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#i think its interesting when a character that has a responsibility to have a child and cant do so without forcing himself
wojtekaneko · 3 months
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It was his brother's idea.
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comradekatara · 1 month
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Ok we should talk more about sokka and aang because these two dumbasses are adorable together! Underrated relationship
The gag with Katara and blind Toph in season 3 is still the funniest scene in the series lol
yeah their friendship very cute. i like how when they're left to their own devices their respective adhd tendencies combine, that feels very true to my relationships with my friends who also have adhd lol. it's also just really adorable how through aang's sheer lovability, sokka learns to loosen up a little and appreciate life (somewhat, sometimes) in a more relaxed, content way. aang is a really good and highly valuable influence on everyone around him, especially as he counteracts the logic of war and its necessity for violence, which is an ideology sokka not only heavily subscribes to, but to which he attaches his very personhood. aang reminds sokka that he is still a child (he reminds katara of this too, but it happens in the literal pilot, whereas sokka's journey to literally enjoying himself ever is far more gradual and grueling). aang reminds sokka that he is human.
that said, i do think that people tend to be reductive when talking about the value of their relationship. not to single you out specifically, but i do kind of take umbrage with the notion (perhaps unintentional) that all their dynamic is good for is being adorable and funny. calling them "dumbasses" because they can be silly and goofy sometimes, or scatterbrained and absent-minded. i genuinely think that aang and sokka constitute one of the most interesting foils in the entire show. normally when we talk about character foils, we talk about characters who are positioned in opposition to each other, but aang and sokka are fascinating because they're allies (and friends) who nonetheless approach the same problem with the same intentions and the same goals but from completely different angles.
in many ways, sokka is aang's most distinct opposite. but first, to address their similarities: they're both victims of a genocidal imperialist project that has burdened them with a responsibility to their people that they are too young and barely equipped to handle; they are both expected to shoulder this burden easily by those around them due to their nature as "gifted" child prodigies with distinctly unique skillset and an unprecedented ability to absorb and apply new information that they learn at a genuinely abnormal rate (remember that aang is not just the avatar, but an incredibly prodigious avatar at that; he mastered all four elements within less than a year by the age of twelve, whereas most avatars take at least another four years to master their elements); they are both the "leaders" of their small guerrilla militia of child soldiers, and they take turns giving each other guidance and trusting and following the other's lead; they both consider katara the central figure in their lives and love her with an almost obsessive devotion; they both repress their grief and other unpalatable emotions through humor and constant distraction, and sometimes even depersonalize entirely when they feel that their goal is more important than retaining their humanity (sokka does this more frequently, but when aang does it, it's more blatant); and of course, they both harbor massive guilt complexes for the devastating tragedies (largely beyond their control) that have shaped their lives, and are constantly replaying those moments of "failure" as that of acute shame to motivate themselves as they strive to rectify and "atone" for their past errors.
so, as you can see, reducing their friendship to "adorable dumbasses" is already not very interesting. to me, the best aang and sokka scenes aren't the ones wherein they are playing and goofing around together. those scenes are sweet and charming, of course, but the best aang and sokka scenes are the ones wherein sokka is positioned as the logical consequence of aang's grief. wherein present-day sokka becomes the worst case scenario for a hypothetical future aang. in many ways, their friendship is incredibly bittersweet, because it is also punctuated by moments wherein sokka threatens aang's entire value system and quote-unquote "innocence" through attempting to mold him into a Man Of War the way he does those hapless toddlers in his village. for all that sokka is remarkably open-minded and receptive to new ideas, he cannot see past the limits of the world he was born into and the mechanisms and assumptions of violence he was forced to internalize and embody. aang is, of course, totally unique in his ability to not only envision a world beyond the war (i would argue that katara has the ability to do this as well), but also to have actually experienced it. and so it is truly a testament to aang's resilience that he is almost entirely impervious to sokka's ruthless, militaristic logic, even as sokka constantly attempts to enforce it.
i have a much longer post in my drafts about how aang and sokka are positioned in "the serpent's pass" (one of their best episodes in terms of their dynamic, also just a highly underrated episode in general), so i'm not gonna get too much into it here, but katara's relationship to aang as paralleled with suki's relationship to sokka is really fascinating in this episode for the ways in which it also positions katara's grief over witnessing aang's attempt to detach himself from his grief to focus on his goals and aang slipping into "sokkahood," and the absolutely devastating implications of what that must mean for katara. i think there's a strong case, in general, for the reading of katara attempting to replace her lost childhood (with sokka) through aang as he represents a vehicle for her overly idealized nostalgia (much like how zuko projects onto aang and views him as a vehicle to return to that site of his overly idealized childhood), and thus, quite literally, replacing sokka with aang. to katara, aang possesses what sokka has since lost, or perhaps something he never got the chance to have in the first place. and that isn't to say that katara views aang as a brother, but rather that katara longs for companionship in any form, and what is aang if not the ideal companion? so aang's grief and rage scares her not only because it pains her to see someone she loves so deeply in so much pain, but also because it reflects her own pain back at her, as someone who has lost so much, including family members (also including kanna and hakoda) who are, ostensibly (at least physically), still alive.
one of the most fascinating scenes between sokka and aang in the entire show is when sokka straight up attacks aang for burning katara in "the deserter." katara is very clearly affected by this beyond simply the physical pain; being burned by the weapon that killed her mother is explicitly triggering for her, and she retreats into herself and sobs like a child (she is a child, but you know what i mean. an even younger child). and sokka in turn is triggered by katara being triggered, because his entire existence revolves around his oath to protect her, and she was just hurt by the one person to whom she stakes all her hope and pride and joy and affection above all. aang obviously understands the gravity of this accident immediately; it of course wasn't intentional, but he nonetheless takes full accountability and apologizes sincerely. but sokka only calms down somewhat once he knows for certain that katara is okay. and instead of going to find katara as she sobs, he spends all his focus on yelling at aang, throwing him to the ground, more furious than we have ever seen him. and in a way, it's clear that he's also furious at himself, for having let his guard down around and trusted aang, and for his failure to perform his primary duty, protecting his sister. the fulcrum of aang and sokka's relationship is, necessarily, katara. she is the force that brings them together, and the person who is most important to either of them, but she also person who connects them in her mind, and so our perceptions of them as the audience are primarily informed by her perception of them as the narrator.
moreover, sokka's advocacy for killing zuko (in "the siege of the north") and ozai (in "sozin's comet") constitute two more fascinating scenes with aang, for the way in which sokka does not even find the act of killing something to flinch at, let alone an absolute betrayal of core principles and values the way aang does. killing is simply not something sokka feels guilty about, despite the fact that he seems to carry guilt over simply existing a lot of the time. and that juxtaposition, between aang and sokka playing together, of sokka learning how to have fun and entertain his little friend, versus sokka chastising aang for refusing to commit murder, is what makes their relationship so compelling. when people reduce their dynamic to its most comedic and innocent mode, they are reducing their roles as they embody two opposing relationships to violence, and how that reflects their ideological positions as someone who has subscribed to imperialist logic insofar as his values have been shaped by war, as opposed to someone who knows through his own experiences to refute that logic by any means necessary. when we talk about aang helping sokka to regain his humanity, it is crucial to understand specifically how sokka lost his humanity in the first place, but also why aang specifically is so crucial in counterbalancing his logic in a way no one else alive actually can.
ultimately, if sokka represents the voluntary auto-dehumanization of the colonized subject, then aang represents the potential of preservation and even reclamation of humanity and the imaginative potential of a world[view] beyond those colonial limits. their ideological conflict is not simply one of what it means to be human within a colonized paradigm, but what it means to exist at all.
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monicahar · 2 years
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I LOVE YOU GAME
a small game of where one says i love you, and whoever blushes or laughs loses.
characters; xiao, kazuha, ayato, itto, scaramouche, childe, albedo, thoma
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It was just a joke when it left your friend's lips, saying that it would be interesting to see people's reactions to being told those three words, whether they meant it or not.
They weren't expecting you to go along with it, but then...
—without a hitch in your breath, straightening your back as you grab their hands within yours, all while looking at them right in the eyes,
"I love you."
—you confidently say.
Now then, who will falter in this so-called game?
XIAO — the bashful
With the way you look at him tenderly while you say those words...it wouldn't be a surprise when he immediately averts his eyes away from you and covers his reddening ears—a pathetic way to deny defeat. The fact that he actually holds feelings for you won't help in this situation either. But since you're only friends, you simply laugh it off, teasing him a little bit before dropping the game entirely. You thought it made him uncomfortable but...oh well, you've always been quite the oblivious one after all. Xiao scowls to himself as he thinks about your stupidness in the name of love.
KAZUHA — the smiley face
This guys is almost always smiling, what made you think he'd actually react to what you say? Kazuha can hear whether words are straight from heart or not, so when you say "I love you" without meaning it romantically, he knows and just goes :) . That's why it's easy for him to keep his composure, even if he's a little hurt. You whine a little at his lack of reaction, calling him boring and annoying. Imagine your surprise when he suddenly says, "I love you too". You burst out in surprise and confusion while he simply smirks, saying that it would be unfair if he's the only one who has to be the receiver. The red tint in your cheeks keeps him satisfied.
AYATO — the teaser
Mf asks you to repeat it, saying that he couldn't hear it. "I know." he proudly smirks when you do repeat it. An irk makes its way to your face, your features scrunching in annoyance as you slap his shoulder lightly, growing tired of his bully of a self. Now when it's his turn to say it, he immediately refuses to. You gawk in betrayal, saying he's being unfair, but he suddenly leans into your ear, his breath feeling warm over your shoulder. "I don't like exposing myself for the sake of some game." His words leaves you with even more questions. He pulls away with a straight face, examining you as you ask him what he meant; he simply smiles and slurps his boba in response.
ITTO — the panic
Big himbo guy with also a big personality. Do you expect him to take your words calmly? I'd be damned if you say yes. "I- KABZJSHEJWJS??!!" He screams incoherents as his face goes bright red, attempting to run away before you tug him back down in front of you, teasing him that the one and only Aratakki Itto can't handle such words? He stutters as he feels you step down his pride, immediately crossing his arms and breathing in and out to calm his erratic nerves. He tries to take revenge by saying it back, but it immediately backfires when he stutters while doing so. You snort at his attempts of letting out those words, an undying heat crawling up his neck with how embarrassing the whole ordeal is.
SCARAMOUCHE — the no reaction
You could literally crawl onto his lap and whisper said words without him breaking composure at all, man's got game. He just scowls and pushes you off his lap while muttering how weird you are, then immediately standing up to leave. You fear that you have made him uncomfortable, and immediately went after him to apologise—needless to say...he really DOESN'T want you to follow him, so he just kinda...ignores you, or more practically...avoids you. Who knows, maybe the game did have an effect on the little guy, and he's just trying to stay away from you to try and secure the last bits of composure he has. But hey, it's just a speculation, right?
CHILDE — the laughter(loser)
No no, don't get him wrong. He's not making fun of you, nor does he plan to. He's simply trying to suppress his emotions by laughing obnoxiously—a way to convince himself that it's just a joke and that you aren't saying it seriously. It's just a game, he tells himself to ignore the butterflies in his stomach. Of course and obliviously, you take this the wrong way and immediately kick him on his shin for being mean. He yelps and immediately goes to say sorry when you flare up in anger and embarrassment. Well...it's not really his fault since he doesn't know you're being sincere, but...he's so annoying, isn't he?!
ALBEDO — the quiet
"..." He just, stares at you. His perceptive eyes examining your posture, your tone, your breathing pattern and the way your eyes lightly dilated when you said those words. Coming down to a conclusion, he simply lets out a barely noticeable smirk as he continues his painting, watching you go slack and disappointed at his reaction. You were about to get up and leave the suffocating atmosphere created by his silence, but that is...until he perks up, "Are you sure this is just a game and not some ingenious way to tell me you hold feelings for me to know how I'd react?", with the way you stutter back in shock at his revelation, he already knows the answer.
THOMA — the shy
10/10, definitely has the cutest reaction. He just goes "Ahh..." while his face goes bright red, awkwardly rubbing the back of his neck while he struggles to form words. With how he looks, it's impossible to NOT bully him a little more, so you did—sneaking up behind him to say "I love you" again, and he goes redder, if it's even possible. "Y-you shouldn't say things you don't mean...!" He says, trying to push you since you were too close for his mental being to handle. All is well, until you look at him straight in the eyes, all hints of joking and teasing dropping when you genuinely smile at him, "I love you, Thoma." if you can't say things you don't mean, then you'll simply just mean it this time.
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inphront · 1 month
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y’know i’m writing this fic and it’s making me think that maybe we don’t recognize enough as a fandom that a lot of harrow’s guilt and shame, which make her light years more sympathetic as a character, are a.) not actually that moral, b.) directly caused by the ninth, and c.) probably shared with her parents, the only characters in the whole series that i’ve never seen a single post trying to humanize/analyze as complex. like. harrow hates herself for what her parents did and honestly? the most likely reason for this is just that kids subconsciously recognize themselves as extensions of their parents, and *her parents probably hated themselves for what they did.* regularly explaining your crimes against humanity to your five-year-old but only being willing to discuss it in the terms of it being a horrible sin and having to take a ritual cleansing bath every single time is the action of a very guilty person. i have to imagine that those saltwater baths probably included some really intense self-flagellation on the part of harrow’s parents that she internalized. i’d venture so far as to say that their suicides were motivated by guilt over the massacre just as much as by shame over the opening of the tomb.
harrow’s sense of constant guilt is so often seen as proof of her having overcome the imperial morality pushed by the houses, and that makes sense given the fact that she *has* taken a viewpoint by the end of the series that opposes imperial morality, but also, guilt is like the main export of the ninth house. harrow’s relationship to it, even once it stops being something she projects onto gideon or otherwise externalizes, is fundamentally ninth and ties her to what she herself acknowledges as “the worst flaws of her house.” ultimately it is something she inherited just as much as the 200, which to me provokes a lot of questions about how her parents actually coped with the consequences of their own fucked-up actions. gideon experienced that coping as just straight cruelty, but we know that harrow got a much more complex window into their feelings and behaviors, and my guess is those behaviors bore distinct resemblance to hers.
i have to wonder what sorts of systemic pressures were falling on them and their house that led to them killing off a whole generation, and what sort of transformations they underwent. how *do* you live with yourself knowing that the blood of so many innocent people, people you were responsible for *protecting,* is on your hands? how could you possibly raise a well-adjusted child when she’s basically a mirror into an atrocity you could’ve hardly fathomed up till the day you committed it? do you think they tried to? i think they probably tried to, but ultimately being a good parent doesn’t change being a mass murderer, and it’s impossible to pull off at all when the mass murder is so directly tied to your hopes for your child. the ninth’s entire purpose within the empire is to carry the weight and memory of one of the most horrible things john ever did, to *inherit the mass death and necromantic subjugation of the earth.* in this capacity, harrow’s parents are *victims* of the empire and its doctrine around death who proceeded to perpetuate both the mass death and necromantic subjugation AND the task of bearing the burden of shame onto their next generation. i don’t really know where i’m going with this aside from “the ninth’s cycle of violence is based in shame and is an extension of john’s disbelief in forgiveness, which means harrow can’t break it without forgiving something unforgivable; it’ll be interesting to see how she manages such a difficult task,” and “i think we oughtta talk about the politics of guilt as it applies to the entire reverend family dynamic”
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disformer · 8 months
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What do you feel is more concerning for children with what is in the EarthSpark series; all of the clear terror and death, or having a they/them pronouned character?
Because the terror and death is seemingly entirely looked over but the ONE CHARACTER going by different pronouns is apparently nothing short of outrage.
Anon, I Am Nonbinary.
I’ll put a more thought out response under the cut
Earthspark drinking game take a sip every time an extremely young child has to emotionally support an adult or is put in life-threatening danger.
1. Steven Universe really ruined a generation of children’s media by making showrunners think they had to tackle issues like PTSD and trauma.
However, to give SU some credit, Steven was not 9 years old at the start of the show. It’s a really jarring choice that was probably made to capitalise on a more marketable demographic for TF and to keep the children’s play more lighthearted, but you get some really weird moments like (checks notes) a nine year old giving advice to an adult on how to handle trauma.
The issue with this is no nine year old should ever have to do this for an adult. They do not need to be wise beyond their years. They do not need to be a therapist for their caretakers. Grimlocks PTSD episode is one of the most egregious examples of this, where (not only is this depiction extremely one-note and weird) the narrative punishes Jawbreaker for not realising Grimlock is having a panic attack in the middle of their play.
As a framing device in a kids movie, what is a nine year old viewer supposed to take from this? The child brain is going to think ‘the adult lashed out and hurt Jawbreaker, it was his fault for being too rowdy.’ LIKE YOU WOULDNT SEE THIS IN PEPPA PIG.
And you do need to consider this when you’re writing children that young in your media, because kids are going to watch shows that have other kids the same age as them in it. There’s an almost instinctive camaraderie in seeing a fellow nine-year-old on TV when you’re at that age. So, the show is very likely going to be watched by 8-15 year olds which brings us to
2. JESUS CHRIST. THIS SHOW NEEDS TO CALM DOWN.
This show is way way way too interested in putting children in extreme danger. Constantly, towards the end of the series.
I’ll make a note first that it’s okay if kids shows have fun play-violence; kids like action. Children like low-stakes explosions. It’s not super serious and most TF media does this well, even if it’s tonally a bit more serious. This is not really an issue in a show like TFP or TFA which also had young kids.
Earthspark does not make its action low-stakes. Earthspark treats its violence extremely seriously; children cry, they scream, they get bruised, their parents wail when they see them in danger. Violence has a lasting impact, it has to because the show constantly wants to talk about trauma, so they can’t have video game rules. If they get hurt it has to impact them. Robbie and Mo are in consistent, life-threatening danger. They’re always being shot at or dropped off cliffs or almost killed and it always harrows them.
And kids can pick up on this. They’re going to realise that this is something that’s Serious, and Scary, and they’re going to be FREAKED out.
They’re also going to be freaked out when the children are fuckin. Tied into the bio-wall with tubes by Mandroid, or when Robbie has alien leukaemia and his parents are so so scared and has to rush him to the hospital and Mo is crying so much, or when their parents are seemingly killed and the kids are screaming and punching the ground and blaming themselves.
And that last part is important, because on several occasions the narrative reinforces this. The narrative. Of a children’s show. Says yes; Robbie and Mo have powers, and this makes them responsible for the well-being of the adults around them. Mo literally gets told this. By GOD. Before her parents proudly watch on without interfering as she fights in hand to hand combat with the villain (WHO IS, AS WE HAVE SEEN, FUCKING DERANGED AND WOULD LOVE TO KILL A TEENAGER JUST ONCE PLEASE PLEASE)
In conclusion, what this tells me is the showrunners are inexperienced. They didn’t consider what is appropriate for the subject matter of a children’s cartoon. They wanted to write about trauma, and war, and think kids are cute! And didn’t want their TF fanfiction to be narratively compromised by having to ‘dumb it down’ for kids.
The result is this is never a show I would ever put on for a 4th grade class in break time, at the risk of severely upsetting a lot of them. And it’s also a show I can’t enjoy as an adult, because it uses the language of a children’s cartoon to make nuanced topics more binarised and soppy.
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idyllic-affections · 1 year
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platonic requests you say?! well,, how about xiao or scaramouche (or both hehe but just do whichever one you’re more inspired for!) with a child reader that’s kinda like a little sibling figure for them, who just follows them around aimlessly & doesn’t listen when they’re told to go away until Big Brother Figure has to accept that they just have this Stray Child attached to them now?! thank you if you decide to do this!! <3
what's with this sassy, lost child?
summary. scaramouche is not a good person.
trigger & content warnings. implied child abuse and canon-typical scara lore.
tropes, pairings, fic length, & other notes. found family, fluff, alight angst (?). scaramouche & child!reader. 0.5k words. they/them pronouns used for reader.
author's thoughts. the title is funny; the brainrot is... less funny.... anyways, anon i love this idea! i ended up only doing scara as i had a lot of trouble with getting ideas for xiao's part? its weird since i really like xiao but i had no inspiration for him. additionally, i only wrote about fatui!scara rather than wanderer!scara. if you ever want a wanderer!scara version of this, just shoot me another request and ill be happy to do it <3 this ended up being kind of similar to a character study, which i find super interesting actually. it wasn't meant to be like that but i think its kinda cool c:
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scaramouche is not a good person.
he has no issue admitting to this—he is cruel, violent, and temperamental and has no qualms with resorting to methods equally so to get what he wants. despite this... he will not commit crimes against children. that is one thing il dottore, the man very much responsible for his present state of mind, does that he won't.
the balladeer will never be caught dead being the one to take away a child's innocence and hope.
a child's innocence is unlike that of any other. it is fragile and delicate and something to be protected rather than battered and bruised. he didn't get to bask in his own innocence for very long; his view of the world around him began to skew towards darkness the moment ei threw him out as if he was nothing more than a doll that lost its novelty. he knew all too well what it felt like to be thrown away.
maybe that's why he kept them around.
"what are you doing?" he demands, turning to the kid he begrudgingly settled on keeping around. it was mostly just to spite the ignorant fatui agent that had tried to assault them after finding them lost in a research camp. it... definitely had nothing to do with the fact that he saw himself in them, that he saw kunikuzushi staring back at him when he looked down at them. not at all. definitely not, because empathy was something the balladeer absolutely did not have the capacity for.
(deep down, he knows he's only lying to himself. number six was once so gentle and kind and curious. he wasn't always this way.
regardless of how he feels about it, kunikuzushi will always be a part of him.)
"it's raining," is all they say in reply, scooting closer to the harbinger. he shoves them away with gentleness unheard of from someone like him, and they whine, adding on, "it's not even warm rain. it's cold."
"freeze, then."
their lower lip juts out into an intentionally overdramatic pout at that. "big brother's so mean to me..."
he glares down at them.
he does not, however, offer any opposition other than a soft scoff when they scoot back under his hat.
scaramouche's sharp glare redirects to a fatuus that stared at them a little too long as he rests a hand on their head, calloused fingertips rubbing little circles into their damp scalp. they seem happy with the contact—happy enough not to notice the way their guardian's eyes narrow further at the foolish, unmoving agent. it's a warning, an unspoken threat, a promise of a fate worse than death if his underling does not back off. the fatui agent seems to understand well enough, scurrying to get back to work.
the balladeer's hands are drenched in an inconceivable amount of blood and tears that no amount of rain will wash away—some belonging to him, but the majority belonging to his victims. he fears that the crimson will spread onto them like some kind of disease, consuming whatever innocence they have that he's tried so hard to preserve. the worst part is that he knows his fear isn't irrational. even a worm will turn.
number six of the fatui harbingers does not remember what it means to be gentle, but for them...
he's willing to try.
he's desperate to try.
please consider reblogging, it helps me out quite a lot!
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blueiight · 1 month
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can i ask your thoughts on the fandom’s heavy focus on louis as an object of desire? it sometimes feels to me like people are more interested in other characters reacting to louis than they are in louis himself. i know the “helen of troy” stuff is a joke but it genuinely seems like he’s often rendered oddly passive in his desirability, like we’re looking at him through the eyes of the other characters even though it’s his story (to be clear: in the fandom, not the actual show). or am i being uncharitable? either way, you always have interesting things to say about fandom reception.
i think the focus of louis as an object of desire arose largely in response to a lot of racially-charged nonsense about show louis, namely, where a loud minority of fans tried to deny the abuse and horror of season 1 and frame louis as the primary antagonist/abuser of his own story. which in of itself had the potential to go somewhere, especially considering the feminized role louis occupies in parts of season 1. unfortunately its spiraled off into its own dead end at this point to where now people, a year and a half removed from the release of s1, can box louis's character arc into this tale of getting all the hot boys to look her way. when this is a horror and tragedy series. romance is part of that, but is a piece of the full picture. classic romance is very much horror tbh but thats just me
if we're discussing the show strictly, majority of louis's relationships are antagonistic. even with his lovers, they love him as much as they seek to control him. 'his love is a small box that he keeps you in', trailer louis saying 'i knew who i was without those pieces [of myself?]' . so on and so forth. the first three episodes of season 1 are about louis's struggle to maintain a link with his mortal community, in the midst of increasing racist tensions against the city leaders, all as he struggles to come to terms with his existence as a vampire and how his relationship to lestat fits in relation to all these pieces of himself. doubly so, there is also the nature of the second interview in present time, and the sort of antagonism between daniel + louis as louis eventually pushes daniel into burning the old tape. the latter half of season 1, episodes 4-7 is squarely about the triad of lestat, louis, and claudia, how lestat increasingly tightens his hold over them both, claudia breaking them free of it, and louis's response to such. doubly so, daniel becomes more hostile the less he knows, and the more louis's composed 'master of his instincts' personage collapses to show the broken man thats underneath. armand comes in at the end bc the interview has reached a breaking point once more [as it did in the 1970s]. i know, im looking too hard into the meme, but so much of where louis errs, where his memory falters, where history is completely revised, has to do with the question of claudia. even book interview foundationally was about this grief, though not nearly with the level of depth+ gravity the show has added to the story.
where focusing on louis as an 'object of desire' most impedes analysis has to do with claudia as well, bc if u see louis as that solely, then what is claudia to u if not a 'child interfering in [louis's] romantic affairs'? why are people already seeking to write claudia off as a wayward child unduly 'taking out her anger on louis', when it was louis at the end of season 1 who strangled her against the wall and refused to let her burn lestat? when its louis in the trailer thats throwing claudia's words from season 1 back at her, evading her questions in the cafe? when claudia is having to dress as a baby doll and advertise with a sandwich board for a theater + a coven-master that all want her dead?
i think this is by nature of the fact that iwtv is canonly gay and isnt afraid of showing that, and modern fandom is mainly interested in romance. claudia's relationship to louis is secondary, if not tertiary, to all 'camps' of this tiny tiny fandom bc she is clearly established in s1 as not being a viable romantic option for louis, despite claudia's perspective and her story taking up the second half of the first season, and will continue to be important in the second season. the 'helen of troy' fixation on his desirability in relation to romantically viable vampires [or even men] seems to be another means by which fans can ignore this part of the story, just as the mutual abuse nonsense about louis being clarence thomas the third self hating black man who stole lestat's lunchables and is 'just as bad as the rest' drowned out and continues to drown out any other conversation for the past year and a half. it is very difficult to have conversations on this character precisely bc of this state of fandom, where many people seek to crack the whip over a fictional character for not being mother teresa and having a complex response to trauma, then instead of discussing that, some seek to fixate on the fact that mother teresa can be sexy, actually. when thats not the point. why is modern louis so full of grief and all but suicidal in dubai, if not for the fact that claudia is permanently dead, he still lives, he regrets something, and wants to find the truth under it all? the jokes are cute and all, but lets put our thinking caps on.
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nintendont2502 · 4 months
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cant find the original post but a while ago i impulsively decided to add all 32 sburb players (betas, alphas, alternians *and* beforans) to a random name generator and then randomly mix them up - characters kept their original first name and class, and took on the last name and aspect of whatever character they took the role of. this was just meant to be a funny 1am experiment so i could laugh at the cursed results
...yeah it has lore now. i cant stop thinking about it. help.
Beta Kids:
Gamz Egbert (Gamzee) - Bard of Breath. One of the most chill guys ever. Constantly zoned the hell out. Loves clowns :0) him and his dad bond over it. Hangs out with Kari a lot over vc, where it's basically just Kari talking at him uninterrupted (the kid needs it sometimes)
Kari Strider (Kankri) - Seer of Time. Gifted kid and he won't let you forget it. Permanently lives in a sweater vest even though he literally lives in Texas. Constantly annoyed by how childish and immature his older brother is. Lectures him a lot. Lectures his friends a lot. Has 'visions of his past lives' (aka occasional memories from his post-scratch/alternate timeline counterparts). Lectures his friends about how theyre real and valid whenever they make give him shit for it (which happens a lot). Dedicated pacifist - for now, anyway.
John Lalonde - Heir of Light. Golden child. Has an over-bearing mother that constantly pushes him into learning instruments/lanugages/skills, participating in competitions and events, winning award after award. Sure, he's... kinda sick of doing things all day every day, and he doesn't really want to do any of this, but... shouldn't he do it anyway? Even if just for his Mom? Hell, he can't really complain about it, right? He has such a good life! He goes horseback riding every sunday! Sure, it sucks that he doesn't have any free time that isn't controlled by his mother, but he can deal with it. It's fine.
(Things get even worse during the three year trip when Wuh Oh! Gender crisis time! Except he can’t be a girl because he was always meant to be his mom’s perfect son, and he’s already let her down once by letting her die, right? He can just… live with this. Its fine. It's not that bad. It's for her, after all.)
Roxy Harley - Rogue of Space. Grew up living on a small island somewhere in the Pacific that her grandfather 'won in a poker game' (aka probably scammed someone out of, knowing him) - or so he says, anyway. He also used to say he got Roxy the same way every time she asked where she came from! Haha very funny Roxy definitely loved hearing that and not a real response every time she asked where she came from and why she didn’t have any parents. That was great. Her grandfather died when she was fairly young, leaving her alone on the island with nothing left of him but the small inventions he left around the place to make life easier for her. She grows up learning how to maintain them, and although she tries becoming a great inventor like her grandfather, she just... doesn't have the skill. Hacking, on the other hand - shes great at that shit! She finally cracks her final goal - cracking into her grandfathers servers - just before her friend Gamz's 13th birthday, finding mostly boring shit - expenses, customer complaints, legal threats, budgets, etc. What's mildly more interesting to her, however, is the insane amount of money (if they lived on the mainland, they'd be fucking LOADED), and a .exe file for a really cool looking game, with a note from her grandfather congratulating her on finally getting in. And hey, would you look at that? Its multiplayer! And all her friends are free - even John, who through sheer coincidence found himself with a free weekend after his tutors came down with various mysterious illnesses and injuries. It's like the universe wants them to play the game or some shit! Haha wild
Alpha Kids:
Raph Crocker (Rufioh) - Rogue of Life. The living embodiment of all those business major memes. Dude is *dedicated* to the Crockercorp brand - he's determined that one day, he'll climb the ranks and become head of the company, and hopefully lead it just as well as his great-grandfather did. He unironically wears a suit everywhere, and seems committed to sounding like a 50 year old boardroom exec trapped in the body of a 16 year old - although it isn't hard to get him to crack. As much as he pretends he has no patience for his online friends and their constant stories of 'living on a remote island' or 'living in the post-apocalyptic future' (seriously guys, he isn't that gullible), he does genuinely care about them. Besides, when you're stuck in the house all day, there isn't much else to do.
Tuna Strider (Mituna) - Heir of Heart. Trans king. Exudes pure 'disney channel older brother' energy. Shithead (affectionate). Looks up to his Bro, a famous pacifist who resisted the Batterwitch's rule with a global peaceful protest... only to be killed the moment he became too much of a threat. Yyeah. Tuna has... some thoughts about how that should have gone down - most of them involving swords. Or guns. Or both. Maybe if his Bro had a sweet katana, the world wouldn't have been flooded! Although it's too late for his Bro, Tuna has decided to take up the fight in his stead by creating his own 'sick as fuck gun-sword' with whatever scrap metal he can find in the apartment (his Bro, for some reason, didn't think to leave him any useable weapons. cringe). He's got the sword part down great, but the gun... not so much.
Vris Lalonde (Vriska) - Thief of Void. The second half of the 't4t post apocalypse chaos squad', as Tuna calls them. Girl doxxes people for fun - what are they gonna do? Doxx her back? lmao good luck with that losers - closest youre gonna get is still 400 years off. Constantly daring her friends to do stupid shit and quote, 'stop being so fucking boringggg'. it usually works on tuna. sometimes on dave. she still hasnt gotten raph yet, but *one day*...
Dave English - Knight of Hope. smooth talking mile a minute inventor who *loves* trying to 'pitch' his latest invention to his friends. its become almost a game to them, where theyll take turns bidding increasingly ridiculous amounts for an umbrella that shoots seeds ('for easy planting in the rain yknow') or a beat-boxing robot ('i dont even need to explain this one just look at it man. cool as shit'). hell, even raph gets involved sometimes, usually turning it into a shark tank style negotiation. dave swears hes keeping a tally of how much everyone 'owes' him, and claims that one day hes settling that bill. his inventions are genuinely pretty impressive, especially considering his limited resources - being stuck alone on a remote island makes sourcing parts pretty hard. he probably wouldnt even need to jokingly scam his friends in order to jokingly sell his inventions - they jokingly sell themselves. he just thinks scamming people is fun.
Alternia Rapid Fire Round lets goo
Cronus Megido - Bard of Time. relentlessly flirts with anyone of a higher caste than him in the hopes that, if he can get into a quadrant with them, he'll have more protection than he would as just a solo rustblood. this strategy ultimately fails when he flirts with a particular Serket one too many times and gets killed for it. damn. oh well.
Sollux Nitram - so so tired of everyones shit. the only person that actually vaguely got along with Cronus (because he was the only person that Cronus didn't flirt with). just wants to play his pokemon in peace man stop dragging him into drama
Damara Captor - Witch of Doom. 'curses' people. seems weirdly unsurprised when those curses actually work. after cronus' death, a rumour went around that she was the one who caused it, and she absolutely wasnt denying that shit - now no one wants to fuck with her, and those that do? well, she still has her psiionics.
Meulin Vantas - Mage of Blood. Basically the only fucking thing holding this friendship group together. Despite all the complicated as shit relationships - the friendships, the exes, the mortal enemies, the attempted (and successful) murders - Meulin somehow manages to navigate the web of relationships and keep everyone relatively stable
Jaydee Leijon (Jade) - Witch of Heart. catgirl :33. Wishes she lived closer to everyone so she could see them 33: especially her moirail!! at least she still has her lusus to playfight with
Karkat Maryam - Knight of Space. basically a tboy vampire. Used to live in the caverns, but after he realised he was a dude, he began to feel uncomfortable with how oppressive and 'feminine' the caverns were. ran away. struggles with his identity - the contrast between the typical female jadeblood standards of being caring and nurturing, and the typical alternian female standards of being violent and aggressive, leave him stuck in the middle, unsure of what to do or who hes 'allowed' to be. swings wildly between being aggressive and letting himself care about his friends. he eventually figures out that gender stereotypes are bullshit and he can care abt his friends and still be a dude. hes still an asshole though <3
Eridan Pyrope - Prince of Mind. Incredibly committed to a strict moral code - which... no one can figure out. it seems to vary wildly depending on what suits him best at the specific moment. Used to roam Alternia looking for 'criminals' to 'improve' or, if that failed, 'bring to justice' with one Serket, but after an incident involving the loss of three eyes and one arm... they arent exactly on speaking terms.
Dyrrhk Serket (Dirk) - Prince of Light. i dont know how else to say it this mfer makes saw traps. he claims its to 'improve' people - by putting them through some specific trap, it... fixes a percieved issue? even if its an issue only he can see. and if they die in the trap? well, they should have just tried harder right. they probably deserved it. he isnt even doing this out of a desire to hurt people hes *genuinely* convinced that what hes doing is helping, and thinks that this is the best way to go about it. puts eridan through one one day, resulting in the loss of his vision, and after he (finally) figured out that 'huh maybe that wasnt a good idea', he... apologises. lmao just kidding that would be too reasonable - instead he mind controls one of his friends into putting *dyrrhk* into a trap of his own design, resulting in the loss of an eye and an arm. he seems genuinely convinced that this should make them even. everythings fine now, right? he scares me just on a conceptual level
Tavros Zahhak - Page of Void. hes basically a himbo im ngl. hes tall hes ripped hes clumsy and he cant help but draw attention to himself wherever he goes - attention he *hates*. moirails with jaydee. theyre cute <>
Latula Makara - Knight of Rage. clown... despite the usual purpleblood stereotypes, she doesnt really get angry all that often - most of the time, shes just vibing. but when she *does* get angry? its always for a reason. theres always a specific goal shes fulfilling through that anger (even if its just intimidating someone into doing something). i have the least thoughts about her but shes interesting
Jaiikk Ampora (Jake) - Page of Hope. Just a funny lil guy that likes playing pirates :) all the lowbloods he roleplays with definitely want to be there and don't feel coerced by being 'asked' by a literal violetblood :)) if people die during his 'games' well that sucks but he cant exacly stop playing because of a few small accidents right? ..yyeah. hes incredibly ignorant of his position in society and how that effects other people, even if (especially if) those consequences are deadly for others. after a certain point its just easier to not know whats going on than to face all the damage youve caused right. claims he loves the ocean and dreams of living in the depths. never goes into the ocean. hes a weird guy
Equius Peixes - Heir of Life. Future heir to the Alternian throne. Determined to lead Alternia into a new era of strength, no matter the methods to get there. moirails with Jaiikk (which absolutely doesnt help the whole 'Jaiikk accidentally pressuring lowbloods into doing things for him' thing. bro has scary dog privileges with the future emperor looming behind him at all times)
Even faster Beforus speed round because you cant legally make me think about them for more than five seconds
Porrim Megido - Maid of Time
Feferi Nitram - Witch of Breath
Rose Captor - Seer of Doom
Nepeta Vantas - Rogue of Blood
Kurloz Leijon - Prince of Heart
Aradia Maryam - Mage of Space
Aranea Pyrope - Sylph of Mind
Kanaya Serket - Sylph of Light
Jane Zahhak - Maid of Void
Meenah Makara - Thief of Rage
Terezi Ampora - Seer of Hope
Horuss Peixes - Page of Life
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lemonandlime22 · 1 year
Note
Twisted wonderland character react to mother Mc that came to wonderland with a baby If it is ok you don’t have to if you don’t want to
Parent!Yuu coming to Twisted Wonderland with their child
Warning(s): teen parent reader, cussing, not edited
A/N: You didn't specify what characters so its just ganna be general hc. Keeping it gn cause I dont write fem readers rn.
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Grim opens you coffin and finds you holding a crying baby then slowly closes it
both you and ya kid have your own robes and Grim tries to convince you to him him your baby's.
Crowley passes out thinking that the black carriage just picked up two kids and your parents were going to sue him all to hell
then you tell him that its your child and he's all better
cause you can't sue him :).
Grim always refers to himself when around the baby as uncle Grim
he will cry if the bbys first words aren't his name.
The ghost will babysit for you a lot, their its unofficial godparents
they also like to put the baby back to sleep when they cry I the middle of the night.
Train gives you some pointers on random parenting things, he also is happy to last minute babysit for you when you have pop quizzes or anything like that
same with most of the other teachers,
Vargas will do little baby exercises with them while you run laps or wtf you have to do that day
Crowley would offer to help, but please be my the responsible choice and never leave him alone with your child.
You two are always welcome to unbirthday parties, Trey will make baby food for them or baby friendly foods he also will be happy to teach you how to properly brush their teeth
Deuce and Ace love playing and entertaining them, Cater take so many pics of them
Riddle tries his best to get along with the baby but it's very awkward, which is also rly cute.
Take them to Leona and he'll throw yall out, he already has one brat to deal with he doesn't want another.
Ruggie will give you some easy food recopies for you to make that the baby can have
Jack will babysit in the early mornings on occasion by taking them out for a run with him in one of those chest/back strap things.
Do not on any occasion let Floyd hold your baby, he will throw them up into outer space!
Jade will try to give them some mushrooms so just to be safe keep your distance with him too
Azul will have war type flashbacks from seeing you chubby baby.
Kalim is spoiling the shit out of your child, he's also happy to babysit he's got more experience then most with how many little siblings he has
Jamil doesn't mind being around the mushy thing if it's not annoying.
Epel LOVES them! their just the right amount of chaos he needs to stay sane, plus they might remind him of some of the kids in his family or home town
Rook is another happy babysitter, likes to put his hat on them even though its way to big for them
keep the tf away from Vil, on his request
especially if they have ever or have come close to fucking up his makeup or hair or anything like that.
Ortho enjoys playing with them, he thinks their so interesting, also would love to hang out with them but Idia refuses to allow kids
especially babies
anywhere near his room.
Be carful, Lilia might try to adopt them, maybe both of you and he'll be a grandpa
he hasn't decided yet
he also might try and teach them to call him grandpa and Silver uncle
also for some reason, prob the animals that are always around him, your kid loves Silver
Sebek contently makes your baby cry cause of how loud he is, he also yells/scolds at them if they ever cry while Lilia or Malleus hold them
Malleus is basically their unofficial dad, he adores them and spending time with them, even giving them gifts
not just toys tho like things they need
this man even reads parenting books!
fuck after a while he might even start a collage fund for them.
Anyway-
Good luck raising your kid here!
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neonscandal · 3 months
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something I wanted to understand, the author said that satoru was quite a womanizer, but then he said that geto was much more popular among women than satoru I didn't understand
Technically, the author said that they didn't see Gojo being faithful to one or a certain woman not that he was a womanizer.
With what we know about Gojo (and Gege Akutami's trolling ways, for that matter), I think that's up for interpretation.
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FAN INTERPRETATION
Fans really took that sentiment and kind of ran with it because, to us, Gojo is high spec in every way. Canonically good looking, tall, competent at like.. everything according to Akutami, strong and presumably loaded. Of course someone like that would be a womanizer, right?
Except Gojo is an oversized child who still kinda refers to Digimon in conversation and primarily hangs out with 16 year olds. People project a lot of their BS onto him because they can't imagine ticking all those boxes and not being an asshole. But he’s a corny dork who is seemingly impervious to the outright disdain of most of the people around him. IT’S COMICAL. Personally, I think this interpretation is incorrect, demonstrably.
The other side of the fandom is naturally like... well of course he couldn't stay faithful to one woman. He's been faithful to Geto for ten years! I think we know what camp I've pitched my tent in *gestures vaguely to the rest of my blog* Especially when you bear in mind that Gege Akutami specifically designed Gojo and Geto to be intrinsic complements of one another.
CANON
I'm not so SatoSugu addled (once the brain rot sets in, it's terminal) that I am unable to disclose the secret third way we can interpret this. Canonically, when we look at Gojo as a character... it almost makes sense to assume he's simply not interested in dating at all.
Empirically finds it hard to relate to others
Even when he does care for others, he's still emotionally shallow and aware of it
Gojo clan leader with all associated unpleasantries and responsibilities from a young age
Single benefactor to two children; assumes direct responsibility over two more by staving off their execution
First line of defense for all of jujutsu society
Has a grand design of toppling said jujutsu society
Has experienced devastating loss which informs the grand design of his life's mission and he's always plotting, even when it comes to the seemingly altruistic act of "adopting" the Fushiguro kids or pressing Yuta and Yuji to learn under his care. When you consider that context, it furthers the idea that he's pretty divorced from emotion. Like, he wants them to have a childhood but its still at the pleasure of his convenience and ultimate purpose.
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LOOK at this gorgeous, gorgeous boy from pop layer art because I need it and, when I covet, you must also covet. Edit: I'd accidently copied the wrong link there! It's been fixed 💙
In universe, we've seen maybe two canonical couples: Yuta & Rika and Hakari & Kirara (to be animated). This supports the fact that Gege's not really concerned with injecting "romance" into the plot unnecessarily. Undeniably and supporting the SatoSugu agenda, however, is the fact that JJK 0 very much aligned Gojo & Geto with Yuta & Rika with the theme coming to a head in season 2 with Gojo's sealment. For clarity, I mean how love ultimately cursed Rika and Geto after death by Yuta's begging her not to leave and Gojo not properly disposing of Geto's body. Love turned Rika into a curse and allowed Kenjaku to swoop in on Geto.
GETO'S POPULARITY
Geto is, quite literally, popular with everyone in universe and that was before he became a cult leader... which also indicates a predilection for popularity, I guess? As a character, he is principled, thoughtful, gentle and strong. I think, collectively, we tend to toil over the fact that Gojo spent more time missing Geto than he actually knew him. But... that's the same for Shoko and Nanami. After Geto's defection, Nanami couldn't forsake him even if he morally couldn't approve of his actions. Over ten years later as the night parade of a hundred demons is set to take place, Yaga starts saying something along the lines of finally getting rid of the scourge that is Suguru Geto and Shoko makes it a point to leave. I think it's because, after everything, she still holds affection and pity for Geto and would rather not hear him being bad-mouthed for breaking under the pressure of things.
He was the best of them, after all.
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writingwithhana · 4 months
Text
HOW TO BREAK YOUR READER: EP 1
✩°。⋆⸜ 🎧✮ EPISODE 1: HOW TO BREAK YOUR READER BY A FIGHT
TAGS: @chocobeese @reyna-obsessed (if you want to be added, plz dm me or send an ask. if you want to be removed, dm me or send an ask.)
*taps mic* Hello, writer friends! Thanks for being here today <33 welcome to the first episode of HOW TO BREAK A READER. Today, we will be exploring how to evoke emotions from the reader, by having a fight between two characters.
I have decided to effectively break it down into these pointers–
1-> BUILDING UP TENSION TO THE FIGHT
Before we give the shock, we want to give them the fear. when two characters the readers extremely love, and also ship very much (it could be a platonic ship as well) start to have small little bickers. if your ship is an enemy to lovers, your reader wouldn’t suspect much, so you have to show how upset it makes your character. 
you want them to avoid each other, reducing screen time of the characters together that if the reader doesn’t pick up on it, let some of the side characters to. show how your character replays the small bickers a lot, to show the affects. and if your novel is a romance novel, its a good time to start your side story while your character avoids the love interest, or show them bumping into each other and ignoring each other.
2-> THE RELATIONSHIP BETWEEN THOSE 2 CHARACTERS.
Having a fight between your characters has to be unusual, taking the reader aback. Having two characters who already hate each other fight may give some emotional satisfaction or the signal for the readers to kick back and eat popcorn, but we’re looking for tears. 
The best thing to do is to go ahead and give a fight between two people who usually get along. and ‘get along’ can’t be just mutuals, it should be two people who have a deep and happy relationship, and also extremely close. bonus points if one of them is the person who is the most optimistic of the bunch. 
fights should be unusual, now we have the shock factor. The shock has started, and the tears will follow.
3-> THE EVENTS OF THE FIGHT
Here comes the big break. the fight. Now this is where you have to make everyone crack into pieces. there has to be tears, and each one of the characters shouting about their feelings. if it’s a physical fight, add some emotional narrative such as:
Bob slammed his knife into Josh’s stomach, plunging through the flesh. This wretched creature–always thinking he’s the best–
You have to make sure the reader sees both sides of the story by the characters yelling, and maybe some child or innocent character tries to break the fight up. if the characters ignore the child, let them continue, with occasional interferences. There has to be someone holding someone back, and some people cheering on the fight. There has to be tears in their eyes. You have to show the cracks in their voices.
The best way to end is one character just leaving, and the other still angry, and too emotionally charged to care. that’s it, your fight’s over (its a cliche way though) or, both of them scream about something close to the character, and it makes one character freeze. That they just give up about the fight. such as:
“I wish I never met you!” Alessia screams into the void. Silence. Only the heavy breaths of Nathan echoing through the air. Nathan freezes, and like a movie, he starts replaying again. Alessia’s breath catches as his fury morphs into sadness.
“Okay.” And he leaves the room.
“We’re done!” Alessia calls, anger filling her blood once again. How can he just–turn her back on her? This is all his fault–
There is no response, just the nasal sniffles from Gianna.
( a weak example, but I don't do romance 🤡 )
4-> CONSEQUENCES OF THE FIGHT
it’s over. you have cracked your reader, but now you want them to cry. you don’t want them to talk for days, the side characters giving dirty looks, and the character crying because they messed up. you want regret and remorse.
it will hurt the reader more if the pair had some plans ahead and one character goes and waits for them in the venue, but the other never comes. and then perhaps another fight for that. That is the confrontation. All of this is optional, of course. there are two paths:
A. THE CHARACTERS NEVER TALK AGAIN.
Easy. Make them ignore each other, and the book ends, with remorse and regret, it never gets past the finish line. You can make this part of the personal growth of the character, developing a bit more.
B. THE CHARACTERS MAKE UP.
This. for this, I suggest a confrontation of the two characters once again, or one character begging the other to just talk to them, or one character getting hurt and–
There are many options and choices you can make. But overall, this should give some distress to your readers, as well as some sadness. Maybe even some tears.
That's it for today. Thank you for joining us on this episode. See you in the next one!
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gofancyninjaworld · 4 months
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The OPM Manga in 2023
By the numbers:
23 updates (most 14 days apart, shortest interval: 9 days, longest: 33 days).
662 pages (range 12 - 41 pages, mean page count: 29 pages).
Volumes published: 2 (Volumes 28 and 29). 1 bonus chapter included in Volume 28 -- Olfaction.
By the story:
Psychics and Temper Tantrums (chapters 176 - 184)
Well, the Monster Association is behind us but the fallout from it is slowly beginning to settle. Most of the heroes are now back at work and some of the consequences of a world that's increasingly scared of monster attacks are beginning to show up. The first quarter of the year was taken up with Tatsumaki's temper tantrum -- and Saitama once again daring a strong person to do their worst -- it's like he didn't learn his lesson with Garou, which disappoints me. [I love Saitama, but when brains were being handed out, he was not at the front of the queue.]
That said, even though I did not care one whit for Tatsumaki throwing Saitama around (it wasn't terrible, but really it could have been condensed into 1-2 chapters), the start of the Psychic Sisters arc was fantastic, and its ending was very interesting. I made a nuisance of myself at the start of it, pestering everyone in earshot with my excitement that Tatsumaki was taking Fubuki into her confidence to try getting Psykos out rather than trying to do everything herself.
Her complex feelings of disappointment, betrayal, and the sense that she'd made a mistake were some of the most complex and nuanced we'd seen in the story. She may be paranoid and misanthropic, but she's not crazy: there's a basis for her actions, and being knocked back just when she'd taken the risk of opening up was harsh. Unfortunately, Tatsumaki's default response is rage.. and I'm not going to waste time on recounting what happened then.
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I felt pain for her here.
The end as well, expanding as it did on Tatsumaki's thoughts about how she'd accidentally woken Fubuki's psychic powers by scaring her so badly and the guilt she felt at having made her sister a target, was great. Her feelings about Blast are great, as this is the first time we get what she actually thinks of him. I still want her to learn that Blast doesn't work alone -- it'll blow her mind. The session ending with her giving the Fubuki group a chance to grow stronger and prove themselves is a fantastic development.
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Even when she's giving someone a chance she still has to be scary.
Schemes (chapters 184, 187 - 191)
I really love how seamlessly the Psychic Sister arc flows into the next big theme: that of schemes and threats to the Hero Association's future. ONE has done a lot of work reworking the webcomic story so that the storyline is a coherent whole rather than two-three apparently unrelated storylines. Fubuki taking advantage of the chaotic aftermath to extract Psykos while securing immunity for her sister, and Tatsumaki brazenly using the HA's need to keep the rich clients sweet to scupper an investigation into Psykos's whereabouts was all clever. However, they're just amateurs and their antics played beautifully into McCoy's hands, who leveraged the crisis to make himself appear indispensible to the HA, thus making it very hard for him to be removed, even as he works to implicate the Hero Association in scandals (many of which he's running).
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You can't call McCoy hasty: this guy has played a good long game.
The Hero Association is already having issues recruiting new heroes as they're going to Neo Heroes, which is also pinching existing heroes. However, it's not 100% going McCoy's way. Something I started praising in my review of chapter 173 is the greater self-efficacy of the characters in the manga. Sekingar and Sicchi haven't just been sitting on their hands watching McCoy sell the HA down the river. They've teamed up with Child Emperor to find out what he's really up to.
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I think that this is the best cover of 2023: a collection of individuals who embody heroism, whether or not they're recognised as such or work in 'regular' ways. Well, there's one impostor…
Critically, they're not assuming that the Neo Heroes are necessarily evil: they want to understand what this outfit is actually doing. After all, heroism is heroism, no matter what guise it takes. To see that Sekingar has so earned Metal Bat's respect that the latter follows him into the heart of danger did my heart good [1].
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Please, my poor heart, it'll burst if things get much more awesome.
Ninjas, Ninnies, Nintendos (193 - 199, ongoing)
That Blast has some connection to the ninjas from Sonic's Ninja Village has been clear for a long time in the webcomic. [2] However, it is only here in the manga that we're getting a full explanation of what that connection is.
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Yes, yes, my partner may be a monster but he's a useful monster.
The intertwined story of Blast and his attempts to reach his former partner, Empty Void, who was also running a horrifying 'school' for grooming boys into assassins, and that of Flashy Flash and Speed o' Sound Sonic isn't done yet, but it looks to be reaching at least one turning point. It's a pity that the fan translators stopped translating the cover text because that for chapter 199 was incredibly pertinent: 'Staring at the back of a friend you used to stand shoulder to shoulder with.' Sonic has so much to process.
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And like that, Sonic's world has been turned upside down.
Since Blast has an ongoing relationship with Empty Void, we get troubling questions as to how long Blast had known about the Village and whether he disapproved, or had been content to ignore it as long as he had his partner by his side and found his talents indispensible. It's going to be interesting when those two meet! Also, if Blast is hoping to reverse Empty Void's monsterization, he'd better hope that the guy isn't like most people who became monsters. Most ex-human monsters *want* to be that way and there doesn't seem to be a good way to undo it. Well, maybe if you chop them up, have Phoenixman (oops, he seems to have lost his powers) resurrect them, then shock them incredibly hard, that might work. It's unlikely that anyone present can deduce what happened to Gale Wind and Hellfire Flame, much less put all the working parts of that together.
Still, they're going to try. This *is* going to be interesting. Also, potentially heartbreaking.
Reappearances
Genos: the disciple returns to his duty
Unlike the webcomic, Genos has not been completely absent. He's been quite busy: helping Saitama recover their apartment, meeting the Hero Association to discuss important matters, and also, hanging out with Saitama as a friend rather than as a disciple. It's been fun to see that he's finally ditched his flip phone for a smart one, heheh.
Nevertheless, it's not until Dr Kuseno finishes his new upgrade that Genos sets foot in Saitama's house, formally reporting for duty, so to speak. I praise Saitama's self-discipline and good sense in not breaking eye contact and in politely ignoring his disciple's new-found exhibitionism until he had the sense to put a shirt on [3].
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Less positive, it's been painful to see that Genos is frustrated at how he doesn't seem to have grasped the kind of growth he's looking for and is unsure whether Saitama truly sees him. It's not been helped by Saitama trying to reassure him, pulling his best 'Reigen' face and instead made everything worse. There are two interesting shames, which will surely be built on at some point. 1: We see Saitama seeing Genos's strength but he doesn't say anything. 2: Genos is right that the strength that comes from within is different from that granted to one by upgrades. We see in another chapter from Nichirin, that having artificial parts is no hindrance to pulling out that great inner strength. The funny thing is that Genos has shown that kind of strength before, when he was fighting Elder Centipede, but he doesn't know it.
Ah, despite everything, those fools are no better at speaking to each other than they were before! It'd be hilarious if it weren't so tragic.
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Rarely have the words 'open your mouth and solve your problems' been more apposite. Sadly, that's exactly what they don't do.
Garou: the other disciple tries to learn duty
Now this really threw a lot of fans for a loop -- ONE making clear that he's aware of how young Garou actually is. It was very easy to read Garou as a guy in his early twenties, but strip away the pretensions and he's really young. His over-simple understanding of what was wrong with the world and his over-large sense of responsibility to fix it are thoughts of a teen. It's just a good thing that teenagers don't have world-shattering power, and so can be extreme and wrong without hurting anyone. But it has really jarred with a lot of fans.
I may be giving Bang the side eye as he implements his idea of reformation (apparently, it involves hitting Garou over the head often), but the sense of lightness Garou feels at having a reliable mentor, the relief he undoubtedly feels at having a way to work his crimes off -- being a social outcast may seem cool in a 'reject-the-corrupt-world' way but it gets old fast -- and being able to contribute meaningfully to the dojo's re-establishment is palpable.
His life is sure to start sucking again soon, but for now, it's a joy to see him.
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Let him gambol for now. Go Garou!
King: ugh
Sorry, King just irritates me some days and this was one of them. Not because he was running around trying to find someone who could help him: that was fine. But because, unlike the webcomic, once Saitama told him to work out, he's continuing to stick around and play videogames. In a world where everyone is trying their best to make sense of their world and help themselves in some way, however imperfect, the sight of this poster child for mediocre white men overpromoted for looking the part continuing to laze about just pisses me off.
Let him start helping himself and I will praise him.
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He's been told what to do but he's not doing it.
GAY!
This year, ONE said: here, my children, I have brought you a pint of homo milk. Drink. What else are we to make of Fubuki triumphantly cradling Psykos as she makes a clean getaway?
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This has to be the smuggest 'got the girl' face I've ever seen.
Or Blast continuing to call Empty Void his partner, despite everything that the guy has done, including turning into a monster? He wants him back so badly, and though he says it's strictly professional interest, we think the man doth protest too much.
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And then whatever's going on with these two:
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Flashy Flash, you ain't got no business calling Blast soft when you're handing Sonic tissues and smiling at him.
Fandom Follies
Do we need to do this? Yup! This year, we discovered that a lot of dudebros who have been against the idea of romance in OPM have just been shippers afraid to come out and own it. The sheer number of Saitama x Tatsumaki fans has been incredible. Nothing wrong with SaiTatsu but the obnoxiousness of fans new to shipping has been hard to tolerate. Learn some manners, folks!
Asides
[1] I think this is great foreshadowing of something Forte says later in the webcomic to paraphrase, risking your life for another hero is something you do as a favour for a friend, not because someone's declared themselves the boss of you and ordered it. It's nice to see Sekingar embodying that ideal.
[2] It's hard to believe it, but to this day (chapter 149), Blast is not yet seen in the webcomic. At this rate, he'll show up at the very end to get jobbed by God (no ID), but not before giving an over-long exposition about what he's been up to. That is, if he's not already dead, only nobody knows yet.
[3] I can see SaiGenos shippers worried that my saying that it's good that Saitama isn't taking Genos up on his obvious attraction means that I might be disapproving of the ship. That is not the case. I'm going to assume that most of us here are old enough to vote, enter into contracts, and pay taxes and so can think of things with nuance and context. A fandom that needs the reassurance of canon to decide what's permissible is a weak, timid, and pallid imitation of one, and one I want no part of. For certain, we're here to discuss the story as it exists, but please, we're also here to consider and explore scenarios and make works that cannot and often should not exist in the canon because they are FUN. Even more pertinent, ONE is on record as LOVING that fans spend their time and creativity doing things with his stories. So please, don't allow any in-universe discussions on what is helpful or unhelpful in the story affect what you draw and write! PLEASE SHIP! Gimme!
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asherisawkward · 8 months
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My reaction to the below post
Hello! Fan of Philip here. (I do NOT think he did nothing wrong. He did quite a bit wrong.)
I can’t help but notice that despite your claim of attempting to see things in an unbiased manner, you clearly have made no effort to step outside your favorite character’s side and look at things objectively.
So, I will list the facts:
Fact one: The Wittebane brothers were orphaned at a young age. This resulted in Caleb becoming entirely responsible for his little brother, who was dependent on him physically, financially, and emotionally. Especially when it is strongly implied that they had difficulties fitting in, as referenced by Masha, “They tried to fit in with this town, and its unsavory practices.”
Fact Two: Caleb participated in and even supported Philip with the witch hunting culture. Masha said, “They became witch hunters.” They, not he. Additionally, Caleb is seen in Hollow Mind making the mask that Philip uses when he plays “witch hunt” with his brother and interacts with the witch hunting community. There are also scenes of them witch hunting together.
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Fact Three:Caleb met a witch named Evelyn and began to communicate with her. It’s never specifically stated how they met or when, but the memory painting below indicates that it was during a witch hunt. Take note of the pitchfork in Caleb’s hand.
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Fact Four: Caleb and Evelyn kept their interactions regarding the Boiling Isles a secret, as noted by the rebus, Marsha’s statement of “They used a secret code to travel between worlds,” and the buried Titan Blood. They took great care to ensure that nobody would be able to find them out, including Philip.
Fact Five: Caleb is never mentioned detailing his change of heart and opinion to Philip, nor does he make any apparent interest in introducing the pair to each other until the scene depicted below, which is after years of Philip struggling to survive in the demon realm and thinking his brother was kidnapped. This leads Philip to having no reference for his brother’s growth and thinking that such an extreme change could only happen because of witchcraft.
Fact Six: Caleb and Evelyn had a constant method of transportation between the realms. This is supported by Masha’s previous statements, the buried vial of Titan’s Blood, the abundance of the aforementioned liquid and knowledge of how to get it, and the designated arch they used to travel between the realms.
Fact Seven: Caleb canonically abandoned Philip. This is not an opinion or a take, it is fact. One day, Caleb stopped coming back to the Human Realm and decided to live in the Boiling Isles with Evelyn. Not only did he ignore the fact that his brother was still clearly a child who seems to be closer to Gus’ age than any other members of the cast, but there is no proof that he even left a note behind to is brother or tried to take him along. Instead, Philip witnessed his brother seeming happy and free with a witch, something his entire society and even Caleb had taught him to hate, and he never comes back again.
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Unless this portrait is just make believe?
If Caleb really didn’t intend to get stuck on the Boiling Isles, then why didn’t he try harder to get back to his brother? Philip has shown from his time on the Isles that it takes some dedication and knowledge of the dangers of Fool’s Blood, but it is entirely possible to get access to Titan’s Blood again. Caleb either was not nearly as motivated at getting back to his orphaned brother or he was not nearly as intelligent as we were led to believe through Hunter.
Fact Eight: Evelyn is in the late stages of her pregnancy when Philip finds them, implying Caleb was there for at minimum 8-9 months, which could play a factor in him not wanting to leave the isles and return to Philip. When Philip first arrives in the Isles, he is in his late teens or early twenties, as seen by his appearance below.
When Philip finally sees Caleb again for the first time, he has a beard and his face has matured to resemble his thirties. That is about ten years that Philip believed his brother to be kidnapped and brainwashed, if we believe both the math and Philip’s diary.
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Credit to Teasnap on Duscord for fact eight.
Fact Nine: When Caleb and Philip finally do reunite, the former takes no consideration for Philip’s struggles to survive the Isles, the fact that he grew into adulthood with the same people reinforcing his biases as when he was a child, the terror and confusion he must have experienced at losing his only connection/parental figure, or any of the other trauma and issues that happened because of his choice. What does he do instead? He hugs Philip and introduces him to the woman he abandoned him for.
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None of this is to say that Caleb is an inherently bad person or that he deserves to die in the manner he did, but he made some serious mistakes by choosing to leave his family behind for the Demon Realm, much in the same way that Luz does to Camila. What it does characterize him as is selfish and thoughtless.
I could go on a tangent about how with the way Philip was conditioned, he would have considered any kindness coming from a witch or demon to be a falsehood made to ensnare him and steal his soul, or I could do a lengthy analysis on how Philip desperately needs Evelyn to be evil or else the only person who ever mattered to him chose to willingly abandon him to a town that likely hates him. I could even do or link some explanations of the Boiling isles policies on magically weak or magicless beings are considered inferior and tormented (including Philip) (also note Hunter and Willow as victims of this).
The point is that Philip grew up in a place that taught him everything different, including himself (note his use of his left hand), was bad and needed to be destroyed. These assumptions were never challenged by anyone who could get through to him, and eventually he became a victim of the Sunk-Cost Fallacy.
Sunk-Cost Fallacy: the phenomenon whereby a person is reluctant to abandon a strategy or course of action because they have invested heavily in it, even when it is clear that abandonment would be more beneficial. (cited: Oxford dictionary).
Philip mutilated himself physically and corrupted his very being and humanity in order to save humanity and atone for his brother’s sin of loving a witch. It’s even implied that he doesn’t have any real plans for living beyond completing his goals, at the end of “Elsewhere and Elsewhen,” he says, “It doesn’t matter. I just need to live long enough to see this through.” None of this is indicators of someone who only wants to play the hero and be lauded with applause and praise.
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All of this indicates that he is genuine and serious about his beliefs regarding witches, demons, and humanity. The change from a scared child to a horrific abuser planning genocide that is shown through the evidence I’ve detailed proves that Philip is anything but a one dimensional caricature of a villain, and that to say such is an insult to all the hard work that was put into making him.
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sea-of-dust · 2 months
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Soulmates can hear eatchother sing even from across the universe- Jing Yuan
N: low-key read that as "even in another universe" I was like how the fuck am I gonna write that... thanks for the request nonnie!!
Event link here: 3/5 requests
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Unironcally the first time he heard you sing was when you were trying to show off to your parents. He thought you were fine at first (he invested in ear plugs) but did think you coulda used some work. Funny to think you thought the same, bullying eatchothers singing abilities while fresh outta high school
He has noticed you've sung more often maybe singing classes? It was nice you've gotten better, he's quickly fallen inlove with your voice, how calmly you sing certain notes controlling your volume with minor fixes here and there. Most of the time he enjoys your first attempts at a certain lyrics, but hearing you sing has become a something he looks foward to.
He's tried to talk to you via singing he could have sworn he heard you laugh but he knows you can't. When you do respond sometimes your singing voice is wonderful. "Do you mind saying that again~" "No problem" the smoothness of your voice is heavenly its like your right next to his ear, you could probably hear him blushing with every response you give. "So what planet are you from" the sudden question shocked him a bit but he answered calmly "Xianzhou Luofu" "really?" A sudden interest burst through your usual elegant and calming voice "I'm from Penacony" "I see" "I can see if I can do a show there In the future maybe I can see you" you should have seen him he was like a child, it wouldn't be out of character if he mumbled a yes and pumped his fist. He could be calmly doing paperwork and then his hands slam on the desk eyes widen and he sings, these rumors were overdramatized but it did get a laugh outta you imaging such a scene
Little to say, when he heard the express landed with a reported star from Penacony he thought of you instantly calmly walking toward where they landed where his mind was yelling at him to hurry it up. When he finally arrived little to say there was a reason Yanqing was there. "You're acting like a child" "this is normal behavior you would have nearly flew on them" "No I wouldnt!" He smiles before seeing a person holding a box talking to March 7th. "I'm a bit nervous thank you for bringing me here" "I can show you around" "thank you" grateful you turn to suddenly see a bird fly infront of you with the white haired male following behind it "apologizes he's been expecting someone's arrival" "does it involve a star from Pelacony?"
That smirk of yours, from an outside perspective it may be seen as arrogance but he's heard your voice enough to know exactly what you ment. "A little birdie did mention a general that was so love struck he was able to sing a whole musical when his soulmate was to sing" he giggling embrassed someone caught him responding to you "I'm glad you enjoy listening to me that much" You kiss his cheek. He blushes putting his hand to the cheek you kissed. "I'm glad I finally got to meet you aswell" he kisses your cheek as you two continue your lovey dovey first meet, handing him the box with things you thought he'd like. "It has a ticket to one of my shows aswell, I hope you'll be able to make it" "I'm sure I'll have time to" you two lost in your own world forgetting about the others. "You think they ever thought of asking for his number?" March leans in to whisper "now that I think about it do you ever think they asked?" Those two made an inside joke about it, little to say they're never gonna look at either of you seriously again
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biggiedraws · 11 months
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okay i just finished rewatching fma brotherhood and can we please talk about how fuckin 15 ed is. like lots of anime protagonists are 15 but ed is *so* 15.
like- he needs to disguise the car so he makes it into a 15 year olds idea of a really cool car, and its so cringe the adults force him to change it. he makes ling a sword and puts a little skull on the handle (for literally no reason except that he presumably thought it would be cool, even though they were in the middle of getting their asses kicked by envy) and then gets defensive when ling calls it lame. he gets riled up unbelievably easily over NOTHING. his fighting style is scrappy- hes experienced but not disciplined, and he'll use whatevers on hand to get the job done. he'll mess around in the middle of a fight, use unnecessarily flashy moves/weapons, and hes just generally a nuisance in combat. he gets really flustered when people insinuate that winry is his girlfriend, and then when he DOES confess to her 2 years later he uses a fucking alchemy metaphor because hes a NERD.
im saying all of this with affection by the way- hes a cringe 15 year old because 15 year olds are cringe! i feel like most of the time these high school age protagonists are basically just adult characters with more naive ideals, or theyre a bit more emotional, or they have "childish" interests. ESPECIALLY with these high stakes action-adventure stories, where the fate of the world is in their hands. but a kid can have the weight of the world on their shoulders and still handle their emotions poorly, act recklessly, goof off at inappropriate times, and generally think and act in a way that adults wouldnt. and still be mature and competent characters! i mean, ed is a GREAT protagonist. he has a full understanding of the stakes and he knows how and when to get serious. but he also does shit like breaking into a secret government laboratory, alone, in the middle of the night, with no plan, and nearly gets himself killed in the process. because hes a reckless kid! and if he HADNT done that, they never would have found out the enemys plan in time!
and its just so perfectly executed- instead of childish traits being sprinkled on top of adult problem solving and emotional regulation, him being 15 informs how he acts all the time! sometimes this is a good thing because he solves problems in a unique way, and sometimes it causes even MORE problems. its a fundamental aspect of his character that contributes to both his strong and weak points.
and my absolute favourite part is that hes still treated like a person worthy of his title and reputation- not only by the adult characters, but by the narrative itself. but he isnt treated like an adult either! the adults around him dont talk down to him, but they also dont have adult expectations of him. theres a whole bit about how the adults shouldnt stand by while the children are on the battlefield- insinuating that while the children are worthy of standing on the battlefield alongside them, they also feel some responsibility to lead them since theyre the adults. which is super reasonable! its probably the best take on adult mentor figures for child main characters ive ever seen.
and yeah theres an argument to be made that it was pretty fucked up of mustang to recruit ed to the military at 12 years old. but he was super upfront with him about what it would entail and didnt force him into it. so watching it as an adult, yeah, its fucked up. but the target audience is kids and thats how kids want to be treated! yeah its a lot of responsibility, but ed knew that going in AND he has a huge support network of trustworthy adults who are looking out for him. hes fine. and hes DEFINITELY better off than most high school age protagonists, who are just sort of thrust into high stakes, life-threatening situations with little guidance. the dynamic is less "you are The Chosen One who will singlehandedly save the world" and more "i mean you certainly have the skills and we really appreciate you working with us but what the fuck is a child doing in the military. who authorized this?? youre going to get yourself killed PLEASE be more careful!" and like. if youre gonna have a show about a 15 year old saving the world, then thats definitely the way to do it.
and what really seals the deal is how pissed ed gets when people treat him like a kid. thats the most 15 year old thing ever! he FEELS like hes being talked down to and disrespected just because hes not given the same expectations and responsibilities as the adults. watching it as a 20 year old im super impressed by the way the adults treat ed, but i can also understand why ed gets so frustrated. its the nature of being a teenager and thinking you can handle more than you can. which really just solidifies how fuckin 15 he is
btw im not saying ed is the only well written teenager in the show. hes just the clearest example- hes so LOUD about who he is and it makes it really easy to talk about his character traits. also hes like my favourite character ever and i just have to talk about him. so like al and the rest are also really convincing kids, and a lot of this stuff kind of applies to all of them! im just talking about ed because i want to lmfao
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sugaimhome · 1 year
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country house setting kth -  part three
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pairing: 19th century taehyung x reader
minors do not interact!!!
warnings (this part): age gap (10 years, readers 18, he’s 28), masturbation??,  smut, smooching, some kind of breeding kink is mentioned? idk either tbh, hes soft af, sex, yandere (? he’s very obsessed with her and her innocence, still, lol), hints towards previous abuse, distant father figure, the messed up society of 19th century britain. 
words: 7k
series summary: your isolated manor house has nothing interesting going on. but when the abandoned manor near to yours has a new occupant, things change. taehyung is obsessed with you from the day you first knock his door. he’d do anything for you, even if it meant going against your father’s wishes, even if it meant you losing something very important to your future marriage on the way, something that would force your fathers hand.
part one  part two  part three  masterlist
explanation of the title: a literacy genre where fictional characters are often isolated and alone living in a country house.
A/N: its been a month since the last chapter... i am so so sorry for taking such a long time but i am really happy with this. please enjoy the little cliff hanger at the end, though we all know what the answer will be... don’t we?
Taehyung woke in the morning, bars of light that filtered through his bedroom hitting his face. Here, the sun rose and woke him every morning. It dyed everything in his room orange, a colour that seemed to light his body and fuel his very essence. He had never been a morning person, but these past few days, that seemed to have changed. Taehyung had let you sleep in, he had pressed his ear to your door, just hoping to hear you, to make sure it all hadn’t been a dream, just hearing your soft breathing through the door. He sighed, knowing you were safe. 
“Care.” he had whispered into the chilly air as he climbed down the wooden stairs, being careful not to creak them and wake you up. Care was something he had not felt in a while, he had had friends in London, of course he had, but they were never the kind of friend you cared for. They were friends that were there but only when they wanted to be. It was hard to explain, hard to think about, but Taehyung did not feel a slight tinge of regret for leaving them without a note. He had loved his father, as every child loves their parents, but his care for him extended little past the age of 10, and that was over 15 years ago. He’d never met his mother, and his sister, the only one he had cared for out of all of them, had betrayed him. Care was a thing of the past, but he felt it for you… Pausing on one of the stairs, he lets that information sink in for a little bit. He had known you, what? Two days?
Now, he watches you. You're staring open mouthed at the blurb of a book you had picked up in this little bookstore. The two of you are stuffed down a thin line of two shelves of books, you’re between Taehyung and a wall, meaning that you’re completely safe, giving Taehyung an odd sense of calm he hadn’t realised he had needed, and had no need to feel, you were at a market, what was going to hurt you here? The book you had picked up read “Northanger Abbey - A Lady.” Once you had finished reading the back of the book, slowly, with your pinky nail tracing the words, you sighed, looking up at Taehyung and saying. “I didn’t know women could write!” you’re whisper- shouting with happiness. “Isn’t that amazing?” you ask him, and he only nods in response. It was amazing. You look at the book one last time, being gentle with its new, but fragile, spine you place it back on the shelf. 
“Would you like the Novel?” Taehyung asks, reaching towards it. It was only 12 shillings, that was nothing to him, you were worth thousands more than that.
“Oh,” you reply, that delightful blush spreading on your cheeks when you get shy. “No, I don’t expect that of you.” 
Taehyung could see that you were torn, part of you really wanted the book, the only books you had had access to were the ones in your fathers library. Y//N wanted the book. That was clear, but you also didn’t want to upset him, you didn’t want to use his money. He sighs, knowing he’ll have to work hard for you to allow him to buy this. “When was your birthday?” he asks. 
“March” you reply, your head tilting to the side in confusion. “Why?”
“Then I should buy it for you, as I didn’t get you a present.” 
“March was months ago!” you exclaim, a beautiful smile on your lips. “You didn’t even know me then!”
“That was very rude of me, not knowing you, let me buy it.” Taehyung grins, picking up the book and holding it at arms length from you. You don’t even try to fight him for it, you just follow behind him as you head towards the owner. He smiles at the two of you as you approach the counter. “Good Morning” Taehyung says, he can just see you smiling up at him from the corner of his eye. 
“Good Morning” the man says, watching Taehyung place the book down on the desk. “Oh, thank goodness someone's finally buying this, I haven't been able to sell it in months”
“Oh! Why's that?” you exclaim, turning your mouth down with the shock of it. Was it a bad book?
“Women shouldn’t be writing” he says, turning his nose up at both you and the book. “Sewing, that's your job.”
You step back a little in shock, the man's spit pretty much hitting you in the face. Taehyung steps in front of you, holding your hand behind his back. “Thank you very much, but we’ll be leaving that here. Have a good day.” He slides the book towards the shop owner, its wooden cover making a shrill noise as he pushes it down against the wood. Then the two of you are storming from the little shop, the bell and the door tinkling and slamming behind you as Taehyung rushes into the street. 
When he turns to you, he’s disappointed to see you pouting. “I am sorry” he says, looking down at you, he desperately wants to touch your face but such shows of affection in public are frowned upon. “I would have gotten you the book but-”
“It’s okay” you cut in, reaching out to hold his hand again, against his, your hand is warm. It sets flames up his arm and into his soul. “I didn’t know people could be so-”
He watches you as you pause, looking for the right word. “Rude” he finishes, and damn the public he raises his hand to your cheek, letting you find comfort in his soft touch. “I promise not everyone is rude.” 
It’s an unrealistic promise, he knew for himself that kindness is less common than it should be, people like Y/N shouldn’t be exposed to the awful part of the world. He takes in a breath, refraining from storming back into the shop and punching the shop owner in the face. “Shall we go?” you ask, possibly noticing his rising anger. 
“After the Dress-Makers” he replies, by then his anger would have dissipated anyway.
“Dress-Makers?!” you exclaim, pulling your hand away from his. Taehyung had half expected this reaction.
“You need dresses that fit you better.” he sighs. “Please let me buy you one.” 
“Only one.” you reply, trying to sound in control.
He nods his head. Once the shop had your measurements, he could buy you as many dresses as he wanted, and you could do nothing about it. Taehyung also promised himself he would go above and beyond getting you that book, you had looked so interested in reading something that wasn’t from your fathers library.
“Then we’ll go home, dinner will be ready then” he says, watching you as a curious emotion crosses your face. “If, of course, you want to eat with me.”
“I would appreciate that.” you reply, looking to the floor with that shy blush again, it makes Taehyung's stomach flip. 
***
“Where have you been all day?” your father shouts from his study. Obviously, much to your displeasure he was very aware of your absence, you had thought that you had just maybe gotten away with it. You were still on a high, flying amongst the clouds with the birds from your day with Taehyung and you were struggling to find the lie that you knew you would ultimately tell him.
“Walking the grounds!” you shout back, making your way up the stairs quickly so he wouldn’t see the dress you had borrowed from Taehyung's sister. Your father could be rude and inconsiderate, but he would definitely notice your different clothes. When he doesn’t reply, you realise you’d gotten away with it, and after shutting the door to your bedchamber / art room, you allow yourself to fly onto your bed, little specks of dust catapulting upwards with your disturbance. They dance around each other in the bars of light. Taehyung had insisted on walking you home, naturally, and he had kissed you again on your doorstep the way he had the night before. With one hand tangled through your hair and another gripping your waist. You realise how naive you felt in that moment, you had never known that such things as this were possible, and now, staring at your awful painting of two people kissing across your room you almost debate chucking it into the fire. Yet, despite your naivety, you knew there was more, there was more to a kiss than what Taehyung had already shown you. You could tell because, even when he pulled away from you, you could still see his hands itching to keep hold of you, to do more. You just didn’t know what that was, and you desperately wanted to. 
Tomorrow you will go to dinner with him again. You had met Victoria today, his maid, and you had loved her, her food had been amazing too. She had fussed over you this morning like no one had ever before, correcting your corset and pinning your hair back in light curls, something you hadn’t even known you were supposed to do. All of that had to go before you came home though, your father would definitely be suspicious if your hair was styled in the modern fashion. You sigh, half hoping your father would move to London for a month like he used to do years ago. It was always at the most random of times, and you would be left to roam the grounds and house with little restraint. He hadn’t been on one of those trips in over nine months, so that hope was out the window. 
All you wanted was for you and Taehyung to be alone forever. You had known each other for two days, but you knew that it was right. 
***
Months flew by. Most nights you would go to Taehyungs and eat, but you didn’t sleep there again. He kissed you whenever he got the chance, his hands roaming more comfortably around the rest of your body, but he hadn’t gone any further with you, a further that you knew existed just out of your grasp. There were a few times where you nearly got caught, like now, your father knocking the door when your head is resting comfortably against Taehyung's shoulder, the two of you just talking and watching the fire flicker. You had to hide upstairs whilst your father discussed a very important matter.
“Good Evening, sir” Taehyung greeted him as he opened the door, he did well at hiding the shock from his voice. “You are more than welcome to come in.” 
You can imagine him stepping aside to let your father into his home, somewhere that had been free of his taint for months. “Thank you, but I am in a little bit of a rush.” 
“That is not a problem. How can I help you, sir?” Taehyung replies, with perfect calm and patience in his voice. 
“It is just that I have received an urgent message, business you see, to return to London for a month.” you can almost hear the sigh in his voice. “I would appreciate it if you could watch over the grounds for me. Y/N should be home, but I would be a fool to trust the incompatibility of women these days. You don’t mind, do you?” There's an odd humor to his last phrase that has your stomach hitting the floor. Your value to your father seemed to lessen and lessen with each passing day. 
“No problem at all.” Taehyung replies, you can hear the tightness in his voice, with the want to defend you. Your stomach that had hit the floor rises again. A whole month with just the two of you. Bliss. Paradise. A miracle. “When will you be leaving?” he asks.
“By sunrise tomorrow, I would like to be on the road before Dawn.” 
This really was a last minute trip. Wonderful. 
“I will come up and make sure everything is in order as you leave, I will see you in the morning sir.” Taehyung says, in his voice, a sense of command that even your father could and would not deny. 
You assume your father nods his thankfulness as the door shuts downstairs. You worry momentarily that he had been looking for you, and you weren’t home. “Y/N” Taehyung shouts, pulling you from your thoughts. “He has gone!” 
You're sprinting down the stairs, holding your dress so as to not fall, Taehyung is at the bottom, arms open wide, waiting for you to fall into them. You do, wrapping your arms tightly around him, and he does the same, pulling you tight to him and kissing your head. “You better run home,” he laughs. “He’ll be looking for you soon.” 
Morning comes around quickly, your outside helping load all your fathers bags onto the carriage when Taehyung appears over the hill, it takes every strength in your body not to move to him, as you were so used to doing now. He greets your father, shaking his hand. Then he’s helping you move bags, the three of you working in an odd harmony. Once everything was loaded, and your father nods goodbye as he climbs into the cabin. You allow yourself to feel the first itches of happiness, of joy. “Goodbye Father” you say, waving as you watch the coachman push forward the horses, the carriage slowly inching away from you. Taehyung and yourself stand and watch as the carriage disappears into the distance, you wait for a while, to make sure he won’t turn around again. Once you’re sure he’s not coming back, you turn to Taehyung and smile. 
There's a small grin settled on his lips, as if he is holding back a huge smile. He tilts his head at you before glancing at the house. As you turn to look at your home, with your attention away from him, he sees an opening and you squeal as he sweeps you up from the ground. Carrying you along to your door with one arm under your knees and the other under your back. You giggle as he leads you up to your home. “Show me your art again.” he asks. Unlike before, you're happy to comply. You had wanted to show him for so long. He drops you to your feet at the bottom of the stairs and you race him to the top, a race he could have easily won, but he stays behind you to catch you if you fell, or to humor your childish side that would only be happy when you won. At the top he glances down once to your heaving chest, spreading a blush across your cheeks, before allowing you to take his hand and lead you towards your chamber. Your art had improved a lot since he had last seen it. Trading in the majority of your landscape art for pictures of the most important thing in your life at the moment. Him:
Taehyung stood outside the house, his back lent against a pillar as he pulled smoke from a pipe. 
Taehyung’s hand in yours, something that had taken you ages to master. 
Taehyung with his head tilted to the side in anger as he slides a book back towards the owner.
Taehyung walking through the fields, holding one of your new parasols in his hand as the rain falls around him. 
Nearly every painting had a connection to him, he stands open mouthed at your door, his eyes flicking between the paintings and you. 
Just over a month ago, you had realised that you had loved Taehyung. At first you panicked, and didn't see him for days. Love was for people who were married, love outside of marriage was a sin, that's what you had thought anyway. But you grew to not care. Marriage or not, you loved him, and there was no undoing that. You hoped that today that same love would get across through your art. Every moment you spent painting him had been the epitome of your love for him. But now, as he stands there with an open mouth you wonder if this is perhaps a little weird, this surely wasn’t a normal thing to do, maybe he had taken it the wrong way. Perhaps he saw you as mad. 
“You make a good model” you say, hoping to break through the silence. Luckily, he laughs, turning to you and grabbing your hand. You relax, he wasn’t mad. He wasn’t about to call you a fool and storm from your house. To your surprise, he leads you to your desk, sitting you down on your wooden chair and crouching on the floor between your legs, he's staring up at you and you find yourself blushing. 
“Taehyung?” you whisper, hoping for an answer to this uncharacteristic behavior. 
“What does all of this mean Y/N” he asks, and your stomach drops, this suddenly feels like an interrogation. You gulp, hoping some divine being will answer this for you. You realise you’ve been sitting in silence for a long time when you speak.
“Um, well, they are paintings of you.” you close your eyes, hoping the confession will be easier without looking at him. “And I painted them because you mean a lot to me.”
You open your eyes again. “Is that all?” he asks. His head tilted to the side as it did when he was both confused and angry.
You knew that this thing that you had with Taehyung was not eternal. The only thing that made something like this eternal was marriage, and considering he hadn’t settled down, and he was already 28, you doubted that it was on the cards for him at all. What makes you say the next thing, you are not sure. Perhaps it was the years spent in your manor, like  Rapunzel, and it was Taehyung that had saved you, a knight in shining armor. Perhaps it was how you were sure that Taehyung already knew. But whatever it was, the words fell from your lips like they were meant to be. “Because I love you.”
Time and space freeze around the two of you. For a moment, you think Taehyung will get up and leave, he twitches as if holding back from doing that very thing. “It's okay if you need to go.” You say, trying to feign understanding instead of feeling complete disappointment, you lace your hand through his hair, letting the soft strands fall through your fingers like waves. It's an oddly intimate moment, with that confession hanging between the two of you, your promise that he could go, yet you're holding him down by touching him. He buries his face into your dress, it's an odd action that makes you freeze up, in doing this he has obscured his face from your eyes. “Taehyung?” you murmur, hoping for at least a response to your confession, was he staying or going?
Your shoes are being slipped off before you have the chance to even say anything, then Taehyung appears from the folds of your dress with a gummy smile on his face. All you can do is say his name again in confusion. Both shoes are placed slightly away from you on the floor, Taehyung had brought those for you, much to your displeasure. You had never wanted to abuse his kindness. He doesn’t reply to his name, in fact, you’re sure you're staring at a man you had never met before, he had never done anything like this. His hands run up from your feet, up your stocking covered calf. His arm was completely under your dress, fingers playing with the clasp of your stockings just above your knee. All of this, and he's staring directly at your face, watching every reaction that you make. He’s so close to you, the warm skin of his hand against your bare thighs has a feeling starting up in your lower stomach that almost makes you want to pee. You had felt like this around him before, when you were kissing, but never to this extent. Thinking that there's something wrong with you, you try to slide away on the chair, but Taehyung's finger is wrapped around your stockings and you can’t move. 
“What is it?” he says, genuine concern plastering his face, it’s the first thing he's spoken to you since you said it. 
“Feel like I need to use the bathroom” you say with a blush so profound that it feels like it covers your whole face. Instead of moving away from you and letting you use the toilet, Taehyung only smiles, a comforting light shining in his eyes. 
“You don’t need the bathroom, your body is reacting to me.” he says, and it's the most scandalous thing you've heard him say. You’d spent all these months wondering what came beyond a kiss, and your body had known all this time. “Are you okay?” 
“Yes” you breathe. The air around you lit by the morning sun lights up every small,  beautiful,  feature of Taehyung like the mole on the end of his nose, and the one on the right side of his lower lip. This is a moment you would paint. His hands rolling down one of your stockings, placing the delicate material to the side as he placed kisses to the inside of your legs, running his hands up and down your soft skin. You felt like you had ascended into another world. 
“Tell me if you need me to stop” he says, hooking his finger around your other stocking, and as he pulls it down your leg, peppering kisses as he goes you say,
“No. Don’t. Never stop” which seems to spark something in his eyes. Something untamable, and this time he chucks your stockings behind his head instead of placing them lightly to the side. You watch them as they fall on the side of one of your paintings, the stocking soaking up and blurring the fresh paint. You couldn’t bring yourself to care. In fact, you wanted Taehyung to ruin everything about you, and paint it fresh. Only him.
With your dress above your knees, Taehyung has one of your legs flung over one of his shoulders. Constantly kneading the flesh of your calf. Then, he's stepping back, standing above you as you fight to regain the breathing you didn't realise you lost. He stands there for a moment, just watching your chest heave against the confinements of your corset. "Do you wish to keep going?" He asks.
"Yes, please" you say, reaching a hand up to him. He takes it, the rustling of your dress the only sound as he pulls you from the chair. He pulls you onto his lips, his mouth catching yours easily, he does what he always does, putting a hand on your waist, holding you close to him as all the blood in your body rushes to your lower stomach. Then he's walking you backwards, weaving you through all your paint points and paintings. There's a humorous side to it that has you smiling into the kiss. You weren't sure where he was taking you, but you let him take you there. When your legs hit the cold metal of the side of your bed, you tense a little. Taehyung pulls away from the kiss, placing a light kiss to your forehead, but he keeps you close, both arms around you, smiling down at you. 
"Do you know where this is going?" He asks. playing with the laces at the back of your dress. 
"No," you say. You had very little idea of the adult world, you'd read a book once 'A maiden's guide to marriage.' you assumed it had been your mother's before she married your dad. Sex. But you had assumed that was something only married people could do. 'Sex outside of matrimony is a sin" the book had read. "Is it a sin?" You ask, looking up at him with wide eyes.
"Are you calling me a sinner?" He asks, returning that same open eyed vulnerability to you. Alongside it is a playful smile, one that has you smiling back.
"Perhaps" you say. Smiling. 
"Normally this is reserved for marriage" he says, tilting his head. 
"I know" you breathe as he begins to pull at the laces of your dress.
"Okay" he breathes, he leans down, going for a kiss, but instead of your lips he kisses your neck and all you can do is whine. You had never made such a noise before in your life. Tangling in the delicate laces, his fingers undo your dress, you suddenly feel the weight of this situation. 
"Will I be ruined?" you whisper, as he sucks at your neck. Though he pulls away from you to reply, a frown seated on his lips.
"Maybe, in the prying eyes of society. Yes." at his words, you feel your mouth flatten into a frown.
"Will you see me as ruined?" you ask.
"No. Never." He's holding the side of your face, peppering kisses on your hairline. His other hand stays behind your back, holding your dress together. "We don't have to do anything" he reminds you, nothing but sincerity in his eyes. You remember what you had thought earlier, that you wanted Taehyung to ruin every single part of you. You had meant that, 
"I want to do this" you say, staring into the delicious deep brown of his eyes. "With you." Your voice is sure, you're confident you'll be fine. All that matters is Taehyung stays with you even after, and you know he will, maybe not in marriage but always in friendship.
"I'm going to let go of this now." he says, giving a light tug on the laces of the dress that he's holding up to indicate what he's talking about. Just before he does he tells you "I'm going to talk you through every step of this, so you know if you need to tell me to stop."
You manage to murmur an "Okay" before your dress is released. It falls, pooling around your waist. Left exposed to the eyes of Taehyung and the cool air, your skin rises into little bumps. The intricate details of your corset is what holds your breasts into place as Taehyung does nothing but stare at you. "Taehyung?" you whisper, hoping to distract him from you.
"Mmmh" he replies, looking up at your eyes. "What's wrong?"
"You were staring" you reply, the need to pull away from him and fold into yourself is overwhelming.
"Because you're so beautiful" he smiles back, bunching your dress up in his hands, as if to pull it over your head. "Could stare at you for hours, I'm going to pull this over your head now, okay?"
You think you murmur okay, but everything seems a little blurry to you. Either way, you allow him to pull your dress over your head, raising your arms to help him get easier access. “See,” he begins “Absolutely beautiful.” he leans down, pressing a kiss to each side of your chest, all whilst maintaining eye contact with you. He folds up your dress carefully, placing it on the back of your wooden chair. It was the first dress he had brought you, the same day as the man at the bookshop spat in your face for being a woman. It was difficult being a woman, you had known that before Taehyung, but that day had solidified it for you. Taehyung kisses you on the forehead. “Now for these.”
He kisses you on the neck, sucking harsh marks onto your skin, whilst pulling at the laces of your undergarments. “If you need me to stop-”
“No, don’t stop,” you say. He smiles before doing as you requested and not stopping, he pulls down your undergarments, hardly even looking at you below the waist despite being completely bare to him, then he’s onto your corset, untying the the bow quickly, delicately pulling apart the laces and slipping it over your head. You cover your breasts on instinct, once he’s placed your corset gently to the side, he stares at you with such softness in his eyes, such kindness, that when he reaches up to pull your hands away, you let him. He stares at you for a moment, you wonder if he notices that one seems ever so slightly bigger than the other. You wonder if he’s judging you. 
You were unsure if this was how it worked, you being completely bare and him being completely clothed, but Taehyung didn’t seem to care either way. He mumbles something you don’t catch, before practically headbutting your left breast, causing you to cry out as he sucks at one of your nipples. He has his hands on your bum cheeks, holding you in place as he pulls at your nipples with his teeth, your head thrown back in pleasure, you had never felt anything like this in your life.
“Oh my goodness” you breathe, your hands felt empty, so you threaded them through Taehyung's hair. He switches nipples, the sensation remains painful but you feel like you’re floating on a cloud. Some instinct takes over you, knowing that this can’t go any further if Taehyung remains completely clothed, you begin to fiddle with the top buttons of his shirt, hoping that they’d pop open. He whines as your fingers brush his skin, it’s as if your touch distracts him away from your breasts as he pulls away and helps you unbutton his shirt. He’s breathing heavily, chest heaving up and down under your palms, and so are you as you see his skin, touch his skin. His chest is soft to the touch, his stomach smooth under your hands. His shirt joins your dress on the other side of the room, all you can do is stare at him, at the way he’s shaped, how smooth he looks. You run your hands up and down his body, even when he’s leading you backwards on the bed, until your back touches the neatly organised sheets. He hovers over you, his knee slotted in between your thighs, the fabric from his trousers rubs blissfully against your naked centre. 
“Are you okay?” he asks, when you nod eagerly he smiles. “I wanna go down on you, but we’ll save that for another time”
“Down on-?” you begin, confused at this new term.
“I’ll explain it another time. Can you open your legs?” you do as you’re instructed, the new phrase being quickly forgotten as he stands up, looking down at you wide open for him. Taehyung reaches down, grabbing your hand lightly. You think he’s going to kiss it, like they do at balls and dances, but instead he leads it down your body, resting it atop the small mound of hair above your area. “Can you touch yourself? Need to make sure you’re super prepped and comfortable.”
With the way he talks, the surety that you know what you're doing, you’re almost embarrassed to say that you didn’t know what that was, you had never touched yourself in your life, only in the bath, and that had only been to clean. With the painting of confusion sketched into your features, Taehyung’s mouth falls to the side. You feel wrong, as if you had missed out on something important in your life. “I am sorry” you apologise, feeling guilty for your naivety. 
He doesn’t respond, instead he starts undoing the laces of his trousers, pulling them down over his legs and kicking them to the side, leaving him in just his undergarments, you almost wish he had taken them off too. Then he drops to his knees, his face level with your intimate area. You can feel his breath against your skin. “What do you know about being a woman?” he asks. When you reply with,
“Not much”
He kisses the inside of your thigh. “Place your hand here.” he says, indicating for you to put your palm on your mound of hair, and you do. “Use your middle finger to rub this spot. I am going to touch you.” When you don’t stop him, he reaches up between your legs and presses his finger straight on what seemed to be a ball of nerves, for you’re almost shooting up the bed with the sudden shocking pleasure of it. “This is your clitoris,” he says. “It makes you feel good.”
You do as you’re told, using your finger to lightly rub around the clitoris, it felt so good, you could see what Taehyung meant. Whilst you circle this new discovery, Taehyung stands up again, watching your hand as he undoes the final laces of his undergarments. You wanted to throw your head back, but you also wanted to watch him. This part, you had been expecting. Somehow, as you had grown up, regardless if it had it been from the animals that surrounded you on the farms or just some kind of knowledge that everyone was born with, but you knew that that was a penis, and in that moment you knew that it was to go inside of you. Taehyung's penis, was beautiful, and had you ever seen another penis in your life, before or after this moment, you know it could not have been compared to Taehyungs. It was quite big, and you wondered what part of you could accommodate such a thing as that, it was also hard, erect, pressing against his stomach like something or someone had angered it. You’re sure your mouth falls open with shock. You don’t miss the smug smile that adorns his lips, this was something he was proud of. You could see why. 
You feel so safe with him, so at home, that when he runs a finger through the folds of skin just below your clit, you only revel in the feeling of his skin on yours, the shock of pleasure it sends up your core. He mutters something about being “wet” before climbing back on top of you, moving your hand away from your clit at the same time. “Are you ready?” he asks. You nod your head, but before he does anything he leans down, connecting your lips. The two of you stay like that for a while, Taehyung relaxes his arms that were holding him up from touching your body. He’s pressed against you entirely, his shaft pressing into your thigh. You had never been close to someone so emotionally as this. You feel so safe, so loved, you almost cry. This is where you wanted to be for eternity, between Taehyung and bedsheets. When he pulls away from the kiss, his eyes are dilated, wide as if he was holding something feral back, he hides the animalistic look from his eyes by leaning down to kiss your neck. 
When he pulls away again, leaving angry welts on your neck, his eyes are soft again. “Are you okay?” you ask him, running your hands up and down his arms. 
“Yeah, are you?” he asks.
“Yeah. I am good.” you reply, the two of you smiling. 
“It might hurt, we don’t have to do this, if you’re not ready.” he presses a kiss to your forehead.
“I am ready. I trust you.” 
“Okay” he breathes, as he presses up to your center. “I am going to push my cock in now.” 
Cock. That was another new one. You don’t have long to think about it as he pushes his cock against your entrance. It takes him a considerable deal of effort to even push past an inch of you, but he stops, letting you adjust to the intrusion and the feeling of him inside of you. 
This was either hell, indicated by the pain this brought. Or heaven, due to the sparks you felt coming from your core, the warmth spreading along every bone in your body. Probably hell you think, this was a sin. Taehyung watches every breath you make, every look on your face as he pushes in another inch. Tears prick into your eyes here, but Taehyung kisses them away, his heart-shaped lips wet from the moisture of your eyes. “Just breathe,” he suggests. You had stopped breathing at some point, holding your breath in pain, but when you breathe again, steadily and heavily, the pain wears off.
“I am okay,” you smile up at him. And in the attempts to make a joke, you say “Push your cock in more.” 
“Don’t say that again” he replies, muttering something about “innocence” before doing as you instructed anyways, pushing himself in another inch. He does this a couple more times until your pubic bones are flush against each other and you can feel him so deep into your stomach it's impossible to think of anything else beyond him, beyond how good you felt. There was pain there, waiting to flare up, waiting to protrude over the pleasure, but for the moment all you felt was a tightening pressure in your core. Taehyung spends this time running his lips up and down your skin, kissing over your scrunched up eyes, and asking you every couple of seconds if you were okay, each time you replied with a breathless yes. 
He pulls out, glancing down at his slick covered cock, before starting the process all over again, this time faster. The pain flares and dwindles again, like a flame. 
Again, he pulls out, pushes in, slowly.
Pulls out, pushes in.
Until he’s not pulling out completely, his movements fluid, like the brook between your houses as he transitions from pushing to pulling. The pain was non-existent now. With your eyes rolled back into your head, and your hands gripping onto his arms, your nails scratching down his back, you never want this to end. “Feels so good” you manage to say, your breath caught on each push in of his cock. 
“It’s only me that can make you feel like this” he tells you, he looks half out of it now, his eyes distant but still loving. “Only me.” 
“Only you.” There's a surge of pressure in your stomach, a building power that you were almost too scared to let free. Somehow, your body seems to communicate this to Taehyung.
“Don’t look so scared, it's an orgasm, it’ll feel amazing.” he moans a little before speaking again. “Let it go.” 
You do. Obeying him. White light blinds you, but you can still see Taehyung moving in and out of your vision with every thrust. It's like nothing you’ve ever experienced before, nothing you will experience again unless it was with Taehyung. It’s like jumping off a cliff, enjoying the view as you fall, like a brutal ending, or a happy one. This was a fairytale, a fantasy you hadn’t known you were waiting for. The bliss of feeling so full of him, so consumed by him. You never wanted this to end, you wanted him to be inside of you forever, he fitted so well. Through your orgasm he sucks on the flesh around your nipples again, leaving red marks over your upper body. You never wanted these marks to leave, you wanted them to be an eternal product of your love for Taehyung. You are completely out of it for a moment, but when you return to clarity, even with all your limbs tingling, the sensation of Taehyung's thrusting seems to have increased tenfold, it hurts in a beautiful way. 
He smiles at you, it's a soft smile, before wincing in pleasure and thrusting faster, already you can feel another pressure in your lower stomach. “I'm close,” he mumbles, bringing one of his hands down to press onto your clit.
***
Taehyung couldn’t think. Couldn’t think beyond how good this felt, how close he was and how desperately he wanted to bring you along with him for a second time. Your face when you had orgasmed the first time was unforgettable, he had never heard someone moan so loudly in his life, face scrunched up in that tumbling feeling of pleasure. He had done that to you, and he was damned for being proud. No one would ever get this experience of you again, he knew that, could see the future now. So he sucked at your breasts again, marking you as his for everyone else to see. 
The second he touched your clit he knew you were close again, tightening around him like a vice. “Together” he manages to say, refraining from going too fast and hurting you. When he orgasms, his essence shooting into you with each sloppy thrust, he contemplates the use of his seed, beyond pleasure. As he watches you writhe under him, twisting and turning in the sheets as you orgasm again, shocked with the feeling of his cum inside of you, he’s shocked to realise he wants to get you pregnant. Wants to see your stomach rounded with the product of this, have versions of you and him running around in his life. He had never wanted this before, been too scared to have this before. Tears well up in the corner of his eyes, tears that you brush away as they fall down his cheeks and he goes soft inside of you. He should be embarrassed, men shouldn’t cry. But you didn’t judge him, he felt safe.  
Damn the knees and the rings. He thinks as he falls against you, smothering you in his weight, but remaining inside of you, plugging his seed into you until it could take root. He tries to speak, but it comes out inaudible, something like “mazer ze.”
Which only makes you laugh. “Sorry?” you ask, a massive smile on your face.
This time, his words came out right. “Marry me.” 
Your smile drops, eyes going wide. “My father-”
“Don’t think of him, we’ll find a way around him, only think of me.”
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