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#is an actual thing that could happen i will kill you
onsomenewsht · 2 days
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Helpless to the bass and faded light
About when she bribes you and you dance with her like a filled stadium isn't looking
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》 Leah Williamson x Reader
》 words count: +1k
》 she took my arm / I don't know how it happened / we took the floor and she said
You don’t like football.
It’s quite a boring game if you stop to think about it for a moment. Two dozen and counting people running around a ball trying to kick it into a huge net.
Not something you look forward to sit through for almost two hours.
Despite your father’s best efforts, you being his only kid and his only hope to pass down his passion, the sport never managed to interest you long enough to care.
You even found yourself in the stands of your dad’s favourite club’s home more times than you’re able to remember, going beyond yourself and cheering when the other people around you did.
The things you do to make your parents proud.
How you managed to have the English captain wrapped around your finger, regardless of your well-known dislike for her biggest passion and purpose in life, is still a mystery for your families and friends.
“Pretty please, just this one”
“Oh, shut up!”, you hit her arm and push her off you, both still naked.
You can’t believe your girlfriend is actually trying to bribe you with sex, not even waiting for you to fully recover before asking to go to the game.
“No, you ruined the mood”, you state as the blonde tries to kiss you again.
The huge grin of her beautiful face is quite dangerous, she can win you over so easily and you both know it.
Leah rises off the bed to retrieve a warm cloth from the bathroom and a clean shirt from the closet. You accept her attention, she’s always caring when it comes to you, but you’re pretty sure the extra effort has a not-so-subtle second purpose.
“You can’t buy me so easily, Williamson”
She can.
“It’s a really important game, my love”
“For who?”
“For me?”, she tries as she slots herself under your open arm, a grin hidden between your neck and the pillow.
“I barely bear you playing”
“You love watching me play”
“I love you, period”
Leah knows how much you think the sport is boring, going way out of your comfort zone just to cheer her. She feels immensely supported when she finds your big smile in the stands, wrapped in one of her jerseys.
It’s not that difficult for you to sit and admire your girlfriend in her element, focusing more on her movements and attitude than paying attention to the actual game.
What you find quite annoying is enduring Arsenal’s men’s team.
The defender’s fingers on your side are slowly soothing you in a compromising position, too relaxed and smitten to keep denying her anything. You know she doesn’t need much more to lure you into her trap and, unfortunately for you, she’s perfectly aware too.
When the blonde’s lips find the particularly sensitive spot on the base of your neck, you’re doomed.
~
You’re glad your father is already dead or you’d have killed him as you take your seat in the Emirates Stadium, surrounded by the Gunners’ colours. Your girlfriend’s name on your back could be the final nail.
The things you do to make your lover happy.
“You know I love you, right?”
“You better never forget this”, you quip back.
The English captain has been looking forward to this game for weeks now, you couldn’t have been able to turn her down in spite of it all.
She doesn’t need to know though, that you didn’t accept to spend one of your date nights watching the North West London derby for free.
“Maybe you will enjoy it at the end”
Nice try, you will not.
“You know, my dad was a West Ham supporter”
“Could have been worse”, she smiles at you, reaching for your hand.
Talking about your father is getting easier as time finally moves forward and your grief keeps changing its shape. Compared to the abyssal black hole it felt like the first year and a half, of its progress.
Leah didn’t meet him, crushing in your life a couple of months after his passing, but she managed to find a space in your heart that keeps growing despite all your fears.
They could have hit so well, bonding over their shared passion for the sport and their never-ending determination to make you happy.
You told her some stories about him, mostly memories to make your girlfriend understand how stubborn and passionate he was about the thing he cared about.
The one thing you all have in common.
“Yeah, he used to gift me a West Ham jersey every year on Bobby Moore’s birthday”
Leah’s laugh managed to overcome the buzzing atmosphere of the stadium, making you feel like she was the reason all the people around you were cheering. You sure think so.
“He sounds like an incredible father”
“Football obsession aside, he was good”
When you turn to look at her, the blonde’s eyes are already on you and the smile on her face is enough to warm your heart.
~
The first goal coming within five minutes has you quite engaged in what’s happening on the pitch, you even drag your girlfriend in a kiss as you both rise from your seats to celebrate.
Your commitment declined quite easily after that, more entertained by Leah’s reactions than the actual game. You nod in amusement every time she tries to talk you through one of her analyses, placing a hand on her thigh to stop her from standing up every time the ball is somehow close to the box.
The second half is more eventual, at least that’s what you can understand by the excitement the defender and the people in the stands around you seem to radiate.
You’re not clueless, you’re perfectly aware a five-nil win against Chelsea is quite the result. You care enough to think you can’t wait to go home - Leah is always in the mood for a private celebration when her team triumphs, especially over another London club.
“Can we go now?”, you ask as soon as the referee whistles three times, declaring the end of your and the Blues’ torture.
Leah’s happiness is contagious, so you’re not mad when she drags you in her arms to join her cheers and enthusiastic dance. It takes you less than a second to indulge her, letting the blonde spin you around and matching her excitement.
When she dips you and seals the move with a kiss the laugh that rises out of you is genuine and loud.
At first, neither of you notice the stadium’s camera pointed in your direction, recording your little moment of pure bliss in each other’s arms.
Looking back at it, as all your friends sent you the viral video, you know Leah saw you two on the big screen and went along with her little cocky display of affection and excitement for the victory.
You’re sure your father could be laughing at it too, despite the colors you’re wearing.
fine.
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lowgothree · 2 days
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𝐀𝐍𝐘𝐓𝐇𝐈𝐍𝐆 𝐁𝐔𝐓 𝐘𝐎𝐔 ━━ ❛ 𝐅𝐑𝐈𝐄𝐍𝐃 𝐎𝐅 𝐀 𝐅𝐑𝐈𝐄𝐍𝐃 ❜
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chapter no. 001!          
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𝗈𝗈𝗈.               ⠀CONTENT : paige “with” another girl (for the plot). reader is so terribly down bad. also, i don’t proofread so if you see typos or grammar mistakes i’m sorry. and this chapter is kinda boring but it's necessary soo.
𝗈𝗈𝗈. ⠀      WORD COUNT : 1.5k
𝗈𝗈𝗈.   ⠀AUTHORS NOTE : yall seemed to like the prologue so i hope yall like this too!!
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THEY’RE KISSING. and she’s enjoying it, by the looks of it. you can tell because she’s doing that thing where she pulls the other person closer like they could never be close enough. the thing she used to do to you. 
it’s almost comical that the first time you see paige again, she’s kissing some other girl with eyes like yours outside the diner where you and the girls were. she thinks she’s being sneaky (she’s not). she always thought she was sneaky, you remember that much. in fact, you somehow remember everything about the blonde except what her lips tasted like. so of course you’re a little jealous, feeling a bit out of the loop. that’s normal. right? and maybe definitely it’s stupid to mourn so deeply over a relationship that you ended but, whatever, you can’t help that you miss her.
there was nothing human about the feeling, it was more like a typhoon or a volcanic eruption, something so completely out of your control. it was purely sickening…but whenever you see the peroxide-blonde with someone new, you  find yourself apprehensively scanning their hair, their skin, the words that they would say –– always finding a hint of yourself within them. the delusional part of you wanted that to mean she still wanted you, but logic said that maybe she just started having a type. but then you’d think back to before…the paige before you never had a specific type. but since you? there’s an unmistakable one. but that’s not enough proof that she still feels for you. in fact, it’s nothing. it’s hard not to see yourself when you’re actively looking for it. you’d keep up with the torture by staring at paige kissing that girl through the window but then you feel a sharp kick to your shin from underneath the table. 
“stop staring, perv.” nika mutters, rolling her eyes lightly. although nika was one of the few people who knew about the dead relationship, she didn’t know that your feelings for paige still lingered. she only knew what paige told her, that the two of you were friends.
“i wasn’t ––”
“you were.”
okay –– maybe you were. you sigh silently to yourself, taking a sip of your milkshake. this is the first time you’re actually hanging out with your friends together rather than just one on one (which you only did because you didn’t want to see paige). the two of you agreed to be friends but that was clearly not going to happen. however, you felt bad for denying your friends every time they asked to spend time with you. so, you sucked up your pride. you could spend an hour in paige’s presence, it wouldn’t kill you. at least not literally.
angel, a redhead who shares a dorm with nika and a major with you, is sitting in between azzi and you. she’s eyeing you carefully, after all, the two of you are very close and she knows why you and paige broke up. she also knows that you still care about her. her gaze is simultaneously suffocating and protective.
“...are you okay?” she whispers only loud enough for you to hear. you simply nod, munching on your fries trying not to look out of the window again. in truth, your head was spinning. you haven’t seen paige face to face since the breakup. you were hoping you’d never have to again…
then she finally enters, walking up to the booth. every step she takes is just as confident as they always are. her hair is down, running across the length of her back. her eyes meet yours, they’re more familiar than your own name. her beauty is still unquestionable –– but you wouldn’t admit it. it would make looking away from her even more difficult. so instead you pretend not to look as she sits down at the booth right next to nika…right in front of you. she pokes nika’s side just to piss her off  before snatching a fry from angel’s plate and dipping it in her own milkshake. angel rolls her eyes but says nothing.
“that’s disgusting.” nika turns up her nose as paige bites it. 
“don’t knock it till you try it.” paige dramatically licks her fingers. nika makes a fist, gently hitting the table a few times with her knuckles. you chuckle at nika’s attitude.
“what are you giggling about? you used to like it too.” paige mutters, smiling lightly but her words send a pang to your chest. nobody else seems to catch the bitterness in her tone….but you do. her eyes look almost guilty when she sees the sharp intake of breath you take. but before she could say anything else, you look away. you avoid her eye contact like it’s deadly.
nika clears her throat, eventually sensing the tension, and turns her attention to azzi whose eyes are close and head is rested against the booth. “you okay?”
“mhm…just really tired.” she mutters, opening her eyes to sip her lemonade. 
you chuckle. “i bet you are, we stayed up all last night studying.”
“finals?” angel questions.
“yeah…” azzi mumbles.
“can we please not talk about that right now?” paige groans.
“says you, scholar athlete.” azzi mutters, rolling her eyes at the blonde.
“she’s too busy with that girl to focus on studying these days.” nika chuckles. angel looks over at you for a quick moment but you keep your gaze steady on your plate.
you nearly jump out of your skin trying to relax your tensing shoulders before someone notices. you ended things with her…she couldn’t even call you her girlfriend. so why did it hurt so much to even hear of someone else in your place? this wasn’t exactly the plan, you were meant to move on by now. but seeing her…again…all you can wonder is what she’s thinking about right now.
“who? cleo?” paige snorts. “we’re not talking about that either.”
cleo. cleo. the girl who just had her tongue down paige’s throat no less than ten minutes ago. you feel sick to your stomach at the mention but you hide it well, then you feel sicker when you think about how pathetic it is that you even felt this way to begin with. it’s just another indignity among many.
“why not?” nika mutters. “it’s more interesting than talking about studying.”
“true.” azzi adds.
paige looks over at you, her way of saying that she’s not going to talk about another girl in front of you. “where’s aubrey?” 
you appreciate the conversation shift even if you know it’s in vain. they want to know about this mystery girl and honestly, so do you.
“late.” nika mutters.
“i ordered her food for her.” angel smiles softly. 
“and she’s gonna wanna talk about the girl too.” azzi chuckles. angel’s leg shakes underneath the table, she’s clearly empathetic for you. she knows the girls don’t mean to hurt you but she also knows that it is hurting you. you wanted to relax her, make her feel less guilty for not saying anything even if she wasn’t participating in the conversation.
so you chuckle lightly, pretending to be completely fine and say, “can you please be still?”
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“can you please be still?” you sigh softly, braiding her hair in its signature style. paige is sitting in front of you on the bed with her legs crossed. she has a game later, and she asked you to braid her hair for her. 
“you’re pretty.” paige mumbles as you finish up her first braid, still squirming at your touch. 
for a second you almost forget yourself, paige being damn near sickeningly sweet. she seems to notice how her words have temporarily struck you, pride swelling within her since she loves making you happy. 
you shrug it off and remember that her back is facing you, so you chuckle at her commenting on your appearance. “you can’t even see me.”
“i don’t have to. i’m thinking about how your face looks right now.” she turns back to look at you over her shoulder. “pretty.”
you bite back a smile, turning her head back so you can braid the other side. “you’re corny, you know that?”
“i’m enamored.”
“oh, someone learned a new word.” you snort, continuing braiding her hair, being as gentle as you can with her. (though it gets increasingly difficult when she won’t stop moving).
“shut up.” she mutters. “i’m super smart.”
you finish braiding her hair, tapping her side to let her know that you’re done and she can go look. she stands up from the bed, long legs taking her to the dresser which has a mirror over it, she eyes her braids carefully. “they’re a little crooked, babe.”
you roll your eyes. “cause you wouldn’t stop mo––”
she turns back your way, walking back to you. paige towers over you while you sit on the bed, she puts a hand under your chin and kisses you. “i’m joking. they’re perfect. thank you, baby.”
“anything for you…” you whisper back and your words make her smile. it’s wide and toothy –– the most beautiful thing you’ve ever seen.
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Don't Kill My Vibe
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Title: Don’t Kill My Vibe
Rating: Explicit, 18+, Minors - DNI
Pairing: Clark Kent x BestFriend!Black!Fem!Reader
Word Count: 2.7K
Summary: You help Clark ease the pain of his broken heart.
Warnings: mention of a breakup, recreational drug use (marijuana), friends-to-lovers trope, oral sex (f receiving), unprotected p-in-v sex, creampie, mention of bodily fluids
A/N: This is an AU where Clark Kent is not superpowered and Superman does not exist. Unbeta’d, we die like people who tried their best.
Dividers by me
Support/Reblog banner by me
Cover Art by me
My Masterlist
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It wasn’t the first time Clark asked to try some bud, but it was the most pathetic. His gorgeous blue eyes were puffy from crying over that woman. As much as you wanted to say, “I told you so," you didn’t want him to feel any worse about the failed relationship with his reporter beau, Lois Lane.
And yet again, you think to yourself, ‘Fuck Lois Lane’.
When he showed up at your place an hour ago in sweatpants, sneakers, and a button-up pullover, you were surprised to see he opted for something other than his normal flannel and jeans. His hair was mussed, and he avoided eye contact with you. Something was wrong.
You dragged him into your apartment, turning down your Spotify playlist on the Bluetooth speakers so you could talk over the mellow tunes. While you flopped down on your couch, Clark sat down slowly and sighed.
You were already elevated, having taken a couple of puffs from your blue and red glass bowl earlier, so you were struggling to pay attention to everything he was saying. You tried to put on your “I’m not high” face and nod enough, saying “Oh wow” occasionally. But, in actuality, your eyes were as red as the Devil’s dick, and Clark wasn’t stupid.
His eyes looked from yours to the tray on the coffee table that held your various assortments of smoking apparatus, grinder, lighter, and stash box. Leaning forward so his elbows rested on his knees, he motioned his chin toward everything and said, “I know you’ve said no a million times, but I could use an escape. And before you say no again, know I’ve tried all the tricks in the book to get over somebody, and nothing is working.” 
“I have a feeling there’s another thing you haven’t tried either, but whatever,” you rattled on, waving off his confused expression. “Fine. It should be illegal for you to use those puppy eyes when asking me for something, by the way.”
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So here you are, preparing a strawberry cone for you and Clark to share. You were always weird about people using your favorite bowl. You also figure that for a first-timer, it would be the easiest for him to start with. Twisting the end after filling the cone, you reach for the lighter and ashtray.
“First things first,” you purr, using your phone to turn the music up. “Now, watch what I do. I’m going to draw the smoke into my mouth and then hold it for a few seconds, or as long as I can, before blowing it back out. Ready?”
Clark nods as he turns toward you, tucking one leg under the other. Now that you have his full attention, you suddenly feel flustered. Casting your eyes downward, you take the cone into your mouth and light the end. You inhale deeply and take it out of your mouth. Savoring the citrus flavor of the strain, your tongue licks your lips, and you exhale. 
You close your eyes and take a few breaths. After a moment, you hear Clark’s voice breaking through your haze: “Everything good?”
Your eyes pop open, and just like nothing happened, you perk up. Handing him the cone, you blink as he holds it like someone who has never smoked. You’ve known Clark long enough that you have a suspicion that is probably true for him. 
He’s polite, almost to a fault. He screams Boy Scout, altar boy, and ‘promise ring’ all at the same time. What can you say? Clark was a good boy. And you were getting him high. You little devil! 
Clark takes a short pull from the pink-colored joint and manages to hold it for about two seconds, then attempts to exhale. A small plume escapes his mouth, he inhales sharply and has a coughing fit. You take the joint back before he drops it and sit it in the ashtray.
Rubbing his back, you try to talk him through catching his breath. You grab your water bottle and hold the straw to his mouth when he nods his thanks. He sips the water, then clears his throat loudly, burping up a bit of smoke. He laughs quickly as he sees it exit his mouth, reminding you of a little surprised dragon.
“That was fun,” he sputters, his voice deeper than usual.
“It gets easier, Clark. Trust me, coughing is normal. And most of the time, coughing gets you higher,” you laugh, picking up the joint to take another hit.
You inhale, exhaling into the air, and hold it out for Clark to take again. He sips from your water bottle and gives it to you in exchange for the joint.
Holding it between two fingers, he brings it to his lips. You watch his mouth curl around the tip, and your brain conjures up the vision of what else that boy’s mouth can do. He takes the joint out of his mouth, holding his breath for a few seconds, then blows it out slowly. He gives it back to you and leans back against the couch.
“I don’t think I feel any different yet. How long does it take to kick in?” he asks, crossing his arms and pouting.
It being his first time, he is completely unaware that he is already high. His body language is different; Clark Kent doesn’t slouch even a little. He also certainly doesn’t fidget; his hands suddenly become very interested in the material of his pullover.
“You’ll feel it sooner than you think,” you mumble, the joint between your lips as you speak.
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Twenty minutes later, Clark tells you exactly what the last straw was that ended his relationship with Lois. He pauses to take a hit, handing it back to you as he exhales. “But it was always whatever she wanted. I treat her like a queen. And she goes and blows Jimmy-fucking-Olsen. Then she lies about it after Jimmy comes clean to me. I…,” he trails off, looking over at you and shaking his head as he laughs.
“What?” you question when you realize he stops talking.
“Nothing. I just… I think I’m high,” he giggles, the corners of his eyes wrinkling when he smiles at you.
“Besides being high, can you describe how you feel?” You press, wanting to know just how high he is.
“I feel lighter. Clear…er? Is it clearer or more clear? Whatever. I think I also just figured out how I want to finish that article on The Wayne Foundation,” he explains, leaning back so he is lying on his back with his head on your lap. “Is this ok? Your lap looked so comfortable,” he wonders aloud, looking up at you.
That’s when you realize three fundamental truths at the same time. 
1. Clark is single. 
2. Clark is literally in your lap.
3. The crush you have on Clark is swiftly turning into lustful infatuation.
Bringing yourself back to the present, you smile at him and say, “Yeah, of course it’s ok.” You focus on the heat radiating from your best friend as he makes himself comfortable so close to your thirsty pussy. 
“You are the best,” he replies, closing his eyes as your hand finds its way into his curls.
“This cool?” you dare, hoping that you can continue to push the boundary between friendship and something more.
As if the groan from the back of his throat wasn’t enough, he voices his satisfaction. “More than cool. I love having my hair played with. Feel free to go to town on me.”
Oh, the importance of phrasing.
This man is not going to make it easy on you.
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You’re explaining to Clark about that episode of Bob’s Burgers where Bob and Linda accidentally get high after eating cookies laced with marijuana at their accountant’s office. “So, anyway. Bob, Linda, and the accountant build a pillow fort from the cushions on his couch, and somehow it makes them feel safer which I get because pillow forts were the height of safety when we were kids. And sometimes, people feel safer thinking about the simplicity of their childhood,” you rattle on, leaning forward to grab your water bottle and forgetting about Clark’s head, which is still very much in your lap.
An oomph is spoken into your boobs, and you shoot straight up to a standing position and knock Clark off your lap and onto the floor. 
“Shit!” he cries from his spot on the floor.
“Fuck, Clark! I’m so sorry! Are you ok?” You cringe, your hand touching your forehead as you watch him pull himself up.
“Hey, hey. It’s cool, I’m fine,” he reassures, his hand grabbing yours to take it away from your face. With the other hand, he grabs your chin between his thumb and forefinger. Tilting your head up, he smiles and counters, “Are you ok?”
Yeah. Fine. My tits were just thrust into your face for a bit there. Oh, and you have no idea that I like you. And that pesky curl is falling into your pretty eyes again. And your handsome face is close enough to-
One second, you’re staring at his smile; the next second, you’re attacking his mouth with yours. His lips are just as pillowy and soft as they look. At first, the kiss is timid. Surprise gives way to need as he deepens the kiss. His tongue seeks solace as it slides against the seam of your lips. Granting him entry, he licks into your mouth like an explorer discovering new lands. 
His hands find their way to your hips, bringing you impossibly close. He feasts on every whimper that leaves you, peppering in some moans of his own. This is the kiss of a man waiting for a moment like this. At least, that’s how it feels.
Begrudgingly, you slowly break away from Clark. His kiss-swollen pink lips beg to be reunited with yours, but you must prove this is real. You look up into his dilated eyes, noting how blue is almost completely taken over by black. 
You open your mouth to speak, but Clark beats you to it.
“Unless you are about to tell me you don’t want this, please just kiss me again,” he breathes, resting his forehead against yours. “I don’t know what’s more intoxicating. This drug or having you so close to me.”
Instead of worrying about what this means, you throw caution to the wind. Tilting your head, you slot your lips with his, devouring the subtle whimper that escapes him. From nervous to commanding, you feel Clark’s demeanor change as his hands wander over your body.
He picks you up by the waist, your legs instinctually wrapping around him. With you in his arms, he walks blindly to your bedroom. Once he lays you down, he covers your body with his. The hard length against your mound gives you pause, but you quickly recover as you angle your hips to meet his.
Clark breaks the kiss to sit up and remove his pullover and shirt. A pink hue dusts his cheeks as he watches you scan his torso while you bite your lip. Leaning down, he tugs at the hem of your shirt, wanting you to get rid of it. 
You oblige, now topless in front of your best friend for the first time. You don’t have time to freak out over that information because Clark hooks his fingers in your leggings, his eyes begging for permission. You raise your hips, and he pulls them down your legs along with your underwear. 
You sit up as he chucks his sweatpants, his heavy erection now visible. Your first thought is, “Now that is a pretty dick.”
“Thank you,” he says, a smirk playing on his lips.
“I said that out loud, didn’t I?” You wonder aloud, already knowing the answer.
Clark smiles, nodding at you before coaxing you to lay back. He sinks between your legs, holding them open to kiss your thighs. He teases you a bit, licking and nipping at your mound and outer labia until you wiggle your hips and whine. 
“Tsk, tsk, tsk. Patience, please,” he cautions, shaking his head at you. He winks at you, diving fully into your snatch and sucking your clit between his lips. 
You throw your head back in ecstasy as his tongue slides over your swollen button. Humming while sucking on your nub is a fucking power move, and your hands tangle in his hair. You dig your heels into his back as he laps up the juices that accumulate at your entrance. Looking down at him as he worships at the altar of your body, you are taken aback as he peeks up at you over your mound.
With your eyes locked on each other, he watches as he tips you right over the edge. He groans into your pussy, his mouth and chin soaked, as your walls contract around nothing. The euphoria of being high mixes with the joy of being with someone new for the first time.
But this isn’t just anybody; this was your best friend. Warmth and comfort exist between you, allowing you to feel safe enough to fall and that Clark will catch you.
You come down as he plants a kiss on your mound, grazing his lips up your tummy. When he is back above your face, he runs the tip of his dick across your wet folds. He maintains eye contact while he slides in for the first time. 
Once he is fully seated inside you, he lets you adjust to his size before he withdraws slightly and thrusts forward. The wet squelch of your pussy and the smack of your bodies against one another are music to your ears. Clark’s grunts as he fucks into you only fuel your impending second climax.
“Fuck, you feel so good. Too good. Not going to last long,” he warns, sitting up on his knees as his hands go to your waist. Throwing his head back, he growls and picks up the pace, using your body like his personal fucktoy.
Your back arches as he repeatedly hits that hidden bundle of nerves. A searing fire erupts in your belly as your cunt clamps down on his dick, spasming and coating it with your cream.
“Good girl! That’s it. Fucking come for me, just like that,” he encourages. “Oh, shit. I’m right fucking behind you. Fuck, fuck, fuuuuuuuuuck.”
You lock your legs around his waist, keeping him right where he is as his dick spasms and fills you to the brim. Your hands smooth down his big chest, feeling the muscles ripple as he comes down from what is probably the most intense orgasm he has ever felt. He stills soon enough, breathing back to normal as his softening length slips from you.
Flopping down next to you, Clark wraps an arm around you. You curl into his side, an arm across his stomach, and a leg thrown over his. Contented silence fills the room as you both take in this unforeseen turn of events.
Clark’s hand makes idle patterns on your back as you lay on his chest, listening to his heartbeat. You close your eyes for only a moment, missing Clark smiling at you. He gives you a quick peck on the top of your head, causing you to tilt your head to meet his eyes.
“You hungry?” you guess, feeling a bit peckish yourself.
“Yes!” he exclaims.
“Good. I know a great place down the street that makes the best samosas. Does Indian food sound good?” you ask, already tasting the rich spices of the food.
“Sounds perfect,” he says, picking up his arm to let you get up from the bed to grab your phone, watching your hips sway as you walk out to the other room.
Once back in bed, you order various dishes for the both of you. While you wait for the food, you pass a joint back and forth and steal a kiss or two. You decide there is plenty of time for you and Clark to talk. There is no use in killing the vibe for heavy stuff.
With the way Clark is looking at you, there’s not much to talk about anyway. 
🍃The End🍃
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A/N: I would love to know what you think!!! Feedback is appreciated!
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scar-lie · 3 days
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Hellooo~ may I know if you will make a part 2 for your story 'Their First Love'?
Their First Love Pt. 2 [Natasha]
Summary : The talk Natasha has been looking for, to apologize and to finally talk to you
Pairing : Natasha Romanoff x Fem ! Reader
Warningv: Crying
Word Count : 2,876
{THEIR FIRST LOVE PT. 1}
No one has permission to repost my work anywhere, if you see it please let me know
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It's been weeks since you two broke up—well, not actually since you two aren't a couple—let's just say “since she busted you,” and it still bothers you.
Did you accept her decision? Yes, and you respect it, but did you move on or stop wondering about things? No, definitely not. The thoughts and questions keep you awake every night and mostly distract you from your work.
You kept asking yourself why she chose him. Am I not enough? Or am I doing too much that drives her away? Is there something wrong with me? Or maybe I did something wrong?
The questions keep coming, but there's only one that's imprinted in your head, and it never leaves your mind since you realize it. It's her hair.
You once asked her, "Why do you keep your hair red? You're a spy; you should be undercover, not seen.” At that time, all she said to me was, “Because I wanted my loved ones to always locate me and remember me in the event that they did forget me or split up with me, as winter always follows autumn.
That's when you realize that you're not hers; Bucky is and will always be the winter that always follows Autumn, and you feel such a fool believing that you could replace or at least be enough to be at Bucky's level in her heart.
But at least you try and come close, or at least you thought, but the thing is, what matters is what makes her happy, and she is happy with him; that is what matters to you, right?
“Hey, hey, earth, to Y/N, are you there? ”You snap out of your thoughts when Jess taps your right check, so you look at her with a confused look.
“What? ....sorry what were you saying? ”You asked, gathering yourself and coughing to cover your embarrassment in front of Jess.
“I said, get back to her.” You frown at her, and she giggles, laying her upper body on the couch back while you're in your swivel chair and big table in your office.
“I don't get it,” you mumble, enough for her to hear, and she shakes her head and rolls her eyes with an amusing smile, then puts her iced coffee down.
“Oh my god, Y/N, you're so easy to read, or at least on my side... You're thinking, and I know it involves ‘Natasha’ so just pick up your phone, dial her number and call her, or text her,” Jess said, throwing you your phone. She's been playing some games. You thankfully catch it because if you didn't, hell, you're going to kill Jess if that happens.
“No, she chose him, Jess, not me, so I’m not going to call or text her like a puppy hot on her tail.” You put your phone in your pocket, standing up, seeing it's already 10 and the wedding will start in an hour, and you can't be late.
“Now shut up, and we need to go because we will be late,” she scoffs, rolling her eyes at you, but reciprocates and follows down the garage, getting in your own car, and so does she, and starts the 40-minute drive to the venue.
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On the other side, Natasha has been sulking in her bed for weeks now; she has no energy to do anything, and the only thing that keeps her away from bed is going to the bathroom, bar, or club. Other than that, she's locked up in her room; even Bucky can't even enter.
Since Natasha saw you that day, she can't help but stalk you. When you go to a cafe with her, when you go shopping with her, when you stroll with her, everywhere you go, she's there, getting jealous and feeling regret seeing you with her, and she wishes it was her who's by your side at those moments and not her until she saw you with her at the jewelry shop and decided to approach you or just eavesdrop.
But once she came close, she stopped dead in her tracks. Hearing those words coming out of your mouth, “This is perfect for a wedding band," she quickly turned around and left the mall. You're buying a wedding band with her; were you getting married with her that fast? She questions herself when she locks herself in her room, crying. 
And Bucky heard her crying, and since then, he's been worrying about Nat. As much as he wants to help her and be by her side, he knows forcing her to do something or just go against her will be no better for the both of them, so he constantly knocks on her door, asking if she's okay, even asking F.R.I.D.A.Y. about her, leaving food and a note in front of her door.
But today, he had enough, and he knows the only person who can help Natasha, so he's on his way to have a little talk with you.
And when he gets the information that you're on your way to the wedding, he quickly flies off, overspeeding, and goes to a different route to catch up with you, and when he does, he quickly drifts to block your car with his
But you almost hit him if you didn't hit the break quickly. You scoff and get out of the car when you see Bucky getting out of his car.
“Long time, no see, Mr. Barnes,” you sass at him, folding your arm in front of you and letting him approach you.
“You need to come with me,” he's in his stoic expression, and he proceeds to grab your arm, but you back away and swat his hand, and that's when Jess got to you, worried in her eyes.
“Oh my god, hey, watch where you're going; you can't just stop people like that,” Jess shouts at him, but you stop her with your hand when she's going to attack him.
“Get in your car and go to the venue; I’ll be there in a few.” She wanted to argue, but you glared at her, so she nodded.
“Be careful.” With that, she drives off, leaving you and Bucky alone on the side of the road, and thankfully, there's not much of a car passing by.
“What do you need, Barnes? ”You stand tall, seeing him searching for the right word.
“I—you need to come with me; I wanted to show you something,” he said calmly, but you raised your one eyebrow at him.
“And why would I need to come with you? I barely know you; I don't know your intention; you could kill me or something if I come with you.” Bucky sighs, closing his eyes, then looks back at you, and you see the desperation in his eyes.
“If you're that desperate for me to come with you, why not tell me the reason? Cause I have somewhere to be.” Bucky is annoyed, yes, but he stays calm for Natasha's sake.
“It's Nat; she needs you. I know it sounds crazy, but you're the one she wants, the one she loved and still loves. She needs you, Y/N.” You stay motionless and emotionless; you just scoff at him and roll your eyes at him.
“That's funny, Barnes; she doesn't need me; she has you; you're the one she loves, not me; she chose you. Remember? ”You unfold your arms and take a step towards him, and you give him a sarcastic smile.
“You won Barnes; she's all yours, so whatever shit what's happening to the both of you, I don't care, so don't drag me into your shits,” you said, and you turned around to your car so you could arrive at the wedding just in time, but before you could reach your car handle, he took your arm and turned you around.
“She really needs you, ok... Yes, maybe I’m the one she chose before, but that doesn't mean I still have her heart.” Bucky sighs, not wanting to be the one saying this to you, but he guesses he doesn't have any choice.
“Natasha suffers enough; she gets confused when it comes to these feelings, making her go back and choose the things she’s familiar with, meaning getting back to me. She longs for the short times she has before, where our love gets ripped away by the organization we're in, making her choose the wrong decision.” It hurts him to admit that the love of his life doesn't love her anymore, but he knows that seeing her happy in your arms is better than seeing her forcing herself to be happy with him.
“She loves you so much, Y/N. She may have confused her emotions, but her love for you is already carved in her heart.” Then suddenly his phone vibrated, and seeing that it's an emergency mission, he smiled at you and reached for his back pocket.
“She’s you're Y/N; she always had been.” Then he took your hand and put the key in it.
"It's her key…..she really needs you.” He gives you a small, sad smile, then turns around and gets in his car, then drives off.
“You just roll your eyes and get in your car, hooking the key he gave you in the rearview mirror, and drive off.
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Natasha sighs and sits up on the bed, realizing that sulking, being lazy, and sleeping with strangers will get her nowhere, so she stands up and takes a shower, leaving the man still sleeping on her bed. He was supposed to leave hours ago, but Natasha doesn't know what happened to her when she let him sleep here on her bed. All she knows is that his hold feels like your arms, or maybe she just thought about it.
Showers were taken longer than they usually are, but she did have a decent shower and change into fresh, comfy clothes, a loose shirt, and sweatpants, putting on a little makeup so her face wasn't as pale as it looked, and that's when she heard a knock on her door, so she groans and goes out of the bathroom, seeing the man in her bed is already awake.
“Go get dressed and get outta here,” she said, emotionless, and another knock again.
“I’m ok, Bucky, you don't have.” She stopped when the person knocked, got in, and looked around until her eyes landed on Natasha and the man who's getting dressed.
And Natasha is shocked to see the one person she least expects to knock on her door and come in, but when she pinches her arm and it hurts, she knows it's real. It's you, standing in your white, above-the-knee-fitted formal dress.
Her heart fluttered, and the butterflies were dancing around her stomach. Her joy was on top of the mountain. She saw you again, and you're the one who came to her.
"Guess, I came here for nothing. Sorry for interrupting. Have a good day.” With that, you quickly shut the door shut, scoffing at yourself, thinking you shouldn't have listened to Bucky. 
On the other hand, Natasha was confused, but when she realized what was happening, she quickly looked at the man who's putting his pants on and looked at herself in the mirror, a hickey on her neck and wet hair.
“Shit shit shit,” she cursed and quickly ran behind you to explain.
"Y/N, wait, please, let me explain.” She then took your arm, stopping you and turning you around.
“Explain to me that you're doing fine and fucking other people because you and Bucky didn't work out? Don't worry, I get it. I shouldn't have listened to your ex. Now I have wasted my time. I should probably go so you two can continue and I can catch up to the wedding. Have a good day, okay? ”Natasha was confused, and she didn't catch up with what you said, and whatever was on her mind was only Bucky, listen, continue, and Wedding, ‘Were you marrying her today? ’
“Wait what? No, no, no, wait, hold on,” she said, then again stopped you and blocked your way to the elevator.
"First, what Bucky told you; second, that man meant nothing, I swear; and third, the wedding? At what wedding were you getting married? Now? With her? ”You roll your eyes at her, then the man gets out of her room and walks past you two, and he kisses her on the head, making Natasha cringe and try to pat off the kiss he gave her.
“Last night was amazing; maybe we could go out sometimes.” This makes Natasha feel disgusted, and of course you heard it, so you roll your eyes and go around Natasha.
“Get a room, for god sake,” you say, then stand tall, waiting for the elevator after you press down.
“You're just jealous,” he spat back, and Natasha slapped him hard.
“Trust me, I’m not, and please make sure your dick is properly placed in those pants, and please wear underwear for god sake.” Then Natasha pushed him to the stairs, just to get him out of here.
“Leave now or else,” she said with gritted teeth, motioning her thumb from her left neck to her right, and he gulped, knowing she's capable of killing him without hesitation, and that's when the elevator door opened with a ding.
"Well, nice seeing you.” You enter the elevator, and Natasha quickly stops the elevator door and gets in. She was supposed to drag you out so you two could properly talk, but the door closed before she could walk out with you.
“Ok, ok,” Natasha sighs, and she turns around to look at you, where she finds you looking down on your phone, texting someone.
"Hey,” she tried to get your attention, but you didn't budge, so she took your phone and turned it off.
“What! ”You sigh with annoyance, looking up at her.
“Can you listen to me, please? ”Natasha begs, and you pinch the bridge of your nose and press the open door button, but Natasha unpresses it and stops the elevator, putting it into emergency
“You listen whether you like it or not.” You then press your back against the wall. Not much of a choice, you just stayed silent, your hand inside your pocket. 
“Thank you,” Natasha then sighs, getting nervous, and this is not what she imagines getting nervous for the first time.
“Ok, first, I’ll tell the truth. Yes, we had sex last night, and yes, he slept the night in my room, and yes, I’ve slept with a couple strangers the past few days or weeks, but I swear it means nothing.” You then cross your arm in front and look at her in the eyes; that made her feel so small.
“It's a one-night stand, nothing else, and for Bucky, well, he broke up with me. Why? Well, he said that my heart doesn't belong to him anymore; it belongs to someone; that someone's you, and he's right.” Natasha wants to take your hand, but it's hidden, so she rests her right hand on your arm.
“When he left, that's when I realized that I want you, that I love you, that when I’m looking for the future, you're there, you're always on my plan, on my dreams in every single one of them, and I also realized that I was being unfair to you when I just dropped you out and to Bucky when I’m still clinging to my past, where I’m too familiar and afraid to enter something new again, something I’m not familiar with, something I’m not good at, and I’m sorry for that.” tears running down her cheeks while she bites her bottom lips to suppress her subs, then she kneels before you, clinging to your right leg.
“Please forgive me. I-I’m so sorry. I didn't mean to hurt you.” Natasha can't help but sob and cry on your thigh.
“Please believe me, I tried to contact you, or... or co-come see you... I tried.” Natasha keeps repeating the same word over and over again.
“Get up,” but Natasha didn't; her knees were weak.
"Romanoff, get the fuck up; you're making yourself look foolish.” You nudge her gently, but she shakes her head.
“Forgive me, please forgive me, please come back.” You sigh and palm your forehead, careful not to ruin your makeup.
“I don't know, Ok, I am moving forward, so, I don't know it, Romanoff, so get up and fix yourself; I need to go and catch up on a wedding.” Then you simply get away from her and pull off the emergency button and help Natasha on her feet, then wipe her tear with your handkerchief, making Natasha lean on your touch.
“I’ll contact you,” you whisper, and then the door opens, so you exit the elevator, go out to take your car, and drive to the venue.
As much as you want to be hard and cold to Natasha, there's always part of you that makes you weaker around her; she always makes your guard down and makes you vulnerable; you feel safe around her, the feeling you've been craving since you were little, and it took every willpower you have to be tough and cold-hearted towards her.
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theminecraftbee · 2 days
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How do you think Three would feel about season 10?
man so. okay the thing is that by season 10 things have probably butterfly effected so hard off of the beaten path that i have no idea if three would have much season 10 as they know it.
for example: season 10 starts with demise. would three... even have done demise? probably not in its early days of hermitcraft, right, like, that's a game grian would design but that i think three would be a little more hesitant to start up. a game about killing people in a fashion with Rules and Creativity is something three could thrive with, sure, and i like to imagine three takes inspiration from like, cleo's head games to come up with a version of demise it ends up enjoying, maybe? but like, even that element is hard to say WOULD happen.
if we go with "season 10's haunted water is an inherent element of the season", i could fully see three getting wrapped up in the fishing thing, because three is very stubborn and if it gives itself a mission of "fish up a mending book" it WILL do that. it would not try to start a cult about it or build a secret chamber but i think it would make like, a mending book spreadsheet or something equally deranged but in a less "big temple" way and in more of "three is the kind of person who made a family tree of sheep with jimmy" way.
i do think a difference between three and grian is that three just. doesn't strike me as particularly possessable. it wouldn't become obsessed with the ocean in the way grian did i think. i think it would like, fixate on the mending book, get it, go "that was stupid", and... i could SEE three liking fishing a lot actually, but less in a "getting possessed" way and more in a "it's a relatively low-simulation activity and also it gets to kill something" way, lol.
anyway i think a really interesting thing here is that three... would not do the permit office. like three Would Not Understand the bit of being purposefully unhelpful. even many years out from being three, the weapon, and instead being three, the person, i think three never QUITE stops finding it sort of inherently frustrating to intentionally do a task wrong. three tends more towards malicious compliance when it doesn't like doing something, but like, fully would love tedious paperwork. additionally, okay, maybe by season 10 three is a bit more likely to take charge fully, but i sort of suspect cub would end up the permit spearhead, not three. three would love the concept of the structure permits provide! three would not inherently like being the person in charge of the permits.
actually this gets into one of the more fundamental differences in personality between three and grian: grian likes being in charge of things but hates and avoids responsibility. three is a bit uncomfortable being in charge of things, but is perfectly comfortable with responsibility and will even take responsibility for things it technically doesn't have to. and at their CORE grian and three both have this supremely type-a thing going on but they express it in nearly opposite ways and i suspect this would be one of the main ways they'd clash, honestly.
but all of that is to say: three would not do the permit office bit, but WOULD like the permits. they provide a Structure to how shops work that three would appreciate and i think by season ten i could see three having gotten into the art of Ruthless Capitalism because it's sort of like killing people except instead you take their money. (three describes it this way back in season seven after etho takes it under his wing and etho wheezes and tells three to never let go of that. anyway.)
so that's just some of my thoughts on season ten with three this is a FUN QUESTION thank you!
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Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?
To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.
He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.
Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.
I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!
So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.
The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.
This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic undersrands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.
I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?
Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.
Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.
If I could somehow make another read more at this point, I would. It's gonna get messy:
What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.
Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.
This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.
To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.
The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.
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unreleasedwrites · 2 days
Text
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Caught You, Again
“You’re eyes seem to be wandering yet again, and your cheeks are redder than rubies.. You just never get tired of me, do you?
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summary: You and Gun have been in the same class since the eight grade, and you developed a little crush on him that same year. Once the ninth grade started and you two had been paired as seat mates, you started to drop subtle hints here and there with the idea of your little crush on him for the past two years. Gun notices this and takes it as an opportunity to constantly tease you about it jokingly— until, he was no longer joking, and made a move by asking you out which then ended with you becoming his first and last girlfriend, because he made you into his first and forever wife. Yet, he never fails to see you in the not so hidden act of admiring him, which has him calling you a “simp,” and he continues to tease you for it.
character(s) included: Park Jonggun x fem!reader
cw: fluff, teasing, playful and flirtatious gun, gun is nice, swearing, use of Y/N, mentions of physical fights gun gets into, mentions of blood/bleeding/bruises, couple nicknames, kissing, established relationship, idk much about weddings, VERY SUGGESTIVE TOWARDS THE END!! this is really long tbh 😭😭
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unwrapped on: Saturday Night, December 03 2023
wrapped up on: Sunday Evening, April 28 2024
published on: Sunday Evening, April 28 2024
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“Need something?” Your seat mate suddenly questioned you as he shrugged a brow at you, who was blankly staring at him, obviously lost in your thoughts.
“O-uh— No!” You quickly replied and zoned back into reality, “Sorry, I was just thinking, I didn’t notice tha-” You added before he cut you off and said,
“If you like me, you could just say so’ You wouldn’t be the first girl to confess to me this school year.”
“Wha-! Talk about confident, also it’s literally the second week of the ninth grade..” You scoffed, a little nervous considering you have liked him since the eight grade so he technically wasn’t wrong.
“That isn’t a no~” He replied with a tint of his usual smirk.
“Wel-” You tried to speak right before he interrupted you once more “Enough with the excuses already, it’s boring.”
“Well?” He added and you responded with, “Well.. What I was trying to sa-” Ding, Ding, Ding— You were interrupted once again, but this time, by the bell. And it was now lunch time, so you two went your separate ways.
That was one of the occasional conversations you had with Gun, it just so happens that you two have been paired as seatmates since the eight grade and therefore, had to have spoken to one another atleast a number of times by now. They were just meaningless and short interactions that was just another way to kill time for him, yet those little conversations and interactions meant the world to you.
Fast forward into the school year and currently, it’s almost the fourth month of school— all of your classmates along with the new/transfer students have gotten to know each other, and it just so happens that you and Gun have started to talk more aswell. From little “Hey, about the homework-”, “Since were the next pair who’ll discuss, how about we-”, and “Could I borrow an extra pen, if you’ve got one?” To “What did you get for this number..?”, “Let’s hang out at my place, we could also plan our discussion for english tomorrow.”, which also turned to him simply grabbing things out of your bag when he pleases.
The formal little questions he’d usually ask you were starting to turn casual and friendly, not only his words but his tone is shifting as well.
You never thought you’d be invited to his place so casually and he’d lend you his jacket whenever you two are hanging out. Although, he insists you keep all of them since he loves the way it looks on you. It was weird. It was all so weird. So many girls like him, he’s constantly got girls dreaming to be around him as much as you get to be. Now, if you think about it— you never actually see ANY girls approaching him or hanging around him at all, aside from you, that is. People are constantly telling you about how you two must be dating, well you aren’t, but he’s never actually denied it either. He continues to tease you almost everyday and it just has you falling for him even more.
“Y/N?” Gun suddenly called out to you while you were walking out of the classroom to go home.
“Hm?”
“Dinner, just you and me. This Friday at 7 o’clock, how’s that sound?”
“Wait, what?” You rose a brow at his sudden invitation, “What do you mean, by dinner with just you and me?” You briefly added.
“A dinner date, with just the two of us.”
“That was a little, out of nowhere.. Don’t you think?”
“..Yeah.” He responded, “My bad. Maybe it was a little too soon, never mind about what I sai-” He added before you cut him off, “Wai- wait! it wasn’t too soon at all! Sorry, I was just taken a back— since I really wasn’t expecting this from you.” You said, visibly happy.
“Well then..?” He nervously asked and you responded with, “Are you kidding? That’s all I’ve ever wanted!! I’d love to, Gun.” It was evident just how excited you were. Suddenly all bubbly and red in the cheeks, Gun found that to so adorable. “I wasn’t expecting such enthusiasm from you,” Gun said as he laughed, “You’re probably in love with me, aren’t you?” to which you replied, “You asked, I answered! And would you have wanted a no for an answer?” “A no from the girl who’s head over heals in love with me? I highly doubted that response.”
Gun might’ve said those words so casually and care free but he really was surprised with how quick it took for you to say yes. Throughout the course of your friendship, it did become obvious that the two of you do like each other. But it was much more evident on your side, with how much people knew you like Gun and how you spoke about him and how you were whenever you were with him, versus how you were when you were with some other boys that were rumored to like you. Of course, Gun was slightly taken aback when he learned about all this— how could someone like you, a beautiful and simple sweet heart who doesn’t even like contact with people or going out that much, like him, a guy whose name is insanely problematic and all the rumors spreading about him are mostly true and have something to do with his violent side and the things he does outside of school, a guy who people quite literally fear.
But Gun didn’t really like thinking about any of that. All that mattered to him was how you felt and the adorable reactions that come out of you whenever he teases you about apparently liking him so much.
A few months passed since your first date and the two of you started dating after a while, even more time has passed since then because you two were now in your final year of high school. Despite going further into your friendship to turn it into a relationship, nothing much has really changed.
You guys were at your place this one time and you begged him to do skin care with you. He was reluctant at first but with your puppy dog eyes and some touchy convincing, he finally agreed.
“Stay Still!!” You scolded your boyfriend who kept moving when you were trying to apply a full mask onto his face.
“How am I supposed to? It’s so wet and slimy, kinda reminds me of something..” Gun replied.
“Oh shut it, I finally finished applying it, now we have matching masks on!! Come look at the mirror!” You exclaimed, “Tada~!”
He looked at the mirror blankly and slowly turned to you, who was overflowing with joy.
“Awh, don’t you like it?”
“It’s.. something, that’s for sure..”
You looked at Gun with your usual pout, to which he caved in and finally went along with the whole thing, saying it’s not that bad.
“Hehe, my baby looks so handsome, just as he always does~” You said as you admired Gun while squeezing his cheeks.
“You’re such a simp, you know that, right? Gun said, slightly muffled as he looked down at you with his usual smirk.
“Hmph! If you don’t want my love then you could just say so!” You said as you let go off his cheeks and crossed your arms with a grouchier pout on your face.
“Baby, there’s no need to be a brat.” He then grabbed your chin to kiss your lips (you were tiptoe-ing). Gun always knew how to deal with the unpredictable pace of your mood, given how you can go from absolutely simping over him to a pouting girl who doesn’t wanna talk about it at all with him.
“Your eyes sure as hell love to wander, dont they?” Gun teased. You went all pouty again so he coated you in some more kisses to make up for the teasing about you being a complete simp.
Those were the moments that ultimately led to the situation you’re currently in. Beneath the sunset in your favorite place, dressed in an astonishing wedding dress, paired with an elegant pair of heels, just the right amount of steepness for you to walk in, given your veil and dress that was trailing on your back. Holding an extravagant boquet with all of your favorite flowers wrapped in such delicate material.
It was all so ethereal. Gun, your soon to be husband hasn’t seen you. You were queued to walk down the aisle so very soon, which had you shaking in both excitement and fear. It’s finally the day you’ve been waiting for so very long. You knew you really liked Gun the moment you two became closer, yet you’re still stuck in the point where you were admiring him from technically— not afar because he was right beside you the entire time. But still, you were just an admirer in awe. And now you have the same last name as him and do tons of things together— cooking? hell yes, shopping? without a doubt. hopping in the shower and bathtub together? you don’t even notice him coming in until you feel a strong pair of arms wrap around you and start to wander across your body.
Another thing is that Gun may seem like a “cold” or reserved person on the outside, but he really does care about people that matters to him and knows how to observe. One of the things he observed about your “infatuation” with him was how you looked at him. He really saw right through the eyes you looked at him with— they only expressed one thing. That one thing was actual love, and it was not at all short-lived as people say what infatuation is.
It truly surprised him to see how your eyes never got gloomy or even got tired of looking at him that way even when time passed.
If anything, they became brighter and loving with every moment that passed with you looking at Gun’s dark eyes, wondering why he would ever want to have anything to do with a girl who’s had a huge crush on him for so very long.
He realized just how much importance those little details hold. As they say, the eyes don’t lie. And he sure as hell was able to experience that for himself.
He may not have wanted to admit it at first, but he slowly fell for you, in the way where you fell first but he fell harder. His entire mood and demeanor would change the exact moment that you’re around him. He could be beating up people and see that you’ve come to check up on him because he specifically told you that he was just going out to get something from Goo, but ended up taking way too long— hence, why you went to find him. He changed in an instant. Leaving behind the scene and making sure you won’t have to worry your pretty little head about it. And according to Goo, the way he talks about you is just “agitating”— which pretty much translates to “amazing” in your vocabulary, given that Goo doesn’t care about these types of things.
You’ve heard from various of his friends that he really does love you, because he doesn’t prolong any of his fights due to the very fact that he wants to make sure that he can get home to you asap. Especially when it’s late at night, he knows you like to sleep but he wants to be the one to tuck you in and cuddle and place gentle kisses on you to sleep. So even though he loves fighting worthy opponents that gets him turned on, no one can top you— he just loves that matching pj’s set that you tend to wear, with the small pink lace ribbons and the silk fabric, the short and small shorts with the sleeveless top.
Gun told you all about what he does for Charles Choi when he fully trusted you and you guys were already dating, and he didn’t expect you to stay. He was scared to tell you with there being a big chance that you’d freak out and leave him, call the cops, and do other things he wouldn’t have ever wanted you of all people to do to him.
Despite all of his fears and bad expectations of what you might do when you learn of the “bad” side of his, he still has you and always will. He really cant believe that you stayed after everything and still look at him the exact same way you did when you first met him. You somehow still retained the same feelings and love you have for him despite everything— and he is insanely in love with you for that. He loves teasing you about it though.
Going back to the present situation you’re in, you were now walking down the aisle as Gun absolutely stared at you in awe. Enthralled by how amazing you looked in white and how such a gorgeous woman was walking down the aisle to meet eye to eye with him and to hold him hand in hand.
The ceremony was breathtakingly beautiful, flowers of all sorts were surrounding the venue with just the right amount of lights that have been set upon with candles and dim lighting. The details in fabrics, decorations, covers, and even the architecture of the venue was simply incredible.
All of this “extraness” as Gun would call it, was for you. Gun wasn’t the type of person to have such a big wedding despite the small number in guests, but he knew you loved all of the things he had made to be included for the special day.
And even though Gun was relatively smart with his money, he was more than willing to go all out on this short event.
After all the agreements and words that the officiator had asked the two of you, you guys finally reached the most important part of the day, the one you have been dreaming of for who knows how long.
The officiator spoke once again, “Do you, Y/N, take Park Jonggun to be your lawfully wedded husband— To have and to hold, in sickness and in health, in good times and bad, for richer or poorer, keeping yourself unto him for as long as you both shall live?”
You looked deeply into Gun’s eyes, “I do.”
The officiator turned over to Gun, “Park Jonggun, do you take this woman to be your wife— to live together in holy matrimony, to love her, to honor her, to comfort her, and to keep her in sickness and in health, forsaking all others, for as long as you both shall live?
Gun held eye contact with you with a subtle yet sincere smile, “I do.”
He then carefully placed the beautiful ring on your finger, which was followed with you doing the same with his. Just after that was the unity ceremony which was such a bliss.
Of course, once that had passed, came the pronouncement— After more words and hundreds more that you didn’t pay much mind to, the officiator finally looked at the two of you deeply and stated, “I now pronounce you as husband and wife. You may kiss the bride!”
And so you guys did kiss, for a pretty long time— With Gun’s hands placed on your waist and one of your hands on his shoulder, and the other nestled against his face. The crowd cheered for the two of you as it all happened.
It was all so, so, so, incredibly divine.
Once the ceremony has ended and the after party was finally about to begin, you kept chatting with the guests, more particularly your closest friends who were also your bridesmaids. It genuinely made them wonder how you could be so in love with someone. The way you talked about him was absolutely adorable considering they’ve met Gun before, and think of him as the luckiest guy on earth, and you as the blindest girl.
And despite not knowing many of Gun’s friends that he invited, they were still so kind to chat with you. They told Gun when he came by that he really was one hell of a lucky guy to have someone so head over heals for him. To which he only agreed with them before he went to attend to the other guests.
“I don’t understand how you could like him so much, he’s garbage..” Goo said as the other guys were talking amongst themselves at the same table you and Goo were at.
“Maybe to you he is— but he is just the sweetest to me, and he’s hot as hell too.” You replied, obviously lost in your thoughts, imagining Gun once again.
“Woman, what the hell do you see in him for him to be considered as sweet? Do you have any idea how much people he’s arranged the organs of?” Goo questioned.
“Oh please, how much have you?”
“Hey. I don’t like getting my hands dirty as much as Gun does.”
“Rightttt..”
Goo came closer to you and whispered in your ear, “Did you know that Gun has liked you before you even attended the same school together..?”
“..What?”
“Yup. You may have been led to believe that you were the first to like him all these years, but he’s just never told you that he’s actually a creepy stalker deep down.”
“You’re bluffing.”
“Nope! And you could figure it out for yourself!” Goo exclaimed.
“Oh please! If he hasn’t told me all this time then he wont tell me now, why don’t you just tell me more about it?”
“Fine, buttt! You can’t tell Gum or even give him hints that I was the one to tell you all this, alright?”
“Don’t worry, I wouldn’t do that,” you replied.
“Alright-y then! I’m guessing you know Gun as someone you became classmates with in the eight grade, and became friends with in the ninth. Butttt, he actually first heard of you in the seventh grade, and although he wasn’t in your school that time, he transferred the next year so that you two could be classmates. He first saw you walking out of that school and he told me all about how pretty you were and how he’d like to be friends with you,” Goo explained.
“I can’t tell if you’re telling the truth or not..”
“It doesn’t matter what you believe, just know that I am telling you the truth and it’s up to you to take it or not.” He said with a smile spread across his face.
Like all things, the wedding eventually came to an end, it may have been short-lived but it was truly memorable. Of course, what comes after the wedding is the honeymoon.
You guys went on a trip to somewhere tropical for your honeymoon, which resulted in Gun wearing almost nothing most of the time, and if he was wearing something, it’d be boxers or swim trunks, or a more formal outfit that just looked sooooo good on him.
There was this one instance where you guys were about to go to bed, and Gun would usually have on some loose pants or shorts, but this time.. He was wearing absolutely nothing, not even boxers or briefs of some sort. He casually walked over to your shared bed while you stared at him.
“Need something, babe?” Gun asked he tucked himself into the blanket you were also tucked in, but you were both still sitting up.
“Well.. No, but um…” You replied nervously, obviously pent up from the view you had right in front of you.
Gun looks at your eyes then down to his naked body (and mind you, you were wearing a cute yet small and slightly revealing matching- sleepwear set), “Hm? You’ve seen me naked countless times before, and it’s not like you’re a virgin.” He teased as he brushed some of your hair to the side.
“Yeah b-but..” You managed to utter as you were still straight up staring at his body, fresh from the shower.
“But what? Does my wife need help with her words?” Gun teased as he leaned in closer to you and slowly lifted up your top to place his hand on your chest. To which you got very tense and nervous.
I’m sure you already know what followed in the next moments..
But moving forward with a few more days that passed, Gun caught you staring— maybe even admiring one of the pictures that you took together recently, specifically zoomed in on him. You hadn’t realized or even noticed his presence so you were just looking at the picture like some teenage girl, obviously crushing on him.. As if you didn’t just get married to him to him last week.
You were cheekily smiling at the picture, even giggling to yourself at some point when you swiped through some of the other pictures of him and you. You just loved him so bad, that even though you had him right with you, you still resorted to pictures. Gun thought that was adorable. The woman he fell in love with, sat on a chair facing away from where he was sneakily stood at, was swiping away at pictures of him when you didn’t even know that you had him wrapped around your finger.
“What’s my dear wife up to this evening?” He spoke out of nowhere, suddenly startling you. This caused you to have the phone slip out of your hands, but he swiftly caught it and took a closer look at the photos you were staring at.
“What are you doing with pictures that you can’t already to with the real deal right beside you?” He asked as you got increasingly nervous by the seconds passed and you were starting to fidget.
“I was just looking at what photos I wanted to keep.. And what I didn’t want to keep, y’know what I mean..?” You replied.
“Is that so?”
“Yes, my dear oh dearest husband,” you said mockingly— “Why are you interrogating me?”
“Wouldn’t you like to know? Little miss stalker,” Gun said as he sat on the chair across from you, obviously enjoying himself.
“Stalke—? Oh wait-! That reminds me,” your husband’s brow rose at your sudden statement, “Your close friend, Jonggoo, told me a little something when him and I were talking during the after party.” You added.
“And that is..?” Gun asked, skeptical of what you might’ve learned, knowing Goo very well.
“Well,” you shuffled around as you tilted your head and finally spoke, “Is it true that you only came to the school I go to in the first place because you saw me walking out there one time and.. yeah—?”
“That bastard— But, yeah. That is true.” He said without a change in expression and emotion.
You gave him a teasing smile and a soft “hehe” as you looked at him. For some reason, finding out that was true only seemed to make you fall in love even more.
“Oh hush, I don’t understand how much a person could like someone—” He said and he stood up to lift you into his arms for teasing him.
“Hey! Why are you carrying me?” You suddenly yelped. He dropped you gently on to the bed and he climbed on top of you.
“Woman, it’s not good to start something you can’t finish.”
“Tsk! My nickname is now woman?” You pouted.
“My apologies then, my wife.” He said somewhat mockingly to which you pouted even more, so he finally said it in a more sincere manner and gave you a kiss.
“Well?” He asked you as you were still in the same position, with him on top you.
“Well what?” You clarified while your eyes shamelessly wandered through his body, flustered with the position you were in and the teasing he was doing to you.
“You’re eyes seem to be wandering yet again, and your cheeks are redder than rubies.. You just never get tired of me, do you? Gun said in a teasing tone as he leaned in closer.
This honeymoon sure as hell will be going on for a long time.
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notes: I think ill prolly put out a masterlist and about me post in like a month or two who knows, also this request has been with me for so long 😭 I am so so so sorry to this anon, please forgive me 😵‍💫 Also, I really hope that this wasn’t too bad and can live up to what you were expecting and requesting, I am so sorry if it doesn’t, I really tried 😭 ANDDD I accidentally deleted the actual request because I got a little lost with trying to navigate tumblr because I accidentally clicked the Queue button and yeah.. I don’t think I really proofread this tbh
- With or without proper credits, please don't try to steal or claim any of my works as your own
I genuinely appreciate opinions, feedback, likes, and reblogs
Once again, I hope this isn't too bad for a request, and I'll be doing more characters in lookism so feel free to request!!
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Hey! I found a post of yours (specifically a phos analysis) from a looong while ago. Just curious to hear what your thoughts on the last chapters and the conclusion of the story are!
I recently finished the manga after putting it off for 4 years, and it was an incredible but such a bittersweet read. Maybe it's just me being a sucker for happy endings, but man, it really did not get happier </3
And you probably already know this, but did you know that Ichikawa released the last chapter the same day a comet flew by that looked exactly like the comet from the last chapter? Really cool stuff but I am emotionally destroyed haha
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I suppose it was the only kind of happy ending HnK could have, and I don't think I mind it as much as other things that have happened in the last few chapters. It reads more HnK than anything that has happened in the past 1-2 years of serialization.
I appreciate the bittersweet notes (always have) and Ichikawa's words that this is how she wanted the story to end, it doesn't happen to every mangaka. Also, the comet bit is such a nice touch.
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As for Phos (I suppose this is the post you meant?), I do believe that they got a happy ending.
If you think about it, instead of becoming a lunarian and being prayed away like the others, Phos' journey gave them the power and knowledge to rise above them. Thanks to their flaws (being brittle, having special inclusions, maybe being the most human of all the gems) they became human, the most flawed of creatures, and basically reverted to the purity of a child, a god, sin-less (even if this is a Buddhist story, so idk if I can actually speak of sin) and therefore free of everything that made humanity always dissatisfied, dangerous and unhappy. The others renounced existence, Phos found a way to reach paradise.
Humanity doesn't come out of this looking like a nice bunch of people to hang out with, and neither do the lunarians (gems included at this point). And yet, there's so much compassion in everything Phos does: a kind child, up until the very end.
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I always speculated (and was not alone in this) that Phos' job would become to pray the lunarians/everyone away, find Cinnabar the job to kill them, become a Bodhisattva... in this, I believe, the story remained true to itself. What I believe no one saw coming was how shallow(?) it all seemed in the end.
Everyone came back, making Phos' sacrifices and suffering basically meaningless, everyone started getting along and solving centuries-old problems in seconds. Then, Ichikawa introduced so many new changes abruptly... It felt rushed, lazy and overly simple, when most of us loved HnK for its complexity and depth.
Maybe it was because Ichikawa wanted (or needed to) end the series with ch 108. Usually, when mangaka put a limit to the chapters they want to write, it really damages the story and I wasn't a fan of this even in this situation.
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Aside from these issues, I appreciate how Ichikawa seemed to care about the character of Phos.
Maybe this all happened so that Phos could be happy, maybe this was the only possible way for Phos to be happy? It would be a little bit like in Devilman, where the world basically ends only so that Satan can understand love. Idk, little old Phos didn't seem that desperate a case, they just wanted truth, yes, this did cause some... issues, but other than that they're a sweetheart.
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This is the leitmotif of the series, after all: Phos is a kind, selfless gem who cultivates a deep sense of self-hatred.
They internalize a pressure and a need to feel useful (coming from gem society) and turn them into a necessity for change (unlike in gem society). Initially, they want to find a job. Then, they want to help Cinnabar find a job, then they want to help Ventricosus, then then want to become a fighter, then they want to help sensei, then the gems, then the lunarians...
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Contrary to most of the other gems, Phos loves and loves openly and unconditionally. They start off as a self-less creature who believes that their life isn't worth anything. Therefore, they put it on the line time and time again and, eventually, lose it time and time again as they change form.
It's their journey towards truth and happiness: they change and lose pieces of themselves, forget things, renounce gem-ness in favor of humanity and then humanity for god-hood.
Phos changes until they find the form that makes them happy. Their purest, happiest form. They change so much that they come back to square one almost: they become pure Phosphophyllite, with no inclusions at all. Still fragile, still small, but selfless and cheerful. Carefree.
In a sense, HnK ends with Phos becoming Phos.
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And The Papers Said
TW: ABLEISM & EUGENICS by Michele Sommerstein
Part One And the papers said Michael Hickson, a black disabled man. And the papers said Hospital. Texas. COVID. Infection And the papers said Killed. For his doctor did not feel And the papers said that a… quadriplegic could possibly have a quality, of life. And the papers said and thus was not worth saving And the papers said (was not saved) disabled people are not of worth message repeating and… sent.
And the papers said the doctor had the audacity to say And the papers said it's not personal, to Hickson's wife, And the papers said There are set criteria from the state And the papers said As to who will live and who they let die And the papers said Michael Hickson. a black disabled body, that did not comply
Once again, reunited Eugenics & Capitalism America's not so secret friends fucking each other furiously for the sake of mindless fucking, like machines wallowing in their own stains, covered in their own blood and filth, crimes. unclean Disgusted? You should be.
Part Two Shortages! Hospitals! Ventilators! Low! This, that was avoidable & created by the vulture capitalists who see death… elated - pandemic as an opportunity! Cha-ching! Soulless! Shortages! Created by, the powers that be Like when, Cuomo – the hero praised at times for merely being, better than Trump! (Raise the bar! This drinks on me) cut funding, healthcare. home care. hospitals (before and during the pandemic) Shortages! So the billionaires would be spared from paying their fair, share, of… taxes Shortages! While marginalized people are blamed for, “costing too much” the audacity of austerity…
Shortages created when patients, infected knowingly sent to nursing homes, locked up. death traps, unleashing COVID on the people in places where social distancing was never, even, an option.
Part Three There are those, who will hear these words, shrug and nonchalant they will say things like Well, these things happen, what can you do? Those who are complacent, able bodied, complicit, still living but numb. They will repeat, their response so casually even to the face of those visibly disabled, as if it's nothing in a tone used to discuss sweaters and their… plans for lunch as if we as a society can't do better? (We can. We must.)
Who taught you about disability? Who lied to you saying disabled people are less than, undeserving? That we are better off dead?
Part Four And the papers said… His wife implored, insisting, knowing he lived a full life. And the papers said for in her eyes, in her heart, her love's life was worth saving. And the papers said, doctors withheld treatment including hydration… nutrition read: starving him for six. days Michael Hickson. a black disabled body that did not comply. “Michael Hickson, [a black disabled man] died leaving, his wife and five children, behind.“
About the poem: I originally wrote this poem because, so often as a disabled person, you read these headlines and it’s absorbed into you, but there's not always an outlet to really express the emotional toll.
So often, I'd read the headlines and somewhat shut down because I can’t feel every time I read something like this, but it’s still in you. Michael Hickson was the first time I read an article that actually included a name when they were discussing “state criterias' and the pandemic. The conversation between the doctor and Hickson’s wife was recorded and when I heard it, it just hit me on a deeper level and I had to write something.
That said, to learn more about the intersections of ableism & racism, I suggest checking out the following peoples: @Imani_Barbarin , @VilissaThompson , @BlackDisability & @powernotpity on Twitter.
You can read more about Michael Hickson’s story here: https://notdeadyet.org/2020/06/adapt-of-texas-protests-hospital-killing-of-michael-hickson-a- black-disabled-man.html
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lixielovess · 18 hours
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"and i still dont care, i only care about you and how you feel. if it meant that I'd have to kill everyone in the world except for you and then myself just to prove that i love you, then I'll do so."
hyunjin x fem!chubby!reader
warnings: reader is insecure about her body, implied ED, swearing
genre: angst, fluff
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hyunjin was a childhood friend of yours, you always hung out with him and you enjoyed being around him. but you were always considered the 'ugly' friend by your other friends, sometimes your family and you yourself agreed sometimes.. ofcourse he never did, he thought you were absolutely beautiful, tough he never said it.
when you were in junior high school, you could never be friends with anyone without someone shipping you two, but with you.. everyone always considered it as a joke. like you were a joke, people kept teasing hyunjin about liking you and he always denied it, and you believed him. he was never harsh about it he was genuinely nice, he was always polite with it but it always seemed to hurt you. you loved him, and deep down he knew he liked you aswell.
he was the handsome popular guy and you were just another one of his fangirls who just happened to be one of his friends. though you did have girl friends alot of girls seemed to hate you because you were friends with hyunjin, saying that you only hung out with him to distract yourself from how fugly you actually are. and honestly you thought the same, it was to the point you starved yourself and had to go to the hospital because you didn't eat the normal amount of food a healthy person should eat for about a month, but despite not eating almost anything at all you still looked like that.
and suddenly when you were in highschool in senior year when in the schools garden, he stood infront of you, bouquet in hand looking straight into your eyes "y/n y/l/n i-... i loved you.. i always have.. so please-" you cut him off. "is this some sort of joke..?" he froze up, confused, time seemed to stop as he just stared at you completely confused "what?"
"did one of your friends force you to do this? did you lose a bet? do you think its funny 'confessing' to the ugly chubby girl?" you we're used to it, guys confessing to you, going out with you because it was a dare or a jokey joke. but its happened to you over and over again for too many times to the point where you couldn't tell the difference between that and the real thing... and when someone actually had feelings, that someone being hyunjin, you turned him down because you didn't trust anyone that said they liked you, either way if it was true or not.
"Y/n-" "save it." angry tears welled up in your eyes as he just stared at you in disbelief "listen! please- im not joking! i genuinely do-" you grit your teeth, holding in your tears as you try not to break down sobbing "i thought you were my friend, hyunjin."
"i am! and i want us to be more than that-"
"Liar! you don't like me, i know you don't. you denied it since we were 10 and even until now you still do. feelings don't change overnight. i cant believe i thought you were my friend, never talk to me again you piece of shit" you ran off into somewhere, you dont know where you just walked. a few hours later you somehow arrived home, you waltzed into your room and just locked yourself in there.
days go by and you return to school completely ignoring him, everytime he came to talk to you, you just brushed him off like he was nothing.
your friends still hung out with him, and they brought you along when they hung out with him, but what else could you do? not hang out with your friends who've known you for years..? no. eventually you forgave him and tolerated him, and started hanging out with eachother more and more.
it wasn't until recently when you guys were alone, he took your hand and looked straight into your eyes when he confessed, again. "i.. i just wanted you to know that it wasnt a joke, i genuinely did love you back then and i didn't care about how you looked you were absolutely beautiful regardless. and i still dont care, i only care about you and how you feel. if it meant that I'd have to kill everyone in the world except for you and then myself just to prove that i love you, then I'll do so."
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thesublemon · 2 days
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best picture
For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:
Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.
Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.
Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.
Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.
American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 
The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 
Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.
Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.
The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.
Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.
*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)
Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.
In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.
Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 
And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.
[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 
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TKATB - Theories, wahoo.
This will contain spoilers for Days 1 and 2 of @fantasia-kitt 's 'The Kid At The Back', along with containing mentions of material found on her Twitter (https://twitter.com/fantasia_kitt).
This is mostly based off things I've picked apart and/or kinda pieced together. If you feel I'm incorrect, or am missing something; hell, if you have any theories of your own, please share!
Anyway, the actual theories (apologies in advance if the rambling is...uh...too rambly).
- Okay, so considering the fact Jess was moved into the ‘Lower Class’ school, it means that she either failed a class or got a ‘violation’ (those are the conditions for being moved down, according to Hyugo). Brittney mentioned how ‘confident and loud’ Jess is when she’s angry, and Brittney apparently was popular at some point, but lost it at the party (it was mentioned a few times by Deryl) 2 years ago due to an incident. I think maybe Brittney was being bullied and Jess lost her shit, maybe even got physical? And that led to the duo being sent to the ‘Lower Class’ school.
- Subaru (Geo) and Hyugo are mentioned to be brothers, but Hyugo says “Subaru! I wasn’t expecting to see you here!”, which could mean Geo (due to him being rich af) was moved down as well??? Hyugo and Geo are brothers but have different surnames, so I have a feeling (also because Geo is said to have daddy issues by Fantasia herself), that maybe Subaru Oogami and Hyugo Sugimoto aren’t related.
- Continuing that, Hyugo is the ‘traitor’ that the ‘Rough-Voiced Man’ was looking for in the cinema, so he’s obviously affilated with some dodgy people, and we know he hates injustice, so perhaps he is a mercenary or assassin of sorts (he did canonically kill somebody, with Sol witnessing it, check Fantasia’s twitter); and that could be why Geo avoids him? Hell, why does Subaru even go by Geo? Is it a codename, like Geo Sugimoto, is he hiding his real identity?
- With the person who threatened MC and their father with taking the farm, and the Marie Antoinette references, maybe the ‘handsome man’ is Crowe’s father? Hell, maybe even Eries, the fuchsia-eyed celebrity Jess loves. Along with that, the 'moral' I suppose of her biography was along the lines of: change is inevitable, either you deny it, or accept it. It'll happen anyway, what changes is your role and reaction to it (say you choose Crowe, Sol'll lose his marbles; if you choose Sol, Crowe might move on...unless he's also insane but I doubt it).
- Flowers seem to be important symbolism-wise, like the carnation and passionflower mentions made by Crowe (carnations can mean love for someone, or purity if white, or rejection/disappointment if yellow. Passionflowers mean renewal and hope I think). Brugmansia is also a poisonous flower, so it hints to Sol being a ‘poison’ that could kill us.
- I've seen this mentioned by @sweet-herbal-peach-tea (I'm sorry for tagging you anon, I wanted to credit you; also check their theories out as well anons), but I'll add it here anyway: With the prominence of Edgar Allan Poe's 'Annabel Lee', it could hint to Sol having loved us either in a past life...or...maybe we - the MC - look identical to a past lover of his, one who maybe passed; and he's deluded himself into thinking we are them?
Now for my favourite ones:
- The Hallow’s Ball, the event Deryl mentions on the groupchat, is on Friday. Assuming the game will be 7 days long and that Day 1 is Monday, that means Day 5 is crucial. It could be a catalyst, hell it may even decide what ending you get (Fantasia said there’ll probably be about 5, 1 true, 2 good, 2 bad; albeit that could change). Geo mentions he doesn’t want to go, neither does Brittney, but I think she will due to the fact Jess is. It may decide whether you choose Crowe or Sol, along with finalising relations with the other characters.
- Hyugo also mentions ‘taking care of Sol for him’, implying his absence��or even death. Hyugo pulls a gun on a person who seems to know him, maybe the boss of a crime syndicate? Hyugo hates injustice, so maybe the missing persons cases are being caused by people Hyugo knows, and he wants to stop them? I think if Hyugo vanishes (hell, it’s already known that he doesn’t always show up to class), it might be a way to get more info out of Geo.
That’s all I got off the top of my head lol, if it seems janky, I'm sorry. ;^
And uuh...yeah. This is my first Tumblr post so yeah. Love this Visual Novel and cannot wait to see more! (Especially of Geode lmfao).
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wolfscarr · 2 days
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Helluva Broken Narrative and the most useless character..
Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!
I really was completely dead on posting, but I just can't get this out of my head.
I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....
Helluva Boss has a BROKEN NARRATIVE.
Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"
It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.
These past posts of mine, will show you why the narrative is broken.
Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.
Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.
Stolas has ZERO purpose being within the show now, given how things have played out.
But you might say
"Well he's needed to give Blitz the Crystal and end the deal!"
Except....no, he wasn't. They could have just delivered the crystal to I.M.P. They have Blitz’ number, just call him, get a servant to send it etc.
Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?
Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?
See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.
Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"
The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.
Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.
See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.
Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.
You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?
They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.
The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.
Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.
Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.
I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.
Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.
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ghost-bxrd · 22 hours
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What if after jason was submerged in the Pit it caused amnesia instead of madness? Like maybe he could only remember certain aspects of his life with certain triggers? And certain things had a familiarity or a certain emotion tied to them ?
I think this is what happened in Gotham Knights, actually!
We don’t know much about what happened to Jason there other than that he was tortured by Joker and then submerged in the Pit, but from audio logs and information on the Pit we find throughout the game it’s strongly suggested that he lost most of his memories. And that the Pit also majorly screwed with his moral compass.
Bruce was only able to bring Jason back because, deep down, Jason still had this inherent need to do good, and thus stuck to only killing bad guys. (In very brutal ways).
It’s implied that he didn’t remember Bruce or the batfamily at all at first, and that Talia basically pointed him at Gotham and said: go kill whoever you like. (And also fed him some lies about his past).
Jason had to piece together what his past was like piece by piece, and only started to remember long after Bruce, Tim and Dick managed to find a rapport with him.
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badbatcher-99 · 23 hours
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Season Finale Predictions
⚠️ Y’all know the drill ⚠️ spoilers below ⬇️
We’re doomed …
Haha just kidding let’s get into it 👏 there is so much that can happen this episode I think it’s pretty much impossible to predict what’s going to happen. I mean there are a few things we can predict but as to how the other 90% of this finale is going to go is beyond me.
1) zillo beast 💕
first things first… not so much a prediction as more of truth… we know omega is going to free the zillo beast, we don’t know how and we don’t know how that’s going to affect everything else. She could release it early on, or it be released late in the game. I can certainly see it being released pretty early or atleast halfway through the episode to amp up the stakes, cause the zillo beast is her own being, she’s pretty angry, and she is going to rampage against everything. I don’t think anyone is going to be able to control her. Her release is not only going to be problem for hemlock but for the bad batch and omega as well even if it does serve to help them out in some way. It certainly adds some unpredictability to the episodes events. Just like her first appearance in the bad batch, she is very much Alien esque. She’s in the walls, she’s hiding, you never quite know where she is or where she will strike next. She’s big so she’s gong to cause carnage but she’s going to go where she wants. I place my money on the fact that she will destroy Tantis and also kill hemlock or in someway be responsible for his demise. Hemlock said to omega “actions have consequences” or to some effect if that… and that’s what this will end up being for him. I can very well imagine somehow after the climax hemlock is able to scurry away, and he thinks he’s in the clear only for the zillo beast to pop up and gobble him up. Think like that imperial captain dying at the end of s3e4. A small part of season 3 has also been showing how far reaching hemlock’s research has been: the clones, the creepy black vines, palpatine clones, the children, the zillo beast. I think it’s safe to say that after all the harm he’s done, his experiments are going to bite back hard. He’s going to get what’s coming to him.
2) Emerie and Echo
I think omega and the children are going to escape before emerie and echo get to them. There’s no reason for the writers to show us omegas escape plan if she was going to get saved before she could even execute it. I think echo and emerie are actually going to end up being the ones to release the clone prisoners. They either do this before going to find omega or after they find out omegas escaped. I can very well see them letting the prisoners go first… and then before they can even head towards omega the zillo beast is unleashed and all plans are thrown out the window. This is one of the predictions that I’m pretty unsure about, I can see this happening in just not sure how it will happen and how it will seamlessly meld with the plot. I also am not sure how emerie would be able to get echo down to the vault anyway. It seems like only commandos are allowed down that far so unless they find a commando uniform I don’t think they are going to make it all the way there without raising suspicion.
3) CX-2
Lots of opportunities for CX-2 in the finale. These two images pretty much foreshadow some shadow clone captain or leader making an appearance in the end. He’s got different armor and a pretty brutal looking weapon
Tumblr media Tumblr media
Now I’m not sure if CX-2 is going to be the one to use the big suit or if there is another clone that has been brainwashed specifically to wear this suit. My money is on Hemlock unleashing CX-2 to find and eliminate the bad batch. It’s obvious they are making their way slow and steady towards the base, hemlocks trick card is the shadow clones, he uses them to get what he wants and I have no doubts he’ll use CX-2 to clean up this mess. I don’t know if this confrontation will happen outside or inside the base though. Cause CX-2 has been a thorn in the batches side for a few episodes, especially to crosshair. I think either we get another one on one battle between CX-2 and crosshair or we get the whole batch versus CX-2. I can see both happening. The major question though is “is CX-2 tech?” If he is then I think we would get the whole squad versus tech so that there’s the shared experience of his reveal. But if it’s not I can see a one on one fight being the way to go because overcoming Cx-2 is like a finale to crosshairs character arc, he’s overcoming his past. Im not really sure when this reveal would happen though. I can see it happening early on or in the middle. I’d really like it if it happened earlier on then we would get the whole squad going in… i wouldn’t really want it to be a middle part of the episode cause I think the much meaner looking CX clone is going to be one of the main bosses… though if it turns out the meaner looking CX outfit is just an outfit meant to be worn by CX-2 then yeah I can see this fight happening in the middle of the episode. Idk this is getting pretty complicated. A tech reveal would be a major moment, so I don’t know how early in the episode that can happen. My other theory is that the meaner looking clone is Cody, but I’m not really behind it.
4) Rex and the clone rebellion
I 100% believe Rex is going to arrive with the clone rebellion. I think in echos last moments on the ship he was able to get word out. But not sure how he could do that if long range coms are monitored. I’d like to think that when Rex arrives, Wolfe is with him 💕 and that’s how we get the how did wolffe leave the empire reveal. Bonus points if Gregor is right beside them too and we get the old man trio ! I think there will be a tag up with the clone prisoners and it’ll be a storm trooper versus clone trooper battle. Hopefully scorch gets his head banged a bit and joins the fight with the clones.
5) rampart!
This is so up in the air. Last time we saw rampart he was confronted by storm troopers. But not necessarily captured. The bad batch may swoop on and rescue him. Other wise I guess rampart gets taken to the base. Not sure what’s going to happen from there… I mean hemlock already knows the bad batch are out to save omega haha 🤣 what other info are you going to ask for or need. Not sure if rampart would give the bad batch up or not…. But hear me out I actually think somehow rampart is going to be roped into helping these kids find their way home. I know…. It’s crazy…. But what other narrative purpose will rampart serve. He’s on Tantis for a reason, the writers have something in store for him I just am not sure if it’s good or bad. With all the talk of the empire betraying him and crosshairs change I’d like to think that rampart will turn a new leaf too.
6) omega and the children.
Omega is def freeing that zillo beast. I’m not sure to what extent that means for her. Is she freeing it and then coming back to the vault??? Or is she taking the children with them. The problem is that those kids aren’t as trained as her and there’s even a baby … I’m not sure they would make it though the walls like omega did. Would omega let the zillo beast go and return to the others and try and escape through the door with all the chaos??? Or is she going to go around and free them herself??? It’s really up in the air at this point. And when they do escape what then? Kind of nervous that we will get a parallel scene to that one part of the episode with the bounty hunters in season 1 where she is looking into the tubes of the dead kaminoin bodies except this time it’s with a palpatine clone ya know very creepy. Really hope the final climax isn’t in the vault… but it could be I just don’t see how everyone would end up down there. It’ll be very interesting if that is what ends up happening.
7) hunter, crosshair and wrecker
I …. Do not know…. I’m not sure how they will get into Tantis base … maybe they’ll use batchers kennel again??? Not sure… as for what they do once they are inside there’s a lot that could happen. But out of all the pieces on the board these are the ones I’m the most unsure about.
8) Tantis
I would very much like to see the whole place in flames, I want it absolutely wrecked, I want to be able to see the sky and see sparks and embers. I want climatic battles as smoke and fire rages around the opponents. I don’t want clean sterile battle rooms, I need there to be absolute chaos. I need to see it be a battlefield. I can 100% see a parallel to the Clone wars ending but with hunters helmet. Where his helmet is on the steel floor, broken surround by embers and smoke, the reflection is of the bad batch running away to escape the flames of Tantis. It would be … amazing
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9) the end / epilogue
A big theme of this show has been about settling down and family. I 100% believe we are going to see the bad batch get their happy ending, they will finally be able to live in peace on some random planet on the outer rim. I’m not really sure what will happen to emerie or the remaining shadow clones. I thought that maybe the shadow clones would actually be a good plot point for a clone rebellion show but it seems like the shadow clones are directly tied to hemlock and may not be able to be continued without his presence. Tho I wouldn’t put it past tarkin to swoop in and continue it himself by stealing the brainwashing machines not really sure how he would do that. If the shadow clone story continue though then I can very well see emerie being a MC in the clone rebellion show as she has a lot of information on that kind of research probably. But I can also see emerie being in charge of helping the kids find their way home. My biggest fear is that omega would go with them but I can see her saying her good byes and wishing them all luck. I don’t know if emerie will survive by the end of the show but if she does I can also see her coming to stay with the batch too… or at-least adventuring out on her own now that she is free. Anyway back to the batch 😭 I don’t think they would live by themselves… I think it’s likely that the citizens of Pabu would relocate to another planet possibly and that’s where the batch stay with. Though I don’t like the idea of them leaving the archium behind. I would LIKE for everyone to stay on pabu but the empire knows about it now… maybe the empire won’t even bother coming back since there’s pretty much no resources there and it’s unstable… (with all the earthquakes ya know ) if tech IS alive then you bet your bottom dollar we are getting a reunion KISS!!! Dee also mentioned that there is an epilogue and I’m about to cry cause this can be really anything.
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It could be a few weeks or months after the escape. We see everyone settled and happy
It could be a few years down the line, maybe omega has decided to go off and explore the galaxy on her own and the batch have to let her go
It could be MANY years down the line to the point where the empire has been defeated. In this case we either get old men bad batch or … dare I say it omega talking to their graves 😭 I wouldn’t mind the old man path though cause 1) I would like to see that haha 🤣 2) it shows they all lived happy lives to the end. But I don’t mind just a few weeks or years after the escape too really leaves it open ended. I think watching the bad batch let omega go to go on her own journey is pretty on the nose to what Dee said about the shows ending reminding him of his own path raising his daughters.
Anyway!!!! That’s all I have pretty much at the moment. The only thing I have is I have some theories about what the bad batch would do in their retirement haha but that’s for another post.
I salute you all, it’s been a joy speculating with y’all 💕
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obsessedwrhys · 1 day
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The Seven and The Boys with forced supe reader(like Billy’s little sister as revenge for billy and the boys constantly causing problems)
Rouge powers reader————powers turn on and off randomly
can absorb life forces and powers(which they can steal(albeit accidentally))
Very stubborn and sarcastic just like her brother
Home lander is probably extra yandere for tons of reasons and keeps the reader in a glass room(enclosure or whatever)(think a zoo exhibit or big aquarium tank without water—— that one room from You or the glass apartment In Supernova for the kid with the same sort of powers)so that he can see his pet/prize/whatever tf he plans to do with them
-🌑
I keep seeing this as a full blown fic in my mind but I don’t have the skills to pull it off so I’d like to see other people’s takes on the idea!
ᶻ 𝗓 𐰁 .ᐟ The Boys x Rogue!Reader
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ᯓ★ I read your req and I'm intrigued so this is my attempt on it, hope it meets your expectations. This is like a full on story lol (angst, gore, death, killing, looooots of cursing like I'm not even exaggerating, homelander being homelander, some fluff at the end?)
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With your brother's reputation, it's hard to ever live your whole life without the constant need to look over the shoulder. You always liked to tell yourself that after cutting ties with him, it will ensure you your safety, but those words were nothing more than just lies.
Losing Becca changed him completely. You could still recall the last time you spoke to him, the talk regarding your concern escalating into a heated argument.
"I'm telling you! You have no chance against a literal superpowered person! You'll get yourself killed!" You raised your voice, standing on the other side of the kitchen counter.
"Yeah, but this ain't a life worth livin' for anyways" He brushed your words off like he usually does. You watch in disbelief as he pours himself alcohol.
"Fuck you. You're such an asshole..." You said and he nods at you as he lifts his glass up.
"I'll drink to that" You scoff when he actually drank from his cup, the sound of him sipping ticking you off.
"Okay, fine, get yourself killed! But I won't stand to be here when it happens. I want you out of my life. I never wanna see you. I never even want to hear from you again! You're... you're..." You gasp as you start to sob. He turns to you, nothing but a blank expression on his face.
"Hey... take it easy—"
"No! Don't you fucking tell me to take this shit easy when you just admit to me that you're willing to throw away your life for some blonde american supe! You are a shitty brother! You're just like dad!"
"Don't you fuckin' compare me to that cunt!"
"I fucking said what I said!"
"Fuck you!"
"FUCK YOU!!"
The sound of your heavy breathing filled the kitchen. You could feel your chest rising and falling, your face burning from the overwhelming anger. Butcher sighs at the sight of you as he looks away with his eyes closed.
"You don't know half the things I know sis... you have to understand..."
"No... don't bother telling me. I already know that you'll never change..." You grabbed your things and before he could stop you, you left the house, slamming the door while you were at it.
For the next 8 years, you would find yourself living somehow a happier life. Making friends, going through relationships and heartbreaks, getting multiple jobs to pay for your apartment. It was like an ocean wave since it was never steady but you couldn't deny you've never felt more alive.
However, even on these good days, there were nights you'd find yourself waking up to nightmares. Nightmares of your brother dying. Nightmares of being abandoned. It always left you covered in cold sweats and sometimes you couldn't go back to sleep so you'd just sit by the window or watch some videos online to keep your mind off it.
Even though you convince yourself you were happier.
You never felt secure.
You always felt like something was out to get you.
Especially after you saw the news of him theorised to have killed the senior vice president working at Vought. You couldn't bother to remember her name cause the image of your brother was hauntingly enough. That's when you realised, if they were after him, what if they were also after you?
You stood at the counter of the restaurant you worked at. The job was new as you interviewed for the role of the cashier. Though all these days of dealing with rude customers and having to force a smile is making you want to rethink a different job. Just then, the door to the restaurant opens.
"Welcome!" You said as cheerfully as you can. Instead of searching for a table to sit, the customer approaches you.
"I'm sorry but where's the restroom? I really need to go" The customer spoke, he was wearing an awfully lots of layers, even shades indoors.
"It's just at the back to the right, there's a huge sign, it's hard to miss it" You smiled and the customer stares at you for a while before nodding.
"Thank you"
Finally, he leaves and you couldn't help but be relieved. Why were you holding your breath in the first place? After a couple more hours of standing around and smiling, your shift was done. You did your daily duties and cleaned up the place, making sure it was clean before you leave.
"Bye (Y/N)! Don't forget about our hangout this Friday night!" Your friend spoke as she leaves first.
"Trust me I'm looking forward to it!" You replied before heading to the back of the building to throw the trash away.
You were on your way to the huge bins until you felt the trash bag become lighter. You stare down and was annoyed the second you saw that the bag had tore. It's settled, you're getting a new job after you get your salary. You crouched down and tried to think of ways to solve the issue.
Once you stood up, you felt a sharp pain on your neck. Before you could even do anything to find the source of the pain, you collapsed. The last thing you could feel before becoming unconscious was the touch of someone catching you.
....
"Will it work?"
........
"We've only tested on rats. We're not sure sir"
...........
"Do I have to rephrase? If she dies, you fucking die with her, you understand?"
...............
"Yes sir"
.....................
"Good. Now do what you're only good for, you fucking worthless piece of shit"
...............................
Lights... knives... syringes... you slowly awoke on the floor as faint images of what you would recall as a memory began flashing in your head. Did that happen? It felt real. You opened your eyes and blinked a couple of time to register the room you were in.
You were... in a cage?
You looked around, the walls and floors made of white marbles which made it cold when your skin made contact with it. Now that you realised, you were no longer in your uniform, you seemed to be wearing some kind of gown patients would wear for surgery.
"Morning sunshine!" Your body jumped when you heard a familiar voice, a voice you only heard on the tv or radio shows. You stare at him as he walks to the center, a few feet from your cage.
It was Homelander. You never thought the day would come where you would be face to face to the person behind the reasons of your brother's rampage.
"Did you rest well?" He asks, an eary grin on his face. You looked around the inside of your glass cage.
"Couldn't you have given me a mattress?" You said. Your concern catching him a bit off guard but he didn't show it.
"Well, we tried to give you something more comfortable to sleep on but it seems like anyone who tried to even touch you ended up well... what's the word for it... withered. Dead. Nothing but a corpse suck dry of it's life" He said but you had no idea what any of his words meant.
"Is this some joke?" He chuckles.
"No. No joke (Y/N). I'm simply just giving my hypothesis on your new powers"
Powers? You have to be high right?
Did whatever pain that you felt was the mark of your death?
Is this some sick twisted illusion of yours created in hell?
"Yeah right... and I'm fucking Beyonce. Would you like to see my collection of Grammys?" You said sarcastically, clearly not taking anything seriously.
Homelander doesn't say anything but just laugh, since you were clearly convinced this was hell and that you were dead, you laughed along with him. He trembles his shoulders as if he's cold, that devilish grin still on his face.
"Wooo! You're a jokester aren't you (Y/N)? I know I'm just gonna love you. How about I bring you a gift as a symbol of our blossoming friendship?" He asked but he had already left the room. Your answer never even needed at all.
As your laughter died down, you were left alone in the room. You felt high. Too realistically high. Were you pumped with drugs? Shit... you grabbed your head as you tried to process the feeling until you heard the sound of a high pitched scream. You turn your head to find it to be your friend from work. She was shoved into the room and right when she stood up to leave, the door was shut.
"Let me the fuck out! You fucking bitch! You promised me weed!" She slammed on the door a couple of times after attempting to twist the doorknob open.
"Cleo?" She turns to you, her masacra ruined from her tears.
"(Y/N)? Holy shit what happened to your hair?" She said and you were confused until you checked to see the front strands of your hair now dyed white.
Okay now what in the actual fuck is happening...
"I don't know...? Why are you here?" You questioned.
"Some fucker promised me weed for some cash. I should have known better when I saw how cheap it was" She sighs as she sits against the door.
Suddenly the glass door on your cage sprung open. The two of you exchanged confused expressions. Is this some kind of trick? You wondered but either way you stepped out from your cage and began to approach your friend. She sighs as she curls up into a ball.
"What the fuck even is this place...?" She asks after you finally sat down beside her. You rubbed her arm to provide some comfort.
"I don't know... this feels real and fake at the same time. Hey, if by any chance we were in a puzzle just like in Saw, how much do you wanna bet who'd win—?" You nudged her playfully but instead of getting a response. She falls over.
Her face was pale white. Eyes dilated. The veins on her body growing visibly purple. The sight left you in shock and you quickly grabbed her by the shoulder to jerk her a few times. No words left her mouth except sounds of gasping, as if the air was getting sucked out of her lungs.
"Cleo! What the fuck! Holy fucking shit!" You cursed and it didn't take long until her body grows limp. Like a skeleton with a thin layer of skin left.
Afraid the same would happen to you, you quickly ran into your cage. You sat at the corner, trying your hardest not to look at your friend. That was real. This isn't some stupid trick set up by Satan. This is fucking real.
But why is this happening?
Why you?
The glass door slammed shut and the noise made your body jump. The door to the room opened but got stuck at the weight of your friend's corpse. You could hear the sound of disgust come from Homelander as he ends up kicking body aside to be able to open the door fully.
"So... did you like my gift?"
"What the fuck did you do? Did you poison her?" You said which he seemed offended at.
"Me? Oh please, I can shoot fucking lasers out of my eyes and I choose to poison some fucking nobody? I mean look at her" He chuckles, his eyes staring at the corpse of what was your friend.
His tone and words growing a small wave of anger within your chest.
"What do you want from me?"
"You know what I want" He said, the smile on his face gone. He was now serious. His gaze cold enough to send shivers down your body.
"(Y/N) Butcher. Butcher. I didn't know he had a little sister" He took a step closer, then another, until he was face to face to the glass, staring down at your figure hiding away in the corner.
"He really doesn't get scared huh? Not afraid of death, to take a life, not even me. And well... since he fucking hates supes so much, then I might as well make his beloved sister one. If I can't strike fear in him, you will" Homelander spoke, the corner of his lips twisting into a grin. As if all of this was bringing him some sick enjoyment.
"Everyone will be the pawn and you'll be the queen... so save your strength. You're gonna need it sweetheart" He turned around and as he leaves, he stares at the corpse for a quick moment. Even from inside the cage you could hear him shout for the people working to clean the body.
Fuck... this cannot be your life now...
You're now an animal kept in a cage.
Hours progressed to days then months. The only thing keeping you entertained was... the toilet? Aside from that was the visits Homelander would pay you every now and then to make sure you were alive. It almost seemed like he had expected you to be dead by now but you weren't, which he's impressed about.
You laid on the ground, staring at the ceiling. You were bored so you decided to try to count from 1 to 10000 this time. Just as you got to 482, the door opened and you turned to see it wasn't Homelander but rather a worker. Assuming he's just here to clean, you turned back to the ceiling to continue counting.
"Pssh, ma dame, do you hear me?" He knocks on the glass, his french accent caught your attention.
"I don't care. I'm not gonna strip for you"
"Nono! That's not why I'm here, your brother, Billy Butcher? He sent me here" His name striking something in you. You got up as your eyes are slightly widened.
"He knows I'm here?"
"Yes... he's here as well. He's gonna try to get you out of here"
Just as he finishes talking, the glass door sprung open. He gets in the cage and reaches for you but right as you reach for his hand, you remembered you weren't the same anymore, you were cursed, so you quickly pull your hand away. Your action causes the man to tilt his head in confusion.
"Do not worry, I'm not here to hurt you" He tries to take a few steps closer but you quickly stepped back.
"No.... no stop! That's enough!" You raised your hands gesturing him to stand where he's at.
"Don't touch me..." You added and he stares at you for a moment before taking a few steps back until he's out of the cage.
"Okay... but you must follow me. We don't have much time left" He said, walking out of the room and you hesitated for a while before following after him.
When walking down the hallway, you couldn't help but look around the area. This was your first time seeing the place you've been trapped inside for supposedly months. As you followed the strange man who saved you, you noticed that he seemed to be talking to someone over his earpiece. Was it Butcher?
After managing to sneak past several guards and having a few close calls, you two finally made it out from one of the back doors. You hurried as you followed the man somewhere. You couldn't believe it. The feel of the wind and the smell of the grass was making you wish you appreciated the outdoor more.
"Were you noticed?" His friend who's been on the look out asked. He shakes his head.
"No" After hearing his reponse, his friend turns to look at you.
"I'm M.M.... C'mon, your brother put in a lot to save you" He began walking away and the two of you simply went along.
He did?
"I haven't introduced myself. I'm Frenchie. It's nice to meet you" The man who saved you earlier said with a smile and you weakly smile back.
The moment the three of you reached a van parked in a safe area. The door slide open and your eyes widened once you were locked eyes with someone familiar. Yet he looked so much different now. He grew a beard. You had to admit, it made him look less ugly.
"(Y/N)..." He got out of the van and was ready to embrace you but you quickly avoided his grasp. This causes him to stand there with his arms hanging there awkwardly.
"Ooookay.... get in" M.M told Frenchie and they did just that, sliding the door close to give you both the privacy.
"All these years and you still hate your ol' brother" He jokes as he drops his hands down to his sides, but it was clear that he was upset at your actions and trying to hide it.
"Don't touch me"
"I got it"
The two of you stood there and you were staring at him a little too hard. Thoughts racing in your head like a racetrack. What the fuck has he been up to these years and how did he even find you?
"So... are we jus' gonna stand here and wait for 'em to realise you're missin'?" He nods at the facility nearby and you sigh.
"You're taking me home" You walked over to the passenger seat but the sound of Butcher clicking his tongue made you stop halfway in your tracks. Now you were standing in front of the van.
"Not gonna happen. Is your head loose of screws sis? They know who you are now, which means they know where you live. You're gonna be stayin' with me" He said.
Shit... there's really no chance of a normal life now. You really are cursed.
"Stay with you? With these guys?" You point at the van and from the front of the vehicle, you could see his friends all huddled in the back, the whole time they've been secretly listening to the conversation but once you pointed at them, they tried to act as though they haven't been doing so.
"They can protect you"
"I don't need protecting. The last thing I need is someone doing that"
"Oh really? Then mind sharing your experience in there? Was it a luxury? How much longer do you think you could have lasted if I hadn't found you" He took a few steps closer and you gave him a warning look.
"You're my sister... you think a few fights is gonna change that?" He tried reaching for your shoulder and you quickly dodged it. Failing to notice, tears were beginning to well up in your eyes because deep inside, you were desperately in need of comfort, a hug, anything physical but you couldn't even have that.
"You can't touch me... nobody can.... f-fuck... I killed my friend just by touching her..." You began to sob, your hands grabbing onto your face in an attempt to hide your expression. A frown appears on his face.
"What the fuck did they do to you...?"
"They made me a freak! They gave me these fucked up powers!! I don't want this...!" You cried, wishing this was another of your nightmares and that none of this was real.
"It's okay... come here..." He began to step closer to you but you were too numb from the feeling to even react.
Taking off his coat, he puts it securely around you before wrapping you in his arms. For the first time in months, you finally felt the presence of another person's embrace. The warmth felt so good. It was like you were melting from it. Your sobs grew weak as you nuzzle onto his chest, the fabric separating the contact of your skin with his. This was everything you needed right now.
"We'll get through this... these powers of yours ain't gonna scare me away" He said, rubbing your back gently.
"Thank you..." You muttered.
After you escaped and made it safely away from your prison. Homelander was alerted of your escape a few hours later. He arrives at the facility, walking down the hallway as the doctors walking by were scared to see him and trying their best to avoid his sight. Once he walks in the office of the head security, the man sprung up almost instinctly.
"Sir" He greets him. Homelander doesn't say anything but stare at him... before breaking into a smile.
"Great job, at least you're good at failing at your job. Now show me" He walks over to the guard's side who's hurrying to click a few things on his computer to show him what he came here for.
"The tracker we planted in her is working well and fine. She's currently in a vehicle heading somewhere"
"Good... it's like sending a cat to a bunch of rats" Homelander then gave the man a strong pat on the shoulder.
"Do we go after them sir?"
"No, keep an eye on her for now. I'll tell you when the time is ready" Without any further discussion, he left the office. A plan already set in his mind.
(I might make a part 2 but I'm not sure if anyone would be interested, it'll be sort of fluff where the boys figure out her powers, some angst? Idk, tell me if you think I should)
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