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penguinsfly · 3 months

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I unfortunately saw something I didn't want to see and that was my last straw. I'm fucking doing this.

Let's establish this first. Alastor is stated in the show to be asexual that is not up to discussion. He is also very heavily implied in the same conversation to be aromatic. 'An Ace in the hole' being used in context of him being with Charlie is also implying his aromanticism.

VIDEO

If that's not enough then here is Viv speaking about his romantic orientation. It's pretty clear despite the fact that afterwards she said it's okay to headcanon whatever (it's not but I will get o that later) that he is written purely as an aro ace character.

On top of that going by Alastor's interaction with Angel from the pilot and the first episode it is clear that he is sex repulsed. Not only that but on the fandom website he is stated to be touch averse with two sources which you can check out on the website.

Hazbin hotel wiki, Alastor page

Now we established that Alastor is canonically Asexual, Aromantic, Sex Repulsed and Touch Averse

As I also am all of the above I'll try to explain everything to the best of my ability as simply as I can.

Aromanticism and Asexuality.

I'm probably targeting the audience that knows those terms but regardless I will explain it anyway.

Aromantic - people that experience little to no romantic attraction towards any gender

Asexual - people that experience little to no sexual attraction towards any gender.

Little to no

Asexuality and aromanticism are spectrums in which people can feel certain attractions towards people but those attractions are less occurring or are defined by personal connection.

Diagram from AVEN website

However some people are at the end of the spectrum, they never felt attraction and that's valid. Alastor was stated to be aroace he wasn't written as demi or as gray he was written as aroace as in the end of the spectrum. His repulsion and not giving shit about romance or sex speaks for itself.

Representation

I do understand that everyone wants to be represented but it's so important to understand that aroace people are one of the most underrepresented queer groups in the media.

And I'm not here to scream about how I want my fav character to be just like me I don't care for it I'm way too confident in my orientation to rely on that however I'm tired of explaining to people what asexuality and aromanticism is just to receive 'are you sure' or 'you'll change your mind' or 'its not real' or the community favourite 'you'll find the right person' no I won't I'm not looking thank you very much (I just smile and nod to be polite and I'm sick of it).

'Harmless' buts like: 'He might be on the spectrum', 'AroAce people can still feel attraction' hurt the final outcome for all the people on the spectrum not only strictly aroaces because it allows people to write one shots with 'Demi Alastor' that falls in love in 2000 words because he is 'demi' (spoiler alert: they don't understand what that label means). It's just a cover, an opening, sneaky way to disregard his orientation, feel good about themselves and move on. Newsflash there is no moving on for aroace people it's our life.

Shipping

Shipping is just harmless fun right? Usually yes but not in this case. In the same way its not okay to ship gay characters with genders they are not attracted to.

It's erasure and since there is much less people identifying on aro/ace spectrums then there is gay or bi people our voices are being silenced. Not to mention that gay people received support from entire LGBTQIA+ community over the years in contrast to aro/ace specs who to this day are told that we are 'not queer enough' or 'not oppressed enough' often by other queer people.

And finally... FINALLY we get cannon Aro/Ace character that is clearly not interested in romance and sex. Character that beats stereotypes of boring and timid aro/ace people and what's the first people do? They ship him. Alastor's storyline provides so many points to be explored like 'what is his backstory', ' what's about his deal', ' how does he fit in in the found family trope' , 'does he care about hotel guests' yet people choose to write about the only thing that he is not interested in. As a heavily repulsed person that used to be horrified about the fact that I'll have to fall in love with somebody at some point before I found out what aro/ace is I find it repulsive and trust me he would too.

But Viv said it's okay!

Its the same point once again. What if Viv said that it's okay to ship gay Angel with woman. She doesn't have authority to say shit like that.

Queerplatonic relationships

I can't tell you not to do it I don't think he would be necessary interested in it but for fuck sake do your research and try to understand what queerplatonic means before you use it as a cover to shamelessly ship him. Respect the fact that he is sex repulsed and touch averse and you're fine.

Why can't you just avoid it?

First of all I shouldn't have to. Alastor's orientation should be respected in the fandom like any other orientation is. Second of all I've tried. I tried to only look up AroAce Alastor tag I've blocked over 80 people on tumblr alone (I just counted) to avoid to see anything that could trigger me and I'm not talking about slightly shippy posts or fanarts I'm talking about full blown disregard towards his orientation. Guess what it didn't work!

Archive of our own where do I start. I've used this website for over a decade and I could probably count days I didn't go there on my fingers. I'm fluent in AO3 I know which tags I should block. I know how to skim thorough the summary and tags to see if I'm interested. I've seen shit I'm a shipper I've been on ao3 for ten years but never had to mentally prepare myself to face queerphobia as I click on the tab.

Just use aro/ace Alastor tag.

I do and let me tell you people can't tag for shit or they just pretend to be clueless at this point. Besides see this?

there is more ff with Alastor/reader (disgusting) than there is Alastor with his canon orientation and to play the devils advocate for arophobic people there is more Angel/Alastor then his stated in the show sexuality. I understand that fandom goes back before the show was aired but Viv confirmed his orientation back then too.

Summary

I could go on and on bout different issues and maybe I will in the future but I'm not wasting anymore of this weekend on it. I'm ready to answer any questions as long as they are respectful.

I'm aware that he is a fictional character, it doesn't affect him in any way whatsoever but it does affect aromantic and asexual people keep it in mind.

If there are any mistakes grammar related I'm not sorry I'm fluent in English (not my first language) but I took 3h nap in between and I'm sleep deprived.

Have a nice day.

#alastor #aroace alastor #hazbin hotel #aromantic #asexual #aromantic alastor #asexual alastor

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madlori · 20 days

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Here's where I am with Buddie.

[CW: I am using the Buddie tag on this post, even though the gist of it is that I'm increasingly doubtful that it'll ever happen. This is NOT an anti-Buddie essay. If you'd rather not read about this topic, please keep scrolling. The bulk of the essay is behind the cut.]

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I've thought a lot about this over the weeks since 7x04 aired. It's not a secret that I'm wildly enthusiastic about the BuckTommy pairing (as are many fans) but what does that mean for my thoughts and opinions about Buddie, a pairing I still love and for which I am still writing fic (slowly but surely…)?

It's become increasingly difficult to reconcile hopes for Buddie with dread for a BuckTommy breakup, but if the show managed to pull off a breakup that did not destroy me, I would still be all in for a Buddie endgame.

But more and more, I don't think it's in the cards, and I'm increasingly okay with that.

First off, I know it's a common assumption that Buck and Tommy have an expiration date, and that it cannot last. That may very well be the case, but…the show is not acting like it, nor are they presenting this arc as if it's short-lived. Episodes 4-6, while also being about other things (especially the amazing Madney wedding plot in 6) were also a bit of a trilogy about Buck discovering his sexuality and taking tentative steps into a relationship with another man. It didn't go…particularly smoothly, but the events of 7x06 where they were concerned had a completely different tone. They had a much more settled vibe in the karaoke club scenes, from Tommy's very boyfriendly "check-in" look before he had to leave, to Buck's casual/distracted "Be safe" (as if he's said this before) and just how they spoke to each other and touched each other was much more comfortable than in the coffee meetup. Which makes me think it's been a few weeks and they've seen each other a few times in the interim.

And then that kiss. Putting aside that it was juxtaposed with a literal wedding kiss, there was nothing uncertain or hesitant about it. It felt like a very arc-capping kiss, coupled with the reveal to the rest of Buck's friends and family, and the clear message was "Okay, they're done 'getting together' now, they are together and will be together going forward, even if we don't see Tommy every episode (much as we don't see Karen every episode)." We know Tommy will be around through the end of S8, if not in every remaining episode. After that, we'll see.

A lot of fans have viewed one of the guys coming out as queer to be a first step towards a Buddie future, but I have to say I've never been super comfortable with that logic. I've always thought that if they were going to get together, or both be revealed to be queer, it would have to be at the same time, with each other, via them getting together. The minute they pulled the trigger on Bisexual Buck, I immediately thought that this made Buddie far less likely. Why?

Because it would mean that the writers/showrunners would be making BOTH their "hot younger firefighter" characters queer…separately. In separate storylines. Distinct from each other. And I just don't see that happening. I'm not saying it SHOULDN'T happen. I'd be over the moon. I'm saying I think that's unlikely.

As much as it pains me to say it, I think Eddie will be written as straight and will continue to be written as straight. I don't disagree with the many examples of queer coding we've all seen - the problem is all of them can be just as easily interpreted as arising from a different trauma. Almost everything we've seen from him that could very legitimately be read as breadcrumbs for a queer identity for him could also be rooted in his trauma over Shannon's death, his family trauma, his PTSD, or his general anxiety over being enough for people. He can be read as having sexuality crises. But he can also be read as having other crises with the same results.

I'm not seeing a sexuality crisis for Eddie in the future. I just don't feel like that's where they're taking him. They're taking him somewhere -- he's got storylines coming up -- but I think they're going to have to do with his family, possibly his friendship with Buck, maybe his relationship (I think we can all agree Marisol isn't going to last, she's like the anti-Tommy in that she's been around way longer but has infinitely less of a presence), and Christopher. That's a lot to deal with just right there. If I'm wrong, I will be delighted to be wrong.

But.

I think the show will continue to prioritize and showcase Buck and Eddie's very deep and emotional friendship, which is revolutionary in its own quiet way. Another thing that makes me think they're setting Tommy up to be a long term love interest is that one of the first things they did with him was affirm that he will not come between Buck and Eddie, give him his own relationship with Eddie and Chris, and have him show that he understands and respects the depth of their bond. Not to mention they've integrated him with the firefam. No other of Buck's love interests have gotten this treatment (Taylor had the most contact with the firefam, but I don't think anyone would say she was integrated, LOL). And it shows how committed they are to maintaining Buck and Eddie's friendship as a key emotional element of the show. Tim has also said this, repeatedly.

People often say that there's no explanation for how Buck and Eddie are with each other if it's not romantic - I read a fantastic essay that pointed out that this statement is the reason their platonic friendship IS so important. Men should be able to be vulnerable and loving with each other without it being romantic, as women can be. If we're unable to see a loving friendship without interpreting it as romantic or sexual, what does that say about the kind of male friendships we see everywhere, that makes this one so different?

I know this is an old anti-Buddie argument and I'm not anti-Buddie nor do I mean it's wrong to see it as romantic. I still do. I'm saying if it's not, if it never is, what it is, is already valuable and special, especially when one of them is now openly queer and dating a man.

Anyway. That's where I am with it, and my interpretation of where the show is with it.

#buddie #bucktommy #9-1-1 #911 #evan buckley #eddie diaz #tommy kinard #tevan #kinley #buck x tommy #meta #9-1-1 meta #shippy thoughts

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alchely · 1 month

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My Top Gallavich fics

So, under the advice of the lovely @iangallagherisadeadman I've decided to compile a favorites Gallavich fic list along with a brief rec of each, this won't be a strict top 10 cause I'm not gonna torture myself into excluding some of these stories on some made-up self imposed arbitrary rules.

A bunch of disclaimers: most of these fics are long fics, going from 30k words up, I'm not purposefully excluding shorter fics, I have read plenty of them, but they do have a harder time sticking in my head months after reading.

Most of these fics will be explicit, just read the tags on the fic itself if you want to find out more.

Some of these fics don't have links because the authors chose to lock them and as such make them unlinkable, in order to read them you will need to go through the author's page while you're logged in your AO3 account.

This ended up ballooning out of control and is A LOT longer than ten fics, I apologize in advance :p.

YOU'LL NEVER SEE US AGAIN – spoonfulstar - 231k words

Mickey and Ian have been students at Marceline boarding school their whole lives, as their time at the institute draws toward the end they will start to discover many things, about themselves, about each other and about the world they live in.

THIS FIC! I CRIED! The number of fanfiction that are able to make me cry can be counted on a singular hand, the emotional stakes get higher and higher as the story goes on, leading to a beautiful and bittersweet climax.

This story will make you think and feel deeply about topics you'd never think a shameless fic would delve into.

I am obsessed with Mickey in this fic, he and Ian grow up in an environment that could not be more removed from South Side Chicago and yet his personality is still so recognizably and distinctly Mickey.

The story goes very dark at times, and the fic itself could be considered lengthy, but I assure you the author has made sure to not make you feel it. Those 200k words flowed so well the story did not feel long at all.

HELP ME (TEAR DOWN MY REASON) – wehangout - 34k words

Mickey is a detective and Ian becomes a suspect in an investigation except Mickey already knows him because he's his favorite dancer.

This fic falls under the umbrella of fics where “Mickey is so in love with Ian he does something unbelievably crazy”.

Oooh boy, this fic, it's written in second person (yes you've read that right), tbh out of all fics I've read from this author I think this one was the easiest to adjust mentally to the change in perspective.

I loved Mickey’s “love” in this, just… This raw connection to Ian, the perfect cocktail of feelings, I could read that all day long.

IN ANOTHER WORLD – Roryonic - 249k words

Mickey does not get sent to prison at the end of S5, what happens after and how his presence influences future events (mostly Ian, but also every other Gallagher as well as his own family).

As far as I'm concerned this fic is the closest to a perfect S6 and beyond fix-it. The dialogue writing in this story is so close to canon Shameless that I could picture entire scenes in my head with the actors playing the characters, with their body and personality quirks.

Sometimes I find myself describing this fic like it's the actual show's deleted scenes, “Look, Mickey has his own storyline! And Mandy is here! And the existence of Yevgeni does not become a plot hole!”

There are some Mickey lines in this fic that to me are as canon as if they'd been in the show. Absolutely iconic writing.

I love this author so here's a rec of some of their other longfics, however I highly suggest a lot of their other much shorter stuff as well:

BATTLESHIPS AND LOVE BOATS: Ian and Mickey start their “no strings attached” kind of sex relationship a little later than canon but their attraction and love is just as strong. This is a sort of High School AU that turns into a Prison AU that turns into something else and every shift is just as lovely as the next.

YOU SMELL LIKE LOVE: Ian and Mickey are childhood friends, to the point that the rest of the Gallaghers might as well consider Mickey a seventh brother, mmmh, I sure wonder how things will start to change. Look, I never thought I'd love a childhood friends AU for Gallavich yet here I am, if it's good it's good.

ME AND THE DEVIL: Mickey unconsciously calls for a vengeance demon and Ian Gallagher shows up at his door, because Mickey is a stubborn dumbass they fall in love instead. This story has a lot of twists and turns and the premise is only the very beginning of the story. I LOVED it!

THE INCREASINGLY POOR DECISIONS OF IAN GALLAGHER – Shamelessquestions - 309k words

Ian is a dancer in a club, he accidentally gets involved in the affair of a dangerous mafia don, but the true danger is the attraction he and the mafioso’s right hand Mickey feel for each other as soon as they meet.

What. A. Classic. Truly, an unforgettable story, and I don't mean this in hyperbole, I read this story around… 2016/2017 during my second round in the Shameless fandom, then I read countless other fics in a lot of other fandom and yet this story was the only one that my mind retained from back then, to the point that I could still remember some of the finer details as well as the final plot twists when I came back to reread it.

The plot is constructed beautifully and the original characters (part of the Shamelessquestions fanfiction universe, as they come back time and time again in every one of their AU to fulfill their role in the story) are just as vibrant.

What a story, truly.

Favorite original character in this AU: Sal, his downfall is so satisfying and yet so pitiful to read.

TEENAGERS SCARE THE LIVING SHIT OUT OF ME – Mellow_Yellow - 221k words

Ian finds something scary and calls Mickey for help, even though they had only reconnected that very day after two years of not seeing each other. Together, they get sucked into a situation they weren't at all prepared for. Can they even admit that they're in over their head?

The very beginning of this fic is SO cinematic it grabbed my interest from the very first scene and didn't let go until the end, DO NOT search for spoilers.

The only warning I'll give is that it does deal with a bit of gore and what I'm personally gonna define as slight psychological horror. That's it. Enjoy!

BROKE STRAIGHT BOYS – dancermk - 66k words

Mickey becomes a porn actor for a site where he has to pretend he's straight and not enjoying the copious amount of gay sex he's having on camera, enter Ian, another actor under the same agency and their off the chart physical chemistry.

This story has, needless to say, some really, really good smut. I especially loved their first time together, but every sex scene in this story is seared in my mind.

ETHERIZED AGAINST THE SKY – Snarfle - 213k words

So, I debated whether I should add this fic or not, but I think if there is one fic that will stay in my mind long after this Shameless binge of the past couple of months it's this one, and it should absolutely become one of those fic that everyone in the fandom should read.

After Mickey gets shot by Kash his life takes a completely different direction and he ends up in a group home where, through many difficult times, he turns his life around.

So many iconic moments in this fic, some funny as fuck, some sad, some so absurd that I'm surprised they weren't lifted straight from Shameless, one so gruesome in the very first chapter that I was surprised to have such a visceral feeling from just words on a screen. Yeah, this story will stay with me for a long time.

OLD RULES FOR NEW SIDE PIECES – Shamelessquestions - 217k words

Ian is a Fed and he spots Mickey looking suspicious in an art museum, the mutual attraction is overwhelming, Mickey is not what he seems and Ian is already with someone else, but that's not gonna stop him from pursuing what he and Mickey have.

Putting it as bluntly as I can, this fic made me face the realization that I love cheating fics (if the cheating happens to someone else to bring together the endgame couple). I have already reread this fic twice and I could probably go for another one and not get tired of it, it's that good, and out of all this author's fics it's probably my favorite.

Favorite original characters in this AU: It's a three way tie between Dre, Ivan and Carrie, they're all very captivating in this story.

Other fic from this author I'd recommend cause I really love their style:

LOST IN TRANSLATION: Ian meets a very attractive man while he's in Ukraine who doesn't speak English, a mere language barrier won't stop him from flirting for hours. (adorable)

YOU MAKE ME FEEL HUMAN – Dragona - 66k words

Ian is an assassin, he meets Mickey and thus begins a very sick love story.

To say I'm obsessed with this fic is an understatement, I suggest to everyone to just go read the original author’s own description of the fic, it sets the tone of the story magnificently.

This is an Ian Gallagher that almost resembles Jerome (also played by Cameron in Gotham) but like… a slightly more subdued and saner S1/S2 version of him. I love the layers that get peeled right in front of my eyes, the madness that creeps in a bit more every chapter. I LOVE this story.

DRIED INK - 87k words

This fic combines my two favorite Gallavich-specific tropes, one being ‘Mickey comes back from prison after s6, Ian is with someone else’ and ‘Ian cheats on that someone else for Mickey’

I love the Gallaghers in this and how unsurprised they are at Ian going back to Mickey right away. It's a little jewel of a fic.

Mickey tries SO hard to stop himself and Ian in this but their love is too magnetic, they're irresistible to each other.

THE QUESTION OF NORMAL – blue_newman - 92k words

Ian is a prison counselor, Mickey is in prison, they fall in love and it's beautiful and Ian is incredibly devoted to Mickey in this fic and I fell in love with them both in this.

KINDA RAW – catgrassplantdad - 6k

Quite simply this is my favorite short pwp fic.

Illustrating those “five times” in one night that Mickey references in 11x01.

This fic is so hot, I love it <3

QUATERVOIS – DodgerBear - 51k words

Soldier Mickey gets stationed in the middle of nowhere and meets a farmer called Ian who makes him question everything.

Falling under the same umbrella of “Mickey does something crazy for Ian” fics and this is why it stuck in my mind even if it's been a while since I've read it.

I LOVE this story, their dialogues and everything that happens in it. The setting is lovely and you will fall in love with the description of Ian’s farm.

Other fic by the same author that I also loved:

BURDEN OF PROOF: Cop Mickey gets caught in a legal battle between the two oldest Gallagher brothers, something doesn't feel right though…

THE WORDS HE DOESN'T SAY: Mickey is released before Ian in s10 and has to meet a court-mandated therapist. The story is from the therapist POV and goes AU from the beginning of s10 in that Mickey gets involved back into Yev and Svetlana’s life, the dialogue is, quite obviously, the main attraction of the story and it's really well done. (Also, written in first person).

THE MENAGERIE – CrossMyDNA - 147k words

Ian decides to re-explore his bdsm preferences at The Menagerie where he meets sub extraordinaire Mickey on his very first visit.

Shameless is undoubtedly the fandom that opened my eyes to what bdsm could be back in… approx 2016? When that other popular bdsm fic was still around *ahem*.

So it definitely feels like a sign that coming back into the fandom this fic now exists and is SO GOOD.

Obviously it's very explicit, the smut in this fic is one of the best I've ever read.

The chemistry between Ian and Mickey sizzles off the screen and can absolutely be felt even in moments not of the nsfw variety, absolutely recommended!

MICKEY MILKOVICH’S GUIDE TO FLIRTING – whatwouldmickeydo - 40k words

An s2 “missing moments” between Gallavich, completely canon compliant, all under the pretense that Mickey is following a step by step guide to flirting.

I wish this fic was describing canon moments, not kidding a single bit, I wish I could somehow magically manifest these scenes into existence they're that good and fit that well into canon.

M8TE – gallawitch - 53k words

Omegaverse fic where Ian and Mickey both start using an app and end up matching with each other, even though a connection is made almost instinctively, coming to terms with it with a sound mind will take a bit longer…

Hey,had to have at least one of these on here lol

I love omegaverse and this was everything I wanted from it, couldn't have asked for anything better really <3.

SHACKLED – MyRelapse - 19k words

Ian has a change of heart and he decides that Mickey IS the one he wants, even if he's still in prison, so he keeps in contact and goes through every hoop imaginable to have him back as soon as possible.

Reading this made me so happy like I could burst, love it.

WAITING ON MY OWN TOO LONG – Ride4812 - 266k words

This rec more than any other on this list is what I'm gonna consider self indulgent because it covers the trope I always craved to read in such a satisfying way: Canon AU where Mickey comes back from prison after 8 years, Ian has found someone else but the moment the two meet again they fall back into each other right away.

The series is made up of 4 smaller fics:

One more night

Something more this time

No more lonely nights

Ain't this life so sweet

(I will point out here and nowhere else that the last installment of this series has some segment that probably needed to be re-read a couple more times, but by that point I was too invested, and the quality fluctuates a lot only in certain parts)

The writing style is very direct and to the point, which I love, the smut is very present and written beautifully and most importantly never boring.

Ian is a MESS in this fic and had me Stressed™, mostly cause for some reason I can't handle too much casual depiction of drug abuse and addiction (I know, ironic considering the fandom).

Conflicts and resolutions are never clean cut, they don't necessarily resolve quickly or definitely or the way you probably imagine they should and I find this level of realism very satisfying.

Taking a bit of space here at the end to also rec a couple other Ride4812 fics that I also loved:

COUP DE FOUDRE - A model/photographer AU where Ian and Mickey fall in love the instant they meet and do some crazy things because of that.

HOPE HE MIGHT - A lawyer AU where Ian and Mickey are on opposing sides for the same client, an interesting murder mystery steeped in a religious cult.

Generally I feel like this author is really good at depicting just how unapproachable Mickey can be to anyone that isn't called Ian Gallagher and I eat it up every time.

WHAT THE NIGHT DOES TO THE DAY – andchaos - 9k words

A Gallavich childhood friends AU with a quite original arrangement for the story and the various segments of their lives. Very satisfying read.

RANSOM – BeckyHarvey29 - 112k words

Terry sends his sons to kidnap a Gallagher child to force Frank into paying back the money he owes, unfortunately for him Mickey and his brothers kidnap Ian, and a whole other kind of story unfolds.

Mickey and Ian falling in love in this fic is such a good read. I don't wanna spoil anything of how that or the kidnapping plot goes, since the two are so intertwined. Just know that it will be worth it.

UNDER LOCK AND KEY – Suzy_Queue - 106k words

Ian is assigned the night shift at his new job where he provides spare keys to his fellow college students stuck outside their dorm rooms. To make matters worse his shift coworker is the oh so infamous Mickey Milkovich.

I am magnetized by the way this author writes their pining for each other, their attraction and obsession, how it blooms and unfolds. This fic in particular had me develop a very bad case of tunnel vision, couldn't really turn away until I finished reading it all.

I still haven't read everything this author has to offer, but so far I also loved:

INHUMAN: A mysterious force starts attacking people close to Mickey and it all seems to lead to a mysterious redhead Mickey is oh so coincidentally obsessed with. Very cool paranormal story.

THESE FOOLISH GAMES: Mickey takes over as the boss of the local branch of a trampoline park, where Ian is one of the employees, they annoy each other to no end but what they don't know is that they're secretly texting each other.

IS THERE SOMEWHERE – andchaos - 48k words

Mickey is born with no words on his skin, convinced he's going to live a life of misery cause no one will ever say the words he's destined to hear, he's not a very happy guy. Here comes mute boy Ian who crashes into his life and won't let go.

A classic Soulmate AU, I love that like in a lot of other Gallavich fics their physical connection and compatibility usually comes before their emotional one, it is one aspect that I feel distinguishes their relationship to many other fandom’s ships.

LAST NIGHT AT THE VERONA GRAND HOTEL – the_rat_wins - 27k words

Mickey starts working at an ancient hotel who's supposedly haunted. Mickey doesn't believe in ghost stories, he is much more interested in this one guest he meets at night during his shift.

What a cinematic experience this fic is! Absolutely recommended, the length of it makes it so you can read it in the same time it would take to watch the same story in movie format.

Other fics by the same authors that have impressed me:

FADE THIS ONE TO BLACK: Ian dies of overdose in a pile of snow outside the club, when Mickey finds him there he vows to do anything to get him back.

I don't know why but this fic in particular gives off the vibes of being a pilot for a ya urban fantasy TV series, except we gotta imagine everything that comes after the first episode lol

NO LIE: Ian and Mickey are Soulmates and as such they can't lie to each other. This series is short and sweet and full of feelings, perfect

PARAGRAPHS – pink_ink - 100k words

Ian becomes a reading tutor for ex-convicts, Mickey is among them and Ian starts paying him more and more attention.

This is a story where they meet under very different circumstances and where they've lived slightly different lives compared to canon and yet they're still able to find each other in the end.

Also, sign me up for every fic where Ian has to work just as hard to help Mickey and care for him as the opposite, where Ian's brand of stubbornness is the only way to get through to Mickey.

I'm also adding a couple of ongoing fics, just two to not overwhelm too much.

NONE THE WISER – Loftec - ~218k words

Ian starts visiting Mickey’s diner, it takes a while and yet no time at all to warm up to each other.

I'm captivated by the author's writing style. I love Ian's and Mickey’s relationship. I love how they sort of take their time and yet pine helplessly for each other.

I'm obsessed with the fact that the whole point of the fic doesn't appear until two thirds of the way in cause the diner scenes were just too good to pass up on lol (and I 100% agree with them).

INTRO TO QUANTUM DATING – spoonfulstar - ~563k words

Canon Mickey and Ian meet in University. A college slice of life but drenched in the casual (and not so casual) darkness of canon shameless.

The dark humor in this is fenomenal and left me gasping laughing so many times.

Unexpectedly Ian in this fic is pursuing a linguistics oriented degree, which was what I studied when I tried university, the topics are explained in such an accurate way I have to assume the author studied them themselves and that this story is somewhat a reimagining of their own college experience because if not this would be an absurd amount of accurate research to make.

Reading this fic feels like living through the American college experience from the comfort of my home lol.

As I said before, this author's way of writing does not weight you down even with its length, the story flows perfectly from one scene to the next and before you realize it you've reached the end and you have to accept that 500k words weren't even enough.

Let's end this list with some quick recommendations

WHILE WE'RE MAKING OTHER (PEOPLE'S) PLANS - kyasticlikestea

Mickey is volunteered to organize someone's else's wedding after he managed to salvage his own so well, he'll do it, but his own Southside way.

THIS IS THE ROAD TO RUIN - bricoleur10

Ian and Mickey never go to rob Ned, the story unfolds differently from there. A fix-it with a lot of Gallavich longing , very good smut and some really good dialogue.

HEY, HONEY MINE (I WAS THERE ALL THE TIME) - serveteas

Mickey talks about his crush with Iggy and accidentally pronoun-slips. Short, to the point, funny af and I just really love it. Takes place after their fight at Kash’n Grab in s2.

AGAINST GLASS - AllThatMatters

Ian gets traded from one club to another as a dancer (and more) and ends up in the Milkovich family's club. This is a Mafia!Mickey story with some pretty tight sub-plots, I love his brothers in this.

ONE OF A KIND - fckyeahgallavich

Mickey breaks his finger and it has to be set in the hospital, chaos - of the homophobic kind - ensues. Protective!Ian, I wanna hug Mickey in this.

IAN THE FRIENDLY GHOST - Ravenheart

Ian is haunting an apartment and Mickey starts living in it, Ian is maybe starting to have a crush on him. This isn't angsty!

BLOOD IN, BLEED OUT - brewrosemilk, Whatsastory

Historical AU. Perfectly innocent bystander Ian Gallagher is thrown into the affairs of the Ukrainian Mafia back in 1954, his relationship with Mickey will span decades and he won't remain innocent for long, the mafia can corrupt anyone.

TEENAGE RUNAWAY - sadwhales

Ian comes to live and finish high school with his half siblings on the South Side, he's immediately captivated by a boy sitting under the bleachers, maybe his North Side naivety will catch his attention too.

GARDEN SONG - melwrtiesthings

A glimpse into their lives in their West Side apartment, a lot of initial angst due to a manic episode and then a lot of recovery and healing and learning more about themselves.

#gallavich #shameless #Gallavich fic rec #fic rec #ao3 #fic rec taken wayyy too seriously #jesus what is wrong with me #f*ck it I'll just tag this now and deal with the links later #if anyone wants to contribute to the list through tags or comments you are WELCOME ❤️#my post

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infizero · 10 months

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Why Ambrosius and Ballister’s Relationship Feels So Different in the Movie (Nimona)

As someone who read Nimona countless times growing up, I am very familiar with the story and these characters. Which is why when I watched the movie, I was struck by how different Ambrosius and Ballister felt. They seemed like totally different and unfamiliar characters to me, and it didn’t have anything to do with their designs.

After rereading the original Nimona graphic novel recently, I’ve come to the conclusion that the main reason they feel like completely different characters in the movie comes down to one thing: the removal of the joust.

When I watched the movie, I was surprised by the fact that they changed the circumstances that drove these two apart. But it didn’t hit me just how much this one event shapes both of their characters and their relationship to each other until I reread the book.

The joust is CRUCIAL to their dynamic. It pervades every interaction they have with each other, they bring it up constantly, it is literally the crux of their collective storyline. We learn about it on PAGE 5 of the whole book, and their big heart-to-heart when Ballister is captured near the climax of the story is based around Ambrosius finally admitting the truth about what happened. Honestly I’d say that him finally coming to terms with what he did and apologizing for it is probably what allowed these two to finally find peace together by the end of the book.

We get something similar to it in the movie. Ambrosius still is responsible for Ballister losing his arm, but it is under WILDLY different circumstances. So I want to talk about how the joust affects them in the book, and then explain why the movie’s version of events, while similar on the surface, has a completely different effect on everything. So let’s get into it!

(All images of the book are via pictures of my own physical copy btw, so apologies if they’re not the best quality.)

(Also I want to make it clear that I don’t hate the movie nor its adaptation of these two. I do personally greatly prefer the book, but this post is not here to tear down the movie and exclaim that the book was way better. I just find it interesting how changing one event can have huge ripple effects!)

Part 1: The Graphic Novel (AKA: “My Boyfriend Shot Off My Arm Because of His Wild Ambition!”)

Like I said before, we learn about the joust very early on; Chapter 2, page 5. It is told to us first via Ballister’s perspective. Nimona asks if she can kill Ambrosius while they’re making evil plans, and Ballister says no -- if anyone is going to kill Ambrosius, it’s going to be him. We then get a flashback to the joust itself.

Ballister explains how they were friends and how the joust was the first time they had been pitted against each other. Ballister won fair and square, but in his words:

BALLISTER: “but Ambrosius hates to lose.”

BALLISTER: “He always claimed it was an accident. No one could prove otherwise.”

BALLISTER: “Turns out the Institution had no use for a one-armed hero. I took the only other viable option.”

Ambrosius used a weaponized lance and blasted Ballister’s arm off. After the incident, Ballister was rejected by the Institution, and became a villain instead of the hero he had originally set out to be.

In Chapter 3 we see Ambrosius appear for the first time, and he and Ballister have a very relaxed sort of cartoon hero-villain dynamic going on. There’s definitely real animosity between them, but they don’t hesitate to simply talk casually to each other or help each other when things go south. It’s all pretty lighthearted and lowkey.

They fight briefly, but after Nimona triggers the building they’re in to self-destruct, Ambrosius doesn’t hesitate to help Ballister escape and Ballister doesn’t hesitate to accept his help. Ambrosius even tries to reassure him that Nimona will be fine. After they make it out, with Nimona presumed dead, Ambrosius puts a hand on his shoulder and tells him to go before more guards show up. They may be “arch-nemesises”, but they certainly don’t act like it.

AMBROSIUS: “Haven’t you missed our fights? We haven’t done this since you tried to clone the king’s daughter!”

BALLISTER: “Ambrosius, I really don’t have time for this.”

AMBROSIUS: “Are you trying to make me jealous?”

BALLISTER: “You’re an idiot.”

By the way, I’m not going to be doing a full breakdown of every single scene with them, don’t worry. I just think that their first interaction shows off their dynamic very well. This is presumably how they’ve been with each other since the incident, as it’s made clear both here and throughout the book that they’ve both been doing this for a while at this point. They have a very established dynamic, which is important as that is one of the big differences between the book and the movie. (I’ll get into that more later.)

Whenever these two interact throughout the book, it’s clear that they have very different opinions on the incident that drove them apart and how their relationship functions now.

Ambrosius tries to act like it was simply an accident and that it doesn’t matter. Ballister became a villain of his own volition, and now they are arch-nemesises who have to fight because that’s their job -- though he doesn’t exactly act like he hates Ballister.

Meanwhile Ballister saw it as a deep betrayal, and while he definitely still cares deeply about Ambrosius, he cannot get over the incident as easily as Ambrosius can.

Their respective feelings about what happened are shown perfectly in the scene in Chapter 7 where Ambrosius invites Ballister to meet with him in secret. Ambrosius tells him that the Institution has ordered him to kill Nimona and begs him to send her away, both so he doesn’t have to kill her and so things can go back to “normal.” Ballister then says that Ambrosius gave up normal at the joust.

AMBROSIUS: “I can’t believe you’re still hung up about that. It was a long time ago, you know.”

AMBROSIUS: “Besides, it was an ACCIDENT.”

BALLISTER: “I bet you’ve said that so many times you’ve started to actually believe it.”

Ambrosius insists it was an accident, and Ballister claims that he blasted off his arm because he couldn’t stand that Ballister was better than him. This sets Ambrosius off and they begin to argue.

AMBROSIUS: “You can’t blame me for how your life turned out! You made the choice to turn evil!”

BALLISTER: “Choice? I never had a choice! The Institution needed a villain. That lot fell to me. I never chose it.”

BALLISTER “And it could just as easily have been you, had that “accident” happened differently!”

AMBROSIUS: “Oh please! Do you really believe that?”

AMBROSIUS: “You never had it in you to be a hero! Everyone always knew that you were going to be the one to go bad!”

Ambrosius has convinced himself that Ballister chose to become evil, and that he isn’t responsible for what happened because it was an accident. We later learn that it wasn’t an accident though, which means that this really is him just making excuses so he doesn’t have to accept responsibility.

Ballister brings up the idea of Ambrosius becoming like him again after they fight, in one of if not my favorite scene between them in the whole book:

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Ballister and Ambrosius are both very complicated individuals, and I think they lose a lot of their moral grayness in the movie. (Which I will get to later.)

Ambrosius is the “hero”, but it was his ambition that drove him to blast Ballister’s arm off, and he’s never accepted responsibility for it, instead trying to convince himself that Ballister turned out this way because of his own actions. But he doesn’t disagree here that the Institution would throw him out if he were to lose his own arm, which I think is very telling. He knows deep down that he is not a good person, and he is not working for good people. But he doesn’t want to admit it.

Ballister is the “villain”, but in many ways he is better than Ambrosius. He abides by his own rules of never killing unless it’s necessary, and goes out of his way throughout the book to make sure that as few people are harmed as possible. He knows that the Institution is corrupt, because he was one of the people it failed. And he works to try and bring it down.

Ambrosius cannot accept what happened, and because of that they aren’t able to get anywhere. They both know it wasn’t an accident. But because Ambrosius cannot admit it, they are stuck like this.

It’s a fascinating part of Ambrosius’ character that though he is adamant about Ballister being the one to destroy himself, he still cares about him. Much more openly than Ballister does in return, in fact. Ambrosius consistently does whatever he can to avoid having to kill him and always seems to have his wellbeing in mind. While he initially refused to kill Nimona, revolted at the idea that he should be ordered to kill “a little girl”, he eventually agrees to do so, but only under the condition that Ballister would be spared.

THE DIRECTOR: “Your motivations are quite transparent. I KNOW what the nature of your relationship was. I made it clear at the time that I disapproved. If your fixation on him has impeded your ability to do your job, then he truly has outlived his usefulness.”

THE DIRECTOR: “We’ll find you a new nemesis. Perhaps you will be more competent without Blackheart as a distraction.”

AMBROSIUS: “I won’t kill him. If you demand I kill the girl, I’ll do it - but I won’t kill him.”

Despite him and Ballister’s separation being his fault, he is the one who wishes most for things to go back to the way they were. And this is likely why he refuses to accept responsibility about the joust. If it were truly an accident, then there shouldn’t be anything preventing them from continuing to be together. By painting it as an accident, Ballister becomes the villain for refusing to move on and let things go back to the way they were, not Ambrosius.

But finally, after Nimona disappears and Ballister lets himself be captured, we get probably the most important scene between these two. Ambrosius has been demoted due to his failure to kill Nimona, and is now forced to guard Ballister’s cell. Ambrosius is at his lowest that he’s been throughout the story, disgraced and discarded by the Institution who he had always been so loyal to.

It’s notable that Ambrosius says here that they both know Ballister is not evil, since he has been paddling that idea this whole time that Ballister made the choice to turn evil. By admitting that he is not, it shows that he is both starting to turn against the Institution, and starting to be more honest about what really happened.

Naturally, after Ambrosius wonders how things ended up like this and reminisces on when they were together, Ballister once again brings up the joust. And finally...

AMBROSIUS: “I- I never wanted to hurt you. I- I didn’t- It was-”

BALLISTER: “Don’t you dare try to tell me again that it was an accident.”

AMBROSIUS: “It wasn’t.”

...he admits the truth.

Ambrosius shares his side of the story, letting both us and Ballister in on what really happened that day. It wasn’t fully his fault -- the Director had called him into her office the night before the joust and told him that he had promise, that he was her choice out of the two, but that he had to prove himself against Ballister or that opportunity would go away.

On the day of the joust, Ambrosius received a weaponized lance instead of his regular one, which he instantly noticed. He asked what the Director expected him to do with it, and was told that she expected him to win.

To Ambrosius’ credit, he had no intention of using it, as he was confident that he would win. But the weight from the weaponized lance threw his balance off, and he ending up losing. And so...

AMBROSIUS: “I wanted it, more than anything. You never wanted it as much as me. You were just BETTER, without hardly even seeming to try.”

AMBROSIUS: “I don’t even remember- but I must have-”

[...]

AMBROSIUS: “I’m sorry, Ballister. I’m so sorry.”

To be fair, Ambrosius is not entirely to blame here. I doubt he would’ve come up with this idea on his own; he only acted on it because the Director had already given him the weaponized lance, and stressed the night before that the opportunities she dangled in front of him would not be given to him if he did not win. He was manipulated.

But he still made the decision to do it. He could’ve simply not used the lance. But he chose to. It is his fault.

It’s fascinating that the version of events Ambrosius had been swearing by this entire time is the exact opposite of what really happened. He claimed that it was an accident, he didn’t choose to do it, he had no choice, and that it was Ballister’s choice to become evil that caused all of this. But in reality, Ambrosius was the only one who got a choice here. And that choice is why their relationship was destroyed.

Ballister then brings attention to something even more damning:

BALLISTER: “You’ve never said it before.”

AMBROSIUS: “What?”

BALLISTER: “You never said you were sorry.”

AMBROSIUS: “I- didn’t?”

AMBROSIUS: “Oh god.”

I feel like you could interpret this in a lot of different ways, but the way I see it, they probably didn’t see each other much right after the incident. Ambrosius was catapulted into stardom as the kingdom’s beloved knight, and Ballister became a villain. I don’t think they really interacted much until their hero-villain antics started up, so I don’t think Ambrosius really had a chance to apologize. And if he did, he didn’t think to. Regardless of why, I do think it is messed up that he never apologized, and it goes to show just how much this event destroyed the bond they used to have.

From here, there’s not too much, as Plot Stuff starts getting serious around this point. Ambrosius ends up betraying the Institution after they continuously attack Ballister to provoke Nimona, attacking the guards who are holding him. This is when Ambrosius finally chooses Ballister over the Institution, which is great for his character, but there’s not really much more than that to say about it.

He and Ballister plan together to try and save the kingdom, with Ambrosius being adamant that they have to kill Nimona while Ballister refuses to. It’s during this conversation that Ambrosius mentions that he “never did anything good [his] whole life”, which is really sad but also kind of accurate, and it goes to show how he’s finally accepted responsibility for everything he’s done and had a part in up to this point.

Eventually Ballister is able to find a way to nerf her and they split up, with Ambrosius wanting to tell him something in case they don’t see each other again, but Ballister shuts him down.

BALLISTER: “We can’t do this now. Just... just promise me you won’t get yourself killed.”

It’s easy to assume this was something romantic and it likely was, but I imagine Ambrosius could’ve also wanted to say sorry again for everything. Perhaps it would’ve been a mix of both.

Regardless, they split up and climax stuff happens: Ambrosius attempts to kill Nimona but gets seriously injured, Ballister tries to reason with Nimona, etc. etc. Eventually at the very end, we see that these two have made peace and are together again, living on after everything. And that’s these two in the book!

Whew. I know that was a lot, but don’t worry. I won’t be going into as much detail about the movie’s version of events, as Ambrosius and Ballister have a much more cut-and-dry dynamic there than in the book. Their relationship in the original is very complex, so I wanted to make sure I covered all of those little nuances.

The joust is what defines their relationship and a lot of their respective characters; it is unimaginably important. Ballister became a villain because he lost his arm and was cast aside by the Institution. Ambrosius became the kingdom’s hero because he took Ballister out of the picture. They are unable to be around each other normally for very long because of their divided views of what happened. It is only after Ambrosius finally faces the truth that they are able to find peace together once more.

All of this is to say that it’s extremely hard to imagine what their relationship would be like in the graphic novel had the joust not happened the way it did. Which brings us to...

Part 2: The Movie (AKA: “My Boyfriend Sliced Off My Arm Because I Literally Killed Someone!”)

Before we start, I want to again stress that I am not trying to argue that any changes made here are inherently inferior. I am merely pointing out the differences between the book and the movie that contribute to the overall dissonance I and many others have felt when it comes to these two across versions.

Right off the bat, we are greeted with the movie’s version of Ambrosius and Ballister’s backstory. Like was implied in the book, they appear to be together (or something along those lines) which is great to actually see. But it quickly becomes clear that the events here are far different.

Instead of a joust, it is a knighting ceremony. There is no competition between Ballister and Ambrosius here. Ambrosius is knighted and cheered for, and then it is Ballister’s turn. He is knighted and everyone is silent before breaking into cheers as well. And then...

...his sword suddenly turns into a cannon and kills the queen. And in retaliation...

...Ambrosius chops his arm off.

Now if you’ve listened to ANYTHING I’ve said so far, this should immediately set off alarm bells. Because this one little difference changes everything about these two’s dynamic.

In the book, Ambrosius shot off Ballister’s arm in order to win his position. It was an entirely selfish and evil action spurred on only by his uncontrollable want to be the winner.

But here, Ambrosius is debatably justified in his response. Sure, he didn’t have to be as drastic as slicing his whole arm off (and I know there’s symbolism there with how the kingdom has taught people to get rid of problems), but Ballister -- to him -- literally just shot the queen. The queen who Ambrosius has sworn to protect. It is completely reasonable for him to respond in this way. And that’s a huge difference.

By changing this, we already have a completely different situation. Ambrosius here didn’t particularly want to cut Ballister’s arm off, it was a reflex, a response to a sudden danger. (Not saying he wanted to in the book, but there he made the deliberate decision to do so. In the movie it seems much more like an actual accident -- an overreaction that he immediately regrets and, as we’ll see, continues to regret.) And there was justification for it. There was no justification for it in the book.

Instead of an Ambrosius whose ambition caused him to commit an evil act of betrayal against the man he was closest to, we now have an Ambrosius who, in the heat of the moment, overreacted like he was trained to after Ballister seemingly betrayed him. We’ll see over the course of the movie how this affects things, but that’s not the only major change here.

As we figure out shortly afterward, the movie makes a huge change when it comes to how the story functions, and that’s the timeline of events. In the book, the joust and the subsequent fallout between Ballister and Ambrosius happened years ago. We don’t know how long, but it’s clearly been a while. Enough time has passed where they are fully settled into their roles as hero and villain, and they look significantly younger in the flashbacks as well.

Like previously stated, book Ballister has been a villain for a while. He is completely settled into this role and has been making schemes and having fights of the week with Ambrosius for a considerable time. He knows what he’s doing. He has his own way of doing things, and when Nimona inserts herself into his life much of their early dynamic is him teaching her how he does things. In the book, Ballister is the teacher, Nimona is the student.

But in the movie, this incident just happened. It's unclear how exactly long it's been, but judging from Ballister's arm being created and his wounds healing it's probably been around a month.

Regardless of exactly how long it's been, the point is that these events are still very fresh. Ballister seemingly has just been laying low, not villain-ing it up, and he and Ambrosius haven't seen each other since the knighting ceremony. This changes literally everything about Ballister’s character. This post is specifically about Ambrosius and Ballister’s dynamic and not a Ballister character analysis so I’ll try to keep it brief, but movie Ballister seriously could not be more different from the book.

Compare this to movie Ballister, who I’m pretty sure never knows what he’s doing ever, at any point. He was training to be a knight. He has seemingly never once questioned the Institution. Now he has suddenly lost his arm and been thrust out into the unknown of being treated as a villain, and he has no idea how to handle it. Then Nimona shows up, tells him “hey, the Institution sucks”, and eventually he ends up believing so as well. In the movie, Nimona is the teacher, Ballister is the student.

Book Ballister actively resents the Institution and has no doubts that what they did to him is wrong. He has been plotting their downfall for a while. Nimona, on the other hand, seems to be out of the loop when it comes to the Institution and seemingly only starts hating them after she finds out how they threw Ballister out. Again, I’d just like to stress how completely and totally opposite their dynamic in the movie is compared to this.

There’s also Ballister being a scientist and being much more jaded in the book, but that’s not really important for the purposes of this post. So alas, I shall move on.

This different timeframe greatly impacts Ambrosius and Ballister’s dynamic, and obviously it would. There is a huge difference between a falling-out that happened years ago and you’re both still bitter about, and a falling-out that happened very recently. This, along with the different course of events resulting in said falling-out, is what causes their dynamic to feel so alien.

Also while talking about their early interactions in the movie, I’d just like to point out that while here Nimona is the one to assume Ambrosius is Ballister’s arch-nemesis and call him such, which Ballister doesn’t agree with, they were actually arch-nemeses in the book. Just something I noticed.

Something else I find interesting is later on, Ballister seems to be almost in disbelief about Ambrosius cutting off his arm and makes excuses for him.

BALLISTER: “He didn’t cut off my arm. He disarmed a weapon.”

BALLISTER: “It’s how we were trained.”

(Side note, but I wonder if book Ballister ever felt this way right after the joust? Did he try to convince himself it was an accident too, once upon a time? Did he try to make excuses?)

And to be fair, he is sort of right. Like I said before, Ambrosius’ reaction to Ballister seemingly killing the queen was debatably justified. While we’re obviously supposed to side with Nimona here and agree that Ballister should be more upset at Ambrosius for what he did, the movie definitely paints Ambrosius as more sympathetic overall. We see him freaking out internally about cutting off Ballister’s arm, and there is a lot of emphasis placed on how he and the others were trained by the Institution, inviting the audience to place more of the blame on the system that taught Ambrosius to act this way rather than him as a person.

And again, I’m not saying this is a bad thing! I love a good "taking down a corrupt system” story, and with the different circumstances of the movie it definitely makes more sense to play it this way. But in comparison to the book, Ambrosius is much easier to sympathize with. His character is changed from a very morally gray person who did something horrible and won’t admit it, to a pretty okay person who did something horrible and wholly accepts and bemoans that fact. He’s almost the opposite of what he was in the book.

So we have an Ambrosius who accepts what he did to Ballister and feels awful about it, and a Ballister who has no idea what he’s doing and is basically just being dragged around by Nimona. With both of them being basically the complete opposite of how they were in the book, is it any wonder that their relationship with each other feels so different when they themselves are so different?

Also, once again, the circumstances are very different. There is no Queen murder plot in the book, nor is their any attempt to clear Ballister’s name. A significantly different setting makes a difference too.

I don’t see a need to go into further detail about specific scenes in the movie as I think I’ve made my point clear. But going back to the movie’s lack of Ambrosius and Ballister’s already established hero-villain dynamic, I think these differences are made quite apparent just contrasting how they talk to each other. I mean, just compare these two scenes:

AMBROSIUS: “What? You’re gonna kill me now too?”

BALLISTER: “You believe that?”

BALLISTER: “Then you never knew me at all.”

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Their relationship in the movie is much softer and healthier than it was in the book. Their dialogue in the movie tends to lean much more towards tried-and-true “friendship betrayal” stuff; the wound of Ballister’s “betrayal” may be fresher, but it’s clear both of them love each other far more than they resent each other. In the book, it is the opposite. The movie could NEVER have the bar fight scene. It’s too ugly and bitter to fit these softer versions of Ambrosius and Ballister.

Part 3: Conclusion

So, that was a lot. I hope it’s a little clearer now how big the differences are between these two’s dynamic in the book and the movie! Especially if you’re someone who is only familiar with one or the other. While I prefer the book due to me tending to prefer more complex and messy relationship dynamics, I totally understand the appeal of the more loving and healthy relationship Ambrosius and Ballister have in the movie.

To summarize, here are some of the main takeaways:

Ambrosius causing Ballister to lose his arm is completely unjustified in the book and happens due to Ambrosius’ wild ambition, while in the movie it is a debatably justified reflexive action in response to an active threat.

Ambrosius overall is portrayed as much more sympathetic in the movie, with the system itself being more to blame for what happened.

In the book, the main thing keeping them apart was Ambrosius’ refusal to take responsibility and admit what he did. In the movie, it’s a misunderstanding about Ballister seemingly turning evil.

In the book, Ambrosius and Ballister have a very established hero-villain dynamic with the joust having happened years ago. In the movie the “betrayal” is still very fresh, which leads to very different interactions between the two.

And that’s about it! Thank you for reading this very long post. And if you haven’t read the original graphic novel or watched the movie, go do that!!! Much love to ND Stevenson and the rest of the people who made this story come to life.

Let me know your thoughts in the tags or the replies! Which version do you prefer? Are there any other factors you feel have a significant role in why their relationship feels so different? Or do you think I’m totally wrong about this and they feel basically the same to you?

Either way, thanks again for reading and goodbye!

#nimona #ballister boldheart #ambrosius goldenloin #analysis #meta #ballister x ambrosius #ambrosius x ballister #nimona movie #nimona graphic novel #nimona analysis #ballister blackheart

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doctorofmagic · 2 months

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Doctor Strange's disability: a (much needed) chronological review

In view of recent ableism and drama on the other social hellsite involving Doctor Strange's disability, here's my response, based on *CANON* material. (link to the thread on said hellsite here)

Stephen disability is established since 1963, back in Strange Tales #115. The story is focused on a flashback which portrays his journey from the decay of his medical career because of a car accident to his path towards the mystic arts.

Note that, in this very same issue, the Ancient One never says he would heal Stephen's *hands*, but perhaps Stephen would find the cure within. In other words, Stephen was supposed to heal his heart and soul from arrogance and egoism through magic, not a physical cure.

Also note that there are limitations within every aspect of comic books' universes. In this case, we're talking about magic. Magic is not a miracle thing. It demands training and, most recently as established by v4, a cost (Doctor Strange v4 #4).

Another clue that "magic can heal anything because it's fantasy" is not a valid argument within Marvel's magic world, as seen in The Oath. Stephen had access to the Otkid's Elixir, which could heal any disease, but the formula was lost in order to save Wong's life.

One last example comes from Spider-Man Family #5 (2007), featuring Morbius and Spidey. It establishes that healing demands the exact same price when it comes to magic.

Long story short, it's clear that the magic side of Marvel does not offer a solution to diseases through magical miracles. So this argument is totally invalid ~within~ this established universe.

Now back to Doctor Strange... No, he isn't using magic to heal his hands unlike some misleading accounts are claiming. In fact, there are several panels which show that he's actually in constant pain. Here's some examples:

- Doctor Strange - Sorcerer Supreme #48 (1992).

- Captain Marvel v10 #6 (2019)

- Doctor Strange v4 #1 (2015)

He also struggles to hold a pen and write, relying on magic to do so, as seen in the Book of the Vishanti.

Then comes the stupid argument I saw.

"Oh, but Google says his hands are healed!" is not a gotcha moment you think it is. We had FOUR MAIN BOOKS after that (Surgeon Supreme, DODS, Strange v3 and current v6). Allow me to clarify the details in chronological order.

Stephen indeed made a "magic" gamble and healed his hands. That much is correct. But it's not all (panels from Doctor Strange v5 #19 - 2019).

Waid continued this storyline in a new book called Dr. Strange (Surgeon Supreme), which would portray Stephen's duality as the Sorcerer Supreme and a brilliant surgeon. Except the book was cancelled at issue #6 (2020), leaving the character in a kind of limbo. Now enter MacKay.

MacKay kept a little bit of the former storyline as seen in Death of the Doctor Strange #1 (2021). On top of that, his hands appeared healed. However, that lasted only until Kaecilius murdered Stephen and stole his hands.

Stephen's temporal duplicate used a regenerative spell to bring original Stephen back through Kaecilius' body and the stolen hands. In here, we can see that his hands are scarred just like after the car accident (DODS #5 - 2022). OG Stephen died a second time with scars as well.

Stephen is indeed seen writing in v6 but it's not clear if he's using magic or not. Besides, he's not working as a surgeon anymore. Moreover, MacKay considers Stephen disabled as seen in this recent issue of v6 (#7 - 2023): "My own connection to the aether, the magic of the world, the power of the Vishanti, the power of the Sorcerer Supreme... Gone. Without all of that? I am just an old man with useless hands and a blade in his stomach."

In conclusion,

As of CURRENT DOCTOR STRANGE RUN by Jed MacKay and Pasqual Ferry, in the year of our lord Vishanti, 2024, Stephen Strange is a disabled character and no magic or ableism will erase that. Thank you very much.

#doctor strange #stephen strange #tw: ableism #marvel comics #character analysis #meta

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lastoneout · 7 months

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Okay, honest question, who is Yotsuba?

OH HO HO ANON I AM ALL TOO HAPPY TO EXPLAIN :3

Yotsuba is a character from the greatest manga ever made, Yotsuba&!(or Yotsuba to! it translates weird, most fans just call it Yotsuba) which is a comedy slice-of-life manga about Yotsuba Koiwai, a five year old girl, and her very strange yet wholesome family and friends!

It's from the same mangaka who gave us Azumanga Daioh, though while that manga is told in a four-panel comic style and doesn't really have much of an overarching plot, Youtsuba is done in a traditional manga style and despite also being very episodic there is a bit of a throughline surrounding Youtsuba getting settled into the neighborhood she just moved to, growing up, and eventually, in the later chapters, getting ready to go to school for the first time. Also, there are storylines that take place over multiple chapters as well! Despite the fact that the manga has been releasing since 2003, the chapters are pretty sporadic and the comic has only really covered about one year of the character's lives, but it never really feels slow or aimless. It feels almost...timeless? I guess. It's really nice.

Anyway, the manga is legit one of the most wholesome, funny, heartwarming things I have ever read. Kiyohiko Azuma is a fucking MASTER of comedy(you may have seen screencaps from a Sailor Moon fan comic he made going around on tumblr in which Jupiter accidentally sends Venus shooting across a pool that made me laugh so hard I cried) and he balances it well with lots of slow moments with GORGEOUS artwork where you can really take in the scenery and all of it is seeped in a wonderful nostalgia for childhood that legit makes me super emotional.

I don't think the manga has ever really taken off in terms of popularity, at least not to the degree that it deserves imo, which is likely in part due to the creator being firm about it never getting an anime adaptation and the sporadic release schedule, but it's far from unknown. There's been an official(I think??) score released and plenty of figurines and merch. It's also birthed a lot of memes, and it def has the same issue as One Piece where if you read it and love it you will turn into a walking billboard and try to drag your friends and family in with you. It's just THAT good!

You may have seen art of or people cosplaying Danbo, a "robot" made of old cardboard boxes that Yotsuba adores (Totally a real robot btw, def doesn't have a middle schooler shoved inside there, that would be silly wdym /s)

And this pose from the back of one of the manga volumes featuring Yotsuba, her father, and their extremely tall friend Jumbo has been redrawn with other characters like 500000 billion times

And you've also probably seen this going around tumblr before (that's Fūka she's my favorite cringe fail daughter I would literally die for her).

Also, I would be doing a disservice if I didn't mention Yanda, who is a friend of Yotsuba's dad and also Yotsuba's nemesis. He's a loser who constantly gets dunked on by a toddler it's fucking hilarious.

But yeah it really is just like, a manga that feels like a hug, or a warm blanket or something, it's so comforting and funny and fantastic, I find myself re-reading it any time life gets to be too hard just bcs it's that good at distracting me and reminding me that live is worth living.

And also given that it's literally my favorite manga, I saved up a bunch of screencaps to use as reaction images after a read one time, and thus now it's my own little joke that if you send me anon hate I'm just gonna send you back a picture of this cutie

Bcs come on how can you be angry when you're looking at this???

Anyway here's some screencaps of the main supporting cast bcs I love all of them so much <3

YOU WILL READ YOTSUBA I AM NO LONGER ASKING

#Ask #Anonymous #long post #sorry anon you hit the yotsuba button #I am legally obligated to gush about it #yotsuba #yotsuba&!

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amuseoffyre · 7 months

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Since insomnia is kicking my arse of late, I naturally tilted into the thoughts about the nature of the 3-act structure and why S2 of OFMD may have felt off and incomplete to a lot of people.

I am fully in agreement that we lost a lot of valuable time with only 8 episodes and a lot of it did feel rushed, but for the amount of story and set-up and growth and development they needed to fit into 4 hours of television, they did astonishing things.

DJenks has said from the very start that this is a story that has been planned out to take 3 seasons. It's literally a 3-act play and we are currently right in the middle of the worst part of that timeline according to every traditional 3-act structure.

Act one/season one is self-explanatory. Like New Hope in the Star Wars Trilogy or Fellowship of the Ring, this is the set-up. We're introduced to our protagonists and antagonists, the relationships are given a foundation.

The beginning is Stede's journey to becoming a real boy. The inciting incident, the one that actually pushes his change beyond "playing pirates" is meeting Ed. The second thoughts come together in episode 8/9 after his confrontations with Jack and Chauncey and episode 10 is the climax.

Act 2/season 2 is never going to be as smooth and simple as act 1/s1. A big part of the A2/S2 job is set up for A3/S3 and this is what we're seeing and why a lot of story threads seem to have been left dangling.

Again, to call back to Empire Strikes Back and The Two Towers, the structure is much the same: the original batch of people are divided and scattered, the big enemy from A1/S1 is looming, new allies make themselves known. In SW, this meant the introduction of Lando and Yoda as allies plus the hint of the Emperor lurking in the background. In LotR, we have the Rohirrim, Gondor and the Ents as allies and the expansion of Sauron's forces in Helm's Deep, Osgiliath and the winged wraiths.

There's a clear trajectory following the A2/S2 structure:

obstacle 1 - the crews separated and struggling

obstacle 2 - the end of episode 2 and the repercussions of his actions

twist - just when things start to settle, the Ned Low situation happen and Stede kills for the first time

obstacle 3 - Ed's struggle with his identity leading to him leaving

disaster - Ricky's assault on the Republic

crisis - do-or-die battle because they have no other choice

climax - the last 15 minutes of ep. 8 live here.

As with SW and LotR, there's an ending, but weighted with the knowledge of a story that is meant to continue. Each of those act 2 films end with the heroes still aware of the looming threat, some of them heading out on new missions, and some of them resting and healing. There's brief pause, brief respite, a moment to take a breath.

We have all the characters in place now and the battle-lines have been drawn. Luke still needs to confront Vader (I see you, impending Ed and Hornigold confrontation), Frodo still needs to destroy the ring, Aragorn still needs to lead the army against the Black Gate, the second Death Star is still hanging in the sky.

I'm so excited to see what S3 brings because we have so many arcs ready to go: Zheng's vengeance trip, the inevitable enforced out-of-retirement arc for Ed and Stede, Hornigold, Ricky trying to maintain his tenuous control of the republic given how many of his people were killed when the crew escaped, the pirate rebellion gathering forces.

Also how often do we get shows/films where the supporting cast are given this much storyline? We have a named/speaking-role cast of upwards of 15 central characters. That is a staggering amount of people to work with, when most shows would only focus on the leads and a couple of their friends. Six is the average for most TV shows, while comedies can inch higher because ensembles, but most ensembles don't get as much as our crew did.

I know a lot of people aren't happy about Izzy's death. I know I would have liked to see him a lot more, because he's such a grumpy old bitch and I love him and him affectionately roasting Ed and Stede would have made my entire month. But I'm also aware that narratively, as a figurehead of the old ways of piracy and "we were Blackbeard", it was a symbolic death as well - a sign of the death of the old ways of piracy and of Blackbeard as was.

(Also, they Obi-Wanned him. I'm not over that. Gave him the "if you strike me down I will become more powerful" speech. I'm just... guys, your star wars nerdery is showing XD)

So while it was flawed in places and pacing, given the scale of the story they're telling, the number of pieces and characters they had in play, and the arcs they have been setting up while also still keeping the humour, I am giving a standing ovation for a remarkable piece of work.

#ofmd #ofmd s2 #ofmd meta

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cfr749 · 24 days

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Initial Thoughts on Chenford in 6x07

All right... I'm feeling... a lot at the moment, so just sharing my initial reactions before seeing anyone else's. I'm sure my feelings will evolve. Also this turned into a GD essay and I'm sorry.

The Good

Grey acknowledging that Lucy was going through a lot ABOVE & BEYOND the break up. I just wish he'd mentioned the shooting, too. Lucy deserves to be more than her relationship with Tim and I need to actually see that in the future.

Lucy laying out 2 key things in her conversation with Grey - how easily Tim walked away and that he had no right to make that decision for her

Prior to the last scene (see The Ugly below), I thought Tim's interactions with the therapist were reasonably well done; if only therapy was that easy in real life lol

"You've always got a home with me" - I loved this final scene between Lucy and Tamara. I don't really have feelings either way about Tamara at this point, and this still hit me right in the heart.

Smitty's poll made me laugh, but also another solid indicator that these writers / producers do in fact really enjoy laughing at the expense of the fandom and shippers (which, whatever, I don't care that they do, I'd prob do the same; but it does irk me when people act like these writers should be worshipped because of all the things they "give" us)

The Tim

"I'm not depressed. I broke up with her."

"I was her TO." Not her friend, cuz god knows Tim has yet to deal with the fact that he started banging his former Rookie I suppose.

I dunno whether to put this in The Good or The Bad at this point; it depends on where they take it, so instead Tim gets a section all about why he's a dick.

To be clear, I do not like that Tim is a dick. But I actually do kind of like that it is very clear TO THE AUDIENCE that Tim is being kind of a dick. Do I still think people will bend over backwards to defend him? Of course they will.

From my perspective, I love Tim, I understand that he thinks he's doing the right thing, and has lots and lots of trauma. I've never seen Tim as a character that magically healed at some point between Seasons 1 & 5 (please see his storyline with his dad, his ongoing issues with UC work and unwillingness to confront or deal with them, his feelings about therapy historically, his inability to dump Ashley, etc. etc.). He's never been perfect and he doesn't need to be.

All of those things are true. None of those things give him a free pass to be kind of a dick. He still has to take accountability for how he treated Lucy (which, to be clear, was like sh*t).

The Bad

Lucy being petty AF with the invites to Tamara's dinner - let her be ANGRY, but give me villain Lucy over this dumb sh*t.

Lucy having no one other than Grey to talk to.

Others acting like Lucy is actually kind of pathetic (why do these writers love sh*tting on her so much? girl could not be down and kicked any harder at this point) -- Celina / Nolan and the double dumping crap, Lucy thinking Grey paid actors and him telling her she was out of her damn mind

The last interaction between Lucy and Tim. I am so angry for her. I needed to see that from her, but instead it felt kind of like her being dumped / a kicked puppy all over again. We got it, thanks. What's next? Lucy being incredibly happy with the hottest man on earth? I'm here for it tbh. Lucy plotting Tim's murder? Also here for it at this point. LOL.

The Ugly

I could not hate the implication of that final scene with Tim and the therapist and the door shutting more. There was ZERO reason they couldn't have had him show up during the day, and it actually disgusts me that they are pushing this line again, but especially with Tim. I am literally NEVER this dramatic, but in this case I really hope they did that to just get a reaction, because if anything were to actually happen between Tim and the therapist, I'd be 100% done with this ship and show as would a whole lot of the audience (I think). If I kept watching, it would only be to see Lucy be absurdly happy without Tim.

Well, what'd I miss? What did y'all think?

#chenford #the rookie #the rookie spoilers #see lana ramble #no one tell the writers that women can have storylines that are not about BABIES

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lemotmo · 1 month

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I need to say something...

I've seen quite a few Buddie fans confused and ashamed on my dash lately. Mostly because they feel guilty for not liking Tommy or the bucktommy storyline for various reasons. Some of them even feel anxiety about how the storyline will proceed and resolve. I responded to one of those posts earlier and I'm going to post my response here again for everyone who needs to hear it:

Never feel bad about not liking a character or a storyline. This is fandom and in my opinion all takes are valid. Take it from someone who has been in various fandoms for 24 years now. (Yes, I am that old ;)

If it will make you feel a little better: I don't particularly like Tommy that much either. I mean, I don't hate him but I feel pretty neutral about him. I can superficially see that he is a good guy that likes Buck. And I love him for making Buck feel good and helping him out of the closet. Let it be known that I'm a big fan of bi Buck and I'm so happy that 911 went there with him.

But personally I'm pretty 'meh' about Tommy and when he leaves in a couple of episodes I'll be okay with that. I've also seen some people that have fallen in love with him and want to keep him around. All these takes are valid and more than okay. As long as you respect other people's opinions and thoughts about a character it's all okay. Don't go out of your way to hate-post about him, because you aren't a 14-year old and it's just really distasteful. But, you also can't force yourself to like a character if the feeling is not there.

The same goes for a storyline. I'm okay with the bucktommy storyline at this moment, but I do want it to be temporary, because I want Buddie in the future. And yes, if bucktommy were here to stay, I would be very disappointed in that storyline. I haven't been watching, waiting and hoping for Buddie for 6 years to end up with both guys in another relationship.

And again, that is a valid take and those are valid emotions. It's all okay as long as you are respectful towards the people that do love Buck and Tommy together.

I cope with it by curating my fandom experience. I block haters (whether they hate on Buddie or Bucktommy), avoid bucktommy fanfiction and stay away from the bucktommy tag on Tumblr.

I don't avoid posts on my dash or in the Buddie or spoiler tag that are also tagged bucktommy. I read them, like or respond to some of them. Sometimes I even reblog them if they are interesting and have a link to Eddie or Buddie.

Lastly, don't give up on Buddie yet. I have a feeling things might get interesting the next couple of episodes. Only time will tell if I'm right about this.

#buddie #eddie diaz #evan buckley #911 anxiety #this needed to be said

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perfectfangirl · 7 days

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notes after rewatching fallout s1 ep3

• almost certain that is sugarfoot cooper is dismounting in the scene from the movie he is filming 🥲 • the film cooper was filming here is called "the man from deadhorse", a clear play on the concept of "beating a dead horse" • just realized he [presumably] shot the bad guy character twice • i also noticed that the duster the bad guy character is wearing looks an awful lot like the duster cooper wears as the character he “plays” in the wasteland to cope. is... cooper playing a bad guy character based off one of his movies?? • saw a couple of different variations of "feo, fuerte, y formal" [all saying mostly the same thing] cooper says "he was ugly, strong, and had dignity" wikitionary says it denotes a conception of masculinity. very curious about this these words and the scene because cooper is obviously viewed as a concept of masculinity in hollywood, to the point where he's being asked to essentially engage in statecraft via propaganda as this movie scene is making his character do something completely antithetical--- killing the bad guy instead of solving another way, he basically says a line about "commies" then shoots the him in the head

• what's more is that some are viewing the three concepts of "ugly, strong, dignity" to mean either a variation of cooper, lucy, and maximus or of cooper himself, didn't even think of this and it's a particular interesting trichotomy of cooper pre and post war • "well, joey, i'll give you two out of three on that front" and now i don't know which two out of three • cooper goes out of his way to thank the actor jorge for playing the bad guy in his film • cooper presumably read the script, probably had a table read, rehearsal, and still didn't want to film his good guy character killing the bad guy [perhaps after cadillac bob got fired, there were rewrites and cooper was not told until then] out of context, this is charming, he values his characters so much that they mirror his own values [walton has argued with writers, directors, actors about his characters too!] but in context, it is either the beginning or yet another chapter is cooper's conflicting and morally challenging struggle of "right" and "wrong" in this show • need to know more about cadillac bob! he was doing the moral good type of writing on cooper's programs and i am curious if the firing was an ousting [as being labeled a communist is career over here] because the wiki says he was fired for refusing to write this storyline for the "new america" and then they wrote this character change for cooper to have a firmer anticommunist stance to influence the public. cooper wants to change the scene so bad, he asks for a writer and i find it amusing the director thinks doing a 180° on his character would be good because "the audience knows you're a good man. they want to see that even a good man as yourself can be driven too far sometimes" idk but this is about all the horseshit i can take • [this is precisely post war cooper's arc and character if that wasn't obvious enough] • enter barb. i love the sensual "married couple flirting like strangers" energy behind this scene • lavender flowers are supposed to represent purity, silence, grace, devotion, serenity, calmness--- just a little something for you romance girlies to think about with this scene • "tastes like someone touching you for the first time" and they make it a point to show cooper and barb's hands and cooper purposefully touching barb's fingers as they exchange the candy • hands and fingers seem to be important motifs here and it also seems like hands and fingers are particularly worthy of note for cooper • they kiss each other and they're like "sorry, makeup" and "sorry, lipstick" 😭 • looks like barb secured cooper some vault tec contracts • cooper winds up on siggi's headless body and i can almost see the algebra and trigonometry floating around his brain trying to make heads or tails of this shit • from my understanding, there's no chems that keep a ghoul from going feral within the game universe but there are chems that can and have turned people into ghouls, i see speculation that cooper may have a chem addiction and what we see are withdrawal symptoms, as when lucy finds him outside the super duper mart, he's still on the ground and not acting much feral but [of course coughing, drooling, etc could be the show's symptoms for ferality] i digress • almost think because it's dry and arid af out there, that's why he need a chem

• literally howling because of how lucy was handling siggi's head, she got over the shock and disgust quick 😭 • lucy is crazy for lighting another [camp]fire at night like that • lucy putting a tracker on siggi's head was smart though • lmao did the brotherhood of steel not know lord titus' regular speaking voice or • maximus lying to the brotherhood of steel, maximus selling his teeth for caps instead of literally anything else, maximus thinking he can leave his power suit uncovered and unattended without it being pulled for scrap--- like lord, maximus, please make a sensible step 😫 • the voice modulator mechanic person was very sci fi though • took me a second watch to realize maximus' tooth extraction resulted in a bit of a lisp glfgd • not maximus getting bullied again 😭 • maximus getting a wrench and toilet seat and beating the shit out of them wastelanders with them rotf • crushed that man's head like a watermelon❤️ • thaddeus being sent to inadvertently squire for someone he helped bully is his karma lol • "remnant from the old world" directly implying the enclave is a continuation of the us government • lucy arriving on the serene scene of a fawn near a lake where hollywood boulevard once stood [lucy being a parallel of the innocent doe, doe eyed, and this is bambi ok 🥲] • an undamaged, normal appearing fawn representing beauty and purity can grow in the wasteland and then it being snatched by a gulper likewise demonstrating that it can all be taken away in a blink of an eye • lucy once again being crazy for walking around with the barely contained rotting head, like of course the abomination snatched that too 😭 • cooper conveniently appearing with a cocked gun in her face and she just smiles and says "hello again" like excuse me?? 😭 • cooper's head tilt gets me every time, oof • he ain't have to lightly pistol whip her like that 😭 • lmao poor chet • betty to some degree i keep wondering if she knows extensively about the vaults of 31, 32, 33 or if she is just doing what she is told • norm using the word "escape" instead of perhaps "leave" when describing lucy's departure from vault 33 is intriguing, i think • it took me a minute, and i don't think i've seen much talk about this but i legitimately think norm's lack of enthusiasm and drive for life in the vault is directly connected to his mother's death but i have seen no clear age for him--- they don't show his memories like they do lucy's and i would want an explanation or exploration on his lore here because... he already uncovered vault 31's secret but i don't think he knows what hank has done and him finding out will be huge as well like for lucy • norm is rightfully angry at the raiders for what they did but i am almost willing to bet he might be implicated in their poisonings as a diversion tactic by someone like betty but it's all just a theory [a film theory gldfgldfl] • because someone in the fucking kitchen and handling the food poisoned them raiders... • ghoul prejudice being loud and clear and amongst the brotherhood of steel 😭 • ghouls leaving radiation trails is insane • lmao maximus and thaddeus coming upon siggi's headless body and then trying to compare his mugshot • maximus thinking it was the ghoul who beheaded siggi when it was lucy at siggi's request lol • dogmeat barking up a storm because she wanted cooper's foolishness upon lucy to cease • "you know, they use to do these things called "studies"" like lucy doesn't know what a study is? she's a teacher! 😭 • rads going up because of the water or cooper or both? • ok so i now get why when lucy told cooper torture was wrong that he went into a whole spiel--- not only was cooper in the military but for thirty years post war, dom pedro kept him in a coffin confined on an iv drip to keep him alive but would dig him up and slice pieces of him off and then put him back. cooper's behaviour using her as bait [but not torture] is of course not excusable but cooper is coming from a deep place of hurt and bitterness, this monster was whittled

• cooper goes on to say "it made sense. i mean a man hurts me, i wouldn't want to do him any favours. and yet the practice of torture failed to vanish from the earth. in fact, as time marched on, i've personally noticed a decided uptick in the amount of torture being doled out across the board." oh, cooper 😞 �� he says this as he picks what looks like giant leeches off lucy [didn't have to do that] • "well, i ain't torturing you, sweetheart" here go the first instance of familiarity with a patronising pet name in the style of cowboyism and southerness gldgldlf • almost looked like lucy started cooperating when cooper told her he was using her as bait gldgldl • ok so it looks like cooper cut the rope? so lucy could get free i guess idk but then the gulper got ahold of the anchor so he couldn't reel it back? [not sure, anyways, he botched this lmao] • he starts striking at the gulper with what looks like a harpoon i guess when it catches lucy's leg [could've definitely let her get ate but didn't] • lucy basically saves herself with dogmeat biting the gulper and scaring it off • cooper empties lucy's bag and destroys her stuff so it's only right cooper's karma is his vials getting smashed in the process of using lucy for bait lol • cooper getting mad and taking out his gun and cocking it at lucy like it was her fault his shit got smashed 😭 • "oh, i'm sorry, i should just let you use me as bait in the poison river!?" the way she says it always almost brings a tear to my eyes like get his ass 😭 • for the first time in the show, cooper realises he was wrong and/or messed up [and to his detriment] • lucy protests her treatment, "do unto others as you would have done unto you" and cooper starts mumbling to himself "those gulpers digest real slow. you got time." because he already going through withdrawals, help • so he ties her up like a dog and says the wasteland got its own rule and it's "thou shalt get distracted by bullshit every goddamn time" 😭 this is so a reference to gameplay and how they themselves are going on a fucking side quest lmao • lucy asking about dogmeat 😢 dogmeat staying because that gulper has siggi's head ☹️

• lmao maximus masquerading as lord titus asking thaddeus to say something about him • you know? it's good writing to me to explain why a [secondary] character would bully or behave as thaddeus has to maximus--- he's not merely a side character and wanted to say nothing but nice things about maximus when he thought he died, i'll give him that • "we can judge a person and a society by how they treat their enemy" goes boom because of the game lore and also because somebody kills all those raider prisoners lol • this disconnect between the vault dwellers and wastelanders--- they're talking about teaching these people shakespeare when some of them eat people for survival • norm wants the raiders to die and they keep showing steph and this might be a red herring but i think she poisoned them mfs, personally • hmm why does steph know what hank would do in this situation like that flgdlgdl • maximus trying to protect thaddeus from danger • thaddeus calling cooper an abomination because he's a ghoul 😭🖐️ • the little scream thaddeus makes as the gulper gets him ❤️ • dogmeat really loved siggi ☹️ • cooper and lucy walking near an incinerated hollywood tour bus is so lmao why cooper walk past that • at first i thought cooper was displaying cruelty by not letting lucy drink his water but then it occurred to me it might be irradiated, the next scene with water like this, she gets sick from radiation from drinking water • lmao when he emptied the last drops of water in his canteen out in the sand in front of her 😭 • "ain't much stays clean up here, vaulty" he is talking about himself • lucy gazing at a billboard of vault boy, cooper shooting the face, then they cut to vault boy's origins being cooper--- • symbolism and parallels like this can kill a man but i did want to just say there's so many layers to this. to be short he has such contempt, shame for what he thinks he's done, people hundreds of years later worship this thing that represents the end of civilization and he feels responsibility because he was deceived as well. lucy none the wiser. she just thinks he's crazy and horrible for no reason. if only she knew. • the road to hell is paved with good intentions

#text post #fallout #fallout show #lucy #ghoulcy #the ghoul #cooper #maximus #my meanderings #the head

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antianakin · 2 months

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Am I the only one who just lost any and all love for newer Star Wars material due to Jedi hate ? Like- the only merch or show or even FANDOM topic I get involved in is clone wars stuff and MAYBE TBB. Like- why would I want the watch shows who attempt to rewritte canon and portray the very heroes of Star Wars as the bad guys ?

Why would I want to watch shows that assassinate characters left and right (looking at you, Ahsoka and Sabine) ? Why would I want to buy merch of characters who I not only NOT care about, but who also are used as meta mouthpieces for stupid Jedi hate ?

I think there's TONS of good newer Star Wars material, to be honest.

I loved the Kenobi show and it is arguably one of the most pro Jedi pieces of media to have existed since the Prequels films. Aside from one itty bitty somewhat awkward word choice in one line of one episode, there is absolutely NOTHING in that show that can be used to indict the Jedi or blame them for anything and it is arguably one of the only shows to really spend time MOURNING the Jedi and recognizing the horror of what was done to them. Rebels comes closest after this, but its structure makes it a little less visceral than the Kenobi show was to me.

I really adore Visions and I recognize that this is sort-of Star Wars adjacent more than anything else, but SO LITTLE truly understands what makes Star Wars compelling as a story and really hits on those primary themes the way that Visions does. There's SO MUCH Jedi content in Visions and I remember people complaining about how much Jedi content was in Visions and other people responding that if you were given free reign to just play in the Star Wars sandbox with near zero restrictions on what you could make with it, you would probably ALSO immediately go for the psychic space wizards with laser swords. Who WOULDN'T? Visions also just genuinely has some of the most engaging and heart-wrenching stories to come out of Star Wars in a LONG while and it does it in these beautifully animated 15 minute packages. It's such a gem and I am so glad to be alive at the same time as Visions.

Rogue One is older now, but both Rogue One and Andor, despite having zero actual Jedi in them, really hinge on the themes from the Prequel trilogy about the tragedy in the Star Wars universe, stepping up when no one else will, choosing to be selfless and compassionate for the greater good, etc. Faith and hope are MASSIVE themes within these two works and even though there aren't any space wizards, good or evil, in either story, they feel like some of the most pro Jedi things Star Wars has come out with in a while based on thematic messages ALONE.

The Mandalorian's first two seasons actually have this absolutely BEAUTIFUL story about the selfless sacrifice of one man as he gives up everything in order to help this child find his way back to the culture he'd been ripped from. Everything AFTER that regarding Grogu and Din's storyline is a piece of shit (it's not explicitly anti-Jedi or anything, but it undoes a lot of the things that made their story so compelling and beautiful), but the first two seasons are genuinely GOOD and very pro Jedi in a lot of ways despite the lack of many actual Jedi characters.

The Book of Boba Fett is a terrible show for a LOT of reasons, but shockingly none of them have anything to do with its treatment of the Jedi. If it ever ends up with a season two, I desperately hope they leave Mace Windu's name the fuck out of it, but at this point it is a pretty Jedi neutral show if you're willing to deal with the rest of its bullshit.

Rebels is also somewhat older now, and it has a few lines here and there that are a tad more Jedi critical, but it is by and large VERY Jedi positive and does also follow a lot of the themes of selflessness and sacrifice that go along with being a Jedi. It also has themes of mercy and patience and facing your fears in Sabine's storyline that got entirely thrown away in her later storyline. Just thought that was worth pointing out. For reasons.

TBB is also fairly Jedi neutral, but its treatment of the clones is basically the clone version of being anti Jedi, so I'm not sure it's actually any better. It just traded hating on the Jedi to hating on the clones, and I find that just as distasteful.

I can't really speak to things like comics and novels much since I don't tend to consume them really. I've read a few of the adult novels in the High Republic Phase I and the first one was genuinely very good, but there were some relatively heavy-handed Jedi critical themes within the third book of Phase I (The Fallen Star) that put me off of it a little. I haven't continued into Phase II or III at all, so I have no idea if those themes got continued in later books. I've heard generally good things about the Padawan book, I think.

The Cal Kestis video games, Fallen Order and Survivor, also have their small Jedi critical moments, but much like Rebels, it has these massive overarching themes and messages about compassion and selflessness and sacrifice and facing your fears and mercy. They are immensely Jedi positive in a lot of ways and I really enjoyed both of them.

So out of everything I have seen (and know about) the only stuff that's truly heinously and insultingly anti-Jedi is the Ahsoka show, the Acolyte, and Tales of the Jedi. Three shows and like 30% of one book. Out of a list of like ten different shows and one film and some books and video games. It's not even really HALF of the content we've been getting recently.

A lot of people talk about the Disney era like it's ruined Star Wars, or like nothing it releases has ever been good. But it just straight up isn't true. It's a little insulting to all of the genuinely wonderful work that is being done by all of these other creators to just brush aside everything that's been coming out recently as awful and bad because some of the MOST recent things have been pretty explicitly hateful towards the Jedi. It's not fun that we had the Ahsoka show immediately followed by the Bad Batch followed by the Acolyte. I hate that, too, it feels like we're on this neverending shitshow of stories explicitly aimed at hating a group of characters for no obvious good reason. But I don't think that the last 6 months or so of bullshit should overshadow some of the really beautiful stories we HAVE gotten within the last several years.

If you feel like things are getting difficult, maybe do a "good Star Wars" marathon of sorts. Watch the Prequels, followed by the Kenobi show, then Andor, then Rebels, then Rogue One, then the Original trilogy. This one long beautiful story of people stepping up to fight against selfishness and greed and darkness no matter what.

Or go rewatch Visions or read some of your favorite fanfics and remember all the things about Star Wars that are just universally cool and compelling across the world. Hell, you can try writing something of your own! Anything! A lot of my AU concepts stemmed from spite and really helped me feel a little bit better about Star Wars when it sometimes felt like I was just surrounded by the parts of it I liked the least. Go buy yourself a cool t-shirt or some fun jewelry. Find some pretty stickers and put it on a water bottle or an enamel pin to put on a canvas tote bag or a corkboard.

Curating your fandom experience goes beyond just the internet. There's a reason I am boycotting the Acolyte and it isn't because I think Disney or its creators are going to care at all. I'm doing it for ME, because I had such a shitty time watching the Ahsoka show and it made me so miserable each week that I seriously think I will be better off just leaving it the hell alone and just absorbing whatever ends up crossing my dash from a distance. I only participate in Star Wars fandom servers that I feel safe in and only really get into discussions with personal friends who I know well. If participating in Star Wars fandom is making you sad, maybe take a step back or find a way to create your own corner of fandom that feels better. Ignore the damn Ahsoka show, pretend it never existed. Ignore the Acolyte. Ignore Tales of the Jedi. Ignore Filoni-related bullshit. Focus on the parts you DO like, or give yourself the space to remember why you liked it in the first place.

#star wars #jedi #pro jedi #obi-wan kenobi #sw owk #kenobi show #kenobi series #andor #star wars andor #rogue one #star wars rebels #rebels #anti tbb #tbb wank #anti ahsoka show #anti acolyte #visions #star wars visions

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whovianderson · 8 months

Text

Sex Education season 4 thoughts

The good

Aimee’s journey. As I’ve discussed online no end, I have complex PTSD. While I was never sexually assaulted like Aimee was, her avoidant trauma responses were very relatable to me. To see her taking the power back this season, especially when the burned the jeans she was assaulted in and did the photoshoot with them, made me feel a bit less alone as I try and heal. I cried my eyes out, so much so that I had to take a break from watching to collect myself!

“Even when I’m doing something I love… it feels like I’m still wearing them, like it never goes away”

Cal’s story as a non-binary person is very different to mine (and for the record, that doesn’t make either of us any less valid, because there is no singular way to be non-binary). Nonetheless, hearing someone I love as much as I do Gillian Anderson affirm our shared gender nonconformity meant the world. I’m sick of facing transphobia from society, but especially from people that I once considered idols. So knowing that Gillian embraced a role where her character supports trans youth healed something within me. It’s not the first time she’s showed up for our community though - she always makes a point to include non-binary people, for example in her Dear Gillian announcement video. I don’t mean to undermine the real hero of the story here: Dua Saleh, the actor who played Cal - it’s just that I had already formed such a deep connection with Gillian, so it hit me doubly hard from her.

The funeral scene. Just… the funeral scene. I really lost it when Mr Hendricks played With Or Without You on the piano and everyone else joined in.

Other people have spoken about this better, so I won’t get into it as much, but by god, the representation. One example that really struck me was the sex scene between Abbi and Roman at the end, where she said “I love being inside you”. It wasn’t a big deal, their transness was completely normalised.

This might be an unpopular opinion, but I loved the Motis ending! Maeve made the right choice going back to America, and long distance relationships are really hard when you have no plans to reunite, so I get why they called it off. Also, relationships at that age don’t usually last, as much as I hate to say it, and yet via Maeve’s letter, the show managed to honour that they can still shape one’s life and be really important.

The bad

If it wasn’t clear, I’m a Jean Milburn stan first and a human second. Unfortunately, I was disappointed in how they handled her storyline this season. Firstly, I’m tired of every single female character on television having an arc that culminates in motherhood. Not knowing who the father was felt like bad writing for Jean specifically, like very out of character, because she’s a sex therapist, so she’s all about safe sex and communication around those things. By no means am I suggesting that they should’ve kept Jakob as a character (if you don’t already know, his actor sexually assaulted hundreds of women which, by the way, was public knowledge before he was ever cast), but they could’ve come up with a better workaround. Maybe I’m biased because Jean is a comfort character of mine, but I wasn’t very pleased with the fact that they didn’t allow her to be happy for a single second this season either! That being said, I do think it’s important that we don’t gloss over the postpartum depression representation here, which could mean so much to so many. I wish they’d brought Maureen in to help Jean though, because their relationship was so special and yet we didn’t see them interact onscreen once this season.

I haven’t heard anyone else mention this, but I was disappointed with how they handled sapphic relationships this season. Not only were Ola and Lily erased entirely, but the writers fucked up the storyline for the only established sapphic couple remaining (Roz and Sofia Marchetti). Like, why was the Big Plot Twist™️ that there was, in fact, a man intimately involved with their family? Our lives don’t have to revolve around men, you know? The show didn’t explicitly acknowledge the fact that genetics to not make a family in my opinion either, because Roz and Sofia’s conversation with Jackson was just about how his biological father was missing out on raising him.

The… mixed? Idk!

I deserve to be sent to horny jail for this, but Jean breastfeeding initially drove me insane. I quickly changed my tune though, because breasts are not inherently sexual and breastfeeding shouldn’t be sexualised, so it makes me feel a bit icky to see people thirsting over that.

I’m not sure how I felt about the development of Adam and Michael’s relationship. On one hand, I thought it was beautiful to see them both grow and reconnect. On the other hand, I was slightly concerned that it was veering into “you have to forgive your abuser” territory. I don’t have parental trauma, so I don’t have the authority to comment, but I’d be interested to hear other people’s perspectives.

I really appreciate how they tried to explore toxic relationships with the introduction of Beau as Viv’s love interest. However, I don’t feel that it was given the weight it deserved, because there was so much else going on.

In summary

I’m not disappointed with how this season turned out overall. Although it definitely wasn’t perfect, I thoroughly enjoyed watching it, and it made me very happy. I do recommend checking trigger warnings before watching it though, because it is a lot darker than previous seasons.

I’d missed this show and these characters more than I’d realised, and I can’t believe I’ll never see them again. It was really hard to say goodbye!

#yes I binged all of season 4 in one day but I was too lazy to post about it until now. love that for me #miscellaneous thoughts:#gillian anderson is a phenomenal actor jsyk #this season is confirmation that ncuti is gonna be an amazing doctor #I may be becoming a hannah waddingham stan what of it #also this is personal so feel free to skip #but I’m so so proud of myself #because this season would have been too triggering for me to watch not long ago #but I’m ✨healing✨ now #sex ed season 4 #sex ed s4 #sex education season 4 #sex education s4 #sex ed spoilers #sex education spoilers #sex education netflix #sex ed netflix

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back2bluesidex · 9 months

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Enchanted - KNJ

Pairing: Namjoon X Reader

Theme: Angst with a happy ending, exes to lovers au.

Request:

HIII i want to make a request for the TS song drabble game Can you do Namjoon x Enchanted the genre maybe angst? fluffiest Its one of my favs ..this idea came to mind while remembering the lyrics.. what if Namjoon lost his memory and reader was a museum crying staring at Nam´s favorite works and then they meet and maybe they fall in love again.. leaving an open ending if he ever got his memory back or not. or maybe he did! whatever you want is fine :)

Song: Enchanted

Word count: 1k+

Warnings: Major character accident, partial amnesia, angst, pining, crying, suffering, reader gets called a bad luck.

Minors and Karens Are Not Allowed in this Blog!!

A/N: A huge thanks to you, anon, for offering this brilliant idea. I changed the storyline a bit so that it fits within a drabble length and I hope you like it.

also, a very happy birthday to our best boy Kim Namjoon. I hope he is happy and healthy just as he deserves to be.

"What are you doing here?"

"eomeoni, I- I"

"Didn't I tell you to keep your distance from now on? Didn't you ruin enough?"

"Please.. I will - I want to see him once. Please. I promise I won’t even step near. I will just take a look. Please eomeoni?"

"No! You - You are bad luck. Look what you did to my poor son. He was rushing to see you just because you fainted and look who's laying on the death bed now!"

"eomeoni.."

"Stop calling me that! You are no one to me! you are no no one to Namjoon. Leave right away or I'll have to report you."

The conversion reels in your head as you stare at the man from afar.

It's been a year since that dreadful night, the worst night of your life. It's been a year since you last saw him, heard his voice, until today.

Your heart rips apart seeing him standing so gracefully with practiced elegance. Nothing has changed. He still looks the same. It feels as if it was just yesterday when he took you to the art fair and bought you that handmade clay-framed mirror.

But you know things are far from being so simple, if anything then everything is much more complicated than ever.

While you still stay awake each night, spending a fair share of time shedding tears for him, he doesn't even recall your name. He doesn't remember who you are, what you sound like, how your touches feel, or the time you two shared being so in love.

You had vanished from his life long ago, vanished from his memories leaving absolutely no traces behind.

He forgot you, even if you know he never intended to, even if you know it was a cruel decision of fate, he still forgot you and you can't change a thing about that.

Silent tears fall from your eyes as you stare at him. Only you know how much you want to run to him, hold him tightly in your arms and tell him that you have waited for him, tell him that you have never stopped loving him, tell him that you love him more than anyone ever can. But you can’t.

And even if you do all these, what will be Namjoon’s reaction? He will just shove you to the ground thinking you are a crazy woman trying to throw herself at him. So you decided to leave. Meeting him unexpectedly here in the gallery should be more than enough for you. You can’t ask for more. You have no right to ask for more.

You turn your heels to leave but you hear a faint voice calling you from behind.

"Excuse me.." it's his voice. It's Namjoon.

You start to panic. Contemplating whether you should run away or give in, you stay planted at your own place.

"Hey. Um.. I am sorry to bother you but I- uh saw you staring at my direction and you seemed to be really familiar.. So, do we know each other?" Namjoon's voice is unsure and filled with confusion.

Your heart breaks. You know you should have not expected him to remember you but his confession still makes you weak on your knees.

Blinking several times and gathering some strength, you turn around and face him.

He's just as handsome as he used to be, if not more.

Seeing you silent, Namjoon clarifies, "Sorry if I seem weird with my questions. I actually got into an accident last year and lost some of my memories. So I tend to ask people who they are if someone seems familiar to me. And you.." he pauses, his eyes raking through your face as if he's trying to find a clue "you seem to be someone very close to me."

"I- I think you got the wrong idea. I mean - I, no, we.. we knew each other through some common friends but weren't exactly close." Your words fumble over each other much more than you would like.

"oh- sorry then." A sheepish smile takes over Namjoon's face.

His dimples make you sick and you want to run away from him.

"I gotta go-"

"May I know your name?"

You two speak out at the same time.

"Y/N. It's Y/N." You say hurriedly.

"Yeah... Y/N" Namjoon whispers.

You don't know if you're imagining things or not, but a flash of sadness passes through Namjoon's features.

"I don't wanna sound like a creep but-" he hesitates.. "I would love to have a cup of coffee with you."

"I am so sorry but I kinda have to go." You reply with your heart breaking into a thousand pieces all over again.

"oh.. then, can I at least have your number? Please?" Namjoon pleas. His voice quivers a bit or maybe you're just hearing things.

You don't know what you should do. You don't know why life is playing these games with you. You don't know where this will go but what you know for sure is that you're enchanted to meet Namjoon again. So you give in and take another chance.

"Sure." You murmur.

Namjoon pulls out his phone from his pocket, unlocks it and gives it to you.

As soon as you take his phone in your hands, your world starts to spin, eyes start to blur, hands start to shake because it's you. It's your picture saved as his wallpaper, the one from the art fair, under cherry blossom, wearing the same hoodie Namjoon is wearing right now.

When you look up at him you find that his dark eyes are full to the brim with tears, which may start falling anytime. He looks as broken as you do.

"The story line didn't end there, Y/N. It was the very first page. And... And I was enchanted to meet you. I would do anything to meet you again."

"You- y-you remember me?" your words get choked.

"How could I not? You are deep-rooted in my heart. My brain may have forgotten a period of time but heart kept on trying to make me remember you. And it was successful." Namjoon smiles through tears, so do you.

"I hope you are not in love with someone else, you don't have someone waiting on you." he whispers, stepping close to your body.

"No- I don't." you reply, taking a step towards him.

Namjoon comes closer, cups your face and connects your forehead with his as you two intertwine your lives again standing in the middle of the gallery.

Taglist:

@phenomenalgirl9 @variety-is-the-joy-of-life @soraviie @sukunabitch @chimchimmarie @coffeedepressionsoup @meowstake @vonvi-blog @nochuel @chimmisbae

#bts angst #namjoon angst #rm angst #bts x reader #namjoon x reader #bts x you #namjoon x you #bts fanfiction #namjoon fanfic #bts fluff #namjoon fluff #bts namjoon #bts #bts drabble #namjoon drabble

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