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#but visually hes literally a walking ace flag
wojtekaneko · 3 months
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It was his brother's idea.
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silent-partner-412 · 2 years
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massive spoilers for great ace attorney 2
it’s really really hard being a kazuma fan lmaooo
it’s like. i wanna scream about him across rooftops, change all my profile pics and shit to him and everything but literally everything about him is a walking spoiler. prosecutor outfit? spoiler. most of his interesting character traits and moments? spoiler. the fact that he gets more moments after chapter 2 of tgaa1? SPOILER. like… aughhh
i love love love this character, he’s probably my favorite in the ace attorney series, but trying to tell that to anybody who hasn’t already beaten this (long) visual novel duology might as well be waving a massive red flag in their face lmao
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itsclydebitches · 3 years
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RWBY Recaps: Volume 8 “Refuge”
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Happy Saturday, everyone! Welcome to week two of… fourteen? Is that how many episodes we’ve got this Volume? Man, we’re going to be here for a while.
There’s a ton to unpack in “Refuge,” but as promised I want to delve into the opening first. Given the scattered, symbolic nature of our intro I think it’s easiest to just chuck out observations in list form. I’ll segue back into cohesive recapping in a moment.
So, what have we got?
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The glitching between a happy, whole Atlas and the burning wreckage we’re now dealing with. That works well given both Atlas’ tech-focus culture and the ways that tech has led to some of our biggest tragedies (hijacked army, framing Penny, etc.)
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Ruby looks scared and is standing behind the rest of her team, separated from them by the title. I’m not really feeling that theme so far though, given Yang’s incredibly weak challenge, Ruby’s immediate forgiveness (during her talk with Penny), and the fact that she’s still working with half the team who vocally support her, particularly Nora. Unless something drastic changes, the idea of Ruby being the outsider here is silly.
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We get shots of the girls with their past selves superimposed over their bodies and weapons. I like the message here—they carry those versions of themselves with them—just not how it’s contrasted with Ironwood’s image of an earlier Atlas now burning. So that’s all he is now? Everyone gets to embody their growth except for him? His past is erased to focus solely on our current predicament? I’m not picking up any redemption flags here…
Robyn’s hand reaches down towards Clover’s badge, which then circles to show off the Ace Ops. The final image contrasts an angry Harriet with a defeated Qrow. At least, I hope they’re contrasts. It’s going to read as absurd if they somehow end up working together after Qrow helped get her leader killed.
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This morphs into Qrow alone who sits, devastated, until Robyn offers him a hand up and they both smile. I’m not a fan of this symbolism after the prison scene we got this episode. It’s like Qrow might have thought about his choices until Robyn’s anger reminded him that, oh yeah, he can be angry at Ironwood instead. These two teaming up, when their last team-up led to a death, is worrisome to say the least.
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We get our horrifying image of Salem looming over Oscar as he clutches his head. The group’s weapons fall. This makes sense given this episode’s kidnapping and the team’s sheer inability to do anything to stop it.
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Jaune stands determined—also makes sense with his trend of giving “pep talks”—while Ren and Nora stand apart, facing opposite directions. Nora looks back though.
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Paralleling them are Winter and Weiss who also face opposite directions. This is becoming a common visual theme: Harriet and Qrow, Nora and Ren, Winter and Weiss. Here though, Weiss looks determinedly ahead while Winter stares down at her feet, unsure. Ugh, I just know they’re going to have her betray Ironwood too.
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We get a brief glimpse of Whitley and Willow, not a whole lot to go on. Then we see Salem turning her chess pieces into grimm—literally changing the game—while Ironwood’s white pieces are turned to dust. I could make a quip about how white is supposed to go first, but the initial move was made thousands of years before Ironwood existed and thus he never stood a chance, certainly not when his own allies are actively working against him… but I won’t lol
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Watts is smiling at a terminal while at his back Pietro works at his. More opposites. Pietro’s reflection looks to Penny even as his body continues to work, his heart contrasting his head. Penny, in turn, looks upset as her reflection flinches at something off screen and the glass cracks. Watts hacking her, perhaps?
We see the new teams as a cherry blossom (I think?) floats across the screen. It melts in Ren’s hand while escaping Nora’s. Honestly, I’m not sure what to make of that just yet.
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Ruby and Yang share a look—undermining their supposed conflict this volume. Couldn’t we have gotten sister unity over the last three years instead?—and a fight against grimm starts up. It freezes as Cinder walks through it, hopefully implying that the group’s attention is on the wrong threat. While they concern themselves with low-level grimm, Salem and her allies are walking free and wreaking havoc.
Then Cinder screams and clutches her grimm arm as things go up in flames. I hope that’s not a death flag given that we’ve teased her death twice already and we only just got a glimpse at her backstory. Also, I think it’s worth mentioning here that there’s a “Summer is the Hound” theory gaining traction which, frankly, I think is 100% unsubstantiated. It’s a fun crack theory, but not something I’m inclined to take seriously until we get some actual evidence behind it. There is, however, potential evidence for people becoming grimm in general: Salem falling into the pool and Cinder receiving that arm. That’s not much though. So while I’m far from convinced that the Hound was once human—let alone that it was Summer—there is something to the theory that Salem may be able to control Cinder via her arm like she controls other grimm. After all, she knew Cinder was alive despite everyone else thinking she’d perished. They seem to have some sort of connection that hasn’t been explained yet and now that Cinder has willingly walked back into Salem’s clutches, she may not be able to walk out.
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There are shots of all our other villains, the Lamp and the Staff reflected in Salem’s eyes, and Jinn’s blue smoke, perhaps suggesting that we’ll see her again, or the entity residing in the Staff (if they exist).
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Atlas glitches back to normal—a false victory?—before the ice breaks and Team RWBY falls into the darkness below. Volume 3 vibes all around. There’s light above them emanating from the Staff, but as Ruby reaches for it grimm arms circle and pull her deeper. I hope this means that the group will suffer the defeat we need to keep Salem as a legitimate threat, but we had very similar imagery back in Volume 6 and they made it out of that situation just fine, so.
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“Happy Ever After” glitches into “Happy? Never Again.” Which isn’t ominous or anything. We finally end on the classic RWBY image of Crescent Rose buried in the snow underneath the shattered moon.
On the whole I think the opening is strong and I like a lot of the symbolism in it, though I do question how much will actually end up being relevant to the story. My only gripes are that there are too many different styles going on—it feels like three or four different Volume openings slammed together—and the fact that it also feels overly long. I don’t think it’s actually any longer than our Volume 7 opening, but it seems that way to me, perhaps because of those varying styles breaking things up.
So that’s what we’ll be watching for the next twelve weeks! Let’s move onto the actual episode.
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We open on the image of Clover’s bloody badge in Qrow hand, the same one we got in the trailer. I theorized last recap that we’d be getting the rest of our trailer/promo material this week and I was almost entirely correct in that. This moment, retrieving the bikes, fighting off the grimm, Watts getting hit, Oscar carried away… all we’re missing are some eye closeups and Nora powering up her hammer. As said, it makes me nervous for what the rest of the Volume holds. I can’t decide whether the footage wasn’t ready to be included in promo materials that early, or if RT is just determined not to give us any information past the first two episodes…
Regardless, this is supposed to be a moment of grief and all I could focus on was Qrow’s hand. Specifically, the lack of detail in it. On the whole, I’ve been very happy with the engine upgrade and I quite like RWBY’s animation now, but a closeup here draws too much attention to how, sometimes, they’re just not animating their characters in a way that looks natural. Where is Qrow’s wrist? Why is his palm perfectly smooth? Stylistically that’s usually fine, but when given the chance to stare at it you realize how odd it looks. 
Says the woman whose own drawing skills suck but, ¯\_(ツ)_/¯
But we’re talking about the important bits in this episode! Out of frame Robyn is heard yelling, “This is your fault. You realize that, don’t you?” We’re meant to think that she’s telling Qrow this, especially with how he’s bent guiltily over the badge, until we cut to reveal Jacques right next to them.
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I wish Robyn was saying all that to Qrow. It would mean that she was ignoring her own responsibility in Clover’s death, but at least it would have started an arc where Qrow has to grapple with what he did. Not the awful moment that’s coming up.
Before that though, Jacques claims that he’s the “victim” here who was “duped.” His hands may not be clean, but “at least I’m not a murderer.” Look, I’m not here to absolve Jacques of anything. The guy is an absolute shit stain on the Remnant world. However, he’s right in his overall point even if his words are BS. Meaning, Jacques is not a victim and he is a murderer, but he is not the one responsible for Clover’s death. Robyn has plenty of things to be furious at him for, but this is not one of them. Ironically, here we have Jacques functioning as the kind of villain the show wants Ironwood to be. He is a murderer because the company he runs exploits faunus and forces them to work in dangerous conditions (see: the death of Ilia’s parents). He is culpable because he a) had control over these conditions and b) has full knowledge of their flaws. He’s a racist who cares more about money than lives. His informed choices then led directly to deaths. Ironwood? Not anywhere near the same thing. Overlooking the “Omg Salem is here and I have to do something about it” context, he did not try to arrest Robyn. He did not force Qrow to resist arrest, or Robyn to get involved, or Qrow to break Clover’s aura, or Tyrian to stab him in the chest. Ironwood had no control or knowledge of these events, so he is not responsible for Clover’s death in the way that Jacques is responsible for the faunus’. RWBY is giving the right arc to the wrong character.
Robyn then insists that Qrow didn’t kill anyone. He didn’t strike the blow, but he certainly helped! Look, Qrow is one of my favorites, but I’m not about to claim that he didn’t have a hand in getting his friend killed. I seriously can’t believe the show is ignoring this.
We then segue into some, uh, questionable dialogue choices. Jacques is a “snake with a mustache”? Sorry, I can’t take Robyn seriously at the best of times, but definitely not when she’s tossing out laugh worthy insults like that. Nevertheless, this “snake with a mustache” is guilty because he “helped that man tear us all apart.” That man being Watts.
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…why are they all in what amounts to the same cell with barriers dividing them? I suppose we could make the argument that they’re being held in some secret facility, given that they’re in this dark, garage-esque space with no lights and no other prisoners. Some sort of maximum security setup that... doesn’t have any other inmates and no additional security? Hmm. Then again, the power is supposed to be out and I don’t really trust RWBY’s ability to craft consistent backgrounds. I feel like they’re packed together merely because that’s plot convenient, not because it makes any sense in world.
Watts looks pretty comfortable in there though and Jacques is likewise full of confidence. He says that by now Whitley will have already called their lawyers to get him out. Now, non-imprisoned people know that the apocalypse is currently underway, as Joanna will later put it. No one is lawyer-ing at the moment, but it will be crucial to see whether Whitley is trying to get Jacques out despite the chaos. How faithful is he to his abuser? Can Willow start undermining Jacques’ influence now that they’re alone?
Jacque’s confidence thoroughly pisses Robyn off and she screams, punching the barrier between them. Keep this in mind for a second. 
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A moment later two guards show up to take Watts somewhere and… oh no. Please don’t tell me Ironwood is going to team up with him now that Penny has written him off? I know the guy has (presumably) already killed someone, and he must assume he’s killed Oscar, so we’re definitely in full villain territory despite the stupidity of it… but please don’t start working with Salem’s henchmen too. You know what? I’m not going to assume the worst until I actually see it. RWBY gives me enough nonsense as it is lol.
What I really want to talk about is that hit. 
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I’m somewhat concerned by a lot of the fandom’s reaction to this moment in comparison to another. Who remembers Volume 6? That scene when Qrow punched Ozpin directly into a tree? Now, I’m not keeping track of who says what when—this is a generalized reaction—but I saw a lot of posts defending that action. There were numerous justifications for the punch, but the three big ones were: 1. These characters are fighters and they’re used to it, 2. These characters have aura so it’s not that bad, and 3. Ozpin totally deserved it. Now, the problems here are that 1a. I don’t think punching someone when they’re crying on their knees is justified, whether they’re a fighter or not, 1b. Qrow was likewise punching Oscar, a totally innocent kid, 2. We had established earlier that Oscar was having trouble remembering to activate his aura and didn’t seem to have it active then (no ripple effect, he’s rubbing his jaw afterwards), and 3. Ozpin’s crimes are, as explored on this blog, not nearly the horrific actions that the story and fandom would like to paint them as. The point is that despite all this, lots and lots of fans said it was totally okay to punch Ozpin&Oscar. What’s the big deal? they asked. Now, lots and lots of fans—mostly when the trailer first dropped—say it’s not okay to punch Watts. Despite the fact that he’s also a fighter. Despite the fact that his aura has broken. Despite the fact that he’s not currently a threat (seated on the bed/Ozpin on his knees). Despite the fact that he’s responsible for helping Salem try to take over the world. If we were to make a case for who deserves to get hit, Watts is a WAY stronger candidate in my opinion, yet he’s the one who a lot of fans are scrambling to defend. Why? I assume it’s because hitting him feeds into the generalized police state/dictator theme Ironwood has been thrown into. It helps villainize Ironwood for fans to go, “Poor Watts. He’s done horrific things but no one deserves to face police brutality.” I agree. The only problem is that a lot of those same fans seem to have gone, “Ozpin can get over it. He deserved to be hit! I would have done a whole lot worse to him…” So is the difference only that one attacker is a military professional and the other is… a huntsmen professional who soon after that scene starts working for the military? Yeah. The show continually ignores that the group aren’t the rogue heroes they pretend to be. They worked under Ironwood for weeks, if not months.
The show isn’t clear about its morals and neither are the fans, with both changing tactics whenever it helps blame the character they already don’t like. When Robyn punches the barrier, do we really think she wouldn’t have hit Jacques if given the chance? Why would it be heroic for her to hit the Evil Man but it’s not okay for the grunt minor character to hit the other Evil Man? These morals don’t change just because you like Robyn and don’t like Ironwood. 
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Jumping ahead for a moment, we get another example of this hypocrisy with Joanna. A reporter is informing the people that the military seems to have stopped evacuations and there is an unheard number of grimm hanging out overhead, both things that are objective facts. He’s reporting as he should, sticking to what’s known and provable, and thus is, notably, not some lackey of Ironwood’s who is hastily presented as evil. Yet Joanna treats him like he is. She snatches the microphone from him and, when he starts to protest, threatens him with her weapon. After she’s done hijacking the feed, she shoves him on her way out.
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Look at how scared this guy is. These are our heroes? This back and forth doesn’t work. Prior to his random killing spree, Ironwood took his fear and frustration out on some furniture, yet the show acted as if he was hurting real people. The mere possibility that he might use violence and intimidation to achieve heroic goals—getting Amity up/escaping Salem—was enough to label him as an antagonist because the understanding was that you can’t act like that no matter what your intentions are. Yet our current heroes can use as much violence and intimidation as they want to achieve their own heroic goal of warning the people? Do we think the story will encourage us to be critical of the group if they start beating up a bunch of Atlas goons to reach the access point? Of course not. And it’s that flip-flopping that’s the problem. Your heroes have to function differently than the villains in order for them to be heroes. Under that logic, our heroes haven’t acted like heroes since mid-Volume 6 and it’s getting harder and harder to watch.
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Especially when we take the scene before this into account. Yup, we’ve still got Qrow gunning for Ironwood. Robyn bemoans the fact that they can’t do anything, to which Qrow replies, “We can do something. We can kill the man who put us here.” I… feel like I shouldn’t start repeating myself given how long this recap is—we’ll be here for forever lol—BUT I hope everyone reading this understands precisely how little this makes sense. How god awful a choice it is. I mean c’mon. Robyn attacked Clover unprovoked, Qrow teamed up with Tyrian, he broke Clover’s aura, Tyrian murdered him, Salem is here, and now he’s sitting in a cell with Watts and Jacques… but Ironwood is the guy he wants to kill? REALLY, QROW? THAT’S WHO YOU’RE GOING TO GO AFTER? I really can’t with this show sometimes. RWBY, put your clown makeup on.
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We get a cut to Ironwood’s image just so there’s no confusion about who Qrow wants to help kill next and Joanna threatens that reporter who, you know, is also a citizen in need of help and protection… Her “General Ironwood has abandoned you, but we have not” sounds absolutely ridiculous when we just watched her intimidating this guy to get what she wants. ‘You can trust us! Unless we randomly decide we don’t like you.’ I have other things to say about Yang calling out that racist woman later on, but she gets props for helping her regardless. Honestly, I don’t get that sense from the cast very often: that they’d help you even if they don’t agree with you. They certainly didn’t offer that to Ozpin, Ironwood, or the Ace Ops.
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There’s a very long shot of a scared toddler staring out the window, just to hammer home how young and innocent Mantle is. Seriously, pay attention to our imagery: Mantle is scared children in homes, cute children fist-bumping Jaune, family photos lost in the street, a stuffed toy run over by hoverbikes. It’s meant to evoke a general sense of domesticity and, again, innocence. Meanwhile, Atlas is only shown via Ironwood and Jacques, the villains. Where are the families living up in the sky? The children? The humanizing details? Our racist woman is an outlier who is quickly silenced by Yang. The rest of Mantle is characterized as victims: scared women, worried fathers, the faunus huddling together in the slums, even another racist who, while an asshole, is supposed to have a point about things like the embargo. Which is all true. These characters are all of these things, it’s just that they’re not unique in this. All this exists above too—from those families, to the faunus slave labor, to the beloved objects that remind you of someone’s worth—but they’re ignored to provide a simplistic look at Atlas as the villain. 
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Throughout this entire episode the group tosses out snide remarks about how “They” don’t care about you and it’s just… they who? The other thousands of innocents who have nothing to do with Ironwood? The hundreds of Mantle citizens you already evacuated? The redeemable people like Winter and Whitley? The group fights alongside a Schnee who was one of the most vocal racists a year and a half ago, yet writes off the entirety of Atlas as the bad guys. What a mess.
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As Joanna’s voiceover finishes, we cut to Yang’s group going after Pietro’s tech. I already covered this scene in our promo material, but to summarize here: horrible tone. Absolutely nonsensical given the situation. Salem is here and Yang is giggling over bikes. In fact, the tone is off for most of the episode (our end being the wonderful exception): Yang’s joy ride, antics with the Mantle citizens, Blake poking fun at Weiss, the tube scene… none of it fits the context of the series’ big bad here to kill everyone. Arguments along the lines of, “But it can’t be doom and gloom all the time” or “This is a brilliant parallel to Volume 3 with happy times heralding tragedy” don’t erase the fact that our cast isn’t taking this threat seriously. Last week Weiss’ “We’re never going to sleep again” moment worked because it’s humor in the context of how bad everything is. All of this? It’s just the group goofing off despite supposedly being in mortal danger. This?
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This doesn’t read well. I’d argue this scene is even worse in context due to lines like “The others are definitely missing out.” In our promo material I assumed that the group just split for the sake of splitting and they were, in fact, just missing out on something cool. But we’ve since learned that they split due to a fundamental disagreement about how to help people, a split Ruby compared to Salem’s plans, a split that Yang started! Why is she now acting like their separation is a funny “missing out” moment? It’s like if half your friend group decided to go to the movies while the other half went to a party with an unexpectedly good DJ. The movie-goers are people who are “missing out,” not the group who went off to take over a military base and everyone left angry.
Keep in mind that Ozpin is also back. Every fun times scene with Oscar in it has the added problem of Ozpin hanging back, not saying anything, not acknowledged, still a secret.
The other issue I brought up weeks back was the lack of grimm. Why are the streets deserted? Shouldn’t the army be overrunning the city? Well, turns out that there’s no army because… Salem just hasn’t bothered to send it into the city yet? When Jaune and Ren take out the low-level grimm Oscar asks if they’ve “already pushed this far in,” to which Yang replies, “No, I think those are from last night.” A few minutes later, last night’s grimm change to new non-Salem grimm as Oscar observes, “It’s the negativity. Salem’s forces aren’t moving in, but it’s enough to attract the stragglers.” Later still, Joanna asks, “…grimm are circling out there. What are they waiting for?” GOOD QUESTION. We don’t know, but it’s real convenient, isn’t it? RWBY redeems itself a bit at the end of this episode with that Hound grimm, but I’m still calling it out for having Salem hold off long enough for the group to evacuate pretty much all of Mantle and infiltrate the base. That’s real nice of her. As the characters keep pointing out, it would be a staggeringly different situation if they were overrun with grimm right now, huh? Kind of like the situation Ironwood (rightfully) assumed they’d be dealing with.
Again, I’m so glad our Big Bad is kind enough to let the heroes do everything they need to before lifting a finger to attack them.
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RWBY seems to be setting up a, “See! There was always time to evacuate the city!” accusation even though no one could have known that and it makes zero logical sense. Salem brings an army with her so she can not use the army against Atlas? Right…
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This all segues directly into our other promo scene. My initial comments still stand: the tone doesn’t work, the lack of urgency doesn’t work (Jaune playing with the kid, Oscar politely knocking on doors), the low-level grimm are not a threat, that shield is useless against anything not driven by plot convenience, and it’s weird for Jaune to be yelling, “Heads up!” when there’s no one in front of him. As said, this moment really doesn’t sit well given everything that’s going on. I had hoped that it would read better when seen in the episode itself, but that’s sadly not the case.  
After Ren one-shots the grimm Jaune suggests that they use his amplified semblance to get everyone to the crater safely. Ren seems less than pleased about this, but agrees. Right now, it’s easy to say that he’s in a bad mood because Nora is mad at him, but what about the Volume before? Where’s this underlying tension coming from? I can come up with lots of theories, but at some point the show needs to confirm something. The longer we go not explaining what’s wrong with Ren, the less faith I have that it will make sense when we get it.
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We see the racist woman upset that they have to go live with the “animals in the slums” rather than going up to Atlas. As said, I like that Yang helps her despite clearly hating the woman, I also think her criticism holds up well (ignoring the simplified ‘They abandoned you’ narrative). The only thing that bugs me is RWBY continually presenting racism as a problem to throw a band-aid on and then pat yourself on the back for ‘solving.’ Racist drunk says shit? Toss him in the trash! Racist woman says shit? Remind her that her survival depends on you! It’s not that these responses aren’t earned, but that we’re given them instead of an actual arc that tackles the complexities of this issue. I mean, Blake has abandoned the White Fang and we’ve barely mentioned the faunus slave labor in Atlas. When they head to the dust facility it’s conveniently run by bots instead of faunus. Can you imagine if Weiss Schnee walked into a group of exploited minorities, hoping to use them to access a military base? But of course, there’s nothing like that. RWBY ignores the actual issues for these simple solutions. Heroes just attack/threaten racists and then it all goes away. Yay.
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The other problem with this scene is that we learn the crater is the slums. Um… what? Hold on, Joanna made it sound like it’s a separate place, potentially inhabited by grimm, yet it’s the same area Oscar was in last episode? How is that area warmer? This makes no sense to me.
Also, ha, the crater below Atlas apparently houses all the “animals” that Team RWBYJNR is very protective of. I’m waiting for them to do something that messes with the Staff—Ruby reaching for it in the opening—Atlas crashes down on a whole city of exploited minorities, and then Ironwood is blamed for it somehow. Can’t wait for that episode.
So the group starts making their way there and hark! An Ozpin! I’m always thrilled to hear him, even if he’s treated just terribly by the show. Oscar is at the back of the group and comments that “It should not be this hard just getting people to cooperate.” Except… they are cooperating? Oscar, you are watching them cooperate right in front of you. That one woman might grumble a bit, but she hasn’t made a move or said a word about not doing what you say. Where did this complaint come from? Another example of RWBY insisting something is there when it simply isn’t. More importantly, Ozpin responds:
“And yet, it’s becoming something I’m increasingly concerned about.”
“You know, I really don’t need your additional comments right now.”
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Then why did you comment out loud, Oscar? What, do you normally talk to yourself like that? You were clearly speaking to Ozpin! Don’t criticize him for responding. I hate traps like that.
Ozpin immediately says that Oscar has every right to be upset and apologizes for leaving… it’s not apologizing for his entire existence like I wrote on the bingo board, but it’s close. Who’s surprised that Ozpin is the first to offer (another) apology? Not me. Oscar corrects him with, “I’m upset you came back!”
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Okay. Here’s the thing. I like the idea of Oscar rejecting Ozpin both because he’s taken over his life and because Oscar has suffered horribly due to Ozpin’s presence (punched, slammed into walls, kidnapping attempts, etc.) That makes sense, it’s actually morally complex, and it’s great groundwork for character growth. The only problem is… this came out of nowhere. Oscar was shown accepting this new life when he left the farm. Then again when he insisted on fighting Hazel. Then again all the times he’s been told he’s acting like Ozpin and seems to accept that just fine. He’s clearly pleased with this new badass self he’s got going on—he even says as much—yet doesn’t want to acknowledge Ozpin as the catalyst for all this positive change. Okay, that’s something we could still work through, but what about the group? Fans are already theorizing that this is why Oscar is keeping Ozpin a secret, because he’s scared of how the group will react, punishing him to get at Ozpin again, and though he 100% has reasons for thinking that will happen, Oscar hasn’t shown that fear before now. Qrow punches him? Bonding moment with Ruby. Jaune attacks him? I made you all dinner. They all smile over his inevitable death/disappearance? He smiles back. Yang is the most scream-y? Happy to have her using him as an armrest. The group continually ignores him and treats him with suspicion? Not a peep of protest. It’s horrifying that Oscar accepted how the group previously treated him, but he did accept it. Where did this fear come from if we haven’t seen it in response to the harm done towards him? Just as importantly, can’t we have an arc where Oscar is mad at the team some too? I’ll admit that the general premise of blaming Ozpin makes sense for the traumatized fourteen-year old, but after two years of blaming Ozpin for everything… aren’t we sick of this? His team has actively hurt him, outside of Ozpin’s ability to prevent, yet Ozpin is the one who takes all the heat for their behavior. “I felt like I was actually part of the team” should lead to the realization of, “Hey, Yang shouldn’t yell at both of us for things outside of our control” not, “Hey, you should stay away forever because others have decided they don’t like you.”
All of this following Ozpin saving Oscar’s life in the airship. Then saving his life again after Ironwood shot him. Our heroes are real grateful, huh. I hate that RWBY is taking another fave and doing them dirty, though I suppose I shouldn’t be surprised. 
Ozpin also mentions his magic—would be nice if Oscar brought that up with the team!—and that he is now “recollecting my longest held memories.” He…is? When? Don’t you think that’s something important to show us? We keep being told that “the merge” is occurring but not shown what that actually means. Seriously, when did Oscar get slammed with that many memories??
Please just use the aura machine and give Ozpin a robot body. RT doesn’t have the chops for writing this situation.
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As they continue on towards the crater Ren snaps at Jaune about not needing a “pep talk.” Jaune looks annoyed at the attitude which, fair. It says a lot about the writing the last few years that Jaune is the character I’m least frustrated with lol. Likely because they haven’t had him do anything lately which, given that he’s not one of the title characters and our cast is bloated enough as it is, I’m still totally fine with.
Ozpin concludes the scene with, “We need to find a way to work together. Not just the two of us, all of us” with the camera panning up to look at Atlas. I’m glad someone isn’t ready to throw Ironwood under the bus. Given how the group reacted to him sparing Lionheart’s name though, I don’t think they’ll follow Ozpin in his forgiveness. If anything, I expect this perspective to just be more hate fuel.  
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We move to Ruby’s group which now includes May. Woohoo! She still hasn’t gotten half the screen time as Joanna, but I’m really glad she’s here. In fact, between a useful semblance and that adorable courtesy, I love her already. Despite, you know, helping the team break into the base and all that. Everyone has their flaws lol.  
She also frames the Amity plan as getting the world “talking again.” Why is everything presented like a fun romp rather than avoiding death via Salem? Absolutely terrible tone this episode.
The group hilariously waltzes past a sign labeled AUTHORIZED PERSONNEL ONLY and enters the dust facility with the bots I mentioned earlier. This I do like. My hypothetical scenario incorporating the racism issue aside, I like that Weiss is using her knowledge and connections to further the mission, rather than something conveniently dropping into the group’s lap. Like Amity suddenly being ready for launch…So yeah, it makes sense that Weiss would know of a potential way in.  
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Sending someone up through the tubes though? Ehhh… I know they have aura and everything—and that Zwei was once mailed—but are we sure this is safe?? Doesn’t matter because Nora sends Weiss through with a misplaced button press. Good thing that was the tube heading to the base. Too bad Weiss is heading to a guarded military base alone. It should have been May going first with her semblance activated, but no. Chuck this onto the ever increasing ‘Bad Tone’ pile. There should not be giggles over Weiss being in that level of danger, especially with everything else going on. Ruby’s expression is the only one on point.
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Before Weiss is yeeted off though, Penny and Ruby have a talk wherein Ruby lies her ass off. Penny says, “I do not like it when friends fight” and when Ruby starts talking about Yang she corrects her, revealing that she’s actually thinking about Winter and Ironwood. “They were our friends.”
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I was ready to sing Penny’s praises and really, she still gets credit for being the only one who has acknowledged this, but her opinion is (once again) overridden by Ruby’s. Penny goes, “but then the Ace Ops attacked you” which Ruby doesn’t bother to correct. How would Penny know otherwise? The only information she has about that battle is what Ruby has told her, but Ruby is lying via omission here. The Ace Ops never attacked her. They very explicitly refused to start a fight. Ruby attacked them. Then when Penny is upset that Ironwood said “people were going to die because of me,” Ruby takes her by the shoulders and angrily insists, “That was a lie and he was only saying it to hurt you.”
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Ruby… you’re the one lying. You know damn well Ironwood didn’t just say that to hurt Penny. Oh yeah, the general trying to keep a kingdom alive from an immortal witch is preoccupied with hurting Penny’s feelings for no reason other than being evil. That makes sense. More importantly, Ironwood is right. Look, I’m by no means blaming Penny for anything. She fought off Cinder, took the power when there was no other choice, and has now gotten caught up in Ruby’s plans which include incredibly misleading information that Penny has no reason to question. She’s doing her best and deserves that hug. But that doesn’t mean she lacks responsibility here. Ironwood needs Penny to evacuate. Penny—listening to Ruby—won’t help him. Ergo, if something happens to the people up in Atlas Penny will be partly responsible. If I have the key to a door with lots of people trapped behind it as a fire rages, and I refuse to open that door, I have indeed allowed a lot of people to die. As Penny says, she didn’t want this responsibility… but she has it. She has to deal with it. Too bad she’s with Ruby who encourages her to ignore it instead, insisting that nothing bad that happens after their choices could in any way be connected to them. Kind of like Qrow ignoring his own actions against Clover.
Because that’s the takeaway from this scene. Penny had empathy for their friends and then Ruby talked her out of it. She never even acknowledges that those were indeed seven friends that she betrayed. That’s horrible.
What happened to Ruby? I used to love this girl.
Continuing our tone issue, Nora is watching this show like her favorite soap is on. Okay then.
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Weiss goes up the tube and then we cut to Fiona saying that… the Mantle police are helping them evacuate? So the military is bad, but the police are good? I need to stop trying to make sense of RWBY’s allegory.
When Yang and the others return Fiona makes an innocent comment about being worried about how they’d fare without the rest of their team. Yang is pissed.
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Ah, so we’re back to her giving allies attitude for random observations. Remember the anger at Marrow for suggesting she and Blake try different team-ups? Now here Yang is, in a different team-up, doing quite well. Funny how we never acknowledge who first suggested that. Now, Fiona reveals a totally logical worry that losing four fighters might make a difference when fending off grimm, but Yang is poised to be angry at everyone, about everything, all the time. Which I get is something that a lot of fans like. I’ve already seen a couple of posts praising RT for letting Robyn and Yang be angry without consequences because women often can’t do that and, fair. That is indeed one way to read it. My problem is that their anger is actually irrational, not just called as much because we women are ~emotional~. Their anger isn’t justified: Robyn because she had a significant hand in all this nonsense (that she’s ignoring) and Yang because it’s clear Fiona means no harm here. This is anger that needs to be called out, not ignored because yay women expressing emotion. That kind of defense is reserved for a woman’s justified anger that needs to be expressed without criticism, especially in a narrative that tries to undermine her perspective. But what has Fiona done to Yang? Nothing. More importantly, the show has yet to teach Yang a better coping mechanism than lashing out at people, be it with her fists, words, or angry glares. Yang has been through the ringer and it makes sense that she’s angry, but that doesn’t mean she gets a lifelong pass to treat those around her badly. 
Anyway, Joanna says they have a lot of people to keep warm even though the crater was supposed to be warmer? And they’re stealing dust? So what are they using it for it not heat? We’re not seeing any difference here and frankly all the civilians should be dead by now. Or at least entering hypothermia. (Give me that conflict: how do you keep people safe when they’re not all conveniently up for walking all the way to the slums?) Joanna also says that they’re trying to get the “Old mine shafts into a livable condition” which would take how long exactly? In fact, I’d say our timeline is already wonky. We’ve watched Yang hide the Ace Ops last Volume, fly to Winter and Penny, find the Happy Huntresses, wait around for Oscar to show up, ran off on her own at some point to scout, went to get bikes, evacuated all those people to the (far away) slums, then went back out to fight off the grimm. That had to have taken up a good chunk of the night, though it’s impossible to tell the time with Atlas’ snowy sky. I’m leaning towards a bingo mark though…
The faunus who I thought was a badger or something is… a bear I guess? He has a bear-like paw, but his nails seem too long… I honestly don’t know. But he’s Fiona’s uncle! Cute. She's off to deal with a fight that’s starting while the group goes to fight more grimm. Finally, the episode gets good.
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The teamwork to take out the dragon grimm was nice, always glad to see it, but the real fight starts when two more grunts show up and then immediately run away. What could have scared them off?
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The Hound. (I’m sorry, all I can think of is Game of Thrones when I write that, but it seems to be the name the fandom is adopting, so…) Remember how I said it was unlikely to be a threat on its own? I WAS WRONG. Holy shit this thing is terrifying. It snatches Oscar and in some wonderfully quick animation absolutely obliterates the kid. Oscar is thrown around like a chew toy, desperately trying to rabbit kick at this thing and it does [checks notes] absolutely nothing. I’d normally say something about our farm boy always getting the shit kicked out of him, but this scene was too good for my salt.
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Then it changes shape, growing arms, and starts using Oscar as a shield. Yang can’t pull back in time and is snagged by her head, the Hound tossing her into the wall hard enough to break the stone. She’s still conscious though and warns the others about its strategy.
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“But grimm aren’t that smart,” Jaune says. Maybe if you kids (Fiona keeps calling them kids) had stayed in school you would have learned that grimm get smarter with age! Oobleck knew that. Or, just as likely, this is a special Salem grimm. Hard to say at this point.
The point though is that the group is helpless in the face of this monster. I do want to emphasize this. I’ve seen a few people criticizing them for not doing enough to save Oscar and it’s like, what did you want them to do? Yang tried to attack and the grimm nearly had her hitting Oscar instead. Ren tried to attack and the grimm changed so fast his weapon was useless. Factor in that morphing—which the group has never seen before—the horror of Oscar hanging there limp, and the general fighter response of, ‘I can’t just keep attacking head on because that thing might kill me,’ and you realize the group was screwed from the start. They can’t stand up against this thing, not without a good strategy anyway, which there’s no time to think up. For the first time in years, ever since Tyrian, Salem actually made the right, villainous call.
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Ren screams, “Give him back!”—which was just lovely in an angsty way—and the grimm creepily cuddles Oscar against his chest. Then he responds, “No.” Yeah, they’ve never seen that before either. Can you blame them for their shock? I’m impressed that they were on their bikes just seconds later, managing to keep the grimm in sight. That speaks to their combat experience. Not the ability to power through a situation where they’re clearly outmatched, but their ability to pick themselves back up and try again.
... Ah, so that’s why Pietro was oh so randomly making them bikes. The plot needed a way for them to keep up with a flying grimm. Got it.
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My takeaway? RT should be writing horror. They’re far better at it. The animation, sound effects, voice acting, the grimm’s speech and protective instincts, that splatter of goo on Oscar’s cheek… 
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... stellar all around. Like the Apathy, this is the best I think RWBY has been since the lore episode of Volume 6. Granted, action sequences like this aren’t required to grapple with any of the messy morals and character consistency of other scenes, but still. If RWBY had just given me a lighthearted ‘Girls fight cartoon monsters’ show or a horror fueled ‘Girls fight monster abominations’ show, I’d have been happy. This? This is the only redeeming part of the episode. And it’s indeed one hell of a redemption. Look at this thing!
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I’m not going to say it erases all the bad we got—it doesn’t—or that it likewise erases problems like Salem not using the rest of her army, but it’s a notable step in the right direction. This grimm is a threat. This grimm is a mountain the cast has to overcome. If this is the minion its master should be Everest. I still think this Volume is going down the tubes fast (it’s going the way of Weiss lol), but if it can give me more scenes like this? It might not be a total loss.
Last thing to acknowledge: What about Ozpin? I’ll admit it doesn’t look good. Given how fast he takes control he should have been able to override Oscar’s will and at least fight back a little with that spectacular magic we saw during the finale. So why didn’t he? I hope we get an in-world explanation: it happened so fast even Ozpin couldn’t do anything (shaky, but I’ll take it in a pinch), now that the merge is farther along he can no longer take control—something. Because I can easily imagine how quickly the fandom, and even the cast, will turn on him for not playing deus ex machina here. In reality, I think Ozpin didn’t take control simply because the plot needed him not to. The writers needed Oscar kidnapped so any potential out from that is conveniently forgotten… which is another knock against their writing, despite how great the scene otherwise was. The point is to take all these potential pushbacks and find a satisfying way to circumvent them, not pretend they don’t exist. RT can still save themselves here by providing that explanation later, so I hope they’re smart enough to do that. Ozpin has been blamed for everything at this point. His own kidnapping doesn’t need to be added to the list.
Also, still no word on Schrödinger's councilman. We’ve got to wait another week to see whether he’s dead or not.
Finally, let’s update the bingo card!
I’m crossing off “Ruby gives an ‘inspiring’ speech built on ignoring facts she doesn’t like” for that conversation with Penny. Yeah, it’s a speech to her alone about her worth, but Ruby mischaracterized the situation so badly I’m mad at her lol
I never thought the story would straight up just not have the grimm army attacking, so I think I’ll hold off on “Army of grimm conveniently doesn’t kill any civilians” until we see if/when it gets involved.
I’ll likewise hold off on the timeline slot until we see how bad things get…
Maria is on thin ice given that we have no idea what she’s supposedly doing while the group is off on their missions. Stay tuned.
Today we’re crossing off “Deadly cold conveniently doesn’t kill any civilians.” They should all be dropping like flies by now.
A friend pointed out that Cinder’s Cinderella flashback counts as an “Overly obvious fairy tale allusion.” In fact, I talked about how much of a shorthand that is, so that’s getting a mark.
From last week I’ve also decided to include Amity for “Retconning previous lore.” Now that the group is fully underway with their plan it reads as even more egregious that we were told it wasn’t ready.
I’ll hold off on Ozpin’s space for a while. See if he apologizes to the whole group and, if so, exactly what for.
“Oscar is finally kidnapped”—check!
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Well, that’s a whole lot of headway this week. Can’t wait to see where the next episode takes us... Here’s hoping we spend a lot of time with that Hound. MVP of the episode.
Until next time! 💜
[Ko-Fi]
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authorpocketcow · 5 years
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Pooh Characters as Queer Environmentalists
No seriously.  I had a very vivid dream involving all the Winnie The Pooh characters as a group of enthusiastic (and queer) environmentalists who meet once a week to talk about environment things because they’re nerds.
Starring Christopher Robin, Pooh, Tigger, Rabbit, Kanga, Roo, Gopher, Eeyore, and Piglet.
·       Christopher Robin
o   33 years old
o   Head/leader/founder of the Environmentalist Group
o   Really interested in saving the whales
o   Chill dude, but kind of an airhead
o   Everyone thinks he’s some kinda office worker
o   One day someone accidentally found out that he’s the CEO of some green-planet organization and runs this group for fun to see what kinds of ideas he can get and to see what people think of environmentalist efforts
o   He always credits people for their ideas, but people assumed that he just worked for the company, not that he ran the damned thing
o   A pansexual icon
o   Has been to every single pride event that their city has ever had
o   Rumour has it he started the pride events
o   Wilder rumour has it he threw the first stone at the Stonewall Riots
o   Even wilder rumour has it that he’s an immortal vampire who survives on the blood of homophobes
o   He won’t deny any of these rumours but has yet to confirm it
o   Has a genderqueer partner that literally nobody has met
o   Seriously, not even Pooh
·       Pooh
o   29 years old
o   Really wants to save the bees
o   Like, REALLY wants to save the bees
o   Vegetarian, but because he doesn’t like meat
o   Massive sweet tooth; dentists hate him!
o   Ace/Aro
o   Loves children, wants to adopt his own someday
o   Babysits Roo all the time
o   Kanga and him are best friends
o   He brings little sweets for Roo every meeting
o   Perhaps a little bit of a pothead but he’s not addicted
o   He just smokes a joint once in a while to chill out
o   A stereotypical “make love not war” hippie
o   Nice to everyone all the time
o   Cries when someone is mean to him
o   Gets uncomfortable when people hit on him
o   Christopher’s little brother
o   A visual artist; uses lots of colours and sells his art at galleries and markets
·       Tigger
o   27 years old
o   ADHD
o   Like SUPER ADHD
o   Gay
o   Hit on Pooh once but when Pooh got uncomfy he backed off
o   Thought maybe Pooh was uncomfortable with gays and was confused and sad
o   When he found out Pooh was Ace/Aro he totally understood
o   They’re good friends now
o   Really wants to save rainforests and trees
o   A freelance writer; his books are elementary school Magic Treehouse shit
o   Very much into fantasy shit, his non-children’s series’ lore is always the deepest mindfuck ever, how the hell did he even come up with that
o   Bestselling author tho
o   Kinda famous tbh but he doesn’t like media attention
o   He just thinks everybody should have fun all the time
o   Does he vape? Probably.  Has anyone ever actually seen him do it?  No.
o   Does he sleep? Probably.  Has anyone ever actually seen him do it?  Once.
o   Kanga caught him powernapping when she came into one of the first meetings really early, but all she did was put a blanket on him and leave to go to the convenience store or something to stay out for a bit longer so he could rest
o   He didn’t know who it was until a bit later he figures it was her since she’s always knitting and it was a very pretty knitted thing
o   That’s his momma figure now
·       Rabbit
o   25 years old
o   Vegan and very in-your-face about it
o   “Bugs are important to the ecosystem but boy do I hate them in my garden”
o   Scifi enthusiast
o   Post-apocalyptic things slightly terrify him because he believes that’s how the world is gonna go
o   A bit of a conspiracy theorist
o   Genuinely believes the government is vaguely spying on everybody
o   Did Bush do 9/11?  Who knows… but the moon landing was real, and the earth is round, don’t be dumb
o   Just identifies as queer, doesn’t like labels
o   A very organized person but when he’s very upset perfectionism scares him bc he thinks he’s not ever gonna be good enough and will mess things up on purpose
o   Has a long-distance boyfriend
o   A farmer
·       Kanga
o   38 years old
o   Divorced trans woman
o   Has a 5 year old son that she fostered as a baby and adopted when he was 4
o   Recycles aggressively
o   Calls everyone “dear”
o   Uses reusable bags and plastic containers all the time
o   Knits a lot, everybody always gets scarves or mitts or hats for Christmas
o   Usually in the design of ‘planet earth’, but also makes pride flag designs and takes requests for fave colour schemes
o   Vegetarian but not aggressive ab it like Rabbit is
o   You know what she is a bit aggressive about? Recycling
o   If you throw something that’s recyclable in the garbage in front of her...
o   Lord help you
o   Last man who did that was never seen again
o   Okay that’s a lie, he was seen two weeks later
o   But he was advocating for a save the whales organization on the side of the road and wearing all thrift store clothing
o   She traumatized him into throwing himself into the environmentalist pit headfirst
o   Thinks Gopher is just a big softie; is the only one who is super nice to him all the time (besides her son, and Pooh who is nice to literally everyone)
o   Kinda has a thing for the grumpy man but won’t admit it
o   She’s like an accountant or something, nobody knows what she does for a living but she seems to be well-off
·       Roo
o   The adopted 5 year old son
o   A little bit spoiled, but not just by Kanga, by everyone in the group
o   Loves sitting in on the meetings
o   His first sentence at 15 months was “recycle that!”
o   Loves blue because of recycle bins
o   Literally wears nothing but blue
o   Will accept things that are less than 100% blue as long as its more than 50% blue
o   Also likes things with pink on them
o   Thinks Tigger is the coolest person ever
o   Doesn’t understand all of Tigger’s books but reads them anyway
o   Except the non-children’s ones of course
o   Reads everything he can get his hands on
o   Don’t let him get his hands on anything inappropriate for a 5 year old
o   Asks a lot of questions
o   Everyone adores him
o   His mama is his favourite person on the planet but also Mr Tigger is so cool
o   He likes Mr Gopher too, he thinks Mr Gopher is great because of “how happy Mama is when he’s around”
·       Eeyore
o   23 years old
o   Has depression
o   Trans boy
o   Just really wants friends
o   Wants to help the planet
o   Is a massive pessimist that thinks the world is doomed
o   Very smart boy
o   Talks about CO2 emissions and carbon taxes
o   A university student studying some kinda chemical engineering
o   Very quiet
o   Bit of a crush on piglet tbh
o   Has a big love for superheroes without powers because he loves the idea of things being solvable through hard work mixed with passion and technology
o   Except he doesn’t believe it because his depression makes him super pessimistic
o   Also a big tech nerd
·       Gopher
o   45 years old
o   Landlord of their meeting place
o   Grumpy ass old man
o   Sometimes people are grumpy right back to him and he’s ok with that
o   Actually a soft spot for these weird hippies and joins them sometimes but says its because he wants to make sure they’re not damaging the place (they know that’s a big fat lie but won’t say anything)
o   Will fight anyone who mocks them
o   Has actually fought someone who mocked them
o   Has not told them about said fight
o   Especially adores Roo
o   Thinks Kanga is a bit of an odd woman but also thinks she’s very pretty
o   Repressed bisexual
o   He thinks nobody knows he’s bi but eventually when he kinda mentions it he realizes everyone knows
o   Specifically, Piglet and Kanga are super supportive
o   He definitely actually has a crush on Kanga, who knitted him a bisexual flag scarf once
o   He wears it all the time but will vehemently deny that it’s the same scarf when called on it
o   Big brawny weirdo
o   Was a football player in college and can definitely bench-press everyone
o   Works construction now, which is why he’s still in good shape
o   Actually a brilliant man, can architect and calculate like nobody’s business
o   Will help Piglet with his mathematics homework in exchange for Piglet teaching him more things about the LGBT+ community
o   After a while he realizes that perhaps genderfluid fits him well but Piglet is sworn to secrecy
o   Has a daughter who is institutionalized for her mental health issues that grew beyond his care
o   Piglet reminds him of his daughter and he’s very protective
o   That’s why he legit fought that asshole who mocked the “little F****t hippies”
o   He was almost arrested for assault on that one actually
o   The cop was a buddy of his and 100% believed the “defense of those who can’t defend themselves” explanation that Gopher had
o   Got off with a warning and fined for “disturbing the peace” or some mundane BS
·       Piglet
o   21 years old
o   Gay and demiboy
o   Anxiety disorders through the roof
o   OCD
o   Recycling is a compulsion
o   Reducing energy consumption too
o   He checks his lights all the time
o   He walks or bikes everywhere
o   He says it’s to reduce CO2 emissions
o   He’s just scared of vehicles
o   Has some kinda PTSD but nobody knows the source
o   He got into a massive car accident when he was little
o   Because his father was angry and speeding
o   His mother died in the accident
o   But nobody knows this!  Someday he will tell them tho
o   Today is not that day
o   Tomorrow is not that day either
o   But someday
o   Crush on Eeyore
o   Also a university student
o   Studying mathematics because it makes sense to him
o   Gopher reminds him of his grumpy old gay uncle who died when he was in high school
o   Feels like he can actually not double-check or cross-reference anything that Gopher teaches him because he trusts him a lot
o   Still will sometimes check everything if he’s having a bad day
o   Gopher doesn’t mind, he understands that Piglet has a lot of anxiety issues
o   Has an exception in his uni file to be able to take twice as long on his exams and tests and get an extra few days for assignments because he checks every single answer 3 times
o   His OCD number is 3, everything is 3, he turns his lights on and off 3 times, etc
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lotrewrite · 7 years
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8/19 Chat Recap
Same as the previous recap - I'm mostly keeping the comments intact! Putting the more fun/general stuff above the cut:
SNEAK PEEK of the COLORED tarot cards: https://www.dropbox.com/sh/jq1lm3nd64sx9d3/AAC5qUDB6EvTK28tqE1zffExa?dl=0
Playlist: I think we really need an official playlist for this? There's no depression in new zealand, yo ho, come on eileen, istanbul not constantinople...POC crossed with AC Black Flag music...XD Backstreet boys in the 90s! ep. 13 playlist has to be mercedes sosa; argentinian singer who had to go into exile during the dictatorship. I’m Henry the Eight I Am for the Tudor episode, plus Pastime With Good Company someone should make a playlist for all the episodes maybe when we're posting the episodes I'll make a music suggestion post each day :) that way people can suggest songs based on the final version
INTROS:
We should try to split them up semi-evenly, but also depending on who the episode focuses on.
1 – Mick?
2 – [Ray] [proposed]
3 – [Nate] [proposed]
4 – Sara
5 – Jax
6 – Lisa
7 – [Stein] [proposed]
8 – Rip
9 – Mick
10 – Amaya
11 – Jax
12 – Gideon
13 – Len
14 – Sara
15 – Stein
16 – Hosts
17 – [Ray] [proposed]
18 – Amaya
19 – Mick
20 – [Legion] [proposed]
21 – [Legion OR Sara]
22 - Len
Thoughts? There's only one Ray one so far, despite him having several Ray-centric episodes. Not sure what we would switch, though!
General Points:
can O!Len change his clothes? He had a beer from somewhere in ep6 I think, so can he have objects? i think it'd make more sense if he's 'full ghost' so to speak; I think he can't change his clothes or interact with objects until later in the season. As much as I'd love for more dress-up for Len, I think he works best as a ghost
Interesting consistency note: Because Anne gave away the spear piece, her life went to hell. That is a terrifying but wonderful thought. we have something similar with Ching and her history, because she also suffers defeats after her spear piece is gone And technichally the ship in new zealand sinks after they take the piece, too They could have had a chance to change their fates but they lost/gave away the spear pieces and thus couldn't
Stephanie Fisher - we should at the very least give her a shout-out for all her wonderful comments. I vote we give Stephanie some kind of award, not just for the comments, but for ALWAYS catching Damien Darhk's name and correcting it!!!!!
just generally, I really love the snarky Gideon we have. And Jax. I love Jax so much this season. and I even like Stein again! I wasn't a big fan of Ray, but I think we've managed to redeem him as well and Sara is actually the badass captain we wanted her to be
Sara's journey is soooo good. Ray here is isolated, but not so terribly self centered like he was on the show. Like, as the season goes, he goes from being traumatized and lonely, to struggling with his identity, to accepting his identity and...I guess, growing more comfortable with himself and others??
Oh, question: Does Gideon still call Rip Captain Hunter and Sara Ms Lance? Or Mr Hunter and Captain Lance now? I think I went with both of them being called Captain
MaryWisdom might just do a German translation; DaughterOfScotland can help
just checking, we're all having Queen Bee use the amulet for her powers, right? Yes
Episode 9 Turncoat was my favorite canon ep and I feel like it only got better Jax and Amaya were so much better here than canon's "cuddle for warmth pwp" I feel like the rat sequence in ep 9 is actually a really great lead-up to episode 10 btw since we're talking about Ray, I really hope somebody makes one of those little things that fly across your screen with Ray and his rocket boot, and maybe the poor rat too XD
Episode 10 Because ep 10 was /also/ AMAZING that intro sequence was gold from start to finish There was so much world-building, character-building, and humor I really liked the villain sequences too There's some great exchanges there! The interactions were really in character! Oh, and the Amaya sequences with the British? PERFECT I love how Amaya continues to question her own knowledge and keeps evolving it was just such a fun ride honestly I think the lead up to Ray using the cold gun worked too? Oculus!Len giving it the tacit OK was such a balm Len is SO BORED he just wants to see Ray totally fail and laugh and Ray screwing up just worked so well as symbolism for his identity struggles also, I am so sad this isn't actually visual/audio because now I want someone to put together a short clip with the Waverider flying away, then pan down to a ship and you hear the "yo ho" song
Episode 11 I'm a bit bummed we haven't been able to fit in Stein singing, but I'll look over it again and maybe we can find a spot Maybe we could get that into episode 11? I've had there's no depression in new zealand stuck in my head for almost two days now btw episode 11, any more comments, or should we go back to it next week once people have had a chance to look it over? prob the best to look at it again tbh
Episode 12 OH MY GOD 12!!! THE TERROR! it was so good KAKO YOU MADE ME SCREAM literally, my phone rang during the Mick scene and I legit screamed the way you worked in the movie references so organically was genius THE LEN REVEAL WAS PERFECT was the ending scene of 12 okay? the scene with Mick and Sara I liked it a lot that was beautiful I knew I was gonna love this episode the moment it was pitched, but you exceeded all my expectations <3 so well done it's perfect That episode is definitely going to turn heads. It is very different compared to the rest and will stand out! perfect for the mid-season finale Is there a way we can make it a real mid-season finale? aka not post for aday or two afterwards? Well, if we start posting on the 1st and it's 22 episodes, with a month of 30 days... if we started on Sept 4 and posted every day, I think we'd end up with it falling on a weekend Sept 4, posting every day, would make 12 fall on a Friday We could then restart the next Monday
Episode 13 I LOVE THE INTRO I like the "did you learn that in school?" mention. Because the history classes suck yes that is a GREAT cold open the episode was really powerful also, the umbrella scenes were hilarious it really was, the tension followed throughout and was quite perfectly cut through with the UTTERLY FLAWLESS umbrella scenes Also, bitching Legion. This is great, seeing as we want them to implode also: the Len and Gideon scene <3 basically everything was fantastic i know we need to add the rip intro scene, but is there anything else you think we should work on? there were a few suggestions, but those are already in the google doc - overall I think it was an incredible episode, and you guys should be proud - you dealt with a really heavy topic really well Quick question to eisode 13... the Spanish they all got the pill, but we kind of wanted to show the other side of it, like what it sounded like to the woman at the bakery Like the Legends go into the bakery - then we see the woman working inside and it's from HER perspective, and there's spanish dialogue and then it switches to english and we're back to the Legends POV If you wanted it from the woman's POV, maybe start the scene with the woman? as in, she's working inside the register, and then some guys come in and buy stuff and then stay with her a second as they walk out and she's kinda wondering what's up, then shrugs and goes back to work then we jump back to the Legends talking in English she picks up on Mick being distracted by something that's not there i keep craving churros every time I look at this episode I loved how you guys mixed in the light-hearted scenes in with all the heavy stuff yeah it was really well balanced RIP EXITS, PURSUED BY MICK!!!
Episode 14 Sara saves the timeline with a threesome XD nuff said LOVED the bit where Amaya realises that Sara is dancing with the King! So fitting, too, because of my episode following with all the Shakespeare :D I think... I think I didn't actually mentioned an abberation? Just the spear piece rip found there Alternatively Rip is using his Time Master skills to find a piece before it ever causes an abberation That was what I was going for. He finds it, or thinks he did ooh. i like that. but if it is that then i don't think you should mention the witchcraft rumors The rumors that she bewitched Henry had been around for a long time already. Thy say that tht's the reason he left his wife and Rip thinks it's related to the spear piece but it's just generally people being shit can I just say, I really loved all the scenes with Amaya and Jax? seconded My only thing to add is, and I think I mentioned that in the comments, that it would be great if you could fit the Legion in somewhere Yeah, I agree with you. I'll put it in that they arrive late and Len is like "I got this", I think Before I forget: can I suggest Sara to narrate the intro? the last one she did was ep4
Episode 15 basically Kendra's Old West incarnation and the New York Riots incarnaton exist at the same time OW!Kendra doesn't have a name, so she *could* be Josephine from the NYR 8 years prior and that would make that Carter Hannibal  but then her Carter should be named Hannibal, not Shay :( his name could be Hannibal and then he goes by Shay Or he could've changed his name when they moved out west due to being wanted under his old name Just... don't explain it. Leave it for the reader to figure out. And wonder :P (for what it's worth, I thought 15 was delightful and SO GOOD at actually USING history the way a time travel story should) More next week
Episode 19 I could knight Ystina! that would be AWESOME!
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