#i should mention i have no idea if that google translation is accurate. if it isnt feel free to correct it

[onefey]

WAIWAIWAIWAIT skanky?? offensive?? are they. my god. ripstop and go. aquasonic. they're singing about the pussy

#splatoon 3 #h2whoa #i should mention i have no idea if that google translation is accurate. if it isnt feel free to correct it #i still really hope theyre women #(or nb)

[bloodynereid]

https://www.tumblr.com/mlwriting5/712087716240801792/warren-and-camila-speaking-spanish-to-each-other

OMG WAIT-

OKOK concept!

(This kinda goes with your warren with bassist!reader story!!)

The reader learning spanish from cami or warren's mother or grandmother and recites her vows for him IN SPANISH !!!! 💗💗

(That story made me soft ~ and I cant get it out of my head 💗💗)

The Language of Love

pairing: warren rhodes/rojas x fem! reader

a/n: hi anon! i hope i ended up doing ur request justice cause it has potentially been one of my favorite things i have ever written. i may be biased cause i got to practice my spanish lol. also if anyone is a native spanish speaker ik that my grammar is like potentially off cause i haven't written much in spanish since i moved to the uk. hope you enjoy :) oh! and random fact but i actually have the vows written in the way they are described in my planning book cause i wanted to make sure i had an accurate enough translation (fuck google translate) 💗

tw: kissing, swearing, christian weddings (??), potentially butchered spanish grammar, mentions of sex

description: wedding vows are some of the most important parts of the wedding ceremony. they represent love, devotion and companionship.

Y/N (bassist for Daisy Jones & The Six): I always knew I wanted to be a bassist. It became ingrained in my soul when I was 13. That meant that most of the time I should have spent studying was instead used for learning and practicing bass lines. And as you can see it paid off. But that also meant I didn’t listen in Spanish class, so when I desperately needed to know it I didn’t have any idea what I was doing.

Your groaning could probably be heard across the country. You were sitting under one of the many trees that littered Cami and Billy’s backyard. An Oxford English to Spanish dictionary laid open on your lap as you fruitlessly tried to find the correct word for what you were looking for.

Who knew that the Spanish language held so many different versions for every single word? You set down the notepad defeated. On one side laid written in neat handwriting the vows you had been planning for the wedding in English. On the other side was an amalgamation of Spanish words that you weren’t even sure made sense when you linked them together.

Why the hell were there so many conjunctions?

“Hey sweetheart. How is it going?” Cami asked as she set down a jug of iced tea. Julia was playing with soil on one side of the garden and was basically engulfed in her own little world.

Today was one of the ‘writing days’ as the rest of the band had dubbed them because Daisy and Billy basically disappeared to do god knows what and somehow came back with another masterpiece of a song. So that left the rest of the band with nothing to do.

You had come to see Cami because she was the only other person that you knew well enough that spoke Spanish and could trust with something as delicate as this.

“Shitty. What do you expect?”

“Hey! Auntie Y/N said a bad word.” Jules said as she looked up from her playing, making you burst out laughing at her overly serious expression.

“Sorry honey.” You said between slightly frustrated laughter.

“Here let me see what you have so far.” You passed over your mangled notebook to Cami and watched with growing anxiety as her eyebrows were pulled further and further together before she let out a small laugh.

“Hey! Stop laughing, this isn’t funny.”

“It’s a little funny.”

“Oh god. I’m going to fu- screw this up so badly aren’t I?”

“No. I’m not letting that happen. Let’s start fresh okay?”

“Sounds like a plan.”

Over the course of the afternoon, you basically ended up butchering one of the most beautiful languages multiple times. Even Julia, a toddler, was basically cringing away at your horrendous pronunciation.

“Okay let’s try this part again. Pu-”

“Pu-”

“Die-”

“Die-”

“Rrra.”

“Rrra.”

“All together now. Puudierra.”

“Pudeta.”

“Oh god.”

“I’m hopeless.”

“Ok maybe you’re a little hopeless.”

“CAMI!” You let out an outraged yell and then threw one of the outdoor pillows in her face, which only made her laugh even louder.

Over the next month, you basically had a daily session with Cami. Trying to nail down the perfect rolled r’s and getting the pronunciation perfect. Sometimes you did it on the phone and sometimes you were able to go down to their house. Warren was actively getting suspicious as to why you kept disappearing.

Warren: I honestly thought she was cheating or something. Which basically broke my heart in two but then I decided to be a mature adult about it.

Y/N: He asked me about it, yeah. And I'm incredibly shitty at keeping secrets so I basically just said it was a surprise for the wedding. I to this day think he thought it was probably a sex thing.

Warren: Definitely thought it was a sex thing but… I think what I ended up getting was arguably much better.

You clutched onto your father’s arm like it was a lifeboat. Quickly reciting all the lines in your head as you took a deep, steadying breath. Then you were suddenly standing in front of Warren, the big sap, cause you could definitely see some tears in his eyes. That instantly made you feel better as you listened to the priest recite all of the usual wedding prayers.

Warren’s suit-covered arm under your fingertips was definitely easing the tension that had been building during the last few revision lessons with Cami. You had decided to forgo a huge wedding and so all of your close friends (the band mostly) and relatives were all sitting on chairs on the houseboat.

Then it was time for the vows. Somehow you were saved because Warren decided to go first.

“Y/N L/N. You are the love of my life and my entire world. These years that I have spent with you have been the best of my life and I can’t wait to see what the future holds for us. You hold some much love and talent that I can’t believe I have been lucky enough to call my girlfriend, my fiance and now my wife. I knew I wanted to marry you the second that I saw you. I love you, mi corazón (my heart). Thank you for agreeing to come along for the ride.” 

You took a deep breath in and tried to will away the tears of pure happiness in your eyes. Warren sent you a lovesick smile that you returned wholeheartedly.

“Warren Rojas. Tu eres el amor de mi vida. Y ojalá no voy a arruinar tu hermosa lengua, pero quería hacer algo para ti en este día tan importante. Tu eres mi fuego. Tu eres mi alma. No puedo imaginar una vida sin ti. Creo que yo no pudiera vivir si tu hubieras a desaparecer ahorita. Una vez tu me dijiste que todos somos estrellas. Nuestras almas se convierten en esas luces en el cielo después de nuestras muertes. Lo encuentro loco que yo te encuentre en este océano de estrellas. Tu eres mi estrella brillante. Mi amor por ti es tan grande que todas las estrellas en el cielo ni siquiera se pueden comparar. Estoy tan feliz por casarme contigo. No puedo esperar para todas las aventuras del futuro y para que finalmente te pueda llamar mi marido.” 

(Warren Rojas. You are the love of my life. And I’m hoping that I don’t mess up your beautiful language, but I wanted to do something for you on this important day. You are my fire. You are my soul. I can’t imagine a life without you. I think that I would not be able to live if you were to disappear right now. One time you told me that we are all stars. That our souls are converted into the lights in the sky after our deaths. I find it crazy that I was able to find you in this ocean of stars. You are my brightest star. My love for you is so large that all of the stars in the sky couldn’t even compare. I am so happy to be able to marry you. I can’t wait for all our future adventures and being able to finally call you my husband.)

Warren looked at you with tears in his eyes and with the greatest smile on his face that you almost didn’t notice when the priest said you were allowed to kiss. You were sure you had messed up a large amount of the words and the pronunciation but it was all worth it to see that look in his eyes when he finally kissed you.

A kiss to seal your future together.

i missed writing for warren so hopefully will be writing much more for him

oh! and if you understood the minor reference to that oscar isaac and pedro pascal interview in the title i officially adore you.

taglist: @yesshewrites1 @pinkdaiisies

#daisy jones and the six #billy dunne #graham dunne #karen sirko #daisy jones #camila dunne #daisy x billy #warren rojas #warren rhodes #eddie roundtree #taylor jenkins reid #amazon prime #warren rojas imagine #warren rojas short story #daisy jones and the six imagine #djats fanfic #warren rojas x reader #warren rhodes x reader #djats #daisy jones and the six x reader

[amethystunarmed]

20 questions for fic writers

Thank you @marypsue for tagging me! (I'm sorry it is so late) This got VERY long, so I will put it under a cut.

1. How many works do you have on AO3?

54, my god.

2. What’s your total word count?

188,134. Which seems both enormous and not enough lol.

3. What fandoms do you write for?

Right now, I'm in a major Hatchetfield kick. Those musicals have me by the throat. But I am also working on a Stranger Things series too! However, I'm probably most known for my My Hero Academia stuff, I know a couple of those absolutely did numbers when I wasn't looking.

4. Top 5 fics by kudos

Oh I'm pretty sure I know. *checks Statistics* Yep I was right. My top five (and six and seven) are all from my Truth series, which is a MHA Dabihawks AU where Hawks joins the League of Villains.

5. Do you respond to comments?

I try! Sometimes I get overwhelmed and fall behind but I swear I always read them and love them and am so touched.

6. What’s the fic you wrote with the angstiest ending?

Ummmm... Deadass, I think it was the first fic I ever posted, back in high school. It was a Doctor Who fanfic, about a Weeping Angel who feel in love with a human, and tried to stop killing for him, but was so hungry she ended up killing him instead. It's almost ten years old, but you can find it here.

7. What’s the fic you wrote with the happiest ending?

I am once go back deep in my archives for this one. Back in 2015, I posted a Supernatural fic that was pure fluff, Karaoke. It was my idea of a series finale where everything was beautiful for once. Riiiiip.

8. Do you get hate on fics?

I definitely have before, but only like once or twice and I immediately blocked them. It is always heartbreaking though. :(

9. Do you write smut?

Once that I posted! Though I may have an unfinished draft or two, lol

10. Do you write crossovers?

Yes, absolutely! My crossover tend to be characters experiencing scenarios from other universes, rather than character meeting.

11. Have you ever had a fic stolen?

Mostly by the AO3 scraping stuff, though I have found some suspicious posts with stuff from the Truth series on other sites, but nothing really definite.

12. Have you ever had a fic translated?

Yes and I dropped my phone when the request came in. I was so excited.

13. Have you ever co-written a fic before?

Yeah I have!!! My go-to partner in crime is @little-engineer-who-cant, we've been writing together since middle school.

14. What’s your all-time favorite ship?

Oh god, this is hard. Ummm... I suppose the first ship I ever really super got into was Ten/Rose in Doctor Who, so it holds a special place in my heart.

15. What’s a WIP you want to finish but doubt you will?

Honestly, one I really loved was an Adventure Zone Wicked au. There were a lot of great concepts in that one, but I never really got anywhere with it.

16. What are your writing strengths?

Dialogue! I love dialogue. It tends to be what I write first and then I go back and fill in the blanks.

I feel like I'm also pretty good at exploring concepts, like, taking things to their furthest extreme and exploring what it means in the universe.

Also angst. I love angst.

17. What are your writing weaknesses?

Descriptions. I just want you all to know what I am seeing in my head, not have to describe it. I really have to work at imagery, and making scenes feel alive.

Also fuck fight scenes.

18. Thoughts on writing dialogue in another language?

I would do it if I felt confident that I or another person could edit it to be accurate. If I am google translating or something, I'd rather just do English italics or say what characters the language are speaking. I don't want to butcher another language.

19. First fandom you wrote for?

As mentioned previously, the first fic I published was for Doctor Who but god as a kid I wrote myself into stories all the time! Should have known I'd end up a writer. Probably Yu-Gi-Oh or Teenage Mutant Ninja Turtles.

20. Favorite fic you’ve ever written?

Ohhhhhh these are so hard. Ummmm... To be honest, I am so incredibly proud of I Need a Shovel to Love Him. It is one of my recent Hatchetfield fics and is an exploration of grief, and it probably the closest a piece of writing has ever been to exactly what I pictured in my head when I wrote it.

But! Trying to ignore the bias for recent works, So Few Men Can Carry It is probably up there. It is an OC focused story in the Truth universe, and I loved discussing healthcare in a world with professional superheroes and plan to do more original stuff with that concept, because I love it so much.

I'm going to tag @little-engineer-who-cant again, as well as @snarky-wallflower and @starpirateee. (Does anyone else like to be included in these? I need to make a list!)

#amethystuncensored #tag game #my writing #my fanfic

[ebw-translations]

And that, kids, is why you don’t machine translate, or at least don’t rely on it—especially with dialect. It barely knows how to handle standard Japanese, so throwing a dialect, especially other than the popular Kansaiben, into the mix isn’t going to help matters. MTL can be a useful tool to help you get your bearings, but you should always take what it gives you with a grain of salt and use other resources as well.

If this were an imperative the way Google Translate translates it as, it would just be 立て, or 立てよ. Of course, there’s also 立てろ(よ), but that’s the imperative of the transitive verb 立てる, “to stand something up,” and this here is intransitive. Yes, this sentence ends with an エ sound, as many imperatives do, but only く verbs have け as their imperative, and this isn’t one.

So let’s look at what Yuni’s actually saying here.

First, we have the verb. This is the intransitive verb 立つ “to stand (up)” conjugated into the potential: 立てる “to be able to stand.” Next we have け, which is a question particle in Fukuiben and will replace か in many instances.

He’s asking, “Can you stand?”

GT completely changes the tone of this line. Cold and calloused, he orders Chika, who’s slipped and fallen after having already lost the use of his glasses, to stand up. But that doesn’t sound like him, does it? In the original, he’s worried and concerned about his best friend who’s already at a disadvantage and may now have hurt himself too and asks if he’s able to stand... while extending his hand to help him up.

Though it turns out, even if you put it into plain Japanese, GT still doesn’t know what to do with it, for the most part, and neither does DeepL:

The third is because it doesn’t realize it’s the potential form of 立つ, not the plain form of 立てる, and the first may be as well. At least, that’s the closest I can figure. The second... I have no idea. With just の, it gives you “to stand.” But with just んか or のか, it does finally get it. And literally the only difference between these is politeness/formality level.

DeepL, while often more reliable than GT, actually gets it worse, though:

I have no idea how it got “nobleman,” but “house; residence” is from the け reading of 家. Changing the け to か does not make it realize it’s a question, though it does change the translation to “making something stand up.” Which I was somewhat surprised about, considering 家 can also be read か, although that reading has to do with people/professions/etc. rather than houses.

立つ and 立てる can refer to constructing buildings (though I don’t know, if at all, how it differs from 建つ and 建てる), which is where “building” comes from in the second, though you wouldn’t stick の/ん between a verb and a noun since those just attach directly, so I still don’t know how it gets that.

But “liveliness”? “Court noble”? DeepL apparently has a habit of just guessing since it prefers natural-sounding English over an accurate translation, so that could be what that is, though I didn’t see anything about either in Goo辞書’s entry for 立てる.

This habit of guessing could be why it gives you “How are you going to stand up?” (all its alternatives also using “how”) for 立てるんですか, despite there being no “how” in the Japanese. And then for 立てますか it gives “Would you like to stand up?”

For 立てるの, it gives you “Stand.” or “Stand up.” With the period! Even GT didn’t do that when it thought it was an imperative. And this... definitely isn’t. A sentence-final の could be explanatory/emphasis (のです/のだ) or interrogatory (のか) with the second part dropped, but it’s not gonna be used with imperatives. Not to mention that there is no imperative that ends with る. There are verbs whose second-to-last mora is る, but imperatives for ichidan verbs are formed by dropping the final る and replacing it with ろ, while for godan verbs they’re formed by changing the ウ sound of the last mora to an エ (れ for る verbs, て for つ verbs, etc.). Even if a verb exists that ends in -るる, the imperative would be either -るろ or -るれ.

Like GT, with 立てるのか, it does finally give you the correct translation.

#deepl being more wrong overall than gt was a surprise #i don't use it but i'd heard it was supposed to be better lmao #mtl mishaps #2.43 vol 1

[marvel-trash-bin]

Taking Risks.

(Not my Gif.)

Summary: Zemo gives you what he thinks you deserve. *Some TFATWS Ep. 3 Spoilers.*

Pairing: Zemo x Reader (Female)

Warnings: Smut for days baby. Dirty Talking, Possession, marking, Soft!Dom Zemo. 18+ Only.

Word Count: 4.2K

Tags: @greeneyedblondie44

A/N: Look we all know we're walking dangerous territory, simping for a war criminal. But Sugar Daddy Zemo got me feeling some type of way and also, Daniel Brüle is hot asf. Also, I don't actually know german so pls if it's off just blame google translate, I just have an insatiable language kink and I needed the pet names more than air itself. I thought about making this a chaptered fic, but I barely had the time to write this, never mind chapters of it before he likely fucks over Sam and Bucky next episode. Anyways, enjoy!

Here’s the thing.

You knew he was dangerous. You knew his past, the EKO Scorpion kill squad and everything with the Avengers, manipulating them and breaking them up from the inside. He was smart, unpredictable. You knew there was a very real potential that you could be hurt - or worse - if you went down the road.

And maybe, in a past life that would’ve been enough to stop you. But you weren’t who you used to be. You liked playing with fire now, inviting danger and chaos rather than straying from it. You had lived in - hid in, was more accurate - Madripoor for a handful of years now. You laid low, kept yourself under the radar of the Power Broker and those who worked for him. This way, no one bothered you and you could live fragments of a normal life, Trading and bartering to make a living. But living this way, like forgotten trash on a sidewalk, got old.

Maybe that’s why when you caught his attention, you didn’t shy away from it.

It had happened so fast. You were dancing, just intoxicated enough that the rubbing of strangers' bodies against yours was not just welcomed, but encouraged. So encouraged that when a new body, tall and firm behind you, took the place of another, you didn’t hesitate to back up into the warmth. His hands gripped your hips tightly, not stopping or guiding you, just resting. Turning your head slightly to see what your new dance partner looked like, you startled a little seeing the Baron.

Helmut chuckled, a low sound you felt rather than heard, and ducked his head down to speak into your ear, “You know who I am.”

You let your body relax back into his, feeling reckless enough to bless the menacing man with your flirtations, your head falling back onto his, “I’ve heard a thing or two.”

“And yet you trust me to hold you like this,” his hands flex on your hips, just hard enough to show the strength they hold, “Like a lover.”

You grab one of his hands, leading it down to your upper thigh where your knife holster sits, never once letting his hand leave your body.

“If I didn’t want you touching me, you’d know it, Baron.”

The gust of breath you felt against the side of your neck and the large hand gripping your thigh had shivers rolling pleasantly down your spine.

“You are far too beautiful to reside in these undergrounds,” he spun you around in his grasp, allowing you to get a good look at his face, “A woman like yourself should be treated with the most expensive riches, the finest wines. She should drain a man of his earnings.”

You laughed, not expecting the words that came from his mouth nor how handsome he was, even this close, “Point me to the man who’s willing.”

He smirked at you, but there was a smugness to it. A glimmer in his eye that suggested he had the riches and the desire to give you anything you wanted. You felt like you were drowning in his gaze, lost as you were under the heat of it. He looked somewhere behind you, pulling his eyes from you to nod once at whatever, or whoever, had stolen his attention from you. When they returned to you, the heat and desire were replaced with determination.

“It is with great regret that I must leave you, for now,” He captured your hand, bringing it up to his lips, the softness of them brushing lightly against your knuckles, “I can get you out of Madripoor, give you a life you deserve. If you meet me tomorrow morning, the airstrip.”

The world felt like it froze around you. The rational part of your brain was screaming at you. You couldn’t trust him. You Shouldn’t trust him. But as you stared into his eyes you saw nothing but honesty.

“And if I don’t?” You ask, just to buy yourself some time.

His hand travels up your arm, taking your chin between his thumb and pointer finger securely, “I will not pressure you. I’d leave you be, but the ghost of you would haunt me, schatzi.”

And with that, he was gone. Leaving you with nothing more than your thoughts, mentally preparing how quickly you could pack your things and leaving Madripoor behind. After all, you’ve always loved taking risks.

~

The next few weeks were a blur. Zemo was laying low, but his form of laying low was still luxury to you. It was private jets and upscale accommodations, not to mention that he was a man of his word. He spoiled you. Within three days of being in his presence, you had acquired a whole new wardrobe. Your suitcases - also new - were filled to the brim with the fanciest and latest fashion. You had rare jewels on nearly every piece of jewelry you owned. Maybe spoiled was an understatement. You’ve only dreamed of owning riches like these.

He had picked something particular for you to wear tonight, both of you making an appearance at some sort of party with some higher-ups. It was all laid out on the king-sized bed, a little black dress of sorts. It was short and sheer in its long sleeves, the sparkles in the fabric ensured that you would shimmer under any lighting. With a simple clutch, matching jewelry and a cropped, white fur jacket to keep you warm until you got to your destination. You looked good. You felt good.

He looked just as good. Sporting an outfit similar to the one you had met him in, instead choosing a dark red turtleneck to create a stunning relation between both your outfits. Nothing had happened between the two of you yet. Aside from lingering glances and innocent touches, he had been a gentleman. The chemistry was there, for sure. You were able to joke and talk with the man, matching his wit and charm every step of the way. And he loved it.

“Best behaviour tonight, schatzi.” He had said, low in your ear as you walked towards the venue.

You had smiled back at him, the perfect picture of innocence, “Always, Baron.”

And at the time, you had fully meant it. But you found yourself craving him. He looked too good, it honestly wasn’t fair. The way that ridiculous fur jacket draped over his shoulders, fostering a powerful ambience. And you knew he was faring no better himself if by the way his eyes were glued to your curves was anything to go by.

So, you decided, maybe you shouldn’t be on your best behaviour tonight. It’s not like you were making a scene or anything that would call too much attention. You were simply letting the alcohol take over your body. Whether that meant a hand on his thigh as you listened to the conversations around you, your fingers playing with the short hairs at the back of his neck or dancing a little too scandalously when you knew he was watching. You felt confident. And when you felt confident, you felt dangerous.

By the end of the night, you were teasing yourself just as much as you were him. You were pushing your luck, hands trailing a little too close to the bulge in his slacks, enjoying the way his facial features changed briefly in shock before settling back into that infuriating unmovable stoic impression. The last straw was you bending in front of him, having ‘dropped’ something from your purse. You only had to bend so much before the dress, as short as it was, had ridden up just enough for him to catch a glimpse of your panties.

In an instant, he had you standing upright, thanking whoever he had been talking to for a wonderful night, tugging your dress back down to a respectable length and steering you towards the door by the back of your neck.

“That was not best behaviour,” he growled into your ear.

You giggled, despite the tight grip on your neck, “I was just having fun.”

He had done nothing but stare at you, eyes hard with a warning that had you rethinking your actions. You had forgotten, for a moment, that this man was not just someone to give you all the pretty trinkets you wore. He was a mastermind, a criminal mastermind at that. A man most deemed dangerous enough to be locked away.

“You have been bad tonight, kleine Schlampe.” He said once he had gotten you back to his car, away from the prying eyes and ears of the party guests, “You will spend the trip back thinking of ways to make it up to me.”

The words sent heat through your core, and you did exactly as he said.

~

By the time he had gotten you up to your accommodations, you had thought of thousands of different scenarios that could earn you forgiveness for your recklessness. You were uncertain if his words earlier had implied sexual favours, or if a simple, genuine apology was all he was looking for. However, once he had turned to you, the room door closing behind him and his eyebrows raised expectantly, you fell to your knees in front of him like it was second nature.

He chuckles darkly at you as he peels his gloves off, tossing them gently onto a side table nearby before letting one hand brush away the hair that had fallen in your face.

“Seems you are meine kleine schlampe indeed,” You had no idea what it meant, but fuck it sounded good coming from him. His eyes were hard and dark as he stared down at you, “If this is the path you’ve chosen to apologize, so be it. But not here, you are meine schlampe not a common whore. Get up. Go to the bedroom.”

You did as he said, quickly pulling yourself up to a standing position and walking to the designated room. The bed, so far, had only been used by you. He hadn’t wanted to push or pressure you into sharing a space with him. He understood that just because you decided to join him, didn’t mean you wanted to be with him. But tonight, you had decided, you wanted to give him your everything. You wanted to show him how grateful you were for all the gifts he’d given you so far. And if you couldn’t give him luxuries, you would give him your desire.

“So,” he began, nodding in approval at the way you resume your position on the floor in front of him, “Let’s begin with the basics.” As he talked, he rolled up his sleeves, doing so with precision, “Tell me, what exactly are you apologizing for?”

He commands every drop of your attention. There’s an aura to him that you had only previously caught a glimpse of. His eyes dark and locked onto yours, never once wavering. Waiting. Calculating.

“For teasing you.”

“And?”

You take a breath, shame flooding your core at the answer that sits on your tongue.

“For embarrassing you.”

There’s a pause. He cocks his head, gaze softening just a tad. He's quiet for several moments, analyzing your words. Your heart starts to beat a little faster at the extended silence, thinking you’ve done something wrong and you can’t keep up the eye contact. You duck your head, averting your gaze to his feet.

“Look at me, schatzi.” His voice is soft, but still with enough edge to make you listen.

Only once your eyes meet his again does he continue.

“That’s very sweet of you, to be concerned about my image. But make no mistake,” He steps closer to you, letting one hand cup your jaw, tilting it upwards. His thumb brushes against your bottom lip, “You could never embarrass me,”

You dip your head, nipping softly at his thumb. He smiles softly at you, something glimmering in his eye, “I simply just don’t like to share what’s mine.”

Your breath leaves your body at his words and suddenly the need for him to claim you had you nearly vibrating in your skin. You watch, every muscle in your body clenched tightly, as he walks slowly over to the armchair in the corner, never once taking his eyes off you. He sits, legs parted, one arm draped off the side, the other rested so he could prop his head up.

“Proceed.”

Instantly, you make your way over to him. Once in front of him, you stand up on your knees, placing your hands on his knees and slowly sliding them up his thighs. They continue its upward motion, skimming lighting over the hardness in his pants and reaching to start on his belt. You make quick work of his belt and buttons, eagerly working his pants and briefs down. He chuckles above you.

“Mein Schatz, so eager to apologize.” He purrs, almost mockingly, hand coming down to brush the fallen hair away from your face.

Once you had him free, you took a second to admire him. Your legs clenched at the size of him. Not terribly big, but big enough to anticipate the stretch, the fullness. Your eyes flicked back up, looking up at his through your lashes, leaning in but stopping just before you could actually get your mouth on him. The hand that was previously fixing your hair was now clenched in it, messing it up again and forcing your head back suddenly to look at him properly.

“It would not be wise to tease me more than you have,” he warned.

A smirk spread across your features and you quickly realized how much you liked him like this.

Powerful.

Strict.

However, you knew you were on thin ice already. With that in mind, as soon as his grip loosened you licked a wide stripe up his length, swirling your tongue around the tip before taking him fully into your mouth. The tension his body held melted the second your tongue touched him. His mouth dropping on a soft groan. His hand stroked your hair as you sucked, encouraging the bobs of your head, not forcing but guiding. You keep your eyes trained on his face, not wanting to miss a second of experiencing him like this.

He glows in the low lamplight of the room, the shadows playing across his features delicately. You like him like this too. Reduced to a heap of gasps and moans beneath the heat of your mouth. As you suck, your hands wander, up under the fabric of his shirt, nails dragging down his sides. He hisses at the pain, but doesn’t tell you to stop.

After a few minutes of your slow torture, he decides he’s had enough. His hand tightens in your hair, his movements becoming less gentle and more demanding.

“That’s a good girl, take it all for me.”

You do as he asks, taking a breath before taking him as deep as you can. He groans at the feeling, hips shifting a few times to test you before beginning to thrust in and out of your mouth. Your jaw aches, but his eyes are on you and his thumb is tracing your bottom lip that’s stretched wide around his cock and you think for a second that you could spend eternity like this.

It’s not much longer before he pulls you off his cock, hand wrapping around his base tightly, “Apologies, schatzi. I am out of practice, and I fear I'm not quite finished with you yet.”

You laugh softly, voice rough due to your previous activity, “That’s okay, I don’t mind.” You insist, more than happy to let him finish like this. Whatever he wants.

He stops you before you can dip down again, standing up and taking you with him. For the first time, his lips are on yours. He overwhelms all your senses. His breath loud in your ears, his hands on your waist, his scent. His tongue slides against yours as he walks you forward, shedding his lower clothing as he goes. He only parts to give you an order.

“Turn around.”

As you do, he finishes undressing and it kills you that can’t see him. Just as quickly as the thought crosses your mind, it’s gone as you feel his hands at the top of your dress. He slides the zipper down, letting the fabric fall off your shoulders. You take the liberty of helping the sleeves the rest of the way down, the fabric falling down around your heels once you’ve done so. He hums behind you.

“Such beauty,” he whispers against your shoulder. His hands begin to wander, around your waist, up underneath the fabric of your bra, down to your thighs and ass. He chuckles, dragging your panties down enough that they too fall, forgotten at your feet, “I can hardly stay mad at you, liebling.”

Your head falls back onto his shoulders as he works your bra off next. You shiver, feeling bare and exposed before him. You want him more than you can express and you let your whole body fall back into his embrace, whimpering at the feeling of him, hard against the swell of your ass.

“Helmut,” you moan, one of your hands finding purchase in his hair as the other rests on one of his forearms.

“Tell me you’re mine, Schatzi. And I’ll give you anything you want.”

“I’m yours,” you say without hesitation, breathless as his hand dips between your legs, finding your clit. He hums, pleased at the arousal he finds there, “I’m yours. Only yours.”

He growls pulling his hand away from, “Lay back on the bed. I’ll be right back.”

You do as he says, positioning yourself in the middle of the bed. While you wait, you let your mind wander, listening to his rummaging somewhere in another room while your mind runs through everything you want him to do to you. At some point, your eyes must close because when you feel the bed dip, they open to see him crawling between your legs.

He’s done messing around, wasting no time before his face is buried between your thighs, hands maneuvering your legs so that they’re thrown over his shoulders, your heels crossing sweetly behind his head, no doubt scratching at his shoulders. Your breath leaves your body at the feeling of his tongue, warm and wet and fan-fucking-tastic. He alternates between dipping it in and out of your heat and flicking it against your clit. Your hand finds his hair, gripping it between your fingers and guiding his movements ever so slightly. His eyes don’t leave yours, spare for the few times he closes them to moan against you.

One of his hands move, leaving its place at your hip to sink two fingers into you. Your head falls back on a moan, back arching up when he crooks his fingers and finds your g-spot.

“Fuck,” you gasp, one hand gripping the pillow behind your head as you feel your orgasm rush towards you, “Fuck- Wait, I-”

You can’t even feel embarrassed about how easily your body has reacted to him. Before you can warn him much more, you're falling over the edge. Your thighs tensing around his head, back arching in pleasure as you ride out your high. In this moment you belong completely to him, unable to think of anything else.

“So sweet for me, liebling.” He comments, hands rubbing up and down your calves as you come down, taking a moment to unfasten your heels, letting the shoes drop to the floor before leaning back in. His lips brush against your inner thigh.

Then a bite.

“Such pretty sounds you make for me.”

And then he’s sucking harshly at the skin there, watching the shudder that rips through your sensitive body at the sensation. He doesn’t pull away until the mark is dark and flush against your skin. He continues this on the other thigh, on your ribs, your breasts and finally your neck, marking you thoroughly.

“Mine.” He growls, hot against your ear, “Mein schatz, will you let me have you?” he asks, and it’s literally all you can think about so you don’t even bother hiding the truth, the confession tumbling from your lips breathlessly.

“I’d let you do anything to me.”

He groans, capturing your lips in a deep kiss as he does so. He pulls away to grab the condom that he had put next to him on the bed and leaning back on his haunches to roll it on. You’re so impatient, nails digging into his thighs and arms, whining as you watch his hands work.

“So needy,” He comments, swallowing your moan as he finally, finally, sinks into you.

The stretch as he enters you has your head rolling back on a moan, your legs wrapping around his waist the bring him the rest of the way in. He buries his head in the crook of your neck, growling against the skin there.

“Fuck,” he groans through gritted teeth, his resolve quickly slipping at the feeling of you around his cock. And to his credit, he really tries to wait, to be good. But not seconds later he’s adjusting his grip on your hips and he’s thrusting into you with a force that makes the whole bed shake.

It’s barely been 30 seconds, but the build-up that had occurred throughout the entirety of the night had you right back on the edge, your nails clawing at his shoulders, his back, his thighs. Any purchase you could get on him, you were begging for more. You’d take anything he gave you without so much as batting an eyelash. His grip on your hips is tight and bruising, but the pain twists into a delicious pleasure that only spurs you on.

You must be speaking, babbling something back to him about how good it feels, how much you love being fucked by him because he’s laughing through a moan against your neck. He pauses for just a second, straightening up and throwing one of your legs over his shoulder before continuing to fuck you.

“That’s it Kätzchen.” He purrs, eyes moving down your body to where he enters your body, “Taking my cock so well.”

You mewl at the praise, your body arching in response to his words. Your second orgasm takes you both by surprise, having hit you like a fucking freight train when he thrusts particularly deep, hitting one of your sweet spots. You scramble for purchase on him, mouth dropped open in a near-pornographic moan that you’ll surely be embarrassed about later. But for now, all you know is pleasure.

His hips falter, stuttering as your walls tighten around him. His head falls back on a low moan, fucking you hard and slow through your release.

“Such a sweet cunt,” he gasps, “Mein Gott..”

And then he’s tangling your hands together, holding it high above your head as he pushes your thighs back, flush against your chest. He’s the one babbling now, words from God only knows what language, whispered against your skin as he chases his own release. He gives one last hard thrust and he’s done, his teeth dragging against the skin on your shoulder, moaning against you as he rides out his orgasm.

As you both come down, you stroke the back of his neck, playing with the hairs there, trying to catch your breath. After a few moments, he pulls away just enough to kiss you. There’s a lingering heat and it’s a little messy due to your shared exhaustion but it’s good.

Once you’ve both caught your breath, he removes himself from your body, taking the necessary time to deal with the condom. You watch him lazily, unable to do much other than that. You’re so tired. But there’s that ache between your legs that you love so much and you think briefly that you could go another round, if he wanted to.

He must see something in your eyes when he returns because he laughs softly, “I feel I may have my hands full with you, schatzi.” he says as he crawls back into the bed with you, covering the both of you with a blanket, the cold now biting at your skin. You know you have to get up soon enough to sort yourself out before bed, but for a moment you stay with him.

His fingers brush over your face softly, following the slope of your nose and the angle of your cheeks. There’s no real purpose to his movements, just... touching. As if convincing himself that you’re real.

“You are special, schatzi.” he says softly, “I don’t know what your plans are, but I can only hope that you choose to continue to bless me with your presence.”

This man is such an enigma to you. He carries such confidence in every aspect of his life and yet he still doubts your loyalties. There’s anxiety and pain hidden within him, you can see it in his eyes as he continues to look at you. You wonder, how much of his past weighs on his shoulders. How long before he deems himself worthy of your affection? You lean in to kiss him softly, your lips dragging slowly against him. When you pull away you keep him close, brushing your noses together.

“I’m not going anywhere.”

#helmut zemo #zemo #baron zemo #helmut zemo x reader #zemo x reader #baron zemo x reader #sugar daddy zemo #tfatws #tfatws spoilers #marvel #mcu #fanfiction #mcu fanfiction #smut

[lizziecanrailme]

“It was all my fault”

Pairing: Yelena Belova x reader

Summary: You have another nightmare, as always Yelena is there to reassure you.

Warning: Nightmares, self-blame, mentions of killing but not too descriptive (I think)

Translations: Возлюбленный = Sweetheart, Мой ребенок = My baby

A/N: I used a translation app for the Russian words. I don’t know if it’s accurate, I didn’t use google translate because I don’t trust it.

〈✩〉

Your eyes snapped open as you found yourself standing in the middle of a room. A knife in hand, covered in the sticky red substance known as blood.

You looked at the object in confusion, and soon panic. You had no idea what was happening.

‘Why were you here? And covered in blood?’

But one of your questions was soon answered as you looked down. A body…multiple stab wounds seen on it.

“It was you!”

You quickly looked to the side, a woman with blood covered in almost head to toe. Some blood didn’t look to be her’s.

“W-What?” you whimpered, your voice pathetically vulnerable. “You killed him, you’re a monster!”

Your eyes started to fill with tears, still confused of how and why this happened.

“I-I didn’t mean to, I’m sorry!” you exclaimed.

“Sorry won’t bring him back! This is all your fault!” she continued to say.

Her words stung, but you knew you deserved. Her voice repeated in the back of your head.

‘This is all your fault!’

‘This is all your fault!’

〈✩〉

You jolted upwards, gasping as if you’ve lost oxygen in your lungs. Sweat dripped down your face and you sighed tiredly.

You flinched when you felt a warm hand on your arm. You knew it was Yelena, you recognized her warm, soft touch.

“Another Nightmare?”

It was so soft spoken you could just break down then and there. You nodded, suddenly becoming nonverbal.

“Do you wanna cuddle?”

You nodded again, desperate for her warmth and comfort. She pulled you into her arms and you snuggled into her neck.

Sometimes when you had nightmares you become nonverbal or didn’t wanna be touched. Obviously Yelena was never bothered by it, she knew what it was like to have nightmares.

You could tell she wanted to ask what the nightmare was about. Well, it wasn’t really a nightmare, more of a flashback.

It always occurred over and over again. It was as if it haunted you. A constant memory that mentally affected your well-being.

You never told Yelena about this, afraid that she’d find you to be a monster. Afraid she’ll break up with you and leave you alone, suffering in your own guilt and misery.

“Yelena” you said softly, she turned her head towards you. “Yes Возлюбленный?” she said in a once again, soft spoken voice.

“I’m ready to tell you, about my nightmare” you said with a sense of hesitation. She picked up your hesitation, “You don’t have to if you don’t want to.”

“No No, you should be able to know, after all this time of not telling you”.

She nodded her head, encouraging you to go on. You signed an licked the dryness of your lips before starting.

“It hasn’t exactly been a nightmare, more of a flashback. It always started with me standing above the body of this random man. He had multiple stab wounds, and…I was holding a knife.”

Your throat started to close up as you felt tears swell up in your eyes. Yelena gently stroked your head while whispering sweet praises to you.

“It’s okay take your time. Take as long as you need Мой ребенок”. You tried to blink away your tears.

“Then there was the woman, she was covered in blood. She called me a monster, which I thought I deserved because you know I just killed somebody.” You laughed but it was humorless.

“She told me it was all my fault. Which it was, and her voice just continued to echo in my head. Repeating “This was your fault” and it was, It was all my fault.”

Yelena listened to you, her heart was shattered. The love of her life, having endless guilt over something she wasn’t it control of.

She understands, she’s been taken control of before. The Red Room, a place of trauma and torture. She’s heard from The Avengers specifically Natasha, that you were an experiment of Hydra.

“My love, do not blame yourself for this. You were controlled, your mind wasn’t conscious or aware.”

You looked at her with eyes that help so much pain, so much guilt and sorrow. “But it was still my body, my actions, and it killed innocent people.”

She shook her head, “I can’t stop you from blaming yourself, nor feeling guilt. But remember, I will never blame you you for this. I understand what it’s like, and I will not judge you for it.”

You gave her a tiny smile, it wasn’t something big. But it was perfectly enough for her, she loved you.

And she will never stop, no matter what.

〈✩〉

#marvel #yelena boleva #yelena belova x reader #yelena belova imagine #i actually really like how this turned out

[zyzix]

A Mistranslation in Neo Twewy’s Secret Reports

To preface- This is NOT a post depreciating the localization choices in NTWEWY. I think the localization is basically good and the flaws it does have aren’t what’s being discussed here.

So i had been hearing a lot of slightly conflicting information about the translation of Neo’s very first secret report. It states that Joshua and Kubo played a game that caused Shinjuku’s destruction, which is something that basically everybody raised their eyebrows over? Lot’s of questions about how that would make sense for Joshua’s character or Shinjuku as a plot point- to the point that people assumed it was some sort of error. If or How it’s an error, though, I was not able to find a comprehensive answer to. Seeing different takes from people without much explanation was confusing, so even though I don’t speak japanese, I had to go take a look myself.

(I’m also making this a post so that maybe this could be something people could easily refer to and discuss on, amongst all that. I’m also still somewhat unsure if i’ve got it right so i’d appreciate it if anyone who knows the language better decided to pitch in. In fact, @gramoturtle, i hope you don’t mind me in ur mentions since im pretty sure u can check better than me)

So here’s what is says in English:

“The Executor first intruded on Shibuya three years ago. Originally from Shinjuku, this Angel started a clandestine Game with Shibuya’s Composer, which ultimately led to Shinjuku’s destruction.” -NTWEWY Secret Report 1, Paragraph 3

And here is what is says originally:

3年前、渋谷にある人物が侵入した。渋谷エリアのコンポーザーとの間で秘密裏にゲームを開始した、新宿エリアの天使であり崩壊を導いた「執行人」である。-NTWEWY Secret Report 1, Paragraph 3 (in japanese)

When you run the above few sentences through google or deepL, it does NOT result in anything intrinsically saying that a game between the two caused Shinjuku’s destruction:

Now translators are unavoidably imperfect and these translations seemed like they had their own issues, but I found it telling enough that neither of them talked about a game destroying Shinjuku that I knew it would be worth it to at least try to pick it apart manually.

The result of that attempt is this XD...

So. I did that. And I stared at it for a long time. And I kept staring because as far as I know, if it were saying Shinjuku’s destruction was connected to a game between Kubo and Joshua there should be a particle relating those ideas. I couldn’t see one there that would serve that. Hell, after looking at it too long i realized that probably if those ideas were related causally they wouldn’t be separated by a comma here?

If my reading is correct then that means it’s not saying “Joshua and Kubo played a game that destroyed Shinjuku” but instead “Kubo started a game with Joshua AND Kubo destroyed Shinjuku.” A more accurate english translation might be:

[Three years ago, a certain person invaded Shibuya. It was the one who secretly started a game with the Composer of Shibuya- an angel of Shinjuku’s who led it’s destruction- the “Executor”.]

I think that might be close enough to the original text while imparting the same information. And thats crazy, if correct. That means that the official english translation accidentally invented a whole impression-changing event in the form of another Random game scenario 3 years ago in this story’s timeline. In the first secret report!!

That creates a pretty severe AND FAR SPREAD misunderstanding about the plot, so reblogs to inform ppl (or find someone to check my work) would be appreciated!

#twewy #ntwewy #neo the world ends with you #ntwewy spoilers #neo twewy spoilers #tanzo kubo #joshua kiryu #twewy meta #ntwewy secret reports #square enix #yoshiya kiryu #scabby.txt #long post

[sunset-embers-warriors-designs]

I have several ideas about how I would have written Starclan’s function in warriors and I MUST write them down I must express them. I have two different ideas, one in which I maintain the canon fact that Starclan cats can fade/be killed, and another in which I do away with the fading thing.

First, a few things I would want for Starclan regardless of whether or not the spirits can fade: 

- All cats, regardless of the age they die at, are given a full warrior name. Kits or apprentices who die early are either named by their leaders at their vigil and carry that name to Starclan, or they’re named by Starclan spirits. 

- After a leader dies, the -star suffix is removed and they return to using their warrior suffix as a Starclan spirit. Perhaps the -star suffix is given up right at the moment of death, or the -star suffix is given up after the leader ceremony of the succeeding leader to indicate an official transfer of leadership.

- The point behind everyone having a warrior name in Starclan as opposed to any of the “determined by status” suffixes (kit/apprentice/leader) is to further express that all cats are equal in Starclan. There aren’t any clan borders in Starclan’s hunting grounds, and neither should there be different ranks.

No Fading Starclan:

- Cats in No Fading Starclan are given otherworldly wisdom upon entering Starclan, regardless of the age of the cat. All of Starclan shares the same knowledge of the past/present/future.

- However, this knowledge takes a form such that Starclan aren’t able to express it to the living in clear and understandable ways, which is why they speak in riddles when delivering prophecies. Like Starclan is trying to translate some kind of language of the universe into meows and at most it does like a google translate quality.

- Individual Starclan cats each have a limited amount of spiritual/magical energy which they can use to interact with the living world. The longer the clans all exist, the more manpower Starclan has, which explains why their abilities from arc 1 to arc 4 grow from “clouding over the moon during gatherings” to “entering the living realm to fight a ghost battle.” 

- Similarly, the Dark Forest spirits have their own kind of energy that grows the more cats they have in their realm. However, as a punishment for their sins, they don’t get their godly wisdom, and their ability to reach out to the living is a little foggy. They ARE, however, able to latch on to cats who have negative energy surrounding them, and will try to bring troubled souls into their ranks prior to their deaths so they can gain more energy when those cats DO die.

- In this AU, spirits can’t be killed, so the Starclan/Dark Forest battle ghost casualties (Tigerstar, Hawkfrost, Spottedleaf) will not have died. Instead, the buildup to the battle is the Dark Forest attempting to take power from Starclan by reaching out en masse to the troubled living cats with the end goal of “replacing” or at least being on par with Starclan in terms of power, in order to maybe fight their way into the good afterlife or continue reeking havoc as revenge on Starclan/the living. The battle itself is then the Dark Forest’s attempt to overthrow Starclan and gain control over the living clans to ensure they stay in power. Ivypool’s role of convincing her fellow Dark Forest trainees to fight for their clans/Starclan instead then takes away the power the Dark Forest had built up for itself, and having this rejection of the Dark Forest’s influence become a part of the clan’s history/culture keeps the Dark Forest from rising back up. Not to mention, the Dark Forest having used to much energy to manifest and do battle will have left them drained, especially after their defeat, and even if Dark Forest cats have the ability to replenish their individual powers somehow, it would take a long time to do it.

- Spottedleaf continues to exist, as previously mentioned, but as a general rule in every single one of my AUs she and Firestar aren’t romantically interested in one another at all. The only interest Spottedleaf would ever have had in Firestar was because the “Fire Alone Will Save Our Clan” prophecy was Her prophecy, she was the one to interpret it, and she felt responsible to see it through even after her death. When Firestar dies in the battle, Spottedleaf feels that her role in that prophecy is finally through and she just does regular Starclan cat things like climbing starry trees and eating ghost mice.

- In the case of the great battle, spirits who have manifested on the physical plane I think should still have the ability to kill the living, so the deaths in the great battle still happen just for the sake of being consistent with who’s alive in what arc.

- Also regarding the great battle, perhaps Tigerstar’s spirit can kill Firestar’s mortal form, gloat about it, but then Firestar’s spirit rises up and with his Starclan Spirit Powers he takes Tigerstar down. I just think that would have been cool.

Fading Starclan:

- In Fading Starclan, there are actually two levels of Starclan, but the living clans only KNOW about one. The living clans know Lower Starclan, the Starclan made up of recently dead/not-faded spirits who impart the prophecies onto the living. Lower Starclan are Also recipients of the prophecies they then translate to the clans, but they don’t fully understand them and believe these premonitions to be coming from some essence of the universe. 

- In fact, the prophecies are first foretold by Upper Starclan, which is made up of the energies of the faded spirits. Upper Starclan spirits, since they’re faded, lack the identities they had in life and are more accurately interpreted as a hivemind. Like a God with a million faces. Upper Starclan are the ones who block the moon with clouds, control the weather, and do stuff like set fires in the living world to impart prophecy.

- Lower Starclan functions more like a transitional spiritual plane. It’s a place for the spirits to rest from their mortal lives, and then eventually shed their previous personalities and ascend. Lower Starclan being given the prophecies first to then give to the living gives the living cats more reason to listen, because these messages are coming from spirits who are still personable and likely cats who the living interpreters knew and respected in life.

- The Dark Forest is a place to hide away the spirits of cats who would impede on the goals of Upper Starclan. They eventually fade away too and are permitted into Upper Starclan because they’re no longer a threat without their mortal memories/personalities getting in the way of their roles as God(s). 

- The Tribe of Endless Hunting’s spirits also fade away into Upper Starclan because the two groups have the same origin. Like Endless Hunting and Lower Starclan manifested because of the split in the groups and Upper Starclan just said “Okay We can work with this”

- True Reincarnations only occur when an Upper Starclan spirit returns to a mortal form. Jay’s Wing, Lion’s Roar, and Dove’s Wing’s spirits had all faded into Upper Starclan but were reborn as new mortals in order to fulfill the Power of Three Prophecy. This also explains why they have “the power of the stars”, they were part of the Cat God Collective prior. Cinderpelt/Cinderheart was a “reincarnation” that was NOT sanctioned by Upper Starclan, which is why Cinderpelt and Cinderheart have separate souls. 

- The reason the Power of Three thing happened was because Upper Starclan saw their Dark Forest Timeout corner spirits being naughty and worried that those spirits weren’t as out of the way and not hurting their goals as previously presumed. The battle was orchestrated to reinstate faith in Starclan and have some of the more troublesome Dark Forest Spirits fade so they would stop causing trouble. Technically, Tigerstar, Brokenstar, and Hawkfrost are all part of Upper Starclan after the great battle, but none of them have those identities anymore, or at the very least, those identities are not “in use.”

- The only spirits that can walk in Both Upper and Lower Starclan are legendary/historical figures like the clan founders and probably other significant cats who have legends made of their life experiences. 

- Goosefeather, by some mistake or intention(?) was granted a mental connection to Upper Starclan instead of just Lower Starclan like other medicine cats, which is why his visions were so intense and so far into the future, and just the sheer number of them. He could see Lower Starclan spirits as well like Beetail because I guess if you can connect to Upper Starclan than Lower Starclan is just a side effect. 

- Spiresight and Shadowsight might also have this connection to Upper Starclan? Idk I can’t decide. Shadowsight did as a kit at least, but perhaps Upper Starclan decided to chill after seeing how poorly Goosefeather’s connection turned out for him.

- Upper Starclan’s concept otherwise is very vague. Their goals seem to be to ensure the continuation of the clans, which ensures their growth and power, but power for what reason? idk what to do with that

Since the Broken Code arc isn’t complete at this time I’m not sure what direction I wanna take for either Fading or Not Fading Starclan to explain Starclan’s disappearance or Ashfur’s ability to mess with other spirits... perhaps in the Fading version, Ashfur is the one Lower Starclan cat to discover Upper Starclan and figures out how to tap into his full spiritual ability before shedding his mortal personality and uses this to cause chaos. idk what to say for Not Fading rn tho

#warriorcats #warrior cats #warrior cats headcanon #warrior cats au #starclan #power of three #omen of the stars #the broken code

[makeste]

an index of Horikoshi Kouhei interviews

these are organized by date, oldest to newest, and I’m including a brief bullet-point summary of each to make it easier to look up specific interviews by content.

also, please note that although I haven’t spoiler tagged this post, the interviews from roughly 2019 onwards include some spoilers, so please watch out for those if you’re anime-only or otherwise not caught up with the manga. that said, the other interviews I think are all good.

putting this below a cut to keep things tidy.

interview with Horikoshi Kouhei and Kishimoto Masashi, May 2015

(note: this is not the actual interview word-for-word, but includes the highlights)

Horikoshi talks about being a fan of Naruto when he was growing up

Horikoshi says he was inspired by the way Kishimoto shows emotion through drawing hands, and that he loves drawing hands thanks to Naruto

Horikoshi mentions that Gaara is his favorite character and that he really liked the Chuunin Exam arc

Kishimoto praises BnHA and says he knew it would be a hit when he read the second chapter

they talk a bit about the worldbuilding and the process of creating a story where 80% of the population has superpowers

they discuss Naruto and Sasuke’s rivalry and Horikoshi mentions that he found it “frustrating” and that he really liked the Valley of the End and thought it would be the end of the series. he says it was very emotional

they talk a little about the stress of writing manga and about the toll it takes on mental health

pre-anime interview, April 2016

talks about his reaction when he found out BnHA was getting an anime

talks about how the series originally came about

says that BnHA is the story of Izuku and All Might and that their story is the “vertical axis” which runs through the main story

says there is also a “horizontal axis”, which is the side characters and quirks and all of the other elements that he considers to be the “fun part” of the story which mellows out the darker aspects of the vertical axis

mentions that he really likes drawing and writing Bakugou

mentions Deku vs Kacchan 1 as one of the early highlights in the series for him

talks about Ochako being someone who has a more cheerful relationship with Deku, which balances out some of the heavier aspects of Deku and Katsuki’s relationship (again, horizontal vs vertical axis)

mentions that if he could pick any quirk he’d pick a “no need for sleep” quirk

talks about reading Dragon Ball as a child

mentions that he really likes American comic book heroes, especially Spider-Man

mentions Goku and Spider-Man as the two that come to mind when he thinks about heroes and what it means to be a hero (specifically, that Goku is the “win” aspect and that he brings reassurance to everyone, while Spider-Man is the “save” aspect who helps other people)

talks about hearing Deku and Bakugou’s voices in the anime for the first time, as well as Ochako, Iida, and All Might’s voices

another pre-anime interview with konomanga.jp, April 2016

(note: this interview is in Japanese, but Google translate does a servicable job with it)

talks more about Spider-Man, including his favorite costumes and comic artists

gives some American comic book recs

mentions that he likes Godzilla and Gamera and always goes to see those movies

talks about his Star Wars influences

talks about his favorite manga as a child -- Dragon Ball, One Piece, and Naruto

talks about becoming a manga artist, and about some of his influences

says that he likes drawing monsters, creatures, and villains, and says that he really liked drawing the panel where Tomura made his first appearance at USJ

talks a little about composition and frame movement in his work, and about the challenges of drawing a weekly manga

mentions that he knows what the story ending will be, but hasn’t yet figured out how to connect the dots to that point

interview with Horikoshi Kouhei and Umakoshi Yoshihiko in BnHA: Ultra Archive, May 2016

(note: Umakoshi is the anime character designer for BnHA. also, this interview was part of the Ultra Archive character book, so you’ll have to scroll a bit through its other contents in order to get to the interview.)

they talk about the process of creating the BnHA anime and sketching out all of the character designs. Horikoshi says the anime character model sheets look just like how he draws them

they talk about Horikoshi’s obsession with drawing hands lol. Horikoshi mentions that the way Mike Mignola (the creator of Hellboy) draws hands was a big influence

they talk a lot about art and drawing in general

Horikoshi talks about Ochako’s character design a bit

they talk about the differences between drawing manga and doing animation

Umakoshi talks about his first impressions of BnHA

Horikoshi mentions that he still has a lot of ideas for characters and quirks that he hasn’t been able to implement yet

they talk about the different character designs and which ones they find easy, difficult, and fun to draw

they talk for a fair amount of time about Iida’s character design

Umakoshi talks a bit about other anime he’s worked on

they talk about the character of All Might, and Horikoshi ominously says that All Might’s future will be “a fairly sad affair”

interview with Natalie Comics, June 2018

talks about the 4th anniversary of BnHA, and the release of BnHA: Two Heroes

talks about the Basement internship arc and mentions that it was challenging for him to write

talks about the question “what is a hero?” and how he defines heroes

mentions Mina, Sero, and Shouji as characters he would like to/plans to feature in the future, and mentions that he already has a story planned featuring Shouji

talks about the popularity of the series

talks a little about Koike-san, his first editor

talks about Two Heroes and its development and story

talks about club activities at U.A., and which clubs Deku and Katsuki would be in

talks about his mom and about some of his childhood experiences which inspired scenes in the manga

talks about why he became a mangaka

talks about what percentage of the series is completed, mentions the original planned length was about 30 volumes but that it has obviously surpassed that

mentions that he has an idea of how the last arc will be planned out

interview with Horikoshi and Eiichiro Oda, August 2018

Horikoshi talks about being a fan of One Piece and mentions he even sent artwork to Oda which was included in one of Oda’s galleries

they talk more about OP and about favorite arcs and how it’s influenced Horikoshi’s work

Oda compliments Horikoshi’s art and they talk about cover artwork and coloring (Horikoshi mentions he uses Photoshop)

Horikoshi talks a bit about BnHA Two Heroes

Horikoshi again mentions that he originally thought BnHA would be about 30 volumes (Oda says he should shoot for 50 but Horikoshi laughs and says he’s not sure he can do ten years)

they talk about how fucking long OP is and how manga stories tend to expand once the story starts taking off

Interview with Anime News Network at SDCC, August 2018

talks about his love of American comics, especially Spider-Man, and says that American comics are a lot more mainstream in Japan nowadays thanks to all the superhero movies

talks about how he got started as a manga creator

talks about being inspired by Dragon Ball, and that All Might in particular was inspired by Goku

talks a bit about the process of creating characters

talks about Bakugou’s popularity and that it took him by surprise at first

mentions that he doesn’t have the stamina for BnHA to be a long series like One Piece

interview with Cinema Today Japan, December 2019

(update: here is the link to @hanashimas​‘ translation which is more accurate)

talks about Deku and Bakugou’s characters and their attributes

mentions that at the start of the story Bakugou thinks Deku is above him, so he tries to act intimidating and superior to overtake him

(ETA: apparently this is a mistranslation; he actually says that he intended for Bakugou to be a character who was “above” Deku so to speak, who Deku would eventually surpass. he then goes on to talk about his realization that Bakugou could actually have a much more interesting character arc, which of course we have since seen play out.)

mentions that he planned to have Bakugou and Deku improve on two separate vectors as they entered U.A.

mentions Deku vs Kacchan 1 as a turning point where he had some realizations about Bakugou’s character that humanized him for him

mentions that he always knew Bakugou wouldn’t turn evil and “would never lose to the darkness”

says the scene where Katsuki takes Kirishima’s hand at Kamino was bittersweet because it showed Bakugou’s growth, but also showed the ongoing gulf between him and Deku because Deku knew that Katsuki wouldn’t take his hand

mentions that Bakugou still needs to apologize to Deku

says that Kirishima, Kaminari, and Mina are among the easiest characters for him to draw because they take the initiative and get the other characters excited and help pull the story forward

mentions that he always hears Nobu’s voice in his head now when writing Bakugou

talks about the characters being high school kids still, and that when he expanded on their families he was conscious of that -- “I wanted to show that these protagonists are still children after all”

interview in Volume R (booklet that was released along with Heroes Rising), December 2019

talks again about his manga influences and what inspired him to become a mangaka

talks about the experience of getting his first manga published

talks about what inspired him to write BnHA

has an interesting quote where he talks about the vaguely desperate feeling of “trying one last time”, which was weighing on his mind when he created BnHA, and which also played into Deku’s motivations in the first chapter

mentions All Might as being a character that he’s attached to

talks about his reactions to the anime, the overseas popularity, and the first movie

talks about his heavy involvement in the production of Heroes Rising

talks about designing and creating the bad guys for Heroes Rising

talks about the creation and character design of Hawks and mentions that the original character design was going to have a bird head lol

mentions that Hawks will have a relatively big influence on the story in the future

talks about how the ending of Heroes Rising was his original planned ending for the series

talks about Bakugou’s character development which leads up to that moment

talks about the conclusion of the series, and that all of the characters will come together in the end

interview with all of the past editors of the BnHA manga, March 2021

(note: this is another interview that’s not translated word for word, but summarized. also this interview was with just the editors, not Horikoshi himself.)

they talk about the early reception to the manga, and Horikoshi’s reactions

they talk about the individual moments early on when they realized that the series would be “amazing”

Yoritomi mentions that Horikoshi came up with the designs for most of the Billboard Top 10 pro heroes at the last minute lol

including Hawks (all Horikoshi had decided on prior was that he was going to be “cool” and would be a spy)

everyone praises Horikoshi’s character designs in general

they talk about the start of the anime and that whole process

they mention that Horikoshi cried watching both of the movies

they talk about the overseas popularity of the series

each editor lists their favorite episode of the anime

they talk about Horikoshi sacrificing his original manga ending to be used in Heroes Rising

they talk about that one ending theme song in season 4 that showed the pro heroes’ childhoods, and that Horikoshi had the anime team change Hawks’s to match the backstory he had planned

they talk about the upcoming season 5 and send final messages to the fans

interview in the MHA Drawing Smash Exhibition Pamphlet, April 2021

Horikoshi talks about the art in the exhibition and about the process of creating the artwork

he mentions that the piece with Deku rescuing a falling Ochako took the longest to draw

he says the drawing of All Might was the most fun to draw for him

that’s pretty much it, this one is very short lol

interview in Jump GIGA Spring 2021, April 2021

talks about which characters will play an important role in the final act. specifically mentions Hawks, Ochako, Shouji, Shinsou, Monoma, and Sero

“many characters’ actions will converge into a single one, so maybe the best way to say it would be ‘keep an eye on all of them!’“

says that for Hawks’s flashbacks and the Todoroki family’s past, he was influenced by Sion Sono’s works

mentions that the drawing of Deku and Ochako from the MHA Drawing Smash exhibit isn’t directly related to the main story, but that while drawing it he kept in mind how their relationship would develop if he explored it deeper

says he had the final act (or at least the chapter 306 reveal part of it) vaguely planned for a long time, but started to think about the specifics in volume 21 during the Endeavor vs High-End fight

says he’s already decided on the ending, and that “the path to it has been longer than I initially expected, but the main elements that I’ve decided before starting the series are still the same”

Q&A trivia from Vol. W World Heroes’ Mission, August 2021

(and alternate translation by aitaikimochi)

talks about All Might not having many friends among the pro heroes (but says he’s become “slightly attached” to Aizawa since he started teaching at U.A.)

describes what Bakugou, Tsuyu, and Mineta’s rooms look like

talks about Jirou and Momo’s relationship and the kind of things they like to talk about when they hang out together

says that Shouji’s face will eventually be revealed, and that he is “not sure” about Hagakure’s :’)

talks about the types of YouTube videos Shouto watches (pretty insightful answer which is equal parts sweet and sad)

says that Midnight’s classes were the most popular among the students

says U.A.’s robots once rebelled against their creators (lol wtf)

says his three favorite movies are Akira, The Ring, and Spider-Man: Far From Home. he says Akira in particular is his bible

and that’s it for now, but I will update this post with future interviews as they are posted, and if anyone has links to an interview I’ve missed please let me know.

#horikoshi kouhei #horikoshi kouhei interview #bnha #boku no hero academia #bnha reference #makeste reads bnha

[meichenxi]

Hey, could I ask you how you do shadowing? Like the different ways you do it? You mentioned in your tag that shadowing is good and I'd love to hear how you do it! I do not attempt shadowing much so I don't really know what helps, etc. ToT (my studyblr is rigelmejo)

Hellooo! Thank you for the interesting question!

Tbh I think I do it fairly basically - I don’t use any particularly fancy software, but software like Language Learning with Netflix has certainly made it easier. There’s a whole video on how to get the most of it here: [on mobile, link didn't work - How to study Chinese with Netflix! by Chinese Zero To Hero] (I’d recommend checking out all of their videos actually, they’ve done a bunch of livestreams recently and they place a lot of emphasis on shadowing + the course they are trying to sell you is…actually phenomenally good)

(Also, I have to preface this by saying that I have been very lucky in terms of pronunciation: I learnt about 80% of my current vocabulary by ear without characters or pinyin. I have been in China for eight months in total, and while I didn’t speak Chinese for all of that, I was constantly soaking in info on natural sentence intonation. I still often don’t know officially what the tone of a vocabulary item is, especially if it changes tone like 教, 为 or 相, but I don’t get yelled at so I have definitely internalised a lot of those changes. I definitely would have more trouble with this if I hadn’t had that experience - my other areas are waaaay weaker because of this though- my reading SUCKS lmao and I can literally handwrite about ten characters)

Anyway. How I shadow:

1) Quite simply by playing the line, and repeating it with all the emotion it has!! I usually use Netflix or Viki for this. I try to do it as fast as possible, and if I can’t do the whole thing, I ‘chunk’ it: if I were doing the sentence 我们还不知道他会不会来, I would start from the end with 他会不会来, then 不知道他会不会来, and then the whole sentence. Notice that this isn’t breaking it down into words or even grammatical phrases, but intonational phrases: it would be perfectly sensible to just do 会不会来 without the 他 but realistically, since this is a question, it’s likely that a strong stress will be placed on the first 会, and you wouldn’t be able to replicate that without also included the more weakly stressed syllable before.

2) I locate (intentionally or subconsciously) the main locus of stress within the sentence, and I focus on that accordingly. Tones may become less extreme if they are not stressed, and may become more exaggerated if stressed. This is always a good exercise. I accompany this with physical actions - I throw my hands down, I sigh, I groan!

3) I put away the text, and don’t look at the tones or even my computer screen - more on this below.

4) Finally, when I think I’ve got it reasonably accurate, I’ll record them speaking the line into my phone with an appropriate pause for copying and play it back to myself at various points throughout the day.

5) I then go and find other words with the same tone contour to slot in, and copy it again. After that, I find words that are slightly different tonally and pop them in too.

6) I finally do fun things like hold a conversation with myself. This can be really simple phrases imbued with some kind of emotion - 这个女子到底是谁呀？为什么不认识我？应该是新手吧。You can do this either really informally, or very formally, or both - trying to speak in the latter way is very fun! So then it’d be idk something more like: 那位姑娘是何人，来自何处？This is fun because you can really slow down your speech and sound as elegant as you like!! (this will sound stilted if you do it for modern speech, but it’s a very fun exercise)

Choosing your media!!

1) Don’t use donghuas. Seriously. The voice actors usually speak at a ridiculous pace and not with the same range of ‘normal’ intonation

2) Your Chinese is definitely good enough to recognise when anyone is quoting poetry or speaking in a paricularly sexy literary way so, uh…don’t do that. That rules dramas like Nirvana in Fire OUT.

3) Modern dramas and reality TV shows CAN be great, but they can also be quite intimidatingly quick and almost too mushy at times. I’d recommend informal speech in guzhuang dramas more, because they have professional voice actors and extensive sound editing, meaning that although it might be fast and the vocabulary harder, it’s actually much more accessible and easier to copy. You don’t want to be stuck with the awfulness of 50% failed foreigner and 50% 12 year old boy who can’t enunciate properly!!

4) CHOOSE YOUR WEAPON WISELY. I try to find characters that speak in a dramatic, whiny or childish way. This is so important! There’s literally no use copying Lan Wangji unless you want to be able to have that particular cadence and tone of voice you get reciting poetry. Childish/whiny/dramatic characters on the other hand stress some words very strongly, and rush others together - this is great for hearing what actual real speech sounds like. Whininess wins. In The Untamed, characters like Wei Wuxian (not yllz!wwx but just…regular wwx), 一问三不知 Nie Huaisang, Jin Ling, and Jingyi are all great. Also Jiggy, who is just very extra constantly and speaks much slower as well, which really helps. In SHL characters like Gu Xiang are good.

5) CHOOSE YOUR VOICE WISELY! If you are really aiming to copy them 100% (which you should try at least sometimes), you want somebody with your pitch range to sound normal. I have a sort of party trick in Chinese that because I’ve spent so much time listening to women in guzhuang dramas I can change my voice and sound like a) a scheming concubine with honeyed words, or b) the voice of the Beijing metro. My teacher found it hysterically funny. But it’s not my natural voice, and if I speak like that for too long it hurts. The women usually are too high for me, and the big burly manly men too low - so I’d recommend finding a man with a higher voice, or an older woman (like some of the female characters in Nirvana in Fire). Again, sorry that this is mostly the Untamed (I’m just most familiar with it) but the voice actors for Wei Wuxian and some of the juniors (+jiggy) has a higher voice. Likewise Chengling in Word of Honour.

On intonation in general:

- The thing is that whilst shadowing is useful it requires prior ability in a whole bunch of other skills that you can train - it relies on your ability to accurately mimic pitch, emotion and other contrasts. Training this in ANY language, including your native one, will help your ability to do this in Chinese - so I’d recommend spending a fair amount of time practicing shadowing (or speaking just after somebody whilst listening to a string of text, like monolingual simultaneous interpreting) in your native language too. Any training copying accents or mimicking other people is going to similarly help, regardless of the language.

So, with that in mind, further tips:

1) Hum / try to copy the intonation without any words. What this does is force you to pay attention to what the intonation actually is, versus what you may think it should be.

2) Don’t look at the text! Do! Not! Look! At! The! Text! If you look at the characters or pinyin you’re telling yourself ‘ok this is a third tone here’ etc, but you want to override the part of your brain that has gotten into bad habits and is supremely self-confident in how you’re pronouncing the third tone, and actually just go straight back to mimicking.

3) Don’t be afraid to do it with vocabulary that is way beyond your level. Actually, I find this can sometimes be helpful, because you don’t have a prior idea about how a particular tone pair should be useful - and you don’t know which tone you should be producing.

4) Learn vocabulary by ear - listen to a vocab podcast or even make one yourself (I often do this; I record my daily Anki and listen back to it through headphones copying throughout the day - if you’re not confident in your pronunciation you can get Google Translate to do it). Similarly, pick unknown vocabulary out of a longer segment and remember it, trying to internalise the tones instead of figuring out which tone it is.

5) Find emotional sentences, and copy them with emotion. This is SO CRUCIAL!!! We remember things when we relate to them, and when we imbue them with emotion - and it also helps in hearing exactly how an angry second tone sounds, for instance.

6) When you’re copying, look up, and imagine you are having an actual conversation. Carry yourself with conviction and poise!! Really try to whine like wwx or slime like jgy. After a couple of turns copying them, try to turn off the audio and keep delivering it in the same manner.

7) Swap individual words out. Once you have a line properly figured out, swap a word or two that has a different tone pair, and focus on delivering it with the same pattern of stress.

8) Finally, practice doing this in your native language too!! It’s a skill that we don’t use often, and it can be trained. Some people are terrible at it at first go even in their native language, but you can work on it!

About intonation in general:

1) I think a lot of pronunciation problems with people sounding unnatural or stiff ultimately come down to a fundamental misunderstanding of what intonation looks like across different languages. In English we mark it by pitch: and we are so used to the rhetoric that Chinese has ‘tone’ and not ‘intonation’ that we try and focus on blindly copying every single word textbook perfect without listening to how it actually sounds.

2) Chinese does have intonation!!! Except that, unlike English, when you stress a word, the pitch doesn’t change, but the tone contour is exaggerated - basically the only time you will ever hear a full third tone is in isolated or very exaggerated speech. If you have a Chinese friend, get them to record a sentence like the English ‘I didn’t ask her to steal his rucksack’, and put stress on the different elements of it - I didn’t ask, I didn’t ask, I didn’t ask, and so on. Notice and copy how the tones change. When shadowing, you should always be paying attention to where the stress is in the sentence: when you speak by yourself, practicing saying a sentence neutrally, and then with stress on one component, the next, and so on. If it feels unnatural, it’s because you might not have practicised like this before - it’ll get better!

Hope that’s somewhat helpful / interesting!

- 梅晨曦

#chinese #chinese langblr #langblr #chinese studyblr #studyblr #learn chinese #study chinese #chinese vocab #lingblr #askies

[chibimyumi]

Redesign Prompt RESULTS!

Alright, thank you everyone who has voted, the results are now in! Overwhelmingly our winner is Ranmao 🐈!

First of all, I need to insert a few caveats here. Unlike with Victorian fashion, I do not have years and years of studying of Qing dynasty-fashion behind me. So whatever results I show here are the product of a fortnight of reading up and meticulous studying of contemporary photographs. a.k.a. I am merely scraping the surface here. But! I do promise that everything shown here is done to the best of my ability to be responsible as a content provider.

Now without further ado, let us dive into Ranmao’s current design, the blatantly obvious inaccuracies, and how I propose to redes...ign... her outfit while keeping the original intact as much.... as possible????  Heck, this is not even worthy of being called a ‘redesign’, this is straight up designing from scratch!

Hair

Let us start with her bangs. Her bangs are in fact surprisingly accurate, as late Qing dynasty women would wear their bangs in a variety of Bettie bangs trimmed well above the eyebrows. Having sides of the bangs growing longer framing the face was usual too, though they would be cut slightly thicker than Ranmao’s. Though, we don’t know how much hair Ranmao has, so I see no reason to alter it.

Twin braids are very much associated with the “China doll look”, but they seem to have been branded into our image of the “Chinese Girl” because it was the go-to look for unmarried women in Republic China (which is many years later than Ranmao’s time, and also has more surviving images.)

In Ranmao’s time, unmarried girls would either wear the bottom part of their hair down, or have everything tied into a single braid behind them. Girls who preferred a more feminine look would often decorate the sides or the top with flowers or other ornaments depending on their wealth.

Yana’s notes say that the flower in Ranmao’s hair is a Chinese peony, which is also called the Empress of Flowers in Chinese as well as Japanese culture. I could find sources on how the peony was the symbol of the Empress of China, and how one better avoid wearing any type of peonies around the Empress herself for fear of being suspected of disrespect. But I could not find any evidence of such flowers being banned for other people, so presumably it was more an ‘unwritten code of politeness’ rather than fashion law.

Hence, I kept the pink peony design for Ranmao, and decorated them in the way Qing women would have.

Neckline

By far the most interesting thing I learned from this redesign attempt was that the “mandarin collar” - the thing that pops up first in most people’s minds when thinking about Chinese fashion - was in fact not at all common.

In this academic work on Chinese fashion history, Finnane writes that the ‘high collar’ was “not a common feature of costume before the twentieth century.” Instead, most costumes would have had a round neckline.

Finnane, Antonia. Changing Clothes in China : Fashion, History, Nation. New York: Columbia University Press, 2008. p. 93

The ‘high collar’ gained popularity in early 1900s in China after the Europeans brought with them the beauty standard for high collars, as well as slim-fitted silhouettes. The Chinese increasingly adopted this type of collar and the slim silhouette (the well known ‘china dress/qipao/cheongsam’), and the relatively many early photos that survived helped engrave this stereotype into our minds.

Sleeves

I do not think it requires any mention, but 19th century Chinese fashion did not include boleros... For many of the original designs of Ranmao I can sort of see where Yana got that image from, but this bolero-look truly beats me.

The sleeves worn in the late Qing period were relatively wide, though they were starting to slim down over time. Late Qing women enjoyed much more flexible clothing rules than earlier Qing women, and the width of the sleeves was in great part determined by personal preference, season, but mostly one’s wealth.

Needless to say, the larger the sleeves the more fabric and embroidery it would require, and thus more expensive. Also, the wider the more it would get into the wearer’s way.

I don’t know how much thought Yana put into Ranmao’s original design in relation to her function as elite bodyguard, but considering how the original has zero practicality and only serves to maximise Ranmao’s attractiveness, I have no qualms about giving Ranmao fairly large sleeves too. Besides, let us assume that Lau is responsible for providing Ranmao with clothes. Illegal money tends to fill the pockets quite deeply, I don’t think he can’t spare a few pounds for big sleeves.

Wider sleeves would expose much of ‘a lady’s precious skin’, as such a more fitted layer would have been worn underneath. (The sleeves under the wider sleeves obviously did not have to be orange-ish. This was merely coincidence that both my redesign and the visual source have this colour.)

Silhouette

The figure hugging silhouette x Chinese clothes was - as mentioned above - not at all a thing in Ranmao’s time. In fact, the accentuation of the “female curves” was considered very inappropriate if not downright ugly in the Qing dynasty.

Finnane, Antonia. Changing Clothes in China : Fashion, History, Nation. New York: Columbia University Press, 2008. p. 94

Yana’s notes mention that the thing Ranmao wears is just an European corset and that that is the only thing ‘English’ about her attire.

Well... I don’t know where the idea that Victorians wore corsets on the outside comes from, but I myself admittedly was fooled by this a few years ago too... I promise you all now however, Victorians decidedly did not wear their ‘bras’ on the outside. I think even now this look is considered rather ‘questionable’ by most people.

Instead, Qing dynasty clothes were mostly cut wide and straight, loosely dangling around their bodies offering maximum comfort and space. You feared Ranmao killing you in her corset? Now tremble before her now blessed with maximised agility.

Trousers

Well... I considered ‘translating’ Ranmao’s attire to 2020 standard like I did for O!Ciel, but that would not be Tumblr-filter approved. Skirts so short they could be mistaken for a belt are nothing too surprising today, but wearing one with a split that deep is probably a bit too revealing even by today’s standards.

By the late Qing dynasty, men and women, rich and poor alike predominantly wore trousers. Long robes (skirts) were definitely in fashion too, but they were reserved for those who could afford to not have much agility. If you were a farmer, robes would not have been your first option. Perhaps the way long skirts were viewed by the Qing Chinese was not unlike the way we see them now; ‘more classy’ ‘more feminine’ and ‘less convenient’, but not the only way to express femininity.

In these pictures below we can see relatively rich women, married and unmarried alike, all wearing trousers.

Ranmao is predominantly a fighter, and as trousers are plenty feminine in Chinese fashion culture, I don’t see why she would not choose to wear trousers instead of a restricting long skirt. Hence I gave her a pair of trousers.

Shoes

Like I said before, “the shoes are correct...” But the anklets definitely are not!

Golden or silver anklets are something that are worn by very, VERY young children in China. Even to this day it is customary among many Chinese people to gift newborn children at least one piece of pendant, bracelet or anklet, for it is believed to bring the child luck. More practically, this piece of jewellery will become the child’s first piece of property then, which can be sold later SHOULD they ever run into a financially difficult situation.

These anklets or bracelets would not be removed from the child unless they have outgrown them, which happens fairly quick. Ranmao who is probably full grown should have outgrown them at least ten years ago. Hence, seeing these things on Ranmao would probably make it look like she is still wearing diapers or bibs.

Chinese people would likewise not have worn shoes barefoot. Instead, they would have worn cotton socks which were mostly white.

DOUBLE HAMMERS

HERE COME THE WEAPONS! Luckily Yana wrote the following note or I would never have guessed what they are for my knowledge about Chinese weapons is next to nothing.

“These are【SUPER】heavy. They are weapons called 双錘 (double hammers) and they in fact exist. I heard these were used by power-type warriors.”

So, I googled 双錘 and it turns out that the type Ranmao is holding do indeed exist! But... only in fiction and theatre.

The hammers that were used in actual combat were either very thin and long, or short and plump. Such hammers were one of the most primitive metal weapons in China, and quickly fell out of favour among Chinese warriors when more practical weapons such as the metal spear, sword and bows were invented. The hammers mostly retained their value because of their weight in heroic tales and myths about legendary warriors and deities.

I don’t have the full details, but apparently according to some legends or myths, one of such big-ass hammers could deal a force of 200kg, and thus 400kg combined. Regardless of this being realistic or not, it sure does sound very cool! It is therefore no wonder this primitive weapon retains its popularity even today.

Nowadays when these hammers are used, they are either the blown up theatrical versions, or the smaller versions for the sake of preserving martial arts.

I had a bit of a dilemma as to which version to give Ranmao, but in the end I settled with the short and heavy ones because I wanted to keep the idea of this small and innocent looking girl wielding solid metal balls. Two cheer-leading sticks would simply not have the same weight, figuratively and literally.

Alright everyone! Did you enjoy my response to your votes? I hope you did ^^ Non-European fashion history really is not my strong suit, so my deepest apologies if I messed anything up.

Pray tell if I did, I am always happy to learn ^^

#Ran mao #ranmao #ran-mao #redesign #redesign prompt #art #my art #fan art #fanart #fan-art #Chinese clothes #UGGHGHHGHG non-European fashion REALLY is not my strong suit #BUT I learned a lot and I had fun!

[guzhuangheaven]

Which cdramas would you rate as having the best/most accurate costumes you have ever seen? And are also historically accurate in terms of culture and history?

We always dance around answering this question, because it is impossible (for us) to answer. For two reasons.

1) There is no such thing as historical accuracy in dramas

You can never know everything that is needed to know about how people lived, dressed, styled their hair etc. in ye olden times unless you are a time traveller who has actually lived in those times. Historical records, extant garments, paintings, drawings, statues etc. can give you an idea of what people dressed like/lived like at the time, but historical records are fickle. They do not necessarily reflect the lives of everyone in society and often can be imperfectly preserved, leading to gaps in the knowledge we can have today. Because of this, any dramas that claim to be 100% historically accurate in terms of their costume/make up/whatever is lying because that is impossible.

What dramas can do, however, is do extensive research on the cuts and materials of clothes/jewellery/make up people used at the time and try their best to recreate them with the materials available to us now. Even then, dramas, for the sake of aesthetics, will often take creative liberties, for example using chemical dyes that make clothes in colours that was probably very hard/impossible to get, or not available to that person in that social class, at that time.  

All this is to say, I personally don’t usually scrutinise dramas for “historical accuracy” in their costumes, unless the drama is so bad that I can’t concentrate on the story and that’s what I turn to nitpicking to give myself a reason to keep watching. At the same time, I will forgive A LOT of costuming sins if the drama keeps me engaged with its story. Examples of this include Oh My General with its OBNOXIOUS use of colours and The Mischievous Princess with I don’t even know what to call this travesty they call costuming Ming dynasty.

However, this does not mean that dramas can’t try to be historically accurate, of course. To me, dramas that succeed in this area makes it clear that they have done research and consulted extant garments/historical sources to make their costumes look like it could reasonably have existed in the time the story it is set in.

I guess I will talk about Ruyi and Yanxi because I just know someone will ask us about it again eventually, despite the fact that we have sort of tried to avoid answering the question of whether Ruyi or Yanxi is more historically accurate the last time we were asked.

Here’s our very inexpert, very limited opinion, based on extremely limited research, on this question: both Ruyi and Yanxi clearly consulted extant garments/accessories of the Qing dynasty, and tried to recreate them in different ways.

There is evidence that Ruyi based many of their costumes on extant garments. We have a post about it, even though we do strongly suspect these extant garments were from the wrong time, i.e. they are late Qing circa 19th century, purely because they still exist at all, rather than the early Qing period of Qianlong. Yanxi also based its costuming on extant historical artifacts, including the use of the yunjian collar and the velvet flower hair accessories, which can be seen in paintings of women from around that time.

And then there is this headdress which Er Qing wears to her wedding, which has photographic evidence that it existed, but then the time of photography is clearly not the time of Qianlong.

However, the point we’re trying to make is that, because the Qing dynasty stretched 300 years, it is highly likely that both of these dramas did their research, then cherry picked the aspects of clothes and hair from different times of the Qing dynasty that suited their drama’s aesthetics. Does that make them historically inaccurate? Well, that depends on what level of accuracy you are after. But realistically, to expect them all to dress like it was really Qianlong’s time is likely almost impossible, not to mention would require the costumes to change, as both dramas spanned like 30 years.

Also, even when you can tell the drama did consult extant garments and artifacts, they can still fail in the making of the costume. Case in point, Danshu’s pheasant robe is very polyester and has printed “embroidery”, even though it was set in the actual Song dynasty when they would have worn this garment. 

Compare that to Royal Nirvana, which was set in a fictional dynasty (based on Song), but managed to pull a pheasant robe that looked a thousand times better because it was actually embroidered.

Here’s a more important reason why we often don’t want to answer questions about what dramas are historically accurate:

2) We don’t know.  

Can I just stress again that we are not historians of Chinese period clothing, history, anything? We’re not even Chinese and can’t even read Chinese. Any random “knowledge” we put on here is result of years of accumulation from watching dramas (so take everything we say with a fistful of salt) and yes, sometimes research, but in the sense of we google things. We also have to translate things on google translate, which admittedly is a little better these days especially from Chinese to Vietnamese, but still highly inaccurate sometimes. Sometimes we have sources that has been translated into Vietnamese or English, but whether that’s accurate is dependent on whether the source is accurate and whether the translation is accurate. tl;dr: don’t believe everything we say and don’t look to us for…you know, authority.

And on that note, regarding your other asks, unfortunately we don’t think we can answer them, simply because if you haven’t found the answer you want by Googling, it’s very unlikely that we can do better. Our series of post on Qing dynasty costumes exists because the popularity of Legend of Ruyi meant that this information was available in Vietnamese, and we just did a couple of steps to make sure the information was reasonably believable by looking up the Chinese sources and putting them through translation bots. We would not have been able to do all of this research from scratch. 

ALL THAT BEING SAID, here’s some links of relevant posts on @ziseviolets tumblr, which maybe I should just have directed you there from the beginning:

Hanfu in television dramas

Recs for historically/stylistically accurate Chinese drama

- h

#ask #legend of ruyi #the story of yanxi palace #serenade of peaceful joy #royal nirvana #qing dynasty #yanxioutfits #ruyicostumes #song dynasty #theitgirlblog #tldr don't ask us about historical accuracy #we don't know and often don't really care #historical accuracy #guzhuang 101

[alatismeni-theitsa]

Hi! Hope you're doing well <3 I been reading some of your posts about LO and Greek culture in general! And as a non-greek I think your culture is amazing and it should be respected as any other culture, so, I had this question a little while ago

I made a couple of characters based on greek myth creatures, and I kinda had a story for them in an ancient greek inspired world (highly inspired tbh, I think it might take place in an ancient greek ambience as well), but now I think that might be insensitive (?) I don't know how to express it, but I just want to know, would it be ok if I continue with that idea or should I scratch it?

TIIIME TO FINALLY ANSWER THIS

I am really sorry for the long wait! I was trying to think how to answer this properly and also mustering the energy for it xD I will pin it so you can find it more easily, if you come back to the blog.

For starters, you can write whatever you wish. I am hesitant to say to people “you can't write this and that” because it might make people feel estranged and uncomfortable and I believe that distance serves no real purpose. Yes, it’s likely that a xenos won’t be making the story VERY culturally accurate but if the story is 30% culturally accurate as opposed to barely 5% which we see in the popular media today, then it’s still a win. Not to mention that Greeks themselves are not 100% culturally accurate most of the time in their Greek mythology stories. This happens because 1) Americanization has hit us hard 2) They write them just for fun without bothering to research much. We are also lucky if we have a 30% accuracy in our texts most of the time.

(I love percentages if you can’t tell 😂)

You might have figured out I have the tag #writing (and perhaps also #writing advice ??) where I answer these type of questions, so visiting it might help! I'm not gonna tell you if you can write it or not - you can write whatever you like - but I would advise you to treat the Greek culture like any other real or fictional culture. Do a proper “worldbuilding”, let’s say.

THE CREATURES

As you know, some are more serious and some are more playful. They don’t easily “switch” from their behaviors so it’s best to keep a serious creature serious and a playful creature playful throughout most of the story. Some reading is needed, to figure out how the ancient Greeks saw those creatures. Because assumptions are usually not helpful. If we have no clues about their behavior, that’s free real estate I guess 😂

Now, if you are going for the “almost like Greek culture but not quite” thing, that still needs similar studying. You need to know where you are basing those creatures and how they see their world - or how the world sees them. And what elements make sense to change.

You can still not base the characters nowhere and just have a gal with snakes in her head. You can do that xD However, if you like to be more in touch with the culture you need to use some context and the “ambience” you talked about. It’s another thing to say “this gal has snakes on her head“ and another to say “this is THE Medusa“.

Some Greek culture needs to shine through. I mean, it would be great if it could shine though in general, so your references and basis to Greek mythology are better. It would be safe to assume the ancient folklore creatures have some Greek culture in them since they have Greek names, they have been written in Greek stories behaving according to the Greek societal rules and ethics, and generally being symbols in Greece until our days. And your story is about Greek mythology, so you want to emphasize the Greek aspects of your heroes and world.

THE ANCIENT GREEK INSPIRED WORLD

I don't know what research you’ve done so far but I will begin from the basics anyways. Ancient Greek ambience, as you can probably guess, is not “chitons, wine, vines and white pillars” 😂 The ambience specifically doesn’t come from the aesthetics but from the feel of it - the food, the customs, the symbols, the dances, the language interjections, the behaviors and values. Parts of the culture are also how is reverence and modesty are expressed, what makes someone present “manly“ or “feminine”. So, it’s gonna take some research.

People usually write some of the aesthetic and think they are covered, even though their worldbuilding is bad, precisely because they have only presented the very top of the iceberg. No food, no dances, no certain behaviors, nothing. You could say they are “soulless Disney remakes”. 😂 You can also do that, but you need to know how it will come out. It might be quite bland and, if I am not mistaken, you said you want to avoid that. (And I think most of Greeks would tell you that they don’t mind a Greek “soulless” remake but it would be super extra great if you put cultural elements in).

Ok, I don’t mean make it like an encyclopedia, but presenting some stuff from the culture is how you get the ambience. You might as well take a writing advice list for worlbuilding stuff you must have and see which ones you can find irl from the Greek culture.

Important! Remember that nearby cultures affect each other, so if you change one element from the Greek culture it’s likely it has to be changed in other cultures next to your area. If wearing green makes you manly in Imaginary Greece, it will also make you manly in Imaginary Turkey and Imaginary Bulgaria, let’s say. (there is no “ancient Turkey” or “ancient Bulgaria” as countries - and depending on the era, “ancient Greece” is also not a thing - but you get my point xD)

For the interpersonal relationships/interactions, you can read some ancient translated texts presenting daily life situations of the ancient Greeks (start from Googling stuff, I really don’t have sources for that xD). It’s very likely that the ancient sources won’t give you a very defined feel (try it anyways, if you like). Therefore, I suggest you see interactions of modern Greek people.

Worry not! YouTube - through me xD - has you covered! Searching the tags #greek tv #greek youtuber #greek podcast and #video. On youtube you can even find vlogs of people visiting Greece and see interactions with the locals. (If you have trouble finding them, you can send me another ask).

Similarly, it might take months to find all the Greek language interjections so you can go for modern ones. Besides, many interjections like “popoo“ are ancient. Besides, if you are not making a very “serious” story, the modern touches might help it feel more in touch with the present.

Surely, people are people everywhere and humans between countries share cultural traits, but there are some slightly more predominant stuff depending on the culture. Cultures close to each other share more traits, so, if you can’t find any Greeks around, you might be able to find our neighbors. Middle Eastern, north African, or south European people (and Hispanic/Latino Americans!) around might help to understand the dynamics between friends and family members. If you already belong to some of those cultures, congrats, you have most of the formula figured out!

I gave so much space to the interpersonal relationships because that’s gonna give you an idea where the line of “respect” is. Surely, the ancient interpersonal relationships won’t be like the modern American ones  😂 There is no way a student goes to Chiron being like “hey, man, how you doin?” Knowing how Greek teachers were, as late as the 20th century, that’s gonna earn him a slap 😂

Another thing: saying “Good morning” and “good afternoon / goodnight” when you first and last see people in the day is VERY important and the best social practice! You won’t be considered rude if you don’t say them but in a slightly formal and especially professional environment, better use them. (Other modern Europeans also consider this a good practice.)

The most ancient greeting of Greeks is “be happy” (χάιρε / χαίρετε) but health is also very important and is another old greeting. Xάιρετε is more formal in our days and Γεια/Γεια σας ("have good health”) is the most used formal and informal one. Seeing how people wish health in the middle east, it might be that the Health thing has been here for centuries. Also, if you break something or something bad happens to you, we say “health” because having your health is more important than anything else.

Fun fact, “Charon“ (Χάρων) probably means “the happy one” :P It has the same root with (χάιρε / χαίρετε).

Many other social cues can be found in the tags I mentioned, but you can send me an ask if you need to know something more specific!

As for the food, you can find ancient recipes and even use modern ones (which are usually with the same ingredients). Same goes for dances and symbols. You can google stuff about them, go on Google Scholar and search there, as well. (Also, google pages where you can download those papers for free ;) ) Please do some cross examination to make sure that this element indeed exists and it’s not just one person pulling it our of their a**. 😂

If you can’t find info, you can lean on modern symbols and dances. The dances are similar through the centuries anyways. No one is going to come for you if you say you based an element on a modern Greek thing bc the ancient one was impossible to find with the resources available to you.

I don’t have many more things to add on these cultural elements because I already have tags for the modern ones. #greek cuisine #melomakarona #greek dance #greek custom #greek tradition  etc.

And, last but not least, research the weather!! I can't stress this enough 😩 We are not a desert and we are not the Tropics. If your weather is similar to the Greek one, then your creatures most likely will need some serious covering in Autumn and Winter 😂

All in all, it’s certainly not a piece of cake to write about other countries and cultures but, if they are open to let you in, you can learn stuff and do your best depicting them. It might not be perfect (and no work is actually perfect) but it would be a step to the right direction and might encourage more writers to do the same - instead of throwing some chitons in and calling it a day xD

If you have any other questions feel free to send me another message (dm or ask). You - or anyone else - REALLY WON’T BOTHER ME if you ask me many questions on my DMs or here.

#writing #answered #retelling #greek myhtology #excuse my tags i am just making this post easier to find #writing advice

[curiosityunsated]

In Pursuit of the Scholarly

Triggers: Racism against elves. If there’s anything else you feel should be mentioned, please let me know. No violence included.

Not beta read, cross posted on AO3. Also, I have no idea of the Sindarin here is accurate- I used a translator I found on Google. Don’t @ me.

——

Prince Kíli, second in line for the throne of Erebor, was incandescently angry.

The Council sat and watched, though most did not really listen, as the Prince railed at them and yelled counter arguments and indignity. Most of the council, save for a very select few outside of the presence of the royal family, were not swayed by the show of temper. Some, in fact, looked rather smug (though those were typically not well liked in the Lonely Mountain).

The King, the King’s Consort, the Princess Royal, Prince Fíli, and Her Ladyship Tauriel sat in tense silence as their kinsman slowly ran out of steam. Tirade ended, he stared at the Council and waited.

Kern, who had held his seat on the Council even prior to the Desolation, was barely able to swallow his smirk before he responded.

“Be that as it may, Your Highness, Khuzdul is our sacred language, and it must be... protected. It is... understandable,” it looked as though the word hurt to say, “that you would wish to share it with your wife. But I’m afraid that we cannot agree with your insistence to allow Princess Thiliriel to take Khuzdul lessons.”

The young father bristled, and for a brief moment the Council braced for another round of ire. But it wasn’t the Prince Kíli who spoke, but Prince Fíli.

“Surely you see how difficult it would be to keep Thiliriel from learning Khuzdul completely, my Lords, as she lives in a Dwarven city. Some would say restricting her education in this way was born of ill will directed at the race of her forebears.” He pointed out, politely. Kern’s eyes narrowed.

“We can’t control the opinions of the uninformed, your highness,” he allowed, “and it is understood that there has been, and will be, some unfortunate transference. But perhaps this may be managed if the Royal Family would consider limiting their use of Khuzdul while in the company of the young Princess?” His polite tone matched Fíli’s syllable for syllable.

The Royal Family, save Lady Tauriel, stiffened as one. Prince Fíli’s eyes glinted at the response.

“We are approaching the Noonday bell. Perhaps this is a matter best settled another time.” Balin tried to intervene, and another dwarf would have accepted it for the diffusion that it was. The majority of the Council was prepared to do so, had Kern not spoken.

“I believe we’ve made our decision clear, Lord Balin, but thank you for the reminder. A pleasant day, my Lords.”

And an infuriated Prince Kíli was storming out of the chamber after Kern’s final words, gently tugging Lady Tauriel with him, even before the King had officially ended the meeting.

——

It started with Prince Fíli. This, perhaps, should not have surprised the Council as it had.

The Prince had been spotted, overheard really, in a training ring with the young Princess. That itself wasn’t unusual; the heir had made it routine to ‘train’ with his niece a few times a week, and nearly all the dwarrow who frequented the upper training halls had seen the two playing rambunctiously under guise of hand to hand combat. If this time usually came just before the Princess’ bedtime, well, no one could say Prince Fíli wasn’t efficient.

As far as the Council could gather, the incident happened just before the Royals had left for the evening. The Prince had been crouched on the ground, beckoning the little one forward and playfully taunting her. She had responded in kind, rushing at her uncle and jumping at him with a battle cry that, according to multiple reports, was very cute. He had taken her momentum and propelled himself backwards, landing flat on his back. And then, he had exclaimed:

“Cin got nin! Im’m dad!”

Apparently no one had clearly heard what the little one had said, but the Prince had smiled and kissed her forehead, replying:

“Cin did eithel, lend emel.”

Of course the Prince knew multiple dialects of elvish- the entire royal family did- but only so that they could interact with Elvish representatives without fear of coercion! It was unheard of for it to be spoken so- so- familiarly within an everyday setting! Especially in a Dwarven stronghold such as Erebor! Even Lady Tauriel chose to speak mostly Westron in the presence of the mountain’s public eye. It had left the Council feeling slightly wrong-footed, but perhaps it had been a one-time occurrence. A bit of practice, perhaps, so the Prince wouldn’t get rusty.

It was not a one-time occurrence. Only days later, King Consort Baggins was overheard in the library casually reading aloud to Princess Thiliriel in Sindarin... though the book itself was Westron! The Head Librarian hadn’t even asked him to lower his voice- though as the Head Librarian was the young Ori, son of Lori, that wasn’t surprising in the least. The former Company of Thorin Oakenshield was very close, even now.

Lord Ori had even pointed out a few words and asked for the translation in his own book, an act which garnered stares of its own.

The next day, Prince Kíli and Lady Tauriel gathered stares of their own as they strolled through the market, Princess Thiliriel between them, speaking exclusively in Sindarin! In the middle of the Marketplace! At one point, one scout reported, the Prince had swung his daughter around in his arms, exclaiming something in the lyrical language he hadn’t understood. It must have been humorous, though, because both Mother and Daughter had burst into giggles.

But the final straw, really, had happened in the Council’s very chambers during a meeting. Princess Dís, during a moment between agenda topics, had turned to her brother and quite clearly addressed him in Sindarin. And the King, with no hesitation, replied in Sindarin.

The entire room went silent, and many stared. Only Prince Fíli and Lord Balin continued perusing the paperwork for the next order of business as though nothing was amiss.

“Is everything alright, My Lords?” The King asked dryly, noticing the attention.

“It is just... well, you see...” Lord Tírn stumbled as the King turned his attention to him, and Kern interrupted.

“It isn’t like you to speak Elvish when there aren’t any Elves around, Your Majesty.” He interjected, and Thorin raised an eyebrow coldly.

“And you would know me well enough to make such an observation?” The Council watched as Kern blanched and then flushed.

“We’ve been hearing quite a lot of Elvish around the Mountain these days, Your Majesty.” He didn’t answer The King’s pointed question.

“Sindarin, Lord Kern. Not ‘Elvish’. There are multiple dialects. And since my granddaughter has been forbidden from learning her Father’s sacred tongue, we have decided to use her Mother’s instead.” Princess Dís replied, and if Thorin was cold then his sister’s tone was frozen solid. The Council felt a rush of fear run down their spines.

“Yes. In fact, I’ve been considering asking Prince Legolas to visit soon- Lady Tauriel is both a working ‘dam and a mother, and I don’t want to take more of her time but there are a few grammar questions I have that Lord Bilbo can’t seem to explain.” The Prince’s tone could be described as bland, even self-musing, but the flash of steel in his eye as he glanced at Kern.

“I- I suppose it would be good for our relations with Mirkwood for the Prince to visit-“ the Councillor tried, and was interrupted.

“Perhaps we should revisit the idea of an Elvish Ambassadorship, as a permanent position in the Court.” The King stated, and Kern turned an ugly puce color.

“Elves living in Erebor!?” He erupted, evidently at the end of his rope.

“My Brother’s Wife is an Elf. I would be very careful how you finish that thought, Lord Kern.” Prince Fíli said lowly, and unsheathed a knife to spin, point down, on the table with pointed intent.

“My granddaughter is part Elf. I will not hear any protest about her kin coming to stay, Councillor. Especially if you hope to keep your seat.” Princess Dís did not need to produce a weapon to aid her threat.

“I meant no disrespect, your Highnesses. I humbly apologize.”

“It seems to me, Lord Kern,” the King began, “that you have invited disrespect with your words and your conduct. Barring my grand niece from learning her Maker’s tongue- don’t look at me like that, I know who’s voice persuaded the rest of Council against it- and now making remarks of such disgust against the lineage of an heir of the line of Durin?” King Thorin trailed off, hard stare never wavering.

Kern, who had already been thrown off kilter by the Royal Family’s seemingly overnight adoption of Sindarin, floundered under such a direct accusal.

“I- Your Majesty, never-“

“In fact,” the King continued, and the Council watched the two with bated breath, “I have been in talks with some of our oldest, most practiced curates and they all agree. The right to learn Khuzdul is a matter of religion, not of politics.”

Kern turned that fetching shade of puce again.

“So while it remains a matter of courtesy for Prince Kíli and Lady Tauriel to inform the assembled Council of their plans for Princess Thiliriel’s education, they are in no way obliged to do more than consider the Council’s opinions on this particular aspect.” The King finished, and it was Princess Dís’ turn to smirk as she, and the rest of the Council, watched the pompous windbag known as Kern to puff up, process, deflate, and stiffly nod.

“Thank you, your Majesty, for reminding the Council of the boundaries of our reach. I am... sure this will not be forgotten.” The words came as easily as blood from a rock, and Kern ground his teeth as though trying to break ore from stone as he spoke.

“Oh, and Lord Kern?” King Thorin said, already looking at the papers for the next topic, and not sparing a glance for the Council.

“Yes, your Majesty?”

“I’d like for you to tell his Highness and Lady Tauriel the good news. Directly after the Council Meeting concludes. We wouldn’t want to delay the Princess’ education any longer.”

Fíli’s smile could only be described as wolfishly sharp, and he clearly inherited it from his mother.

——

Elvish translations:

Cin got nin! Im’m dad! : you got me! I’m down!

Cin did eithel, lend emel. : You did well, sweet heart.

#the hobbit #fili #kili #bilbo baggins #fanfic #thorin oakenshield #Dís #original child character #Kiliel #injustice #elvish racism

[esperata]

Writer’s Tag

Thank you @fandom-star for the tag. I haven't done one of these in ages.

How many works do you have on AO3?

331

100 - DC 185 - Star Trek 30 - Marvel 5 - Pacific Rim 6 - Super Mario 1 - Resident Evil Village 1 - IT (Stephen King) 1 - Sherlock Holmes 2 - diary style entries

What’s your total AO3 word count?

1,191,365

What are your top 5 fics by kudos?

"That's Amore" (MCU) : 898

"Plans And Propositions" (MCU) : 587

"Wait... Was That A Date?!" (MCU) : 484

"Vita Bella" (MCU) : 407

"Five Times + 1" (Star Trek) : 406

Do you respond to comments, why or why not?

Yes. I like to acknowledge people who have taken the time to react to my writing. Not only that but talking about the fandoms can be really inspiring, giving me ideas for new stories. Not to mention forging new friendships with people along the way.

What’s the fic you’ve written with the angstiest ending?

"From Bad to Worse" (Star Trek)

What’s the fic you’ve written with the happiest ending

I have written a lot of fluffy fics so this is hard to choose but let’s pick “For Better Or Worse” (Gotham) 

Do you write crossovers? If so, What is the craziest one you’ve ever written?

I don't usually do crossovers but one I felt compelled to make was "Olduvai", a Star Trek/Doom crossover.

Have you ever received hate on a fic?

I once had a troll comment on a drabble series on ff.net with a mixture of bizarrely stupid and juvenile insults. I ignored them until they tried the same thing on my friend’s fics and then I let them have it.

Do you write smut? If so what kind?

I’m not a huge writer of smut, generally using it to further a plot but occasionally indulging for fun. I’m really not sure what kind it is except consensual and honest.

Have you ever had a fic stolen?

Not that I’m aware of.

Have you ever had a fic translated?

Several times 😊 One reader translated a selection of my drabbles into Spanish and “Olduvai”  and “My Beloved Monster” (Batman movies 1989-1997) were translated into Russian.

Have you ever co-written a fic before?

There are a few co-authored works on my AO3 page. They range in contribution level from me writing just a paragraph to the bulk of the fic. The most cooperative project was a series where my friend and I took turns adding stories.

What’s your all-time favourite ship?

I have to say riddlebird. There’s just so much versatility with the various versions and a core foundation their relationship is built upon.

What’s a WIP that you want to finish but don’t think you ever will?

I feel like my paranormal hattercrow / riddlebird fic has been languishing, doomed to remain incomplete forever. I like the concept, and I have a few plot points, but ultimately I don’t know where the story is going.

What are your writing strengths?

Character driven plots. I think that the arcs my characters go on are believable for their personality traits.

What are your writing weaknesses?

Scene setting. I am reliant on my audience already having visuals in mind for locations and appearances.

What are your thoughts on writing dialogue in other languages in a fic?

Generally should be kept to a minimum and only used as necessary. It is awkward scrolling to find translations in notes and worse if there’s no translation provided at all. Do not rely on google translate but have an actual human confirm the translation is accurate. 

What was the first fandom you wrote for?

That would have been a kid's TV programme from the 80s, 90s, called Knightmare. For a first work it was quite long, 26k+

What’s your favourite fic you’ve written?

Another difficult one to answer so I’m going to pick three.

“Pax Penguina” (Gotham)

“Innocent Until Proven Guilty” (Gotham)

“Word Don’t Come Easy” (Gotham)

I’m going to tag just a couple of people in case they’d like to do this, @thedreammweaver @mordredllewelynjones @connerluthorkent @chierei and @thesoullessfuck

#writing #tag game

[xiyao-feels]

new tu and xiyao fan from earlier. i searched ao3 as per your suggestion and there's only 500 or so fics for them. :( however, i do have a legit question - what are the differences between mdzs and tu (i've never read the latter). and if you want expand on nieyao (or xiyao) please feel free! i love reading meta! one of the few reasons i miss old school fandom spaces lol. thank you!! :D

Hmmm, I see about eight hundred if I limit to English? But I take your point! But that was just as a way to start; once you do find an author you like, you can look at their bookmarks, for example. (Also I'm not sure if you're familiar with the AO3, but if not, sorting by kudos when doing a general search is a way to get stuff that at least lots of people thought was good. I'm not saying it's perfect, but when you're starting in a fandom it can be better than the default by-date-updated.)

Also I'll take the opportunity to plug my absolute favourite xiyao author, roquen. I didn't mention them last time because they haven't I believe written a post-canon fixit, and you should know that they're mostly sticking to MDZS instead of CQL canon, although with some sprinkling of CQL elements and characterization. Some particular favourites of mine include their AtLA AU and their Sunshot/on the run fics (both series with a couple of short fics), their what you might call a mid-temple hopeful fix-it (divergence where LWJ strikes to kill and LXC takes the blow), the baby LXC fic ("Lan Xichen reverts to being a fifteen-year-old junior, and immediately gets an epic crush on Lianfang-zun"; disclaimer that I was fairly involved with the creation of this one but it's GREAT) and, of course, above all, their gigantic canon fix-it verse, it's worth it every time. It's SO GOOD and the characterization is fantastic and the prose is excellent and UGH. It's so good!!!!! Disclaimer that the second fic in the series, which is the main work, is still WIP, but roquen updates regularly and there are only a couple of chapters left; if you're still wary of WIPs, I'd at least recommend the first fic, which stands alone and is brilliant in its own right.

As to the differences between MDZS and CQL…ho boy. There are quite a few, both major and minor, and I'm by no means familar with all of them—especially the ones that don't involve 3zun, lol. I tried to google around but unfortunately the ones I found tended to be either short or, if more in-depth, contain inaccuracies about JGY/LXC—I think people tend to be more interested in the Wangxian, and then this stuff goes by the wayside. The wiki can be a good source for differences for specific incidents, and although I think it's not always accurate it /does/ usually cite chapter or episode, which can be pretty helpful. 

This, by hualiann, looks like a good overview, though I'd add that JYL, WQ and WN didn't study at Cloud Recesses in the novel and that more generally MDZS has a lot of actual undead.

In general my advice is to take things people say about the novel with a large grain of salt, myself included. And about CQL, too! I have no idea if this is you but when I joined the fandom, if people asserted stuff about CQL I tended to just kind of take it as fact—oh, I thought, I must have misremembered! My memory is pretty terrible, and honestly there was absolutely stuff I did misremember. But also sometimes other people misremember, or fanon gets taken as canon, and then there's stuff like—I mean, I'm certainly not going to blame people for not realizing that "JGY conspired with XY at the Unclean Realm" is a lot more uncertain than you might guess at first, especially if they're more Wangxian focused which most people in the fandom are, but I'm still not going to present it as straight-up fact. (veliseraptor has a recent post examining this here which I would very much recommend).

Honestly I think I'd recommend reading the MDZS NMJ Empathy flashback—chapters 48, 49, and the beginning of 50. That gets you a lot of the JGY, LXC and NMJ backstory, and then you can compare for yourself! I'm also going to recommend Mercy's thread, here, listing common fanons about MDZS (I will add to the list, since it's a bugbear of mine, the idea that LXC recognized NMJ's fierce corpse by his abs).

Okay with all that out of the way, and in no particular order, Sun's extremely idiosyncratic and particularly- aka mostly JGY-focused differences list:

-In MDZS, LXC doesn't become Sect Leader until the burning of Cloud Recesses by the Wen, when his father is injured and then succumbs to his wounds. In CQL, he's Sect Leader from the beginning of the show, his father having apparently died not too long before the show started.

-In MDZS, MY wasn't working for the Nie at all before the beginning of Sunshot; he joined the Nie forces just after Sunshot began. NMJ didn't instantly promote him to be his deputy when he's telling at the Nie men for bad-mouthing him; it takes a few more encounters and/or battles with the Wen (after which MY clears the battlefield and helps the commoners).

-In MDZS, xiyao's first meeting happens when LXC is on the run with the Lan books after the burning of Cloud Recesses. We don't see it happen on the page, and we don't know any details of that time beyond, like, MY helped LXC.

-NMJ willingly sends MY away from the Nie, with a letter of recommendation for JGS, after, uh, an extended overhearing of a conversation between MY and LXC wherein MY's desire to be recognized by his father and gain a proper place in the Jin, the opportunity offered for that by JGS recruiting talent at Langya, and the possible difficulty of obtaining permission from NMJ are all established. 

-NMJ sees MY stabbing a /Jin/ captain, at Langya, after he goes looking for MY. Rather than taking a blow for NMJ, MY stabs himself, faking suicide, then immobilizes NMJ (who's trying to save his life) and flees. This is because NMJ wants MY to go turn himself in for killing the captain; MY thinks they'll kill him, while NMJ says that if the captain has actually been mistreating MY as MY said, MY won't be killed. Personally I think that all the evidence suggests that MY is right, and NMJ is blind to the effects of his position to the extent it's a not insignificant moral failure.

-Okay, so, you know how in CQL MY stabs WRH while he's distracted with WWX, outside on the steps with the Sunshot alliance right outside? In /MDZS/, they're in the Sun Palace, WWX isn't anywhere near the place, he does it to save NMJ's life, and then he starts lugging NMJ's unconscious body out of the palace. And then NMJ comes to consciousness amd demands his sabre and tries to kill him. He likely only survives because of NMJ's wounds, and if LXC hadn't shown up (responding to a message MY sent for aid for NMJ) NMJ might easily have killed him. If you want a more in-depth analysis, I take a close look here in my response to someone's, er, imaginative interpretation of NMJ and JGY's relationship in MDZS.

-In CQL, NMJ's qi deviation happens at the stairs incident. In MDZS, it happens later, when he overhears JGY being upset to LXC about how NMJ treated him at the stairs, and, overcome with rage that JGY would dare (arguably in combination with being polite and pleasant to NMJ's face, although the last time he was confrontational to NMJ's face NMJ kicked him down the stairs and tried to kill him so), he kicks open the door and tries to kill him. He also kills several people as he's qi deviating (seeing them as JGY—while in CQL he also sees several JGYs they seem to be just illusions), and injures NHS.

-In MDZS, NMJ sets fire to all of NHS' nice things. I don't think we're told either way in CQL, although it's worth noting that in MDZS this happens after the stairs (and before JGY starts playing for him again). (I think they do something in FJ?? But I don't take FJ as canon for CQL; see confusion-and-more's post here).

-In CQL, JGY suggests to NMJ that he's always played the corrupted Clarity for him (though granted this is in Empathy, so it's hard to say for sure if this is what he actually said, but in any case it's the only version we're given). In MDZS, it's strongly indicated that JGY only started playing Turmoil for NMJ /after/ the stairs—there's a variety of evidence, but I think the most objective is that WWX, who in MDZS Empathy can literally feel NMJ's anger, actually observes it working beforehand:

Since [JGY started playing for NMJ], Jin GuangYao would travel from Lanling to Qinghe every few days, playing Sound of Lucidity to help quell Nie MingJue rage. He tried his hardest, without speaking even a single word of complaint. Sound of Lucidity was indeed effective. Wei WuXian could clearly feel that the hostile energy within Nie MingJue was being suppressed.

(Exiled Rebels translation, ch. 49)

And then the next scene is the stairs incident, so.

-In general, the degree to which JGY's position is completely awful is played down in CQL. confusion-and-more talks about it a bit here; I'd also note that some of JGY's dialogue defending himself is removed ( “Some trivial achievements?” He spoke in a shaking voice, “…What do you mean, some trivial achievements? ChiFeng-Zun, do you know how much work I put into such trivial achievements? How much I suffered? Glory? Without the handful of glory I have nothing!”, for example), we don't hear about his mother at the guqin scene, the temple flashback where his mother is dragged naked outside by a client and he's kicked down the brothel stairs is eliminated, etc etc.

-There is absolutely no second flutist in MDZS; also JGY tells us in the temple that QS was already pregnant before he found out about the incest. I think even in CQL it's questionable whether he actually intended to kill Zixuan (see this whole conversation), and significant unveiling or no CQL never actually says QS wasn't pregnant before their marriage so I tend to go with that too, but certainly it's easy to walk away with the impression that he definitely did both deliberately, especially if you aren't familiar with the novel.

-(In general, I think CQL JGY is a lot more sympathetic than most people think once you look closely, but he's also very much set up to look upon a more casual watching as Villain, so.)

-In CQL it's All A-Yao All The Time but in MDZS we see LXC calling him san-di after the sworn brotherhood, and then it's back to A-Yao in the present day (see my last addition on this chain here).

-In MDZS, JGY doesn't shove JL out of the way of the incoming attack.

-The LXC lifting JGY out of his bow thing is from CQL

-The watchtowers! Oh /man/ the watchtowers. God the watchtowers are so much. Uh, confusion-and-more has a post about how much they're mentioned in MDZS vs CQL here, and see my last addition to this thread for an argument that the watchtowers were indeed a force for good. God. Twelve hundred watchtowers. He must have saved so many lives...

-confusion-and-more's watchtower post also reminds me that CQL has the Guanyin temple giving out medicine, while MDZS does not

-The episode 23 scene where Sect Leaders Jin, Nie, and Lan agree to spare some of the Wen doesn't exist in MDZS (though I'll take the opportunity to observe that I disagree with popular interpretations of that scene, see point three here).

-In MDZS NMJ's fierce corpse is literally trying to kill JGY, there's no saber spirit. And like, it's been trying to kill JGY for a long damn time, that's why JGY dismembered him.

-The XY plotline—in MDZS, JGY recommends a young XY (who at thay point has a reputation but is not known to have committed any massacres) as a Jin cultivator, as part of an effort by JGS to recreate the Yin Tiger Seal. JGS has multiple people trying, but most of them aren't getting anywhere and XY is getting furthest. It's during this time that XY kills the Chang clan, and is discovered as guilty by XXC, who brings up the evidence at a conference happening in Lanling; the Jin are stalling, MMJ gets angry and shows up, he almost kills XY on the spot and gives JGS a lecture such that he's forced to relent and sentence XY to death (and incidentally scares JGY, imho quite seriously, while he's at it). Then JGS turns it into life imprisonment once NMJ has left, and then NMJ is extremely angry and attacks JGY at the stairs. (Ch. 30 and 118)

-I mentioned before but I'll add it here too: in CQL JGY asks LXC to stay and die with him, and LXC agrees.

-The CQL ending in general is...hmmm. Despite having most of the elements which complicate MDZS' ending (JL is in a terrible position!), it kind of presents as...happy ending all is fixed now? In MDZS I think it's presented as—more complicated, even though Wangxian do very much get their happy ending.

-Also LWJ is a lot less. uh. Okay, so in CQL he's more Mr Morality, and in MDZS it's much more Wei Ying Right Or Wrong. Also, he doesn't become Chief Cultivator in MDZS! I think that's my least favourite change, because it's like...LWJ hates politics, hates compromise, and never attends the cultivation conferences. At least one of 'this is going to be a major diisaster' and 'LWJ is going to have to go through some significant shifts in his worldview and approach' are going to have to happen, but that's not the vibe CQL gives off at all, and I think it really works against some of the major themes of the text :/

-OH RIGHT I knew I was forgetting something—in MDZS MXY's revenge is focused solely on the Mo; JGY is not part of the curse.

Okay I don't want to go too much on about xiyao or nieyao, because this is already quite long and I don't want you to be waiting forever, but broadly although I certainly think NMJ cares about JGY a great deal it seems to be about his competence and potential; he doesn't really seem to, like, actually like who he is as a person. JGY, meanwhile, is at first very grateful to and then increasingly exasperated by and very much fucking terrified of NMJ, but...well, he doesn't seem to be into him or interested in spending time with him for the sake of it or etc etc.

On the other hand—xiyao. Man, xiyao!!!! They just—they get each other so fast, they're /partners/, they work together so well, they like and they respect each other, they're both like—LXC and MS are on their own tier for JGY, LWJ and JGY are on their own tier for LXC, they're for each other in a way neither is for anyone else, they care a lot about the same things—it's not perfect overlap, obviously, but it's more overlap I think than either has with anyone else, they—invest, they're builders, JGY was planning the watchtowers project from way back and although I have no doubt he was driving it LXC was with him and!!!! ugh!!!!! xiyao are REALLY GREAT, okay.

#the best of men #more than one tag could contain #a gentle warmth filling the deepest of needs #anger burned in his heart #long meta #sort of #we can't change places #j #mostly jgy-focused discussion of differences between mdzs and cql under the cut