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#do send me more
jokeringcutio · 7 months
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Okay first off you deserve so many more reblogs/likes, your writing is incredible! About the black phone/joker crossover prompts, would you write about reader being a teacher at the school where the kids are going missing and she accidentally helps a kid escape but is face to face with Albert, and they kinda have a moment but she’s actually on her way on a date with Arthur? Or something like that 😅
YES, That IS going to happen.
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Rating: Teen? Fandoms: The Black Phone / Joker 2019 Crossover Pairings: Reader x Arthur Fleck (Established), Reader x Albert Shaw (attraction) Warnings: Older man/younger woman, Established relationship and crushing on another guy, talk about lust/desire. Summary: You’re on your way to a date when you meet him.
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“Josh! Your mother is waiting for you.”
The boy stood in front of a man dressed in black. The boy’s head was directed at the ground, looking at something down there, and you were by his side within an instant.
“What are you doing, Josh? You need to go home. Your mother’s waiting,” you repeated yourself while you hurried over to them.
The boy with blonde curly hair looked up at you with big watery blue eyes.
“Sorry, Miss,” he said, calling you by your surname. “I was just helping…” And wasn’t he a sweetheart with his angelic face and his good manners? He was one of the favorite kids you had in your class. Being a teacher was a joy when there were good kids like him around.
You flashed him a small smile and was about to tell him that it was fine, when the stranger suddenly spoke up, his voice smooth and low. “Oh, it’s my fault, I fear.”
You instantly looked over at him. Black gleaming shoes, a dark suit, and shaded glasses that hid his face. Groceries lay scattered on the pavement in front of him. Splattered eggs and a pile of flower that had been ripped from its packaging and was now softly blown away like it was dust.
“Josh here was helping me,” the man continued in the same pleasantly low vein. “I’m afraid I’ve been ever so clumsy.”
You looked at the fallen groceries once more and understood why Josh had wanted to help him. This was an unfortunate accident indeed. Then you looked back up at the man and studied him.
He was slender, average height. His shoulder-length chestnut hair had whisps of grey in it, but that could also be smears of the makeup, you thought, as the man’s face appeared to be painted white. Big sunglasses obscured his eyes, and he surprised you by raising his hand and elegantly taking them off in one swift motion.
He nearly bowed as he did so. The top hat he was wearing seemed to topple over, but by a miracle of balance remained on the top of his head as he straightened his back again.
Your eyes locked and time stopped.
Bright blue eyes met yours and you felt it, instantly. A strong feeling that struck you to your core, had you rooted on the spot. He must have felt it as well, for you recognized how he stood frozen in the same way. How his lips parted slightly at the sight of you. How the look within his eyes changed until his pupils dilated and there was a spark there of something dark and dangerous. Something like longing.
“Oh, I’m sorry, Miss-“ here he said your surname, probably having remembered how Josh had addressed you only moments before. He then gestured for Josh to move along, much as you had implored he would.
The man’s fingers touched Josh’s back lightly in passing as if he wanted to help the boy move along. You noticed the gesture, but it was a fleeting one. Josh stopped in his tracks and turned around to smile at you and wish you a good day. You watched him go before your eyes focused on the handsome man in front of you again.
Your name spilled from your lips unbiddenly. “That’s my name,” you said, as if he needed telling.
The man repeated it as if he were tasting each and every vowel and consonant. Then he looked up at you with a smile. No longer lost in thought.
“Hi, I’m Albert,” he said and thrust his hand forward as an offer for you to shake it. You did so, though hesitatingly. The spark in Albert’s eyes had you distracted and made your knees go weak.
“Not the best way for an introduction, eh?” Albert said once you let go of his hand, and he laughed nervously. He brought a hand up in his hair, awkwardly, the top hat tipping to the side. You could only imagine how he must be feeling.
“No, not at all,” you said, already getting down to your knees. “Let me help you pick this all up.”
Albert surprised you by kneeling down as well. His hands reached for the scattered groceries in an attempt to help you. “Thank you but I can’t have you do this all on your own,” he said, voice sounding jocular. “After all, it was this old man who made the mess, eh?”
Old man, you thought, giving him a quick once over. He didn’t look that old. In fact, he looked pretty decent for a man. Just the right ripe age. You quickly had to hide your blush, looking away. But your eyes darted back to him on their own accord not long after.
You recognized that he was trying to lift the tension and saw how the corner of his smile trembled slightly. Was he nervous?
“Not that old,” you honestly said, as you reached for another fallen product. “Besides, the older the wine, the finer, right?”
A soft chuckle escaped him, as if your comment caught him by surprise. He had not expected it.
You suppressed a smile and reached for another item when Albert’s fingers accidentally brushed past yours. A sharp tingle of energy warmed the place your hands touched, skin to skin. Your heart rate picked up and your lips parted.
You looked up to find his blue eyes waiting to meet yours.
The tension was familiar to you, as was the tingle deep in your tummy and the awakening of lust. You fancied him, there was no denying it. And by the look of raw hunger in his eyes, you could tell he felt the same.
Lips suddenly dry, you rose to wobbly knees, your head spinning with emotions. “I’m sorry,” you said, words a whisper. “I need to go.”
His smile faltered and the light in his eyes seemed to die down when he heard your words. Albert got up, a torn bag carefully clutched against his chest. The groceries that the two of you had managed to save were semi-safe folded into the tattered bag. “I understand,” Albert said, his voice more nasal now. It reminded you so much of him. It was the some tone of judgment, the same pitiful tone that Arthur would use whenever he put himself into the role of a victim. Whenever you had hurt his feelings.
“It’s been a pleasure to meet you, Albert,” the words were hard to leave your lips, even though you meant them. It was just that he was reminding you of Arthur so much right now. Even their names started with an A.
Averting your eyes, you shook your head and took a step away from Albert. They were so similar in looks and sound. You could easily confuse them, imagine them both inside your bed. But you knew you shouldn’t. You were only allowed to love one man in this society.
Plus, Arthur would never forgive you if he found out you fancied another. If you so much as looked at another man he would turn livid. And so you dreaded to think of what he would do if he found out you had actually met a man you found attractive. More than innocent looks. Not that you should worry about any of it. You seemed to have disappointed the man in front of you with your move.
But Albert surprised you.
“I’d like to see you again,” he said, voice determined. And when you looked up you saw his jaw clenched. His fingers dug into the bag he carried with force, the knuckles turning white. He was being serious.
“That is, if you’ll let me,” he continued, sounding a little less certain now. “I’d like to get to know you better.”
And there it was. Such a bold request, it made your heart skip a beat. With your hand fluttering to your heart you turned back to him, eyes locking with his bright and hopeful ones.
“Oh,” you said, sounding surprised. “Oh,” again. You saw the hope glimmer in Albert’s eyes, saw how his muscles tensed for the inevitable rejection. “I’d love to,” but I am already spoken for, you should have said.
Instead, your voice died in your throat and the words never left your lips. Albert’s blue eyes shimmered with gratitude, a look of victory and something dark passing over them. “Good,” he said, sounding relieved and determined at the same time. “Good. Let me give you my number.”
He placed the tattered bag with groceries in the back of the black van and then pulled out a piece of paper. Leaning over the car, he scribbled a number on it before he handed the paper to you. It crumpled in your hand as he wrapped his around yours, giving it to you like a secret to keep safe.
The small smile Albert flashed you made you feel warm inside again. It was a sin that a man like him was alive. And then, after a slight squeeze, his hand was gone. You stared at the wad of paper in your hand for a moment. What were you going to do with it? If Arthur saw it…?
“Call me,” Albert asked, leaning forward to whisper the words close to your ear, an intimate gesture, ready to lean in even further and steal a kiss.
But he didn’t do that. Instead, he leaned away again, giving you your space. A gentleman, after all, you mused. You quickly hid the crumpled paper in one of your pockets and flashed him a comforting smile.
“I’ll see you around, Albert,” you promised.
“See you around, little miss teacher.”
You liked the nickname he gave you, smiling brightly upon hearing it.
Even when walking past him and away, you could still feel his gaze upon you, eyes boring into your back. You cast a quick glance over your shoulder to confirm he was watching you go. A small smile appeared on his lips when he saw you looking and you returned it.
And then you were round the corner and gone.
You tried desperately to get Albert off your mind after that because you knew you needed to focus on your date.
Arthur was waiting two streets away, hands in his pockets and a puppy smile on his face when he saw you arrive.
“There you are,” he said when you came within his reach. With a bright smile, he circled his arm around your waist, leading you away while whispering sweet words about how he’d missed you in your ear.
You let him guide you away, hand on your pocket to conceal the forbidden number of a man you should try to forget.
While Arthur led you to a small and cheap coffee shop, elegantly opening the door for you, a black van slowly passed by, slowing down even more when it came up behind you. You hardly noticed it, too busy as you were being focused on your date. Arthur was making you laugh, doing one of his silly clown moves. Even in his ordinary clothes, you could see the clown in him.
And even if you had looked over your shoulder to see the black van parked in the middle of the street, you still wouldn’t have been able to discern the grim expression hidden by a layer of white makeup and black sunglasses, or the way the man’s hands gripped the steering wheel until his knuckles turned as white as the makeup on his cheeks.
You were oblivious to what you had started.
The beast of desire was unleashed. And one day, you would feel the brunt.
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melxhunter · 6 months
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I feel like there are a lot of people out there who needs to hear this:
If you dropped out of school because of diagnosed (or undiagnosed) ADHD, Autism, ADD, OCD, Dyslexia, Anxiety, Depression, Bipolar disorder, psychotic disorders, schizophrenia etc… You did not fail. The education system failed you.
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aitadjcrazytimes · 5 months
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obsob · 1 year
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love is stored in the parallel play
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stuckinapril · 27 days
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I love Tumblr because nothing matters here truly. There are no influencers. Having followers doesn’t mean anything. It’s just a site where people post their sporadic thoughts and rb pretty pictures. Anyone who thinks any of this matters is woefully missing the point
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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do-rey-me · 5 months
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if murderbot learned what autism was i truly believe itd go "wow humans are so ridiculous they cant even agree on their own stupid human social rules" and then never think about that or its possible relation to its own behaviors ever again
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minxinq · 6 months
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(requests) estrogen truly saves lives
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samipekoe · 3 months
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woke up w a vision today
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myoonmii · 11 days
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I think the downright most horrific and brutal detail in the show is that Kilgharrah actually used Merlin to make sure Arthur's death happened with the pretence of protecting him
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s0fter-sin · 1 month
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
#in my head its bc graves abducts his sister and is using her as hostage to draw him out knowing ghost will always follow him#but the intensity and intimacy of saying ‘you cant trust your mind not to betray you so let me be in charge of your body until you can’#after what happened to tommy he could never deny johnny his right to save his sister#but its bc of what happened to tommy that he knows he cant let him do it alone with only his rage to guide him#hes more likely to get himself killed and ghost wont live through that#so he has to balance it#and the only way he knows how is to completely shut down soap’s mind until hes no more than instinct and muscle memory#if he cant think practically then dont let him think at all#reduce him to a place where he can only follow orders#and when its finally over and his sister is safe and graves is dead#only then will he drag johnny back up to the surface#he’ll do it even if it means dragging him kicking and screaming back to humanity#instead of letting him sink in the depths where nothing hurts. theres no fear down there. no pain. only order#and thats the risk ghost took sending johnny to that place but he only did it bc he would stop at nothing to bring him back#and help him through the after#the breakdown. the rush of panic and rage and relief and anguish johnnys been supressing on his order#it was his word that turned johnny into a ghost#and its his touch that brings him back to the man#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#cod#soapghost#ghostsoap#ghost x soap#ghoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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witheredhope2007 · 2 months
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hi. fnaf hw2 fun. here is sun dressed as a vocaloid figure. thank you
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nordidia · 2 months
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having a very rough night so raph doodles needed to be made
when in need, mash two interests together
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leenfiend · 10 months
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Keith is trying :)
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starry-bi-sky · 4 months
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more clone^2 memes because i think they're funny
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#dpxdc#dp x dc#dp x dc crossover#dpxdc crossover#dpdc#clone^2#danny fenton is not the ghost king#so canon to clone^2 and clone damian the portal that ends up transporting damian to amity park is left pr ambiguous#so really how he got there could be one of many things whether it be through divine intervention or clockwork's doing or hell#it could've also been quite literally the 1 in 1 millionth chance that a natural portal opened up beneath him and sent him to amity#and was a happy accident#but the idea that the laz pits or another adjacent such entity heard damian wanting an older brother (he meant og damian but oops never-#specified) and then sends him to the one person who could fulfill that wish and make him happy at the same time.#was really funny to me within the context of the lilo and stitch meme. the meme can also be seen the other way around with danny as lilo#and damian as stitch. but danny being stitch was infinitely funnier and ~technically~ more accurate imo#danny technically IS a nice angel but also. he's a developing menace to society (just ask wes) and he's going to make damian one too#danny being from the midwest means he has a midwestern accent and thats not something the bats know how to handle when they finally meet hi#hey look at that! my meme making skills are steadily improving. im no longer making the same joke six different times in different formats#those first two images i made a few days ago the rest i made in the last thirty minutes in a spur of clone^2 induced inspiration#and procrastination of writing the cfau rewrite of the first post. we are 10k words deep folks and just barely got past the 1st gala reunio#dunking on the giw is a god-given right and danny WILL pass it down to damian
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crybaby-bkg · 4 months
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you know what’s absolutely terrifying???? having to cut a baby’s nails………
Katsuki has to cut your baby’s fingernails when he discovers a tiny little scratch by her eye one morning. it’s barely there, a small thing, but it’s there, marring her little face nonetheless. he frowns at her when he holds her the next morning, her dreamy eyes alert and blinking up at him, she smiles.
“Now I gotta cut yer claws down,” he mutters to her, voice quiet as to not wake your sleeping form in the bedroom. he pads throughout the house with her chubby face resting on his shoulder, her gums gnawing at his bare skin, but he doesn’t seem to mind it.
he finds himself in a conundrum though, once he realizes just how fucking—how sharp the damn clippers are. they’re tiny, lavender in color, but they’re meant to cut though the nail with such precision. and yes, he’s a pro hero, has had to adopt the title of EMT, firefighter, emergency surgeon a few times in his life when need be.
but…those people weren’t his baby girl. they weren’t this tiny and precious, and they never looked up at him with a face so similar to his, it makes his heart squeeze tight in his chest. he frowns at her again, even deeper, and this makes her hiccup a little giggle, gummy smile spreading wide.
“You’re only gonna wear mittens from here on out,” he grumbles after a while, finally daring to pick up a tiny hand that she instantly curls around his thick finger. it’s the cutest image, he thinks to himself, but he catches sight of the jagged nail, the culprit. his heart squeezes even tighter though, when he realizes that he can’t protect her from every hurt in the world, even if the hurt comes from her own hands. and the realization is an aching one, but he tells himself that he, at least, can patch her up.
you walk in minutes later, find Bakugou curled over your daughter in the rocking chair he built for her room. his tongue pokes from the corner of his mouth in concentration, his eyebrows furrowed. your daughter babbles to him the whole time, her sweet voice cooing the softest little noises that he responds back to.
“I know, I know,” he mumbles to her. “Ya don’t like baths, and don’t like your nails cut, either. What other shit do you hate, huh?” he asks, and she seemingly responds with a long, sighed out coo. it makes him smile, despite the way his hands slightly shake when he cuts the next nail. he’s terrified, of somehow hurting her even more, of cutting too close, of scratching her. but he treks on, and kisses her fat little fingers every time he clips another nail.
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