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#fuck we should be able to edit tags
arcadian-vampire · 9 months
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I'm trying a new med for gastroparesis (despite still not being diagnosed with gastroparesis lmao) and??? I think it worked????? I was able to drink a little coffee a while ago, and usually by now I'd be like 'ouch yikes I feel terrible', but I'm. fine. I feel like I didn't even drink anything
I hope it does work and I'll be able to eat things again... It's gonna be really hard to not go wild and eat myself sick, bc I miss food tastes So Fucking Bad dude. I missed out on my mother's biscuits and gravy! Like do u know how hard that is!!!! She makes the BEST biscuits and gravy EVER
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southislandwren · 2 years
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oh boy school tomorrow! I missed 8 classes. I missed 2 work shifts. I missed 2 exams and a quiz. I have an essay due and I don't know when. I have accounting homework due tomorrow. I have a lab report due tomorrow. I have 2 days of lab to complete in 1 and I work immediately after lab (so can't stay after). I woke up at 10am and my first class tomorrow starts at 9 which means I have to be up at 7:45 and there's no chance I fall asleep before midnight tonight
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marvelouslizzie · 8 months
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Same Lonely Night
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summary: Your roommate Bucky Barnes hears you pleasure yourself and moan something he never thought he would be into. That forces him to face his feelings for you.
pairing: Bucky Barnes x Female Reader
word count: 2.6K
warnings: 18+, masturbation, fantasies, daddy kink, no mention of y/n
A/N: This is the second part of A Lonely Night. This time we are seeing Bucky's POV and what comes next. You don't have to read that part to understand what's going on but if you want to, you can find it on my blog/masterlist. I planned this as a 3-part story and I hope I'll maintain my inspiration and motivation to write the last part. Wish me luck!
Thank you so much @notafunkiller for beta-reading and editing. You are the best!
All work is mine, please do not repost or translate without my permission.
Read more tag starts after the second paragraph of the story.
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Bucky’s head is resting on the shower wall while the water is running down. His flesh hand is still wrapped around his cock, but he doesn’t move it. Taking a couple of deep breaths, he’s trying to calm himself down. 
He really had no intention to listen to you. He was just watching the news mindlessly, but his enhanced hearing turned into a curse the moment he heard you taking a sharp breath. He couldn’t help but focus on the noises you made. That’s when he started to hear the way you were touching yourself. Every stroke, every rub, every muffled moan… 
He knew what you were doing was private and he had no right listening to it, but he couldn’t stop. He just couldn’t. How could he? You were so needy and subby. Even in your fantasy, you were begging. He wondered what you were imagining. Who were you begging? Your crush? Maybe you have been seeing someone.
That thought had never occurred to him before. You were always in your element, working, chilling at home, doing whatever you enjoyed in your spare time, and occasionally going out with your friends. You never brought someone home. Not yet at least. So he never questioned if you were seeing someone or not. Even if there was someone, he wouldn’t know, and that thought suddenly hurts him.
“Oh fuck, oh fuck.” Your moans bring him back to reality. If you are seeing someone why are you so needy? Are you just that greedy or has it been that long? He’s certainly hoping for the latter. That’s something he can relate to, and it's probably been much longer for him. That’s why he can’t stop listening. That’s why his cock is painfully hard. Normally he would just remove himself from the house, and give you some space instead of creeping like this.
“Oh please, fuck me.” He would do anything to be able to do that. Anything. Just to be in that room with you, taking his time exploring your body and satisfying your needs. Even just the thought of it drives him crazy. “Fuck me, daddy, please.” 
That surprises him on so many levels. He never thought you would be into that. You look pretty innocent. He wouldn’t assume you would have such dirty fantasies. Fucking an old man… Are you into older men or is it just a little fantasy you are playing? Maybe you are seeing someone old. Maybe that’s why your mind goes there. He doesn’t know. He has no idea what’s going on in your private life, and every word that comes out of your mouth confuses him even more. It creates more problems, but the biggest one is, when he heard daddy, his dick twitched with excitement. So it makes him question himself, too. Is he into younger women or is it because you were the one saying it? The latter somehow seems more likely. Yet all of that doesn’t change the fact that he’s listening to you and getting hard just because of it. 
“Yes, yes, yes. Right there.” He hears how your head falls onto the pillow while your whole body is shaking, and how much you are enjoying it. He knows this is his cue. He should just remove himself from the living room so he won’t get caught with a hard-on. He doesn’t miss a beat. Quickly, he turns the TV off and runs to the bathroom. 
That’s how he ended up here, head pressed against the cold shower tiles, thinking about the way you said daddy over and over again. He is trying really hard not to give in, but his cock is aching with need. A part of him thinks he should just give in. It’s not such a big deal. Everyone masturbates. You just did. Three fucking times! That thought makes him groan. If you can come three times just by masturbating,how many times could he make you come? 
So it’s not even a conscious decision when he starts to stroke himself when he starts thinking about making you come. He can’t stop himself from imagining how you would look under him or on top of him. It doesn’t matter which position. He just wants to feel you. Your moans are echoing in his head while he caresses the top of cock. Just one stroke and it makes him tremble. He can’t remember the last time he felt this turned on. He can’t remember the last time his whole body heated up like this, just at the thought of someone. But you aren’t just anybody. You are you.
Maybe it’s because it has been ages since he had sex. Perhaps it’s because of his growing crush on you. He tried to control those feelings, thinking he was too old for you. He thought you would never look in his direction. Why would you? You are intelligent, beautiful and so cute. Like all these qualities aren’t enough, you are always so thoughtful. You always ask if he wants your leftovers, or if he needs help with anything. He knows he wakes you up at night sometimes. His nightmares are loud, but you never complained. Not once. You always let him watch the news even though you would rather watch something else. You even lent some books to him. They were in such good condition he couldn't believe his eyes. It was like reading a brand-new book. So yeah, he really tried to act like it was nothing but a silly crush, but after hearing the way you moan daddy he can’t stop himself anymore. It was as if you awakened something inside him.
He doesn’t know what to do. Should he take his time or just get over with it? He keeps his fingers loose, stroking himself up and down slowly while his head still rests on the tiles. Even with minimal effort, it feels so good. He gently cups his balls, massaging them and imagining you are the one doing it. You are the one touching the most intimate parts of his body. You are the one ready to satisfy his growing need.
“Oh fuck.” A moan escapes his lips. The shower is running and you don’t have a super hearing like him, so he knows he’s safe. Still, it feels like it’s something he shouldn’t be doing. He shouldn’t be touching himself. He shouldn’t be moaning like this, yet you are so beautiful and needy… He already wanted you before hearing how you sound in bed, but now he wants you even more. He wants to be the one to bring you pleasure. He wants to be the one that satisfies all your needs so much that you would never need to touch yourself. Unless it’s to tease him.
He’s feeling guilty. So fucking guilty, but there’s no way he could stop now. Imagining you does something to him. There’s this primal need in his abdomen, building up.
His fingers tighten around his cock, moving faster than before, and he presses his lips together, trying not to make a sound. He keeps rubbing on that one sensitive part of his cock and finally, he starts coming with a choke. He keeps stroking himself, thinking it will be over soon, but it doesn’t end. There’s so much come that it surprises him. His hands continue pumping and his come paints the bathroom tiles immediately. He takes a deep breath when he’s done, trying to collect himself.
It feels like his head is spinning. He had been masturbating for quite some time, but he doesn’t remember the last time it felt this good. He opens his eyes, trying to ground himself, and all that shame he feels comes rushing in while looking at the mess he made. He groans loudly and then reaches for the showerhead. It doesn’t take long for him to clean the shower and then himself with the thought of you is still on the back of his mind. He is soaping himself, scrubbing, and then rinsing while trying to convince himself that it isn’t a big deal. It’s just masturbation. It’s normal.
Of course, he knows how normal it is. It’s like breathing, eating, or drinking water. His body needs it so he gave in, but listening to you and touching himself while thinking about you… That’s where he crossed the line. He knows it, yet he can’t bring himself to wish he never heard you. He might be a creep or a pervert, it doesn’t matter. Your voice, the way you sound while coming, and the way you touch yourself are stacked in his memory forever. It’s something no one can take away from him.
Sighing, he steps out of the shower. Drying himself doesn’t take too long. When he steps into the living room, all that welcomes him is silence. You are still in your bedroom, God knows doing what. The TV is off, and nothing seems to have moved since he ran to the bathroom. So he’s safe. You haven’t heard or suspected anything.
Quietly, he goes back to his room, finds something to put on and just looks in the mirror. Is he really too old for you or is that all in his mind? He doesn’t look older than 35, but that doesn’t change when he was born.
What if you are into that, though? What if you really like older guys? That would change everything, wouldn’t it? You would like that he’s older than you. Maybe you would even call him daddy, just like you did in your fantasy. That thought makes the blood rush back to his cock, making him feel the arousal running through his veins once again. Like he didn’t masturbate in the shower a couple of minutes ago. 
He knows his anatomy by now. He knows he’s able to get hard again pretty quickly thanks to the super soldier serum, but he hasn’t been this horny for a long time. Especially not because of the thought of someone, but the thought of you calling him daddy… 
Jesus… It makes him so hard!
Sighing, he drops his whole weight on the bed and closes his eyes, fighting the urge to touch himself again. It’s for the best if he stops thinking about you and focuses on something else, isn’t it? He tries to think of something, anything that could take his mind off of you, but nothing, absolutely nothing is more interesting. Nothing he tries to focus on lasts. His mind goes running back to you, imagining how you would look the moment he would push himself inside you. How your mouth would open, how you would throw your head back, and how wonderful it would feel.
That thought does it. It breaks his resistance. All the effort he put into not touching himself again goes out of the window, especially once he imagines you saying “Harder, please, daddy, I need it harder.” His hand goes under his boxers, slowly toying with his cock. It feels like he didn’t touch himself today, and the need is even stronger now. After a couple of strokes, he realizes he can’t move his hand properly like this, so he pushes down his shorts and boxers at the same, creating some space for movement. 
He looks down at his cock, already oozing with precum. His flesh hand moves on top of the head and smears it all the way down, making it easier for him to play with himself. He sets a steady rhythm, testing what feels right, but his precum isn’t enough to make it enjoyable. That’s when he reaches for his nightstand and takes out the bottle of lube. His metal hand works fast, opening the bottle and putting a generous amount on hisnhand, before he puts it back and starts to touch himself. 
Now it feels much better. His hand works seamlessly from the top to the bottom, repeating the same movement a couple of times. He tries to get lost in his fantasies but something feels off. He isn’t sure what it is because what he’s doing is enjoyable. Something is not enough. Maybe he should work faster. So that’s what he tries. His hand starts to move faster on his cock, but that’s not helping. 
He’s pretty sure this is what his body wants especially because he’s still rock hard. Should he be more gentle and take his sweet time? That doesn’t seem to work, either. Does he need a tighter grip? Maybe, but he can’t do more with his flesh hand. He glances at his metal hand for the first time since he started. He never used it to pleasure himself before. The flesh looked and seemed more appealing than metal, yet right now it’s not enough.
There’s a first time for everything.
He reaches for the lube once again. This time he uses his flesh hand and pours some on his metal one as he tries to convince himself that this is not a bad idea.
He goes right back into touching himself, just with his metal hand this time. It feels different, really different, and surprisingly okay. It doesn’t feel as warm. The texture is completely different yet it somehow works. His fingers start to work faster, his thumb brushing over the head and, thanks to the lube, it starts to feel much better than he ever expected. His reluctance slowly fades away and he decides to test how fast he can move his metal hand and how much his cock can actually take it. As he paces up, pleasure starts to build so unexpectedly. He takes a deep breath but keeps moving his hand. His head is now thrown back while with the flesh hand, he cups his balls, gently massaging them.
“Oh god…”
He doesn’t realize that he's just said that out loud. He just keeps working on himself, letting his whole body relax under that pleasure. He really didn’t intend to focus on you this time, but here you are again, in his mind. The image of you on top of him… You with all your charm and cuteness, touching him, making him feel this good while he takes your nipples into his mouth and sucks them until you can’t take it anymore. It drives you crazy, so you beg him to fuck you. Just like you begged while touching yourself.
“Please, please, please… I really need it, please…”
He can hear it so clearly like you are here and really begging him. There’s nothing he wouldn’t do to make that really happen.
“Anything you want, doll.”
His fingers move like they have a mind of their own. He knows he should slow down a little, make this one last a bit longer because it feels amazing, but his metal hand isn’t listening to him.
“Oh fuck, fuck.” 
He knows he’s about to come. He can feel it. It’s right there, just a few strokes away. He loses his damn mind imagining you under him, split open, and getting railed by him. God, that would feel so fucking good! You looking at him with those big beautiful eyes and begging him for more… Then your name slips out of his lips like it’s the most natural thing to say at that moment. 
Right when he’s about to come, a loud noise comes from the living room. Like something has just got shattered into pieces. His eyes fly open. He grabs his shorts and puts them on quickly, tucking his freaking erection away, and opens his door to see you standing there with an oversized T-shirt on. The glass you were probably holding is on the ground, but you don’t seem to care about that. You are looking at him with wide eyes and an open mouth.
Shit! She heard me.
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ma1dita · 20 days
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do we have any sick!trouble and luke taking care of everything for her??(including her hehe🤭) if not then i’d like to think she would probably try to push herself through the day making sure camp doesn’t get set on fire bc older sister core! + dionysus probably dgaf 🤷��‍♀️ and maybe only luke noticing that she’s breaking out in a cold sweat and her movements a little more sluggish than usual but shes stubborn af so she refuses to rest
🐥
also ur works are crushing me jo they’re soo good😭💗
🐥🐥🐥🐥🐥
luke castellan x dionysus!reader
a/n: no trouble tags fuck it we ball! no edits either lmfao fluff :) can be a standalone just know reader is camp mom and Luke calls her trouble/slight cabin 12 mentions but not important (partners in crime series if you wanna check it out)
wc: 860
Luke doesn’t think he’s ever seen you be quiet.
Your voice is synonymous with the harmony of Camp Half-Blood in all of its forms: early morning announcements over the loudspeaker that serve as a wake-up call for campers to be ready for cabin inspections, hollow outcries to keep certain deviants in line (the Stolls and your brothers are a deadly force to be reckoned with), comforting words like kisses for scraped knees for the little ones, down to the gentle blanket of your singing at lights out. Luke also just knows by now that you love to have the last word—gods forbid someone else beat you at something you’re good at. Words always come easy when it comes to you (abilities of sons of Hermes aside) he finds out—but he can’t think of what can convince you to go back to bed today, especially with a temperature of 100.7 F.
He’s been circling you like a hawk this whole morning, not chastising (because clogged sinuses and all you’d probably fight him to your last breath), but rather helping out where he can. He swiftly double-checks counselor assignments once your puffy eyes leave the page, steers you away from walking straight into the fires of the forge instead of the exit at the armory, and waves off any bystanders who dare to get caught in the crosshairs of your bullheadedness.
In times like these, Luke’s almost grateful to be his father’s son (still a hard no, but you get the point). Doing these tasks undetected and mostly through a sleight of hand is better than worrying you even if he’s already at his wit's end; you’re quick in your own right too, body and brain separated today yet working on autopilot through a foggy sick-riddled mind. He hates leaving you like this even for a moment despite your protests of being able to handle yourself, but the two of you are spread thin today with all the work to do.
Luke finds you later after his workshop with your head against the cool stone of the climbing wall. You sniff into your sleeve, a wet sound stifled by the worn-down orange uniform you all wear, though yours looks as exhausted as you are, eyes closed and motionless even with lava slowly trickling from the top.
“Trouble? Are you okay babe? Grover fell off the wall already, you should… restart the mechanism,” he mutters, a big hand clasping at the nape of your neck like someone grabbing a kitten by its scruff.
“He’ll be fine, he’s a big boy,” you mumble with your face still attached to the rocks. “I’ve seen him climb over the Ares table for the last donut at lunchtime, molten lava and boulders should be a piece of cake.”
“At least cake is less painful and more delicious,” the satyr groans, hairs singed down to his hooves. Luke sighs, helping Grover back onto his feet for a well-deserved break.
“Babe…If you don’t move, sooner or later the lava’s gonna smother you.”
He shakes your arm since the controls are wedged between your body and the wall but it’s as if your body is bolted to the floor. A dissonant noise crawls out of your throat, “Dunno, kinda sounds nice. Maybe it’ll clear my sinuses.”
“Maybe it’s time to admit you’re sick.”
Even if he can’t see your face he knows there’s a scowl carved across it, “M’not sick. Just some allergies. I don’t get sick, Lu. Being sick is for the weak!” Lava continues to slide down the wall like molasses, inching you closer to a fate of fire— and your boyfriend watches you try to welcome it with weary arms.
“If you’re not sick, then I’m the best singer at Camp Half-Blood,” Luke drones as he crosses his arms. He can hear Percy laugh from the sidelines at that, silenced quickly by a glare.
“Now that would really clear her sinuses—even better if he dresses up for Theatrics again,” the son of Poseidon sniggers until a stray boulder comes barrelling towards where he and Grover are sitting. Everything’s suddenly less funny.
“It was one time, Jackson, and I wasn’t…” Luke sighs, pinching the bridge of his nose, “Trouble was just mending a costume.”
“It’s okay Luke, not everyone can pull off a corset.”
“Grover, another word out of you man and I’ll make sure your legs are permanently hairless,” Luke grits, finally tired of the chit-chat and more focused on getting you to rest. In one quick movement, he sweeps you off your feet and over his shoulder while his other hand slams on the button to reset the gears of the climbing wall. A delayed reaction falters from your throat, something of a yelp and an exhale.
“Luke! Put me down!”
But he’s already off in the direction of Cabin 12 to get you settled under the covers for at least the rest of the day until you’re up and kicking again. Your protests are scratchy but loud as he takes you away from the two kids and it's as if everything is right in the world again.
“Remind me not to get a girlfriend that stubborn one day,” Percy mumbles, bumping shoulders with his best friend.
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n3ptoonz · 5 months
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'Anyone But You'
Pairing: Sub!Zero/GN!Reader (see what I did there)
Fandom: Mortal Kombat 1 (2023)
Warnings/tags: Smut, explicit. Rivals to lovers trope, very story and dialogue driven but there is smut at the end, handjob, Bi Han is a good boy, overstimulation, canon typical violence, Bi Han is a complex man in love, reader is a pyromancer, kinda proofread this took so long to write holy fuck
EDIT: I FREAKING FORGOT i was referencing THIS picture. starts wreaking havoc
Word count: 3.4k
Explicit content under the cut
"Just what I needed." Bi Han grumbled, his usual scowl apparent on his face at the sight of you approaching him. He always hated how much you were able to match his skills. Deep down, he might have respected that, but your attitude is what holds him from admitting it.
"Just what you wanted." you said, flashing a shit eating grin at the man in front of you. "Lord Liu Kang sure has his ways of bringing the gang back together."
"Another reason I can't stand him." he said, this time louder and shamelessly. He didn't even care if someone were to hear him nearby.
"What's the assignment for today? He hasn't given us an impossible task in a while-"
"He wants twelve of us to investigate Shang Tsung's laboratory experiments in Outworld and get samples. Problem is, it's heavily guarded by his minion freaks in and outside."
Despite him cutting you off mid-sentence, you just rolled your eyes and looked at the drawing he held up. He didn't make any eye contact with you until you took it from him.
"What are you doing?" he asked, voice filled with growing irritation. "Give it back."
"You weren't holding it right, so instead of asking you to flip it, I just took it. Quit your whining I'll hand it over once I get a good look at them."
He groaned, crossing his arms and waiting for you to finish. You really inspected their faces, impressed with how detailed they were.
"This isn't art class-"
"These are some really well drawn freaks of nature. Whoever did this captured their essence." you said, your tone genuine this time. This took Bi Han aback a bit, but not enough for you to notice. His eyebrows rested from his natural scowl upon hearing your indirect-direct compliment.
It was him who drew those atrocities with the finest ink from his late father's office, but he would never admit that. To be honest, he wasn't too fond of his own work and just passed it off as somebody else's from his clan.
He cleared his throat and took the paper back from your hands, "Yeah, yeah, just be ready to leave by sundown." he said, walking off to talk to the rest of the fighters in the group. When he took the paper, you noticed he had some black ink spots on the tips of his fingers, but you didn't bring it up. He's already constantly on edge so teasing him about something he actually put effort into was out of your forte.
It was nearing sundown and everyone was geared up including you. You grabbed your mask and choice of weapon, quickly putting on the all black uniform given since you all were heading out at night. Heading over to the table with the plans and formatting of the area, you could hear Bi Han discussing what's to come within the next 48 hours.
"This mission is going to be long, so listen closely. When we get there, we are to ambush the entrance to clear it of the guards occupying it. Then we wait to see if any alarms will set off before continuing into the corridor and clearing that too."
You listened to his plan, and to be honest, you didn't quite think going in with an aggressive approach would be effective.
"I feel like we should stakeout the front and sides to see the patrol patterns. If we just go in there setting shit off, surely we'd be fighting off an army of mutations, and who knows how long that would take."
Bi Han slowly raised his head, furrowing his brows. He always hated when you chimed in with something opposing his ideas, even if they almost always made sense.
"It would be easier to take them out when we get there. Plus, look at who we have on the team; our best twelve. I'm sure taking out some mindless freaks won't be hard." he said, glaring at you from the other side of the table. You placed your hands down and leaned forward, refusing to back down simply because he was in "in charge."
"Covering more of the area instead of running in blindly is more effective. We have 48 hours to get this done, what the hell are we storming the place for?"
"Because we have the reinforcements. Are you so incompetent that you question such a basic concept?"
"I think you forget, Bi Han, the last time we attempted to take down a semblance of organized criminals with just a few of us, not twelve--mind you--, a few of our people nearly got rag dolled to death. We had to retreat after taking a beating as soon as we arrived," you said, leaning in closer.
"It's ultimately up to you, but if you so much as get ran at by a gang of lab experiments, I won't be helping you."
Bi Han could only keep glaring at you behind his mask, the cryomancy in his veins creeping up as he gradually gets more aggravated. You were right, and that pissed him off, but he decided to leave that alone so the mission could just start already.
He watched the other members' reaction to you guys' interaction, and it looked like they agreed with you.
"Fine." he grumbled, "We keep watch to catch their patrol patterns, and attack once each group has established such. There's no need to report it since we'll be acting tonight. After that, we meet back here to report what we've found after looking around." he continued, pointing to a section of the laboratory.
"And make sure you take out everything you come across. Let out any prisoners too, but only after the fact so they don't get torn piece by piece by these abominations." you added, seeing Bi Han just nod and fully stand up, finalizing his statements and putting the plans in his pocket.
It didn't take long for you all to surround the general area, getting a closer look where the different parts of the lab would be. Albeit it didn't take forever in a night to get there, you and Bi Han had been bickering the whole time. Sometimes it was playful on your end, other times it was generally just annoying you how mean he was. If not for the rest of your members breaking it up, you'd have been arguing the whole way there.
Everyone else has split up for efficiency purposes...and to get away from you both.
You hid behind a tall bush that was easy to see through, watching for anyone and any thing that came by. Bi Han was nearby doing the same thing. You picked up on a couple of patterns that they patrolled in.
"I wonder if Shang Tsung is in there." you said to yourself, but loud enough for him to hear.
"He doesn't drop by at night. It's the whole reason we came at this time, don't you remember?" he said turning to you, his voice right back to his tone of irritation.
"Do you have to be an asshole all the time?" you turned to him and met his eyes focused on you behind his mask, "I wasn't even talking to you. Plus, I tune you out at any given opportunity."
He didn't respond immediately. Just slowly turned back without another word.
"You know, I'd be more willing to actually listen to you when you aren't calling me a moron."
"Maybe stop being a moron and I'll be a little more nice to you." he quickly replied, remaining away from your gaze.
You rolled your eyes and stood up, tightening the bandages over your knuckles.
"Why the hell do I even try with you? I too wonder just what Lord Liu Kang was thinking to put us together. Figure this shit out on your own." you said, getting low before moving to a different spot.
As Bi Han was about to respond, he noticed a suspiciously placed patch on the grass that you were approaching. In his mind, he figured you saw it already and wasn't going to say anything. You had gotten on his last nerve once again, so why would he help you?
You heard a faint voice calling out in the distance that was gradually coming closer. You looked in that direction since you recognized the voice; it was one of the guys running towards you and Bi Han and waving his arms.
"Trap! It's a trap!" he yelled, but he was still too far to hear. "Retreat!!"
Beep. Beep. Beep.
Before you could even process the sound you were hearing, the surrounding area was set off by mini land mines while the building stayed in tact. You were able to dodge the patch that went off, but the aftershock caused everyone to be blown back a long distance from the laboratory, which eventually knocked you out from impact.
-
"Ugh, where am...I...?" you leaned up, wincing from the pain on your back and legs. The air around you was dusty, hazy, and heavily polluted by whatever the hell was in that debris. You looked around and could really only see the ground and the trees as far as your vision went before it looked light gray again.
You got up with the strength left in your body, aiming to find someone, anyone. Wandering around for so long caused you to have to pay attention to a body wound from the adrenaline dying down. You checked it out and realized it wasn't so bad, so you used pyromancy to close it up for the time being. It hurt like a bitch, but it worked.
You made the emergency call sound for anyone on your team to hear, still nothing. You tried again, only to hear heavy breathing and curses following after it.
"God damn it!" you heard, immediately thinking it had to be...
"Bi Han?" you called out, still holding onto your side while you walked towards the voice with high caution. Silence filled the air. This stubborn fucker...
"I know it's you, hard ass." you said, walking just close enough to see Bi Han leaning on a tree while holding onto his side. You'd be more concerned if he didn't not answer you on purpose.
Upon seeing your face, he was clearly not in the mood for your presence, especially at his most vulnerable state. The man was beaten up and in genuine pain, unable to tend to his own wounds, let alone stand.
Once you stopped in front of him he just looked away. He was embarrassed to say the least. Everyone else is usually hurt and he had to watch over/take care of them. But this time his own rival stood before him, just as beat up but still able to walk around.
"Who were you expecting to be here?" you asked.
"Anyone but you." he replied, clenching his jaw.
"That's no way to talk to someone who could help you. The other members are probably scattered somewhere looking for us and each other, but nowhere to be found." You paused in between sentences to see if he'd have anything to say, but he didn't budge not one bit. You noticed a deep gash on his arm and dried blood around where his ribcage would be under the uniform.
"Let's make this simple. We cut the rivalry bullshit so I can help you, or I can leave you to it while you likely just bleed out. Your call, Grandmaster." you watched his face twitch at the sound of his title. His mask not being on his face freaked you out sometimes since you could fully see his face and every expression on it.
"How could you help me?" he asked, putting emphasis on "you" as if it was impossible. You lifted your shirt halfway to show him the wound you patched up.
"I just sealed this with heat. It still hurts but at least it's not bleeding anymore. For yours it would probably take longer and a little more heat to seal but it's the better option." you said. The look on his face stilled in contemplation. He really couldn't stand the idea of being in debt to you.
"You know what, I can go, don't wanna piss you off-"
"No! Please...I need help. I need your help." he groaned out in pain when he leaned forward in desperation. You kneeled in front of him with a half smile.
"Don't utter a word of this." he said, slowly taking his shirt off to reveal the wound that stained his sculpture of a body. Lord have mercy...
"Wouldn't dream of it..." you said, moving closer next to him and getting to work. "I'll do your arm too."
You watched as he wanted to say something, but simply didn't. Like a lump was caught in his throat.
"You're welcome." you mumbled. You were so focused on his wound while simultaneously keeping your composure, you didn't notice the very, very slight blush forming on his cheeks. The feeling of your hot hands on his cold skin, and the look of pure concentration in your eyes had a different feeling coursing through his body.
He cleared his throat and looked off in the distance, a quiet, but genuine "thank you" finally coming from him.
-
It's been a couple weeks since. Everyone found their way back and managed to heal in due time. Since the mission was nowhere near successful, Liu Kang wanted you all to reside at the Lin Kuei temple to continue with altering plans after getting a thorough rest.
After helping out in the infirmary for a while, you realized Bi Han hadn't shown up so much outside of leading his clan in their daily routines. You left the room and looked around for him everywhere asking if anyone saw him recently. One of his clan members overheard you and let you know he mentioned he wasn't feeling well as of lately, so he's been going straight to his room after their sparring sessions.
You took it upon yourself to make a cup of tea, heating it with your own hands before heading over to his bedroom. The closer you got there, you could hear him talking out loud. He seemed to be babbling something over and over again before he realized he was getting loud. You stood outside his door and eavesdropped carefully, wondering just what the hell he was saying.
"Ah, fuck," he kept repeating everytime he exhaled, which just gradually became raspier and more strained.
After knocking two times it didn't take long for the sound of shuffling and him asking who it was outside of his door at this time to fill your ears. You sheepishly answered back, letting him know you brought tea since you heard he wasn't feeling well.
He quickly opened the door and pulled you in without a thought, closing it behind you before looking at you with an expression you've never seen before. This man looked stressed as all hell, but not the work kind; the faint pink on his face let you know it was a different kind of stress.
"Look what you did to me." he said, pointing to his face which was gradually getting hotter at the sight of you. He took the tea out of your hand and placed it on his dresser before grabbing one of your hands. "You need to fix this."
You couldn't help but smile mischievously at him. He was indirectly begging you to fulfill his needs, but you couldn't let him have it that easily.
"I'm confused, what are you asking of me exactly?" your feigned confusion only riled him up more and he was on the verge of being a sputtering mess.
"You-" he paused. "I...need you. Your touch."
"My touch?" you asked, walking closer to him and feeling his grip loosen just a little bit.
"The heat that comes from your hands. It...felt nice. And the way you looked at me that day has been occupying my mind since."
You tried not to show it on your face how in utter shock you were at his confession. He looked away before speaking again.
"Please." he whispered as he briefly closed his eyes. His quiet plea was louder than anything he's ever said to you in all the time you've known him.
With no time wasted, you grabbed his jaw and kissed him, feeling him stiffen from getting startled before melting into your touch (no pun intended).
Pushing him to sit on the bed, you had never seen a man like him just look so...submissive. And the fact that it was Bi Han, because of you, had you thinking your life was complete.
His bun came undone and let his hair flow free. You softly grabbed the back of his head and massaged his hair, letting him feel the heat emitting from your palms. With the other hand you undid his belt and there it was. His bare body before you, and his dick half flaccid.
One grab at the base nearly made him fall limp. Your warm hands caressing his hair and shaft was likely the trick to make him cum right here right now. It didn't take long for that feeling to swell up inside of him, making him harden way faster than he expected.
"Look at me." you demanded, watching his eyes flutter open. If his cheeks weren't a deep red before, they sure are now. The pace of your hand quickened, but not too much to watch the friction. "You're going to cum when I tell you to. Not beforehand, understood?"
As he nodded you could feel his breath hitching. You never tore your eyes away from his even upon hearing the sound of slick getting louder with every stroke.
"See? I knew you could be a good boy, Bi Han."
He grunted at his senses heightening to the sound of your voice, his name, and being called a good boy all in one. He couldn't hold out for much longer now.
"Please-" he whispered. Nothing like a cold glass of man begging in the afternoon.
"Please what?" you stopped your hand, squeezing around the tip. You reveled in the way it looked like he was about to cry real tears.
"Please- Ah, I'm so close-"
"What do you want me to do about that?"
"Move your hand, fuck-" he started to lose sense of his surroundings as soon as you lightly pulled on his hair. You finally gave in, the look on his face and the utter desperation on display made you hot all over (no pun intended)
You didn't expect a small cracking in his voice to appear. With this you only egged him on further to express just how good you make him feel.
"Cum."
And that is exactly what he did. The moment he started to get loud you covered his mouth with the hand that was in his hair. Did you ever think you'd hear Bi Han whimper and sniffle just from your warm hand gliding up and down his shaft? No, but it made everything that lead up to this point worth it.
You didn't stop stroking. You couldn't stop. His eyebrows were upturned and he looked like the perfect bottom bitch. If you told anybody about this, albeit you wouldn't dare, nobody would believe you. You had the Grandmaster of the Lin fucking Kuei under your palm, literally.
As he kept cumming from overstimulation, ice crept up to his elbows. It's like he lacked control from the amount of pleasure he received. He definitely needed this to say the least.
He finally calmed down, and you slowed your hand to a stop. Luckily he only got it on his abdomen and not his beloved robe otherwise you wouldn't hear the end of it.
You sat next to his tired form, looking at him from the side and tucking his hair behind his ear.
"You really put the 'sub' in Sub Zero." you said, reaching up to have him face you again. Hesitant at first, you leaned in and gave him a peck on the lips to see his reaction. He just stared at you, but this time his face was relaxed, not a frown line to be found. A smidge of a smile on his face.
"You're cleaning this up."
-
a/n: thanks for reading! my asks are open! <3
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chocxy-prince · 4 months
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Purecacao community
queer gay old men nation rise.
I just found out something i’m not sure other people realized.
while purelily is heavily implied, I find it to be a one way street more or less. She doesn’t show interest in him as much as he does her. It also reminds me of this love sick relationship where one would do anything for the other, and the other ones just blissfully ignorant or something.
to me it’s just…eh. and on top of that Lily is rather casual about their relationship from what i’m able to tell. So maybe she thinks it’s a friend thing and Pv wants it (in the story/canon lore) to be a relationship thing?? I should also point out that while Pure Vanilla tells/talks to other characters about how great lily was and how good of a friend she was, We weren’t sure how she felt until this point, so…eh.
so again, while it’s heavily implied i think purecacao simply makes more sense in some cases. We see more lore of them, we see more interactions…etc. with pure lily, Lily was gone up until this point, so we aren’t really sure what she was like with pure vanilla until the update. when she wasn’t there, the other ancients had the time of their life in the odyssey like she wasn’t ever there, That may just be me.
so in conclusion
Purelily= I still support it subtly because go for it you have opinions but might not be as plausible because we don’t see as many interactions, but then again that cannot be helped because she was gone for so long and from my understanding the update sucked.
Purecacao= gay old men for life and just makes more sense since we see what their relationship is like more and they talk more often
(!THIS IS MY OPINION; I don’t believe it is fully fact but i feel like im gonna get body slammed by somebody for this)
again, ship whoever the fuck you want because you’re allowed to do what you please without judgement.
also i only say this because of a video i saw and it all began to make sense in my head and thought i should ramble about it
edit: i just now remembered the ones from the blue berry academy of purelily and him, but it still applies. I also don’t think they were looking for a relationship back then anyway.
purelily shippers can keep going with their ship, but at least acknowledge this when you do
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also, there is a reason i didn’t tag pure lily or white lily cookie. I shouldn’t have to say why.
adding this sub conclusion: purelily is more than likely a platonic relationship and purecacao can be also. But there’s just more evidence to back one more than the other.
(the purelily picture i believe is by @Revi but im not sure exactly what social it’s from.)
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westofessos · 9 months
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We really as a society need to just fucking get over it and have the men and women wrestle each other. There can obviously be separate divisions and titles but thinking of how much potential for great storylines is being wasted physically hurts me. How great would mixed tag titles be (obviously we need women’s titles first)? For the first one they could have a big tournament and have all the couples compete and have the finals be on Valentines Day or some shit, it would be adorable. Who wouldn’t want to see Toni Storm and Juice Robinson team together? Or Britt Baker and Adam Cole, Anna Jay and Jack Perry, Penelope Ford and Kip Sabian, etc. I know I would.
Or they could have a blind eliminator tournament like they just did for the men, and pair up men and women who otherwise never would have spoken to each other. You never know, they could very well strike gold like they did with the MJF/Adam Cole pairing. I think they would.
Not to mention the great singles matches we could have, the feuds they could be put in. Plus you have someone like Kris Statlander who’s with the Best Friends and has such great chemistry with them but can never be part of the feuds they’re in if the other group doesn’t have a female member, and they can’t ever help her out in her feuds, it’s just dumb as fuck.
I think it could also help with the sub-par booking of the women’s division, too. They would get more time to shine. Obviously we need more matches with just women, but I would love more than anything to see those women kick the asses of some of those men. Those matches and storylines could be epic.
Anyway, sorry if that was messy or slightly incoherent I’m just really passionate about this particular issue and just heard that Rey Fenix wouldn’t be able to go to Wembley, prompting me to practically scream “so just let Stat join them for fucks sake!”
Edit: I wasn’t really clear in the post originally but I meant this this as strictly about AEW! I am aware that intergender wrestling does exist and has been done, I just meant that it should become the norm for the big companies (i.e. AEW. I don’t follow WWE so I can’t speak on what they’re doing over there. Someone that watches it regularly can speak on what they’re doing in this regard).
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lizzybeth1986 · 3 months
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Drake and Kiara: When You're Fucking Racist
Series - TRR's Alternative LIs - The "Romances" that Didn't Happen
Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims
A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.
CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.
Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.
On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.
The caption underneath this edit?
Classify under things no one asked for.
Kiara's dream come true!
The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).
The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.
"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"
"Well it's close to Halloween so we should expect scary shit"
"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)
I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.
Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.
But in this series, Kiara was, is, and will always be an anomaly.
The Jezebel Stereotype
In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.
An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."
So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.
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(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)
Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.
In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.
Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.
The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.
An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).
The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.
We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.
The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.
How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?
A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:
"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)
"I liked Penelope, I thought she was nice. But Kiara got on my nerves."
In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:
"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).
Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.
TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?
"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.
Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.
We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).
Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.
It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.
Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.
Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:
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The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.
That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.
So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?
But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.
This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.
In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.
No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.
Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.
Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.
On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".
TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)
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I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.
Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.
What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).
Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.
The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.
When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.
TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol
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So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.
This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:
1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)
Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.
She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).
The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.
The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.
2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)
A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.
Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.
Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.
3. Never-Have-I-Ever (Ch 9)
This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.
3. Flirting with Drake in Paris (Ch 10)
For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.
Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.
Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.
The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.
The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.
The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".
Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.
This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).
After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.
4. Pranking Kiara (Ch 17)
A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.
And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.
Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.
His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).
Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.
Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.
The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".
There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.
Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.
The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.
Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.
5. Drinks at Homecoming Ball (Ch 19)
This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.
Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.
The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.
The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).
Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).
The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.
Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3
On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:
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According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".
Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.
Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.
I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.
Well. Boy was I about to be disappointed.
Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??
Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.
For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.
Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.
For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.
Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!
Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.
The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:
"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."
In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.
Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.
And then there is the matter of how PB deals with the problems of all the court ladies.
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(Screenshots from the Skylia YouTube Channel)
The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.
In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.
But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.
It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".
Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.
When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3
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As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.
Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.
1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)
Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.
Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.
A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.
This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.
In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.
It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.
2. Cheering for Drake's Victory (Ch 10)
Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.
In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.
A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.
Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.
3. Leaving Court + Wedding Conversations
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Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.
Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.
Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.
In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).
In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.
Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.
This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.
As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!
I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:
1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.
2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.
3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.
4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.
And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.
He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.
It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.
I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.
The Talk
If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".
I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).
Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???
It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.
He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.
Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.
And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.
Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.
Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.
It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.
They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.
I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?
The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.
The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?
TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase
Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.
Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.
The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.
Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.
Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.
An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.
There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.
The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.
Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:
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(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)
There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.
There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?
If they did, then that plan didn't last beyond these two chapters.
Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.
Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.
Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.
This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.
Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.
In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).
Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.
You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.
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We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.
In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!
TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.
Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.
It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.
Fandom
When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.
I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.
Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.
But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?
Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.
Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.
And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.
This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?
Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.
But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).
You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.
It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.
Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.
Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.
Did Drake and Kiara Ever Have A Chance?
There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.
I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.
A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.
Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.
I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.
But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.
It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.
All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.
Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.
And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.
They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.
They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.
They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.
--
Resources I used to learn about the Jezebel stereotype:
The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland
Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).
From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website
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onesidedradiostatic · 15 days
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(After the Respectless Reprise)
Velvette, calling Vox on the phone: VOX!!! End this stypid debate once and for all! What was the color of your turtleneck when you took that damned picture with Valentino?
Vox, picking up the call: Uh... What now?
Velvette: Some of your crazy "fans" cropped that stupid picture I took of you two near his desk with your monitors! They've been going crazy at the color of your stupid turtleneck in the leaked photo
Vox: Right right.... and..... This is my problem because....?
Velvette, muttering under her breath: I swear to god... this is just like that stupid dress thing all over again.....
Vox: The what now?
Velvette: Forget it! Your old arse wouldn't even get it anyway and we don't have the time! That stupid thing blew out of proportion!!! It's been trending on Vitter for Hell's sake so you better do something about it!
Vox: Vel, I don't see the problem. It's just a color for something that happened a long time ago. It shouldn't even matter.
Velvette: Well it does matter because demons—not even just sinners, Vox— have been going at each other's throats about this for hours on end just for the sake of their fanart consistency!
Vox: Fanart consistency?
Velvette: Oh for fuck's sakes, Vox— Aren't you connected to your network right now? You should be able to see just how bad it is in there!!
Vox: Mhm... yeah, yeah... well..... right...
Velvette: Vox. Are you listening to me right now?
Vox: *noncommittal hum* Yeah..... That's better...
*Velvette pauses for a moment before a look of realization crosses her face*
Velvette: Wait... Don't tell me your at your Alastor shrine again instead of at your office?
*Clatter clatter CRASHHH*
Vox: *cough cough cough* H-Huh? What? NOOOOooo... No, no I'm not. What are you talking about Velvette?
*Velvette side glances at Alastor still silently having his mental breakdown before moving onto Lucifer fiddling with his tie and cane as he refuses to meet anyone in the eyes*
Velvette: Yeaaah.... Right.
Vox: A-ActUALLY!! I was just about to go there. To— to my office I mean. I mean, I just came from an important meeting after all!! Yes, a very very important meeting. With uh.... About– Sinflix! Yes, yes Sinflix. You know how that annoying little parasite has been taking some of our profits with all their 'free services' shtick that we've been losing money in the other Rings.
Velvette: Right. Right. (I don't care)So... your turtleneck color?
Vox: RIGHT!!! *Ding ding ding!* Yeah, about that I uh....
*Side glances at the scarce remains of his closet that was once full of multiple variations of turtlenecks colored red, orange, yellow, and even blue. Some of them actually being striped. There was a sell in one of the secondhand-me-down shops if you buy in bulk back in the day when he first fell into Hell. And he wasn't one to pass up a bang for your buck. Unfortunately, he also had to burn a lot of them after Velvette joined team to avoid her wrath. And now he can't remember which one he wore during that picture*
Vox: Well... About that, I don't.... actually remember?
Velvette: You don't sound so sure of yourself.
Vox: Well, the picture itself is faded so some of the color has changed. Not to mention the lightning.
Let me ask Tino if he remembers.
(I hope you enjoy this. Someone please sedate me)
oh my fucking god (reference to this, and this, and the turtleneck discourse is just this entire fucking tag. basically we've been spending the last 2 days debating about vox's stupid fucking turtleneck)
literally everything being referenced is giving me fucking whiplash HELSPGKOS vox himself getting into the debate because he doesn't remember is hilarious
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only thing I will have to correct there is that vox does in fact own netflix in hell so it's voxflix not sinflix
considering maintagging this and putting it out into the wild with zero context (until they check the links)
EDIT:
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misunderstood whoops here's the clarification LMAO
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autolenaphilia · 4 months
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So I do literally have my pronouns in bio. Now it should not be a requirement or anything. If you don't want to put your pronouns in bio, don't put them there, and I'm totally okay with that.
I didn't put pronouns in bio until my egg cracked because I was uncomfortable with the thought, turns out I was uncomfortable with gendering myself for a reason.
But if someone does put pronouns in bio, if they are easily accessible, I do think you have the responsibility to respect them. It feels like a fairly basic social media courtesy. To do otherwise is textbook misgendering.
Of course I presume here you are not a transphobe who thinks misgendering is okay or even obligatory (as some of them explicitly claim). If you are, fuck off, i'm not that interested in litigating my value as a human being or my status as a woman. My assumption here is that misgendering is bad and I don't particularly need to establish why.
Referring to someone by the wrong pronouns when said person has made their pronoun preference very clear, there is no other word for it but misgendering. In fact, misgendering someone with their pronouns in bio on social media is often less excusable than many accidental misgenderings in meatspace, because we often don't make our pronoun preferences that clear and obvious in meatspace.
it does take a few seconds to check the bio of a social media user, but being polite and courteous sometimes requires effort, which is not a blanket excuse to be rude. If it is too much effort to look it up before writing something about someone, then save all your effort and just don't write anything at all.
And using singular they/them about a specific person is misgendering, if said person has made their non-they/them preference clear, by for example putting their actual pronouns in their bio. You are not being "genderneutral", you are just misgendering and being rude.
This is a well known tactic of transphobic misgendering. Like if a writer wrote an article about Chelsea Manning and consistently they/themed her, the fact that said writer is a transmisogynist who is misgendering her wouldn't be in much dispute. They/them is often just the acceptable form of misgendering.
And also "dude/bro/man" are not genderneutral, I will barely dignify such nonsense with a response.
Being gendered correctly is not a privilege of the famous either. This applies even if the person in question is a random tumblr user and you are another random tumblr user writing about them. You should check their bio before writing about them. You should especially check if that person is likely going to read what you write, if it is a reply or tags to a post they made. It's not nice to get misgendering of you in your notifications. This feels like fairly basic courtesy on social media.
Failure to check is at best rude and impolite, and people have a right to object to being misgendered. And then ask for a correction and an apology. And really, all you have to say in such a situation, is something like "I'm sorry, I didn't check" and then maybe correct the misgendering post by editing it. Unless you are really committed to being able to misgender people without pushback, it's likely not the end of the world, and the person being misgendered will likely accept a sincere apology.
And this applies even if you don't like the person in question, if you are writing something that disagrees with their take. Being gendered correctly is not something that you have to earn, it's not a privilege for good behavior, of having the correct takes, of never making a mistake. And it can't be taken away for perceived and real transgressions. It is still unacceptable to misgender an unpleasant person.
Pronouns in a social media bio are not there for a person's friends, it's there so that random strangers interacting with a person's account will hopefully read them and gender the person correctly. The pronouns are there for you to read and respect.
(before anyone tries to be clever on the reading incomprehension website, , I'm using a generic singular they/them in most of these sentences. If you are talking about a specific person, who uses she/her or he/him or any pronouns that aren't they/them, it's msigendering to use they/them for them)
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gabessquishytum · 6 months
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Dream is an HGTV designer who has Hob on his show for a design job. The sexual tension is so strong, they might not be able to show the show on TV.
The production team (Matthew, Lucienne and Joanna) aren't sure how to produce a cleam cut of the show! The whole master bedroom segment is unusable; the backyard segment where Hob is "helping" cut wood (OR hammering along with the team building the pergola) is just Dream staring in a human representation of blue screen of death - Dream had 2 pages of script to get through. Matthew thinks Dream forgot words when Hob lifted up his shirt to use the hem to wipe his forehead sweat. Hob isn't any better -- the "demo" day segement is just Hob standing in a corner watching Dream knock out the cabinets.
The final design is beautiful, but the crew think some time during the late night sprint to finish, the two gave in and now there are soo many shots of Hob and Dream necking behind corners, what they think is out of frame of the cameras --- it's so not.
Akskdjfbasjdbd Matthew gets them both into the studio and he's like "should we just go ahead and upload this to pornhub? BECAUSE THATS ALL SOME OF THIS FOOTAGE IS FIT FOR, YOU HORNY ASSHOLES!"
He's yelling because he's been up all night going through the footage. And also because it's not like this stuff can be re-filmed. The project is finished, they can't knock it down and build it all over again!
Hob has the good grace to look apologetic. There's an enormous hickey on the side of his neck, and he refuses to sit down on any of the chairs, so it's fairly obvious that he got absolutely railed within an inch of his life. Dream glares at Matthew, ever the asshat, and says that it's not his problem that the camera happened to be there.
Matthew puts his head in his hands. Jo is honestly trying not to laugh. Her suggestion is to simply leave the (pg 13) kisses in and make a feature out of it for the show. Maybe do an interview with Hob about what it was like to get a newly designed house AND a boyfriend in the same week?
In the end, the steamy looks remain in the final cut of the show, while the kissing and groping is edited out. A few extra scenes are added with Hob talking about how much he loves Dream’s design, with a few spicy innuendos to make the whole sexual tension kind of comedic? And they tag on a final scene at the end where Hob and Dream sit on the gorgeous new patio and share a toast to the completed project... and Hob presses a family friendly kiss to the back of Dream’s hand.
The whole episode takes 10 years off Matthew's life... so it's a good thing that it goes viral and brings a whole new lease of life to the show <3 especially when the viewers notice that massive fucking hickey ajsbsbdb <333
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depressedhouseplant · 6 months
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🔞 Illusion (Woosan) 🔞
Synopsis: As a joke San’s friends set him up with an escort. Except he falls for the beautiful man he can never have
WC: 3700
Tags: Rich Boy San, Escort Wooyoung, Public Hand Jobs, Anal Sex, Unprotected Sex, Top San, Bottom Wooyoung, Brief Homophobic Language, Light Bondage, Polite Suggestion of Sommophilia
A/N: This is the escort fic of which I spoke. It wasn’t one of the better performers. Let’s see what y’all think. Bonus Content can be found here
Wooyoung rested his head on the doorframe as he watched San leave. They were both getting tired of this. Forget tired. Exhausted. Wooyoung knew he would always be San’s dirty little secret. If San expected to keep the life he knew, he had to pretend Wooyoung didn’t exist. His family had only just accepted that he was gay. Now they were on the hunt for a “suitable husband”, as San called it, for him. Wooyoung scoffed as he closed the door. It was the 21st century. San should’ve been able to pick who he wanted to be with. The Chois didn’t see it that way. They were old money- very, very old money and dragged all the traditions that came along with it. Then Wooyoung’s phone dinged in his pocket.
I miss you already, baby. Check your nightstand. 💕
Wooyoung didn’t remember anything being on his nightstand when they left the bedroom. Yet there was a carefully wrapped box sitting there waiting for him. Wooyoung opened it and pulled out a watch. It was a limited edition Rolex. Wooyoung knew they were almost impossible to get. Of course, this was Choi San, not some random person off the street. There was an inscription on the back.
Love you until the end of time - Your Sannie.
Wooyoung quickly texted him back.
WTF? I don’t believe you!
San: I love you too, baby :)
Wooyoung: This is too much & you know it.
San: NOTHING is too much for you. You know that.
Wooyoung furiously wiped the tears out of his eyes. The watch was beautiful and he wouldn’t be lying when he said one of his clients bought it for him. Except that San wasn’t a client anymore. He was the love of Wooyoung’s goddamn life.
When can you come back?
Wooyoung had given up on sounding desperate.
I can sneak away tomorrow night. Take you to dinner?
Wooyoung almost dropped his phone. They weren’t supposed to go out. They could risk being seen and then San’s parents would freak. Even if they didn’t find out that Wooyoung was an escort, he wasn’t someone they’d already vetted.
Dinner?
San: It’s our 6 month anniversary. I want to take you out. Then maybe we’ll make love for hours when we get back, but I expect you to be wearing my gift.
Wooyoung: Make love? Who are you & what have you done with San? LOL
San: I might be a lil stoned.
San had confessed to getting high when he got back from seeing Wooyoung. He claimed it made the transition back to who he was supposed to be easier. Wooyoung had chastised him, but it hadn’t done much. Wooyoung knew would make his drinks a little stronger after San left. It was completely unhealthy, but neither of them had anyone they could confide in.
Wooyoung: Go to sleep. I’ll see you tomorrow night.
San: I love you so much, baby.
Wooyoung: I love you too.
San sent a long string of hearts and kissy face emojis. Wooyoung returned with a heart and a kiss. He carefully put the watch in the box and back on his nightstand. The sheets were still a mess from earlier. Wooyoung had started insisting they put a towel down so he didn’t have to change them every time. He knew he should shower, but he didn’t feel like it. He simply dropped his robe on the floor and crawled into bed naked. Wooyoung had ridden San hard earlier, so the pillows smelled like San’s hair. He buried his face in one and let the aroma seep into his nostrils. It was more than just his shampoo and cologne. It was him. Why did this have to be so fucking complicated? Why was he still playing by their rules? Wooyoung would’ve told his parents to fuck off a long time ago. Of course, San genuinely loved his parents. Wooyoung didn’t. They’d kicked him out of the house when he came out and he’d made his own way in the world since.
Wooyoung’s good looks were how he got picked up by a pimp when he was 17. He lied about his age and no one bothered to check (more likely didn’t care). He slowly saved up enough to buy his way out and try his luck on his own. A few coy smiles and well placed compliments got him in the door with a much higher class clientele. Now he was 25 with an enviable list of clients and a 5 figure price tag for one “date”. Several of San’s friends had hired him for San’s birthday to pretend to be a blind date. The joke ended up on them because not only did the date go extremely well, San became one of Wooyoung’s clients.
Feelings didn’t get involved until they’d been seeing each other twice a week for almost a month. Wooyoung had stopped charging him after only a few times when it became obvious they both enjoyed the sex as more than just escort and client. San was the first one to confess. They were sweaty and half asleep, both on their 3rd or 4th orgasm of the night when San let slip “I love you”. Wooyoung had stretched and rolled on top of San, telling him that he loved him back. Somehow they’d worked up the energy to have sex again and fell asleep with San still inside Wooyoung.
Wooyoung hugged the pillow and sighed.
“Maybe someday,”
The next night Wooyoung was fixing his tie and about to put on his watch when he heard a key in the door. He’d given San a key to save them both the annoyance of having to buzz him up every time.
“And what if I’m not ready?” Wooyoung called from the bedroom.
“Then I guess I’d just have to take you before we left,” San replied. He was wearing the same dark gray suit and sapphire blue tie he’d worn on the night they met.
“If I didn’t already have all my clothes on, then I’d most definitely take you up on that,” Wooyoung kissed him.
“Haven’t put my present on yet?” San noticed the watch in Wooyoung’s hand.
“Maybe I was going to let you put it on me,” he held out his arm and San slid the watch on his wrist.
“Perfect fit,” he grinned.
“Impressive,” Wooyoung smiled back
“I remembered you have delicate wrists,” San took Wooyoung’s hands and wrapped them around his waist. He was bigger than Wooyoung and had initially been hesitant to go hard in bed, but Wooyoung had proved he was more than able to handle him.
“Weren’t you going to take me out?” he asked.
“I am. I might just be skipping ahead to what we’ll be doing in here later,” San kissed Wooyoung’s neck.
“Slut,” Wooyoung giggled.
“Proud of it,” he grinned.
San took Wooyoung to the same restaurant they’d gone to the first time.
“Ah, Mr Choi,” the host said when they arrived.
“I apologize that we’re a little late,” he said.
“Don’t worry. I’ll show you to the rest of your party,” he replied.
“Party?” San asked.
“Oh, I didn’t know it was supposed to be a surprise. I’m sorry,” he said, leading them through the restaurant. San was almost crushing Wooyoung’s hand. This could only mean one thing…
“Mom, Dad, hi,” San wasn’t hiding his surprise very well.
“San, you didn’t tell us you’d be here tonight,” his mom said.
“Um, yeah, it was kind of a last minute thing,” he replied. Wooyoung was pretty sure he was losing circulation.
“Who’s this?” His dad asked.
“I’m Wooyoung. San’s friends introduced us at his birthday party,” Wooyoung held out his hand. San’s dad shook it and his mom gave a demure nod.
“Maybe we should just go,” San said anxiously.
“We can stay. If your parents don’t mind,” Wooyoung squeezed San’s hand.
“Not at all. Please sit,” his mom said. San pulled out the chair for Wooyoung and he gracefully sat down. He didn’t end up with a client list full of closeted rich guys because he didn’t know how to handle himself in five star restaurants in front of lesser royalty. San sat next to him and couldn’t stop rubbing Wooyoung’s thigh. Wooyoung gave him a calm down look.
“So Wooyoung, what do you do?” Mr Choi asked.
“I’m a social planner,” he replied.
“What's that?” Mrs Choi asked.
“It’s like a personal assistant, but I manage the social calendars of select clients. It’s a bit of a niche market, but I enjoy it,” he replied, taking a sip of wine.
“I don’t suppose we could hire you,” she smiled.
“Unfortunately I’m fully booked, but if you ever need a recommendation, I’m sure I can help,” Wooyoung returned the smile.
“I don’t feel well. Excuse me,” San practically bolted for the bathroom. Wooyoung got up and followed him.
“I can’t believe they’re here. They’re fucking here. All I wanted was a nice dinner with you and then to be able to go back…” San started babbling.
“Baby, breathe,” Wooyoung caught him by the shoulders. “Let me handle this.”
“A social planner? That’s a hell of a way to spin it,” San said.
“If you keep letting me spin it, I’ll have them begging me to be their son in law by dessert. I don’t charge $10,000 a night because I can’t charm men away from their money. However, I can’t do it if you look like you’re 10 seconds away from heart failure for the rest of dinner. Okay?” Wooyoung told him.
“Okay,” San nodded.
“Then we’ll go back to my place and I’ll take you nice and slow. I’ll savor every inch of that perfect cock of yours. I’ll have you whining for me,” Wooyoung slid his fingers down the front of San’s pants. “I’ll have you whimpering ‘Wooyoungie, please. Please let me touch you’.” He flicked at San’s belt buckle with his thumb and weaved his belt loose. He wrapped his other arm around San’s shoulders. Wooyoung could feel San’s erection slowly growing near his fingers.
“That’s what you want, isn’t it, Sannie? You want me on top of you, slowly riding you, with you completely helpless. You remember the first time I tied you up and how hard you came. Then I sucked you off and made you come for me again. Then I got you hard again and finally let you touch me. You remember that,” Wooyoung could feel the tip of San’s dick in between his index and middle fingers. San was panting, but this time it was from trying not to come simply by listening to Wooyoung. “Do you want me to get you off, Sannie?”
“Please,” he begged, digging his fingers into Wooyoung’s back. Wooyoung steered them into a stall and deftly unzipped San’s pants with his thumb.
“You have to be quiet. We can’t attract attention,” Wooyoung’s lips barely grazed San’s ear. San whined. “Good boy.”
Wooyoung gripped the tip of San’s cock between his fingers and rested his thumb under the head. San jumped.
“You have to hold still, too,” Wooyoung whispered. San tightened his grip on Wooyoung’s back and nodded into his shoulder. Wooyoung deliberately massaged San’s dick with his thumb. He whimpered and whined into Wooyoung’s neck. “I wish I could see your pink cock right now. How pretty it is. How slick it is. How it’s shaking and just waiting for me to impale myself on it. I might be getting a little hard thinking about having it filling me up - feeling just how good you stretch me and how it’s almost too much, but not quite.” Wooyoung carefully pressed his hips against San’s thigh so he could feel Wooyoung’s own erection starting to bloom.
“Wooyoungie, please…” San’s eyes were starting to water.
“No crying, darling. Your parents will already have enough questions. I don’t want to have to explain why I made you cry,” Wooyoung pressed harder with his thumb. San jerked and grunted. “I think we’ve been in here long enough.” Wooyoung ran his thumb over the tip, dipping into the slit like he knew San loved. San came bucking against Wooyoung’s fingers and squeezing tears out of his eyes.
“That’s my good Sannie,” Wooyoung cooed as San spilled come on his fingers. San muffled his moans in Wooyoung’s neck. San finished and Wooyoung let go, wiping them down with toilet paper. Wooyoung gave him a quick check for any rogue come stains. He zipped San back in when he determined everything was satisfactory. San’s hands were shaking while he washed them.
“You still look terrible,” Wooyoung said.
“I’m trying not to,” he breathed.
“Let me handle it. Smile, nod, and let your parents pay for dinner,” Wooyoung told him. “This was my job, baby. At least before I became a kept man.”
“Okay,” San breathed.
“Thank you,” Wooyoung kissed him. “Come on.” He led his half fucked out half painfully anxious lover back to the table.
“Everything okay? We were beginning to worry,” Mrs Choi said.
“I’m fine,” San coughed. “Just fine.”
“Honestly, this is a little embarrassing, but this is only our second date. I know San’s birthday was a while ago, but we could never find a good time to meet up. We weren’t expecting to run into you tonight,” Wooyoung smiled the dazzling smile that got men into bed with him and paying for his penthouse.
“San, you never mentioned that you met someone,” Mr Choi said.
“Like he said, it’s only our second date,” San replied.
“How do you know San’s friends?” Mrs Choi asked.
“I met Yeosang a while ago. I suppose he thought San and I would be a good fit,” Wooyoung told her. It wasn’t a total lie. Yeosang had initially contacted him and paid the deposit for their joke. His other friends Yunho and Mingi had made up the difference.
“Mom, is this really…?” San started. Wooyoung squeezed his knee under the table.
“It’s fine,” he replied. Parental interrogation was old hat in his world. At least they weren’t going to call him a worthless faggot. He assumed.
“What about your family?” Mr Choi asked.
“Unfortunately my parents and I don’t see eye to eye on a lot of things. I haven’t spoken to them in years and that’s for the best. It’s a shame, really. They pushed away their only child,” Wooyoung stroked San’s knee with his index finger. He knew how to spin anything. Now he was an abandoned only child who somehow had the manners of someone raised at San’s level.
“That’s such a shame. I can’t imagine not having any contact with your child,” Mrs Choi said. Got her. Wooyoung always knew the moment he got his hooks in someone. San was also an only child.
“I’ve gotten used to it. There’s something to be said for learning how to survive on your own in the world,” he replied.
They continued through the rest of dinner, Wooyoung easily fielding all of San’s parents’ questions. He even made a show of trying to pay. By the time San and his dad left to pick up the respective cars from the valet, Wooyoung and Mrs Choi were quite comfortable with each other.
“I certainly wasn’t expecting to meet San’s date tonight, but it was very nice to meet you,” she said.
“I admit, it was a bit awkward to have a ‘meet the parents’ on the second date,” Wooyoung replied with an easy smile.
“San has always been a bit high strung,” she said.
“I noticed, but I promise to take good care of him,” Wooyoung told her.
“Thank you. He needs someone like you in his life. His friends can still get a little...wild,” Mrs Choi sighed.
“Don’t I know it,” Wooyoung’s tone didn’t give away anything. Wooyoung never gave up anything he didn’t want to give. The cars pulled up and their respective partners came to get them.
“It was a pleasure to meet you both,” Wooyoung said as they left.
“I’ll be back later,” San mumbled in their direction.
“Do you need me to drive?” Wooyoung asked when they got in the car.
“No,” San replied.
“I had your mother eating out of my hand so stop panicking,” Wooyoung told him. “And unofficial permission to date you. You should be tap dancing right now.”
“It’s just...they just...I’m scared…” San said as he put the car in gear.
“What are you afraid of? Tell your Wooyoungie,” he looked over at San.
“They’ll find out that you’re...an escort,” San finished.
“Was an escort,” Wooyoung replied. “Currently you’re paying all my bills.”
“I love you so much. I’m terrified they’ll find out the truth,” San put his hand on Wooyoung’s thigh. Wooyoung tucked a piece of hair behind San’s ear.
“Let’s go home and I’ll make you feel better. You still want that, right?” Wooyoung asked. San nodded.
“Then your Wooyoungie will strip you out of that suit, tie you to the bed, and take you until you can’t stand it anymore. You’re free to cry as much as you want this time, Sannie. We don’t have to make any excuses why tears are coming out of those beautiful brown eyes.”
“I’m trying to drive, Wooyoung,” San huffed.
“Do you want me to stop?” Wooyoung cocked his head.
A beat of silence.
“No,” the other man replied.
“Good,” Wooyoung slid his hand up almost onto San’s cock as he leaned over and undid his pants.
“What are you doing?” San asked.
“Just releasing the pressure a bit,” Wooyoung’s smile curved all the way up to his impeccably sculpted brows. He pulled his hand back away from San’s crotch. “And the best part is you don’t have to leave tonight. You can stay and I can wake you up in the middle of the night sucking your dick. In the morning I might let you fuck me into the mattress. The options are endless, Sannie. Maybe you’ll wake up and decide to slide into me while I’m asleep. Then I’ll wake up filled with your cock.”
“You...you’d let me do that?” San had started to sweat a little and his boner was threatening to expand completely out of his pants.
“You know my limits. That’s not one of them,” Wooyoung replied.
“What if I start to...you know...fuck you in your sleep?” San ventured.
“I’m a light sleeper. It wouldn’t take much to wake me up. It would be a great way to wake up, though,” Wooyoung winked at him.
“I…” San’s brain had all but stopped working. Wooyoung kept smiling.
San practically carried Wooyoung up to his apartment. The concierges had learned to look the other way a long time ago when they saw Wooyoung.
“Tie me up, baby. Please,” San breathed when they got upstairs.
“It would be my pleasure,” Wooyoung purred. He carefully pulled the silk ties out from under the mattress and San obediently lied on his back. Wooyoung swiftly tied him down and sat on his thighs. He lazily ran a finger up San’s quivering dick. Precome was dripping down the tip.
“You want your Wooyoungie that much, Sannie?” Wooyoung swirled the sticky liquid in circles around the tip.
“Yes,” San replied. Wooyoung could see his chest starting to heave. He slithered up San’s body to his mouth.
“I’m gonna make you cry, sweetheart,” he kissed his lover hard. He nipped at San’s earlobe before he sat back up and generously lubed San’s cock. He slowly lowered himself down going only a fraction of an inch at a time. San was already whining. “Did I not satisfy you earlier?”
“You did,” he replied.
“Then why do you sound so needy?” Wooyoung asked as he bottomed out.
“Need...you…” San panted.
“I knew that,” Wooyoung slid his hands up San’s bound arms. “You always need me.”
“Mmhmm,” San nodded as Wooyoung kissed him. He pressed his chest against San’s and slightly bucked his hips. San grunted. Wooyoung took San’s lower lip between his teeth and pulled slightly before he sat back up. He began slowly grinding his ass down on San’s cock.
“You want to touch me, don’t you darling?” Wooyoung braced his hands on San’s thighs, arching his back and exposing his entire chest and hardened cock.
“Yes,” San squeaked.
“How badly do you want to touch me? Enough that I should untie you?” Wooyoung looked down at him.
“N-no, wanna come l-like this,” he stuttered.
“If you’re sure,” Wooyoung ran one hand down his own torso and traced the tip of his dick with his finger. It came back wet with precome. “You want a taste?”
“Please?” San’s pupils were blown wide with desire.
“Open your mouth and stick out that talented tongue of yours,” Wooyoung instructed. San did as he was told and Wooyoung dragged his finger down the center of San’s tongue.
“Taste good?” he smirked.
“More?” San whined.
“No, my love. That’s all you get,” Wooyoung brushed his wet finger down San’s cheek. Then San’s eyes started to water. Wooyoung pulled his hand back and kept slowly working San’s dick. “Now is my baby getting desperate?”
“Uh huh,” San noised.
“How desperate?” Wooyoung prompted.
“Wanna c-come h-hard. Inside you,” the the other man breathed.
“Of course you’re going to come inside me, silly boy,” Wooyoung watched San’s hands flex against the restraints. If he really wanted to, he could get loose. They both enjoyed the illusion more, though.
“P-pound you,” he gasped.
“You want to pound me? You want to wreck me on your cock? What if I let you?” Wooyoung asked. San looked up at him. Wooyoung untied San’s wrists and then his ankles. San flipped them over and began slamming into Wooyoung. He was practically snarling while he fucked him. Wooyoung dug his nails into San’s back every time he hit his prostate. He heard a cracking sound, but wasn’t quite sure what it was. He was too focused on the cock ramming his ass.
“Fu-uck,” he grunted as he started to come all over both of them. San was still growling and bucking into him then fell on top of Wooyoung when he started coming. They were practically glued to each other when they finished.
“Uh, Woo,” San said.
“Yeah?” he replied.
“I think I broke the headboard,” San replied sheepishly. Wooyoung looked up and sure enough there was a sizable crack roughly where San’s hand had been.
“Well, so much for making love when we got back,” he laughed.
“At least you were wearing my gift,” San held up Wooyoung’s arm.
“We got it half right,” Wooyoung smiled.
“I love you, Wooyoungie,”
“I love you too, Sannie,”
103 notes · View notes
ewanmitchellcrumbs · 8 months
Note
Let's spread some positivity! Tag some of your fellow content creators here and let them know why they are absolutely amazing!❤️
This is a really sweet idea. I'm going to put my list below a cut, because it will be long.
@em-writes-stuff-sometimes - honestly, Em's fan fiction is better than actual published books I've read. You should be doing this professionally, bub, not publishing it for free for us morons on Tumblr. I'm forever amazed that someone with your brain wants to pal around with an idiot like me.
@valeskafics - your tenacity and the sheer volume with which you are able to write will never cease to amaze me. You're a powerhouse, Babybel. You don't have a masterlist, you have a fucking library, it's incredible.
@barbiedragon - your modern Daemon has me in a chokehold. You're also one of the few writers flying the flag for Vizzy 3 and I gobble up everything you write for him like I'm a shark and you've put chum in the water. Can't wait for Kinktober to see what you create!
The rest of this list is just ordered by date of when I followed the person, and expresses no particular favourtism:
@flowerpotmage - not quite so active in fandom anymore, but they're one of the few writers giving gender neutral readers some much needed representation, and their Aemond and Daemon fics are amazing.
@paintb0x - an amazing artist - some of the best I have seen for Ewan and his characters.
@sapphire-writes - I love Jo's modern AUs and her ability to put my heart through the wringer!
@timetravelingpenguin1066 - Eli is one of the sweetest people I've ever met. An incredible gif maker and a great fic writer.
@aemondx - Sili's gifs are wonderful and the kindness she dedicates to this fandom by making icons and headers for people is admirable.
@alicentive - Killy's gifs are insane and I love that she writes for the characters that don't get as much attention from fandom.
@marthawrites - Midnight Passages, you will always be famous.
@exitpursuedbyavulcan - Studious, my beloved. UPDATE WHEN? (sorry)
@targaryenrealnessdarling - I would die for Liz. She's not just an insanely talented writer, but an all round amazing person too, she makes this fandom a much nicer place to be.
@st-eve-barnes - Eve is out here giving the Aegon girlies the content they desperately need. I love her Aemond fics too!
@bottlesandbarricades - one of the funniest fuckers I've ever had the pleasure of speaking too. Only has one fic, but it's a banger, and her edits are unmatched. I will never get over space buns Aemond.
@toms-cherry-trees - more content for Peaky Blinders than HotD, but the Aemond fic is gold.
@just-some-random-blogger - a Daemon girlie, we love to see it! If entertaining reblogs were an Olympic sport then Hani is taking home the gold. Her fics are bonkers, and I love them.
@humanpurposes - Gee's writing is top notch, some of the best Aemond fics I've ever read.
@assortedseaglass - Hilde is one of my favourite writers. Ever. She could write instructions on how to put together IKEA furniture and I'd eat it up, she's that good.
@oneeyedvisenya - another of my favourite Aemond writers. Education is one of my top five fics of all time. So well written.
@lya-dustin - the speed with which Juli produces chapters is mindblowing. All Is Bliss is a great series.
I can only tag 20 accounts at a time, so I shall continue this in a reblog. I wasn't lying in previous ask, when I said my appreciation post would be phonebook sized.
103 notes · View notes
inmyheadimobsessed · 1 year
Text
Can't Help Loving You
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pairing: riri ✘ black!reader
summary: you and riri are roommates who hookup sometimes. you agreed to keep things casual but it may not be that easy. (requested)
contains: jealousy, implied nsfw, fluff, a smidge of angst
word count: 3102
tags: @mingitheii @natsgirlfriend @shurimainhoee @fanficgoddess @prettyluhlaiiii @chrome-edition @wannaberavanbitch @vlkyriesverse
divider by: @firefly-graphics
note: the lack of riri fics hurt my heart and soul so i'm here to save the day! everyone cheer! can you tell i was listening to lucky daye whilst writing this? lol i like how this turned out and i hope anon does too. more riri fics to come soon. enjoy <333
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Lucky Daye played softly from the speaker on her desk while she kissed you against it. You giggled into it, needing more, but lacking the time. Something small and sharp poked you in your lower back, and you’d probably care to know what it was if Riri’s lips weren’t wrapped around yours and her tongue were not down your throat. Her fingers caught in your moisturized curls as she massaged your scalp. You should pull away. You should be sitting in your Mechanical Engineering class right now. However, all rational decision making skills leapt out the window whenever said decisions involved your stunning roommate.
She broke the kiss to catch her breath and you saw it as an opportunity to slip from within her hold. Being the genius she was, she caught onto your plan before you were even able to execute it. Damn her and that gorgeous brain of hers. Her fingers tickled your sides when they slipped under your hoodie and you shivered. Riri kissed your neck in that special spot you loved. She had you now, and the dangerous part was that she knew it.
“Riri…” You whined when her tongue hit your throat. “I need to get going.”
“Your class started ten minutes ago. I can teach you everything you need to know about Mechanical Engineering right here.” She tugged your hair and you groaned.
You grabbed her face, planting your lips back on hers. The kiss heated up at a swift pace and she got lost in it. She was swimming in the feeling, the expression on her face depicted that well enough. Grabbing her hips, you spun her so her back was now against the cluttered desk. She bucked under you with a low whine. Fuck. You were beginning to suspect that classroom would not be seeing you on this day. You hoisted the shorter girl onto the table and her legs found your waist instinctively. You pecked her once more before pressing your foreheads together.
“I really need to go.” She pouted and crossed her arms, and a fond smile broke out in your features. “That cute little pout is something so very serious, whew! But I’m for real. We can pick this up later?”
Riri rolled her eyes and climbed down onto the carpeted floor, “Fine. Go learn or whatever. I can satisfy my own needs. Like I always end up having to do.”
“Were your needs not satisfied last night? I guess I just assumed they were, you know based on all the ‘oh fucks’ and ‘right theres’ you were hollering the whole time.” Her eyes widened at that and her perfectly arched brows shot up to the ceiling.
“Just get out.” She grabbed you by your shoulders and ushered you out the door as you laughed at her. You enjoyed making her flustered a little too much.
Leaning down to her level, you whispered in her ear before you began your departure, “Later?”
“Yes, fine. Later.” Her smile was captivating, though it always was, and you were a sucker who only seemed to be falling deeper into all that Riri came with. Which you discerned was a very terrible course of action.
•••
“I just don’t get how you show up twenty minutes late to class and still be able to keep up. I was the first one in the room and I was lost the entire time.” Your friend spoke, walking by your side through campus. He needed to borrow some of your notes so he was accompanying you back to your dorm. The air was brisk, yet nice and fresh on your stroll. Sunlight serenaded the freshly cut grass and the pavement.
“I don’t know man, I’m just hella smart. I does this.” Your response was playfully cocky and your friend laughed. You both knew your roommate was responsible for your understanding of most of your coursework. She was an amazing tutor, when she wasn’t laid under you that was.
He pulled open the door to the building and held it for you, “Right. Just tell Riri if she ever wants to donate some of that brain she so generously lends to you, I’m around.”
You smacked his arm in disgust. His chuckle was so loud, a few students in the common area turned their heads to look at the both of you. The glare you shot him was borderline homicidal, if looks were indeed able to kill. Your chest felt funny, feeling your heartbeat pick up in this way was strange to say the least and you didn’t understand it. But what you did understand was your not wanting to hear anyone speak about Riri like that.
He threw his hands up in defeat, “Look I’m sorry. That was a terrible joke, one of my worst. Besides, I know she’s off limits. I would never do that to you.”
“Off limits? Nah, Riri and I are just friends. It ain't even like that.” You weren’t even sure you yourself were convinced, let alone satisfied with that sentiment. “I just don’t wanna hear you sexualize my roommate. That’s all.”
The two of you stepped off the elevator as you approached your room door.
“You let all your friends give you hickeys like that?” He pointed to your bruised neck and the morning’s events flooded your memories: Riri’s lips on yours and on your neck. Her fingers in your hair, her little whimpers in your ear. Your stomach flipped and you felt like the air was lifting you up, up, up.
Upon opening the door, that floating feeling was ripped away from you before you even got a chance to enjoy it. The scene of Riri making out with the guy from down the hall, whilst straddling his lap on the couch pulled you back down to Earth. That funny feeling in your chest from mere moments ago was full blown hilarious now. Your friend froze beside you. Clearing your throat, you tossed one of her shoes at them.
“Yo what the hell?” Riri screeched and turned to meet your eyes. Trembling fingers twitched at your sides. You tried for words, but none came. You weren’t even sure you wanted them to. What would you say? You just threw a shoe at the back of her head, intentionally. Was that justifiable? The anger on her face answered that question rather quickly; no, it was not.
She climbed off the guy and your eyes stalked her, shame rumbling inside you. “Did you just throw a shoe at me?”
“Sorry.” It was all you could manage, you were still reeling from the jealousy of seeing Riri with someone who was not you. “Let me get you those notes.”
Your friend and the guy left the dorm room silently, still stunned and tired of treading in the awkwardness.
“What was that?” Her voice was coated in agitation.
Jealousy, you thought. “I don’t know. I already said I was sorry. I just–”
“Do we need to go over the rules of this again? This is casual, ain’t nothing else to it.” Her fingers gesture between you and her.
You sucked in a sharp gust of air and it sliced the back of your throat on the way down. Of course you knew that. Riri was not your girlfriend, there were no feelings to be had between the two of you. You both agreed, and yet her words still stung.
“I know that. But he literally lives down the hall, you could’ve at least–”
She cut you off again, “Who I fool around with outside of you has nothing to do with you. Your input is not needed aight? Just stay out of my damn business.” You could tell that saying those words did something to her emotionally, but she refused to take them back. And you refused to address it. She pushed past you and was out of the door with a swiftness. It was what it was.
•••
It’d been days since the shoe incident and neither of you had mentioned it. Things were not as tense as you’d expected them to be, but they were tense enough to have you sleeping in your own bed every night without her. It was fine really, it gave you time to catch up on a few assignments and make it to all your classes on time.
You were sitting at your desk finishing up a paper due at midnight when she walked in the door. She’d gotten her braids redone a few days ago and they looked gorgeous on her, you hadn’t complemented her like usual though. And she seemed kind of ticked off by it. Riri slammed her bag on the couch and plopped down beside it. She definitely had a long day. Her blanketing presence in the room pulled your attention from your homework, but you just wanted to look at her.
She propped her chin up on the back of the couch and her eyes met yours. It was one of the many cute things she did that drove you crazy. There it was; that feeling that had been missing for the past five days. Riri’s gaze always lit you up.
She grinned and you matched it. “So. You tryna slide to this party tonight? I need to unwind.”
“Uh yeah. I’m already going… with Kayla.”
Her smile dropped and something unfamiliar glossed her eyes over. “Kayla, your ex Kayla?”
“Yeah.” You responded softly, still holding her gaze.
Riri inhaled sharply, “Oh. I didn’t know y’all still used to kick it.”
“Sometimes, yeah.”
She hopped off the couch irritated, and walked over to the fridge for a drink. “Didn’t she break your heart or something last semester?”
“She’s not like that anymore.” Riri laughed at your sentence, behaving as though she knew something you didn’t.
“And who said that? Kayla?” You were trying your hardest not to remind her of the familiarity this conversation had. ‘I told you sos’ were never in your domain, but she was making it painstakingly hard to resist.
You huffed a laugh and returned to your paper. Riri scoffed and stomped her foot at your blatant ignoring of her question, causing you to quirk an eyebrow. She wasn’t even trying to be cute, but she was.
She brought her water bottle to her lips and chugged it before responding, “Well I guess I’ll see you there. With Kayla.” The indignation in her tone was very entertaining to you. You watched her exit the room before shaking your head and continuing your assignment.
Later that night, you’d watched Riri get dressed on her side of the room in silence as you did the same. And she made sure to lay the teasing on thick: towel hanging loose around her when she stepped out the bathroom, bending over so you could see everything from the back. It was torturous. She had opted to wear a sparkly crop top with a never ending plunging neckline and some baggy lowrise jeans. She looked amazing, obviously, but all your thoughts were on the attention she would be sure to garner from everyone in attendance. Irritation flared within you at the idea of her dancing with some random person.
“Are you leaving with me? Or is she picking you up?” Riri practically spat the word ‘she’ out, as if the pronoun harbored a disgusting flavor.
Your smile was hard to conceal, “Pretty sure when I said I was going with Kayla, I meant exactly that.”
She scoffed, “Whatever man.”
When you arrived at the party you’d already lost Kayla. She sent you a text saying she was with friends, typical. You rolled your eyes and tucked your phone into your bag.
You grabbed a drink and you dipped off into a corner. Truth be told, you hated parties. But Riri loved them every once in a while and she always made you come with her. You spotted Kayla walking towards you and gave her a faint smile.
“Wanna dance?” You nodded and she dragged you through the crowd of sweaty students. Extra by Lucky Daye blasted through the large speakers as Kayla grinded against you. Perks of attending a party thrown by the BSU. She spun around to sling her arms around your neck and you placed yours on her waist, swaying with the infectious melody of the song. A peck to her forearm caused her to giggle.
Over her shoulder, you spotted your roommate. Five feet of pure fury, and it was growing as the minutes ticked on. You’d never seen her that angry before and honestly it confused you. Your eyes met, and a few readable emotions flashed in hers. Hurt. Jealousy. Riri rolled her eyes and stormed off, something she’d been doing a lot recently.
You walked away from a confused Kayla and followed after her, but by the time you got through the crowd, she was already gone. There was only one place you knew she would go when she was upset. It’s where she always went. Pulling out your phone, you called an uber to Riri’s garage.
The sound of metal clanging hit your eardrums as you walked through the heavy door. You followed the noise, and there she was. Something about Riri being all dressed up and sparkling, with a hammer in her hand drove you absolutely mad.
“Are we okay?” Your words tumbled out your mouth, floating hesitantly to her ears. Anger was certainly still residing in her from the looks of things.
Riri slammed the hammer down again, “You threw a shoe at my head.”
“And I said I was sorry about that.”
Bang! “Where’s Kayla?”
“Answer the question Riri.” Your voice was low and demanding. She stopped what she was doing and looked up at you.
“Can you hand me that wrench?”
Your eyes trailed to where she pointed and you picked up the tool. The weight was familiar in your hands, having handed it to her many times prior. You were the only person she told about this place and the warmth you felt from sharing this with her snaked through you right then. A feeling you liked; loved. “Riri, we obviously need to talk.”
“What about?”
“Us.”
Her response was clipped, “There is no us.”
“So you keep saying. But–”
She snapped her head up then, “But what?”
“But I don’t believe you!” Your voice rose to a shout and Riri startled at your tone. You’d never yelled at her before and you did not like that you just did. Your eyes softened as you looked at her.
She stood up, tugging the wrench from your fingers. “Well.”
“If there is nothing to talk about, why did you storm off when you saw me dancing with my ex? I saw how angry you were, how angry you are right now. What happened to who we fool around with being our own business?”
“You're making it seem like I’m jealous or something. Be careful bec–”
It was your turn to cut her off, “And are you?”
“Am I what?”
“Jealous.” You eyed her. “And look me in the eyes when you answer. Please.”
Riri cleared her throat nervously before her oh so pretty eyes met yours. It was like they were begging you not to make her say it, desperate to be pardoned. But she wouldn’t get off that easy.
“No.” The word was barely a whisper swaying from her mouth. You inched closer to her, clasping her tremoring hands in your own. You brought her knuckles to your lips and kissed them sweetly. Riri gasped at the contact, watching you, her irises like melted chocolate.
“Liar.” A smile broke out on her lips at your accusation and you knew you had her.
She bit her lip as she turned over what to say next in her head. Watching her mind work was one of your favorite pastimes. A large ball of yarn coming undone, rarely ever tangling. But it was now; tangled. She still hadn’t said a word and it pleased you, being able to trip up a genius like that.
Riri exhaled rather dramatically, shaking her wrists vigorously. “I think I love you.”
Her confession knocked you back a bit, your words too, your thoughts. You were not prepared for that at all. Your heart lurched in your chest, trying to thump its way out of you. It was in search of its other half, it was searching for Riri’s. How could you deny it that? Riri was amazing, and brilliant, and cunning, and soft. She was also stubborn and insufferable at times, but she was yours. Here she was admitting that — admitting to being yours — and you had yet to respond.
She seemed to have mistaken your silence for something it was not, so she started rambling.
“I know I’m not supposed to because I’m the one who kept reiterating how we were just a casual thing. And maybe we were in the beginning, but that isn’t how I feel now, I feel everything for you now. And that’s why I got mad when you said you were going to the party with your bitch ex because I didn’t want you to go to the party with her, I wanted you to go with me. But I know I screwed up by hooking up with that guy and then I saw you two dancing to our song and–”
Your lips crashed into hers, heavy and forceful. They demanded her full attention and she did not hesitate to give it. She got on her tiptoes to grab your cheeks, pulling you closer, deeper. Riri pushed you up against her work station harshly, sending her tools and materials plummeting to the ground. Neither of you cared about anything happening outside of the passionate kiss you were sharing. The sharp pain in your spine would have to be dealt with at a later date, it was something you were used to at this point. Riri kissed rough, and you loved it.
You moaned into her mouth and she swallowed it. You could never grow tired of her tender lips.
You broke the kiss and she whined, “I hope you know this means I love you back. How could I not?”
“I kind of worked that one out, yeah.” She grinned, pressing her forehead to yours.
“And how exactly is Extra by Lucky Daye our song again?”
She smacked your shoulder jokingly, “You threw a damn shoe at my head. Let’s focus on that first.”
You both laughed, and she pulled you in again, lacing her fingers in your afro.
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writtenontheport · 9 months
Note
Lockwood falling in love with the type three ghost of a girl.
That's it.
That's the ask.
The Haunted Boy and His Ghostly Girlfriend
Prologue
(pt. 1) (pt. 2)
Anthony Lockwood x fem reader
Warnings/Tags: Reader is in this for like 2 paragraphs, Romcom 😭, Ik you gave me angst but everything I touch turns romcom I’m so sorry, George gets mad at Lockwood for a bit, Old people clients, mentions of death, Reader is literally a fucking ghost 😭, please tell me if there’s anything I forgot to tag
Notes: I absolutely adored this request omfg. When I saw it, I just KNEW I had to write it omg. This is— this needs to be multipart I’m so sorry. I can’t get it out of my head that he’ll have a little ghostly girlfriend PLEASE ITS SO CUTE IN MY HEAD. Also; very badly edited!! I was exhausted when I first posted this and am still currently combing through it for errors.
Summary: It starts, as all things do here: with a meetcute, the undead, and maybe a bit of tomfoolery. It goes, as it almost never does, with meeting the undead love of his life. What a big day for Anthony Lockwood.
Word Count: 1.5k+
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Lockwood is staring into the eyes of the most breathtaking girl he has ever seen, and she isn’t even alive anymore. The girl looks as she probably did when she was alive; a beautiful face with only the most kissable lips he has ever seen in his life, not that he ever could kiss her. He should be calling for Lucy and George— yelling for them to tell them he’s found their ghost, but instead…
“Hi,” He says, clearing his throat, “I’m Anthony. Anthony Lockwood of Lockwood and co. You’re a ghost.”
He winces when your frown deepens, and feels bad immediately for blurting that out. Before he can apologize, he sees you mouthing something and realizes quite late that he does in fact need Lucy and George here to be able to talk to you.
“I can’t really hear you, sorry. I have… my friend can though. Just a second—“
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Before we can go forward, we have to go back a little to just before this began. So let’s start with a fact: even with Skull being able to talk with Lucy, Lockwood still had his reservations on type threes. Type ones and type twos were the predictable result of certain situations— murders, death by illness, accidents, and all the “good” things that made the visitors more likely to visit. Type threes? It took the literal manifestation of the actual thing for him to even accept they existed. Suffice to say, Lockwood didn’t think he could ever fully warm up to the idea of a ghost he couldn’t understand.
Then one day, a case comes to him with a rather peculiar situation. The living don’t often find themselves attached to the undead, especially ones with no relation to them. The Thistlebrows prove to be an exception. The case? Their family ghost is lonely now that their granddaughter’s been sent away.
Lucy and George have stepped out for supplies when the old Thistlebrow couple stops by, so he takes them to the sitting room and prepares them tea. From the first word that comes out of them, Lockwood thinks he’s having some sort of hallucinogenic episode.
That’s more of an exaggeration actually as it seemed reasonably normal at first; strong presence, solid apparition visible enough that even in their old age they could see wisps of it lurking. Nothing more than a stubborn spectre, he was sure. Then—
“It’s an old house,” Mrs. Thistlebrow croons, sipping her cup of tea. “We’ve only lived in it for a few years, and we doubt we’ll be able to keep her company for much longer.”
“I’m sorry?” Lockwood asks, genuinely confused. He was sure he must have misheard them, before Mr. Thistlebrow spoke.
“We don’t know where she is, really, nor have we ever fully seen her… but our granddaughter is taken with her. We thought at first she just had an imaginary friend, but then…” He pulls out a polaroid.
There was nothing in the photo worth noting— a pair of shoes on the windowsill of an open window. The flash of the camera didn’t illuminate past the frame, but that was expected for a photo taken so late. He keeps a patient smile on his face, but he nods slowly with his brow furrowed in worry.
“The window was locked when we left the room. It’s too tall for our granddaughter to reach, and nothing was moved before or after this picture was taken— at least not by the living. Our granddaughter had asked her to open it to prove to us she was real, and the ghost left her shoes on the windowsill to hammer it in.” He leaves the photo in front of Lockwood, pulling back into the seat.
Lockwood’s brow scrunches in confusion as the gears turn in his head. Many type twos form apparitions, but poltergeists do not. Incidentally, only poltergeists can interact with heavy objects and the window certainly wouldn’t have been light. It looked to be a thick pane of glass with a metal on wood frame, pushed open farther than a stray breeze could push it.
“How old is your granddaughter?” He asks, his own voice distant to him. The photo makes something in him itch to solve the case.
“Just turned 7,” Mrs. Thistlebrow says with a click of her tongue, bringing a hand up to her wrinkly cheek. “Her parents sent off abroad when they realised she had Talent; didn’t want her having anything to do with the Problem. Heart broken, she was. The ghost was her first best friend.”
The Thistlebrows look genuinely devastated at that, and Lockwood bites back an incredulous frown. Oh the story he has for Lucy and George when they come back, absolutely mental it all is.
“We know this might be a lot to ask, but we’ll pay you as much as you need to keep the ghost company. Our granddaughter was so devastated knowing the poor girl would be lonely without her, and we certainly couldn’t talk to her no matter how much we tried.” Mr. Thistlebrow picks an envelope from his suit pocket, and slides it across the table to Lockwood. It’s a thick thing with obviously quite a bit of cash, and a cheque is peeking out from where the lip has opened.
Now, he could absolutely refuse the case. The agency was stable and the cases they have lined up were far less troublesome than finding and keeping another possible type-three ghost; George would even call him stupid for not refusing it right away, but…
“We’ll do it. You both have nothing to worry about,” He says instead, reassuring as he can be as he pulls on the lapels of his jacket. Mr. and Mrs. Thistlebrow’s faces split into smiles, and Lockwood can’t find it in him to regret his decision.
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“—And you took the case?” George says, all but yelling as he leans over the table to stare wide-eyed at Lockwood. Lucy’s frozen in her seat, her pen still on the thinking cloth.
“I authenticated the money, and they offered to meet us at the house as soon as we can if there were any more issues with compensation.” He takes a spoonful of supper, and hums in delight. “You’ve really outdone yourself today, George.”
“That’s not the problem, Lockwood,” George hisses, always so dour. He doesn’t settle down into his seat, even going so far as to cross his arms in disapproval. Still, he mumbles out a quiet ‘thank you’.
“Did they say anything else?” Lucy finally speaks up, her eyes still on the thinking cloth. It’s good she’s at least started doodling again, so Lockwood manages to look back up at both of them (which is very hard when George is glaring at him so severely).
“Their granddaughter’s name is Pepper, thought it might help us if we pretended to be her friends at least. It…” He pauses, tapping his spoon against his supper as he thinks of the right way to say it, “As far as they know, it isn’t aggressive and seems cooperative. They even— actually, wait.”
He pulls out the polaroid from his inner pocket, looking it over (even though he knows nothing would have changed) before sliding it to the center of the table. Lucy and George both lean in to have a look, coming back to stare at him in confusion.
“It was able to unlock and push the window open, then left the girl’s shoes on the windowsill to further prove it existed. Not only that, but both the Thistlebrows have said it is a rather heavy window too high up for their granddaughter to reach.” He takes another bite of his dinner, watching their expressions morph.
“But they said it had an apparition?” George asks first, seeming on the edge of worried and heavily intrigued. “Spectres can’t interact with heavy objects, but poltergeists can’t have apparitions. This ghost can’t exist unless it really was…”
Lucy is deep in deliberation as her eyes flit to somewhere out of the kitchen; the skull, Lockwood realizes quickly. “If this is a type three… and it was cooperative…”
A pregnant pause fills the room, only the ticking of a faraway clock echoing about the walls. George settles into his seat with a sigh, finally picking up his utensils. Lucy, rests her hands in her lap. They all look up and at each other, waiting for a beat, before falling into a quiet supper. They were definitely going to have to see this through now.
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So here Lockwood finds himself in front of the house that starts and ends it all; that houses what might just be the strangest thing to happen in his haunted life. He meets you in a flurry of strange things— through a polaroid of an open window, a ghost goose case, and then meeting the most beautiful girl he’d ever seen— before he finds himself asking:
“Would you like to come home with us?”
You nod quickly in surprise, your eyes shining in mirth and other-light. He doesn’t even need Lucy to translate that as anything but a firm ‘yes’.
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A/N: Everything I touch… turns to romcoms… I am like King Midas of romcoms PLEASE.
Also! Starting a silly taglist, just somehow reach out if you’d like to be added!!
Taglist 🏷️
@tangledinlove
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sweet-seishu · 2 years
Text
11:26pm
bonten! rindou haitani x fem! reader
warnings: angst, hurt to comfort, established marriage, mentions of divorce, NSFW, unprotected sex, multiple orgasms, squirting (the spicy isn't very descriptive, but it's still there), NOT EDITED, just overall terribly written, and very half assed. time stamped bc that's when i made the decision to post it today.
a/n: when i tell you this has been in my drafts for MONTHS and i just never posted it and now i'm cleaning out my drafts so here, i know it's bad leave me alone.
network tag: @tokyometronetwork
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Divorce.
The word was running through Rindou's head as you sat across from him at his desk, chewing on your lip as you let him process what you had asked. There was no argument that led to this, no big fight, you had just asked him out of the blue. He was confused, he hadn't done anything wrong, so why did you want this?
There was of course a reason, you were just scared to bring it up.
"Why?" Rindou asked. You wouldn't look at him, you couldn't. "Y/n-"
"I-" You started, biting your lip to keep the tears from falling. "Rin, I'm just– I'm not happy anymore."
"But- what did I do?" The question seemed so innocent, and it made your heart hurt more as you thought about how to answer.
You didn't want him to be upset with you, you didn't want to end on a bad note. "Rin it's what you're not doing." You said softly.
"What I'm not-? What does that even mean?"
You finally looked at Rindou, and he looked irritated. You couldn't blame him, you were vague in your answer, and you knew he didn't care to figure these things out.
But you were just so tired. Tired of waiting for him to come home, tired of him working all those late nights. He's barely paid attention to you over the last few months, and you couldn't take it anymore.
"Rindou." You sighed. "I can't take this anymore. You're always at work, you're barely home, and when I do see you you barely acknowledge my presence."
"I'm just trying to give you a good life y/n, I need to work to do that." He said bluntly. "You knew what you were getting into when we stared dating as teenagers."
"Yeah Rin, I knew you'd be busy, and I knew there would be times when I wouldn't see you. But this has been going on for months. I dont even remember the last time we've had a conversation this long."
"You know how busy Bonten is becoming. I'm sorry I can't be home all the time but come on y/n-"
"Yeah I know how busy it's been, but I'm your wife Rindou, you should still be able to make time for me. If I'm being honest I feel like this is already over, and it's been over for a while."
Rindou was taken back by your words. How long have you actually been thinking about this?
"Night after night I wait for you to come home, just to remember what your stupid fucking face looks like, but then I fall asleep cause god forbid you come home at a normal hour, and then you're gone when I wake up." You said, choking on your words as the tears built.
You let a few tears fall from your eyes as you stared at Rindou. Someone you've known and loved all your life suddenly looked like a complete stranger.
"I'm breaking Rindou." You cried. "I'm completely falling apart here, and you don't even see it. It's like you don't even care. I'm completely at the bottom of your priority list, and it fucking hurts."
Rindou only looked at you, not knowing what to say. He hadn't realized how bad it was, but as he really looked at you now, he noticed the weight you lost, the bags under your eyes, and how the light was completely gone from them.
"Nothing to say?" You asked, swallowing the lump in your throat. "Then that's it. I'll call our lawyer in the morning. You can just go back to work." You pulled your wedding ring off your finger, suddenly feeling naked as you placed it in front of Rindou. "I love you Rin, and I'm always going to.. but I'm done waiting for you."
With that you left his office, leaving Rindou be as he stared at the ring. How could he be so stupid? How could he not realize how little he actually saw you?
He groaned, running his hands through his hair before looking at the picture of you two on his desk.
His blonde and blue hair, glasses on his face as he smiled at the camera, while you kissed his cheek, your y/h/c hair blowing out of your face, the hint of a smile on your lips as they touched his cheek.
You had taken that after he had told you he loved you the first time. The smile on your face after he said it was permanently marked in his mind, a smile so bright it made him weak in the knees.
Rindou loved you with all he had, and he has since you were teens. He was never the best at expressing his feelings, something you knew all too well, but he didn't want it to come to this.
He didn't want a divorce, the thought made him feel sick, like he wanted to throw up.
He wasn't going to let this happen, he couldn't.
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"I just don't know how it got to this." You said to your friend on the phone. "How can we go from talking about starting a family, to getting a divorce?" You asked, voice cracking as a tear fell from your eye.
Rindou was standing on other side of the door, his heart sinking at your words.
"Was it because of me?" You cried. "Was I too much?"
Fuck, no you were perfect to him.
"Did he stop loving me?" You sobbed, looking down at your hand. You winced at the small 'rin' tattoo that was on your finger, a tattoo that was usually hidden by a ring.
Absolutely not. He loved you more than life itself.
He couldn't listen anymore, slowly opening the door to bedroom, making you turn your head. You told your friend bye, hanging up the phone placing it on your nightstand.
"What do you want?" You asked.
"To talk." He told you, sitting beside you on the bed.
"We don't have anything to talk about Rindou. It's done."
"I don't- y/n I don't want that." Rindou told you, csrefully putting his arms around you so he could pull you close. He felt you tense, and it hurt him more than he could admit.
"Rindou I'm just not seeing any other option." You told him.
"Pretty girl, I'm sorry okay? I'm sorry I let it get to this. I never wanted to hurt you baby."
You started sobbing, shoulders shaking as Rindou buried his head in your neck.
"I can't just let you walk away from this, from us. I promise I'll be better. I'll be the man you married, someone you deserve."
"I don't want an empty promise Rindou. You always put Bonten before me and I can't take it anymore."
His hold on you tightened. He really was an idiot. "It's not empty. I'm so sorry I ever made you think this marriage was over, sorry I ever made you doubt how I feel about you. I only wanted to give you the life you deserve."
You sighed, slowly moving to face him.
"Rindou, I don't care about having a lavish life, I don't need expensive things. All I need is you. You're all I've ever needed and you- fuck Rin- you slipped completely out of my grasp."
Rindou pulled you closer to him, holding you tightly as you cried into his shoulder. He rubbed your back soothingly as you held onto his dress shirt so tightly you could hear it ripping.
"Look at me." Rindou said softly, making you lift your head from his shoulder. He gently moved your hair behind your ear. "My pretty girl. I hurt you really bad didn't I?"
"You did." You said softly, sniffling as Rindou moved his hand to wipe the tears from your cheeks.
"I won't hurt you anymore, I promise you that. I'll be home more, I'll let you know if I have to stay late, I'll do whatever I have to, just please stay." Rindou choked, his eyes stinging. "You're my soul mate, losing you would be losing a part of me, and I just can't-"
You cut him off, kissing him softly as you tasted the mix of your tears. When you pulled away you let your forehead meet his, looking into his violet eyes.
"Okay." You said softly.
"Okay?"
"I won't go anywhere." You whispered. "Just please, please don't-"
"I won't." Rindou told you, knowing exactly what you were going to say. He pulled your ring from his pocket so he could slip it back on your finger. "I love you so much y/n, let me show you yeah?"
You nodded before Rindou placed his lips on yours, both of you easily melting into eachother.
Your hands found their place in his purple hair, tugging at the strands as you tried to get closer to him. He held on to you for dear life, scared to let you go as he licked your bottom lip. You quickly opened your mouth, your tongues tangling as everything quickly became hot.
"Off." You said against his lip, ripping his dress shirt open, not caring about the buttons. You just wanted him, and you wanted him now. It's been so long since you were together like this, and you weren't ashamed to show how needy you were for his touch.
It all happened so fast, and before you knew it you were beneath Rindou, moaning as he brought you to your fourth orgasm of the night.
He spent a long time, prepping you with his fingers and tongue, making you cum again and again before filling you with his thick length, a feeling you had missed so much.
"Rin." You gasped as he hit that spot inside you again and again. "Please don't stop!"
"Fucking hell y/n. You're squeezing me so fucking tight." Rindou moaned, pounding his hips harder into you. Your nails scratched at his broad back, making him hiss as you screamed, squirting your juices all over his abdomen.
"Fuck!" Rindou groaned, pumping inside of you a few more times before stilling his hips, painting your walls white.
You were both silent, the only thing that could be heard was your heavy breathing as Rindou lay on top of you, being mindful not to crush you with his weight.
"Rindou?" You whispered, making the younger Haitani look at you.
"What is it pretty?"
"Can we go take a bath? I'm kinda of sore." You chuckled, moving his hair out of his face. He only smiled, slowly pulling out of you before standing up.
"Give me a sec okay?" He said, kissing your forehead before walking off to the bathroom. He ran a hot bath, making sure there were lots of bubbles and a nice bath bomb, just the way you liked it.
He walked back into your room, smiling at your sleepy state. He picked you up bridal style, carrying you to the shower so you could both rinse off first.
You sighed when you got in the tub, your back against Rindou’s chest as he held you.
He realized how much he really missed moments like this with you. He really did take you for granted, he knew that and he hated himself for ever making you think he didn't love or care about you.
"Rin are you okay?" You asked.
He hadn't realized he was crying.
"I just, fuck." Rindou sobbed. "I'm just so fucking sorry."
Rindou rarely cried, not like this. Sure he shed a few tears here and there, but he never completely broke down. You didn't know what to do.
"Rindou it's okay." You told him.
"It's not. It's not okay." He sobbed again, holding you tighter against him. "Can't believe I alm- almost let you slip away. Can't believe I made you feel like this was over, I'm so-"
"Shh." You cooed, turning around so you could face him, not caring about the water spilling over the sides of the tub. "Baby it's okay, I forgive you."
"You're just, you're everything to me and I almost let you walk I-"
"Rin." You said softly, holding his face between your hands. The tears in his eyes wouldn't stop, breaking your heart as you tried to consol him. "I'm here, I'm not going anywhere."
Rindou looked at you, nothing but love for him in your eyes as you comforted him. Fuck he really was stupid.
"Let's get out of the bath and go to bed okay?" You smiled. Rindou nodded, closing his eyes as you placed a gentle kiss to his forehead, letting him calm down.
You both stepped out of the tub once his tears stopped. Rindou grabbed towels for you both to dry off before he grabbed your hand, walking you back to your shared room.
Rindou quickly slipped on a new pair of underwear before tossing you a shirt of his and a pair of sleep shorts.
"Let me just grab some new sheets okay?" Rindou told you. You nodded, smiling when he kissed your forehead.
When he returned you helped him change the bedding quickly, finally laying down with the soft duvet covering the both of you.
He was quick to grab you, cuddling you into his side, as he kissed the top of your head. You traced his tattoos, making Rindou sigh in content.
"Love you pretty girl." Rindou whispered, stopping your actions so he could grab your hand, lacing your fingers together. "I'll love you forever."
"I love you to Rin." You told him kissing his skin, finally letting your eyes flutter shut. "Forever."
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