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#i’m bothered because we all know oda doesn’t just do shit like this for the hell of it
gloomyloomy · 3 months
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me, minding my own business:
my brain: hey did you ever notice how zoro and sanji were designed to be connected by the number three? sanji’s name (san) meaning three, and zoro’s three swords and three earrings, being distinctive character traits?
me: i- where did this come from, i don’t even think about them that often..?? what the hell am i supposed to do with this?! hey- hey! come back here!!!
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quinloki · 6 months
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Tbh do like uta? because I don't
I do! I mean, she frustrates me, and I wanted to shake some sense into her during the movie, but I love the character.
I have similar feels with her that I do with Hancock, honestly. Her personality drives me through the roof, but the *character* is unique.
In both cases their flaws and personalities make sense - to the degree anything makes sense in the zany world of One Piece. (Adding in a cut because I get a bit detailed about the movie Red and long-winded )
Uta’s flaws make sense when you realize a very young child was effectively abandoned. For her well-being? Maybe sure? But the head of an island may be good at running an island, it doesn’t mean he was skilled at raising a child.
She did, I think, the best she could with what she had - limited information at all. Uta’s perspective was valid because it was all she knew, and she was 100% at an age where she thought through things and reached a conclusion that made sense to her.
Doesn’t matter that it was wrong, she didn’t know what we knew as the viewer. Uta had no idea what good Luffy had done - she knew the truth of what SHE had done, but that would’ve only hardened her conviction.
To die and grant others a flawlessly peaceful life was the ultimate atonement, at least in her eyes.
Unconscious Bias is a thing, and I think Hancock and Uta get *some* hate just for being girls who interact with Luffy the way they do. Some of it is writer intent too - Oda wants you to dislike Hancock the kitten kicker, because there’s power in the whiplash of how she changes.
Another part of it is the, well, Umbridge-effect. I don’t care for JKKK and the wonderful world she squandered, but! Delores Umbridge offers a recent and solid example of a thing - “why did people hate her more than the main baddie?”
Partly, yes, she was a she. Unconscious Bias fucks us all, but she was also a more plausible and possible kind of evil that most of us had dealt with. Hancock’s crimes are more plausible - kitten kicking being used to really drive the point. She wasn’t ever going to be a villain like Croc or Doffy or even Moria. Oda had to make us dislike her *quickly* because her role was going to change quickly.
I’m digressing - I like Uta because of the kind of character she is. If she hadn’t ever leveled that island - by no fault of her own - she’d be Luffy #1 fan, supporter, maybe even friendly rival. Plausibly she could’ve ended up her own captain! She’s a strong personality and a good person - who went through unimaginable years of trauma and solitude.
Hancock went through a lot of shit too.
Ah, but it’s okay to not like a character. You don’t have to love Uta or Hancock or whoever, just so long as you’re not cruel about it, as far as I’m concerned. Irrational anger over a fictional character could be a sign of a deeper issue (irrational anger is often a sign of a deeper issue regardless, but I digress again.)
It’s a good exercise to really sit down and sort out why a character makes you angry, regardless of their gender, and really poke at it. Or even why they intrigue you! Change their “settings” and see if their actions still bother you. Usually if something changes - and you gotta be being HONEST - then that’s unconscious bias getting you.
That kind of internal honesty is hard though - if it was easy, well, there’d be a lot different in this world.
Sorry, I really ended up rambling, but the thoughts thought and the fingers typed so here we are ^_^
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whorefordazai · 3 years
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Oooh open?? then can i plz get hcs for dazai when s/o can make wormholes and is a total space geek but just runs off to another dimension instead of facing their problems (u can choose if its angsty or cute aaah)
Dazai with an s/o who has a wormhole ability
ft. dazai x gn! reader
genre: fluff (the fandom doesn’t need angst rn 🤚)
warnings: none
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He would definitely be super intrigued the first time he saw your ability in action. His head would already be thinking up the countless dimensions that are out there.
I mean, you can jump into different dimensions—meaning the possibilities are infinite.
He’d definitely be the first one to offer jumping into a different dimension with you 💃
Soon it becomes a daily thing for the two of you😅? Any normal couple would have movie nights or dinner dates—not y’all. He offers to explore different dimensions with you. It doesn’t bother you, though—after all, you love doing it too😏
Sneaky lil gooses—always running away from Kunikida and ditching work 😏
“FUCK—COME BACK HERE DAZAI! Y/N, DON’T YOU DARE—“
*poof*
Y’all are gone🕺
Wormholes are kinda fun to go down through—but what typa alice in wonderland shit are y’all pulling 🧍‍♂️
Once, you guys ended up in a dimension where there were cat people🤨? (I’m head empty except cats okay) but it was extremely creepy because everyone was walking around looking like borderline furries.
“Uhm...darling, I think we should get out of here ಥ‿ಥ”
“Yeah...you’re right...this shit is kinda scaring me...ahaha my mistake ╹◡╹”
Neither of you spoke about it ever again 🤝
Apart from the weird ass dimensions, Dazai would know that there’s a possibility of a dimension where oda is alive.
(IM SORRY I HAD TO SAY IT)
He would be a little hesitant to ask you, but he couldn’t help being curious. You would see that he was quite distraught about the topic so you made sure to tell him you would take him anywhere he wanted.
Another thing—he’s quick to notice that during any minor/big inconvenience, you always seem to disappear into a different dimension.
Now, he obviously knows you’re avoiding your problems but he’s not a hypocrite cuz he kinda does the same.
So he typically has no problem with it, because most times he’ll join in anyway 😊
But he won’t let you run away—especially if he predicts you’re on the brink of insanity.
He thinks it’s so adorable how you’re a geek for all things space/philosophy. Those things have interested him before, but now that you’re with him, he likes to pay attention.
He’ll gladly listen to you blab about space and watch documentaries with you (teasing you the whole time for being a nerd🕺) even if he’s not always paying attention to the movie, he is paying attention to you. Mf can’t stop sneaking peaks at your excited face when something comes up on the tv <3
tag list: @dai-tsukki-desu @monster-101 @14th-century-homosexual-spirit @yosanoslut @cross-crye @starglow-xx @ranposlover @bsdwhore @arimakii @cytolysis @shadyteacup @smadhuman @knjksj0301 @stylesketches @neighborhoodfriendlysimp @the-wholesome-ranpo
forgot to tag y’all the first time AGAIN🥲💔
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azzziiiii · 3 years
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Dazai Deep Dive???
TW for Suicide, Depression, Alienation, and other things. Please read with caution.
Disclaimer, I of course don't think any of the bad things Dazai did were okay, but I am gonna explain why I think he did them and his reasoning. Reasoning of course does not equal an excuse and explaining why does not mean I condone any of this
Inspired and based on this post by @raventhekittycat
Dazai uses the pronoun "watashi" the most in the anime and manga. Its a very gender netural, and somewhat formal pronoun and very common, but not usually for males in Japan. SO, here's where this gets fun. Dazai is based more off the character from the book No Longer Human than the actual author and in that book a big thing is like alienation and shit. Basically one reason anime/manga Dazai uses 'watashi' is because his character is written to feel alienated and out of place, like he doesn't belong, so using 'watashi' allows him to have the most distance, from people and language and all that shit, cause its the MOST neutral pronoun. It's not that he sees himself as being genderless, it's that he sees himself as being humanless (this is why his ability No Longer Human always hurts me cause I've always had the feeling he didnt feel human). Also, fun fact, in 15 Dazai uses the male-typical pronoun of 'boku', and I think its cause he was comfortable with Chuuya, with his life at the time, but as time goes on he starts using 'watashi', he's using it by the Dark Era episodes. He's using 'watashi' to feel a disconnect from being a human, because he doesn't feel human (No Longer Human hahahahaha cry). He's also letting himself not get as close to people, and for him, using 'watashi' helps him feel that disconnect he thinks is there.
Knowing that Dazai doesn't feel human, that he feels a disconnect from his humanity and other humans, this could help explain why he did some of the things he did. Let's keep in mind he has a record of 138 counts of conspiracy to murder, 312 counts of extortion, and 625 counts of assorted fraud and other crimes. So not a good dude basically. One big thing would be his abuse of Akutagawa. Probably one of his worst crimes in the eyes of the fandom (and I don't disagree with that at all). But, I think a big reason he was willing to do so much is cause he does feel a disconnect from being human. With him not feeling human, he doesn't think it matters what he does. He was told to train Aku and make him strong. So he did, and it didn't matter to him how he did it because he's not 'human'. We see Chuuya be more kind and questioning about many actions that go against his morals, but Dazai frankly doesn't care. Why would he have morals when he doesn't feel human? Morals are definitely a very human thing, and as I've said already, he tries to distance himself from things like that.
"Now the main character in 人間失格/Ningen Shikkaku/No Longer Human states he plays up the part of being the clown, the fool. Because then he can predict people’s actions and he is less scared of them. Fast forward to now. We see Dazai doing that constantly. And we have seen actual suicide attempts by him—the river and the barrel bring two. Dazai is hiding his actual emotions more, wearing the mask of the fool more. He’s doing objectively worse and doesn’t seem to be trying to do better. The only thing that is carrying him through is Oda’s words telling him to be good. But Oda also told him he would never fill the hole in his chest he felt. He told Dazai he is never going to feel better. So Dazai is now living, acting like a better human while feeling that otherness in his chest. So him using 僕/boku the natural masculine pronoun in 15 was a way of indicating that he was actually doing better, feeling more, acting the fool less. But now he’s 22 and suicidal again and hiding behind his pretenses and we can’t see his real emotions as much. And he’s distancing himself from himself and from others by using 私/watashi. And though it’s gender neutral, it’s also neutral on more levels than that and that is why Dazai is using it. If he sees himself as genderless it goes beyond seeing himself as genderless, he sees himself as lacking humanness." (from this post)
THIS ^^^
Oda may have been important to Dazai, but what he told him is always gonna be with Dazai. That he will never fill that hole in his chest. And I love Oda, I do, but I hate him for that. Cause he shouldn't have told Dazai, someone who wants nothing more than to fucking end it all, that he'll basically never be happy. I know Oda was on his deathbed when he said it, and it was spur of the moment, and I think that's why it was done like that, cause I can't truly hate Oda for saying that when I look at what was happening when he said it. Basically Oda's words are gonna be with Dazai forever, and he believed everything Oda said, he's always gonna believe he'll never find a reason to live, something to fill the hole in his chest.
Okay, so we have covered the fact that Dazai is clearly in a bad place mentally, and that he is not getting better, in fact, he is likely getting worse. And as many of us likely know, to get better you have to actively work on it, you have to want it. So why isn't Dazai working on it? If he knows he's doing terribly, why wouldn't he work on himself? I think there are two different reasons for this. The first, clearly, is that he sees himself as lacking humanity, so he doesn't see himself as needing help, needing to get better. In fact, he may not even realize just how poorly he's doing. His morals are already very warped, and he never grew up in a place that cared about his feelings at all. He grew up in the mafia, where he was likely taught to kill at an EXTREMLY young age. He has np sense of doing well or doing poorly. The other reason, Oda's words. Oda told him he was ever going to fill that hole in his chest (a terrible thing to say to be honest). As I've already covered, Dazai hung onto ever single word Oda said, he is never going to forget that. So, if Dazai does know he's doing poorly and is in a bad place mentally, he likely does not care. He's already been told he'll never "fix" himself, in a sense. So why would he ever put forth the effort? To him it's a complete waste of time and energy.
Kind of branching off from the fourth paragraph, Dazai's suicide attempts in present time are seen as annoying and not unusual for the agency, even Atsushi, when he sees Dazai in the barrel, acts annoyed with done with it already. And this brings up the question, why? Why is no one taking it seriously. Suicide shouldn't be used for comedy, but it is. And I kinda think there's a reason for it. Dazai is masking his true emotions. We know he has pent up grief and anger and hatred, but he barely ever expresses it. Dazai very purposefully makes his suicide attempts seem like jokes to the agency, the way he talks about it, the way he asks for help, he makes sure this behavior is not only normal, but expected. He knows that it's a problem, but he wants it to be completely normal and expected, cause for him, one day he is gonna follow through with it. He doesn't want it to be suspicious. Making everyone find him annoying is his whole plan. He doesn't want people attached to him cause he doesn't feel human (although we all know that there's a lot of people who would be affected by his death). He wants to not be missed cause he doesn't think he's human, that he's worthy of being loved. So he acts this way on purpose.
Another thing to add before I finish; As we all know pretty well Dazai calls Chuuya, well, Chuuya, and Chuuya is Chuuya's first name. Obviously there is a close bond there for Chuuya to not be too bothered by Dazai calling him by his first name. However, not once have we ever seen someone call Dazai by his first name, Osamu, but with their bond surely Chuuya would be calling him Osamu instead of Dazai? So, this means its probably pretty likely that Dazai has made it a point to not let anyone call him by his first name, as it would connect him to his humanity more. I'm willing to bet that Chuuya and Dazai had a fight over this too, and Chuuya didn't understand at all, cause to him Dazai is human, Dazai is what keeps Chuuya human. so the whole thing didn't make sense to him.
To sum up, Dazai has a fuck ton of trauma and needs therapy, but seriously, he is a very complex and well done character and isn't just a suicidal maniac.
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joel-millerr · 3 years
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Righting The Wrongs
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Chapter Eight of We Are One When Together
Rating: Explicit
Word Count: 17k (yes, I know, I’m sorry)
Summary: Reader must face her past, and also deal with something they weren’t prepared to do... be without Mando.
Warnings: SMUT! rough sex (like... almost causing bruising so read with caution), oral sex (both female and male receiving), overstimulation, multiple orgasms, shower sex, hair pulling, aftercare, a little bit of violence, angst (as per usual), 
A/N: I make shit up about using the force lol. also, my knowledge of coruscant is based off tcw and the prequels so if there’s something in here that doesn’t fit with the books or whatever, be nice :) 
--
“Who are we meeting here?”
“Someone I used to work with.”
As you make your way through the streets of Level 1313, you’re almost trembling with nerves. It’s a little over a year since you’ve been on this planet and you had been avoiding coming back ever since.
Firstly, Coruscant is way too populated for your liking. The streets are always filled with people, no matter the time of day. Crime lords, spice lords, rookies trying to make a living—legally or illegally, families seeking refuge; nearly every single person from all walks of life eventually made their way to Coruscant, overcrowding the streets and making it almost impossible to breathe.
Secondly, the lower levels of Coruscant basically have their own crime empire. Every illegal thing you could possibly think of existed here. The black market thrived, and the smuggling business was always booming. Despite your old profession being one of the very empires that fueled this economy, you didn’t like the idea of living and breathing that life. There was always a need to get away, forget about the job for a couple weeks and then, when you were itching for the thrill, you’d eventually return. Unlike you, your crew would live out their days here, getting high and drinking more than their own body weight in alcohol.
Thirdly, the last time you were here… didn’t really end well. In your defense, it wasn’t your fault that a shootout ensued—you were just trying to get the right amount of payment for the right amount of work. It’s not your fault they disagreed and resorted to shooting their way out of the deal, and it’s definitely not your fault a few of them died…
Needless to say, Coruscant was just another planet that you ended up leaving on rough terms.
Mando stays by your side as you walk together, so close in fact that your arms keep brushing against each other as you trek through the lower levels of the city. Even during the day, there’s very little light down here. You’ve ever only known what it’s like to live so deep underground and sometimes you’d daydream about what a life in the upper levels looked like. Do they live as extravagant as you imagine they do? You were told by a few drunk strangers in cantinas that the people who lived in the upper levels lived in huge apartments, way bigger than they ever needed to. Was that true? The idea of someone living in a home that actually overlooks the Coruscant skyline is something you can’t even wrap your head around. You’re convinced anyone who lives up there sold their soul for it. There can’t be another reason for it.
Upon arriving, Mando thought it was best to leave the kid on the ship. You—on the other hand, noted that the safest place for him is with you two. Besides, trusting that Grogu wouldn’t get himself into trouble while you’re both gone is a risk neither of you should be willing to take. Reluctantly, he gave in and now the kid is sitting in the makeshift pouch Mando made for him.
“Mando, I don’t like this,” you mumble under your breath.
“Neither do I, but we don’t really have a choice,” he replies, keeping his visor fixated on what’s in front of him. “You can go back to the ship with the kid, if you want.”
“And leave you here alone? Yeah, I don’t think so.”
Realistically, you’re both aware Mando can handle his own in whatever could happen, but over your time together, you two have become somewhat of a unit. One doesn’t leave without the other. It’s an unspoken thing—no one bothered to mention it but also, neither of you have denied the company.
Ever since Mando’s confession, there’s definitely been a shift in your relationship.
The biggest change is that he’s become much more vocal. He shares his opinions more openly, he engages in conversation a lot more, and he’s not shy about showing you small displays of affection whenever he wants. When he moves passed you on the Crest, his hand always touches the small of your back or your hand if it’s within reach.
He’s also been a lot more engaging with Grogu. You can’t help but notice that whenever he holds him, Mando flexes his finger so that the kid can wrap his little claws around it. He speaks to Grogu a lot more and in turn, the kid mumbles incoherently back at him, as if Mando can understand him.  
It’s probably only been two days since Mando’s opened up to you about his favorite color—although you can’t be sure because time in hyperspace tends to blend together, but there’s been a lifetime amount of change that’s happened since and seeing him become more open and giving around both you and Grogu just reminds you of that softer side to Mando that he doesn’t share with many people.
As you look around and take in your surroundings, the streets begin to look extremely familiar. On your left, you see the diner you used to frequent with your old crew. They had some of the best sliders you’ve ever had. Even thinking about it now makes your stomach rumble.
Maybe you could pop in for a quick meal. You’re about to tell Mando about it but catch yourself just before you do.
He doesn’t take the helmet off. Kriff, how could you forget something so blatantly obvious. You haven’t even seen his face yet and for just a split second you thought he’d take his helmet off in a room full of people just to eat with you?
Stupid.
Shaking the thought of your mind, you try to ignore the sudden ache you feel in your chest.
“We’re close,” you hear Mando say and your previous thought is wiped from your mind. It’s now that you realize which cantina you’ve been walking towards, and when you turn the corner and see it, your heart drops.
The cantina you’re meeting this person Mando used to work with is unfortunately the very same cantina you used to celebrate with your squad after a successful spice run. A night full of drinking that usually ended with some random typical bar fight. Words spoken, blasters drawn, and the very rare shootout. Regardless of the night outcome, you were always back in the cantina the next night like nothing happened.
As you near the door, your feet suddenly feel like durasteel, gravity pulling you into the ground, stopping you from taking another step forward. Your heart is already in your stomach, heating your body up with haste. Stars, you haven’t been here in so kriffing long, and the possibility of getting smacked in the face with your past is something you didn’t plan.
Mando seems to sense your tentativeness because he turns his body to face you, his hand catching your forearm. “Are you okay?”
Trying to reassure him, the corners of your mouth curl into what could be considered a smile, although your eyes are screaming to leave.
Wherever he goes, you go, you remind yourself.
“I’m fine,” you whisper, passing him and squaring your shoulders just as the cantina door slides up. It’s in the early evening hours, so it isn’t too populated inside—just some of the regulars you’ve noticed that are always there, no matter what time of the day it is. Trying your best not to draw any attention to yourself, you drop your head down slightly, eyes shifting around the room, hoping you won’t catch sight of anyone who might know who you are.
Your attempts to be subtle are gone with the wind once Mando enters. The energy changes straightaway. All the chatter goes deafeningly quiet as a dozen heads turn towards you and having so many eyes on you causes your cheeks to heat up. For a moment, you had forgotten that travelling with a Mandalorian causes heads to turn and voices to hush. Of course, you can’t help but feel a sense of pride whenever you see strangers make the connection that you and Mando are together, but it’s quickly followed by major anxiety. Being stealthy and trying to keep to the shadows is damn near impossible when there’s a man standing next to you covered in what is arguably the most reflective durasteel in the galaxy.
“No fucking way,” you hear someone exclaim. Letting out a sigh of defeat, you turn your head in direction of the voice and see a female Twi’lek coming right for you. “Is that really you?”
“Dank farrik,” you mumble before they’re within listening range. Mando’s helmet cranes towards you.
“I thought you were dead!” Their arms wrap around your torso before you can even process what’s happening.
“Hey, Sula.”
“Stars, is that really you?” Another voice beckons, a hand clamping down on your shoulder, “You here for a job?” The male Rodian asks.
“Nah, not this time Odas,” you answer, angling your neck in the direction of the Mandalorian standing just a few inches away from you.
“Holy shit. A Mandalorian?”
“I’ll leave you to it,” The modulator informs you, and then he’s sauntering over to the bar. It’s not lost on you that for the first time in days, he’s left without reaching out to touch you in some way. Fortunately, you don’t have time to dwell on it before someone’s talking to you again.
“Come have a drink,” Odas begins to say, “It’s been too long since we’ve seen you.”
Your eyes drift off to look at Mando who’s in the middle of speaking to the droid behind the bar.
“Uh—” Before you can kindly decline the offer, Sula grabs onto your wrist and nearly drags you over to the table they were all previously sitting at. Already seated is Venka, a nasty piece of work. You haven’t worked with many Trandoshans, but the ones you have worked with were ruthless and dangerous. Each of them wanted blood, no matter what the situation was.
Odas pulls a chair from a nearby table and gestures for you to sit. Unenthusiastically, you slide into the seat.
“Everyone said the New Republic got your ass. Glad to see we were wrong,” Odas says with a smile, grabbing your shoulder and giving it a gentle shake.
“Travelling with a Mandalorian? How the hell did that happen?” Sula asks.
“I didn’t even know there were any Mandalorians left,” Venka mutters, clearly peeved about something.
“How much are you paying him to protect you?”
“What?” Eyebrows pulling closely together, you look over to Odas quizzically.
“She’s probably paying him in other ways, if you know what I mean,” Sula laughs, bumping her elbow against your arm.
“Oh, shut up, Sula. It’s not like that.”
Odas props his elbows on the table and leans in closer towards you. “Then do tell us how you managed to slip through the New Republic’s grip and then somehow get a Mandalorian by your side, because they’re like the—”
“Yeah, yeah, we’ve all heard the stories. ‘Best warriors in the galaxy’. So, they say anyway,” Venka hisses through his snout.
“Still hate them, huh?” Sula jests.
“I just don’t see it. Apparently, they’re the best warriors in the galaxy yet the Empire wiped them all out.”
“If that were true, there wouldn’t be one standing just over there,” your finger points to Mando still standing at the bar.
“Oh, okay,” Sula throws her hands up in defense. “We get it, you’re with him now.”
All of a sudden, you hear Mando’s voice coming from the commlink in your ear. “Stay here. I’m going to meet them in the back.”
Your body stills, wanting to get up and join in but knowing you can’t very well just get up and leave your old friends without so much as another word. As ridiculous as it seems, you feel like you owe it to them to stick around for a bit.
“Are you all waiting for the next job?” You ask, trying to distract yourself from the fact that Mando’s just gone off on his own. He can handle himself; you repeat in your head.
“Yeah, supposed to take off at first light,” Odas answers before throwing back a glass of red liquor.
“Still room on the ship, if you want to join.”
“Thanks, Sula, but I’m pretty much done with smuggling.”
Venka all but chokes on his beverage. “Kriffing hell, you’re kidding.”
Shaking your head slowly and lips pressing into a thin line, “It’s just not for me, anymore,” you say, glaring at him.
“Not for you?” He grits out.  
“Isn’t that what I just said?” You snap, feeling the annoyance itching inside you.
“Okay, let’s just take it down a notch, all right? We’re just a couple of old friends catching up. That’s all,” Sula interjects, in hopes to deescalate the situation.
Venka rolls his eyes before finishing his drink, swallowing it with a snarl. Why are Trandoshans so aggressive with everything that they do?
Sula clears her throat to ask, “So, what are you doing back here? Last time you were here, I believe you said, ‘I refuse to return to this shithole of a planet’.”
“I’m sure we’ve all said that about this kriffing planet at least once or twice, but we always find our way back, don’t we?” Odas says to you, shrugging his shoulders.
“I’m not really sure why we’re here—” You start to say but are cut off by Venka.
“So, your partner doesn’t bother keeping you informed? How nice.”
“Oh, shut up, Venka. You’re so negative,” Sula scolds.
Turning your attention to him with poison in your eyes, you ask him, “What’s your problem?”
He slams his cup on the table, red liquid spilling all over the surface. It’s not uncommon for him to try and pick a fight, so you’re not entirely surprised by his behavior right now. You’ve only ever lost your temper on him once and Tye was able to pull you away before something really bad happened.
“You’re seriously going to come back here as if you did nothing wrong? Everyone—and I mean everyone here, was worried about you, and not a single fucking one of us received a hologram from you saying you weren’t in prison.
“And when Tye told us that a kriffing Mandalorian snatched you up, we thought ‘she’s a goner’. But here you are, parading him around here like a fucking trophy.”
Caught up in the moment, you almost miss what Venka’s just told you. “Wait, Tye’s alive?”
“Yeah, he’s alive,” Sula confirms.
“He managed to escape just before your ship exploded. He was pretty fucked up for a while, but he’s a lot stronger than we give him credit for,” Odas admits.
“I… didn’t know,” your voice is low, filled with guilt.
Venka laughs, answering you with derision in his voice. “No fucking shit.”
“I didn’t come here to parade him around. I didn’t even know we’d be coming here,” you explain, then angling your head to Odas, you ask, “Is Tye here?”
Before Odas can answer, Venka speaks up. “Why? So, you can finish the job?”
“Fuck you, Venka.”
Reptilian eyes glower at you, your own are all but seething in anger as you scowl back. Trandoshans—at least the one’s you’ve had the unpleasure of meeting, are always on the prowl for a fight. They purposely get under everyone’s skin in hopes to rile them up. Usually, you’ve been able to keep your anger under control but that was mostly because you had Tye to keep you in check, to bring you back down from a blind rage. Now that he’s not here, you’re sure everyone at this table doesn’t really want a fight but that they’ll happily watch if it comes down to one.  
“Excuse yourself. We’re leaving. I’ll meet you outside,” Mando’s voice suddenly cuts into your ear. Thank the Maker.
“Let’s just all calm down, okay?” Odas finally interjects.
“Actually,” you start to say, taking the drink in your cup that you haven’t touched and chugging it all in one gulp, “I have to go. It was nice catching up with you guys, though.”
Once on your feet, you turn on your heel and make for the door. Just as you’re about to head out through the doorway, you hear Venka hiss at you, “Does he at least take helmet off when he fucks you?”  
You should ignore him; you should just take the last two steps through the cantina door and disappear. You reallyshouldn’t turn around and punch him square in the face.
But, sometimes, they deserve it. So without another thought, you’re already stomping back over to the table, pushing chairs out of your way as you walk straight up to Venka, and punch him in the nose with so much force, he loses his footing and falls flat on his back. The cantina goes dead silent—everyone staring at you in complete shock.
“Is Tye here?” You ask, chest heaving.
“Uh… yeah, he’s at your old apartment. He’s coming with us on the job,” Sula responds, stunned that you actually just punched Venka in the nose.
“Thanks for the drink,” you say to her before whipping your body around and making your way to the door. It’s not clear, but you think you hear Venka shout something at you, something with the word ‘bitch’ in it, but you’ve already made your point. It’s not worth going back to hear what he has to say.
Looking down at the hand you used to strike him, you notice three of your knuckles are split open, little drops of blood running down your hand. In an effort to conceal this from Mando, you wipe it haphazardly along your thigh, just as you exit the doors.
Mando’s leaning against the door, his hands resting on his belt and once he sees you, he kicks himself off the duracrete wall to stand.
“What happened?” He asks, taking note of how erratic your breathing is. When the visor looks down at your hands, he grabs hold of your wrist, pulling your hand to him and inspecting the small gashes on your knuckles.
“It’s nothing,” you attempt to assume him, trying to jerk your arm out of his grip, but Mando’s much stronger than you, so he pulls your hand closer to his cuirass.
“Tell me what happened.”
“I really don’t want to get into it.”
His sigh breaks up in his helmet and you know he wants to press you again, but he ultimately doesn’t. “You took care of it?”
“I did.”
“Good,” he answers tentatively, giving your wrist a gentle squeeze and then letting go, starting to head for the hangar. You linger for a moment, staring down at your busted up hand and watching the tiny droplets of blood bead down your skin.
Fucking Trandoshans, you think to yourself.
As you stroll through the crowded streets, mulling over the conversation you had with your old friends, you quickly realize that if Tye really is here, you need to see him. You need to explain why you did what you did or didn’t do, as well as show him that you’re okay. Actually, that you’re more than okay. You’re the best you’ve ever felt which makes you feel incredibly guilty.
“Mando,” you call out because he’s a few feet ahead of you. He stops in his tracks and waits for you to catch up to him.
“There’s something I need to do before I go back.”
Grogu coos worriedly, his ears drooping.
“I’ll be okay, little guy,” you assure him, simultaneously trying to convince Mando the same.
Mando shakes his head. “No. It’s too dangerous.”
“I’ll leave the commlink open,” you say in an effort to ease his apprehension.
“No,” he says more sternly, the modulator dangerously low.
“Two hours. That’s all I’m asking for. If in two hours I don’t check in, feel free to tear this city apart looking for me, but I need to do this and I need to do this alone.”
Mando sighs begrudgingly, the sound breaking apart through the helmet. “Fine. Two hours.”
You mouth ‘thank you’ before disappearing through a crowd of people, and then darting down a dark alley.
With your hand hovering over your blaster, you slip through various streets and alleys on your way to the apartment you and Tye shared in between jobs. Every step you take makes your heart race faster, the reality of the situation sinking in. You hadn’t even taken the time to consider that Tye might not even want to see you. The last time you spoke, you hadn’t parted on good terms and now that he probably knows you’re still alive… it’s not going to be an easy conversation.
When you turn the corner onto the street of the apartment, you’re practically quivering. Your heart is thumping against your ribcage, palms are sweating, and you think about turning around. No one would know you were here if you left. The chances of you coming back to Coruscant after this are slim to none—you could do it.
No.
You have to stop running away from things that need to be faced. You’ve been running your entire life, trying to keep yourself busy in an attempt to forget about your responsibilities. Truthfully, you’re tired of running away. It’s time to right your wrongs.
Once you reach the building, your eyes slam shut and take a deep breath, exhaling slowly through your lips and head inside. Climbing up the stairs slowly, you hold onto the railing to steady yourself. The anxiety is really getting to you, now.
Was this a bad idea?
Fuck.
To your surprise, the door is open. Either it’s been abandoned, or you think he’s expecting you. Feet hovering in the doorframe, the pounding in your ears is damn near deafening but you press on, taking a step forward and then another and then another until you’re standing in the hallway of the apartment. The door hisses shut behind you, causing you to jump at the sudden sound.
The place is almost unrecognizable. The furniture in the sitting room is flipped upside down, shards of broken transparisteel littered around the room, and the room’s so dark, you can barely see a thing. The only light source illuminated the room is coming from the outside lamp posts, highlighting the disaster that’s displayed in front of your eyes. You begin chewing on the inside of your cheek, becoming more aware of the possible danger you’ve just walked into.
“So, you’re alive,” you hear in the darkness.
“Tye?” You ask aloud, eyes shifting around the room, trying to locate where the voice came from.
A silhouette appears from the kitchen, illuminated by the outside light fixtures. The shadow look like him, but it also doesn’t. The voice sounds like Tye, but its’ darker, rougher.
“Kriff, you’re actually here.”
You take a couple steps forward, stopping just shy of the counter that separates the kitchen from the seating area. Tye stands in the kitchen, hands pressing into the marble surface, taking you in. As his features become clearer, your breath catches in your throat.
Your best friend since you were a child. The one person that’s saved your life more times than you can count. The single person in this galaxy that has been with you through the darkest moments in your life. The person you thought you had seen die right before your eyes, standing just a few feet away from you.
There’s a darkness in his eyes that you don’t recognize. His eyes were a gentle, warm shade of green that made others gravitate towards him. They used to bring you comfort; you could be at your lowest and then when you’d look up at him, you’d feel at ease.
Now when you look at them, all you see are broken fragments of tainted memories. Like all the pain and suffering he’s endured in the last few months has been bundled up and are now locked in his eyes for everyone to see.
You want to reach out, but something’s stopping you. There’s not a single thing you recognize about him. Hair that was once blonde is gone, shaved off. His shoulders are more sunken too. He used to hold himself with such confidence, not unlike the kind of strut that Mando carries himself with. Tye’s cheekbones are more pronounced as well, and it worries you that he’s begun using spice more than he used to.
Unsurprisingly, it was somewhat normal for smugglings get high on the supply they were trafficking, and you’ve seen Tye do it from time to time. You—on the other hand, never did. You had seen what it could do to its abusers, and you knew better than to do something that foolish. It was kind of a twisted morality code. Willing to smuggle it and let others abuse it, and yet you thought you were above using it yourself.
“What happened to you?” You ask him, completely in disbelief that this is what Tye has become.
“They said you were back, but I didn’t believe them,” he murmurs, his voice so low that you barely catch what he says, his gaze fixated towards the ground.
Maker, even the way he talks is different. Tye had the bubbliest of characters. He was larger than life, his voice echoed in every room he was in, boisterous and kind. The type of intonation that was infectious. Now, his voice is rough, it’s terse—like all the joy has been sucked out of him and now there’s just a hollow sound left.
This isn’t the man you grew up with.
The thought makes you nauseous.
Did you do this to him?
Are you the reason he’s so… different?
“Why didn’t you tell me or anyone that you were okay?” He nearly croaks.
Guilt overwhelms you. “I… thought you were dead.”
Tye lets out a noise that’s similar to a laugh, but you know damn well he means anything but that. He takes a step back, rubbing the back of his head and takes a sharp breath.
“You could have sent someone a hologram. You could have come back to Kijimi. Stars, you could have come here but you didn’t.”
Your jaw hangs, trying to find the words that might justify why exactly you didn’t tell anyone that you were never arrested, but whatever reason you come up with hangs on your tongue, unable to actually speak. It all just happened so fast.
“I had to hear from fucking Sula that you were—not only alive, but that you’re actually fucking traveling with the same Mandalorian that hunt you down. The one that shot me out of the kriffing sky,” his anger grows with every word.
“All these months, I blamed myself for what happened. I thought ‘she’s probably dead by now and that’s on me. I was supposed to protect her, and I failed’.” He rambles, voice cracking.
“I fucked up, Tye and I’m sorry, but you have to believe me when I tell you that I didn’t intend for any of this happen. Everything happened so fast, I couldn’t…” Your voice trails off, too many thoughts racing to your mind, unable to sift through them and think of a coherent explanation.
“Why are you with him?”
“He… saved my life, Tye.”
Tye crosses his arms against his chest, scoffing. “What?”
And so, you tell what happened. You tell him about Nevarro, about the Empire, about what Ahsoka told you. As you explain everything, Tye’s expression changes from resentment to almost disbelief.
“A Jedi?”
“If I wanted to train… yeah.”
“Well fuck, look at you,” he mocks.
“Don’t patronize me, I’m trying to explain myself.”
Tye holds his hands out in defense. “Whatever you say, boss.”
Wringing your hands, you wait for him to say something else… but he doesn’t. He stares at you, like he’s waiting for you to say something else.
“So… what does this mean for us, now?” Your voice is soft, hoping there’s some possibility of reconciliation.
“There is no ‘us’ anymore,” he says lowly.
“Okay, I half expected that…” you admit, rubbing the back of your neck absentmindedly.
Not surprising.
“Did you really think that you could come back here and give me some bullshit excuse and expect us to be friends again? After the shit you put me through?”
“I guess not.”
Tye says nothing else, keeping the same expression on his face. Betrayal, pain, anger. It’s all staring you right in the face.
“Time’s up,” Mando’s gruff voice whispers in your ear.
Cursing to the Maker, you want more time. There has to be something else you can say to him that’ll better explain why you didn’t ask anybody if he was still alive but then you realize, you just didn’t do enough. Quite frankly, you did nothing. You should have done something, you could have done something but ultimately, you didn’t and that’s something you’ll just have to life with.
“I should head back,” you tell Tye, who just shrugs at you. Turning on your heel, you look over your shoulder to see him still standing in the kitchen. “For what it’s worth, I’m glad you’re still alive.”
Please say something, you say to yourself as you make for the doorway.
He doesn’t.
--
“Everything all right?” Mando asks you as soon as you’re walking up the ramp.
“Yeah,” is all you answer.
He doesn’t press you, taking note of the way you’re clearly not in the mood for chatter.
You prop your elbows atop one of the crates, leaning on it and staring down at the ground. Feeling guilty about bringing down the energy inside the Crest, you find yourself trying to make conversation, in an attempt to lighten the mood.
“What happened with your friend at the cantina?”
“They need me to do a job, and then we’ll have enough credits to pay for the fuel we’ll need in order to get to Tython.”
Raising an eyebrow, you ask, “What kind of job?”
“Doesn’t matter. You’ll be staying here with the kid.” He answers dryly.
Stunned, you push off the crate and turn your body to him, facing Mando head on and crossing your arms across your chest.
“Is there a problem?” He asks, taking in your body language.
“What if you need help?”
“It’s a four-person job. They had three before I agreed.”
“Which means you’ll be outnumbered if something goes wrong,” you retort, eyebrow cocked.
“I need you to stay with the kid.”
You clamp down on your jaw, tapping your foot on the ground while you consider his last words. “I don’t like this, at all.”
“You don’t have to, but it isn’t up for discussion.”
“But—”
“No.”
Exhaling sharply through your nose, you know he’s right. It is safer for someone to be with the kid and it’s not exactly like you can do the job instead. Once again, you’re stuck following Mando’s orders.
“So then, when do you head out?”
“Soon. I should be back before morning,” he answers, rummaging through his armory.
“Where’s Grogu?”
“Sleeping in the cockpit.”
“Mmm,” you hum in the back of your throat. Noticing Mando’s back stiffen, he takes one of the blasters off the wall, and inspects it.
As you watch him examine his weapons and take in the way he twitched hearing you purr, a cunning thought crosses your mind.
Since he refuses to let you come along, you want to give him a reason to be counting down the minutes until he’s back with you on the Crest. It’s not that you want him distracted, but the possessive side of you wants him to be constantly reminded that you’ll be waiting here—for him.
Without trying to be discrete, you saunter over to the armory, making sure to graze his arm against yours as you pass by him to pick up one of the multiple blasters hanging on the wall. Holding it your hand, you twist the gun around, in an unbashful attempt to get his attention, puffing your chest out as you stare down at the weapon in your hand. You can feel the visor on you, but you don’t look up. Instead, your gaze stays glued to what’s in your palm, knowing Mando’s studying you carefully, like he’s trying to understand what you’re trying to do.
Putting the gun back on its placeholder, you saunter passed him, the tips of your fingers hooking onto his cape, stroking the fabric between your fingers, then dropping it as you head over to the small closet where the ration packs are kept.
“What are you doing?” He asks.
Turning around to look at him, you cross your arms along your chest and with the most innocent tone you can, your tongue darts across your bottom lip and then whisper, “I don’t know what you’re talking about.”
Mando tilts his head and lets out a deep breath that scratches through the modulator, but he makes no move on you. Rather, he goes back to inspecting the weapon that’s sitting on one of the higher crates.
Okay… so you’ll have to be more unsubtle. Craning your neck to either side, you let out a small groan as you hear your bones crack, but once again, Mando’s visor stays peeled to the gun. Starting to get annoyed at the lack of attention he’s giving you, you start to wonder if you should pull back, give up and wait until he comes back in the morning, but honestly? You don’t want to give up. You know you can seduce him; you just need to find the right trigger. Feeling some courage and boldness suddenly overcome you, your feet bring you over to where Mando is standing, and come up right next to him, leaning back on the crate and propping your elbows on the crate behind you, puffing your chest out even more to showcase your breasts. He glances over at you for just a moment and clears his throat. “What?”
“Nothing,” you answer with a devilish smile. You’re almost close enough for your arms to brush against each other, but you stop yourself from closing the gap.
“I know what you’re trying to do,” he tells you, voice strained and tight.
“Enlighten me, then.”
“No.”
Inching yourself closer to him, your hand grazes the vambrace on his right arm. He makes no sound, but by the way his chest puffs in and out, you know you’re getting under his skin, and that makes you even bolder. With your right hand, you grab onto his vambrace and slide between him and the wooden crate, essentially pinning yourself between the two. Mando groans deeply, his head craning to the left, exposing just the smallest amount of skin as he does. Stars, even just the sight of his neck causes you to squirm, rubbing your thighs together.
“Not enough time,” he pleads, nearly fucking panting.
“Mmm,” you whine back, bringing both your hands to grab at his waist, digging your fingernails into the fabric just above his utility belt. When Mando doesn’t pull away, you slide one of your legs between his, feeling his growing erection against your knee. His visor looks down at you and you can’t help but bite your lip in an attempt to hide the smug smile from forming. His hands are on either side of your body, pressing into the wood so hard you can hear it crackling under his firm grip.
Leaning into his body, your neck cranes upwards and you’re forced to go on the tips of your toes to whisper into the side of his helmet where his ear would be, “If you want me to stop, just say the word.”
“Fuck…” is all he manages to say, and then you’re slowly dropping to your knees, your face aligning with the bulge in his pants.
Your hands fumble down to the utility belt, but through hooded lids, you continue to look into Mando’s visor. Unhooking the belt, you push his flak vest out of your way and find the waistband to his trousers. Mouth practically watering, you swallow hard, and finally tear your eyes away to look at the bulge between his legs. Your pussy gushes as one of your hands push against the waistband to cup him inside his pants. Mando jerks forward at the touch, a guttural groan etching through the vocoder.
“Stars…”
You pull his pants down just enough for his cock and balls to spring free, and your jaw fucking drops at the sight. This is the first time you’re seeing him, truly seeing him. In that alley on Tatooine, it was too dark for you to be able to observe him, but now? Fuck, he’s a goddamn sight.
It’ll never seize to amaze you just how fucking big he is, it’s a shock he’s able to fit all of himself inside you. Steadying him by wrapping your hand around him at the base, you take a moment to appreciate him. Mando’s uncut with just tip of his head poking through. There’s a bead of precome forming from the tip, and you dart your tongue passed your lips to lap it up, the taste of him on your tongue makes you hum.
Your free hand settles on his thigh, while the other begins to slowly stroke up and down his length, licking up every bit of precome that oozes from the tip.
“Ah, shit… Feels so go—” He begins to say but is cut off by you engulfing his entire length in your mouth.
Mando grazes the back of your throat, and your body tenses, fighting the urge to gag. You pull away from him slowly, hallowing your cheeks as you feel every vein of his cock until he slips through your lips with a loud, wet pop. Your tongue darts along your bottom lip, coating it with saliva before taking him once again. Repeating the process a few more times, and feeling Mando writhe from your slow taunt, he unexpectedly becomes impatient. His hips grind against you, practically begging for more. He’s entirely at your mercy, being the one in control right now is making you dizzy. To see someone as strong and commanding as Mando practically mewling because of you is sending you on a power-trip.
When you take him in your mouth again, instead of pulling away, you begin bobbing your head up and down his cock, the wet sounds echoing through the Crest walls. Already, you’re getting better at taking him into your mouth without gagging as much. Because of his size, you do end up gagging a couple times, your body tensing as he grazes the back of your throat, but you press on, because hearing Mando praise you over and over is intoxicating.
“Kriff, your mouth feels so fucking good… fuck… makes me want to bend you over his crate and fuck you until you’re begging to come.”
Hearing him only spurs you on, guiding him as far as he can go, and letting him just sit in your mouth, swirling your tongue around his girth, precome dripping down your throat. It’s salty, but it’s also the sweetest thing you’ve ever tasted in your life. A mixture of saliva and precome dribbles down your chin, but you continue to swallow as much of him as you possibly can, nothing’s going to stop you from making him come like this.
Your panties are fucking soaking now, pussy throbbing and damn near hurting from the lack of touch. All your concentration is being focused on making Mando feel good, and he knows it. He knows this is for him, and he’s reveling in it.
“I bet you’re so fucking wet right now, pretty girl,” he pants, placing one of his hands behind your head and cradling it gently as he begins to fuck your mouth. Just as you start to feel him twitch inside you, a faint alarm begins to ring, and you feel him still.
He has to leave.
“I-I ha-ave to go,” he whimpers, your lips still firmly wrapped around his cock.
But you don’t stop. When you feel him try to pull away, your hands grab onto his hips, digging your fingers into him and trying your hardest to keep him right where he is, and begin sucking him even faster, bobbing your head up and down his length at a quicker pace.
“Oh fuck… that feels so fucking good.”
The alarm is still ringing, but you don’t care. You’ll make damn sure he’ll come, you just need a few more minutes…
He holds your shoulders, keeping you in place and then he’s backing away from you. His cock slips through your lips, leaving a trail of spit behind that falls down your chin. Before you can begin to feel disappointed, Mando hooks his arms under yours and lifts you to your feet, only to spin you around and push you against the crate, bending you over, the gun falling to the ground.
“Do you see what you do to me?” He growls at you, grabbing the waistband of your pants and pulling them down to your knees. “I have to leave.”
Your chest is heaving, arousal making your head spin as you wait impatiently for what he’ll do next. “So, go,” you mutter breathlessly.
“You want me to leave?” He taunts. You hear something light hit the ground, and then he’s pushing your underwear to the side and cupping your sex with calloused fingers.
“Fuck!” You cry out, the touch already relieving some of the building pressure.
“Maker, you’re fucking soaked,” he admires, and then he’s sticking two thick fingers deep inside your pussy, curling them and hitting that spot inside you that nearly blinds you. Jerking forwards, your stomach digs into the blunt edge of the crate, but feeling Mando’s fingers fuck you overpowers the discomfort. It’s desperate, it’s rough, and hurried but that makes it all so much more exhilarating.
“I’m gonna c-come,” you pant into surface, almost surprised at how close your orgasm is.
Mando suddenly stops, pulling his fingers out of you and smearing your slick all over your entrance and clit.
The tip of his cock pokes your entrance, but he doesn’t move. He strokes himself between your folds, teasing you. “I have to go,” he groans.
You grind your hips against him, and push your ass out, arching your back in the hope that he’ll slide inside you, and to your surprise, he does. He aligns his hips with yours and slams right into you, pushing you further up the crate, fully sheathing himself between your walls.
He wastes no time fucking you, holding both your shoulders and jackhammering into you so hard, there’s no fucking air in your lungs. Your feeble whimpers are breathless and empty, jaw fully slack as he continues to wreck your cunt.
“Mando? Where the hell are you?” A voice comes from the commlink on his vambrace.
“Fuck,” he growls, somehow quickening his pace and driving you fucking insane. You don’t even know how close you are to coming until it’s ripping through you, almost making you convulse underneath him, sobbing brokenly into the air. Your fingernails are digging into the wood so violently, you hear it splinter. Knees buckling, you’re already completely spent, riding out the aftershocks of your orgasm.
“You’re supposed to be here by now. Mando, where the fuck are you?”
Grinding his hips even more into your ass, he bends over so his cuirass is pressed against your back, his cock hitting a part inside you that only he knows how to touch. You’re so fucking full, a second orgasm is moments away if he continues to fuck you from this angle.
“Do you see what you do to me? Ah—shit, I’m supposed to be with them, but—fuck, instead I’m here,” He snarls in your ear, the side of his helmet grazing your cheek.
Tears are forming in the corners of your eyes, feeling his body weight press you into the hard surface, and his cock driving you fucking wild. Your mind is blank, your throat is bone dry—unable say a fucking word. You’re helpless underneath him.
“Pretty girl, you’re going to be the death of me.”
His weight leaves you, and then he’s grabbing both your hands, crossing your arms behind your back and holding them in place with one hand. He starts a pace so mind-blowing hard, pounding his cock inside you and hitting your cervix with every thrust. It’s the most delicious pain you’ve ever experienced. If it were anyone else, you’d tell them to stop, but this is Mando. He knows what you can and can’t handle better than you do, so you let him slam into you at a grueling speed. You can hear his balls slap against your skin, and another orgasm begins to form deep in your belly.
He grinds into you a few more times and then he’s somehow burying himself even more inside you, and you snap. A second orgasm splits you apart, whatever pathetic noise comes out of you is drowned out by Mando’s guttural groan as he reaches his own climax, his cock pulsing as his seed is pumped deep inside you.
“Mando!” The male voice shouts once again through the commlink.
Even though you’re entirely spent, a laugh escapes you. He’s just completely ignored someone calling him just so he could finish fucking you.
“Coming,” he responds curtly, pulling out of you quickly and tucking himself back in his pants.
You don’t expect Mando to linger any longer than he absolutely needs to, so with the very little strength you have left and using your palms, you push yourself upright, knees shaking profusely, and to your surprise, he grabs the waistband of your pants and begins tugging them back up your legs.
“Mmm, it’s okay. I’ve got it,” you try to assure him, but he doesn’t listen. He shimmies them back up until they’re around your waist, and then he’s turning you to face him.
“I have to go,” he tells you, and you sense some regret in his voice. He doesn’t want to leave, either.
“I know,” you smile at him, sheepishly.
Mando reaches out, both of his hands cupping the sides of your face and presses the helmet against your forehead. The coolness of the beskar feels amazing against your hot skin. He lets out a deep breath, baritone dangerously low as it comes up tight through the helmet. You press back into him, closing your eyes and taking in this sweet, tender moment. Letting out a deep breath through your nostrils, the smell of beskar and Mando’s own scent—a mix of soap that you’ve grown used to smelling on yourself, as well as hints of sweetness and musk, almost drowns you but in the best fucking way possible.
“Come back in one piece, okay?”
He doesn’t respond, only continues to hold your face in his hands. Time seems to still, and for a fraction of a second, it’s just you and him. It’s somehow the most intimate moment you’ve shared. Without saying a word, you say your good-bye’s and watch him head down the ramp, waiting until he’s no longer in sight before heading the fresher.
--
It’s been a couple hours since Mando left, and you hate to admit it, but you miss him… like a lot. Definitely more than you should. Come to think of it, this is the first time since Kijimi that you’ve been away from each other for this long. Ever since then, you’ve been beside each other, or at the very least knew where the other was, but right now? You have no idea where he is, who he’s with or how long he’ll be gone, and you’re driving yourself crazy.
You keep commlink open—just in case anything goes wrong, he’ll be able to contact you and while you pray to the Maker that nothing does go wrong, you can’t help but wish to hear his voice through the little speaker.
A simple check-in would instantly calm your nerves, but you know better than to call him yourself. He could be hiding; he could be in the middle of a gunfight. The last thing he needs is hearing your voice asking him if everything is okay and distracting him. Needless to say, the negatives outweigh the positives, so you continue to pace anxiously up and down the galley of the ship, waiting to hear that intoxicating voice of his.
The kid’s been up for the last half an hour, babbling to himself with that kriffing ball in his grip. You feel bad for him, being stuck in this hunk of metal all the time but risking both of your safeties just for a little walk around is simply not worth it. The quicker Mando gets the job done, the sooner you’ll be off Coruscant and on your way to Tython.
You could try to get some sleep, but you know damn well you’ll be tossing and turning in the cot, anxiously waiting to hear his voice on the commlink.
There has to be something you can do that’ll keep your mind occupied…
Grogu looks up at you in your lap, cocking his head to the side as his ears peak up at you, and then you get an idea.
Ahsoka had told you Grogu was trained at the Jedi Temple for years before being forced into hiding, and since you’re both bored, this could be the perfect time to practice. Albeit, you have no idea what you’re doing, but anything is better than sitting around waiting for Mando’s return.
At first, you consider staying within the Crest, but there isn’t nearly enough room, and quite frankly, you know the two of you could benefit from not being locked up in the ship. Picking Grogu up into your arms, and grabbing your blaster, you make for the ramp and descend it. The hangar is empty, now. The owner’s retreated for the night, so you don’t have to worry about being watched.
The hangar itself is much larger than Peli’s. Easily twice the size, and it’s located on a large platform that overlooks the underworld portal. It’s the perfect place for a quick getaway and doubles as a scenic view.
Sometimes between jobs, you’d come to one of these various hangars and spend hours just looking at the steady flow of traffic coming in and out of the lower levels. You’d sit on the edge of the hangar; feet dangling in the air and stare up in amazement that something this vast could exist in the galaxy. Thousands of different beings travelling through this canal, beings you’ll never know or see again, but being aware that each of them had their own life, their own struggles and triumphs, all travelling in the same place at the same time is almost hard to wrap your head around.
You settle Grogu on a nearby table and place your blaster just to his right, making sure to turn the safety on.
“Grogu,” you say softly, holding your hand out face up at him. “Give me the ball.”
He hesitates at first, pulling the ball closer to his chest, but you continue to coax him, speaking gently until he finally places it in your hand.
“Thanks, little guy,” smiling and wiggling your finger in front of him, you then take a couple steps back.
You could try to push the stone to him, but you haven’t the slightest idea how to do that, so instead you opt to get Grogu to take the ball from your hand. Holding the ball between your thumb and index, you begin to sweet-talk him into taking the ball from you.
“Okay, let’s do this, kid. Can you take the ball out of my hand?”
His head moves from side to side and his arms reach out as far as they can, cooing happily.
“Come on, you did it with Mando. I know you can do it.”
Squinting his eyes momentarily, his hands start to twist and all of a sudden, the stone flies from your hand into his. The baby squeals with excitement, showing you the sphere in his grip with pride, and then resumes sucking on the durasteel, no longer interested in what you had planned to keep you two busy.
You smile to yourself, amazed that this little creature can do things that you would have never anticipated. The thought of reuniting him with a Jedi and the possibility of having to say good-bye breaks your heart. You’ve grown such an attachment to him. Seeing him every day, feeding him, playing with him, watching his little face light up whenever you give him the ball, and even seeing the gentleness in Mando that Grogu exudes from him, it’s all things you’ll miss dearly.
Looking down at your palm, you wonder if you’ll also be able to wield the Force and carry something over into your hand. Eyes meeting the blaster that’s resting to Grogu’s left, you begin trying to clear your mind and focus only on the gun and bringing it into your grip. Extending your arm as far as it can, you take a deep breath and exhale through slightly parted lips, furrowing your eyebrows as your concentration on the blaster grows. All the white noise suddenly drowns out, hearing only the steady thumping of the blood in your ears. Your fingers are shaking but the gun doesn’t budge. It stays completely still on the table.
Letting out a sigh of defeat, your arm drops to your side. Maker, you know it’s possible, you’ve done it before during a fight, but of course the one time you actually try to do it without having the threat of death, you’re unable to get that kriffing blaster in your hand.
Squaring your shoulders, you close your eyes and once again try to clear your mind, focusing only on the Force—feeling it flow through your body, harnessing its power, and bending it to your will. In an attempt to steady your heartbeat, you take, deep, long burning inhales, feeling your lungs expand as much as they can, holding the breath for a few seconds, and ever so slowly letting exhaling through your nose, all the while keeping your eyes closed and maintaining your focus on the Force.
You crane your neck from side to side and roll your shoulders a couple times and then your arm slowly raises once again, lining up with the blaster, and transfer all the power you feel inside you to the palm of your hand, and then to the tips of your fingers. You can picture the blaster in your head. The soft curve of the handle that connects to its clip, the narrow barrel pointed in your direction. As you continue to piece the weapon together in your mind, you start to feel a strong current flow through your veins to the palm of your hand. It’s more powerful than anything you’ve felt before, and yet it doesn’t scare you in the slightest. Instead, it feels empowering and familiar. When you finally open your eyes, they shift to your hand and your jaw damn near drops.  
The blaster is in your hand, fingers wrapped around the handle tightly. Bringing it closer to your chest, you examine the gun as if it’s the first time you’ve ever seen it. Your eyes move between it and the table a couple feet away, completely stunned that you were actually able to do that yourself.
“Did you see that?” You call out to Grogu who’s squealing with joy. You’re not sure if he actually understands why you’re so giddy, but you’d like to think he does anyway.
Making your way over to him, you wiggle your finger in front of him and gently bop him on the nose. Not too far away, you see a piece of scrap durasteel on the floor. Peering down at Grogu, you shrug your shoulders. “Should I try it?”
He coos curiously and you take that as him saying ‘yes’. Repeating what you did previously, you raise your arm in front of you and focus on the small item and inhale through your lips, exhaling through your nostrils. Clearing your mind and only thinking of durasteel, you watch it begin to shake on the ground. Excitement sets in as it slowly lifts off the ground, hovering in the air for just a moment and then, it flies into your hand, causing you to lose your balance from the power of it.
“Oh, fuck yeah!” You exclaim.
“Holy Maker, you weren’t bullshitting me,” you hear behind you. Moving quickly, you drop the durasteel to pick Grogu up in your arms, grabbing your blaster and whipping your body around to point it at the person behind you. Tye lifts his arms, showing he’s empty handed.
“Whoa! Take it easy, I’m unarmed.”
Letting out a sigh of relief, you slip the blaster back in its holster on your thigh and take a deep breath to calm your nerves.
“You can’t just sneak up on people like that, and how the hell did you know where I was?”
“I have my ways,” he says, eyebrows darting up and down in jest. “What is that?” He asks when he sees the green baby in your arms.
“I’m not sure, really,” you answer honestly, looking down at Grogu.
“Didn’t think you had any motherly instincts.”
You can’t help but laugh. “Neither did I.”
Tye passes by you, heading for the edge of the hangar. You eye him cautiously, trying to gauge what he’s up to. When you see him sit down, feet dangling off the edge like you used to do, you walk over to him, still holding Grogu in your arms. You catch yourself just before you’re within earshot and put the kid down.
“Can I trust that you won’t tear this place apart?”
The kid mumbles something at you and begins waddling away.
“I’m keeping an eye on you, you little womp rat!” You shout at him, before strolling back over to where Tye is and sit to his right.
You’re looking at him, trying to find something recognizable about him, something that could show you he’s still the same person you knew when you were kids, but everything about him is different. He looks like an entirely new person.
“Do you remember the first time we got here?” He asks, staring at the portal’s traffic.
Your eyes leave him to look at the various ships coming in and out of the ports. “I remember thinking ‘I hate it here’.”
The corners of his lips curl into a smile. “Yeah, you always hated busy places.”
“They’re just too noisy. You can barely hear yourself think down here.”
“Yeah…”
Neither of you speak for several minutes. You know he’s here for a reason. Whether it’s to forgive you or kill you, that’s probably up to what you say next.
“Tye, I’m really sorry for what I did,” you whisper, tearing your eyes away from the portal to stare at his side profile. “I was being selfish, and I didn’t take anyone’s feelings—especially yours, into consideration.”
“You know, when I got the hologram from Sula and saw Venka’s bloody nose in the background, I just knew it was you.”
Rolling your eyes, you jab him with your elbow. “You did not.”
“You’re the only person with enough nerve to punch him.”
“That’s true… It felt pretty damn good too.”
Tye chuckles, shaking his head. The sound instantly reminds you of all the moments you’d tell him a stupid pun and watch him cackle like it’s the funniest joke he’d ever heard in his life.
“Do you ever think about getting out?” You ask him.
“Getting out?”
“Yeah, putting all this smuggling shit behind you and finding a nice, quiet planet to live out the rest of your days. Meet a local girl and settle down. Maybe even have a couple kids.”
For the first time since you sat down, Tye looks over at you, and the kindness in his eyes that had seemed to disappear is looking back at you, bringing you to your younger years on Tatooine. That outgoing, carefree kid that always got you in trouble. The guy who laughed at everything, who found the silver lining in any given situation; he’s looking right at you.
“Nah, I’m not built for that kind of life.”
“Life has a way of throwing you some curveballs.”
“I see that…” he says with that smile that always brought you joy.
It suddenly dawns on you that this is Tye’s way of saying good-bye. That—after this conversation, you’ll probably never see each other again. You’ll no longer be involved in each other’s lives. There won’t be any more meetups on Kijimi or Coruscant or any other planet, and while the thought makes your chest tighten, you understand why. Honestly, you don’t know how you’d be able to forgive a friend for doing what you did, let alone have it be your oldest friend. Without even knowing it, you’ve chosen who you wanted your family to be, and to your surprise, it isn’t Tye.
Against your better judgement, you lean your head on his shoulder. At first, he stiffens, and you worry you’ve gone too far, but then he relaxes, even craning his neck to lean his head against yours, breathing you in.
“I hate to admit it, but you seem happier.” He tells you, feeling defeated.
“Hey, are you there?”
Mando’s voice in your ear makes you jump. Putting a finger up to Tye, you excuse yourself and walk back towards the Crest, just far enough so he’s no longer without earshot, all the while making the kid hasn’t gotten into any trouble. You catch him waddling around the hangar, chasing what looks to be some kind of flying insect. Womp rat.
“Is everything okay?” You ask, pressing your finger into your ear.
“The job’s taking longer than I thought. It’ll take another day or two,” he speaks low, like he’s trying to hide the fact that he’s talking to you.
Your heart drops. Another day? You hadn’t even considered the idea that he might be gone longer than he expected. Does he need help? Has something gone wrong? Should you ask to meet him?
“Are you still there?”
“Shit, yeah, sorry I’m here,” you answer, trying to hide the disappointment in your voice.
“Don’t let the kid out of your sight. Stay inside the Crest.”
“Okay…”
“I’ll try to check in again, but I might not be able to.” There are voices in the background, calling for him. “I have to go. I’ll see you soon.”
The other end goes silent. He’s gone.
Refusing to let yourself get too upset, you exhale through your lips and roll your shoulders, turning back over to Tye who’s still sitting on the ledge.
“What was that about?” He asks as you get closer, using his arms to push him back to his feet.
“Nothing, it’s fine.”
“So secretive,” he teases.
A sudden crash grabs your attention. Twisting your body in a panic, you see Grogu standing alongside a pile of miscellaneous scraps that have fallen over.
“Dank farrik. Kid!” You call out as you jog over to him. Once he sees you coming for him, he runs over to you, squealing in fear.
“Don’t worry, little guy. I got you,” you assure him, picking him up and holding him close to your chest. “You’re a little troublemaker, you know that?”
Grogu looks up at you and pouts, ears hanging low.
“I should get going. Gotta head out soon,” you hear Tye say to you.
“Okay.”
You stand a few feet away from each other, shifting awkwardly because neither of you know how to say good-bye.
“Well, um…” Tye says before clearing his throat, and then rubbing the nape of his neck with one hand.
“Good luck on your run.”
He looks down at the ground, kicking it absentmindedly with his foot. “Good luck with… everything.”
“Thanks,” you answer, voice barely audible.
You watch as Tye heads for the hangar door, waiting for him to look back, but he never does. You think about chasing after him, wrapping your arms around him one last time but your feet never leave the ground. They keep you firmly in place. With your chest tight, you expect tears to form in your eyes, but they never do. Not even seeing your best friend leave can bring you to tears. Does that make you a horrible person? Maybe.
The door hisses shut, leaving you and Grogu all alone in the hangar. You feel empty, like a part of you has walked away with Tye, and maybe there was.
He was your childhood, your adolescence… he was everything, and now he’s just gone, existing only in your memory.
“Hey,” you say, trying to distract youtself. “Let’s get some sleep, yeah?”
Grogu fusses in your arms and you head into the Crest, shutting the ramp behind you and going straight for the sleeping bunk. You crawl into the cot, placing him in the makeshift hammock and closing your eyes.
It’s gonna be a long couple days without Mando.
--
It’s been a day since you’ve last heard from Mando, which means you’ve been stuck in the Crest for a whole kriffing day, and you’re getting serious cabin fever. There aren’t any more ration packs—you and Grogu have finished the last of them a few hours ago and you’re still hungry. You both need some real food.
Remembering that diner you and Mando passed yesterday, it makes your stomach growl. It’s almost too tempting. You’ll both get some sustenance, and you’ll get time to stretch your legs. Really, it doesn’t take you much time to make up your mind. One little venture out can’t hurt, right?
Before heading out, you make sure to take your blaster and a two vibroblades from Mando’s armory. It may seem like overkill but it’s better to be safe than sorry. With Grogu tucked in the sash across your chest, you head out of the hangar.
Walking around without Mando is more dangerous, for obvious reasons. Only an idiot would pick a fight with a Mandalorian, so wherever you walked with him, you knew you’d be safe. It’s completely different walking by yourself. You know the area, you know the safer spots to walk and the areas to avoid, but you’re sure to keep your eyes open and walk with caution. Coruscant—no matter the time of day, can be dodgy. Should you have checked in with Mando that you were going out? Probably but it’s only for an hour or two and the odds of him coming back while you’re out are slim, so you take your chances. If he’s somehow able to find out that you left the hangar after he specifically told you to stay inside the Crest, you’ll just have to deal with the consequences, but until then, you’ll enjoy the little freedom you have right now.
Trekking the same route as you did with Mando, you keep your head down and navigate through various crowds of people, all the while keeping your hand just above the blaster strapped to your thigh. Even though you hate this planet, you can still appreciate its culture, and diversity.
Here, you can see every single possible being known in the galaxy. From Jawas and Wookies, to Gungans and Vodrans. Everyone eventually came to Coruscant, no matter who they were. If it wasn’t such a shithole, you’d probably enjoy living here. The best way to learn about other planets and other beings is to come to Coruscant where they had the knowledge about such things, and knowledge in abundance. It’s the metropolitan of the galaxy and if you were able to forget about all the crime and injustices that occurred here, you could probably stay just to learn.
The diner is almost full as it’s now midday. You’re lucky enough to find an empty booth near the kitchen when an older looking woman comes to greet you at your table with a datapad in hand.
“Hi there, can I get you anything?” She asks kindly.
“Can I have some broth and a plate of sliders, please?”
Looking down at the pad in her hands, she puts in your order and looks back at up at you with a wide, toothy grin, “Coming right up, sweetheart.”
As you wait for your meal, you look out the transparisteel and watch as waves of people pass you by on the street, exchanging smiles with those you make eye contact with. You wonder what kind of trouble Mando’s getting up to out there.
Is he nearby?
Is he on the other end of the planet?
More importantly, is he safe?
You wish he were with you. The idea sounds almost too domestic, sitting in a diner with you and Grogu, sharing a meal like normal people. It’s probably something you’ll never actually get to experience together but it doesn’t stop you from daydreaming about it. Never would you have guessed that you’d be longing for domesticity, for normalcy. Mando’s brought that out in you which is pretty ironic considering neither of you have experienced something close to normalcy in years but then again, it’s pretty fitting.  After living such a nomadic life, moving from planet to planet, risking your life every time you stepped out on a run, it’s all led you to this, to Mando and Grogu.
“Here you go, sugar,” the waitress says suddenly, two plates of food in her hands. She gently places them in front of you and Grogu. “Let me know if there’s anything else you need.”
“Perfect, thank you,” you say, all smiles.
Grogu starts to eat immediately, grabbing the spoon with his firm grip and sipping the broth. Looking down at the food in your plate, you’re practically ravenous. This is the first proper meal you’ve had in months. While living off of ration packs have satisfied you up until this point, there’s nothing quite like munching down on real food, something that didn’t come out of a pack. You make a mental note to take some food to go before heading out, for Mando. You assume it’s been even longer since he’s had a decent meal and you’re sure he’d appreciate it.
You eat quickly, just because it’s so kriffing good. The attempts to really savor it are lost on you. The juices from the patty nearly drip down your arm, you’re sure you look a hot mess right now, but you pay no mind.
The best thing about eating something other than a ration pack is that this actually tastes like nutrition. Ration packs are just enough to keep up your strength, but they’re not made to satisfy you. It’s just to keep your body up and moving.
Before you know it, you’ve cleaned your plate. The kid has also finished his broth by now and is giving you sleepy eyes, blinking up at you slowly. A proper meal is enough to make anyone tired, including you, but there’s still a few errands you want to run before heading back to the Crest. Before leaving, you had made a list of all the things you’ll need to buy on your day out.
1.    New clothes
2.    Ration packs
3.    Soap
4.    Food for Mando
It’s a short list but having only a few hundred credits, you’ll have to budget everything very carefully, even try to bargain with merchants if it comes down to it. Luckily, you think of yourself as a pretty good dealer, so you’re prepared to do it if it comes down to that.
The waitress comes back to pick up the empty saucers and you ask her to for another platter of sliders to go. She obliges, again with a smile.
While you wait, you take the opportunity to pick a sheepish Grogu and place him back in the pouch across your chest and walk over to the counter to wait. Within a few minutes, the kind woman reappears from the kitchen with a paper bag in her hands.
“Here you go, sweetheart.”
“Thank you,” you answer, taking the bag from her hands, and placing a few credits in her hand.
“Safe travels, my dear.”
Offering her a smile, you turn on your heel and head out the door, back into the mayhem that is Level 1313.
Based on memory, you walk in direction of where ration packs are sold, remembering all the times you used to come to this very spot just before leaving for a job. Every building, every street sign, it’s all familiar. It’s like you’re taking a stroll through the past, almost seeing your old self in strangers you pass by, realizing how much has changed since you were last here. It’s funny to think that on a planet as vast and modern as Coruscant, you seem to be the only thing that’s actuallychanged. You’re no longer just looking out for yourself. Now, you worry about Grogu’s safety, you worry about Mando’s safety. It’s a change you couldn’t have anticipated but are so thankful for.
The merchant selling the ration packs cause you a bit of trouble, claiming the broth packs and bread packs are different prices—which you know is bullshit because you’ve been buying them for years. You’ve seen him do this before, to other women who try to buy packs. Why he thinks he could increase prices for women and not men are not unusual. Men tend to think women don’t know the actual price of packs and can therefore get away with selling them at a different price. It happens so often that most of the time now, women have their male counterparts buy the packs for them, since the exchanges usual end with them not receiving any packs at all, but you know his game. He’s been trying to hustle you for years and has never been able to get the best of you.
“This is enough for five packs, that’s all,” he says when you place some credits on the table.
“No, that’s enough for two weeks’ worth of packs,” you snarl back.
The man laughs at you. “Maybe on a smaller planet, but you’re on Coruscant, girl. It’s more expensive, here.”
“That’s such bullshit and you know it. Give me two weeks’ worth of packs and I’ll be out of your way.”
He scowls at you, his eyes glaring you down. “Have you gone deaf? I said five.”
Taking a deep breath, and craning your neck to either side, you press your palms into the table, leaning forward and stopping just inches from his face. “I’ll say it just one more time. Give me the fucking packs.”
“Hey, we’re all waiting over here!” You hear someone in line shout at you.
“Hurry the fuck up!”
“I can stay here all day, and you’ll lose out on way more than just a handful of packs,” you tell him, taking a step back and crossing your arms against your chest. “Your call.”
His mouth presses into a thin line. You can tell he’s considering it by the way he continues to glare at you. It’s not worth losing out on a whole day’s worth of business just for a handful more packs.
“Fine,” he reluctantly agrees, grabbing two handfuls of ration packs and throwing them on the table.
“Thank you,” you sneer, grabbing them all and stuffing them into your backpack.
1.    New clothes
2.    Ration packs
3.    Soap
4.    Food for Mando
The rest of the afternoon goes by smoothly. You manage to get everything you needed without overspending, and you’re pretty proud of yourself. By the time you’re back on the Crest, the kid’s fallen asleep. You bring him up to the cockpit and put him down on one of the chairs and let him sleep. Since you’ll be rummaging through the galley to put everything away, this is probably the quietest place for him to sleep. After putting him down, you descend the ladder and begin unpacking everything you bought today. Placing the ration packs where they belong, the soap in the fresher, and checking out the new clothes you got. Nothing too extravagant, just another dark colored tunic and some cargo pants but it’s perfect for you.
You look down at the commlink on your wrist, checking the time. It’s early evening, making it almost a day and a half since you’ve heard from Mando, almost two days since you’ve last seen him, not that you’re counting the days.
Okay, you are but that’s not the point.
The point is you miss him terribly. Each hour that passes is an hour closer until you see him again, but it’s also another hour that you haven’t seen him, and your body aches. Is that possible? To miss someone so much that it actually hurts your body? The only logical explanation is that he’s taken a part of you with him, leaving you with a gaping hole inside your body, waiting for his return and waiting for him to refill it. It can’t be that it’s just because you miss him so fucking much, it can’t be.
It can’t be…
--
You’re half-asleep in Mando’s seat in the cockpit when you hear the hangar door slide open. Eyes opening immediately, the familiar sight of shimmering beskar instantly releases all the tautness in your body that you held onto while he was gone. The relief and joy you feel seeing him after basically two days apart reminds you of something like teenage love. The inability to be away from one another even if just for a couple of days is almost embarrassing, given that you’ve tried so hard to distance yourself from the very love you have for Mando, but quite frankly, it feels fucking amazing to have someone to care for this much. The kid is still asleep in one of the passenger chairs, so you get up ever so quietly from your seat and tiptoe your way to the ladder.
Once you hit the ladder, you shut the cockpit door and then you’re racing down the ladder, jumping off of it before you reach the bottom. You heart is racing, the smile on your face is impossible to hide—not that you’re really trying to, anyway. Standing just at the end of the ladder, you watch as Mando heads up the ramp without a word, pressing a button the vambrace that shuts the ramp behind him. Once closed, the air surrounding you changes drastically. The smile disappears from your face, and all of a sudden you feel heat prick at your cheeks.
He damn near stalks towards you, only stopping momentarily to detach the jetpack from his back and then placing it on the ground lazily. It topples over, the noise making you jump but he doesn’t bother to bend over and pick it up. Mando’s got the visor planted on you, and you’re frozen in place, a pool of arousal begins to build in your lower stomach causing your jaw to slack open. Half of you wants to cower, to hide at the sight of him. A Mandalorian pursuing anyone is enough to trigger the fight or flight response but there’s something animalistic in the way he’s coming for you, and you’d be lying if your panties weren’t drenched right now.
“Close your eyes,” he says breathlessly as he draws in closer.
You obey immediately, and suddenly hear a hissing noise, followed by something heavy hitting the ground—his helmet? Before you can ask him, his hot lips crash into yours, pushing you up against the small wall that separates the refresher from his bunk. Large, gloved hands wrap themselves around the crooks of your neck, his thumbs resting on your cheeks. The yelp you let out in surprise is caught in his mouth, his tongue darting out to trail along your bottom lip before meeting yours.
The kiss is sloppy and rushed. His hands grab at your body, your waist, the small of your back, and then settle on your hips. Your own hands fly up to grab fistfuls of his hair. His locks are damp, probably due to sweat, and you pull tighter. Mando groans lowly in the back of his throat, feeling the vibrations in yours as your cunt throbs in response. He smells of gunpower residue and musk. It fills your nostrils, almost making you lightheaded from the sensation, it’s somehow the sweetest scent you’ve ever smelled.
Both of your chests are heaving, the need to pull away to catch your breaths continuously increasing. You continue to grab at each other hastily, one of his hands wrapping around your neck and craning your jaw to expose naked skin. His lips finally leave yours, although not without you trying to keep him still, and then he starts sucking at your neck. The stubble along his jaw scratching against your skin feels so fucking good.
“Thought about you… the whole… time… couldn’t… focus…” He growls into the crook of your neck between chaste kisses, already feeling the skin starting to bruise.
Maker, is it even possible to be this turned on, right now? Mando’s desperation throws you for a loop. You knew how much you missed him, but knowing he felt the same way is so comforting. He needed you just as much as you needed him.
“Fuck,” he breathes. “Need… need… to have you—"
“Stars… please…” You mewl back, hands dropping to his hips and pulling him closer to your body, his breastplate flush against your chest.
“Have to clean up first,” he whispers lowly in your ear, sending shivers down your spine. His voice is velvet smooth, like dripping honey. How can he be so gentle and commanding?
“Shhhh,” you tell him, before blindly grabbing at his arms in hopes to find his pauldrons and when you do find them, you start to detach them. Throwing them aimlessly on the ground and return grabbing at whatever piece of armor you can, you try to pry it off his body as he continues to lick and suck at either side of your neck.
It’s a little awkward trying to undress him while being so close to each other. You can’t even see what you’re doing so you’re sure it’s not the most elegant way of stripping him, and he seems to pick up on it because he finally pulls away, leaning his forehead against yours. You feel his hot breath on your even hotter skin and the urge to open your eyes almost takes you over, wanting so desperately to look into his eyes and see him.
“Let me do it,” he coaxes, barely above a whisper.
“But—”
He presses his lips onto yours once more, and just when you try to deepen the kiss by moving closer towards his body, he breaks it off. Immediately, you begin to hear various pieces of his armor hit the floor, heart banging against your ribcage in anticipation. Stars, you want him so fucking badly. You become impatient, grabbing the hem of your tunic and beginning to lift it up your chest.
“No,” Mando orders.  
Feeling his body close to yours again, his hands grab onto your wrists, placing them on his waist. Rubbing the fabric between your fingertips, you assume he’s wearing only a long-sleeved tunic now. It’s soft to the touch, just like his skin. As your fingers trail down his sides to the hem of his shirt, you hike it up just enough for your thumb to circle the v-lines of his stomach, feeling small bumps form on his skin.
Mando grunts through gritted teeth and then he’s dropping to his knees. Your hands are back in his hair, running your fingers through his wavy locks. He grabs the waistband of your pants, unbuttoning them and sliding them all the way down your thighs, lifting each of your legs and helping you slip out of them. Discarding them to the side, Mando’s calloused fingertips trail up your legs, kissing the very tops of your thighs as he makes his way to your underwear.
Placing a chaste kiss on the thin piece of fabric, you can’t help but tremble. Mando’s ability to be rough one minute and then gentle the next is quite literally mind-blowing. It keeps you on your toes, never knowing exactly what’s going on in his brain.
He hooks his fingers around the hem of your underwear and slowly pulls them down. You’re naked from the waist down and beginning to feel shy, being exposed and the fact that you’re unable to open your eyes and see his face or gauge his body language—it’s eating you up.
His fingers slide between your legs, tracing all the way up the apex of your thighs, forming goosebumps on your skin. Once he reaches your cunt, two fingers slip between your folds, coating them with your slick.
“So wet, pretty girl,” he admires.
All you can do is mewl when he touches you. Mando continues to massage his fingers between your folds, gathering as much of your slick as he can and then he’s pushing two digits inside you, causing you to lull your head back and accidentally hitting it against the back wall a lot harder than you expected.
“Fuck, that hurt,” you giggle, hands rubbing the back of your head.
“Are you okay? He asks, stilling his fingers inside you.
“I’m fine—ah shit,” you answer just he begins to curl them inside you, hitting that angle that only he knows how to reach.
Rubbing tight circles on your clit with his thumb, you arch your back, pushing your hips right into Mando’s face. Using his free hand, he holds the small of your back in place and darts his tongue out to lick at your bud. Your whimper echoes through the Crest’s walls, his tongue flicking your clit as he continues to finger fuck your cunt. All you can do is pull on his hair tighter, unable to move or squirm as he holds you in place.
Knees beginning to buckle, you can feel the stirring in your stomach gradually building, your orgasm bubbling up to the surface. Mando seems to catch this because he starts to thrust his fingers in and out of you at a quicker pace, now sucking on your clit and making you fucking squirm.
“Ma-Mando, I’m g-gon-nna come soon,” you tell him, voice breaking.
He doesn’t say anything. Instead, he flings one of your legs over his shoulder, spreading your legs apart and lapping you up with even more fervor. You’re basically quivering now, climax getting closer and closer, and Mando knows it. He knows your body better than anyone else, better than you know yourself.
“Shit, ah-fuck, Mando…”
Right as you feel yourself about to release, Mando pulls his fingers out of you and his tongue leaves your clit, placing a chaste kiss on your inner thigh and then rising to his feet. It’s damn near impossible to hide your disappointment. It’s infuriating—being so fucking close to release, only to be denied at the very last second.
“Why—” You begin to ask but the rest of your question is silenced by his lips crushing onto yours. His tongue finds yours and you can taste yourself.
“Shhhh,” he whispers onto your lips, and then he’s pressing his body on yours once again, arms wrapped around your back as he carries you into the fresher.
The space is just big enough to fit you both, your bodies practically stuck together. Your eyes are still closed and that only adds to the intimacy. His hands grab onto the hem of your tunic and he instructs you to lift your arms. You do as your told and he lifts the shirt above your head, discarding it at your feet. You stand there, naked and fully at his mercy.
“You can open your eyes,” he says just after hearing the door slide shut. At first, you hesitate, unsure if the room really is pitch black or if he’s trusting you enough to look at his face. When you finally do open your eyes, you can’t see a damn thing. The light inside the fresher is off and you feel a sudden rush of relief and disappointment wash over you because of course he’d make sure the room was dark enough so you couldn’t see his features. Why would you think he’d be comfortable enough to show you his face?
You don’t have time to dwell on it because he’s already pushing you up against the wall, hands resting on the wall to either side of your face and sucking at your neck once again. The skin is tender, little bruises protruding along the sides of your neck, but Mando is mindful enough to be gentle. Then his mouth trails down your neck, giving chaste kisses along your clavicle, travelling down just above your breasts, cupping the flesh with his hands. With his thumb and index, he rolls your nipple, pinching the skin and then giving it a gentle nip with his teeth.
“Maker…” you whisper in awe. No one has ever been so tender with you. With all your previous sexual encounters, you’ve made it clear that it was purely about sex—nothing more. With Mando, everything is different. Neither of you are in a rush. You take time to understand each other’s bodies; what makes you writhe, what makes you scream, what makes you come. It’s about what will bring out the most pleasure in each other. You could both spend the rest of your lives learning everything about each other, from the curves in your skin, to each birth mark, to each scar.
He pulls away momentarily and using what little time you have; you grab only his hips and spin you both around, so he’s flush against the wall. Your fingers grab onto the bottom of his shirt once more.
“Can I?” You ask him tenderly.
Mando says nothing and you take that as him consenting. You hike up his shirt just a little bit, waiting for him to either stop you or allow you, and when he lifts his arms up so you can remove it, you throw it on the ground, somewhere close to where your own shirt is. You stand just inches apart from each other, neither of you are able to see the other. Wrapping your arms around his biceps, feeling the curve of his muscles as your fingers trace down his arms, across his chest.
His chest is covered in marks, scars from previous battles he’s fought in. Your fingers brush over his pecks, down the centre of his stomach, all the way to the small trail of hair that meets his shaft. When your hands settle on the waistband of his trousers, you unbuckle them and begin to push them down. He helps you a bit, stepping out of his pants.
In the fresher, you’re both fully exposed, completely vulnerable in a way you’ve never been before. The last time you were in here together, it was after the first time you had sex. That was different. You were both still dazed in the aftermath of what happened, neither of you fully aware of each other’s own nakedness, but now it’s so different. You’re not only aware of each other’s vulnerability but you’re relishing in it.
Mando turns the water on. A warm, steady stream cascades over your bodies. Steam from the warm water quickly fills the air, blending with each other’s body heat. Within seconds, you’re both soaked and for the first time, you’re the one who leans in for a kiss. For the first time, you’re the one with the courage to plant your lips on his, to catch him off guard. Mando groans in his throat, catching the sound in your own and swallowing it. With your hands placed on either cheek, you think this might be the first time anyone’s actually held his face and Maker, how fucking lucky you are to be the one to do this. He’s opened himself up to you; something he’s never done with another soul. You might not know what his face looks like, but you’re able to make out enough of his features by touching them. The sharp cut of his jawline where you feel his stubble, his moustache has tickles and pricks at your skin whenever he kisses you. The curve and bump of his nose as it clashes against yours, it’s enough for you to paint a picture of what you think he looks like, and if he looks anything like what you’ve made up in your mind, it’s a damn shame that the helmet covers up something so breathtaking.
You lean down to plant a kiss on one of his pecks, feeling the goosebumps form right where your lips meet his skin. There are a million things you want to tell him: how much you care for him and Grogu, how much he’s changed your life, how thankful you are to have him by your side. All these things you’ll probably never be able to tell him because expressing how you feel about someone has always been something you struggled with.
Although, you get the feeling Mando is in the same boat. Like he too is carrying the very same confessions as you that he too is unable to express. Maybe you’ll never know how he truly feels about you, just like he might never know exactly how you feel about him, but sometimes, words aren’t necessary. It’s more about the way you lean on one another, the way you touch one another. It’s your own way of communicating. Expressing yourselves through each other’s actions—that’s what draws you together.
He deepens the kiss, wrapping his large arms around your waist and pulling you to him as close as he can. Sloshing your mouths together, darting each other’s tongues, lips saturated in each other’s spit, it’s the most chaotic, desperate kiss you’ve ever had. When you finally pull away, chests are heaving, you’re both practically panting into each other’s mouths.
Mando takes a small step forward, hooking his hands under your arms and lifting you off the ground. You lock your legs around his waist, feeling his rock-hard cock grind against your stomach and then, your back’s on the wall again. His large hands cup your ass, digging half-moons into your skin as he nips at your shoulder.
“Fuck me … please,” you pant in his ear. His cock twitches, feeling drops of precome paint your stomach.
He wastes no time obliging as one of his hands lets go of you to align himself with your entrance. You wait impatiently for him to fill you up.
His head pokes at your entrance and immediately you feel your pussy gush. Bucking your hips forward, you push his head inside you, a pathetic mewl escaping your lips.
“Impatient,” he scolds and thrusts himself inside you all the way to the hilt. “Fu-u-uck,” he grits, biting back a moan.
Your head drops down to rest on his shoulder, arms crossed around his neck. Mando doesn’t move at first, letting your walls acclimate to his size. When he feels you relax around him, he begins to slowly grind his hips against yours, making sure you feel every fucking inch of him inside you. Trying to stifle your moans, you bite down on his shoulder and he whimpers at the sensation, driving himself even deeper, hitting your cervix.
“Fuck!” You cry out, head lulling back to hit the wall behind you.
Mando begins properly moving, slamming into you at a fast pace. The sound of skin slapping skin is only exacerbated by the water still pouring down over your bodies.
“Ah s-shit… fuck, your pussy feels so fucking good,” Mando says through gritted teeth. You clench your legs around his waist and feel him grind his hips in response. “Kriff…”
He stills inside you for a moment, and you start to wonder if he came prematurely. When you open your mouth to say something, he answers the question before you can ask it.
“I didn’t come, don’t worry,” he mumbles breathlessly, and then he’s pulling out of you.
It’s stupid but you feel empty. You already miss the feeling of his cock stretching your walls, the way he fills you up so perfectly, like you were made to take him.
Your feet touch the ground, and you only have a moment to catch your breath before his lips are on yours. Tongues darting out to catch each other’s; it’s a wet, sloppy kiss, but with his hands cupping your face, hands that almost cover your face entirely, it nearly throws you for a loop.
He pulls away just far enough so you can still feel his breath on your lips, “I’m nowhere near done with you.”
Maker, you could feel your orgasm creeping up on you just from his words. Turning you around so that you’re facing the wall, you hear him spit and then his cock is teasing your entrance again. Rubbing his length between your folds a couple times, slathering it with your slick, he lines himself up and slams into you with as much force as he can, knocking the air right out of your lungs as your cheek clashes with the durasteel wall.
His hands find their way to your hair, and he grabs as much of it as he can and pulls, forcing you to arch your back and steady yourself by holding onto the wall in front of you. The rhythm he sets is so brutal and rough, the only thing you can hear are his balls slapping against your clit. Your throat is raw, unable to make a single sound. Wrenching your eyes shut, the way his cock hits that spot inside you is making you see stars. There’s something desperate in the way he’s fucking you. The day and a half without you seemed to have really taken its toll on him, and now he’s taking it out on you. You’d let him leave without a fight if it meant you’d get fucked like this whenever he came back. Feeling your slick drip down your thighs, you know you’re so close to coming.
“Ma-ando, I’m go-o-onna c-c-come.”
“Good girl,” he praises.
When you finally come, the cries burn your throat, raw and broken. Mando fucks you all the way through it, never once relenting his rhythm, pushing as many whimpers and screams out of you as he can. Your body nearly convulses from the sheer power of your climax, exploding pleasure from every nerve-ending inside of you. Maker, you’re fucking spent. Knees barely able to keep you standing, almost going limp as you come down from your orgasm.
“Come again for me, pretty girl,” he says gently, dropping one of his hands to spread your legs and cup your sex.
“I-I can’t,” you answer with a trembling voice, making a feeble attempt to close your legs.
“Yes, you can,” he hums, forcing your legs open and using two fingers to rub your clit.
You squirm underneath him, the overstimulation really hitting you as the rhythm on your bud gets faster and faster. Your cunt is fucking worn out, you’re barely able to take any more pleasure but you refuse to let Mando down. You want to make him proud. Taking a shaky breath, you attempt to relax your trembling thighs and within seconds you’re coming again, biting down on your bottom lip so hard, you’re sure you’ll end up breaking skin.
Mando makes a guttural noise, a purely animalistic groan as he feels you come around his cock. “Fuck, yes… good girl,” he growls with praise.
Grabbing your upper arms, he pulls you upright and flush against his chest, peppering wet, messy kisses along the nape of your neck. Your arm wraps around the back of his neck, pulling at his wet hair. His cock drives into you at a ruthless pace, and then he finally stills inside of you. Pulsing between your walls, he pumps his seed deep in your pussy, moaning your name into your ear.
When his hold on you slackens, you nearly double over and fall to the ground. He pulls out of you quickly and lifts you back up to your feet. Turning you around gingerly to face him, he leans you up against the wall.
“Are you okay? Did I hurt you?” He says with his hands on your face, a hint of guilt lingering on his lips.
You’re pretty sure your eyes are closed but you can’t be sure. Everything is so dark, your mind fuzzy. “No, ‘m okay,” you answer sheepishly.
“Are you sure?”
“I’m okay, Mando.”
Feeling his forehead press yours, he plants a chaste kiss on your lips. If you had any energy left, you’d kiss him back but you’re teetering the line between consciousness and unconsciousness, too fucking exhausted to move any of your muscles.
After that, your mind goes… fuzzy.
It hits you in flashes.
You vaguely remember Mando cleaning you both up.
The water turning off.
Being guided out of the fresher.
Something being wrapped around your body—soft and warm, his cape probably.
Him slowly putting you down on the floor…
Someone warm close to you.
And then you fall asleep, the last thing you remember is feeling calloused fingertips grazing up and down your back.
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maddogofshimano · 3 years
Text
Tachibana Real Estate is a Good Company?
Minor Yakuza 0 Spoilers
Here’s a real quick little one, scratcher events are pretty straight forward since they always need to have some excuse for the scratchers, but it’s Y0 Kiryu and Oda!
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Oda didn’t actually have a card till now, and this is the second full Y0 event. I have no idea why you get Patriarch Daigo as a reward, but I have a bunch of him now. My translation’s probably a little sloppier on this one than usual, but I don’t think I got anything too egregiously wrong.
Summary: Oda brings Kiryu along on a job to help him make up his mind on if he wants to work with Tachibana or not. A ramen shop with incredible food has hardly any customers thanks to yakuza interference, and they’re going to change that
1988, Kiryu is meeting up with Oda and getting a run down on the empty lot situation. The talk sprite for Kiryu really makes me laugh because it always looks like he’s aggressively not making eye contact or refusing to even face who he’s talking to
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They’re doing a job in the champion district, Oda makes a dig at Kiryu being a Dojima Boy, Kiryu snaps back that he’s ex yakuza, thank you. Kiryu asks what exactly they’re doing here, Oda says this place has always had the best ramen in town but it’s been struggling. 
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Kiryu wonders if he’s just here to do a taste test, Oda says that if that were the case he could have done this solo, but he figured he’d treat Kiryu to some ramen too. Kiryu says he didn’t seem like the type, Oda calls him cute.
They get their ramen, Oda comments that the shop is pretty dingy so it’s not the place Kiryu would have gone on his own, right? Kiryu responds that appearances don’t really bother him as long as the foods good. He tries the ramen and...... it’s amazing! He wonders why the place is empty if it’s so good.
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The owner, revealing that he’s been hearing all of this and embarrassing Kiryu, says that with how things are, he's really in the red. Oda offers to buy the land, and the owner agrees that now seems like the right time. Outside Oda has Kiryu speculate on why there's no customers. It's obviously not the flavor, and the bowls only cost 100 yen. Kiryu wonders how it could possible be empty, there must be foul play. Oda agrees, a yakuza family has been eyeing the land and there's a copy cat store now stealing customers. Oda wants to protect the champion district, so he's going to hold a scratcher event to get customers back. Kiryu's surprised that Tachibana would stick his neck out for a no name ramen place like this, but Oda says that it's just good management strategy. Kiryu asks if Tachibana told Oda all this directly, he says of course, and Kiryu wants to know Oda's personal opinion on if they should get involved. Oda says that normally he'd suggest just smashing the place and putting a brothel in instead, but he really likes the ramen--he eats there twice a week. Kiryu goes in to tell the manager that they'll be running the event tomorrow. He's a little worried it won't be enough to save the place, but Kiryu assures him. Unfortunately right after he leaves the patriarch from that yakuza family that's been pressuring him shows up and starts smashing the store up, and steal all the scratchers. Kiryu and Oda show up the next day, the owner is in the hospital and with the scratchers gone Oda is going to call off the event. Kiryu declares he'll get the scratchers back, and the event will still happen. He plans on storming the yakuza family's office, and Oda says he's going with. They get there, the guy plays dumb, and a fight breaks out.
<EVENT HAPPENS>
Kiryu and Oda kicked the shit out of that whole family--they grovelled and gave back the scratchers. 
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Kiryu checks back in on the ramen shop (some days later?) and the event is going great, the place is packed, and the owner is all healed up. 
Kiryu relays this to Oda and is like "damn guess you guys aren't just money crazed jackasses after all". Oda's like "Pfft well, this is just business. We did this entirely to weaken the threat of the yakuza. Tachibana Real Estate always has it's eye on the long game", which Kiryu kind of laughs at, but doesn’t press it. Oda asks if he's made a decision and Kiryu says yeah, let's go meet Tachibana.
<END>
Bonus:
This is all his surprised face could make me think of I’m sorry
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in other news Lee is getting a board game AND a character story! so once I get through the 5 millions lines of kansai-ben translation look forward to spicy new Lee Lore
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our-wargame · 3 years
Text
when you say nothing at all
Summary: Dazai isn't called a genius for nothing. No one can self-sabotage better than he can.
Relationships: Dazai Osamu/Oda Sakunosuke (Bungou Stray Dogs) Characters: Dazai Osamu (Bungou Stray Dogs), Oda Sakunosuke (Bungou Stray Dogs), Minor Characters, Sakaguchi Ango (Bungou Stray Dogs) Rating: M (to be safe. In reality it’s T except for the swearing and references to sexual stuff but there’s no actual sexual content) Warnings: No Archive Warnings Apply Additional Tags: Dazai Osamu is a Mess (Bungou Stray Dogs), Developing Relationship, Trust Issues, Slice of Life, Friends With Benefits, Light Angst, Self-Worth Issues, References of Sexual Content, As in 0 sex happening, although not for lack of trying on Dazai's part, That's Also His Biggest Mistake, I HATE THAT TAG BUT THAT IS THE FIC, Dazai's pretty trash but his greatest accomplishment, was getting Odasaku to love him Word Count: 2500 Notes:
co-written with SwordintheThrone (they have some ridiculously good shit, check em out.).
can be read on ao3
reblogs are appreciated ty
---
It's a shame that he has commitment issues, Dazai muses to himself. Because Odasaku isn't just the best fuck of his life, Odasaku is good to him.
Too good to him.
That's most of the problem. Odasaku will look at him, expression so gentle, so brilliantly sweet and patient and trusting, as if he doesn't think Dazai will rip him apart at the first sign he sees that as necessary. (Still, sometimes Dazai can stand it. Sometimes he even gives into it and the peace that comes with it hurts like a hell he could learn to adore.)
Is this self-sabotage? He doesn't know. And he's still fucking trash for pushing the issue away and ignoring it as he sends Odasaku a text to ask him if he's still not busy tonight.
Odasaku replies within the hour. I'm not, he confirms. Can I come over?
Dazai tries not to laugh, self-deprecatingly amused rather than annoyed at Odasaku's attempt to save him face. He's not that proud, he really isn't. 
He imagines if Odasaku were here, he'd tell Dazai that it has nothing to do with that. That Odasaku really does just want to spend time with him, and that's why during their last encounter, Odasaku casually, lightly mentioned the fact that he was free for the next week. Should they want to do anything. 
It is self-sabotage, Dazai comes to decide. Because no matter what Odasaku's intents were, Odasaku is going to end up in Dazai's bed, because Dazai desires it. And then Dazai won't be able to fool himself into either deciding the reason for this outcome is because Odasaku thinks Dazai knows himself well enough to make the right decision, or that Odasaku wants to give Dazai the choice to make bad ones.
Both options are better than thinking Odasaku just wants to fuck him. If he minded, which he doesn't, it'd be his own fault too. Everyone knows that you start texts with can we talk and not are you busy unless you want to bang.
Dazai closes his eyes, already tired of himself, even without having to pretend around Odasaku. He thinks about calling it off but that's rude and it'd make him look weak and it's all a lot more troublesome than going through with what he has so far. It's freezing but somehow, the heater is the one thing he doesn't have the energy to bother with as heg gets off his ass to fix up the apartment. He turns the TV on, keeps the volume nice and low on that channel that only replays old movies. Neither of them are wine people but that's what you're supposed to have for these kinds of occasions, aren't you? So he leaves a half empty bottle of sake on the coffee table. Lounges on the couch as he sips from his glass.
How classy is he.
A knock at the door. Odasaku knows it's already open and only does it to alert Dazai. But he still waits outside until Dazai calls, "Come in." It's so unnecessarily considerate of him, Dazai shivers. And hates Odasaku a little bit, even as he thinks about pushing Odasaku against the door and kissing the gentleman right out of him.
"Hey," Odasaku says as he closes the door behind him gently. He smells like takeout. Looks as rugged and handsome as ever. Dazai wants him so badly.
He moves his eyes to the TV as he puts down his glass so he can refill it. His hands are shaking, fuck. "Day go okay?"
"Yeah." Dazai listens for the sound of fabric shifting, Odasaku hanging his coat up on the hat rack. Soft steps signal Odasaku having taken off his shoes and switched them for slippers, walking light out of habit so they don't clack against the tiled floor. "And yours?" 
Dazai's half-distracted with trying to remember the last time they had sex for fun instead of thinking he needed Oda's body to make his own shut up. "It went okay," he replies to Odasaku, and it's a miracle he doesn't add, 'it's about to get better, I think.'
That would just be tacky.
He shifts on the couch, still a little chilly, but trying to signal Odasaku should come closer. 
"I brought you curry. And soup in case it's too spicy. Can I put it in the microwave?" 
Dazai blinks. His mouth starts curving up. "Odasaku, has anyone told you you're too polite."
"You probably haven't eaten." Odasaku easily ignores his teasing jab, placing the takeout on the kitchen counter but not quite walking behind it. "It's crab soup."
He hasn't eaten and yeah, he's a little hungry, and of course Odasaku knows all of this and brought him his favorite. But he doesn't like to eat before sex. It just makes him feel bloated and a little repulsed by himself.
Crab doesn't go with sake, he could try, only it does. He could try 'not in the mood for curry or crab', only Odasaku will probably ask him if it's okay to take a look at his fridge and make him something.
"I'm not hungry." He sips at his glass again. Isn't alcohol supposed to make you feel warmer? "Can I have a kiss?" He wants Oda's tongue burning up his mouth, wants Oda pinning him down and chasing the darkness out of him. It's a stupid thought. He humors it and waits for a reaction from underneath his lashes.
Odasaku's surprise is practically audible in the silence. Dazai starts to move over so the length of his gangly body stretches across the couch, then puts his elbows on the armrest and props his head up to watch Odasaku. Please?
Odasaku closes in slowly, but Dazai finds himself holding his breath, nervous anyways. He can feel his heart in his throat, feels it pulse when Odasaku bends down, warm hand sliding up Dazai's face, cupping his chin. Dazai tilts it up as his eyes fall closed.
And then his breath catches, when Odasaku kisses his forehead instead.
He blinks and Odasaku's already straightening. Retreating to give Dazai space.
"Odasaku...." That's not what he wanted, but-
Odasaku prods his elbow and Dazai takes the cue, pulling his limbs back and sitting up straight. Odasaku takes a seat besides him, their shoulders a couple of inches from touching. Looks at the TV as he says, "Can I hold you for a bit?"
He has to think about this one. Says, "okay," even as he thinks about how he doesn't really want to be touched, at least not if it isn't Odasaku pushing Dazai onto his back.
Odasaku shifts his weight forwards so he's sitting on the edge of the couch and able to comfortably reach for the coffee table. He pushes Dazai's  glass inwards- farther from Dazai- and then picks up the remote. When he readjusts his sitting position again, he's still sitting a few meaningful inches away from Dazai. And now he's left his arm stretching over the top of the couch.
It's such a date move, except it's them. Odasaku is doing this for Dazai.
He hates Odasaku a little more in the moment. He hates feeling inconvenient, because it's a reminder he cares about what Odasaku thinks. The desperation of his attachment- he's so fucking weak, it's pathetic. God, he disgusts himself. 
"Are you getting enough sleep?" Odasaku asks. Dazai is still leaning away from his arm, but he's not breathing as hard and so he supposes, this is good.
"No." He hasn't. Before they started their arrangement, Dazai would have answered that with a smirk, an 'is Odasaku coming on to me or am I still daydreaming?' 
The stunt actors throwing themselves across the TV screen are alright. If this were also back then, Dazai would poke Odasaku, tease and bet that he could do it better. Oda would consider it in his seriousness and Ango would scold them both into the next year. Everything's different now and he's not sure if he likes it or loathes it, even though having to ask himself which one it is, is pretty determining. 
Five minutes is how long it takes for him to finally calm down, enough to shift and holds himself against Odasaku's side. Odasaku radiates warmth. The rise and fall of his chest is steady. Dazai tries to ignore it. His neck prickles.
Some more minutes trickle by before Odasaku murmurs, "Can I take you to bed?"
"No," Dazai blurts out immediately, because he understands what Oda is saying, but the answer is no because it'd stress him out, be even worse than the little fiasco going on right now. He'd have to try and force himself to sleep around someone who should be a source of comfort and failing that would just be gloriously useless of him-
"Okay." Odasaku says, gentle. "No worries." A pause. "Would it help to invite Ango over?"
Dazai breathes. It would. He can put on a front if it's for people, if it's for friends. It's harder to put on a show if it's for individual people; he has to make sure their gears mesh together but they're so damn complicated. Odasaku more so, than most. 
"We should drag him out of the house a little more."
Dazai opens his mouth. It's not you, he wants to say, urgent, needy for someone else to know what he does. Odasaku, you're not the one making me uncomfortable, it's me.
"Maybe you can teach us how to make hot pot?" 
Dazai wants to yell. Fall apart out loud for a change. They're monsters, not shadow puppets on the wall, and they don't go away when the sun comes up or what their parents say it's bedtime, for real this time. Oda's trying too hard, and it aggravates him. 
Odasaku can't wrap his arms around him and make him okay. That's never going to be him. He's afraid that Odasaku still doesn't know that, and he doesn't know what Odasaku will do when he really, really understands this. Even if Odasaku doesn't leave, Dazai can't stand the thought of Odasaku suddenly thinking less of him. It'll be just like losing him.
"Dazai?"
He shakes himself out of it. "Yeah. Call him." He pauses. "Can I have the crab soup after all?" He's still not completely ready to hug it out with the idea of eating, but it'll give him something to do.
Oda rises. Dazai stares at the grace, the strength in the lovely curve of his back. He feels cold all over again.
Oda glances over and holds his hand out. Dazai stares at it for a second before he lets Oda lead them away, carrying the two empty glasses with him in his free hand. Dazai pulls away to work on transferring the takeout into bowls to send them off to the microwave while Oda runs the glasses under tap water, swishing the residue round and round before drinking it down and then washing them clean.
The smell of reheated curry overpowers the room. Oda watches Dazai drop into a chair and then watches Dazai plop spoonfuls of curry rice into his soup, stirring this way and that.
"Did you know," Odasaku says, and Dazai looks up at him. "You have happy-cat face."
Dazai sputters. "I'm sorry, I have what?"
"Happy-cat face."
"Odasaku," He purses his lips, but he can't stop his shoulders from shaking. "Odasaku, that's not a thing."
Odasaku keeps his gaze, the slightest rise of his eyebrow explaining yes it is because you have it.
"You're so silly. Did you know that?"
Odasaku hums. When he dials Ango, he places his phone on the dinner table. Dazai's eyes gleam as he shouts like he's from the next city over.
"Oh my god," Ango's voice is very grumbly. "Odasaku-san, please remove me, I think he broke my ear."
Oda turns off loudspeaker and brings the phone against his ear. "So when are you coming over?"
"Ugh, give a man twenty-minutes. I still have work to do."
Dazai throws himself into Oda's side, squashing his face against Oda's other cheek as he chirps, "Tell him all work and no play makes Ango grouchy. And that he has old-man energy."
"Tell Dazai-kun, I think his Brat Card should have an expiration date."
"Tell Ango, there isn't an expiration date on fun~"
"Tell Dazai-kun-"
Oda disentangles himself from his executive, passing him the phone and letting them go at it. Dazai sits back down, adjusting himself so he can bring his knees up to his chest and leave his feet on the chair seat. Even as he chatters away, he keeps his eyes on Oda, who moves to wash out the takeout containers. He reuses everything because he's an environmental dork. Dazai would be more of one if he wasn't interested in dying before the planet. Still, watching Oda so patient, quietly determined to withstand the overpowering...it makes Dazai soften.
"Hey, is Odasaku-san still there?"
"Nope." Dazai says, popping the p. "Odasaku is busy. Being perfect."
"Yeah, yeah. Why don't you two just get married already? Make it official and everything."
He doesn't recover as quickly as he'd have liked. "Ango, weddings are not good places to pick-up women. They're all crazy. And non-sober. And crazy. We'll find you your little lady elsewhere, don't you worry." He watches Odasaku shake off the excess water into the sink, wiping the counter dry and putting the containers to the side. Then he dries his hands, he drifts over to the living room and picks up the remote.
"Ha. Not that I wouldn't reject your delightful request to be your best-man, but are two groomsmen allowed to be each other's best man? I think so." 
"Has anyone ever tell you not to drink on the job, Ango?"
"Speaking of which, you'll have alcohol waiting for me, right? I had to train a new accountant today. If it was there, you would have fainted from the painfulness."
"Delightful. So. How much longer?" He'd really like for there to be someone other than Odasaku around him.
"That depends. I don't want to walk in on you two fucking."
Dazai sighs into the receiver. "It's not my fault. Odasaku has a really nice dick."
He can practically hear Ango roll his eyes. "Don't expect me anytime soon then."
"So. Fifteen minutes?"
"Yeah, alright. See you dumbasses then."
There's no immediate beep! Ango is waiting, letting him end the call. Dazai shakes his head. His friends are really something.
Odasaku keeps flicking through the TV channels, only looking up when Dazai leans over the couch from behind, gently resting his chin on the top of Odasaku's head.
"Hi."
"Odasaku's hair is really soft."
"Thank you."
"Odasaku smells very nice. Like mango-watermelon. And curry."
"Thank you." Oda sits very still so he can hand Dazai the remote without jolting him. "What do you want to watch?" 
Dazai breathes. In, out. "Anything is fine."
21 notes · View notes
opbackgrounds · 4 years
Note
Oooh can you do a post on the tenryubito?
So I feel like this is going to be an unpopular opinion, but I pity the Celestial Dragons. 
That isn’t to say that they aren’t all (mostly) abhorrently evil megalomaniacs with  an institutionally enforced god complex who treat the torture of human(oids) with the same blasé disregard as a kid pulling the wings off of a fly, but there’s a part of me that just finds them pathetic. The Celesital Dragons are a group of people who have the world as their silver platter, yet are so small-minded and infantile they literally trap themselves in a tiny bubbles because they’re too scared to breathe the same air as the so-called lesser races.
There was a time when I didn’t think much of the Celestial Dragons because I thought that Oda’s exaggerated storytelling had gone one step too far. They were too cartoonishly evil to be believable—nothing but a bunch of mustache-twirling villains too ridiculous to be taken seriously—and though I found Luffy punching one in the face very cathartic I wasn’t terribly invested in the World Nobility as a worldbuilding element. 
But if there’s something I’ve realized as I’ve gotten older, it’s that there is a depressingly-large number of cartoonishly evil people who through no merit of their own find themselves wielding enormous amounts of power, and the Celestial Dragons are more realistic than I ever thought possible. 
The Dragons are One Piece’s exploration of the idea that power corrupts, and absolute power corrupts absolutely. Eight hundred years is a ridiculously long time to be in control of a single territory, let alone an organization as massive as the World Government. To put it in perspective a little, eight hundred years ago was when the Magna Carta was signed. Even real-world dynasties tend to have major fluctuations in power over the course of generations, but It seems that the World Government—and by extension the Celestial Dragons—have for eight centuries kept an iron hold over what they consider theirs. 
Which just happens to be everything. 
The actual origins of the CD tie into series lore and will probably play a big part in Robin learning about the True History, but I fall in the camp that believes that they originated on the moon because 1) they’re the Celestial Dragons 2) there’s gotta be some significance to Enel’s cover story, and 3) Oda clearly modeled their hairstyles and clothing off of the King and Queen of the Moon from the movie The Adventures of Baron Muchausen
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Which, if true, makes them a foreign imperialistic force that used military might and a totalitarian regime that specializes in censorship and terror in order to turn the One Piece world into a giant colony while presenting itself as an egalitarian, unifying coalition where no single ruler is fit to sit on the Empty Throne. 
And to think, there are some people who don’t think One Piece is political.
What’s really fascinating is that most of the rank and file Celestial Dragons don’t seem to realize their own history. Their traditional enemy has become a bedtime story used to scare children, and they’re too preoccupied in their petty games and pleasures to even notice that they’re not really the most powerful people in the world. It’s like their freedom to commit atrocities is the world’s worst example of bread and circuses, because as long as their attention is held by the shiny new slave or fixated on bringing in another tribute then they can’t use their immense power to actually do anything, and for the most part they’re too stupid to realize they’re being used. 
Granted, I’m doing a lot of guesswork here, but we don’t really know where Im and his giant pointy crown fits into all this, or how aware the average Celestial Dragon is of his existence. Is he a world noble? Are the Elder Stars? I personally don’t think the latter are, but is it possible that there’s an even more secret and exclusive group within one of the most secretive and exclusive groups on the planet? And what in the world does the straw hat locked in a freezer have to do with any of it? Was that the treasure Doflamingo used to blackmail the Celestial Dragons into submission, and if so, who did he parlay with during his negotiations? Because I can’t see idiots like Saint Charlos or Mysogard before his character development giving two shits about any of it. Was it CP0, and if so, how much do they understand about the man who sits on the Empty Throne?
What I’m trying to say here, is that there’s a whole lot we don’t know. 
What isn’t guesswork is how little the Celestial Dragons understand about the real world, and this is where I go back to feeling sorry for them. Even the best-intentioned noble we’ve seen so far (Homing) has no idea of what it is to be “human”. 
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This mansion is just...comfortable. It’s a downgrade. It’s how Homing thinks normal people live, and he thinks he can just plop his family out in the real world and live a quiet, normal life without blowback from a population that has suffered terribly at the Celestial Dragons hands. His ignorance and naivety, while well-intentioned, is staggering.
Because remember, slavery is technically illegal within the World Government.  Only criminals and people from nations not affiliated can be taken to auction. What initially seems like a kindness turns out to be sending pigs to the slaughter, because what nation wouldn’t react the way this one did once they found out the truth?
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Because what the WG (and by extension the CD) have done is punish nations who don’t kowtow to their power in order to fulfill the demand for slaves. Even the bit about criminals is terrifying when this is a world where for some it’s a crime to even be born, to say nothing about the Celestial Dragon’s refusal to obey their own laws if it means they can get what they want, when they want it. 
The whole Homing situation puts a different spin on Doflamingo’s speech during the Marineford War. People who have only known peace can’t understand those who have only known war, and that lack of understanding is what ultimately led to his undoing. 
That’s not to say that the Celestial Dragons are incapable of change on an individual level. One Piece is, ultimately, a very optimistic series, so while I was initially surprised that Saint Mysogard returned during the Reverie chapters as a good guy, upon later reflection it made sense with the points Oda was trying to make during the Fishman Island arc—that if different groups can try to understand one another, they can get along. 
But it took an extraordinary event in almost being killed by his own former slaves and an extraordinary diplomat in Queen Otohime to change the mind of one (1) Celestial Dragon, and it doesn’t look like Saint Mysogard has been able to bring anyone else around to his point of view in the 10 years since he realized he was, in fact, human. And when feel like you’re due everything because you’re a god, why would you want to lower yourself to the position of a lessor being?
 The Celestial Dragons are trained from birth to think of other human(oid) beings as less than animals, where sadism and torture aren’t only encouraged, but celebrated. The system has corrupted to the point where there’s no incentive to change and no oversight to prevent the abuse of power, and with the ability to call the admirals on anyone who pisses them off the average person has no hope of fighting back. It’s difficult to guess how noble the progenitors of the current Celestial Dragons were, but judging by what we know of the Void Century we can guess not very. At the same time, it’s hard to imagine them starting out as the mustache-twirling villains as we see in the current day. The only difference between the Nefertitis and the other kings was one man’s choice to stay with his people. In an alternate universe Vivi could have been a Celestial Dragon.
Now there’s an AU idea.
At the end of the day, the Celestial Dragons play an important role within the One Piece universe, but they are not, by themselves, important to Luffy. He hates their guts and enjoys punching them in the face, but he’s a pirate, not a Revolutionary. The future for One Piece is delightfully opaque, and it’s hard for me to see how the Natural Enemy of God ends up tearing the system to the ground. Will the Straw Hats end up going to space? I don’t know, but there are a lot of people who think it’s at least a possibility.
I personally find them at their most interesting when they’re playing the part of the outside influencer. The Celestial Dragons have only been the direct opponents to the Straw Hats a handful of times, but they’ve played a direct role in the lives of so many other characters—both heroic and villainous—that without them the series could not exist as it currently does. 
And that’s the power of good worldbuilding. I don’t need Luffy to face off against Im to be satisfied with the series. In fact, he was brought in so late that I’ll be a little disappointed if he ends up as the final boss fight. I’m okay with the Revolutionary Army storming Mariejois off-screen, because while those are important players and major chess pieces, that’s never been where Luffy’s focus has been. He’s the man who’s going to become the Pirate King, and until the Celestial Dragons somehow get in the way of that dream he’s not going to bother with them. This lack of focus allows the inherent darkness of the Celestial Dragons not to overshadow the more lighthearted, whimsical aspects of the series. They explore certain themes that are important to One Piece, but the story doesn’t dwell in the mire, and I think it’s all the stronger for it. . 
312 notes · View notes
infriga · 4 years
Note
Monkey D Luffy!
Sexuality Headcanon: Luffy is ace/aro as FUCK. Asexual icon.
Gender Headcanon: Luffy identifies as a guy and he definitely cares about being manly, but his ideas of being manly seem to be based less on him wanting to be a man and more on him just liking manly things because he thinks they’re cool. Aside from that he’s completely gender blind so I doubt he thinks or cares about it much.
A ship I have with said character: What ship DON’T I have with Luffy. He’s the kind of character who can be shipped with basically anyone because he has chemistry with most people. My favourite are probably SanLu, ZoLu, and KataLu, though I’m also fond of LawLu.
A BROTP I have with said character: My top ships are also my top Brotps, but I also love his friendship with Bon-chan, and his relationship with Tama is also really cute.
A NOTP I have with said character: Tama, his grandpa, Dadan, uh, there are so many characters in One Piece god, probably the really shitty villains like Spandam or St Charles because they don’t deserve him. I prefer his brothers as a brotherly relationship. Blackbeard. Oh Akainu for sure, Akainu doesn’t deserve to be loved at all. Most of the other characters are fair game tho.
A random headcanon: Luffy is secretly instinctively good at math but has a hard time articulating it out loud so most people don’t realize it. His culverin attacks in G4, especially as Snakeman, basically require a hefty calculating ability with angles and stuff to be as accurate as they are, and he was able to determine how many meals he missed in an instant when he woke up in Alabasta so canon supports this. He’s really good at judging distances and stuff in general too so it fits in my opinion. But he’s so dense most of the time about other stuff that no one would suspect it.
General Opinion over said character: I think Luffy is a more complex and interesting character than most people give him credit for. A lot of people mistake being a simple person with being a simple character, but there’s a reason why it’s so hard to get a good handle on his characterization when writing him. Part of it is that Oda almost never shows Luffy’s thought process, which leaves a lot of his actions up for interpretation. It also means we can’t really delve into how he thinks like we could for other main characters who tend to do a lot of thinking that the audience can see. Luffy does do a lot of thinking himself, but we don’t get to see it, we just get to see him pondering something before making a decision. He often seems to come to a quick conclusions which makes people think he doesn’t take much time to think, but too many of his decisions had to have been thought through beforehand so that means he does often put a lot of thought in to plenty of his decisions, even if it doesn’t seem like it. He's definitely a quick thinker, but he does think.
One arc that really showcases how Luffy isn’t just a singleminded idiot is Water 7. We get his reaction to finding out that Merry can’t be fixed, where he insists that they won’t ever leave someone behind, that they refuse to accept that her journey with them is over, but then the shipwrights counter that by telling him that he basically has to choose between the ship and his crew, because they won’t be making it to the next island if they keep sailing on Merry. And this obviously hit him hard. Later when we end up in the cabin with Usopp, Luffy has decided to buy a new ship. Usually Luffy makes choices based on what he wants, and does whatever he can to do it no matter the obstacle, but here he’s taking his role as captain seriously, and instead making a decision for the good of the crew, whether he wants it or not. This is where it gets really interesting to me. We the audience know he’s just as upset about leaving Merry behind as Usopp, but Usopp has been through a lot of shit in Water 7, and is blaming himself for losing the money they were going to use to repair Merry, so Luffy tries to put on a happy face to keep Usopp from feeling bad. This is very out of character behaviour for Luffy clearly, he’s never been the type to hide how he feels, but the decision itself makes sense in context. He’s not acting based on how he feels, he’s acting based on what he thinks is best for his crew. That moment, where he masks how he feels because he’s trying to do what’s right as captain based on what he thinks will help the crew and Usopp, is reflected again at the end of the post-Enies Lobby arc, when he wants so badly to let Usopp back on the ship, but he knows he can’t until Usopp apologizes, because he realizes that Zoro was right, crewmembers can’t be allowed to leave and rejoin the crew so easily without consequence if they show a lack of respect for Luffy’s decisions. So he stands there and sweats and is so obviously unhappy about it, but he waits anyways. These sorts of moments are the ones where I want to point at him and say “there’s more to him than just meat and punching things!” We see another good moment at the end of the WCI arc, when Jinbe asks Luffy to go on without him so he can stay and help his former crew. Luffy absolutely doesn’t want to leave Jinbe behind. They finally just got him to join their crew, they just spent the whole arc trying to rescue another crew member, and they’ve had friends die for that cause. The last thing they want to do is abandon Jinbe, leaving a crewmate behind is one of the things he would never be willing to do, but Luffy has to make a choice. He could order Jinbe not to go, but he respects Jinbe, and he doesn’t want to take that choice from him. Jinbe’s former crew is like family to him. But they can’t stay and help Jinbe either, because after everything they went through to get Sanji back it would be an insult to stay when the fishmen are putting themselves at risk to give the Strawhats a chance to escape. The best thing he can do is give Jinbe the order to survive and return. “Even if you die, don’t die.” aka “Don’t let even death stop you from coming back to us.” He tells Jinbe with all the authority of a true king that he is Jinbe’s captain now, and Jinbe is bound to obey his orders. There are so many other scenes I could point to for this topic but these ones are some of my favourites and if I went over all of them this would probably get way too long.
Yeah, basically it bothers me when people say Luffy doesn’t have any complexity as a character, he absolutely does, you just have to look for it. He’s not giving up all his intricacies easily, you have to work for them. I could talk all day about this topic but I’ll stop here for now lol.
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smokingtomas · 5 years
Note
I was asking for the couples that you already mentioned :)
Hi everyone! This lovely anon is actually referring to the previous ask on how our beloved ships’ children behave in school. On that note, I’m going to pick High School to fit the universe.
And can I just say that your ask is the reason why I decided to construct that whole next gen shenanigans? xD so thank you so much for being my motivation! I hope you enjoy this!
I’d love more headcanon requests to help me develop them better, if anyone’s interested ^^
Yukihira Soma - Nakiri Erina
Yukihira Jin:
Since Jin was in preschool, Erina has taught him that punctuality is important, so if he’s spotted sitting in front of the class exactly 15 minutes before class, don’t be surprised.
Besides the God Tongue, Jin was also born with his mom’s intelligence. No matter how badly he got distracted in class (Especially when Kana is sitting next to him), his right ear is secretly doing all the listening.
Polar Star Dorm member. Hangs out with the people regularly since they’re roommates, but doesn’t bother with their online shop business.
LIVES for Shokugekis. Either it is his own (which he would kill in), or people’s. Naturally curious and will absorb any new knowledge like a sponge.
Bad boy charm got all the girls (and ahem, a certain boy) to the yard, but only craves attention from the girl he’s been cooking for, though he tries not to seem aggressive to get it.
Would spot her from afar and run right next to her before saying something like, “Oh, Hayama-san! Funny how we keep running into each other. Signing up for Moon Festival too?”
Hayama Akira - Arato Hisako
Hayama Kana
Never leave home without a bag of pet treats in her bag. Kana loves going to the school garden and spend some alone time with animals she may find.
Is a founder of the brand new Vegetarian RS. Besides promoting the benefits of vegetarian and vegan food, they also grow an array of rare plants and edible flowers on their greenhouse and do research of those.
Kana always tries to stay out everybody’s narrative and hates drama, but she feels like it always has a way to find her. Also is oblivious that two most attractive guys in school are into her and doesn’t believe Sora Aldini when she tells her that.
Jin’s bad boy charm doesn’t appeal to her, thus causing her to have a hard time trusting the guy. “Oh, hello, Yukihira-kun. It’s good to see you again, but you caught me at a bad time. I’ll talk to you again soon. Sounds good?”
Thought Julius hates her because even though she smiles at him from time to time, he refuses to meet her in the eye, let alone sitting next to her in class when it’s the only one that’s vacant.
Takumi Aldini - Tadokoro Megumi
Julius Aldini:
Jin’s brother from another mother, advisor, and sparring partner to see each other on top. Sometimes Julius considers Jin more of his sibling than Marco, his own twin brother.
Knows about Jin’s crush on Kana, which is also his’, but doesn’t let him know and let him do his thing. Jin even thinks he’s the gay twin since he never talks about the girl he likes.
When not cooking, Julius can be found at the library. Loves to read anything whether it’s fiction or nonfiction. Joined a Totsuki Book Club.
Girls go crazy that one day he pulled up his hair into a half man bun, he didn’t know what the fuss was all about since it was just Marco wanting to do his hair. Awkwardly agreed every time a girl wants a selfie.
Regularly plays tennis with Marco to stay in shape. Julius is the better tennis player and Marco is not having it.
Marco Aldini:
Since he was born as an overachiever, he really cares about his grades, his cooking skill, and Italian Cuisine RS he’s leading.
Still in the closet, but it’s pretty obvious to people with strong senses though.
Wears sunglasses outdoor. Wears sunglasses indoor. Wears sunglasses when he reads. Wears it in the shower. Takes it off when he cooks. If people stares, has that deal-with-it attitude.
“JuSt wAtCh YoUR BaCK yUkIhIrA!! I aM CoMiNg fOr YoU!!!” *fades into the distance*
Nakiri Alicia’s BFF. One of the people he can comfortably be himself with. They call each other ‘bitch’, goes shopping together, and gives fashion advice for each other (but still won’t confess his attraction to her hot cousin Jin).
Valeria Aldini:
The youngest member of Polar Star Dorm.
Her way of thinking is straightforward and simple. Good at public speaking. That’s why every single one of her friends wants her in a group project.
Have tried every local and international fast food places in town (yes, she spends her allowance on it). Valeria likes to analyze everything that’s right and wrong with the food which drives her to her goal: to make the best burger ever.
Once punched Yukihira Jin’s nose for trying to trick her into eating his ‘creation’. “If you think I’m eating that shit because I’m Jul’s sister, you are seriously messing with the wrong girl, pal.”
Claims that Julius is her favorite brother, but her attitude is mostly influenced by Marco’s mouth.
Nakiri Alice - Kurokiba Ryo
Nakiri Alicia:
Being the queen bee of Totsuki herself, Alicia has two loyal minions who follow her everywhere… except when she tells them not to.
Walks the hallway like she owns the school (well, her family technically does). The girl knows she’s hot. One hair flip (inspired by Aunty Erina) is all it takes to get her the attention.
Molecular gastronomy princess, social media queen, part-time model. A portion of it could be caused by Alice who had started to expose her to that world by creating a baby Instagram account @babyalicia, which she still uses to this day (the username is now @queenalicia).
“I’ll show you a good time.” Is her line before starting a Shokugeki while putting on her goggles.
May look like your typical self-centered brat, but actually cares a lot for her sister, Athena. Every time she goes shopping, she would buy Athena clothes or accessories that would suit her (plus, she knows her taste and size).
Kurokiba Athena:
Like Alicia, Alice also made her a baby Instagram account @babyathena, but as she grew up, she realized social media isn’t her thing, so she’s no longer using it (but did change the username to @kurokibathena17).
Compared to her big sister, there’s not much social life going on at school for her. If not hanging out with Ibusaki Abel or Alicia, she prefers sitting under the tree with her headphones on, blasting Iron Maiden out.
Sometimes catching herself stalking her self-appointed rival, Kana. Athena knows when she’s been experimenting, and she tries to be one step ahead of her with charcoal as her weapon.
In that iconic, 6-hour long Shokugeki between Athena and Kana, she won it after a hard fought battle on a ramen challenge with her wildcard that surprised everyone– seafood.
When she’s not cooking, she’s drawing, and quite well too. The rose bouquet neck tattoo Alicia has is her design.
Tsukasa Eishi - Kobayashi Rindou
Tsukasa Oda:
Being one of the Elite Ten members, Oda gets instant attention everywhere he goes without even trying, and he’s not sure if he’s into it.
Once modeled for Swatch alongside Alicia, and when their pictures were on Totsuki magazine that caused people to go frenzy that day, unlike Alicia who’s loving it, Oda chose not to attend school for 3 days.
Since he’s linked with Kuga and has considered him his mentor, he is an honorary member of Chinese Cuisine RS.
When Moon Festival comes, he always books one stall to showcase his pretty dim sum and his creative talent by doing a demonstration in front of everyone (Rindou’s suggestion as a part of his risk-taking challenge).
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nakahara-angie · 5 years
Text
Character cheat sheet
Alright so today I decided to rewatch bungou stray dogs cuz my writing is really lacking when it comes the all the characters. It feels like they’re more often than not out of character. So I wrote down notes on how they behave (and a lot of stray comments) and thought I’d share them in hopes that it might help someone else. Getting all these characters right is really hard after all. So, enjoy! And feel free to add/comment if you want to change something!
Here goes! Part 1/2 The Agency
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Atsushi
- very loud
- Lots of exclamation marks!
- Always looks worried, probably is as well
- Assume a lot
- There’s just so much panic in that small body
- Stutters
- Says stupid things to get out of something
- Not confident enough in his abilities
- Puts others above himself
- He needs to actually want to hurt someone or he doesn’t know how to fight
- Good instincts when it comes to fighting as well
- If this boy couldn’t regenerate he’d be dead by now
- Fighting spirit is much fueled by rage
- This naive little thing, stop believing everything people say
- Easily scared
- Jesus he’s gullible, stop listening to Dazai
- His will to protect others is admirable
- He can transform fully he just rarely does it
- Always sees good in people
- He is so done with everyone
- Uses San for almost everyone (as he should)
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Dazai
- Usually answer questions with questions
- Doesn’t correct assumptions
- Doesn’t make them himself
- Neutral/bored facial expression unless he’s teasing someone
- He actually is serious sometimes, actually pretty often
- Watashi
- Does go for some pretty long monologues when he explains things
- Actually listens to kunikidas orders
- Pain does in fact not bother him
- Watch him punch someone with a cheesy line
- He likes to tell the criminal how he figured it out or where they made a mistake
- Hands in pockets, always
- He shows surprise in his eyes
- Very mean when he has to, Akutagawa for example (see: my new subordinate is much better than you)
- Says Chuuya a lot, well people’s names in general
- All this pickpocketing
- I mean he can actually fight
- Also this jumping up from a laying position
- We already know he’s smart but Jesus, how do you write a character that’s smarter than yourself?
- He just sitting against the wall in a 90 degree angle so Chuuya can reach him, cute
- Does in fact not know everything, he does research to find what he needs
- He tells Oda about missions at lupin, lupin really must be mafia owned?
- “The biggest misfortune of Dazai’s enemies is that they are Dazai’s enemy”
- He did still joke a lot in the mafia, same lightheartedness as now.
- Does Dazai know it’s gonna end badly with oda? He wanted to take a picture to remember
- Uses a lot of fancy words even when young
- Carries a lock pick
- He guesses a lot and says he knew
- Dont feed him spicy food
- Fuzz up? I mean I know he curses in the manga but really?
- Basically never uses San (did he with Mori? Yes he does) Ane-San doesn’t count
- I’m happy that the mafia members are still scared of him, they know how ruthless he can be
- Does he have feelings?
- He really doesn’t predict everything, he’s just good at adapting
- He likes slapping people, you backhand that bitch, go dazai!
- Very flippant when he does something to help
- Red eeeeyeeees
- There’s no exceptions to his ability
- I wonder if he dislikes celebrations
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Kunikida
- gets angry easily
- Trusts Dazai when there’s need
- Much smarter than I give him credit for
- Super strong
- Acts on his feelings all the time
- Just.. ideals. I hadn’t realized how often he mentions them
- Very straightforward, he doesn’t say things in the nicest ways
- Shows his feelings on his face
- Calculating
- He’s proud of the younger ones but don’t show it
- Likes calling people idiots
- Can be really dense when it comes to normal things, as in not detective related shit
- Please stop listening to Dazai’s bullshit
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*
Kyouka
- serious
- So small and innocently cute
- Looks very cut off from reality, at least in the beginning
- She’s an assassin
- Seems like she just wants to try normal child things all the time, crepes for example.
- Maybe she missed out on growing up (like most others did)
- She’s killed 35 people
- The mafia scares her
- Is she scared of her ability? At least in the beginning
- She basically does anything others tell her
- So scared
- Doesn’t understand how normal people behave, just does as she’s learnt
- Strong independent woman (or 14 y/o)
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Yosano
- sadist
- Always ask if someone’s hurt and gets disappointed when they’re not
- Very nicely threatens people with dismemberment if they’re being a bitch
- Give them hell
- Doesn’t take anyone’s bullshit, if they’re wrong they’ll know
- Yes use that motor saw hon
- She relies on her ability a lot when she fights, though I’m sure she’s a good fighter nevertheless
- Threatens random people who are being unreasonable
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Ranpo
- very bored, always
- Does question the president when something is wrong
- He talks more than I actually thought, and it’s not always smart things, usually just rubbish
- Candy
- Very hyped when he gets to have fun
- And teaching Kyouka about candy yes
- “War is so boring” I agree Ranpo-San
- Doesn’t actually figure everything out at first glance, sometimes he asks or need clues
- Seems like he can figure people out in one glance though
- He does stupid things when he isn’t wearing his glasses, it’s a trap dear Ranpo
- Really he’s an idiot without them
- He believes in the glasses thing
- The president is the one who made his ability, sort of
- So he isn’t actually stupid without.. more like he believes he is
- The agency was created because of him
- “I’d look stupid if I turned out to be normal now” so he basically does know
*
*
The Tanizakis
- she follows him everywhere
- His ability is so useful why don’t I ever write him?
- This sisterly love is... special
- He cares for her as much as she for him
- She shows everything on her face
- But she is very brave
- He is as well
- The brother is as old as Atsushi
- He worries most when she’s in danger
- “For Naomi I’d gladly burn the world”
- Well he can fly a plane
*
*
President
- cares about everyone in the agency
- Appears out of nowhere
- My dude’s got a boat, probably have more than one safe house as well. Oh and a car. Imagine them owning a plane/helicopter. Note: they do in fact own a fighter plane
- Always knows what’s going on somehow
- Very fair in giving everyone a chance
- Looks pretty cold hearted
- Bet he’s got a thing for saving children as well (Odasaku would do great in the agency with him)
- Takes no bs
- How did Natsume get the permit for them?
- Op fighter, better than kunikida
- Puts it on others to explain plans
*
*
Kenji
- he says such horrible things in such a nice way. (The person would be tied up and thrown off a cliff~)
- Really not aware how the world works
- Happy go lucky
- Doesn’t look at death with any feelings unlike Atsushi
- Knows everyone
- Doesn’t judge anyone based on looks or so
- How are people scared of him
- These people would do anything for him what
- Let’s smile and wave around a pole, it’ll only scare the living shit out of everyone
- Straight forward
- Takes everything at face value
- “If you are sincere you can communicate with people”
- He could take a few hits yes
- Many cows as well
- Lots of mentions of “back home things work this way”
- He actually goes to sleep after eating, thought he only lost his strength
- City folk really are amazing
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eirist · 5 years
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Points of No Return
SCRIBBLE #2 : MYTH DEBUNKED
Disclaimer: One Piece (and its characters) belongs to Eiichiro Oda-sensei.
Reminder: I have no beta-reader. Any grammatical and spelling errors are solely mine.
Warning: OOC possible. One shot scribble.
Rating: T
Note: Somehow, I had fun writing this.
Summary: A kiss won’t make your heart skip or stop.
“Ok get this,” Usopp suddenly spoke slapping a hand on top of the book that he was reading. “Did you know that when you sneeze your heart actually stops?”
Nami stopped trimming her mikan trees and glanced at him with a skeptic look. “Don’t you think it’s more like it skips a beat?”
“Nuh-uh.”
“So it’s like you die when you sneeze?”
“Uh…”
“Well…” Chopper decided to join the conversation. He stopped grinding the herbs for the medicine he was making.  “That’s a misconception. The heart doesn’t actually stop or skip a beat. What happens is –”
“Wait! Hold up!” Usopp raised a hand to stop him. “None of that medical stuff that I can’t really wrap around my head.”
“Eh? But—”
A loud yawn interrupted them and they shifted their gazes to where their swordsman was lounging under the shade of Nami’s trees. “Sneezing are for wusses,” Zoro lazily announced before yawning again.
“Nobody asked you!” Nami scowled and kicked his leg.
“Sneezing means sick Nami,” Zoro scoffed at her. “Only wusses gets sick.”
“Sneezing is a normal body reflex Zoro,” Chopper’s voice cut through their conversation. “It doesn’t automatically mean that you are sick when you sneeze.” He inwardly sighed. Maybe he should really start making a medicine for idiots…
“So Robin’s story has no merit huh?” Usopp pursed his lips thoughtfully.
“What do you mean?” The doctor asked.
“Is that where this is coming from Usopp?” Nami was grinning like a Cheshire cat. “Robin’s tall tales of quixotism?”
“Oh you mean those romantic shits Usopp absolutely likes?” Zoro questioned with a smirk.
“Shut up! They’re sweet and you’re a brute!”                                            
“Hahahahaha!”
“I refused to be judged like I’m the only one who adores her stories! I can see all of you listening to it!”
“I don’t listen, I sleep.” Zoro corrected him. “I have no interest in those kind of stories.”
“You have 206 bones in your body and not one of them is romantic?” Usopp muttered sarcastically. “Gee, what did you do to deserve that?”
“Shut up!”
“So…” Chopper looked thoughtful. “What does sneezing have to do with Robin’s story?”
“Usopp is trying to find out the possible moments that can make the heart stop or skip a beat.” Nami explained, stepping over Zoro’s leg as he frowned at her.
“Oh, I see.” Chopper tilted his head slightly. “Are you referring to story she told us last night? About the two adventurers who fell in love?”
“That.”
“Hnn… So Robin finally ran out of creepy tales to tell?” Zoro snickered.
“Not really. It’s just for variety’s sake she says,” Nami answered. “Well the thing is Usopp seems to be hooked with the kissing scene.”
“I’m not!” Usopp slapped a hand on his knee. “I’m just curious! Are you not? Are you even listening to her stories?”
“I don’t even know why I’m listening to all of this,” Zoro sighed. He definitely chose the wrong place to nap.
“The hero and heroine of the story kissed and their hearts stopped and skipped a beat. Heck, even the whole world stops while they are doing it!”
“And you are bothered because…?” Nami prompted.
“Not bothered. Curious!”
“About?”
“He is curious if a kiss can really have that effect.” Zoro was grinning wickedly at him.
Usopp turned red at that.
“Oh,” Chopper blushed when he realized where they are getting at.
“Usopp,” Nami intoned. “You are way over your head.”
“That’s more of an idiom than anything else Usopp,” Chopper explained. “There is no way it’s medically possible for a heart to skip a beat. Stop, yes. But that’ll only happen when you are dead.”
“Way to debunk it Chopper,” Usopp said sullenly.
“Well maybe you’ll just have to wait and find out for yourself Usopp,” Nami winked at him. “You know try to kiss a girl or something?”
This time Usopp turned a deeper shade of red.  “I… I… don’t…”
“That’s stupid Usopp,” Zoro said with a huff. “A kiss won’t make your heart skip or stop.”
“So says the swordsman with no romantic bone in his body,” Nami rolled her eyes at Zoro. “Maybe we should give it a try?”
She suddenly leaned towards him and promptly kissed his lips.
Usopp and Chopper squeaked, gawked and blushed at the display.
Nami pulled away with a triumphant grin on her face. “But yeah you are right Zoro. No skip or stop.”
The swordsman was staring at her in shock, not moving at all.
Usopp cleared his throat. “I beg to differ. I think his heart stopped.”
“Kyaaah!” Chopper suddenly shouted. “Somebody call a doctor!”
The sniper eyed Nami warily.
“Debunked,” Nami mouthed cheekily at him.
Chopper was still shouting for a doctor and Zoro was still not moving.
“Quick Nami just zap him with lightning!”
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loofiedee · 5 years
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This is probably going to get long because I might go into some detail, but I also might have forgotten a few things or decided not to mention them. This isn’t going to be an exhaustive list of things Snaji has “done”, and has a lot of personal opinion.
Spoilers, Snaji negativity, and a little bit of crude language under the cut so be warned!
      Snaji was never on my list of favorites. He’s the kind of character that rubs me the wrong way, but despite that he was able to fluctuate between tolerable and lovable in his own way for most of the pre-timeskip part of the series.       I didn’t hate Snaji, he just wasn’t my favorite Strawhat and that was it.
      My biggest problem with him was always his creepy and invasive behavior towards women and the fact that he thinks he’s a gentleman when he’s not.       I think the biggest thing pre-timeskip is the fight with Creep Lion where what really gets Snaji to snap is not the fact that Creep Lion has put his entire crew through hell and was going to forcibly marry Nami, no. It was the fact that Creep Lion got the peeping tom devil fruit before he did.
      But even then, most of his screen time was spent on other things. He had things he did, he had wants and needs and a personality other than being horny.       But much like most of the female characters, his personality imploded in on itself and all that’s left now is tits.
      I will not be talking about parts of the writing that happen to have Snaji in them that I think were handled poorly (the entire wedding with Pudding, for example) but more on actions that specifically Snaji has carried out that make me dislike him/how he was written.
      A lot of this stuff is personal opinion and not things he has done objectively “wrong”, so to speak.       This isn’t me trying to shame anyone for liking him or me trying to tell anyone “your husbando is shit”. I like plenty of characters who other people dislike or find to be “bad characters”.           It’s just that you asked a question, and I want to answer it honestly!
The Fishman Island Arc
      We’re going to come back to something else that happened in this arc later, but we’re just going to start by going through a few of the things he’s done that really rub me the wrong way:
Just thinking about the mermaids gave him a nosebleed so bad that Chopper was concerned for his life. Chopper proceeded to tell him to AVOID the mermaids.
He went directly against Chopper’s orders and he he saw the mermaids he got a nosebleed so bad he needed a goddamn blood transfusion
During this blood transfusion he was given blood from two gay men/crossdressers and he went into a rage because he’d rather die than get blood from gay people. (which is Holy Shit levels of gross. I know Oda is Japanese, but this is still a really unfortunate choice given in the United States it’s still illegal for gay and bisexual men to give blood)
His horniness was repeatedly a major hindrance to the entire crew during this arc. It was different when it was a passing joke about how he gets all starry eyed because Nami and Robin are pretty.
His boner influenced the plot and created problems for the entire crew. This happens over and over again, and he never learns from or improves because of it.
Dresrossa Arc
Pretty minor drop in the bucket all things considered, but the entire thing with Viola. Not the fact that he wouldn’t fight her, but the fact that once again his boner put his life at risk.
I am aware that in the end through the power of Snaji being Snaji he managed to make Viola come to their side but overall just. HUFF.
** Side note I took a glance at the wiki bc I wanted to make sure I was getting things right and even the author of the wiki seems lowkey tired of Snaji ex machina [screenshot from Viola’s page on the One Piece Wikia] [”Somehow touched by these words, Viola decided to help S//anji”]
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“somehow” vfdnhjgbfdjh
Whole Cake Island Arc
A very minor one is Snaji’s instant willingness to marry Pudding and abandon the Strawhats and only rethinking it once things became dire.
More a personal gripe but Snaji didn’t develop. He didn’t change, he didn’t improve, nothing about him is different. He didn’t learn anything from Pudding, he didn’t become a better person. He was just made to suffer for an arc and then he was fine again and there’s no long term consequences to anything. Other characters who got similar arcs developed and changed. He didn’t.
The moment he wasn’t at risk anymore he was back to having exactly 1 (one) personality trait and that personality trait was being a pervert. And the entire thing just. Made me sad.
Generally,
He lost a lot of his interesting and sympathetic traits
It feels like he nolonger gives a shit about any of the other crew members except for the female ones. I miss his relationships with the other crew members a lot.
      I mentioned that we were going to come back to Fishman Island, and now’s the time. This part is purely personal and not necessarily something Snaji “did”, but I’ve been wanting to talk about it for a while and this gives me a reason.
      There’s one particular scene that gets to me more than any other and cemented how much I dislike Snaji. Compared to some other stuff it might seem unimportant but it really, really bothers me.
         At some point during the arc, Jinbei comes to Nami having heard of what Arlong did to her, her family, and her Island. And he comes to apologize and take responsibility both for what Arlong did and also for not preventing it, even though there’s really nothing Jinbei could have done.
Before Nami even got a chance to speak, without even asking her, without even looking at her, without even paying a single speck of attention to her reactions, Sa/nji jumps in.
      He jumps in and tells Jinbei to kill himself in atonement for what happened. He tells this man he doesn’t deserve forgiveness for a crime he didn’t commit, without even considering the person who was actually had to live through what Arlong did.
      He spoke over Nami, he spoke without a single concern for what she would want, he spoke over a victim and a survivor who actually has to live with the suffering these things caused.
      And not only that, but he did all of this after he showed no actual interest in hearing about what happened to Nami and her island. In the original Arlong arc when Nojiko is telling the Strawhats about what happened, about all that Nami has suffered through, when she finishes Sa/nji doesn’t even care.       He doesn’t actually care about what Nami went through because he was too busy thinking about how cute Nami would have been as a child.
      And then he feels the right to speak over her. He feels the right to speak for her, without considering her or her opinion on the matter, on whether or not she forgives Jinbei.
      He didn’t care what Nami thought, he just wanted to be a white knight.
      And when Nami tells him to stop? He tells her, the one who had to go through all of it, to think about what they did to her. As if she doesn’t know, as if she didn’t have to live it.
Nothing Sa/nji has ever done will ever piss me off as much as that did.
      What bothers me about Snaji is that he’s a creep who thinks he’s a gentleman, and who the narrative treats as a gentleman.
      Snaji is never really punished for his actions. You’re not supposed to think he’s a creep, you’re supposed to like him. You’re supposed to find it funny but charming when he objectifies women and treats them simultaneously as untouchable angels and helpless children who can’t do anything for themselves.
      What post-timeskip Snaji did is that he’s every single thing that made me dislike Snaji and almost nothing of what made him a character I could care about.
Once again, I want to say this isn’t an attack on anyone or saying it’s bad to like Snaji, I’m also not trying to say Snaji is the only character that has done bad things or things I dislike. I just wanted to explain why I didn’t care for him and what bothered me about how his character was handled post timeskip.
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kawakaorin-aho · 6 years
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So, I wanna talk about him
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[sighs] Ok, I'm doing this with no deep reasons, i think, but anyway, it's just about one of my favorite character from one of my favorite anime, Zoro from One Piece.
(And I don't mind that no one's gonna see this, I actually know that.)
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Take a seat, this gonna be long...
I often hear/see things like people talking about his "lack of development" as a character, his "inhuman qualities" or even, his "cliche and standard personality" (the badass, in this case). And the most annoying, hearing comparisons between him and Sanji. 💨 Ok, ok, hands down, no one here is going to talk shit about Sanji, because, SURPRISE~ I like him, I'm a Zoro fan, and I like both!
So...
As a fan that's nearly enough of hearing so much bullshit all the time about him, I thought that it was time to talk about this in somewhere, and here I am.
The First Mate and (yes, he is) the Vice-Captain of the Straw Hat crew is contanstly said as <Ahem>:
- Cliche badass guy
- 0 personality development
- Shallow character
- "All about strenght"
- Little elaborated etc, etc...
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And u wanna know something?
This is partly true!
No, don't kill me, this isn't a troll post. I said "PARTLY". Yes, let's confess, it's obvious that he IS the badass archetype of the damn anime, such as a bunch of other animes does have. Not even 5% of his backstory was shown, and the little part that was, wasn't thaaat deep, I'll get there. Oda loves to show how he's totally obsessed with training and make look like he's just that: all about training, sleep, drink and fight. But he ISN'T just this..!
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Remenbering well, in East Blue saga, he used to laugh a lot and even make jokes at some point. It all changed after Mihawk beat him and after he realize how little he was next to him. He was just a frog that didn't knew the sea. Is not a coincidence that after this, his behaivour turned more serious, grumpy and kinda mature? He was the first damn one to realize the life and the path that they was about to take, and take it seriously! Something that not even the freaking captain did!
In the most serious and delicate situations he always was the only one to have a cool head and not be taking by the moment or feelings. He looked at the situation like no one in the crew did in first place, putting Luffy in his Captain place. (Water 7, anyone?? C'mon, THAT was trully badass!) And being rational and calm in this kind of situation don't make him "inhuman" or "antipathetic", it does exist real people that's way worse than that... (And that speech that he had with Luffy in W7 made me fall in love with him.) Srly, his sense of responsability is one of the pillars of the crew.
His arrogance it's based on his swordsman skill, not more, not less. He's actually pretty chill, quiet and rly mature, he even acts like an old man sometimes, reading journal, fishing and declaiming "swordsman poetry" in the middle of a fight like some wise elder hermit (nobody else but that guy use a haramaki, i mean, how old is he? 80?) XD; not to metion his "paternal side" that's just so adorable.
Wise. That's the word. This guy is wise af for someone that young. Again, like an old man. And is a swordsman thing, u know, drink alcohol and be wise. :P
Oh yea! Can I remenber of the "badass cliche guy" and remenber u guys that, besides he being that "awesome" and "cool"... He's a total dork!!
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WHO THE FUCKING FUCK GETS STUCK ON A CHIMNEY!?!? FREACKING SANTA DOESN'T!
So don't come to me and say that he's just the "100% badass shitty thing all the time", that man fought with a BIRD because of food! And NO, don't make me mention his most famous gag, we all know that if Zoro takes the helm, they find One Piece in 2 episodes..!
We still have the humanity and simplicity of his past story. Some people like to call that "without depht", knowing well the way OP is, this may be true; Putting his backstory side to side with the crew ones, his is sure rly "shallow". But that can also be his differential, like not needing an oversad (dunno if that word exist) and overwhelming depressing backstory, to be a good character. Simple things could have been enough to make him who he is. And we have Wano coming~ So m a y b e we still can have more from him to come, just time and Oda can say that... #wanohype
About the "tough manly powerful" image of him, he IS a good guy. Even if he likes to pass the image of a cool, strong, fearless and without weak spots dude... He is totally soft and protective with a stranger girl and got arrested in trade of her security. The "hard outside, soft inside" type, and that's precious.
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He being psychological strong don't demerits him! A lot of people in OP are weak or disturbed internally, and he doesn't follow this is, someway, amazing! It's not because he don't shows it, that he doesn't feel pain. He just don't want and don't like to be reason of concern to anybody, and to me, this is as hard, as this is brave. ("Nothing happened", huh? *shivers*)
Of COURSE... <Sighs> let's go.💨 He and Sanji are 2. Different. Characters; They have different personalities and ideologies; They were made in different ways; This CAN'T BE COMPARED, OK..? Just because Sanji had his own "year", and added more things to his story like a 2nd flashback (that only LUFFY HAVE!), "family", origins and stuff don't automatically makes him "better" than anyone. Sanji, in fact, is at the moment more developed "historically" than almost all of the crew💧. He have waited a damn long time for this to happen, so as Zoro too. We just need to wait. Maybe Oda is also planning more for him, that we just don't know. The point is DON'T. COMPARE. THEM. JUST... They r 2 different and singular characters, if u have your preference like me, great. So STOP this shit, is annoying as fuck, thanks. (Sorry, but I needed to say this 😒)
I left this one to the final. No, I didn't forgot his greatest, most beautifull and (to me) captivating quality. His incredible loyalty.
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If in W7 speech scene I fell for him, in this he just broke in the gate to my heart and stole it for him forever.
What to say about this? Not only one of the most epic scenes of all OP and animes, but also a powerful and perfect resume of who is Roronoa Zoro. I always say to my friends, "his best scenes, isn't the fight ones";
The fact that this proud man bowed in favor to someone else, asked to be stronger so they never pass trough that again; always surpass the limits of his own body to protect the crew, not even bothering If he's going to die or not; seing Luffy not just like a helper for him to be the greatest swordsman, but the man that he handed over his own life to protect him...
And Kuina.
He carries the dream form both, his and hers. The honor of her it's with him, and just like her Wado, his will to protect the dream never broke.
This was to everybody that insist to talk shit about him, I won't stop anybody to think in some way different, that's NOT my purpose! But if it's just hate and shit... Just. Don't.
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WUF! 💨
That was WAAAY more than I expected.. 😅
It got damn long! But I don't regret it. Call me "tard" If u want, I don't care, nothing will change what I feel about him XD
That post will probably not be useful anyway, but well, that's my thought, and simply this. A little more of love to the wronged marimo <3 (I probably made this in my apex of my missing of him) (and because I'm done with this shit)
Sorry for bad english~!
Sleep well, mossy guys~ ( °v°)
Fuck, I forgot to sleep.
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shuttershocky · 6 years
Text
Fate/Grand Order NA edition: A Recap
A quick recap of some of the events that happened so far in the misadventures of Mash and Guda:
FUYUKI
A teenager (we shall call them Guda) answers an ad in the papers, ends up in a military base called Chaldea hidden in the Himalayas.
A bomb toasts everybody inside the base.
Mash and Guda time travel back to the edgiest version of Fate/Stay Night where Saber Alter rules with an iron fist.
Mash, a cute Chaldea clerk, fuses with the ghost of some guy, gets a massive shield to bludgeon people with. 
Cu Chulainn beats people up with the Wicker Man; Thankfully leaves out the bees.
Their boss turns out to be a bad guy and throws their other, dead boss’ ghost into a black hole, making her super dead-er.
The only staff surviving at Chaldea is the ghost of Leonardo Da Vinci and the absentminded doctor she’s fucking.
ORLEANS
Gilles de Raiss, unhappy with the canon ending, makes an edgy Jeanne D’Arc OC to fix it.
The real Jeanne is summoned without her Ruler powers, joins Mash and Guda on their merry stroll through France.
Some countries have roaches, others have rats. France has dragons.
It also has vampires.
Marie Antoinette pulls a drive-by shootout with the vampires to rescue Jeanne D’Arc and company.
They escape because Mozart makes the vampires vomit and/or poop themselves with a piano attached to the back of Marie’s carriage.
They bond. Marie learns what a homie is. Marie and Jeanne are super gay.
Kiyohime and Liz are first introduced. FGO is never the same.
They rescue the German hero Sumanai Siegfried from a castle. He’s pretty beat up.
They need saints to heal him for some reason. Good thing St. George spawns... on the other side of the map.
Do you really wanna hurt us this way George? Really? Take anyone else instead. Take this Mephistopheles, he’s just hanging around in my archive!
Big Bad Battle with Cheese and Dragons. Assassins recommended.
Jeanne vs Jeanne. The edgy OC is no match for the original of course.
Gilles is kicked back into the depths of FF.net where he belongs
SEPTEM
U M U
All of Nero’s forebears in the Roman empire form an alliance against her called Every Villain Is Lemons, also known as EVIL
Nero brings the company to Britain from Italy. On foot.
Mash suffocates under the overwhelming force that is Boudica’s boobs.
Nero chops down the ghosts of Roman emperors past one by one. No biggie.
Mash and Guda find their bad boss in the capital and oh shit he’s a demon from hell.
RIP AND TEAR 
The demon summons Atilla the Hun. He is later of two minds about this choice.
Nero punches Atilla in the face. Civilization will never die!
THE MOON FESTIVAL
Someone steals all the dumplings. Now Chaldea’s gonna starve.
Some booby archer pesters Mash and Guda about helping them recover the food.
Marie doesn’t remember her own homies.
Never mind she totally does.
Saint George is into photography.
Martha is into dumplings, bondage, and breaking faces. Tsk tsk, Saint Martha.
Martha makes her escape by jumping on to her dragon Tarrasque, who begins to fly by spinning around rapidly until it zooms away like a UFO. She probably puked at some point.
Altera, Atilla The Hun, the great destroyer herself, explains the differences of good and bad civilization.
Surprise surprise, Booby Archer is a bad guy- holy shit this is the goddess of the hunt?
Please don’t spook my guaranteed SSR gacha Artemis, I beg you. I’ll do anything you want just don’t come home.
OKEANOS
Sir Francis Drake, Pirate Queen.
Blackbeard. Weeb.
And lo, Captain Drake did shot the god Poseidon in the face, declaring with a mighty shout “Let there be booze!”, and the crew were drunk with infinite booze, and it was good.
Blackbeard wins the award for cringiest villain.
Drake and her motley crew recruit Medusa’s bitchy sister Euryale and her hot monster boyfriend, Asterios The Minotaur.
OH NO ORION AND ARTEMIS ARE BACK SOMEONE CALL THE COPS
The Golden Hind VS The Queen Anne’s Revenge, battle of two legendary pirate ships, FIGHT
Artemis and Orion board the Queen Anne’s Revenge during the fight in an admittedly cool action scene. Orion blows a hole into the ship.
Blackbeard is a tough bastard, but Drake literally killed the god of the seas for some booze so
Hektor, hero of Troy, won’t shut up about being an old man. Also he betrays Blackbeard.
Blackbeard to Drake: “Secretly, I admired you...r boobs.” *dies*
Drake trades upwards, gets the Argonauts as her new nemesis
Jason is just as much of a shitter in Fate as he is in mythology. Who would have guessed?!
Wait wasn’t one of the most famous members of the Argonauts the great hero Hera-OH GOD HE’S HERE WE HAVE TO RUN
Asterios vs Heracles summed up:
youtube
Guda: Well now that we lost our muscle we need reinforcements. Atalanta and David: Hi
Atalanta meets her God. She now believes in atheism.
David: Yeah I actually have the most dangerous thing on Earth with me as a second noble phantasm. Everyone else: It’s a box. David: I know. It’s got nerves of steel.
Who would win? A nigh-immortal demigod, son of Zeus and the strongest hero there is, or some box?
“Hey Jason, eat a dick.” - Medea Lily
Eating a dick turns you into a vessel for yet another Demon God. As Jason painfully finds out.
RIP AND TEAR 2.0
David: Yeah all of this time-stream dicking is my idiot son’s fault. It would be just like him, for he was an idiot. Roman: Nuh-uh! David: Yeah-uh!
Goodbye, Captain Drake. T’was an honor to be one of yer hearty crew.
HALLOWEEN 2015(17?)
An invitation? To a party? But all of history was dicked. Where are you supposed to hold a par-is that a castle?
Mash: hOLY SHIT I GET TO PUNCH GHOSTS Guda: Mash calm dow- Mash: WHEN THERE’S SOMETHING STRANGE
Kiyohime casually defies the laws of space and time (again).
Mata Hari: *Starts stripdancing* Mash: :O Kiyo: >:( Roman: :D
Carmilla uses her noble phantasm to clean a spot. I-I’m not even exaggerating this is actually a thing that happens.
Vlad is the supportive uncle who knits for his fellows.
Tamamo Cat; nothing she says ever makes any sense.
Elizabeth Bathory: Surprise! All of this was to prepare you for a special private concert from an up and coming pop idol star!
Everyone: Liz you are a bad Me, tears falling onto my phone: Liz you are a good
Liz: Y-you d-didn’t like m-m-my concert? Everyone: Boo you suck! Me: I LOVED IT BABY YOU’RE GONNA BE A BIG STAR ONE DAY
GODDAMNIT VLAD STOP BEING STUBBORN AND DROP THE GODDAMN CE.
GUDAGUDA HONNOUJI
Split psyche story
What you expected: Angry Nobu, sad Nobu, kinda freaky happy Nobu
What you got:
youtube
Rabbit season? Duck season? No. It’s Nobbu season.
A whole string of really funny jokes if you’re a fan of Oda Nobunaga’s place in Japan’s history.
Even more funny jokes that don’t require knowledge of the Sengoku Period
Arash chases after the crew while on fire and screaming “STELLAAA!!”, blows up over Ushiwakamaru’s army
Mash and friends somehow run all the way into the desert.
I give up. There is no way to exaggerate anything that happens in this event.
 It is just bonkers.
Oda Nobunaga and Okita Souji for best couple
THE SCATHACH TRIAL
DW: Boy we sure hope you’re not tired of the Fuyuki map!
Stupid, sexy Scathach: Greetings. Guda: Gaddamn. Mash: Senpai, for once can you not be a perv- Stupid, sexy Scathach: *flips her hair* Mash: Holy fuck I’m so gay right now.
Scathach casually kills ten thousand ghosts.
Scathach casually teaches her new students while crushing a skull with one hand and flexing with the other.
Scathach also gives the nicest headpats.
Brock from Pokemon Fergus joins the party.
Mash: And then, Cu Chulainn saved us in his sexy druid outfit. Scathach and Fergus: Druid outfit? AHAHAHHAHAHAHAHAHAHA
Fergus: God I’m just super horny right now. Scathach: I’m pretty DTF myself but only the finest warriors can get some of this. Fergus: Well do I qualif- Scathach: No.
Altera: Hi Fergus: *Dies from nosebleed*
For the final part of the trial, Scathach summons another warrior to replace Fergus.
Diarmuid knows its fanservice day. He doesn’t even bother to put on a shirt.
Artemis: I’m baaaacckk~ Me: AHHH KILL IT! KILL IT!
Scathach to Artemis: From one booby servant to another, your kind of fanservice is super gross and wrong my dude. Domestic violence against men is a very real concern. Now I’m gonna spank you.
Scathach kicks divine ass. Thank you, Shishou!
Scathach: Now before I leave kids, what did we learn? Mash and Guda: That the road ahead of us is long and dark, but if we hold firm and believe in each other, we can be humanity’s saviors from the dark? Scathach: No. What did we really learn? Me: That now I can’t not have you in my Chaldea and must ask for an advanced paycheck this instant? Scathach: Good child.
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hellopro-go · 6 years
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[Album Review]: ⑮ Thank you, too - Morning Musume’17
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So the heavily anticipated Momusu album was officially released yesterday-ish! I hopped on my computer immediately after classes to snatch it and get a taste of more modern post Tsunku-makes-everything Morning Daughter fakeness realness. Click through the read more to get more juicy details.
Tracklist-
1. Jealousy Jealousy (Album Ver.) 2. Romance ni Mezameru Mousou Joshi no Uta 3. CHO DAI 4. Watashi no Nanni mo Wakacchanai 5. Jama Shinai de Here We Go!  6. Style of my love 7. Narcissus Kamatte-chan Kyousoukyoku Dai 5ban 8. Seishun Say A-HA 9. Wakaindashi 10. Mou Gaman Dekinai wa ~Love ice cream~ 11. Dokyuu no Go Sign 12. Koi wa Toki ni 13. Joshi Kashimashi Monogatari (Morning Musume '17 Ver.) 14. BRAND NEW MORNING 15. Ai no Tane (20th Anniversary Ver.)
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1. Jealousy Jealousy (Album Ver.) Coming right back in our faces with the tune that captured our hearts is Envy Envy, but SPARKLIER! Jealously is a tune with the funk-ish tune that would usually be gifted to a group such as Ju=Ju, but Tsunku-papa decided that it was time for a switcharoo. The vocals this time are much more clear, is the first thing I noticed of the Album Version, which is odd because usually albums from Up-Front are very over-mixed and muffled. This lets us know that there was a lot of effort put into the cleaning of this wonderful piece with a break down of an early-underground j-rap vibe. One thing that will always fascinate me about this sound is how the string instruments used here brings such a feeling of elegance, that it makes me feel like I’m rich while listening to it. Surely Tsunku understands and executes luxury in his spot on composition this time around. 
2. Romance ni Mezameru Mousou Joshi no Uta My first impression was a  woah! from the beginning instrumentals. Immediately I was thrown back into the early 2013-2014 EDM songs that Tsunku used to produce for Momusu such as [What is LOVE?], and I fell in love until.... They started to sing. One thing I’m not crazy about is when management pitches this intense, powerful instrumental and then they break it into this... childish, “I’m a kindergartener playing at the park” kind of melody. It’s done so much that it’s almost expected, but they got me this time, I’d say. Around the 3-minute mark, the melody gets very enjoyable for me, with more opera in the BG and a ballad reminiscent of The Vision. The fact that Morning Musume isn’t afraid of using soft high notes nowadays is great too.
3. CHO DAI Bitch I love fart-sounding electronic noises in my songs and it sounds like sarcasm but it’s high key not. One pattern that I’m starting to notice and it’s starting to irk me is the constant use of “one word” LONG REST  “one word”. It was very refreshing with [Seishun Kozou wa Naiteiru], but after being repeated about a hundred times, it’s just boring and needs to go. This song is a good example of what me and my friends call “Scrapped Melodies” because at some parts it just sounds like Narcissus but slightly different. If you want a clearer example of a scrapped melody, think of Brainstorming(@0:37) and Wakuteka(@1:00) with that one farking melody that’s like... the same melody.
4. Watashi no Nanni mo Wakacchanai This is the song I’d been anticipating the most on this album. After watching the recent Budokan footage of the song and my friend drilling me about how “Maachan fucked Sakura’s shit up here like do you not see that??!!”, The song grew on me to the point where I’d listen to the concert performance like it was an official track. It was also a great decision to keep this song behind bars until 2017 because in 2015 Riho sang some lines that were just... not her  strong point... honestly (@1:17 & 3:45). But other than the lack of charisma that lives bring to this song, this is a good put!
5. Jama Shinai de Here We Go!  Here We Go... again with the “one word” LONG REST  “one word”. Even though this song is a bop. There’s something about the subtle nature of this song that drew me in, despite it being a tad bit on the plainer side of a Momusu song. Though I’m still a bit thrown off by Chiichan, she knows how to blend well to the point of merging with the background. The dance, might I add, is just basically Angerme’s Ai Sae but slightly different, pffft.
6. Style of my love Very stylish! Brings me back to something akin to [Senobi] in a way. With a melody of an early action anime opening (I’d say Inuyasha, or a classic fantasy-shoujo anime,) This song knows how to advertise itself. With Haruna having a few solos in this, it really shines and radiates a glow to the instrumentals. The dance break was a bit underwhelming, but do I hear Maria??? Wow, she’s really growing into her voice. I have very few qualms about this song, and I’m generally pleased.
7. Narcissus Kamatte-chan Kyousoukyoku Dai 5ban Shamefully, I found myself whispering “Motto, Mitsumete...” multiple times through the day. And finally we don’t have those classic Momusu heavy harmonies on like 99% of the darn song, and they lowered it to a 97%, but I’m tapping my foot, waiting y’all. This song is nearly as stylish as Style of my Love, but theres some feeling of living luxurious, yet lonely and discontent. I’m digging the story in it, even though I know the lyrics must be some irrelevant diarrhea.
8. Seishun Say A-HA Gonna get this out here first: I didn’t like the song when I first heard it a few times. Then it grew on me a bit and I can generally say I have a love-hate with it LOL. LIKE IM SORRY, BUT this song sounds like a pirate song. Like everyone in momusu is a stank ass pirate with scurvy and they’re having a sailing montage to find treasure. But it’s... it’s catchy for some reason. ugh. why @ Tsunku
9. Wakaindashi Damn do I love Duu and this song in general, but the soft EDM is bothering me for some reason?? We are back with the “I’m a kindergartener playing at the park” melody and I’m still unnerved by “You can get fatter or skinnier” line like... why.... But this song is CUTE for Duu and therefore I support it. I also like the choreo in many ways. Duu controlling the wave is so cute. The dance break was pure.
10. Mou Gaman Dekinai wa ~Love ice cream~ Me while reading that Haga’s gettin a lot of lines cause its a quartet: AYYYYY Me listening to the song finally: wtf this is Like ok I like the fact that it’s more rock orientated but it’s like... a lil boring. Especially the whole “Mougamandekinaiwa” all fast and shit.. It didn’t fit. I feel like this is a early rock vocaloid song. But I enjoy the fact that Tsunku is experiementing with different genres. He really loves his job. #come back papa
11. Dokyuu no Go Sign I love this song wtf... It’s like a near perfect combo of rock and EDM. Maybe if momusu would stop with the heavy ass harmonies it’d show a little more of it’s capability. The style of the song makes momusu seem more united despite the crazy battle for center currently going on. And Miki getting more lines is chill af (They’re realizing Mizuki is gettin old lol). The blend of musical elements along with the message of the song makes more a good pick-me-up, hype yourself up tune! PLUS THE LAYERING OF HARMONIES INTO THE HOLIEST DANCE BREAK TUNE IS MY ACTUAL SHIT. The bridge after that is so celebratory and invokes a feeling of greatfulness, I love it.
12. Koi wa Toki ni It goes from a video game level to where you gotta sneak around characters to the classic “I’m a kindergartener playing at the park” melody... again. I’m really trying to get into this song but it’s very hard. It’s very plain and barely has any shine to it. One good thing I can say is that during the instrumental break, I’m reminded of early Kikuo songs and uh... I’m a whore for Kikuo so I fell for the break like a klutz. The use of unusual sounds here gives it a spacey vibe.
13. Joshi Kashimashi Monogatari (Morning Musume '17 Ver.) NGL Joshikashi gets more and more cringey each time (especially Nonaka Miki’s verse), so this is a song on the album I’ll rarely indulge in. I love the fact that Maria incorporates her love for baseball to her verse even though she’s not my oshi. I value her a lot LMAO. But other than that, it’s a good song to familiarize yourself with the girls’ voices.
14. BRAND NEW MORNING god I hate this song, So Jean Luc Ponpon is deemed worthy enough after Mukidashi was released and gained popularity, and they bring him back for another round of Tsunku vs. Ponpon and this time, in my opinion, he flops. Brand new morning just isn’t my cup of tea no matter how many times I listen to it, and usually I can make my brain like an H!P song if I listen to it a bunch of times. Something about this song is very lacking and monotone, and doesn’t really get the feeling of a new Era across to me. If anything, this is the Jealousy Era to me (because everyone in Momusu is salty rn).
15. Ai no Tane (20th Anniversary ver.) I still really like this song, even with the updated singers. It’s much more fine tuned than back in the day, which really shows how music production has changed over just a span of 20 years! Amazing how fast the world progresses, isn’t it? All I can say as a closing note for this updated piece is that I’m glad Tsunku didn’t turn it into some crazy ass dubstep wub-wub version of the original. Thank you Tsunku papa.
OVERALL: I’d rate this album a 7.2/10. I feel like there could have been much more style variation in the music, track by track, especially because Momusu is so “highly esteemed”. These girls need to tackle other genres with how far they’ve come, especially since the older eras would bounce between stuff like [Memory~ Seishun no Hikari] all the way to [Onna ni Sachi Are] back in the day. 
I’m also hoping that next time around, it isn’t Mizuki, Oda & the Backup Dancers. That’s one thing that bothers me the most out of his album.
Till next time!
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