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thisisgraeme · 1 year

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Drum & Drummer - Exciting New Release from THISISGRAEME Music

Embark on a rhythmic journey with Drum & Drummer, the latest creation by THISISGRAEME. Immerse yourself in the enchanting sounds of African rhythms and pulsating beats, combined with a touch of something special. Get ready to groove and uncover the pun...

Drum & Drummer is out…! I’m excited to share with you one of my latest creations, Drum & Drummer! It’s another instrumental drum and bass track that I’ve poured my heart and soul into, and I hope you enjoy it as much as I enjoyed making it. If you’re a fan of my music, I’d love it if you could help me get more exposure by doing any of the following: FOLLOW my artist profile on Spotify,…

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rachymarie · 3 months

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In artistic news I've decided I've gotta take some nude photos for artistic reference so I can learn to draw curvy/chubby bodies better because the identity crisis is real when I hit pen to paper and can't draw anything other than my old stereotypically beauty-standardized body

All my life I've been able to just sketch out a stereotypically beautiful body just like that. I am coming to terms with my internalized fatphobia and I see why there were so often designers on the likes of Project Runway who defaulted to designing for a thin body. Cos it's easy. Of course they didn't need to take it further and voice their disdain for thicc girls so outright and make said thicc girls feel awful/be treated poorly yet again by an idealistic society.

Time for creative evolution baby

It's all about loving and respecting yourself in whatever body you are living in, you don't get another one

#your body carries you through this life #treat it with kindness #don't be mean to it #body posi #body positivity #fashion design #fashion #creative aspirations

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blue-eyed-author · 6 months

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Writing rule:

Every character who speaks gets their own paragraph. If two characters are talking, each time they switch you must create a new paragraph.

Do not add more than one characters’s dialogue into a single paragraph or it will be too confusing for the reader.

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fanyawrites · 3 months

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Hey, you wrote today! Congratulations! It doesn't matter if it's 1000 words or half a page. You still did it, you're moving forward! Keep going!

You've got this ⭐

#writeblr #writers on tumblr #writerscommunity #creative writing #writerscorner #aspiring writer #novel writing #writer community #writer problems #writers and poets

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novlr · 1 year

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How to write charming characters

With both positive and negative aspects to their personalities, charming characters can be difficult to write convincingly.

Whether you're writing a romantic love interest or a compelling con man, here are some examples for giving your charming characters depth.

How do they behave?

Attentive listeners: they pay close attention to people around them

Take pride in their appearance

Are happy to share personal space

Speak with a strong voice and an energetic tone

Are often hospitable and give off an air of welcome

Always give the impression that they are happy to see you

Demonstrate empathy

How do they interact?

Have a firm handshake and make strong eye contact

Are often encouraging

Compliment freely

Use humour to create a fun atmosphere

Communicate physically (through touch and gesture)

Make a point of using a person's name

Initiate conversations

Describe their body language

Have a relaxed stance with a straight and confident posture

Inclusive and attentive

Mirroring: they will mirror the body language of the person they are interacting with

Will lean forward to show attention

Lightly touch to create connection

A slight head tilt to show interest

Rarely cross their arms or legs

Maintain eye contact

Describe their attitude

Carefree

Good sense of humour

Friendly and playful

Self-aware

Opinionated and confident

Exhude an impression of honesty

Good intuition

Highly social

Polite and respectful

Eager to please

Potentially manipulative

The positive aspects of charm

Charming characters put people at ease, praise them freely, and boost their confidence. They make friends easily, talk their way to favourable resolutions, and are often the centre of attention.

They have impeccable grooming, conveying trustworthiness and concern for others, leading to a sense that they have your best interests at heart.

The negative aspects of charm

A charming character can manipulate others for personal gain. They can be overbearing, exerting their will on less confident individuals.

Their charm often draws focus, making others feel inferior, making them perfect for a protagonist to exhibit personal growth, or for a villain that a reader will fall in love with.

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taytjiefourie · 2 years

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Showing when writing: Emotions [part 1]

Embarrassment

blushing

fidgeting

sweating

hiding their face in their hands

wide eyes

crossing their arms around their body

stutters

stammering

shifting their weight from side to side

exaggerated movements

nervous quirks appear such as picking at their nails, playing with their hair, and rocking on their heels.

avoiding eye contact

glancing or staring at random objects

stiff smiles

scratching the back of their head or neck.

subject changing

forced laughter

Anticipation

big smiles

wetting their lips

energized

constant movement

grinning

can't concentrate

clumsiness

fidgeting

questions

Awe

frozen

wide eyes

slack jaw

harsh or erratic breathing

grinning

staring

Surprise/shock

gasping

open mouth

slack jaw

wide eyes

covering their mouth with their hands

raised eyebrows

frozen

staring

stepping back

stutters or stammers

Triumph

Tilting back head and yelling out

fist pumping in the air

Jumping

Roaring

Whooping

laughter

bright smiles

grinning

Anger/Threatening

Shaking fist

Pointing

crossed arms

glares

frowning

scowling

Stabbing with finger

Slamming fist against something

Veins throbbing

Jutting out their chin

Clenched fist

Clenched jaw

flushed face

Eyebrows lowered or furrowed

squinting

Teeth bared

Wide stance

Tight-lipped smile

Rapid breathing

Sweating

aggressive stance

Flared nostrils

Puffed chest

loud voice

Nervous

lip biting

biting nails

blinking

tears

stepping back

awkward laughter

clumsiness

dry lips

dry mouth

fidgeting

darting eyes

wrapping their arms around themselves

repeatedly folding and unfolding their arms

clutching at themselves, their hip/shoulder/stomach

drawn in/furrowed brows

avoiding eye contact

jittery

pitched voice

no appetite or nervous eating so a bigger appetite

pacing

toying with things

restless

bouncing leg

rubbing at their face

scratching

sweating trembling

Hey there! I'm excited to share with you a new series I've created on Show Don't Tell. In this series, I dive deep into each emotion individually and provide a detailed list of ways to show it through body language, action, setting, and more. The first emotion we're exploring is Envy, and I promise you won't want to miss it! Check it out and let me know what you think. And if there's an emotion you'd like me to cover next, don't hesitate to leave a suggestion in the comments. Can't wait to hear from you!

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thewriteadviceforwriters · 1 month

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Hiii, I just dicovered your acc and i'm loving it 🥰 I have this lil problem where I have in mind and write scenes but without a plot. And I'm very fond to the characters so I can't put them into a plot because I don't want them to suffer or a think if they do suffer it'll we forced and too much. Any tips for that?

How to Plot A Novel If You Only Have Characters & Scenes

So, you have a great cast of characters and some exciting scenes in mind, but you're struggling to put them together into a cohesive plot. Don't worry, you're not alone. Many writers struggle with plotting their novels, especially when they have a strong focus on characters and scenes. I have also been facing difficulties with this recently. But fear not, in this article, I’ll help you explore how you can plot a novel even if you only have characters and scenes to work with.

Why Is Plotting Important?

Before we dive into the how, let's first understand why plotting is important. A well-crafted plot is the backbone of any successful novel. It keeps readers engaged, creates tension and conflict, and ultimately leads to a satisfying resolution. Without a strong plot, your novel may fall flat and fail to capture the attention of readers.

Types of Plots

There are many different types of plots, but they can generally be categorized into three main types: character-driven, plot-driven, and hybrid.

Character-driven plots focus on the internal struggles and growth of the main character. The plot is driven by the character's desires, flaws, and decisions.

Plot-driven plots focus on external events and conflicts that drive the story forward. The characters may still have their own arcs, but the main focus is on the events and how they affect the characters.

Hybrid plots combine elements of both character-driven and plot-driven plots. They have a balance of internal and external conflicts that drive the story forward.

Understanding the type of plot you want to create can help guide your plotting process.

How to Plot A Novel with Only Characters & Scenes

Now that we understand the importance of plotting and the different types of plots, let's explore how you can plot a novel with only characters and scenes.

Start with Your Characters

Since you already have a strong cast of characters, it makes sense to start with them. Take some time to fully develop your characters, including their personalities, motivations, and flaws. This will help you understand how they will react in different situations and what conflicts they may face.

Identify Your Main Conflict

Every novel needs a main conflict that drives the story forward. This could be a physical conflict, such as a battle or a chase, or an emotional conflict, such as a character's internal struggle. Identify what the main conflict in your novel will be and how it will affect your characters.

Create a Story Structure

A story structure is a framework that helps guide the flow of your novel. It typically includes the beginning, middle, and end, and can be broken down further into acts or chapters. Creating a story structure can help you see the bigger picture of your novel and how your characters and scenes fit into it.

Map Out Your Scenes (High Priority) 🚩

Now it's time to map out your scenes. Start by listing all the scenes you have in mind, even if they are not in chronological order. Then, arrange them in a logical order that makes sense for your story. This may require some rearranging and tweaking to ensure a smooth flow of events.

Connect Your Scenes with Conflict (High Priority) 🚩

Once you have your scenes in order, it's time to connect them with conflict. Every scene should have some form of conflict, whether it's internal or external. This will keep readers engaged and drive the story forward. Look at each scene and identify the conflict present, and how it connects to the main conflict of the novel.

Create a Character Arc for Each Character

As your characters go through different conflicts and events, they should also experience growth and change. This is where character arcs come in. A character arc is the journey a character goes through, from their initial state to their final state. Create a character arc for each of your main characters, and make sure their actions and decisions align with their arc.

Add Subplots

Subplots are smaller storylines that run parallel to the main plot. They add depth and complexity to your novel and can help develop your characters further. Look at your characters and see if there are any side stories or relationships that could be explored in a subplot. Just make sure they tie back to the main plot in some way.

Use Plotting Tools

If you're struggling to put all the pieces together, consider using some plotting tools to help you. There are many resources available, such as plot diagrams, beat sheets, and storyboards, that can help you visualize your plot and ensure all the elements are in place. If you need help with scene structure use my new scene workbook here.

Real-World Examples of Plotting with Characters & Scenes

One example of a novel that successfully uses characters and scenes to drive the plot is "To Kill a Mockingbird" by Harper Lee. The main conflict is the trial of Tom Robinson, but it is the characters, particularly Scout and Atticus, and their reactions to the events that drive the story forward.

Another example is "The Hunger Games" by Suzanne Collins. The main conflict is the Hunger Games themselves, but it is Katniss' internal struggle and her relationships with other characters that keep readers engaged and invested in the story.

Final Thoughts

Plotting a novel with only characters and scenes may seem daunting, but with the right approach, it can be done successfully. Start by fully developing your characters, identifying the main conflict, and creating a story structure. Then, map out your scenes, connect them with conflict, and create character arcs. Don't be afraid to use plotting tools to help you along the way. With these tips, you'll be on your way to crafting a compelling plot that will keep readers hooked until the very end.

If you require assistance with developing your scene structure, you can access my Scene Workbook for Writers at no cost.

I am sorry to the individual who sent me this question. I have a lot of questions in my Tumblr inbox and have only recently come across this nice question. I apologize for the 4-month delay.

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coralineconnor · 6 months

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The struggle having autism and being a writer is real. You be searching for hours on Google, trying to figure out what a certain feeling/emotion is, because you can't identify emotions yourself, so Google becomes your best friend and dictionary.

#autism #actually autistic #being autistic #autistic things #autistic experiences #autistic artist #creative writing #writer #autistic #asd #neurodivergent #nerodiversity #autistic problems #aspiring writer

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theaawalker · 1 month

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Only Fools Fall in Love | Steddie Imagine

Pairing: Steve Harrington & Eddie Munson Song Inspo: Andrew by Ben Platt Word Count: 2,574 Summary: Steve Harrington has a crush on Eddie Munson. Eddie Munson has a crush on Steve Harrington. Neither of them want to address it for various reasons. They're just two idiots in love. Warnings: angst, slowburn Masterlist: see fandoms (pc-friendly)

After defeating Vecna and barely escaping the upside down, Steve knew his life was never going to be the same again. He no longer had the pleasure of being blissfully unaware of the darkness that surrounded Hawkins. He knew about the creatures that lurked in the shadows. Knew how powerful they were and the amount of damage they had caused to their little town, how many lives were lost in the mix of creatures that were never supposed to exist.

They were supposed to be fiction, stories told to kids to keep them in their homes at certain times, to scare them into staying safe and not wondering into the forest alone at night. Unfortunately, those things were very real, too real for Steve's liking.

Some days he wished to be one of those dense high school kids who only cared about their reputation and didn't know what was happening in the world around them. He wished to be like the old Steve, the one who only cared about hooking up, parties and Nancy Wheeler. He loved her in a way he never thought he could love; she awakened something in him that he didn't know existed. Then she was ripped out of his life without even the slightest warning, she left him, she didn't love him. She said it was all bullshit. They were bullshit.

He knew now that she was right about it all, they were bullshit. Neither of them were ready or mature enough for a relationship, they were too different, too young and too foolish. Nancy was better with Jonathan, they had bonded over their trauma and Steve was jealous at first, but after seeing that massive smile on her face, he knew that she had exactly who she needed. It stung, seeing them together, they were everywhere he went, and he hated it. So, he went to parties and got piss drunk to forget and occasionally he stopped by that disgusting trailer park to buy from Eddie Munson.

Eddie "The Freak" Munson was the best dealer in town, he always had a fixed supply unlike some of the other idiots who couldn't keep up with the demand. Steve didn't necessarily like Eddie that much, he was too loud, too dramatic, too all over the place and too different. He was what Steve never could be, unapologetically different.

He never apologized for being who he was, he never cared what anyone thought or said about him. In fact, he played into it, he wore the term 'Freak' like a badge of honor and used it to scare off any potential threats. It worked most of the time, while people found him annoying, they never did anything to psychically stop him.

That irritated Steve even more. Eddie got away with being himself. Steve wished he could just exist without the fear of getting judged or trampled on. So, he worked his way up the high school ranks and became King Steve, someone everybody wanted to be or be with. None of it was true though, he was never a king. He was never any of the things they made him out to be, well except a douche. He was definitely a douche.

So now, two years after graduating high school, he had finally accepted that life was never going to be easy for him. He would never get to be his true self in front of everyone, he would never get to show the real Steve to all of Hawkins. He'd probably get beaten up or killed for it to be fair.

"Hey dingus" Robin's voice broke through his train of thought, "stop staring into space, we've got customers to attend to."

He shot her a glare before turning to the customer at the register who was returning some of the tapes she rented. His face softened when he saw the girl staring at him nervously.

"Sorry about that," he stated, "will you be renting anything else today, or just returning?"

The girl shrugged, twirling a piece of her blonde hair around her finger, "I haven't decided yet, I still have to have a look. Any suggestions?"

"Uh... Fire With Fire seems to be a hit right now, it's in the romance section"

"Are you into romance?" She asked in what he assumed was supposed to be a flirty voice.

He shrugged, "not really. I just watch whatever, but I've heard it's a good movie." He turned to Robin and smirked, "Rob and I are actually going to watch it together tonight."

A deep red blush covered the girl's cheeks at the thought of flirting with a taken man, "I'm so sorry, I have no idea."

Steve waved her off, "it's okay, happens to the best of us."

Robin scowled at him as the customer scurried away after deciding that she definitely wasn't going to rent Fire With Fire now. She thanked them and nearly ran out of the store.

"Really Steve. Using me as your repellant. Usually, you manage to get rid of the girls just be being yourself." she teased before going to the back and adding another strike under the 'You Suck' column.

Steve sat on the counter and watched her return from the break room, he wanted to tell her the truth, but he has been struggling to get the words out for the last year. It was scary being open like this, having someone know everything about you was terrifying and he didn't want it to change anything between them. She was his best friend and he loved her. He didn't want this stupid shit to come between them, he didn't want to lose the one person who understood him the best.

Losing Nancy was hard but losing Robin would probably kill him, she was his biggest support and he truly appreciated and cherished their friendship. What started out as a stupid crush on his coworker quickly turned into the most meaningful friendship he has ever had. The possibility of losing that scared him more than the monsters they faced over the last three years.

"Steve. Seriously what's up?" Robin spoke up again, a concerned look on her face, "you've been spacing out all day and you keep getting this look on your face that looks like you want to do something stupid and it's freaking me out. Are you okay? Is it Vecna? Is he still alive? Is it me? Oh god. Did I do something to make you hate me and now you want to quit your job and move away and never see me again. You've probably already packed to leave and now you're trying to think of a way to break it to m–"

"Robin, breathe. God. I'm not going anywhere" he cut her off, "I've just got a lot on my mind, and it doesn't have anything to do with Vecna or the upside down or any of that crazy shit. I'm just trying to figure out a few things."

She nodded "sorry. I got a little carried away."

They shared a laugh before going silent again, a comfortable air settling between them as they got back to work. It was a relatively quiet day in Family Video, so they didn't really do much and soon their shift came to an end and Steve got ready to lock up while Robin waited in his car.

"Hey Harrington, fancy seeing you here" he heard a familiar voice pipe up behind him.

"I work here Eddie" he said flatly.

Eddie tsked, "I'm well aware of that Stevie, I was just being courteous."

"Stevie?" He questioned.

He and Munson became kind of friends after the whole Upside Down incident. Watching Eddie nearly bleed to death made him realize that he came to like Eddie in the short time they spent together. He learnt a lot about the guy while running away from Vecna and the enraged townspeople who believed that Eddie was a satanic murderer.

The stakes were high but somehow Eddie always managed to inject humor into every situation to make it feel a lot less intense. He had a way of making people comfortable around him, of making them feel at ease. It was surprising yet welcomed at the time and watching him so close to death made the entire gang realize how much Eddie Munson truly meant to them.

He was one of them now, a part of the club, a trusted member. So, it wasn't weird for him to be here, speaking to Steve.

"Well Stevie, I figured since we escaped death together and kicked Vecna's tentacle ass we're basically friends now. There's nothing wrong with giving your friend a nickname now is there, Steve? "

Eddie had that wide eyed look on his face, the one that made Steve squirm in place, his stare was always intense. Steve felt as if he was staring into his soul, trying to unravel every dark secret locked up inside of him. Yet the casual smile on his face said the opposite, it contradicted his beady eyes in the best way possible. The perfect balance of intense and soft, which was exactly how Steve would describe Eddie.

He cleared his throat, trying his best to ignore the slight warmth in his cheeks, "uh. Sure. Yeah. Stevie... I like it"

Eddie chuckled at his flustered state, "I actually came by to invite you and Robin to a movie night at my place. Tomorrow at 7, don't be late Harrington."

Steve watched him walk off without waiting for a response, and while he tried to mill over everything Eddie said, he only managed to get stuck on the fact that Eddie referred to him as 'Harrington' again. He wasn't sure why it upset him that much, it was his surname after all, but after being called Stevie, hearing his last name out of Eddie's lips no longer sounded right.

He wanted to be called Stevie. He wanted Eddie to call him Stevie every day, because the way he said it made his stomach do the slightest flip. The way he drawled it out in that raspy voice of his, made it sound so much better than it would sound if anyone else said it. He wanted to be Eddie's Stevie.

That thought stumped him, because he had never thought of another guy like that. He never felt that happy to hear a guy give him a nickname. But to be fair, Eddie Munson wasn't just another guy. He was different. Special.

Tuesday came rolling around and Steve was on edge the entire day, he had hung out with Eddie before, but this somehow felt different. So much so that he was nervous and jittery the entire day and Robin teased him about it at every chance she got.

"It's just a movie, Steve, why are you freaking out?" She questioned, "We hung out with Eddie before, and you always enjoyed it. You know better than anyone else, that he's not what the town makes him out to be."

"I know that, Rob. That's not the issue, it's just different this time and I don't know how to explain it. Like it's been a year since all that crazy shit happened and I'm still adjusting to having Eddie around more."

"Do you not want to hang out with him anymore?" she moved around the store sorting tapes while they spoke.

"No!" he said louder than he meant to. "No... I like hanging out with Eddie, he's fun. It just feels different. I don't know how to explain it."

"Well, you have all the time in the world to figure it out. Now that the world isn't ending anymore you can think about whatever it is you're feeling and deal with it when you're ready."

He nodded; she was right. There was no rush to figure his stupid thoughts out, all he had to do was get through tonight. He was nervous for some reason and kept wondering who would be there, would Eddie have invited Nancy and Jonathan as well?

He didn't know if he wanted an answer to that question right now. Being unaware was a blessing in certain situations.

Steve stepped into Eddie's new trailer and settled down beside Robin, a smile plastered on his face as he turned to Nancy and Jonathan who were squeezed together on a love seat. The government helped clear Eddie's name and gave him and his uncle a brand-new trailer in a more reserved side of town. It was bigger and it was fully furnished so it quickly became their hang out when they wanted to escape reality for a bit.

Steve raised a brow at Robin when Vickie made her way into the trailer after them.

"Did you know she was coming?"

Robin leaned closer and whispered her response, "yeah. I invited her. Hope you don't mind?"

Steve shrugged, "of course I don't mind. I'm glad you finally upped your game, Rob." He teased.

"Shut up. You can't even get a date." She bit back, motioning for him to scoot over so Vickie could squeeze in the seat beside her.

Eddie came back into the room with beers for everyone and a few rolled up joints, he passed the beers around and sat next to Steve.

"Hope you don't mind our medicinal addition, it helps mellow us out a bit" he said to Vickie, a charming smile on his face.

Steve felt a tinge of jealousy shoot up within him when Vickie giggled and told him she didn't mind at all. It was stupid of him to get jealous over something that simple, but he managed to convince himself that he was only pissed because Eddie shouldn't be putting moves on Robin's date.

Eddie noticed the look on Steve's face, his brows all scrunched and the slightest pout to his lips. He looked adorable, like an angry kitten, Eddie wanted to kiss that stupid little pout away.

He always had a slight crush on Steve "The Hair" Harrington. Who didn't? Steve was hot, with his perfect hair, those big brown eyes, that amazingly toned body and that gorgeous smile that he flashed Eddie with whenever Eddie teased him too much. Steve was perfect and Eddie struggled daily to keep his feelings in check. He didn't want their blossoming friendship to fall apart simply because he couldn't keep it in his pants. Plus falling for straight men was a big no in the Munson doctrine so he had to stick to his rules and keep whatever playful banter they had going on extremely platonic.

Although a little teasing never hurt and seeing Steve blush was always worth it, so he leaned forward and whispered, "Is that jealousy I'm detecting? Wipe that pout off your face. Vickie's got nothing on you, big boy."

Steve felt his face heat up and bit back the smile that threatened to pull at his lips. His stomach did an entire back flip at the tone of Eddie's voice. The hairs on his neck stood up as his breath hit his skin. His entire body went rigid as the words big boy slipped out of Eddie's mouth again. This was the first time Eddie had said it since the upside down and somehow it felt more intense now, it felt different.

Eddie Munson would be the death of him and based off the smug smirk on his face, he definitely knew what he was doing.

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blue-eyed-author · 7 months

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Dear fellow writers,

‘Said’ is beautiful. Please use it more. It isn’t anything to be feared of hated. It’s not boring or overused. It makes all the other dialogue tags more special when they’re used on occasion.

‘Said’ makes your writing less cluttered. It can be a simple way of reminding the reader who is talking without bombarding them with synonyms.

“Use it along with action to make it more interesting,” she said, picking up her pencil.

He smirked, and said, “Or with expressions and body language.”

“Or,” she said, “just as a quick reminder of who is talking.”

“And if you know who is talking, a dialogue isn’t always necessary.”

Of course you can use other dialogue tags, but please don’t exclude ‘said’. It’s heartbroken from being ignored.

‘Said’ is beautiful.

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fanyawrites · 3 months

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writing is more or less about getting a GREAT idea for a plot, amazing characters, beautiful locations, rare and meaningful names...and then realizing that you actually have to write a whole 300 pages book about all of this.

#writeblr #writers on tumblr #writerscommunity #creative writing #writerscorner #aspiring writer #novel writing #writer community #writer problems #writers and poets #writers of tumblr #writer's block

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novlr · 1 year

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I need a word for horny but not in a sexual way more just like wanting kisses and hugs and affection or something

This is a great question! The best way to write about desire in a way that makes readers feel invested is to write around it.

Instead of using just a single word, use language that hints at something simmering below the surface. That way, you build tension for your readers, making them invested in the outcome of your characters' relationships. Here are some tips for how to write romantic desire in various ways (including some handy synonyms at the end as well).

Unconscious movements

Covert glances

Licking and biting lips

Mirroring the other's movements

Parting or crossing of legs

Touching one's own skin

Swallowing more than usual

Blinking rapidly

Short breaths

Playing with one's hair

Fidgeting

Leaning closer than usual

Internal feelings

A fluttering heartbeat

Comfort in the other's presence

Knots in your stomach

The sensation of other sounds being muffled

Nervous tingling

Short of breath

Hypersensitivity

Sudden weakness

Thumping pulse

Emotional overwhelm

Goosebumps

Behaviours

Surrounding oneself with reminders of the object of desire (like things that smell of them, or an object they hold dear)

Creating reasons to spend more time with the other person

Loss of inhibition

Impatience and irritability

Setting active goals to attain the object of desire

Conscious and subconscious fixation

Changing oneself to better suit the other's wants

Feigning other interests to promote jealousy

Showing resolved desire

Finally feeling personally fulfilled

A sense of calm and peace

A shift in focus from pursuit to personal happiness

Feelings of contentment

A change of life priorities

Feeling like an obstacle has been overcome

A more relaxed manner or expression

Personal and romantic growth

Showing unrequited desire

Pining for lost love

Frustration and anger

Bottling one's feelings

Living in denial

Feeling rejected

Falling into a personally damaging pattern of pining for the wrong people

Strained friendships

A sense of disconnection and isolation

Some handy synonyms

Craving

Longing

Yearning

Wanting

Hunger

Thirst

Covet

Infatuation

Obsession

Attraction

Passion

Fascination

Lust

Pining

Aching

Burning

Need

Love

Devotion

Rapture

Appetite

Frenzy

Frisky

Amorous (thank you, @quotidias, for the contribution!)

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