wendigo definitely made a splash at the time; it was the first time I remember seeing a deer-headed wendigo, and art of that design started to become common. It pushed away previous wendigo depictions, which were typically werewolves (as French Canadian trappers had blended the concept with their own loup-garou, and Werewolf the Apocalypse had a whole faction of racist Native American “wendigos”) or shaggy and ape like (based more on the look of the Marvel Comics villain).

What turned wendigos from “folklore/horror monster” to “fandom blorbo” was Hannibal, which first aired in 2013. In that series, the first murder is a woman’s body impaled on a stag’s head, after which protagonist Will Graham has visions of a black stag, and a man with the antlers of a stag, representing murder, evil, and of course the cannibalistic murderer Hannibal Lecter.

Since Hannibal was super popular with the shipping fandom set, wendigo themed characters became popular in its wake, creating a wholly new way to culturally appropriate the wendigo. This was magnified by Over the Garden Wall, which came out in 2014, and its villain The Beast. The Beast is never called a wendigo, but is an antlered giant associated with winter, and so is commonly head-canoned as a wendigo and associated with them in fandom circles.

Which gets us to the modern day, where teenagers have misunderstood wendigo OCs, any character with antlers can be called a wendigo on the internet, and actual First Nations people with an actual cultural connection to the legend wish that people would just knock it off.

#and now you know #wendigo #windigo #witiko #creature design #art history #pathfinder rpg #algernon blackwood #august derleth #cthulhu mythos #stephen king #b movies #stop motion #hannibal #native american #first nations #cultural appropriation #long post

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