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#rwby recaps
itsclydebitches · 1 year
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RWBY Recaps: Volume 9 "A Place of Particular Concern"
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Happy start of a new Volume, everyone! 🎉
Shaving off a little more than a month, it’s been two years since I was writing a RWBY Recap. Is that long enough to count as nostalgic? Definitely long enough to inspire a minor existential crisis on the passage of time, so how about we just collectively pretend it’s still 2013, yeah?
Of course, that would mean we were watching RWBY on YouTube and RT’s website, not... Crunchyroll. Listen, I’ll be real with you all and admit I know incredibly little about the site’s sketchy history which, from what I’ve gleaned lately, has led to a number of RWBY fans boycotting its use. Yo ho ho and a bottle of rum. However, I noted the two week free trial and decided to give that a go first, if only to make my life a little easier for the premiere. I’d planned to either shell out the 24-ish dollars necessary to watch the other eight episodes - which, honestly, isn’t much in the grand scheme of things, especially if we factor in my Starbucks addiction... - or don my parrot and eye-patch once I hit that two week mark.
So there was a plan!
This plan was a mistake.
I’m going to go out on a limb here and guess that writing, “Wow, Crunchyroll’s website doesn’t work very well, does it?” maybe isn’t news to anyone else? I read that the new episode was supposed to drop at 9:30am. I then tried unsuccessfully to get it to load through 4:00pm. During this, while trying various avenues in the hopes of getting this video started, I noticed a Google link with a four hour timestamp, which would have put the release at around 11:00 my time, closer to what we’re used to.
Regardless of when it actually dropped, I was finally able to start watching at around 4:00pm. By which I mean I watched the first 17 seconds of the episode. Then it froze. I made it to the minute mark using a different browser. Then it froze again. I let things sit for a while and finally restarted my original vid, completing the episode without any additional problems, but by then I was more than a little frustrated.
Was it my internet? Crunchyroll? The will of the RWBY gods who don’t want me critiquing the hell out of this episode? Who can say, but I think I’ll be hoisting the flag sooner than intended.
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“This is the story of a girl who had a lot of problems.”
If you’re thinking that this line sounds at all familiar, it’s because we’ve heard it before. Actually, the entirety of the first seven minutes is made up of our promo clips which, in a fourteen minute episode without opening and credits, is a lot. RWBY has been gone (in its canon state, anyway) for two years. I can’t speak for anyone else, but my impression of the Ruby PoV clip was that it was purely promotional material, not the start of our far-off Volume. So it was more than a little disappointing to finally get my hands on new content only to realize that half of it wasn’t new at all. We’d already seen it, discussed it, dissected it weeks, or even months ago. Combined with how much of our starter material was in our trailer (two emotional shots of Ruby I’ll be unpacking later) and how much the fandom was able to easily infer (Weiss and Blake are captured while trying to retrieve her weapon) it almost didn’t feel like a RWBY premiere at all. There is, almost literally, nothing new for the fandom to sink their teeth into. We knew they were in this Ever After place, we knew the basic plot of the first couple of episodes, we’ve seen glimpses of all the side characters... I’d actually argue that there’s more to analyze in the opening than the totality of our first episode.
Not that that's going to stop me from writing a shit ton about it, you know ¯\_(ツ)_/¯
None of which bodes well and, frankly, this episode is enough of a mess that I can’t even take solace in RT executing the repetition well. Thus, I’m going to move fairly quickly (for me lol) through the first half of the episode, if only because I’ve already given my thoughts on it in other posts. So to recap within the recap:
Yang’s fall into the void and the ways in which this moment differs from the original animation is still a sore spot for me, especially given how the characters react (or rather, don’t) to finding her alive. While I commend RT for trying something different by giving us Ruby’s PoV, Lindsay’s acting grates here and the constant whimpers/gasps just highlight how much Ruby didn’t emote in the original version of the scene. Likewise, the halo of white around Ruby’s vision prior to falling proves that the writers were very aware of her silver eyes in that moment, yet inexplicably decided not to use them. As we’re seeing more and more lately, characters loose all their powers and strategic thinking the moment something needs to happen for the plot. Why craft a legitimate failure for the heroes when you could simply have them forget that their longest-running villain is in the city with them, or have Yang repeat a major mistake she’s supposedly outgrown, or have Ruby not use the one, unique ability that would save her from certain death?
As said, we know this old tune.
A detail I don't think I picked up on the first time around though is that Ruby is reaching desperately for Blake when they fall... and Blake just isn’t paying her any mind lol.
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I mean I get it. Of course she’d be looking towards the villains/the bridges that represent safety, but given the non-relationship between Ruby and Blake, it struck me as funny that even when they’re “dying” together Blake barely seems to register Ruby’s presence. ‘I really look up to you!’ Yeah. Sure you do.
Ruby floats through the orange orbs of the void and, given that they show up in our opening, I hope we receive an explanation for what they are exactly. Perhaps the souls of other people who have fallen? Idk, I'm reaching. Neo shows up and fights in various disguises, blah blah blah. Ruby wakes on the beach to someone calling her name.
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I feel like I asked this the first time around, but is anyone confident on whose voice that is? It almost sounds like Ruby’s own to me - perhaps heralding the split we saw in the trailer - but it could also be a repeat of Yang’s when she saved her? Honestly though, that second option feels too emotionally nuanced for what we got in the rest of this episode.
Right now, I’m inclined to ignore the voice until something actually comes of it. RWBY history has taught me that such minor mysteries may not last past the twenty minute mark.
As we saw in the released clip, we're immediately given some details of this strange land, including giant flora and twin suns. That’s... pretty tame. I’m of the opinion that if you’re going to do an Alice in Wonderland-inspired story, you’ve got two routes you can follow. The first (and for more satisfying option, I think) is to study the ways in which the original story functioned as a metaphor for the life of a child navigating an adult world and, similarly, use the weirdness of this land to impart some message. The second option (far easier, but still entertaining) is to really lean into the oddities, captivating your audience through the sheer WTF-ness of what you’ve put on screen, even if the strangeness isn’t actually representative of anything other than a "Well damn, that was weird" reaction.
Sadly, RWBY’s “A Place of Particular Concern” doesn’t seem to be achieving either. I mentioned when the trailer dropped that I don’t trust the story to say anything meaningful via its environments, but nor are the environments spectacular enough to engage us through novelty alone. Don’t get me wrong, I think the animators have achieved an impressive feat here, especially given the constraints and terrible working conditions we know they’ve faced before, but the oddness of the Ever After is mediocre at best. Oh look, small things like shells are now big. Real birds like the Dodo now come in flashier colors. A mouse talks!
...in a story where a main character is a cat girl.
Just like RWBY failed to distinguish how magic was different - and, ultimately, more shocking - than semblances, it’s now failing to inspire that sense of awe when our characters already hail from a pretty odd world. Sure, this is a different kind of odd, but the switch lacks any real punch. Compare RWBY’s Remnant/Ever After to Alice’s Normal World/Wonderland. She doesn’t have things like faunus and grimm, so something as relatively simple as a cat smiling unnerves her (and the reader). She doesn’t just see a slightly off bird, she finds out you now use them to play croquet. And she’s at the center of every oddity, experiencing these changes first-hand. Ruby sees a giant shell for a single shot. Alice becomes a giant and deals with the social horror of filling up someone’s house. I knew this was going to be a problem back when our clip dropped because despite being a separate realm supposedly governed by its own rules, we’ve still got a mouse terrified of cats. There’s this implication that the Ever After is oh so strange and horrifyingly unfamiliar... but then we immediately turn around and learn, no wait, most of what Ruby is encountering is familiar. At least enough to get by.
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Ruby: “I should have known! I’ve seen plenty of cartoons!”
Volume 9 is playing it super safe with the Wonderland references and it’s really disheartening. If RWBY doesn’t have anything to say via this weirdness, I would have at least liked to see something truly weird.
To get back to the plot, Ruby immediately starts walking into the jungle and I - true story - groaned at the screen. Despite knowing it was coming! Because how can you have a character go through everything Ruby just did and not provide some reflection on it? This girl wakes up in a fantasy world after The Most Traumatic Fight Ever and waltzes off like an automaton following a coded directive. Where’s the shocked examination of her surroundings? Where’s the horrified, “Where am I? Did I die?” questioning? Where’s the post-fight panic where she desperately shouts for her teammates, begging someone to answer her? I literally can’t think of another instance in which a character goes through that much and then, literally, walks it off.
Later in the episode Ruby will inform Weiss and Blake that she spotted an overhang on the cliff and decided to try and get up there so she could survey her surroundings. It sure would have been nice to know about that while she was wandering. During the actual act of her travel I had no idea what Ruby was trying to accomplish other than, in true RWBY fashion, what I assumed was her most logical goal(s) - like finding her teammates. The kicker is that there are a ton of easy ways to keep the viewer informed despite lacking voice-overs. Let Ruby talk to herself as a way to self-sooth. Or use Little as a sounding board (why else is this mouse even here...) Show us a shot of Ruby spotting her target, taking a deep, fortifying breath, and going, “Okay... you can do this. Just make it to the cliff. One step at a time," a goal that’s ruined once her steps start going in circles. You can add a bit of character work by having Ruby remember Tai and Qrow’s training: always get a sense of your surroundings first. You can setup Ruby’s (presumably) Volume-long depression by having her just lie in the sand for a while, the suns passing overhead, staring at them listlessly, only moving when the surf starts hitting her mouth. Hell, is anyone even carrying their scrolls anymore? I don’t care how unlikely it is that it’ll work here, the first thing Ruby should do is whip that out and try to call her teammates.
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Watching this moment in the context of the whole episode made it that much worse for me. It’s just so glaring how rushed this entire premiere was, with every logical reaction - to say nothing of the emotional beats necessary after that finale - getting brushed aside so that the team can get back together in under fifteen minutes. We’ve only got ten episodes, Ruby, so hurry it up. Go on, girl, give us nothing!
So we know the rest of this silliness, yeah? There’s the implication that a small amount of time has passed, an annoying dodo bird that must have been animated in later because Ruby doesn’t react to that either, a circular path of the jungle, and the soon to be named Little watching all this from a rock.
I want to emphasize that our first tonal emphasis here is humor. Having Ruby continually ending up in the same place, growing frustrated with cutsey voice acting, and the quick cuts of Little in various poses all function as lighthearted amusement for the audience... which is really fucking weird in a Volume following up on the trauma of last season. This is going to be an ongoing problem for the entirety of the episode and severely undermines the reveal that Penny has died (again). This is the exact thing RWDE folks have been worried about for literal years now, from the moment we realized we were getting a Wonderland-type world. I have little doubt that the fandom is right in saying that the rest of the Volume will likely get much darker than this (it almost always does nowadays), but that doesn’t matter because the damage has already been done. RWBY cannot continually flip-flop like this and expect its viewers to still buy into the serious moments. So many of us have lost faith in the writers’ abilities to treat these subjects respectfully and segueing from the (supposedly) fascist storyline that ends in horrific tragedy straight into, “What a whacky world, am I right? 🤪” is a damn good way to continually alienate viewers who want an emotional connection with this show.
Every time this criticism comes up there are other RWBY fans pushing back with the claim that a show - especially one that began so lighthearted and silly - simply can’t just be doom and gloom all the time. And you know what? They’re absolutely right. However, there are numerous ways to infuse comedy into your story without outright undermining the primary tone. Given that I’m reading it at the moment, I’d like to briefly use Kim Carnby’s Sweet Home as an example.
For those who are unaware, Sweet Home is a webtoon turned Netflix series that follows 18 year old Cha Hyun-soo after both his parents and sister die in a car accident. Given that he’s technically an adult, but without much financial support and already grappling with a deep depression, he moves into a rundown apartment complex and schedules his own suicide. Before he can go through with it though, a virus sweeps through the world, turning people into various kinds of monsters. These monsters - entertainingly creative - are modeled after whatever the infected person’s greatest desire is at the time of their turning, resulting in some benign beings... but much more hungry, violent, terrifying beasts. Thus, the story is centered around Cha Hyun-soo’s attempts to survive, the horrors found in his apartment complex, and the question of why he’s trying so hard to live when he’d already planned to die.
It’s dark, is what I’m getting at.
It also has moments like this:
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And just a little while later:
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Here, a generational divide infuses some much needed comedy into the story without detracting from the world’s overall tone (note too that Cha Hyun-soo remains looking stressed and anxious the whole time). It would be a problem if our depressed, terrified teenage suddenly started jumping like he’s having the time of his life (Weiss). It would be a problem if the entire first volume, which is meant to highlight the horror of this situation, was constantly peppered with lame jokes involving cutesy animals (the mice). If you’re going to add comedy, keep it subtle, relatable, and in this case bound to the characters’ internal monologue. By having them each compliment the other with age-appropriate comparisons that cause confusion, but without verbally acknowledging that confusion, the humor exists purely for the audience’s sake. The characters aren’t supposed to be laughing it up right now... so they don’t. The humor is for the reader alone, recognizing the miscommunication and enjoying it as an element separate from the dark tone of the characters’ world. Because this is the vibe of the scene directly before:
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RWBY fails at this division. A lot. Like, that failure makes up the majority of this episode.
You know what? It’s easier to just keep a count going.
Little’s introduction is Ill-suited Comedy Example #1.
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All of which means that when Ruby starts crying - and by that I mean a few sniffles and a single tear track - I have no investment in the moment. Even if the animation were close to what I’d expect after such a tragedy, its impact is obliterated by the, “Look! Cute mouse!” immediately proceeding and following it.
Also, love how Little has never seen a human before, is watching Ruby intently during this entire process... yet makes no effort to engage with her. I suppose I get it given the emphasis on how scared the mice are of predators, but from a character perspective it leaves something to be desired. In regards to Ruby not (yet) utilizing Little as a means of expressing her thoughts to the audience, our first Ever After character is just kinda... there. Ruby stumbles across them. (BTW, is they/them what the fandom is using for our first non-binary rep?) They only speak because they feel obligated to help Ruby after she retrieves the cheese. They come on this adventure because, by their own admission, they simply have nothing better to do. What’s the point of Little again? How are they serving the story? They don’t even lead Ruby to Blake and Weiss - she stumbles across them on her own while Little sleeps. In fact, it’s already a running gag that Little naps instead of doing anything useful. I wouldn’t care so much if RWBY weren’t already a show suffering from character bloat and an inability to manage that (because the former isn’t necessarily a problem on its own). Now that we’ve finally got the girls alone(-ish) and primed for some character development, I don’t want to squander it on stupid mouse jokes.
Given which: Little’s ‘Gimme The Cheese’ dance + accompanying sounds effects is Ill-Suited Comedy Example #2.
I mentioned the first time around that I am weak for a cute, animal companion. That remains true. Unfortunately, Little’s cuteness is only carrying them so far with me. Their negative impact on the narrative as a whole is, thus far, simply too much to fix with grabby motions and snot bubbles.
They ask the thematic, “What are you?” question and introduce a number of other theoretical ideas that, frankly, I doubt the Volume will capitalize on. Is your name your purpose? (Like Huntress Ruby Rose.) How does one "Little"? The team is “similar, but different.” Until the Volume actually does something with these questions, I’m inclined to read them as simple ‘nonsense’ language included to try and emulate Carroll’s style.
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With Little planning to show Ruby her village (but doesn't actually succeed in that), we cut to Weiss and Blake traversing the jungle together. How did they find one another? No idea. Why did they find one another when Blake fell with Ruby? No idea. The story tries to bypass this by, as expected, leaning into the illogical nature of the world. If they somehow found each other, then they might be able to likewise find Blake’s weapon, despite the fact that it fell long after her. Honestly, this feels more like a very convenient plot device than an interesting characteristic of this world. Things happen so randomly here! Funny how that randomness seems to solely benefit the heroes.
Sidenote: I really like that Weiss says “Gambol Shroud” because the weapon names have felt only semi-canon for a very long time. Other than Ruby referring to Crescent Rose back in the first couple episodes, have we heard the names at all? I can’t recall off the top of my head, but regardless this makes for a nice moment between Weiss and Blake. It’s a small thing, but it helps sell the idea that they do actually know one another well.
The rest of the scene is... passable. Weiss has a “Blake... I’m really glad you’re okay” line and gets a “I’m really glad you are too” in response. This is one of those cases where I think fiction needs to deviate sharply from reality. Irl that’s probably exactly the kind of awkward, rushed line I’d give a close friend because I myself am awkward and struggle to verbalize my care for others (gift giving ftw!). But in fiction an exchange like that just comes across as wooden. “I’m really glad you’re okay,” says the girl who thought this friend had died and for real saw another friend get killed by a third like, an hour ago. Wow, what a reaction! This is also a case of RWBY’s animation acting as a constraint. As said earlier, I think the animators are doing the best they can under the circumstances, but better writing, time, and funds would likely lend itself to a more expressive reunion for all the girls. It also highlights how convenient the time-skip is. You can easily argue that these two cried and hugged and went through their Face Journeys when they first found one another. No need to rehash that though because it already happened off screen!
All of this is made worse for me by the fact that Blake says that if they’re fine, the others “might” be okay too. Might! That’s a loaded word choice with absolutely no follow up. Remember, this is the girl who was beside herself with anger and grief when Yang “died.” So glad to see that emotion carried over into the next Volume. I mean hell, give me a Blake who’s screaming at Weiss to just ditch her weapon. Why are they bothering with that when Yang is still missing?? Screw vines and mice, I’m going to go find my partner!
If only.
Everything in this episode just rings so hollow to me. I mean, I expected that given RWBY’s track record, but this is a severe failure to me given the intensity of Volume 8. From Penny's death to destroying a Kingdom, the fate of their friends to lost Relics, we needed a stellar start to this emotional journey and we simply didn’t get it.
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That includes Weiss dodging the question of what happened after Blake fell. I really enjoyed this on the surface, just not - as is so often the case - in the context of RWBY as a whole. Because what is Weiss doing here except keeping another secret? In her defense, it doesn’t last long and there’s a case to be made about how difficult it is to discuss such things, especially after they just happened, so as said, I think that’s a compelling situation to put her in. It’s just one that also happens to poke at a RWDE sore spot because we had such a strong anti-secret rhetoric for three Volumes. Thanks to that arc, my initial reaction is not, “Poor Weiss. Grappling with this traumatic event.” It’s “See, Weiss? See how hard it is to discuss something horrific that you went through? But oh, you and the others had no sympathy for Ozpin in that regard, so just get over it and spill the crucial information already. Snap, snap, keeping Blake informed is more important than your mental health.”
All of which isn’t even touching on how she explains the situation... but we’ll get to that.
So they have this exchange that’s passable in many regards and fails largely due to the problems RWBY has carried with it for years now. They stumble across Gambol Shroud and proceed to spend a while trying to cut the vines/reach it from a nearby tree. This is how Weiss cheers Blake on.
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Weiss: “Yah! Woo!”
Example #3, folks.
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Weiss’ completely inappropriate cheer-leading aside, the entire time I’m going, “How is this in any way a problem?” I know Blake has become the useless fighter who can’t take out a single grimm without Ruby’s help, and Weiss has forgotten everything except her summoning, but has the audience forgotten how these girls used to fight? Anyone recall this moment from their very first battle?
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Oh no, a giant pile of vines! However will we get past this obstacle?😱
I don’t know, maybe just... jump? Or you could get a little more creative by summoning a clone and doing a cool person-tower move to reach the top? That’s definitely not me pulling from my love of Yu Yu Hakusho or anything.
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TEAMWORK, BABY!
My point is that moments like this fall flat precisely because RWBY has spent so much time showing us the group’s extreme abilities. Remember that scenes like the Ace Ops fight hinge on their presumed excellence. This is a group that beat the best team in Atlas! But now they can’t even bypass a pile of vines? The downside of giving your characters great power is that you then have to continually come up with ways for them to still face challenging conflict. Some shows handle this rather badly (like Castiel not just blowing up every demon/mortal that opposes them) and some shows handle it rather well (we establish early on that despite technically having the power to get the crew out of sticky situations, Star Trek’s transporter is prone to glitches and interference from the weather). Basically, you can’t go, “These girls are brimming with power because that looks awesome in a fight! But oh, now they can’t use that power because... uh... because that would interfere with our lame gag?” There has to be a reason. And this is far from the first time RWBY has conveniently forgotten the characters’ abilities. I still cringe at Ruby hanging off the cliff during the Cordovin battle. It’s meant to be a dramatic moment wherein she faces great danger from a fall, but they tried to give that to the girl who can fly.
So this is just incredibly stupid to me. Bad enough that we have gags following the intensity of Volume 8, but RWBY hasn’t even put in the effort to make them good gags. This episode honestly feels like RWBY satire to me, more akin to a Chibi episode, or a YouTuber poking fun, than the content fans waited two years for.
Right as Blake reaches her weapon they learn that the vines were a trap and they move, ensnaring both girls. We knew that was going to occur from the trailer and I thought that this was just another aspect of the Ever After. The vegetation (a bit like Alice’s flowers) is alive, sentient, capable of helping or hurting you. That’s pretty cool and, as I mentioned in regards to the environment responding to Ruby’s emotions, could be utilized in fantastic ways for combat.
However, this isn’t actually the case. Apparently the mice have sprung this trap because... Blake is a cat?
Wait.
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So let me get this straight. This village of mice - who have never seen a human before, but have definitely seen cats - assume that Blake is exactly the same because she has cat ears. Then they found her weapon before her, somehow realize it is her weapon (even though Blake has yet to even stand next to it within the Ever After), and set an elaborate trap so that they can be the “hunters” for once, instead of the prey. Blake happens to come along with another human, but who cares? Capture her too! What are they going to do with them then?
Uh... the only thing we know about these mice is that they spend the majority of their time foraging for food and they struggle greatly to get the cheese out of the ground, and this would certainly be a way to both feed the village and eliminate a presumed enemy, so...
You know what? Never mind. I’m not going there lol.
This is stupid and illogical, but not in a wacky Wonderland way. Also, anyone else a little uncomfortable with the mice calling her a cat and Blake just going with it? Is that the stance we’re going with after eight seasons of a civil rights movement? That a faunus girl and an animal are fundamentally interchangeable?😬
They could have used this moment to let Blake explain her identity to someone coming from a place of well-meaning ignorance but noooo, why would we have an interesting conversation with the mice when they can just cheer about cheese instead? “She pulled the cheese out of the ground ON HER OWN!” Little cries, causing another mouse to faint in shock.
Example #4
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While all this is going on Ruby shows up because remember, the premiere is trying to get the group back together as quickly as humanly possible. Or magically possible, in this case. We get Ruby asking if Little is drooling on her - “Yuck” - before spotting the village of mice about to do presumably unspeakable things to her teammates. Remember the shot from the trailer where Ruby looks properly horrified and I wondered what could possibly be causing that reaction? Yeah. It’s just this.
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Example #5. Sigh.
If you were hoping for a proper reunion between these three, keep hoping. We segue immediately into a practical explanation where Ruby explains, about five minutes too late, what she was trying to accomplish while wandering around the jungle. Little has her freak-out about Blake, explains Ruby’s magic cheese gathering skills to the others, and then decides to tag along to find Yang because, and I quote, “I don’t have anything to do yet.” For a hot second I thought this was going to lead into more information about mouse culture. You know, how Little has already admitted that they don’t have a name, how they equate names with a purpose, and therefore if they have nothing to do in their village yet because they’re so young, they’ll find a purpose by traveling with these humans. We might have even put off Little’s naming to this moment, having them or one of the girls come up with something appropriate to the task ahead: something like Guide, or even Friend (of Humans).
But no, apparently Little is tagging along just because they literally have nothing better to do? In the sense that they’re bored and why the hell not? It’s not exactly a compelling reason and, given that they’ve yet to provide any actual assistance to the girls, I’m continually questioning their place in the story. This is what critics mean when they say that time is wasted with Volume-specific side characters when we could be doing more, better work with the core team.
Case in point: Little says that they’ll be “your trusty guide!” and then the joke is that they’re immediately asleep again once the girls set out.
#6!
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I do like the following scene though. As the trio follows a path that they’ve found, Weiss walks ahead with her back (obviously) facing Blake and Ruby. When Ruby likewise questions what happened after they fell, there’s this long pause where Weiss considers how to respond, not turning around. It’s a powerful little detail, refusing to show us, or the girls, her face. It leaves her expression up to interpretation while maintaining the impression that she’s hiding from her teammates, due to not knowing how to address their failure. Her insistence on finding Yang first just highlights that avoidance. Really, I think this moment works quite well and I wish the whole episode had been treated this seriously.
Just as Ruby is about to press the issue they hear a roar from nearby. Following it, they discover a creature that fans have already dubbed RWBY’s version of the Jabberwocky.
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"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Bewared the Jubjub bird, and shun
The frumious Bandersnatch!"
Kudos to RWBY for trying here. It’s no secret that I think one of the best grimm lately have been The Apathy, so having another horror-leaning creature was a good decision in my opinion. Unfortunately, I like the idea more than the execution. The twitching motion of the Jabberwocky could have been creepy, but it doesn’t quite capture that feeling of unnatural otherness that makes your skin crawl. A problem with the animation, or something the engine itself just isn’t equipped to create? I’m not sure. Its voice is also a nice touch, with the exception that it’s really hard to understand once it starts yelling. At first I thought RWBY was leaning into the Jabberwocky’s origins. That is, using nonsense words like those from Carroll’s poem whose meaning is understood only in context. Now though, I think it’s just a badly voiced character? I’m not sure because Crunchyroll’s subtitles wouldn’t work for me (of course) and all I got was the “Searching. Stalking. Detecting.” in the beginning.
Which, you know, is an interesting bit of dialogue. RWBY has always straddled the line between fantasy and Sci-Fi, so I’m pleased to see some of the latter worming its way into the distinctly fantasy setting of the Ever After. The Jabberwocky sounds like an AI creation following a coded command. Out of everything this episode, I’m most eager to learn more about it.
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Of course, we can’t learn anything now. Despite the fact that Yang stumbles out of the jungle, arm gone, throwing a rock at the Jabberwocky, and looking like she’s been through hell and back. Would you like to know what Yang experienced while on her own here? Or how she came across the Jabberwocky? What she might already know about it?
Would you like to see an actual battle in the combat show’s premiere?
Too bad.
The Jabberwocky just runs off and we get an... interesting reunion for the whole team. First off, Weiss just isn’t a part of this. Given that she’s not Yang’s sister or the Schrodinger girlfriend, she’s shuffled off to the side. Second, Ruby is greeted with a, “Dammit! You weren’t supposed to be here” which I really like. Rather than going the pure fluff route, the writing seems to consider the fact that Yang (as we’ll learn soon) thinks she may have died, so of course she’s horrified to see her little sister here too. This isn’t a joyful reunion for her, it's evidence that her (stupid) sacrifice was in vain. As always, I wish we could have explored that a little more - specifically this idea that Yang thought she was dead and was still trying to defend herself against hostile creatures - but a single line is all we’re given.
Ruby gets that soft smile of hers, kneels down, and says, “If you thought we wouldn’t have come for you then you must have forgotten who raised me.” Aww.
...wait.
Hold up.
The fuck??
First of all, that is NOT what happened. Ruby didn’t come looking for Yang, she lost to Cinder - DESPITE HAVING A UNIQUE ABILITY TO BEAT HER, I WILL CONTINUALLY ADD - and failed to rose-petal her way to safety. Wow, way to imply a heroic rescue that doesn’t exist, Ruby. Also, this simultaneously implies that if they had won the fight Ruby would have dove into the void afterwards to try and find Yang which... you know... I highly doubt. Just given her non-reaction to her sister “dying.” If there was going to be any rescue attempts, give me a Ruby who jumps after Yang as she’s falling and they both go in together.
So that’s a huge misrepresentation of events and then Ruby follows that up with, “you must have forgotten who raised me"? What exactly is that supposed to mean? Because a lot of people raised Ruby. Is it Tai, Summer, Qrow... or Yang herself? This almost feels bait-y to me, in the sense that the writers must know that mom!Yang has been a huge debate in the fandom for years, so they toss in this ambiguous line that could go either way. Is Ruby referring to her many capable, loving, adult guardians? Or her older sister that maybe, sorta “raised her” while their dad was recovering from the death of his wife? I don’t know, why don’t you all fight about it ;)
But no, let’s talk about the actual bait: bumblebee.
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Now, for a long time I’ve refrained from calling Blake/Yang queerbaiting for the simple reason that I’ve expected the show to follow through with the romance in a way I don’t expect that from “real” queerbaiting. Remember, the word originates from a hard “No” on the queer front, that’s why it’s baiting and not a slow-burn towards representation. However, we’ve now entered an age of television where, yes, many couples do become canon, but only in the final hour when the writers don’t have to actually write a queer romance. That’s the modern from of queerbaiting and goddamn, is bumblebee fitting it to a T.
I know the fandom has some memory problems, but everyone recalls the surety that Yang and Blake’s romance would kickstart after Yang “died” right? That having Blake mourn her and then discover her alive would finally push her to go in for a kiss? We pictured a plot where the girls were separated for the first couple of episodes, still believing the others were gone, Blake stumbling across Yang in the Ever After, the confusion and shock and relief at finding her again, the kiss that would finally bring RWBY into 2023--
Yeah. There’s none of that.
I myself said that THIS was the time to do it. If you ever needed an excuse to get the queer couple together (which you don’t) then the reunion after one thinks the other has died is 100% the time to do it. Emotions will never be stronger! Inhibitions will never be lower! Don’t pass up such a golden opportunity!
They totally passed it up.
This reunion is just as generically ambiguous as all the others, right down to Yang hugging Blake with a tenderness that’s equal to what she’s given other characters:
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Friends. This is all the same hug. There is nothing coded romantic in this reunion, not unless we want to claim that Yang is also romantically attracted to Ren, Weiss, and her sister.
I’ve already seen some fans talking about the importance of Blake initiating contact when before she always held back and yeah, sure, that can be read as character growth, but that’s the kind of minuscule step forward we needed years ago. Not now. Now we’re firmly in bait territory and need confirmation.
“But, Clyde, it’s just the start of the Volume. They could still kiss!”
I don’t care. RT had an opportunity and they squandered it. If there's a kiss, a confession, or whatever comes later in the Volume, it’s still more time that the show has spent in a will-they-won’t-they dance. I’m so sick of it. RWBY’s queer rep is atrocious and I find that to be particularly insulting in a show that’s praised for and celebrates its own diversity. I watch plenty of television with no queer rep at all, but I don’t give them the same kind of shit because they’re not pretending to be the Pinnacle of Queer Representation. If you’re going to claim that you have a queer main couple, then actually give us a queer main couple.
God I was actually so hopeful I’d be writing a, “We’ve finally confirmed it!” recap. It’s beyond frustrating at this point and I’m continually shocked at the fans who are celebrating that hug like they’ve been given a feast and not crumbs. If I were more emotionally invested in bumblebee as a ship - meaning, if I cared more about the relationship itself rather than how it functions as representation for RWBY - I’d be pissed as hell. Yang “died,” Blake lost her mind over it, we waited two years, and then you give us... that? If I were a hardcore bumblebee shipper I’d be writing about my extreme disappointment in RT, not my happiness that Yang touched Blake’s hair.
Actually no, I grew up in the age of no rep/the original queerbaiting, so really I’d be rolling my eyes at anyone who expected a canonical relationship and instead going off to write it myself as fic. I still believe very strongly that ships don’t need a canonical basis and in some ways fandom has limited itself by only writing about what’s canon, or “realistically” canon ([waves old man cane] “In my day we shipped characters who were never even on screen together!”), but I acknowledge that we’ve entered a new age of television. Viewers expect more. They should expect more and they should get it.
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With the disappointing hug behind us, Yang observers that if they’re all here then things must have gone really badly up top. This finally pushes Weiss over the edge and she starts the not-crying that all the RWBY girls do, where she has wet eyes and a single tear track. “Penny,” she says. “Jaune tried to help... but she scarified herself...”
And by that you mean Jaune killed her? Weiss’ recounting of events makes it sound like her own stabbing by Cinder: Penny was hurt and Jaune tried to heal her, only this time it wasn’t enough. When in reality we’ve got Jaune giving up because his “I’ve had a human body for twenty minutes” patient says there’s no hope and then slitting her throat because Penny mistakenly believes all she can do with her life is give it up.
Again: what happened to telling your team everything? Where did the importance of context and the complete picture go? For a team that’s so furious when others provide incomplete or misleading information, they sure do that themselves a lot. We can add, “Weiss horribly mischaracterizes Penny’s death” to the “Yang is keeping the Spring Maiden a secret, twists all their failures into victories to win a fight with Ren, and Ruby straight up lied to Ironwood” list.
In another show I’d have more faith that this would come back to bite Weiss; that the girls will later learn the truth and express some actual emotion at her inability to keep them informed... but who am I kidding. This is RWBY. It’ll be forgotten - or retconned - by next episode.
Ruby faints at hearing that Penny has died (again) and man, I really want to like this moment because it’s definitely more of a reaction than I was expecting based on our post-Volume 3 writing. However, this is primarily used as a way to avoid Ruby’s reaction, wherein she wakes up some undetermined time later and is allowed to pretend to be fine, thereby jumping over any conversation/crying/actual emotion we might have seen from her. I know that Ruby will be grappling with this for the entire Volume - our intro proves as much - but it’s still disappointing that we don’t get to see Ruby grapple with her initial feelings because she was too busy being unconscious.
Also, anyone else frustrated that the same action used to depict horror and grief is used for a gag just a few minutes earlier? A mouse faints at the thought of someone being able to pull up cheese with a single tug! Ruby faints at the thought of her dear friend dying for a second time! This is why all that earlier humor messes with the more serious moments.
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Our final scene once again fails to convince me that any of these characters love each other outside of the Grand Gestures delivered post-tragedy. No one is holding Ruby while she’s unconscious. No one has made her a makeshift pillow or blanket. Yang asks once if she’s alright - when she’s clearly not - and then just drops the subject when Ruby says yeah, she’s fine. None of them waited until she’d woken up to have this important conversation. After Weiss’ tears and Ruby’s faint, there are no reactions to Penny’s death. Do Blake and Yang care? Presumably not considering they never had a real relationship with her, but RWBY likely wants us to assume that their reactions exist off screen. Remember, given that we’re primarily following Ruby as our protagonist, her being unconscious means that we also skip over how everyone else reacts too. The viewer only gets to continue seeing the story when Ruby wakes up.
I had low expectations for the Volume 8 follow up, but overall this is pretty bad even by my nonexistent standards. It’s not that the premiere doesn’t give us any worthwhile moments, it’s that none of them are capitalized on. They just sit, unexplored, or outright undermined by what the rest of the episode has produced.
It’s disappointing, to say the least. As are our final lines. Yang admits that she thought she was dead, but there’s no time to let her or the others explore that. We hear a throwaway line that her arm was stolen - which relies a lot on the viewer having seen the trailer to understand how and why that happened, at least until next episode. And then Blake follows a bit of light shining through to them, parting some of the vines to look out across the entirety of Ever After.
“I know how this sounds, but... I think we’re in a fairy tale.”
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Our final line, folks! Is there anyone else that would have preferred ending on Ruby’s faint? Feels more dramatic and would have let the fandom theorize a bunch before she wakes up next episode (even if then, inevitably, there would have been disappointment that nothing was done with it). Really, I get why they want to end on the shot of Ever After, but all I could think was, how in the world did you come to that conclusion, Blake? Given that this is a world based off of a real fairy tale and not the fairy tales that exist in Remnant. I would 100% buy a character from our world recognizing that they’re in a place similar to Wonderland, but nothing we’ve seen here reflects the tales of Remnant.
Well no, there is one thing, but it exists in the opening. Blake’s been reading the script again.
So let’s unpack that, shall we?
(Sorry, I need to slam all the important opening screenshots together because tumblr won't let me upload any more images boooo).
Our first shot is of Jaune! 🤦‍♀️
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Really? That’s the beginning of every episode’s opening? Jaune crying with his broken, bloody sword? Hmm, I wonder if the character imposing on the girls’ team journey will be important this Volume. We also get another shot of him with a clock motif, making me wonder if the theories about him having (somehow) spent longer in the Ever After will prove to be true.
This initial shot is paired with Neo looking sad, presumably over Roman’s death and her continued failure to avenge him. She appears in the trailer a fair bit which, alongside the Jabberwocky, is the thing I’m most excited for. I’m glad that, at least based on this, it doesn’t look like they’re going to squander her role as a villain here. We see Neo drinking her tea with a fantastic smirk, surrounded by a group of shadowy antagonists.
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A huge list of one-off baddies, or the various looks she’ll be adopting to mess with the characters? I’m hoping for the latter, especially since some fans think that one of the silhouettes looks like Jacques. However, I do question whether she can actually pull something like that off. I love the idea of Neo manipulating the group, especially in a Volume hosting a grief arc, especially in a place that, as far as they know, might contain their dead loved ones. For a brief moment I even questioned if that other Ruby we see in the trailer was Neo. The problem is I’m pretty sure she speaks and, thus, it’s very difficult for a villain to pretend to be an ally for more than a few seconds when she’s mute. Combine that with the fact that Ruby knows Neo is here and that all just kinda... falls apart. Which is unfortunate because I would have loved to see a Neo using the Ever After’s impossibilities and her own semblance to mess with the heroes. Still, a final shot at the end appears to show everything stemming from Neo, which makes me think she’s going to be the major antagonistic force this Volume and/or gains control of the Ever After somehow. Fitting, for a woman with control over illusions.
Whether Neo makes much use of her semblance or not, I hope we don’t have another 8+ characters to introduce because there’s already Little, the other mice, the cat, racoon, the forge lady, the knight (same person?), the Red Queen, the creature hiding in the leaves, the caterpillar, the Jabberwocky, and this new girl. People get why that’s a lot to manage, right? Especially in a story with four main protagonists, with two others thrown into the void with them. I get that they don’t want the Ever After to be a wasteland, but RWBY continually has a problem with side characters eating up the time and focus. Then they’re left behind and that work feels wasted. Why spend a Volume developing Little (or Ilia, Sun, Neptune, etc.) just to drop them? This bloated cast means it’s a bit of a relief that Volume 9 doesn’t seem to be trying to jump between here and Vacuo, but damn. Three years to find out what’s happening with the others? The growing chance that there will be a time skip and that the girls will come back to find all these ongoing problems resolved off screen: We somehow rescued all the people from the desert! Ren and Nora are officially together! Winter has long gotten used to her powers! Oscar merged while you were gone and now we don’t have to worry about Ozpin anymore!
Not looking forward to it.
Out of all these new characters, the most important is the young girl. My current theory is that she’s the girl from “The Girl Who Fell Through the World,” with perhaps our opening line - “This is the story of a girl who had a lot of problems” - being the first line of her tale. We know due to Ozpin that many of Remnant’s fairy tales are based on true events, so it would make sense if that one came about after a young woman literally fell into a different world. We see her arrive on the beach before Crescent Rose shows up, implying that she’s been there a long time, and there are some implications that she’s a rather powerful figure now: she leads the group through the various environments (with Ruby lagging farther and farther behind. Perhaps the introduction of a new team leader will increase her feelings of inferiority and failure?), she appears right before an evil copy of Ruby turns around (love that grin), and she's in a painting with another, shadowed figure behind her. Despite the fact that we already have this reference (short of) it gives me Ozma/Tip vibes, wherein the original Wizard of Oz books Ozma is turned into a boy named Tip in an effort to keep her hidden.
Regardless of her role, I have the feeling this girl will end up being more of an antagonist than an ally; a representation of the ways Ever After can twist a long-term resident and likely a foil to Ruby (the true leader) and Jaune (someone who will overcome the world’s allure and return with the girls).
There are a number of other thematically significant shots throughout the opening. All the girls are shown in their various outfits, smiling or smirking, but Ruby grows sadder and her most recent counterpart hides in her cloak, facing away from the viewer.
Her tears - more than we’ve seen her actually cry in the show, I'd like to point out - transforms into Crescent Rose.
The girls try to navigate an impossible maze where the Ruby copy shows up, they run up the tree before being blown back (falling remains relevant then), the girls are once again gloriously saturated in their colors (even if Weiss is still more blue than white), and I really like the shot of Ruby falling past the rabbit. Actually, I like the painted style of that fall far more than I like the look of the rest of the Volume.
However, what interests me the most about this intro is a series of images that may well be connected: two streaks of blue falling through the sky, a massive explosion that engulfs the life tree, and the burning of a book of fairy tales.
Look, I don’t care how awful the gods actually are, especially when RWBY has done nothing to explore that. I don’t care if this is one of their realms and the heroes need to take drastic measures to escape it.
You are NOT going to have the girls destroy a whole-ass world after they destroyed a Kingdom, right?
Right?
On that thoroughly optimistic note, let’s end with a miscellaneous section because we are nearly 10k in and this poor recap needs to be put to bed. (As do I.)
Thanks for reading! :)
Misc. Observations
I enjoyed the little detail of Ruby wringing out her cloak as she surveyed the jungle. Nice job remembering she just came out of the water.
I didn’t enjoy the actual shot of the landscape though. I totally get that there’s wonky perspective stuff going on given how far back the ‘camera’ is, but am I the only one who thinks the jungle looks WAY too small in that opening scene?
I definitely mentioned this the first time I examined our promo clip (and briefly above), but I wonder if the weather here is influenced by emotion, given that the rain appears to start and stop when Ruby cries. I want to say “No” now just because this already isn’t consistent - there’s no rain when Weiss cries, you’d think we’d see some kind of weather influence when Ruby faints - but a part of me is hopeful just because it’s such a cool concept. Especially for a combat show where terrain can make-or-break a battle. As we’ve seen, each little bit of Ever After seems to function differently - Ruby doesn’t hit another patch of repeating jungle, for example - so maybe this is something that will return sporadically?
This is definitely me being nitpicky and petty, but you’ve gotta love that, other than the repeat dialogue of Volume 8 and the faint shouts of “Ruby!” our first words of the Volume are, “Now if only you could help me.” I don’t begrudge anyone help, certainly not the protagonist of a story that wants to be centered around unification, but Ruby has struggled with agency so much I can’t help but roll my eyes a little. Yes, why would we write our protagonist figuring out how to help herself when the random mouse she stumbles across can do it instead? And then, you know, not actually do anything, allowing the protagonist to instead just stumble on what she wants, rather than actively retrieving it.
So you know how Little not-so-subtly mentions that an easy way to get on their village’s good side is to bring more of that cheese? Surely then when we next see Ruby she’ll be animated carrying a couple of those cheeses as a bribe? Spoiler: she's not.
Anyone else feeling iffy about Blake’s description of Yang? The one where she refers to Yang as the scary looking one? As someone who has been frustrated with Yang’s lack of anger management the last couple of Volumes, I’m not a big fan of her “scariness” being played as a cute character quirk.
Ruby remembers right before the non-battle starts that she’s without Crescent Rose. Funny how she didn’t appear to notice its absence before, or go looking for her precious weapon like Blake did. (Seriously, I know I’ve said this a hundred times by now, but the girls’ reactions to landing here and everything they’ve lost are nonexistent.) This also highlights how useless most of the girls are without a weapon in hand. Didn’t we have a mini-arc back in Volume 5 about them learning hand-to-hand? Wasn’t that specifically labeled as Ruby’s flaw? Now it crops back up and she just hangs back, scared? Once again I'm asking what the point of any of that was if we're not going to see the development. Something something only the most recent Volume is canon.
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midnightechoes · 3 months
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SO APPARENTLY I NEVER POSTED MY SOMEWHAT SCREENCAP REDRAW. Which is criminal on my part, because Somewhat deserves ALL THE LOVE
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squipedmew · 3 months
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here's my 2023 art summary! (template by CainineThistles) I feel like I've improved a lot as an artist, particularly with posing and backgrounds.
Slight personal ramble under the cut:
I know I posted a lot less this year, and real talk, the back half of 2023 was really hard. I had a lot of mental health struggles, mostly relating to my coping mechanisms. I know I joke a lot about being 'chronically online' but it genuinely was a real problem. I didn't really feel like I was living my life, you know? Not to mention, basically everything I drew and wrote was for this blog. I barely created just for myself anymore. I got so consumed with trying to get my art and fics to blow up, that I kinda forgot why I started in the first place - to just have fun.
Taking time off of tumblr was huge for me. I rediscovered the joy of art and writing all over again, and tried living more in the real world. I got more involved with the people around me, and I even got into a relationship. Being present is really scary, but it also helps. I actually felt like a person for the first time in recent memory.
I guess what I'm trying to say, is don't let those fictional worlds and online numbers consume you. Try to be present and live in the real world more. I know it's cliché advice, but it seriously helped me a lot with le mental health, and there's a whole lot more going on around you than you'd think.
Anywho, here's to 2024!
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sir-adamus · 1 year
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the Cat deliberately lured them to Herb's too - right after poking Ruby's trauma button about the hopelessness of the situation with Salem, stranding them in the forest close enough that the group would stumble on Herb's place
and then waiting for Ruby to be at her lowest in the smoke before interrupting, making it look like they were 'saving' the team from Herb while accusing him of having gone rogue and in need of ascension to cover the deception
really playing the long game throughout here
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constantvariations · 6 months
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Blake's semblance is probably the most egregious example of doing whatever for the plot, established canon be damned
In V2, Blake herself says her semblance is leaving behind an empty copy of herself to take the hit while she retreats, but there's plenty of instances where her clones act more like the shadow clones from Naruto (see V4C3 where she uses a clone to propel herself) instead of a decoy as described. It even retains her whole image despite every other clone being a shadow silhouette
There's also times where she seems to teleport away from her clones rather than it peeling away from her body, such as the V3 and V6 fights with Adam. He's like. 2 feet away in both cases and the waterfall fight is literally on a flat open rock, yet ShawLuna expect me to believe he wouldn't see Blake slipping a clone in her place?
V3 I can let slide because that scene is awesome, but V6 has zero cool points to hide this garbage behind
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hollow-plume · 2 years
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RWBY Ice Queendom summary episode 1-3 part 3
Blake cat ears, she so cuteeee
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This girl really just cried because she got a faunus for teammate 🤣
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Lmao Yang: Huh really?
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Weiss went through her final character development
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Miss "I won't get possessed"
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So yeah...it seems everything that may happen from now will be in Weiss's dreams (now it explains team RWBY's outfits, especially Blake!)
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howlingday · 2 years
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Weiss: Girls, I don't know what to do! People are saying mean things to me on the Schneenet! What do I do?!
Blake: Just... Just ignore them.
Weiss: What does that even mean?!
Emerald: Just don't talk to them?
Weiss: Okay, so, I type out my reply, and I hit post; when does the ignoring start?
Blake: Nonono, you don't reply. You have to not reply.
Weiss: But if I don't reply how will I tell them I'm wrong?!
Blake: You don't.
Weiss: IT DOESN'T MAKE ANY FUCKING SENSE!
Blake: No, it makes sense. You're just acting like a fucking lunatic.
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jjr1971 · 2 years
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Obligatory spoiler warnings for RWBY Prime and RWBY Ice Queendom right up front. So RWBY Ice Queendom Episode 6 just dropped and has some....provocative symbolism. Could just be my perverted imagination or maybe Studio SHAFT has some bonafide lesbians in their animation department who know exactly what they're doing. In any event RWBY Ice Queendom stans White Rose quite unabashedly. Top right image....anyone else see an allusion to a hairy vulva that Ruby parts gently with the Knight Relic? Just me? Center: Ruby and Yang inside Weiss's vagina? (the symbolic, psychic representation of it, not literally) Bottom left: Ohh, looky, they finally found the G-Spot! Er, I mean, Nightmare Grimm. Sorry, sorry, I'm giggling so much adding all this up. "I must protect what is precious to me." (Ruby, in other words) This show is WHITE ROSE 100%. Ruby expresses disbelief and confusion but is anyone in the audience confused? Because I'm not. This show is cool and I'm liking the interesting side story aspect to it. They do break canon a little bit, since Penny was explicitly told to AVOID any of Team RWBY after the fight at the docks, and all this is taking place before the start of Volume 2. Nevertheless, the scene with Penny & Yang together was hella cute so I can overlook this slight deviation from the canonical story. The plot thickens as we learn Jaune has partial immunity to the Nightmare Grimm as one previously infected...it will largely ignore his presence, so he joins Team RWBY for the final dive into Weiss's unconscious mind. Note also that this is the same group on the mysterious island in RWBY9, minus Neopolitan of course.
Looking forward to RWBY Ice Queendom Episode 7.
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Conversation
Mars: Okay, what is this? Am I being punk'd? Or is this a secret intervention for crushing on the boss?
(Cut to Saturn, Jupiter, Charon, and Cyrus standing under a banner that says "INTERVENTION - you really could do better")
Saturn: ...No. What would possibly give you THAT idea
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thebunnyremix · 1 year
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Emerald: Look, Oscar, I know I’ll probably never be part of your team, and...I’m okay with that. I mean...I’m a crazy bitch, who’s barely capable of casual social interaction.
Oscar: Yep. You sure are. And that’s why you fit right in.
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strqyr · 2 years
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if ice queendom wants to guarantee me watching the episodes the moment they drop, on the dot, they only need to show a glimpse of the branwens, even the tiniest of teases, and i'll be right there before anyone even has a chance to say a word.
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itsclydebitches · 1 year
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RWBY Recaps: "Altercation at the Auspicious Auction"
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Happy, uh... Tuesday, everyone! I'm a little bit behind 😬
Man oh man, but do I have mixed feelings about this episode. While drafting today's recap I kept trying to come up with a summary to start with; an abbreviated takeaway of my overall thoughts - especially for any readers who don't feel like wading through the whole post. Unfortunately, anything that simplistic kinda misses the point, so you all are just gonna have to settle for a, "I'm a glass case of mixed emotions!" while we unpack this episode.
First, a note about our title. Last week I bypassed commenting on "A Place of Particular Concern" for the simple reason that I wasn't sure what to do with it yet. Now, I think I understand the general vibe that RWBY is going for, though it does surprise me a little. The alliteration of "Altercation at the Auspicious Auction" is definitely catchy, but it doesn't have much of a Wonderland feel to it. Carroll's chapter titles were, by and large, descriptively straightforward:
Down the Rabbit-Hole
The Pool of Tears
Advice from a Caterpillar
Who Stole the Tarts?
You get the idea. They're very accessible for a child because although the combination might be new - how does one get advice from a caterpillar? - every element is familiar. They know what a rabbit-hole is, a tart, a pool, tears, etc. just not how those elements are fitting together in new ways. RWBY's titles, meanwhile, are a little more complex. Which isn't a bad thing, they're just not titles that would have fit well into Carroll's original or, arguably, fit the whimsical, fairy tale, 'This is kinda for kids' vibe of the Volume thus far. If anything, what we've gotten reminds me of Lemony Snicket's work. An auspicious auction sounds like it belongs smack dab in the austere academy.
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Anyway, let's get into the actual story. Last we left off, Volume 9 was struggling significantly with its tone and I'm sorry to say that things haven't improved in that regard. If anything, the introduction of better written, more emotionally driven scenes means that they're suffering from the endless gags surrounding them and those gags, in turn, feel all the more out of place. We open on the girls all looking out on the world that Blake has revealed to them, though none of the emotion from last week has transferred over. Ruby and Yang are just kinda blank as they stare ahead, whereas Blake and Weiss appear intrigued by what's before them. Blake I can understand - the episode goes out of its way to frame her as the book nerd who's prepared to navigate this world and though I mentioned in a recent ask that Ruby feels more like the fairy tale lover to me, I do really like that Blake is given agency as the bibliophile again - but Weiss spends the entire episode having an absolute crisis over navigating a fairy tale, so why she's animated looking smugly pleased at this development is beyond me.
This is a common problem though, especially is modern RWBY. Unless the story is going out of its way to highlight a particular emotion (such as Ruby's depression at certain points) then everyone is given randomly generic expressions to fill a shot. Rarely do I feel like the smaller moments accurately reflect the overall mood. If a character is angry, they're just as likely to be smiling while someone else talks; if a character is frustrated, they're just as likely to appear content when the focus is no longer on them. In some ways this highlights the difficulties inherent in animation - you can't just let an actor do their job in the background, you have to actively conceive of and construct a characters' every micro-expression - but, the issue of crunch aside, it's still something the show could improve on. If your character is on screen, make sure their expressions actually matches what's been going on.
So we're off to a slightly rocky start and then, of course, we really kick things off with a joke. Yang wants to know if they're just going to stand around thinking about this in silence, or...?
Yeah, we definitely needed the meta acknowledgement that there was a break between episodes and we don't technically know how long the girls were staring at the view in-world. That's absolutely the best way to follow up on Ruby collapsing over the death of a friend🤦‍♀️
It'll come as no surprise to anyone who has seen the episode that this will be a common complaint from me today. Consistently the writing portions out moments for Ruby to be sad about what's happened, neatly separated from the rest of the story, and everything surrounding those moments works very hard to undermine that emotion. For example, in this moment I couldn't help but re-frame what we've been given through Yang's perspective: she saved her little sister and in the process fell into a terrifying void, waking with the thought that she's probably dead. Her arm was stolen from her and she somehow encountered a (meant to be) terrifying beast she wasn't able to fully defend herself against. This led to her reuniting with her team and the realization that them being here meant that they failed spectacularly to defend the world above. Weiss confirms this by tearfully admitting that one of their friends has died and Ruby is so shocked that she passes out.
So how does Yang react to all that? With incredibly bland questions about whether Ruby is okay. No physical comfort. Lots of jokes about their situation and, as we'll see later, an endless desire to punch someone's lights out - but even that is presented as a cute character quirk, not a symptom of her trauma. Yang - and everyone else - is only reacting to the horrors of Volume 8 when the story wants them to react, the Bad Emotions flipping on and off depending on whether the writers want another gag or not.
But I'm getting way ahead of myself. The point is that we begin with this sarcastically cheery tone and segue right into more animation humor. Ruby says that it's impossible that they're in a fairy tale, but Blake points out Little as evidence. (Side-note: how is that irrefutable evidence when the woman giving it is part CAT?) A highlighted mouse and Ruby's sweat-drop convey that yes, this is really happening! Because we can't convince the characters without those humorous details.
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Oddly though, Little agrees with Ruby? We see them nodding along when Ruby says they can't possibly be in a fairy tale and right now I'm not sure if that's because they agree with the idea that their obviously real home can't be equated with a made-up story - something Little will outright say in a moment - or if they're just agreeing because, frankly, Little seems confused 99% of the time, but possesses enough emotional intelligence to want to make Ruby happy.
Regardless, with Little acting as (shaky) proof, Weiss revises Ruby's statement to say that it's "improbable" that they're in a fairy tale and we get the trailer line, "Let's look at this more logically, shall we?" You know, I think this line comes across much better here than it does in isolation. It's still not going to be winning any voice acting awards, but the flow of the conversation helps it out quite a bit.
However, I think Weiss', “Okay. I see your point of view. I’m going to go over here now" sounds so much worse.
Before that though she runs through all the plot we've already seen or, in Yang's case, was mentioned off screen while Ruby was unconscious. (And yes, the fact that Yang told everyone about her harrowing journey when the most important person in the world to her couldn't listen in still bugs me.) They all fell from the sky, Ruby met a talking mouse, Weiss and Blake encountered killer vines, and Yang had her arm stolen by a purple racoon. As if the deadpan nonsense of that wasn't enough, the scene needs to inject even more humor by having Little interrupt with a shouted "FRIENDS! :D"
Please note that nothing in this scene emphasizes - or even hints at - Ruby's current emotional state. From the flat expressions as she listens in, to the tiny smile when Little celebrates their friendship, this Ruby is indistinguishable form the girl we've seen for the last four-ish Volumes. As I mentioned above, it's an ongoing problem for me that the Volume is consistently separating Ruby's depression from, well, everything else. I'm not saying she has to be sobbing every second of the episode, but if you can snag a random scene - especially one so soon after her faint - give it to an ignorant RWBY fan, and expect that they'd have no idea based on this animation that she was dealing with the traumatic death of a friend... you need to go back and re-write that scene.
The absurdity of Yang's experience results in Weiss giving up on her logical approach. She gives that line about going over there now, bye-bye, and then we see... uh...
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What is this? I have nothing against Weiss struggling with them being here - that actually makes a lot of sense for her character - but do we really need to convey her struggle like this? I literally cannot take the emotional beats seriously when they're surrounded by this Chibi-like silliness. Worse, later in the episode Weiss' comedic grumbling will return and actively interrupt Ruby's grieving.
But we'll get to that.
“As crazy as it sounds, something about this is familiar," Ruby says and then the girls realize that what they've experienced sounds an awful lot like "The Girl Who Fell Through the World." And by "an awful lot" I mean it's nearly an exact, one-for-one recreation. Cool concept! Too bad the viewer barely knew this story existed before the girls landed here. If you'll recall, the fairy tale was mentioned back in Volume 8 when Oscar was captured by Salem, which tells us that the writers realized what they wanted for the upcoming Volume and hastily tried to shove a reference in so this didn't come entirely out of left field. However, this wasn't a successful attempt imo. All we learn from Oscar's conversation with Ozpin is that a) a girl fell through Remnant, b) she wound up in a new world, and c) she returned to Remnant sad because she'd been so changed by her journey. Nothing in that tiny summary tells us what the world was like, or what Alyx experienced there, the two things that would help sell the idea that our characters recognize this environment and the things they've been through. Hell, we don't even learn the girl's name prior to Blake info-dumping the plot. "Alyx" exists only in Roman Holiday, a book I read and 100% did not remember learning the name. How's the average fan not obsessively plugged into every RWBY side-project supposed to emotionally invest in this?
Here then, we see another case where RWBY needs long-term revision. Given that they'd be basing an entire Volume around this fairy tale and putting an emphasis on the girls' knowledge of this story, we needed to spend time actually showing that the girls possess this knowledge; that it's of cultural significance to them. Give us a flashback of Summer reading the fairy tale to a young Ruby. Have the girls reference it during their Beacon days - Weiss makes fun of Ruby for still reading fairy tales when they're unpacking their room, Blake admits that it's one of the few tales she likes because of what Alyx needs to do to survive, Yang reminisces about sharing the story with her little sis. Give us Pyrrha bringing it up when she's asked what her favorite tale is. Ozpin hints during their travels that everything they grew up with is more than it seems, hiding grains of truth. Jaune reads bits of the story to his nephew, they overhear a version while the people of Mantle are trying to find comfort while they wait, there are posters up in Atlas for a movie adaptation coming out next Spring... Obviously some of these aren't possible - I never expected RT to invent a time machine and actually revise the earlier Volumes lol - but if you're going to pull this, "The characters knew this story all along and it was a super memorable part of their childhood" card then there needs to be something to set that up. And if you can't backtrack due to the medium you're writing in, you put off the Ever After Volume until you've done at least some of the work to properly prepare for it. At the very least you do more than have Oscar randomly mention it post-torture session, complete with no identifying information for the viewers to recognize once the Volume 9 trailer drops.
Or, they might have conceived of this as a tale that isn't well known and the girls are damn lucky that Blake is well-read enough to have come across it. But as it stands, Ruby suddenly recognizes where they are, Yang agrees, Weiss casually tosses out that oh yeah, of course they've all read this as kids. Obviously. You just never heard about it until now. Funny that! I found this particularly annoying when Blake suddenly reveals that the entirety of the premiere makes up the plot of this tale: Alyx falls a long distance, meets a bunch of mice, has to deal with killer vines, meets a Jabberwocker (why bother changing the name to little?), and had her knife stolen by a racoon. This is only impactful if the viewer can see the similarities as they're happening and come to the early conclusion that, oh wow, they're reenacting a Remanent fairy tale! What RWBY actually does though is present a bunch of seemingly random events, leaves the viewer for a week, and then comes back to say, "Actually you know what? That was all important!" But, I'd like to emphasize, not in a way akin to foreshadowing. This wasn't deftly planned; a trail of subtle breadcrumbs that the viewer can look back on and go, "Oh my god I should have realized!" We haven't the slightest idea that they're reenacting the plot of a fairy tale until Blake announces that... after its all occurred.
As the girls realize they're living out Alyx's story, there's understandably a bit of push-back. How can that be? It's fiction! (Even though, you know, by now they're well aware that their headmaster lived through a lot of 'fiction' too.) Little pipes up that this place isn't make believe, it's where they live... but doesn't actually provide any useful information beyond that.
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Blake then proceeds to lay out the rest of the fairy tale's plot and also, presumably, the basic outline for our season: Alyx beat the Red King at his own board game, met the curious cat, encountered the rested knight (interesting description. I assume that'll be Jaune?), and finally escaped back home through the tree. Of course, if the girl we saw in our opening is really Alyx, then she didn't get back to Remnant (or wherever else she might be from. At this point I'm not putting it past RWBY to introduce a MCU-style multiverse. Especially with the Justice League crossover coming out). Right now, I'm not sure how to reconcile this idea. If Alyx never escaped then how did her story - and all its personal details - make it back to Remnant? Did someone else escape to tell her story? Does Ozpin have some world-traveling powers that we don’t know about yet? Does Alyx?
Maybe that’s not Alyx and this question is pointless.
Ooor maybe this question will simply go unanswered, leaving us with the plot-hole of how her story became a fairy tale so common that everyone from farmers out in Patch to corporate princesses in Atlas grow up on it.
(RWBY has a lot of world building diversity, don’t worry about it.)
Anyway, I do appreciate that this gives the girls a solid reason to seek out the tree. Last week I honestly thought they might be heading there under the ‘logic’ of “Why not? ¯\_(ツ)_/¯” Yes, the tree is massive and at the center of the land, but that kind of marker is only useful if you already know where you’re going - it doesn’t necessarily imply an exit. If anything, my first attempt to get out would have been via the ocean, given that some, like Ruby, appear to have come in with the tide post-fall. Plus it’s the only boundary we’ve seen. But what RT wrote holds together, even if the delivery had problems: Ruby was seeking higher ground and then realized she’s re-living a story where the tree is the protagonist’s way out. Well done, that tracks.
From there though things continue to struggle. Weiss reminds Ruby that she hasn't even found Crescent Rose yet and I thought, foolishly, that this would result in some kind of acknowledgment? Meaning, it's really easy to view this as a symptom of Ruby's declining mental health. As her encounter with Jinxy will demonstrate, she's so hopeless right now that she can't take joy in the things she once loved - or even care about their existence. Weiss is clearly concerned that Ruby hasn't found Crescent Rose, but no one else is concerned that Ruby isn't concerned. There's no mildly shocked, "Oh" from Ruby as she realizes, oh yeah, she's without her beloved, hand-made weapon modeled after her Uncle, perhaps also in connection with her mother, the thing she once turned to for comfort when she didn't know how to make any friends. Ruby: 'I should probably care that I've lost that, huh?' But we get zip in regards to her realizing that this emotionally significant object is still lost in the Ever After somewhere. Worse, no one else reacts to Ruby's lack of reaction. Alarm bells should be going off in Yang's head at the moment, but the episode is too focused on comedy and flirting to let her really check in with her little sister. Yang has come to the realization that Ruby horrifically lost that fight, watched her faint in response to the death of a friend, and now she doesn't even blink at the idea that her prized weapon might be gone for good. By all means, give us bumblebee, I WANT more canonical content (more on that below), but there's a time and a place. Ruby still not having Crescent Rose should be a huge deal for her and when it's not that should be a huge deal for Yang.
Also, I'd like to point that this loss makes Ruby incredibly vulnerable here (as the brief Jabberwock encounter demonstrates), potentially highlighting her less than passionate desire to keep herself safe. So is Yang - or even her other teammates - at all concerned about Ruby's mental health? Her own sense of safety?
Barely. They're not showing much.
I give Weiss props for trying to reach Ruby in a few moments, but Blake and Yang are too busy being wrapped up in each other to bother. (Which could be an interesting conflict/character flaw if the show acknowledged it.) This is the same problem we had in Volume 8: why is Yang worried about Blake when she had a huge fight with Ruby? Because RT can't figure out where to put their bumblebee moments so they don't actively draw away from the other relationships.
Before that though we need to have another gag moment, this time through flashback images of Yang having her arm stolen.
Look at this.
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Who decided this was a good tone for the Volume? The contrast between past and present says it all. Yang is looking quite serious as she recalls presumably falling to her death, but we can't take her seriously because the trauma of that is undermined by a circle of cartoon stars over her head. Having her assistive device stolen while she was vulnerable makes Yang furious? Well, it doesn't make the viewer furious because they're too busy laughing at her dramatic reach, Jinxy's equally dramatic, evil design, and the cartoon-y white eyes/exaggeratedly open mouth. Notably, Blake is laughing too, rather uproariously, and I'm surprised that I haven't seen any non-RWDE grumbling from the fandom. After all, weren't people upset when Tai made a joke about Yang's arm, insisting that it was the height of insensitivity? How dare he say such a thing! ... never mind how Yang reacted to it. For me, a father knowing his daughter well enough to help jolt her out of an angry spiral, weeks after the event occurred, is better than a school friend laughing at the traumatic event mere hours after it happened... but that's just me. Apparently, shipping trumps all because it's presented as cute and wholesome for Blake to laugh over Yang having her assistive device stolen after the worst night of their lives. Disarmed, am I right?
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Nothing in this scene tells the viewer to take the theft seriously, so... I don't. Yang went through something incredibly difficult after an already horrific night? No she didn't. She experienced an average annoyance, something to laugh at - as Blake demonstrates.
Deciding that they need to track this Jinxy down (I'm not challenging the need for that, especially when it's Yang's arm, but is no one planning to find Crescent Rose too?), the girls head to the nearest town. Cue the already overused joke that Little will lead the way! And then they don't.
We get more info-dumping about this story, including that Alyx accidentally started a war in the town because she went blundering in without understanding their customs. Blake is worried that fictional history might repeat itself which I like because yes, you should be worried about that! Not just because it's basic human decency not to sow chaos in the town you're visiting, not even because they've already seen themselves repeating Alyx's story (fall, mice, vines, theft) and thus have an excellent reason to think that they might repeat her mistakes as well, but because what has this group been doing since Volume 6 except blunder into places and sow chaos? Not intentionally. I am always fully aware that our cast is written to be well-meaning heroes consistently doing the best they possibly can for the people, but even if we believed that they truly had done everything within their power to help (which I often don't), their "best" has still caused irrevocable damage. Intentions aside, the group has tampered with one of the world's few remaining sources of communication, drew a terrifying grimm toan unsuspecting populace, tested the already shaky relations between Kingdoms, lied to their one remaining ally in a way that did nothing to help his declining mental health, risked a major operation on literal, blind trust (which wouldn't be so bad if the story hadn't gone out of its way to paint that as stupid, but only when a non-Team RWBY memeber does it), sat around drinking tea while an actual apocalypse was happening outside, lost two of the magical relics that may well doom the world (a failure that I personally wouldn't blame them for if they hadn't been so stupidly brazen in their "protection": not putting it in the vault, carrying it on their belt, not sending someone through to Vacuo with the Staff, etc.), and to top it all off, made the conscious decision to obliterate two cities, evicting a fourth of the world's population, without even TRYING to find a way to work around that nearly unimaginable consequence. Without even acknowledging it.
Yeah, they should absolutely be concerned about bringing chaos down on these people. The fact that for once they don't when narrative logic says they should is so painfully, hilariously ironic.
What really grinds my gears though is that none of the others care about this possibility when, as outlined above, they should. MAJOR kudos to Blake for being the voice of reason here, but Yang is all, "Yeah, but [Alyx] was kinda a mean person, right? She lied and cheated her way through most of the book."
OH BOY, YANG. HAVE I GOT NEWS ABOUT YOU AND YOUR TEAMMATES.
We don't need a rehashing of all the times they - Yang in particular - have lied, cheated, or been needlessly mean to others, so I suppose all I have left to say is that she's at least consistent? I mean, Yang is by far my least favorite of the group nowadays, especially the version of her that would sneer at Ren for daring to point out that they've made horrific mistakes, but for what it's worth this is the attitude we've come to expect from her. Us? Fuck things up? Never! We're perfect! We're not like mean old Alyx who would do something as awful as lie to people.
Weiss tries to defend Alyx's actions by saying that "she was trying to survive" and grousing that the morals are too simplistic. That's a position I can respect, though I wish it weren't coming from a show that, at the end of the day, pushes such a simplistic perspective. As we've seen plenty of times in the past, RWBY continually claims that it has complex morals while not actually engaging with complex morals.
Just to hammer the point home, I'd like to point out that this conversation about harmful actions and gray morality is broken up by Ruby poking a sleeping Little, trying unsuccessfully to wake them up. After all, nothing highlights the complexity of your story like continuing mouse gags.
Let's put all that aside for a moment though. I've been jumping around just a bit, discussing some conversation pieces out of order because it works better with the flow of the recap. Now, we come to a crucial moment I previously skipped over:
The bees.
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Being over a week late with this recap, pretty much everything that needs to be said has been said, to the point where even some non-RWDE folks are tentatively going, "So is that it then? Is it confirmed? Can I say with complete confidence that it's canonical?"
Well... no.
But it's the closest we've ever gotten.
It's also a setback.
Let me explain.
While Blake is laughing it up over Yang having her arm stolen, she gets very flirty. In fact, I think we can make a case that her laughter is exaggerated in an effort to catch Yang's attention, though that doesn't detract from the problem of what she's laughing at in the first place. Regardless, Blake is clearly enamored with Yang in this moment, grinning, leaning real close, teasingly touching their fingers together. They don't hold hands, but the desire is obviously there, and Weiss responds to the flirting with a, "It's about time."
Now, the reason why this is the closest we've gotten to a canonical confirmation is 100% because of Weiss. I wouldn't argue for a moment that this scene wasn't deliberately flirty, but it still holds a certain level of plausible deniability, which is the exact problem all the other Yang/Blake scenes have. Yes, forehead touches, hand-holding, and blushes are all coded as romantic, but until you actually confirm a relationship or interest, homophobes can come back with, "I blush at compliments/hold my friends' hands/they were just overwhelmed after nearly dying! Why do you hate platonic intimacy so much??" (To be clear, I do mean homophobes in this example, not the ace/aro community who might want to see the same things, but for very different reasons.) In fact, I recently came across a tumblr post tagged for arospecs upholding forehead touches over kisses:
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Now, I certainly get what OP is saying (and it's worth pointing out the obvious: they don't know anything about my recaps, aren't responding to RWBY, etc. The post just came across my dash). There's an intimacy here that rings as more heartfelt than what we often get with a kiss. After all, kisses are a dime-a-dozen in television, just not for queer people, and largely in response to those restrictions, queer characters have historically been coded through other, intimate touches. So yeah, for some - even those who aren't aro/ace - a forehead touch might mean so much more in a pairing than an outright kiss. But note that the texpost starts with, "sure, fine, your characters kissed, whatever." OP is imaging a scenario in which that confirmation is a given. They kissed. So what? We want more meaningful interactions than just that!
"Just that" being the key phrase. Blake and Yang don't have "just that." They have not kissed. They have not been confirmed, so to argue for forehead-touch supremacy here is insufficient. It's like going, "Who cares about the core outfit. The best part is accessorizing!" Sure, that's a legit opinion, but for anyone who doesn't have any clothes yet, a pair of earrings and a scarf isn't going to cut it.
Despite all this, the line "It's about time" isn't attributed to anything other than romance. If a character looks at two others and says that, they're not talking about anything other than a decidedly non-platonic interest. So this, on its own, is definitely something to celebrate and is by far the most solid piece of evidence that the bees will be 100% confirmed by the end of the Volume.
Nevertheless, I have to ask: why are we still in the flirting stage?
Yes, Weiss makes a 'They like each other' comment that really can't be interpreted as anything else, but the comment itself translates to, 'It's about time they admitted they liked each other.' Now, if Blake had kissed Yang - or asked her out on a date, said "I love you," whatever confirmation we're each personally leaning towards - then we'd be golden. It's about time they did that? Yeah, it sure is! But the actions Weiss responds to are that flirty dialogue and a minuscule hand-brush, both of which we've seen before. A fair bit, actually.
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This is what I mean when I say the moment is regressive. Weiss is acting like Blake and Yang have taken this huge step forward in their relationship, but the reality is that they've gone backwards, from full-on hand-holding to tentative brushes. The hand-holding already wasn't enough, as established, but now we're meant to cheer for an aborted hand-holding instead? I suppose it's possible to read this purely from Weiss' perspective. Meaning, she wasn't out in the shed when Blake took Yang's artificial hand. She wasn't at the Adam fight (even though she should have been...) to see their actual step forward, clasping hands as one and promising to defend each other. And though she was there, I doubt Weiss was paying them any mind when they had their moment of comfort on the airship, or even when Yang complimented Blake's new haircut. So yes, from Weiss' limited perspective this might actually be a significant change. Most of the girls' development has occurred in private and they haven't shared these changes with the group, so of course Weiss is going to go, 'Oh wow, Blake is leaning in close and teasing Yang with intimate finger brushes - they've never done that before! It's about time! :D'
But - and this is a crucial 'but' - neither the story nor RWBY's marketing present this as something solely from Weiss' perspective. Despite making this "It's about time" statement to Ruby, she doesn't come back with any additional knowledge to catch Weiss up to speed. There's no moment when Blake and Yang turn around to reveal that, oh yeah, we've actually been flirting like this for a while - culminating in an on screen admission of their feelings. And the official RWBY twitter puts out stuff like this:
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The audience isn't supposed to work through who knows what like I've done above, they're just meant to celebrate that omg, the girls touched fingers!! Never-mind that they've gone past that before and, as said multiple times, that's not enough.
Do I think the bees will be confirmed this Volume given that this is the most overtly anyone has acknowledged the relationship? Yes. Do I think it's a problem that after nine years we're still in the barely flirting stage when other, straight relationships - even slowburns like renora - have already been explicitly confirmed? Also yes.
RWBY is writing this badly and I again question where most Yang/Blake fans are coming from. Either you're old enough to recognize queerbaiting and are likely wary as fuck that we'll get a repeat here, or you're young enough that you've grown up with queer ships that are unambiguously canonical within the first few seasons - if you even had to wait that long - in which case this 'Are they or aren't they?' dance should seem ridiculous. All I can imagine is that the RWBY fandom's tendency to rewrite canon has led to a legitimately inaccurate reading of the text. The same way that people will claim that their headcanons 100% happened on screen and will not be dissuaded even when you stick screenshots under their nose and go, "Look! That's literally not happening here!" I wonder how many fans imagined up a romance and just... honest to god think we've already gotten it. Not that anyone is literally hallucinating or anything, just that there's this pervasive trend of imprinting what one imagines onto the text. What do you mean Ironwood wasn't a dictator the whole time? What do you mean Ruby is repeating the actions she's criticized others for? What do you mean Blake and Yang aren't dating? We've spent so long rewriting the canon online that it's now hard as hell to differentiate between those creative hopes and what has actually happened on screen.
So yeah. I want to praise this moment. I am praising it just because this is the most we've ever gotten out of RWBY in terms of non-background character queer rep, but damn is it still falling short of what it could be.
It's worth pointing out that Ruby has no reaction to her sister almost-dating her teammate, but I give this a pass because Ruby is so obviously lost in her own, dark thoughts. In fact, she doesn't even seem to follow what Weiss is commenting on. As we'd expect, their semi-private conversation turns dark and Weiss stops walking. “It’s all gone. There’s nothing left for me to go back to," she says.
I'm really glad they're acknowledging that Weiss didn't just broadly mess up along with the rest of the group, but that she, specifically, has lost her home too. I honestly thought the acknowledgements would end there, but when Ruby tries to comfort with a, “You did the best you could for Atlas, Weiss” she shoots back with, “We hatched a crazy plan that put a whole kingdom at risk!”
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Yeah you did! Thank you for finally saying that!! If we can't have heroes weighing the repercussions of their actions prior to engaging with them, at least give me heroes who will grapple with their mistakes after the fact. I mean, like with Yang I have a very hard time taking Weiss' grief and self-recrimination seriously when the majority of her struggle has been depicted through absurd gags... but beggars can't be choosers. This, coupled with Ruby's closing line of the episode, gives me more hope for the girls' development than I've had in years, certainly more than we got from Ren's argument with Yang.
As a sidenote though, I wish they hadn't hidden Weiss' face for the majority of this scene. I liked it when this cinematography was used to emphasize how she was hiding from her teammates - AKA when she was keeping Penny's death a secret - but now? Everyone knows everything (for the most part, anyway) and it would add a hell of a lot for the viewer to be able to see the struggle taking place on Weiss' face. Of course, the animating of emotions this Volume has been iffy, as acknowledged earlier, so maybe it is for the best that they didn't try and then fail to depict that kind of sorrow. Not when vaguely wet eyes and mostly blank expressions have been our norm. Still, when we have this important a character moment I don't want to be staring at Weiss' back, or her ridiculously complicated belt. Let me see her.
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(I just realized that combining those screenshots makes it look like Weiss has messed up shoulders and a head turned round backwards whoops lololol.)
Another weird detail is that Weiss seems to be under the impression that Jaune may have saved the Relics. Sorry, but what? I'd buy this as a holding out hope situation if the whole group didn't know that Cinder had the Lamp and if Weiss, as the last to fall, wasn't at least vaguely aware that Cinder had snagged the Staff too. I mean, I'd have to re-watch the finale to get the exact timing, but I don't think it was that long between Weiss falling and Cinder flying off to make a new wish. Besides, what's the healer of the group going to do against a fully powered Maiden, especially without the rest of his team? It's not a literal mistake/retcon, just a really weird thing to have your character believe. I'm kinda getting the vibe that the writers didn't want to list all the ways the group fucked up - because yeah, that's overwhelming. That's what we've been saying! - so some mistakes are just kinda... glossed over. 'Well sure, we destroyed a Kingdom, Penny died, and we're now lost in this world, but maybe the Relics are still safe!' Mmm no, sorry. The only 'Well maybe' I'll accept is in reference to the people of Atlas being safe because yeah, there's no reason for Weiss or the others to know that they wound up in a grimm-infested sandstorm. I definitely give Weiss a pass for not realizing how her wish screwed them over - "One way ticked to Vacuo" - because it literally took Oscar summoning up a memory he didn't have to figure that out. I mean, I'm in full agreement with what others have said: it would be great if Weiss did realize/learn that at some point and was forced to grapple with the fact that the lack of help she's so angry over was, in fact, her fault... but I don't expect her to realize that on the fly, especially not when she's dealing with so much else in the Ever After.
I mean hell, I can barely remember the last sentence I wrote here. If you wanted me to backtrack through a conversation I had hours ago to find a linguistic mistake I made - when I don't even know there is a mistake I'm looking for - I'd be screwed lol.
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As the conversation continues Weiss also acknowledges that learning about Penny's death must have been "a lot to hear" and - pushing back against my earlier frustration with the characters' expressions - Ruby actually looks affected by this. By and large I think this is the best interaction we've gotten in a while, right up through Ruby just walking away, unable to even respond to that statement yet. Unlike hiding Weiss' face, or Ruby fainting instead of otherwise reacting to the tragedy, this doesn't feel like a cop-out, but rather a legitimate, believable response. She's not capable of processing this yet, let alone chatting it out with Weiss.
Unfortunately, this engaging emotion doesn't last for long. As expected, I've seen posts in the larger RWBY fandom criticizing our criticisms, claiming that all RWDE folk want are "doom and gloom" for the girls; something "edgy." To which I can only respond with a "Nah." I like horror and tragedy and morally gray storytelling, but if we're defining "doom and gloom" as a work that has nothing but hopeless pessimism to impart, I'm not here for it. All I want is a Volume that appropriately engages with the darker tone introduced in Volume 3 and ramped up like WHOA in Volume 8, without cracking its foundation with constant, contradictory jokes.
In short, we have really done without another, humorous' moment where Little proves themselves useless - they have no idea what lies beyond the bridge, despite offering to guide Team RWBY on this journey - as well as a long sequence (long for a 15-20 minute episode, anyway) wherein Little tries to build themselves a home because...? I mean, I get that they don't know their way back to the village, but what made them think they weren't continuing on with the girls in the first place? I think the logic is loosey-goosey because the writers just wanted an excuse to have Little build a rickety home to fall apart. While singing. While the group has over-the-top reactions to that. Gags upon gags upon gags.
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Continuing on, they arrive at the town and I've gotta say, I really like the design here. The red of the architecture pairs nicely with the deep green sky. As a fantasy aesthetic, I mean. I do wish this had carried over onto the actual streets though. We loose that cohesion among the townspeople and, frankly, they look bad in comparison.
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We get a little discomfort from the girls as they navigate among sentient game pieces and we're shown a closeup of a flyer advertising the birthday of "His Most Royal." I'm writing this paragraph having seen Episode 3, so kudos to RT for keeping that title vague. As the groups awkwardly move through the crowd we get what is, hands down, the best line of the Volume so far:
Blake: "Just act like you belong."
Little: "I've always wanted to be long, but I'm still just small."
Hilarious. Witty. 10 out of 10. That's the kind of Caroll-esque humor that could permeate the Volume without undermining the darker tone. Too bad this is currently a one-off moment.
They spot Jinxy's caravan. “So what’s the strategy?" Yang asks, eagerly looking back at her teammates. "Just start roughing 'em up, or what?” Ah yes, Yang. Start an attack with innocent, defenseless civilians all around you. I honestly hate how her solution to everything is still 'Get angry and punch things.' Not because that's a bad trait in a character, but because Yang specifically went through an arc to get better at that. Yet instead of improving, or have a story that engages with her failure, she's just as impulsively violent as she's always been, but now it's treated as a justified response at best, a cute quirk at worst. Here we've got Option #2 with Yang smiling, acting like beating up Jinxy is a fun outing for her and her friends.
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And you know what? No, I don't really care that this is all to get her arm back because as the girls should have learned by now, the Ever After doesn't follow their rules. We know, post-scene, that Jinxy is legitimately a conman who knowingly stole Yang's arm, but crucially none of the characters know that. Not for sure. This is a world where mice talk, vines move on their own, people are made out of wood, and most don't even know what a human is. The group should at least be questioning Jinxy's motivations in a world where everything is (supposedly) so topsey-turvey and, in turn, questioning whether it's right to go in gun's blazing. Hell, I actually would have liked that better. Give me a Jinxy who honestly didn't realize he was doing something wrong. You were just lying there, possibly dead, that metal thing is clearly not a part of your squishy body - it detaches! - and as your mouse friend will clearly tell you, it's not stealing if no one sees you do it. What are you so upset for? Give me a scene where Yang has to acknowledge her, 'Attack first, ask questions later' response to every. single. problem. Give me a RWBY where Yang is allowed to be wrong again.
Blake at least tries a peaceful approach. She looks as uncomfortable with Yang's attitude as I am (is that ever going to come up in their budding relationship?) and reminds her that Alyx bartered for her knife back. Yang's response?
"Yeah, I think I'd rather hit him :D"
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We get our first real look at Jinxy when he comes out to start his auction. I'll admit this never even crossed my mind while first watching, but uh... yeah. I see what people mean about the Romani stereotyping. The brightly colored, free-flowing clothing. The caravan. The travel (the fact that Jinxy can trick these townspeople implies that he's never been here before; never staying in one place for very long). The characterization as a dangerous charlatan scamming unsuspecting innocents. It's not a one-to-one comparison - stereotypes very rarely are - but there's enough there to catch a glimpse of the writers' bias. It's unfortunately a rather common bias and, as said, one that those like myself won't always immediately spot, but that's why it's important to point it out. There are so many ways of depicting a conman. Why did you choose the version that looks distinctly like a marginalized ethnic group?
The answer is likely just ignorance but again, that's why we discuss such things. We need to help others - and ourselves - do better in the future.
Obviously unaware of the uncomfortable implications, Weiss exclaims that Jinxy is oh so cute and Blake comments that he looks older than he appeared in the book, perhaps providing evidence that a significant amount of time has passed since Alyx fell. We learn that Jinxy screws over people by selling trash disguised as treasure, so Yang will have to let her heart tell her which is her arm.
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Spoiler: Yang doesn't use her heart to find her arm. Oh, she correctly identifies her arm, but only because it's the most arm-shaped, yellow colored thing on the stage. I honestly expected that not to be her arm because that's how situations like these go in stories, right? It's never the most obvious choice... but in this case apparently it is! I want to emphasize though that Yang does not choose this because she has an emotional connection to the object. We are explicitly shown what that connection looks like via Ruby and Yang, in comparison, basically points and chooses at random.
So that's an awful way to depict her relationship with an assistive device, but it is consistent. We see Yang first emerge with her arm with very little fanfare - the audience doesn't watch her decide to put it on for the first time, nor do we see her actually experiencing those first moments. From there her arm is used largely for jokes - scaring Nora, new puns - or is left behind to get an advantage in a fight. (Which, I'd like to clarify, I don't dislike on its own, but it is relevant in the grand scheme of how Yang approaches her prosthetic.) Last Volume she's given a line about how it is not an important part of her identity, it continues to be used for humor purposes now, and when a fantasy mouse says, 'What does your heart tell you? Which is your arm?' Yang's response is a straightforward, 'I don't know.' For me, this moment perfectly encapsulates how hollow Yang's disability journey has been, all the way back to her simply not caring that another disabled ally procured her a state-of-the-art device. Though it makes for a lackluster scene, to put it mildly, I admittedly would have scoffed if Yang had felt some call to her arm because when has RWBY ever established that? It hasn't, so yay keeping things consistent I guess?
Also, just the fact that all of Jinxy's wares are bits of trash disguised as treasures says a lot. Unlike my little rewrite above, we don't get any exploration of Ever After's culture that reveals that Jinxy has no idea what this arm is, why it might be important, etc. So literally the narrative is just saying, 'Others think Yang's assistive device is trash' and we leave it at that. Fantastic.
As said though, Ruby does feel a pull towards the little doll on the stage, though she can't say why. As she stares, Jinxy sells his first 'treasure' for... a hug.
...
.....
..........
"And what happened, then? Well, on Tumblr they say that Clyde's small heart grew three sizes that day. And then – the true meaning of RWBY came through, and Clyde found the strength of ten turtles, plus two!”
I'm not gonna lie, I thought that detail was super fucking cute. Hugs acknowledged as incredibly valuable? Hell yeah! I like that the townspeople are paying in ways beyond handing over [insert fantasy money name here]. That's a nice world-building detail and when Jinxy has to give the hug back when his con is exposed? Fantastic. This scene might be struggling like whoa with the larger concepts, but many of the details are really nice.
When it's time to sell the arm both Yang and a nearby royal guard raise their hands. However, Jinxy asks for "knowing what it is to feel love" and, with a glance at Blake, Yang gives up the bid. If they were going to tease the ship some more, maybe specify romantic love? As it stands, Yang should be backing down regardless of whether there's a relationship in the works because love as a broad concept would have her losing everything: love for her sister, her teammates, her family, her home, for adventure. That's not a Blake specific thing, that's a, 'Holy shit he's asking her not to be human anymore' thing.
So it makes sense then that a wooden puppet, nameless and identical to every other guard, existing only to serve "His Most Royal" would be able to pay that price.
Of course, losing what she assumes is her arm (because remember, she doesn't actually know that yet) makes Yang angry. Check out Blake's totally chill, not at all worried, definitely not uncomfortable look.
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Finally we come to the doll, which Ruby immediately bids on. However, like Yang's, Jinxy asks too high a price: fill this jar with hope. It's a bit on the nose, but I like the idea, as well as the shot of the doll sitting dejectedly through the jar's reflection.
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However, I think this moment would have had far more of an impact if Ruby had tried to fill it. Sure, she's clearly struggling right now, but why doesn't Ruby at least make an attempt? Especially given that one of her most defining traits lately is to sink deeper into denial: I'm fine, everything's fine, we're going to get home, we're going to fix things, why would anyone be doubting that? Of course I can fill the stupid jar! Let her angrily charge up to the stage, snatch the jar, glare in annoyance because duh it's going to fill... but then it doesn't and her expression falls. That's when Jinxy can say, "You can't, can you?" Simply announcing that to the audience is probably the least compelling way to go about this. Oh, our story is telling us things again rather than showing them? Groundbreaking.
While all this is going on Little has scampered up on stage to fucking steal the doll and you know what? Good on Little. That's the first thing they've done that hasn't felt like a waste of time. I especially like that this calls back to the Ever After rule that it's not stealing if no one sees you do it. "Fairs fair," they say.
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Given that Little took the 'treasure' before Jinxy received his payment, his spell is broken and all the objects are revealed as the 'trash' they always were. The random citizen finds a mouse in his hands, the guard screams as he sees Yang's arm in his hands, and the doll turns into...
Penny's sword.
(Get it? The green doll was a green sword belonging to a not-real girl? Everyone got it, right?)
Say, did anyone else expect it to be Crescent Rose? Ruby feeling an emotional connection to an object while her beloved weapon is still missing, lost in a world where a Racoon picks up any random objects to sell? That would make a LOT more sense than Penny's sword winding up in the Ever After. As I explained in an ask, Penny made those swords out of her Maiden powers and they disappeared as soon as Cinder struck her in the chest. Of course they did, she likely lost control of her aura/magic as soon as she took a killing blow. But apparently the swords actually hung around despite Penny passing her powers to Winter, despite being dead, and were... blasted? All the way to the edge of the bridge?? From a blow that didn't have any force behind it??? Yeah sure, totally believable.
So instead of resurrecting Ruby's love for the weapon she designed and re-arming her before the team faces any real danger - because there are no battles these first two episodes - we get another emotional moment without a real foundation underneath it. The writers were so eager to continue Ruby's grief arc specifically through Penny (even though SO MUCH has happened that she could be triggered in any number of ways) that they just kinda... forgot to set that up...
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I do like the moment itself though. I think Ruby's frantic run to the sword, her gasp, her clutching the sword to her chest and crying over it - all that is well done. Certainly better than much of what we saw in episode one. I just wish this wasn't so freaking contrived.
In the realm of not setting things up, we get another severely awkward moment as the group "escapes." I put that in quotation marks because, well, the problem is that they're not escaping from anything. Jinxy isn't trying to attack them for revealing his con, the townspeople don't mistakenly blame them for things, and though the guards will show up in a bit, they're notably not seen chasing them yet. So we've got Yang and Blake booking it out of there, Weiss walking leisurely away, Ruby barely paying attention, all of it with nothing seemingly happening in the background.
Then they wind up back in the forest with:
Yang [out of breath]: "Those people... take auctions... VERY seriously”
No they don't? This implies that the people were turning on the girls for ruining their auction, but none of the civilians were paying them any mind. The most we see is the guy who bought the bunny getting his hug back which, you know, is kinda the opposite of a mad crowd threatening violence for this deception. Yang functions more as a threat at the start of all this than the group they're supposedly running from. Blake literally starts freaking out about how they're "ruining everything!" and I'm like you didn't? Nothing happened?? I mean, yay Blake continuing to take responsibility for their actions, but in this case the girls legitimately didn't cause any problems. In the story Alyx started a war because she didn't know how to properly deal with the townspeople, so I expected the team's visit to go equally as bad; something to explain Blake having a crisis once they'd left. All they did was reveal a conman though, a conman everyone is only passively angry at. Please give me my hug back, sir, and shame on you for tricking us. We will all calmly disperse now.
I know it's years too late, but RWBY really needs to learn how to show what they want depicted on screen.
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We learn that the theories were right about the weather being influenced by others' emotions - or at least Ruby's emotions in particular. As she sits down with Penny's sword a localized storm starts and, in a few moments, we'll hear a guard shout that someone's sad over there. So this is a useful tool for showing (good job!) that Ruby is really struggling right now, even if she appears calm on the outside, and I'd have so much more to praise about the scene if it hadn't been ruined by freaking Weiss.
Seriously, forget Little. Weiss is by far the most annoying character this Volume.
So after Ruby fainted at the news that her dear friend had died, unexpectedly discovered her sword, and now sits with a grief so heavy it magics up a storm to drench them all, her teammates do... nothing. Honest to god they do nothing. Yang has a single, "Ruby?" before the scene is stolen by Weiss having a temper tantrum. She doesn't like Blake's idea that they're following in Alyx's footsteps - even though everything they've done has followed in her footsteps - and starts ranting about how "We are not in a book!" and even if they were, they know the ending takes place at the castle, so let's go. Does Weiss care that Ruby is sitting there in shock, even after she tried to connect with her earlier? No. Does Yang care that her sister is loosing it two feet away? No. Does Blake? Nope. Does the narrative? Absolutely not. Ruby sits in background while Weiss has more stupid comedy moments, getting trapped in a loop and hitting herself in the head with a rock.
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I keep seeing celebratory posts about how the show is tackling Ruby's grief, but it's not? It's introducing her grief and then immediately ignoring it. Ruby cries and then finds a cute mouse to distract her. Ruby faints and just brushes past that - she's fine. Ruby finds her dead friend's weapon, but why would we focus on that when we can watch Weiss hilariously knock herself out? I feel like the stock answer to these complaints is always something along the lines of, "They're working up to Ruby's breakdown," but frankly I don't care if they are. The execution is atrocious now and a sudden swerve into respectful storytelling isn't going to change that.
Plus, as I've mentioned previously, these moments don't help convince me that the girls care for each other outside of the dramatic, self-sacrificing actions added to finales. Bad enough that everyone ignored Ruby's faint and extended no care towards her, but now they're literally just standing there as she suffers. This is by no means a new problem, but the heroes have become so passive the last few Volumes. What happened to Black who marched right up to Weiss and let her how important the faunus are to her? The Yang who squared off against her mother just to reach her little sister? Weiss delivering a cup of coffee and checking in with her newly acknowledged leader? Say what we will about Volume 8 - and we've all said a lot - but at least there Yang puts her arm around Ruby and tries to comfort her on the steps, no matter how much denial that comfort required. Now? Now Yang just stands there because again, why comfort her little sister when Weiss is making a fool of herself?
At least this has some basic care and human decency behind it.
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"This way!" the royal guards yell. "Someone's sad!" Yeah and her teammates don't care. Sure, we know in the way someone knows who reads the script, or who knows the writers' intentions, that of course Team RWBY all love each other so, so much... but man, would it kill them to show it more?
As the guards show up we get an interesting shot of Ruby that mirrors the one with Jaune's blade--
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--and then she pulls herself together enough to face them, deciding that if Alyx went to see the Red King then they will too.
Ruby offers to give the guards “the weapon of a powerful warrior," AKA Penny's sword, and what follows is a legitimately emotional speech:
"[She was] the most powerful [warrior] to ever live. She was touched by magic and she gave her life for thousands. She took a message of hope to the stars and she saw the world through better eyes."
At least, it would be legitimately emotional if it hadn't been undercut, again, by all the comedy. We just had Weiss loosing it. The guards all "OOOOOO" loudly over the sword. Then they burst into exaggerated tears at Ruby's words, complete with their toy horses crying too. I've said it a million times now and I'll say it again: you can't expect me to take these moments seriously if the story can't take them seriously.
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Also, I have to ask... why is Ruby giving the sword up? The logic is that they're trying to get to the Red King, but they were already heading to the Red King. That is, the guards were after them, trying to take them into custody for ruining the birthday present. So why bother with this bribe? It's simply not necessary, especially since they're still basically escorted as prisoners, guards on all sides. It's not like these guards are presented as terribly intelligent. All Ruby needed to do was go, "Oh, we're so sorry for ruining His Majesty's special day. Yes, please take us to him so that we can apologize in person. Your Majesty, can we please make it up to you by playing some games? Etc. etc."
The sword is a needless addition and that wouldn't be a problem if it didn't (supposedly) have such emotional impact. Ruby just found this piece of Penny. This is, likely, the last bit of her she'll ever encounter... and she's going to just give that up? Literal minutes after she found it? To a bunch of identical goons who snatch it up and run off in another, stupid gag? Once again, this is not convincing me that Ruby is having an authentic grief arc. She might be sad for the whole Volume, but each individual moment is ignored or "solved" almost instantaneously. To say nothing of the fact that Ruby is without her weapon. She has the PERFECT, practical excuse to hang onto Penny's sword with everyone, characters, and audience alike realizing that her logic is hiding a harder truth: she can't give it up. Not yet. Maybe not ever. But then sure, give me a moment at the end of the Volume when Ruby must part with the sword for some reason, to save another, or further their cause. Giving it up now, especially when it's not necessary, makes the supposed attachment she feels to it ring hollow.
This is just so... meh. I honestly thought we'd be getting an updated version of this for a second.
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As they follow the guards to the castle Ruby bitterly tells the girls that they need to "stop pretending we know what we’re doing." Hell yeah, Rubes, that's the first time we've agreed in a while. Whether or not anything comes of this line is still to be seen, but I'm happy that their failure - stemming from arrogant complacency -  was at least acknowledged. It's definitely a hard-hitting line to end an otherwise goofy episode on.
Now! I'm off to try and write up "Rude, Red, and Royal" in... three days🙃
Thanks for reading! <3
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midnightechoes · 3 months
Text
A Bridge Chapter 2 of 2
A Bridge is the third part in my post-RWBY volume 5 STR-Crossed Lovers fic series, Kintsugi. It was originally posted on AO3 back in February 2023.
Kintsugi Part 1, A Visit, taking place immediately after v5 and written by me, can be read on AO3 and Tumblr.
Kintsugi Part 2, A Dream, part flashback, part sequel to A Visit, was written by my friend @shera-dnd and can be read on AO3 and Tumblr.
A thick layer of clouds almost completely covered the sky, with just a few specs of blue peeking out here and there. There was a coolness to the air, the kind that signaled that hot summer days were beginning to give way to cool autumn evenings.
The dirt road crunched under the wheels of Tai’s moped as he sped down it at a brisk pace. The mostly orange machine vibrated as it carried its owner through an unremarkable forest, trees whipping by on either side of him. 
Tai was dressed mostly as he always did, but he was currently wearing a bucket helmet that was strapped tightly around his chin, and an old-fashioned pair of racer goggles fastened over his eyes. The other notable difference in attire was a new bandana that was wrapped tightly around his right bicep. It was red and had a black-and-white patterning that made it look just like the bandana Raven had been wearing in her hair.
It had been almost two hours since he had passed the last semblance of civilization, a quiet little rest stop on the side of the road, which meant that he was getting close to his destination. Sure enough, before long he was upon the clearing he had been looking for. Tai slowed down and turned into the clearing, following the faint trail for a few hundred yards as it led into a thicker part of the forest before giving way to another open area. The moped rumbled to a stop less than a hundred yards from a large wall made out of twenty-foot-high tree trunks whose ends had been cut into spikes. In the center of the wall was a wooden gate, currently closed and being guarded by three people.
One was a man with long, scraggly blonde hair and a long, unkempt face. Another was a woman with a gray, leather eye patch and brown hair that appeared to have been thrown up into a ponytail without consideration. And the third was another man, his curled black hair kept short, allowing the two scars running down from cheek to chin to be his most prominent feature. All three were carrying relatively simple weapons and wearing outfits that looked like they were pieced together over time.
Powering the moped down and popping the kickstand, Tai dismounted, a smile on his face as he pulled the helmet and goggles off. “Hey there,” he cheerily called out to the trio, slowly making his way towards the gate.
Within seconds, a bullet was flying past Tai’s head, not grazing only thanks to his semblance, Juke, which allowed him to slide out of the way in time.
“Not another step,” the scraggly blonde man called out with a grizzled voice, his handgun pointed directly at Tai. “That was a warning. Now I suggest you get back on that tiny bike and turn around while you can.”
“Look, pal,” Tai responded, a look of smug confidence on his face as he set down his helmet on the seat of the moped, then continued taking a few steps towards the trio guarding the gate. “This is a misunderstanding, I don’t think you know who I am,” he said with his hands raised as a show of peace.
“And I don’t much care,” the blonde man barked back. He tried rattling his gun at Tai in an attempt to intimidate him, a move that did not seem to be working. “I’m warning you! Take one more step, and you’ll be sorry,” he yelled.
Tai stopped in his tracks at the threat. His expression had devolved from smug to annoyed, his blue eyes squinting at the man. He thought about the warning for a second, then exhaled a deep breath out through his nose, and took another step forward.
“Get him!” the scraggly blonde man yelled as he tried to steady his aim at Tai. The other two guards sprung into action as well: the woman charged forward with a basic axe, the kind usually used for chopping wood, while the other man took a few steps back and drew up his simple hunting rifle. All three were scowling, and all three were utterly unprepared for what was about to happen.
In the blink of an eye, Tai activated his Juke semblance, allowing him to move laterally at such a speed that he seemed to leave a trail of afterimages of himself. He zig-zagged forward, crossing the distance to the guards in barely a second. When he came to a stop, he was directly in front of the woman, slamming her with a punch to the gut before she even had time to react, sending her stumbling backward. He juked again, crashing his elbow right into the man with the rifle, getting him off-balance enough for Tai to flip him over his shoulder.
Taking out the man with the rifle had put Tai behind the scraggly blonde man, who had been struggling to keep track of the intruder.
It was about this time that a “kraa-kraa” could be heard echoing softly in the clearing as a blackbird passed overhead.
The blonde man was able to get focus on Tai long enough to fire off a shot at him, one that Tai easily juked out of the way of. Suddenly the huntsman was inches in front of the man. A quick strike to the elbow followed by a chop to the wrist sent the blonde man’s gun flying. Tai elbowed him in the chest, creating just enough room to wind up and slug the blonde man so hard in the face that he pirouetted in place before falling to the ground.
“That’s enough, Tai,” a voice called out. Tai looked up to see Raven standing just in front of the gate, her arms folded and an amused grin on her face. She was still wearing the same orange tank top and black pants with gold seams that she had during karaoke, but now she was missing the red bandana she had often worn in her hair.
“Look, he started it,” Tai chuckled before relaxing his posture and taking a step back from the fallen guards.
Raven strolled up to the scraggly blonde man, towering over him as he lay on his back. “That’s not surprising, this one here loves to start problems he doesn’t know how to get out of.” Raven let out a laugh and shook her head at the man on the ground. “Honestly Shay, is it your mission to get your ass kicked by my entire family?”
“Sorry, ma’am,” Shay weakly groaned.
A hand appeared in Shay’s field of vision. He latched onto it, allowing Tai to hoist him to his feet. “Hey, Shay was it? No hard feelings.”
Shay grunted. “You’re just lucky that the boss lady got here when she did.”
The statement made both Tai and Raven burst out laughing. “Sure I am!” Tai chuckled.
“Alright, enough fun,” Raven commanded as she recomposed herself. She turned to the two other guards that had just regrouped from their beating. “If you would open the gates so my ex-husband can wheel his little bicycle inside.”
“Um, it’s a moped, we already went over this!” Tai huffed.
Raven turned to Tai for just a second before walking into the camp. “Yes, because that sounds so much more impressive.”
Tai grumbled under his breath as he collected his helmet and walked back to his moped. As he wheeled the bike forward by hand, pushing it forward by the handlebars, he caught Shay snickering under his breath.
“Got something to say, pal?” Tai flatly asked. Immediately Shay straightened up and went quiet. “Good man,” Tai added as he strode past.
The Branwen Tribe camp was bustling with people going about the business of breaking it down. Most everything was being packed into the back of six beat-up old pickup trucks that had all seen better days and were in desperate need of paint jobs. There were a couple more trucks and vans designated for passenger transport parked off to the side of the camp. Tai quickly wheeled his moped over to them and parked it.
“Starting to wonder how helpful I’m going to be,” Tai mused as he made his way back to Raven, who had been waiting for him in the center of the camp. They continued on slowly through the mostly barren camp towards her tent, one of the few standing structures left.
“You insisted on coming,” Raven chuckled. “Your help is appreciated, Tai. We’re behind schedule, every extra hand will be helpful,” Raven added, her tone becoming more somber.
“Behind schedule?” Tai gasped. “Looks like everyone’s working their hardest, Rae.”
Raven came to a stop and turned to the man next to her. “It’s been a week, we should already be on the road. But, it took a few days to procure all the vehicles we need, plus I haven’t been here the last few, and… we did lose a day mourning our fallen.”
“Right,” Tai nodded. “That girl that Cinder killed… V… Virginia?”
“Vernal,” Raven flatly corrected. “Her name was Vernal,” She added, never breaking stride as they marched towards her tent.  
Once they reached their destination, they both stood there for a moment, taking it in. It was the same tent that the Branwen Tribe leader before Raven had used, as well as the leader before them. Like many things in the tribe, Raven’s tent was something that had been used and reused and passed down for generations, and at the moment, the old canvas fabric that draped down to make its walls was the only thing separating Tai from the last part of Raven that she had left to share: her history, and all the messy, ugly parts of it that she had hoped she’d never have to tell Summer and Tai about.
Raven took a deep breath.
“Sure is modest and welcoming,” Tai blurted out, making sure that every letter was dripping with sarcasm. Raven let out a chuckle despite herself. She looked over to the man next to her that was smiling brightly.
“Come on, it’s not going to break itself down,” Raven said, leading Tai through the opening of the tent.
Tai took a look around once they were inside, and let out a little hum. “I’m glad we didn’t let you furnish our bedroom.”
“Oh please,” Raven scoffed. She walked over to the large chest in the corner and cracked it open. “Summer would have loved this.”
“That she would have,” Tai agreed as he made his way to Raven.
“Here,” Raven began, pulling out a few sheets of heavy cloth and shoving them into Tai’s hands. “See the tea set over by my bed? Wrap it up before we pack it.” Tai nodded at the command. While he was occupied with that, Raven began taking down and rolling up the various maps and notes that had been pinned up to the back of her tent. In the middle of it, she stopped, taking a moment to look at one of the notes. It was a report of the security measures of one of the villages that weren’t too far from the camp. Raven let out a sigh. There was a familiar tug-of-war in her heart. One that she had felt long ago until fear and panic let one side win, leading her to make a choice that she’d done everything in her power to never question.
That was until Yang showed up at her door. It had taken all of Raven’s fortitude to keep up her guard in front of her daughter. Something made harder by the realization that Yang wasn’t even there for her. Raven was nothing more than a means to an end.
It hadn’t actually hit Raven until that moment that her family had completely, and successfully, excised her from their life. She should have been happy about that, after all, it was what she had claimed she had always wanted: no attachments to that world, the side that had lost the tug-of-war. But there was Yang, staring at her like a stranger with nothing but demands on her tongue and contempt in her eyes.
Raven had gotten what she wanted.
And it had been killing her ever since.
Until finally, after defeating Cinder, after confronting Yang, and returning to the tribe to mourn Vernal’s death for a day, her heart led her back to a dusty cabin in the woods of Patch, to the one member of her family that didn’t currently, and rightfully, hate her…
… To the man that apparently just dropped one of her teacups.
A crash rang out in the tent, pulling Raven out of her stupor. Wet eyes sought out the source of the crash, and quickly found Tai kneeling over a small pile of ceramic pieces.
“I’m so sorry, Raven! I was trying to be careful, I swear, I—” Tai was blurting out, trying to collect the pieces up into one of the cloth towels he had been using, until a gentle hand touched down on his shoulder, stopping his sentence.
When Tai looked up, Raven was kneeling just next to him, her hand on his shoulder, a soft, sad smile on her face. “It’s fine, Tai,” she assured him. Her free hand reached down and picked up one of the bigger pieces. She turned it over and over between her fingers, seemingly studying as her attention was drawn to the jagged dark-blue piece of ceramic that had one flower painted on it. After turning it over a few more times, she shifted her attention back to Tai, her smile brightening as she took in his sad puppy dog expression.
“This can be fixed,” Raven murmured to him.
The assurance seemed to ease something in Taiyang, whose expression softened. He took the piece from Raven and put it with the rest on the cloth before returning his focus to her, a warm grin forming on his face. “Yeah, it can.”
From there, it didn’t take long for the duo to finish breaking down Raven’s tent. Within an hour, it was empty, with everything that had been in the tent packed away in a large chest, and after two hours, what had been Raven’s tent was now nothing more than a large, open wooden platform. While Tai was loading the chest onto one of the trucks, Raven remained on the platform, taking in the progress of the camp breakdown.
Besides the built-up walls enclosing the camp, one would hardly know that an entire tribe of people had called this place home for the last few years. In fact, there was only one tent left. The tent was one of the larger ones and sat less than a hundred feet away from Raven’s. She couldn’t take her eyes off it.
“Hey, everything okay?” Tai’s concerned voice called out from just behind Raven, making the woman jump.
“Gods, Tai! Are you trying to give me a heart attack?” Raven huffed, twisting around to slap him in the arm.
“Right, because we all know of my exceptional stealth skills,” Tai chortled. “Your head was somewhere else, Rae. What’s up?”
It was almost disconcerting how quickly the two had become able to understand each other again. In many ways, the eighteen-year gap remained this raw, overwhelming presence hovering over them, but in some ways, they had picked up right from where they left off. Raven still wasn’t sure how she felt about letting someone that could so thoroughly read her back into her life, but she had to accept that some part of her had craved this, had always longed to get this back.
Plus, Tai was already there, his dopey, sincere, concerned half-smile on his face as he stood in the middle of her bandit camp. She had passed the last exit to turn back days ago.
Raven turned back to the tent she had been staring at. “I have to break down the last tent,” she muttered, dread dripping from her voice.
“Huh? I thought you said that it was everyone’s responsibility to break down their own…” Tai’s sentence trailed off as the reality of the situation set in. “Oh.”
A heavy arm found itself slung around Raven’s back, pulling her into a side hug. “Hey,” Tai cooed, “you don’t have to do it yourself. I’m right here.”
They gave each other a nod. Then, after Raven took a deep breath, they slowly made their way over to the last tent. Raven stopped briefly at the entrance, taking a second to compose herself.
Even with all the mental preparation, the flaps to the tent felt heavy, as if the fabric was made of steel rather than thick canvas. Once inside, Raven immediately reached for the lamp that was sitting on the crate just a couple of feet inside the door, near the center of the tent, and lit it using her maiden powers.
Tai entered just after and found Raven standing next to the lamp, slowly surveying the space around them, her shoulders slumping more and more as she did. He made his way towards her, clearing his throat loudly this time before speaking. “Rae?”
There wasn’t an immediate answer. Instead, Raven simply continued staring down at the items scattered around the room, a sneer growing on her face as she did.
“She should be here. She should be doing this. She…” Raven’s words trailed, leaving them there, standing in silence.
“Vernal was special to you,” Tai whispered, giving her shoulder a gentle squeeze.
Raven set her gaze on a neatly stacked pile of clothes that was sitting on the bed. “Vernal trusted me, and she was a fool to do so,” she spat out, her body shaking slightly.
“Rae…”
The soft call of her name made Raven snap her focus to Tai, but there was no anger on her face. Instead, there was a look of anguish, her lips quivering, her eyes half-lidded as tears were forming in the corner of her eyes. “She trusted me, and it got her killed. I was supposed to protect her, but I couldn’t, I let her die because I was a coward. If I… If I was braver she would still be alive. And I… I can’t help thinking that leaving was the best thing that I ever could have done for Yang.”
By the time the first sob escaped Raven, Tai was already pulling her into a hug. He held her tight, his hand gently stroking her back while she broke down in his arms.
It was a few minutes before Raven settled down. Eventually, she got control of herself, and simply leaned into the embrace, resting her entire weight against him.
“I think you’re blaming the wrong person, by the way,” Tai mused. The statement made Raven shift around in his arms so that she could glare up at him with a perplexed look on her face. “You didn’t kill Vernal, Rae, that Cinder chick did. Same person that terrorized our girls when they were at Beacon. She’s the reason Vernal’s dead. And Salem’s the reason Cinder did any of those things, not you. They took Vernal from you, they took our wife from us.” Tai released Raven from the hug and took a step back, his hands still firmly grasping her shoulders so that he could look her dead in the eyes when he said “And someday, they’re going to be the ones who pay for what happened to the people we care about, not you.”
A slight, sly smile came over Raven. “So, focus on revenge instead of guilt.”
“Err,” Tai stammered as one arm fell to his side while the other reached up to scratch the side of his neck. “That’s not exactly the point I was trying to get at.”
“I know,” Raven said, letting out a bellowing laugh before patting Tai on the cheek. “I just love watching you squirm, Xiao Long.” Tai joined in the laughter as it cut through the mood of the tent. After it died down, Raven turned back to the bed where Vernal’s clothes were still laid out. “Come on, we have to get this done… I’m not going to leave her behind.” Tai walked up to her and nodded as the two of them began breaking down Vernal’s tent.
---
At daybreak the following morning, the Branwen tribe’s motor caravan pulled out of the little patch of land, and began their journey south, away from the capital of Mistral, and into the vast wilderness of the continent of Anima. Tai’s moped rumbled along at the front, along with a handful of other motorcycles that were leading away. Raven scouted ahead, her bird form allowing her to get a clear view of potential perils and dangers.
The first two days went smoothly, making good time through the rugged terrain, and avoiding any conflict. The third day presented a bit more of a challenge, being forced to confront an unavoidable pack of Grimm. Raven, Tai, and a handful of the tribe’s strongest fighters were able to deal with them, allowing the caravan to pass through with only a few scratches.
That’s how it was for the rest of the week, a good day here, a challenge to avoid trouble there. Luckily there was only one dust-up with local law enforcement. Tai didn’t feel great about it, but he knew what he had gotten himself into, and agreed to it when he insisted on accompanying Raven on this journey. Even still, he did all he could to get the tribe out of the situation with no one getting hurt. But when push came to shove, Tai stuck with the tribe, something Raven appreciated, even if she hadn’t found a way to voice such sentiment. For her part, Raven made sure that the tribe focused on evasion and avoiding conflict instead of violence.
Overall, they were making good time, all things considered. During that week, Tai managed to bond with the tribe. At first, it was slow, mostly finding common ground in everyone’s mutual love to complain about Qrow, but over the days he worked at forming friendships with his fellow travelers. As he did, he began to gain a new perspective on Raven, because to these people she wasn’t a teammate, or friend, or spouse, she was their rock. A guiding light that they all looked to with reverence and respect. For so long Tai had only known what Raven had run from, and how much it hurt to lose her, but his time with the tribe gave him a chance to get to know what she had run towards, and why. In many ways, they were as much her family as he, or Yang, or Summer had ever been.
Finally, Tai saw Raven for what she really was: a woman torn in two, pulled in opposite directions for most of her life. For so long Tai had barely dared to dream what Raven coming back into his life might look like, but in those times that he did, he had always envisioned pulling her away from her life as a bandit. And truth be told, a part of him still wanted to help her get away from a life of crime, but his time with the tribe made him realize that he’d have to give a little too, that if he really wanted this to work this time, if he wanted them to work this time, it couldn’t be an either-or choice. Accepting Raven Branwen meant accepting everything about her, from being a fiercely loyal teammate to being a bandit leader.
This was the thought that Tai found himself dwelling on as they sat around a campfire in the middle of the woods on the evening of the ninth day. It had been a quiet day, and everyone was finishing up the stew that had been made for the night. Raven had been busy while everyone else ate, securing the perimeter, and making sure that everyone was aware of their guard duty rotations for the night. Finally, after just about everyone was finished and most people were turning in to get some rest, Raven sat to have a bowl of stew just next to Tai.
She got a few spoonfuls in before stopping and turning to face him, a look of mild annoyance on her face.
“Is there something you wanted to say to me, Tai?” she huffed.
For his part, Tai’s expression immediately softened, a warm smile growing on his face. “Um, no, why?”
Raven let out a sigh. “It’s just, you’ve been watching me since you sat down.”
The statement made Tai blush slightly, which, luckily for him, was mostly washed out by the orange glow of the fire. “Have I? Sorry! It wasn’t anything bad! It’s just… I don’t know, I guess I’m a little in awe of how you can command the tribe so effortlessly.”
Now it was Raven’s turn to blush. She quickly looked back down at her stew, the warmth of it seeping into her lap. “Oh.” She had another scoop of stew to buy her a few extra seconds to think of how to follow up on that. By the time she had gulped it down, a warm thought had settled in. Raven let her eyes become lidded as they drifted to the fire, a half-smile forming on her face. “Let’s be honest, everything I know about being a leader Summer taught me.”
Tai scooted closer to her so that he could rest his hand on her knee. “She’d be proud of you,” he murmured. In response, Raven leaned over, resting her head on his shoulder.
“Think so?”
“Yeah,” Tai responded. The two of them sat there, wordlessly enjoying their time together until it was time to turn in for the night.
---
The following morning was like every other one since hitting the road, everyone quickly breaking down the makeshift camp, disposing of any evidence that there had been a camp, and lining the convoy up to depart. Tai had done his part just as he had every other day, and was currently buckling his helmet on as he waited for the caravan to rumble to a start. Suddenly, Raven swooped in, standing in front of Tai’s moped, but not looking at him.
“Tribe!” she barked at the top of her lungs. “Get a move on, I’ll catch up!”
With her command, trucks and vans and motorcycles roared to life and began lurching forward in unison. Tai watched in confusion as everyone drove away from the campsite except him, who sat there on his moped, Raven’s hands planted firmly on the handlebars.
“Um, Rae, what’s going on?” he asked, taking his helmet back off.
Raven finally turned to face him, and her face immediately betrayed her, a look of deep sadness painted all over it.
“This is as far as you go, Tai.”
“Hold up!” Tai yelled as he jumped off his moped. “You’re ditching me now?!”
“No, Tai, it’s not like that,” Raven sighed, doing her best to retain her composure.
Tai did his best to let his initial anger pass over him. He took a deep breath before taking a step toward Raven. “Then what is it? I don’t understand, things have been going well.”
“Yeah,” Raven answered. She let go of his moped and closed the distance between them, leaving maybe a foot between them. “Things have been great,” she agreed. “But I can’t let you go any farther with us. We’re going to be hitting the arid lands of Anima soon and it’s going to be extremely dangerous out there.”
“Which makes you leaving behind a huntsman make no sense,” Tai huffed. His arms were crossed as a very annoyed look came over his face.
“Yes Tai, but you’re not just a huntsman.” Raven reached forward and placed her hands on his crossed arms. “You’re also the father of my daughters, and I need you to be safe for them. We’re running from Salem, and if you came with us… if she found out that you know where I am…” Raven gulped down a sob and used all her willpower to keep herself together. “I will not lose any more of my family to that woman.”
There was a beat of silence that felt deafening in the small clearing they were standing in. Finally, Tai let out a quiet hum. “Daughters, huh?”
Raven let out a chuckle, taking comfort in it. That was something she always admired about Tai, his ability to lighten any mood, to be able to focus on the upside of things.
“Well, someone recently pointed out that despite not giving birth to her, Ruby is just as much my daughter as Yang is… Not that either of them would think much of me as their mother.”
Tai unfurled his arms and wrapped them around Raven, pulling her into a tight hug. “They will, you just have to make the effort,” he whispered into her ear.
“I’ll get the tribe to its new home. Then I’ll come back. I’ll put in the effort,” Raven leaned back so that she could stare into Tai’s eyes while cupping one side of his face. “I’m not going to abandon our family this time.”
“Promise?” Tai blurted out almost before he could even think about it. As soon as he did he regretted it, but before he could focus on the regret, he found himself pulled down into a deep, searing kiss. Their arms unconsciously wrapped tight around each other, their bodies craving the warmth and contact of each other, a connection so familiar, yet it had remained dormant for years. Tai found himself lost in that connection just as he always had been, as if every kiss erased another year of separation.
They were both panting when they finally pulled apart, doing so more out of the need for air than want.
“I promise,” Raven replied through red, plump lips. She reluctantly pulled herself from his grasp and took a few steps back. “I promise,” Raven repeated before spinning around and darting off, transforming into her bird form after just a few steps.
Tai stood there, watching as Raven slowly drifted out of view beyond the treeline, all the while with a smile on his face. Raven had made a lot of promises to him over the course of their relationship, and he had to admit that she didn’t have the best track record in keeping them.
But in that clearing, at that moment, watching her soar through the sky, his heart had no room for doubt.
After she was gone, Tai hopped back onto his moped. It rumbled under him as he spun around and began driving back the way they had come. He only got a few yards before he stopped, and took a moment to look back over his shoulders in the direction that caravan had gone.
“I’ll see you soon, Rae.”
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teamjlry · 1 year
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Episode Recap: Ruby and Weiss form a team, as do Jaune and Pyrrha. This grimm appears.
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therealeagal · 1 year
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RWBY - Teatime Amidst Terrible Troubles
This is a recap, and as might be expected, it contains spoilers, so don’t say I didn’t warn you because I did. I even put it in the tags. I shall await your adulation whilst I recap the episode.
So as things start, Ruby , still in the midst of her freakout, chases Little away, as it is standard etiquette to chase  away one’s friends when one is having a freakout.
Then in the depths of her despair, Neo drops by and starts to psychologically torment Ruby with some rather extensive illusions, including the late, great Roman Torchwick along with Pyhrra and Penny and others who have died along the way.
Then at the last second, the Curious Cat comes along and saves Ruby...
But shocking twist! The Cat has its own designs. It seems that it is rather peeved to have been abandoned by the gods and wants to take over Ruby’s body to go back to the real world and find out why they left.
Then Ruby is rescued for real (sort of) by Little, who bites the Cat’s tail, which doesn’t really do much in the long run, but does give Neo time to come back and give it what-for. Dueling bad guys, who each want to be the one to kill the hero. Ooh, I like that one. Ok, you can stay, Neo. Just as long as you start fighting Salem too when this is all over.
And then Neo kills Little...ok, I take back every good thing I just said about you, Neo. I want you to die again. Even more this time.
So anyway, while the Cat is TKOed, Neo tries to get Ruby to drink tea made from the leaves of the tree, which I suppose will probably wipe her personality or kill her or something.
But then Team RWBY shows up and saves the day! Hell yeah! Kick Neo’s ass, gang! Oh yeah, and Jaune’s there too.
Oh snap! Then Ruby drinks the tea! WHAT?!?!?!?!?!? WHAT HAPPENS NEXT?!?!?!?!?!?!?
Then a bottomless pit opens up and Ruby falls in. Uh...ok.
Then Neo realizes that killing Ruby didn’t make her feel better. Shock.
Then the Cat comes back and shoots lightning at Team RWBY and also at Jaune and turns all evil and shit and since Neo has now lost all hope, the Cat steals Neo’s body and bails.
WELL. Ask ye shall receive, eh? Interesting stuff. I eagerly await the next episode!
Cheers!
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apieceofsushi · 2 years
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me, upon watching the trailer: STOP STOP YOU’RE GONNA MAKE ME CRY STOP
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