#but its also a bunch of songs from the genre of music i’ve REALLY gotten into since march | Explore Tumblr Posts and Blogs

anautumncarol · 1 year

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thank you @chrxsify for tagging me!!! sorry for taking so long to do it, hope i did this correctly

1. Birthday?

30/11

2. Favorite color?

okay so i technically have 5 but they’re all a mix of each other at this point so: white, blue, purple, red and black

3. How tall are you?

168cm ish.

4. How many pair of shoes to you own?

technically i own a bunch since i never throw away the old ones but you’ll probably find me wearing my doc martens and now occasionally kickers (whenever i’m required to wear flat shoes i do have vans because they’re the comfiest shoes and try and find nice shoes in a size 42 or above in the women’s section (why are men’s shoes so boring????), vans has got you covered by sizing ridiculously big).

5. Favorite song?

I don’t really have one although i’ll have to say passion for publication by anarbor, 0325 by skz, sicilienne by fauré (not rlly a song i know), intywidfal by mcr, gold medal ribbon by ptv and a night like this by the cure constitute a solid foundation of songs?

6. Favorite movie?

i dont really watch movies but maybe a monster in paris?

7. Who would be your ideal partner?

im not sure since i’ve honestly got neither the time nor patience to even think of being in a relationship so i guess i’ll say kim seungmin because being chronically a seungmin simp is half of my personnality

8. Do you want children?

not my own, that’s for sure. maybe one day i’ll adopt but kids are tiring man

9. Have you gotten in trouble with the law?

Not officially

10. What color socks are you wearing?

none, i’m wearing slippers

11. Favorite type of music?

anything except maybe dubstep, it gives me major headaches, and reggae, i just can’t seem to enjoy it. rock is probably my favourite since it’s such a broad genre and just i do prefer more types of rock than types of pop or kpop or rap etc

12. How many pillows do you sleep with?

4 pillows and 4 other throw pillows under my feet to keep my legs elevated because bad blood circulation bb (dont ask me how i fit so much shit on a single bed, idk either)

13. What position do you sleep in?

on my side or sometimes twisted so my torso is on it’s back

14. What don’t you like when you’re sleeping?

my own thoughts ngl, its so hard to fall asleep with those running through my brain

15. Have you tried archery?

i have a very peculiar relationship with archery because its a sport i’ve always wanted to do and that from the few times i’ve done it i’m actually decent at and am just realy disappointed with the fact i never got to exploit my full potential because i really do love it (same with other aiming things like i always get prices at fairs with the rifle stalls despite it being the only time i actually use them).

16. Favorite fruit?

pineapples are the only fruits i’ll ever eat willingly

17. Are you a good liar?

decent enough to get away with a few things

18. What’s your personality type?

intp

19. Innie or outie?

innie, just for the sole excuse that i’m a hermit and that the word reminds me of jeongin

20. Left or right handed?

right handed

21. Favorite food?

i’m assuming it means food from home country and idk, maybe cordon bleu?

22. Favorite foreign food?

as much as i love mexican and ethiopian food and currywurst, nothing beats indian food (although nepali food absolutely kills as well)

23. Are you clean or messy?

messily organised. really depends with what, like my room is a mess 99% of the time but my bookshelf, mangateque, cd and album collection are always neatly organised

24. Most used phrase?

“your mum/ta mère” “fun fact” “tips and tricks” “border” “ ’tain” and a few others

25. How long does it take you to get ready?

i basically will do my “routine” as fast or slow as required depending on how much time i have. shortest i tend to do it is like 5-10 minutes and it really doesn’t need more that 45 minutes at most

26. Do you talk to yourself?

all the time. i also talk to myself in third person whilst talking to others which becomes kind of a problem when one of your best friends has the same name as you

27. Do you sing to yourself?

only when im home alone, it shuts the dogs up and is pretty fun

28. Are you a good singer?

haha, next

29. Biggest fear?

the unknown i guess?

30. Are you a gossip?

depends who i’m with

31. Long or short hair?

i don’t really care, depends what suits the person’s face in my opinion

32. Favorite school subject?

that’s a really hard question but maybe philosophy, maths, literature (although i dont have it anymore smh), physics-chemistry, drama and like history back when i didn’t have the teacher i currently do

33. Extrovert or introvert?

ambivert, really

34. What make you nervous?

phone buzzing, i absolutely fucking despise it. and then things like school and life in general although that’s more axiousness

35. Who was your first crush?

i don’t think i’ve ever really had a crush but maybe nico di angelo??

36. How many piercings do you have?

except my lobes i have a helix and a second lobe and i’ll be getting a second helix this summer

37. How many tattoos do you have?

nichts, i don’t think my commitment issues will allow me although i love tattoos

38. How fast can you run?

i am the exception to physics for i can travel 174 au per day

39. What color is your hair?

dirty blond/dirty brown

40. What colour are your eyes?

like an aggregation of colours but i guess the main ones are blue and grey and like yellow

41. What makes you angry?

anything as long as i’m tired enough

42. Do you like your name?

i have nothing against it

44. What are your strengths?

idk, maybe my ability to adapt to different situations?

45. What are your weaknesses?

maybe the fact i get riled up easily by the most random shit?

46. What’s the color of your bedspread?

i think it’s like white with dots rn

47. What’s the color of your room?

walls are white and purple but other than that it’s kinda anything goes with my room’s colours, ngl.

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woodsybabe · 4 years

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i be on my 🥺 shit

#ian really likes it when i send videos of me singing #he told me i have ‘the voice of an angel’ 🥺#and that he listened to all of the ones i sent so far like 4 times each #and that he was all smiles 🥺🥺🥺#and he actually checks out the things i recommend which i’m so not used to at all 🥺#i told him about monster factory and last podcast on the left #and not only did he QUEUE UP THE VIDEOS OF MONSTER FACTORY I SAID WERE MY FAVOURITES #he also snapped me a pic of that podcast open on spotify a few days after i told him about it and he said it was hilarious #so i know we have a similar sense of humour bc he likes both those things #we snap most of the day and into the night #and before he goes to sleep i’ll get a few snap with his shirt off and i just be like 👁👄👁#i am looking 👁👄👁#i also cant stop listening to one of his spotify playlists that he sent me 🥺#not only does it make me think about him which is nice #but its also a bunch of songs from the genre of music i’ve REALLY gotten into since march #he loves finding new music #and i’m usually REALLY stubborn about new music #but everything he’s recommended so far is really really good #hes literally the sweetest and he’s NEVER dry and hes really cute and hot and he makes being on tinder & talking to the other guys #i have on snap (besides michael) boring af #he also lives pretty close but also in another town so i cant like take transit or anything #i live on the northeastern edge of toronto (close to the zoo) and he lives in like one of the bordering towns #he makes me go 🥺🥰🥺🥰🥺🥰🥰🥺🥰🥺🥺🥰🥺🥰🥺🥰🥰🥺🥺🥰🥰🥰🥺🥺🥺🥰🥺🥰🥺🥰🥺🥰🥺#personal

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chocominnie · 3 years

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One Last Time 03 — Pjm. (M)

⇢ pairing: Jimin X Reader

⇢ Genre: Idol!Jimin, Exbf!Jimin, model!reader, sad au, fluff, tons of smut, angst

⇢ Synopsis: Your idol ex boyfriend Jimin cheated on you. You two have been broken up for a while now and the media has been keeping track of you and him. You’re trying to get over him, but the things that happen inbetween makes you re-think the entire breakup, and so does Jimin…

⇢ Song : xxxxx

⇢ Previous : 00 01 02

⇢ Word Count : 4.2k

⇢ Warnings: dominant jimin, makeout sessions, this is honestly a sad angsty au, cheating, pregnancy, unprotected and protected sex, a bunch of sex, no really a LOT of sexual themes too, I know I’m forgetting some but sorry in advance!

⇢ Copyright: please do NOT repost, translate, or modify my works in any way, shape or form, on any platform. If found doing so , it is considered as plagiarism and appropriate LEGAL action will be taken

⇢ Authors note: This is my mini series for the summer! Get your tissues, things to take your anger out on, and sit back and watch the drama unfold. Shall we begin?

Being a model isn’t as always what people view it as. It’s not all just fun and prancing around in clothing that’s either revealing or not. It’s about business and fun but you mustn’t mix pleasure in. Every model knows that. But you, you took advantage of that. You decided you wanted to know what would happen if you had did that. And that is how everything went wrong.

You had actually met Jimin through Jungkook. But, BigHit staff did a casting call for one of their music videos. You had gotten chosen and while at the shoot Namjoon had sparked in interest for you. He spoke fluent english that glided of his tongue ever so breathlessly. But his adorable, cheeky dimple smile had put the icing on the cake for you. You two had been friends ever since.

They needed two girls, the protagonist and the antagonist. You were the protagonist while another was the antagonist but the role did fit you well. You aren’t the type to cause trouble and when your manager explained the script and concept to you, she thought it was a perfect match to your real life personality.

You and Jimin had hit it off right then and there. You loved his smile, his way of talking, and his cute little English phrases he would slip in then and there to you on set. It was the most adorable thing ever. He was a smooth talker too. Then Bam! You didn’t know what had gotten into him. Well.. the acting was for the concept music video, but you’ve never seen someone go from adorable to to a dominant personality so quickly. The entire switch up from the persona had fooled you good. Way.. too good.

That was how it hit you. You knew that he had to be yours.

But then yours.. became shared.

Then sharing became permanent.

Now you are single and heartbroken.

“ Long time no see! How have you been?”

You smile and take in his huge bear hug. He smelled so divine. Namjoon has always carried himself like a mature man, but in the inside you knew he’s a child at heart.

‘‘ Im fine. How are you? I’ve been on a little hiatus.” You nervously chuckle, assuming he already knows why. Namjoon nods his head and guides you further into the set.

It’s the inside of an apartment. They’ve set it up so pretty for it to seem like it’s a real apartment. The LED lights are beaming but not enough for it to be too bright. Just perfect. You take a glance at all around the set you would be soon using.

The bed is a modern day king size in the colour schemes of black, white and grey along with a matching dresser and nightstands. White Jasmine flowers, sit on top of the nightstand along with the book milk and honey sitting next to it.

‘‘ I seen your pictures when they had dropped yesterday.” He pauses, glancing up at you to see your reaction. The way your breath hitches for a moment humored him. “ You looked very good. You did a great job. Welcome back to the business!”

Only if the business was so welcoming at all. Pictures of you had been posted on all your platforms and the comments came rushing in. Some good, but majority bad, only because the people of the world thought your comeback was revenge for Jimin’s comeback. Turns out, he had a comeback three days before you. You didn’t know, because you don’t keep up with him anymore. His fanbase was actually the ones commenting to the bad comments to leave you alone and that you moved on.

If only you made it that far to move on.

Namjoon leads you to the hair and makeup station that’s been set up for the both of you. Each of you greet them and take a seat in the two black director’s chair with your name on it. As you sat in your chair you let the stylists and make-up artist do your thing while you read the concept script of the music video.

It’s going to be Namjoon rapping about his first love and how she broke his heart repeatedly. The hazy white flashbacks are of you and him symbolizing a couple doing things of what he had did with her.

“ So you and um.. Jimin did you guys sort things out yet?’’

You lift your head from the script instantly biting your lip. You most definitely don’t want to be reminded of him at the moment.

“ No. I like the way things are now. We shouldn’t see each other anymore.’’ You roll your eyes and look back down at the white sheets of stapled paper that holds your acting skills.

“ Im sorry if I offended. I didn’t mean to it’s just that. It’s been a year and a couple of months since-’’

He means no harm at all, and you know that because its Kim Namjoon you’re talking to. This right now though, isn’t a conversation to be held right before rhe video-shoot. You shake your head letting him know not to continue on. The last thing you want is for the makeup and hairstylists gossiping. Also for your emotions to spiral all the way down again.

The hair, makeup, and clothing stylists does a very good job on you. The make up stylists did a sort of natural look to your face which made your skin look light and dewy. The natural makeup complements the oversize, long t-shirt that is supposed to symbolize Namjoon’s.

The first scene you are going to shoot is the bed scene where you will be straddling a sleepy Namjoon’s lap wearing nothing but his t-shirt and your underwear underneath. Which really isn’t your underwear but just some black shorts that you put underneath the shirt.

You spot Namjoon and the director conversing so you decide to make your way over to the bed by them. As you walk over, his manager glances and goes back to talking. You pay no mind to it but then, he does a double take with his eyes wide looking at your outfit and beauty. You cant lie, you do feel a little more confident than usual with this bedroom look.

‘‘ My goodness she looks stunning!’‘ His manager smiles, holding his hand out to greet you. You take his hand and do a courtesy greet due to the fact he’s older than you.

Namjoon eyes you up and down, smiling showing his deep dimples and pearly whites. Since when is he all flirty? Where is all this coming from? What’s getting into him?

‘‘ Yes she does. Are you ready?’‘

You nod your head, glancing at the properly messy bed. The director gives you guys one last look before heading over to his place right next to the cameras. Namjoon grasps your wrists as you both make your way to the bed, letting your ears listen to the instructions.

Namjoon gets into the bed first and then motions for you to sit on his waist. You bite your lip subtlety with your eyes not leaving his as you climb carefully over onto his lap. Your core almost inches away from him member, you don’t mean to brush a little too hard against him like that. The way he hisses and stifles his groan makes you feel apologetic.

Oh Namjoon, what is going on with you?

‘‘ I need you to try waking him up with little kisses on his cheek then down his chest.’’

Glancing down at his bare chest, you almost gasp at the muscles he has. Your mind completely had ignored it when you two were chatting with the director. Namjoon isn’t the kind to work out as much but he definitely prepared for this music video.

You nod your head just before Namjoon closes his eyes to fake his slumber. Leaning down after the director gave you two the green light, you smell his cologne which smells pretty good to say the least. The butterflies in your stomach flutter like no other when you start to leave butterfly kisses on his cheeks, making sure to kiss his dimples then trailing over to his neck.. then chest.

‘‘ Namjoon wake up smiling… right about now.’‘

His eyes flutter open with a smile landing onto yours which makes you smile right back at him.

‘‘ Interlock your hands and hold them up high.’‘

Both of you smile ear to ear and giggle at the awkwardness almost nearly as a real couple except you guys aren’t, and this isn’t real.

It was easy for you to act like you were in love with Namjoon due to the friendship you have with him. Ever since the boys were together in a group, you had connected easily with Namjoon. He has this friendly yet funny aura about him. He’s the sweetest guy you ever met, just before Hoseok. Namjoon was the one who made you feel welcomed and comfortable upon meeting the members for the first time, while you had dated Jimin.

His eyes roam over your body intimidated by the lack of proper clothing you have on. Soon his hands take over and start to roam your body from shoulders to waist. Namjoon often bit his lip as if was thinking of saying something, but doesn’t. At this point you didn’t know if the acting was real or not.

A day’s worth of shooting and this was it. You’ve moved locations just for this scene which is supposed to be in the middle of a vacant two way road surrounded by nothing but dust and a few trees. The last major scene. You had seen Namjoon rap his part repeatedly in different sets for him that did not include you. The dark clothing and light colored hair suited him just right.

The closing scene is the one left and ironically, it’s the make-out scene.

To your left, someone had started a bonfire to keep the staff warm as they converse about the scene and read through the scripts. You huff lightly as you get out of the chair instantly regretting it as the cold air hits your nearly exposed legs.

They’ve dressed you into a maroon skirt and a grey knit sweater that is fairly itchy paired with a knit infinity scarf. Your hair was let down to compliment your face.

‘‘ Yn!’’

You turn your head immediately over towards the direction of that voice. To your luck it’s Jungkook holding a big brown bag and two canisters of god knows what. But who trails after him makes your smile drop.

Jungkook smiles jogging towards you, almost slipping from being excited too see you. You open your arms fully to embrace his figure in which in return he provides.

“ Are you still mad at me?’’

You inhale the scent of him with a smile making sure to make eye contact with the one standing further away from him, “ No Jungkook.”

He lets go of your intertwined bodies and gives you one of his bunny smiles making you giggle at his excitement. “ I bought Namjoon and you some hot chocolate and plenty of rice-cake dumpling soup since you are working hard.”

‘‘ Thank you we will eat after this last scene okay?”

The cameras and lights are beaming down on you and Namjoon. It’s all or nothing at this point. The camera crew and director murmur a bit just before calling out that word. Action.

Namjoon looks slightly down at you with his glossy eyes. You challenge him back while not saying a word at all.

“ Are you comfortable with this?” He whispers. No, truth is you aren’t and have no desire in kissing him. To you, you feel like the kiss would make things a bit awkward for the both of you.

He’d been subtly flirting all day with you and of course you pick up on it everytime. It’s not like yourself to do such things with people you don’t have feelings for in a romantic way. Let alone, flirt with your ex’s band brother.

“ Yes.” It’s not like you have a choice to say no to it. You signed the contract, so you have to complete the entire scenes. Just your luck, Namjoon’s song begins to play in the background.

He leans in for a kiss with your face inches apart from each other. So close that you can feel his eyelashes brush against yours. He’s stalling you, making you try to be the one to start the kiss. A small smirk on his face when you oblige taking him into the kiss. Your lips move in sync with his with his hand on your face caressing your cheek. He thinks your lips taste like strawberry chapstick, but you think his tastes like mint.

Soon his tongue slips into your mouth to deepen the kiss. You can’t help but to let out a small whimper on accident resulting in Namjoon’s hand traveling to your waist and pushing you closer to him gently. Excitment takes over you, you haven’t felt like this in a long time. Maybe it’s the lack of dating or all the couple like things you did today, but you feel loved.

And cut! That’s a wrap everyone, please pack and get home safely.

You break away from Namjoon’s lips and chuckle at the sight of him with his eyes still closed and waiting for something to happen again.

“ Joonie we are done shooting.”

Namjoon’s eyes pop open with a smile, cheeks turning coloured from embarrassment. “ Ah really? Im sorry it’s just that i was too into the moment.”

The both of you thank all the staff for their hard work of day. While bowing to another staff, you make sure to look directly in the eyes of the friend that tailed along with Jungkook. Just as expected he looked pissed off. The sight of him biting the inside of his jaw gave you satisfaction. He fucking deserves it.

“ Can we all eat now? I brought thermal blankets and the bonfire the staff lit is still going..’’ Jungkook says, sitting onto one of the logs and placing the bag onto the ground.

“ We need to speak first.” You say, firmness taking over your tone. You aren’t going to let this slide. Why would he bring him here? After all that happened that night, you’re sure he told Jungkook.

He sighs and motions for Namjoon to start serving while he’s going to be gone. Namjoon gently smiles and approves just before going to sit next to Jungkook’s friend and starting a conversation.

The two of you, Jungkook and you, start walking away from the small gathering slowly. The moon shines bright down upon the both of you creating black silhouettes from behind.

‘’ I didn’t invite him. You know I wouldn’t do that after that whole situation-’’

You purse your lips and stop walking, “ So he just magically came? I didn’t tell him and I doubt that Namjoon told him.’’

‘‘ He found out Namjoon was having his video shoot and came to support him. He came late due to Isab-”

You shake your head, “ Don’t say anymore. Let’s just go back and not bring anything up. I don’t feel like speaking to him or causing drama Jungkook.”

Jungkook can tell that you’re disappointed but does not say a word all the way back. You keep eye contact away from Jimin as you sit next to Jungkook. The atmosphere is awkward for you but you know it isn’t for them.

You munch on a rice-cake dumpling not making a sound as the three boys talk amongst themselves.

You take this time to think. Why would Jimin come here if he possibly knew that you were the main girl? He just set himself up to be mad at this point. Why didn’t Isabel stop him from going, after all you are his ex.

“ Why aren’t you eating?’‘

You look towards that soft voice, plopping your dumpling down into your bowl of soup. The truth is, you actually aren’t supposed to be eating this at all. Seeing as though your modeling and appearance schedule is getting full you have to maintain a healthy figure once again.

‘’ I guess im not as hungry. I’ll make sure to take it with me if I don’t finish.’’

‘‘ Eat.’‘ Jimin says, not lifting his head up but voice firm.

You roll your eyes out of annoyance, “ Im not hungry Jimin.’’ You were, but you say it just to piss him off even more.

His chopsticks drop his dumpling into his bowl as he raises his head slowly. Anger is written all over his face but you over-power it by keeping a straight face. Part of you is mad that you said that but it’s the truth.

‘‘ Oppa. Im Oppa to you.” His eyes meet yours. You can’t help but notice that his are darker than average. You hated calling him that and he knows it. It’s cringey to you, but respectful in their culture.

He didn’t use to make you say it even while in a relationship, so you know he’s playing along with your little game.

Namjoon rubs the back of his head,‘‘ Hey guys let just eat okay? Yn you should eat more.’‘

‘‘ Rather not. My appetite is no longer here.” You shrug as you place the lid onto the container of your food.

Jimin rolls his tongue in the inside of his cheek while keeping a death glare on you. You don’t bother to pay it any mind at all. Jungkook lets out a breathy sigh as you gather your belongings to leave.

‘‘ Im taking my leave.’‘

You give Namjoon a hug first then walk over to Jungkook who hugs you really tight. You smile and give a peck onto his cheek.

‘‘ Text me tonight.’ He whispers into your left ear before letting his grip go. You nod your head and glance at an angry Jimin.

“ I’ll take her home.”

That sentence makes you stop dead in your tracks. What the hell does he think he’s doing?

“ I can get a taxi..”

Jimin finishes his food and throws it into the paper brown bag. Namjoon and Jungkook stare at him in disbelief. The veins on his neck are very noticeable as he makes his way over to you.

You watch in disbelief but angry with your eyebrows furrowed because they all seem to not be listening to you. “ I said I can get a tax-”

“ Yn just go with him. I will feel safer if you went with somebody you know.” Jungkook sighs, throwing him and Namjoon’s remaining trash into the bag.

“ Me and Jungkook have a lot of catching up to do. We’ll be at my house.” Namjoon catches onto Jungkook’s memo.

You roll your eyes as Jimin grabs your arm rougher than expected, dragging you along the vacant two way street to his parked Lamborghini.

You jerk away from him not wanting to be in his grip anymore. Jimin doesn’t say anything as he opens the car door for you. You stand there with your arms crossed refusing to go.

“ Yn you have until the count of three because honestly you are pissing me off. “

Your eyes land onto his with your eyebrows still furrowed in anger.

“ 1.”

You scoff at him. What are you a toddler?

“ 2.”

Yeah right. What could hap-

“ 3 ” Jimin grabs your arm tightly making sure to leave it red as he pushes you into the passengers seat. His cheeks turn a deep shade of red. slamming the car door behind you.

He doesn’t bother to put his seat-belt on before pulling off with Namjoon and Jungkook following behind him. You wince at the throbbing pain where he had marked you red. The soreness is already settling it’s way in.

“ Look..” He sighs, “I didn’t mean to.”

Tears fill the brim of your eyes. This isn’t the same Jimin you knew. He would never even think of hurting you like that.

“ Shut up just take me home.” Your voice cracks, tears slipping down your cheek as you try and massage the pain away.

You don’t say a word to him all the way there to your apartment building. The air is as thick as a slice of home-made cake yet neither of you decide to speak. That is until he decides to follow you out the car and up to your apartment, most likely to make sure you are safe getting in. You stop at the welcome mat that holds your home just beyond the door.

“ Jimin. Leave.” You whisper, audible enough for him to hear.

“ I don’t want to.”

“ I know you’re sorry. Just leave.”

You punch in your code, the date that you and him started dating. You open it enough for just your body to slip in but that doesn’t work. Jimin pushes the door open wide, letting himself in right behind you.

You don’t say anything at all. You remove your shoes as well as he does to. Clara greets you by rubbing her body against you. You don’t bother to pet her you walk past her and into the kitchen.

Pulling out your phone, you text Jungkook letting him know you got home safely. He immediately responds with a selfie of him and Namjoon with Soju in their hands. You can’t even laugh at the two silly boys.

A harsh cold object is placed on your right arm. You quickly look down to see Jimin’s hand holding an ice-pack against the area he harmed.

“ You didn’t tell me you would be the lead girl in Namjoon’s video.”

‘‘ We aren’t together anymore. I don’t have to tell you anything.”

That’s the truth. You two shouldn’t even be in the same apartment, let alone yours, right about now. His business isn’t yours anymore. Yours isn’t his anymore.

Jimin scoffs, “ You know I will always look out for you and look after you. I’ll be there anytime for you.”

‘‘ I feel as though that’s inappropriate. You have a girlfriend don’t cheat on her like you did me.” You remove his hand and hop onto the white counter-top.

“ How many times are you going to say it huh? I was wrong I know that. But why remind me of it?”

You look him dead straight into the eyes, “ Until you suffer for a year and some months don’t say shit to me.’’

There was a silence for a couple of minutes. Your eyes wander around your fairly neat apartment until he says something again.

Jimin sighs, coming in-between your legs placing his head on your lap. ‘‘ I don’t like this.. us.”

“ Clearly you didn’t because you cheated.” You snap back, pushing his head away from you only for him to go right back. “ That’s not what I mean and you know that.” His voice is soft, just barely above a whisper.

So what does he mean?

‘‘ Im saying that.. I don’t like you being this way and distant from me. I don’t like when you kiss other people. I didn’t like when you had to make-out with Namjoon. I don’t like not being able to talk with you. I don’t like all this anger and tension between us.”

Your mind is telling you this is a red flag but your heart aches for him to go on and say what you want him to say. Could this really be it?

“ The truth is, I do miss you. I miss us. I miss everything about us. I fucked up bad and I have to pay the consequences.” His hands snake around your waist tightly.

This is it. Finally.

You bite your lip and run your fingers through his hair softly. Small sobs can be heard from him and the wetness of your leg lets you know he finally broke down.

‘‘ Jimin stop that. Don’t cry.’‘

He shakes his head, ‘’ You don’t understand. She’s not like you but I like her. My heart is with you but my mind is with her. I don’t know what to do.’’

“ You can’t love two people at once. You know that. I refuse to get hurt again by you.” You keep your voice low making sure not to get angry with him. His head lifts up showing you his red face and puffy eyes.

You can’t help but to want to kiss the tears away. So thats what you do. You kiss all over his cheeks slowly one at a time. Yes you don’t want to get hurt again, but you want him to realize that what he did is still taking a toll on you all the while you crave him and his love more and more.

‘‘ Yn..” He whimpers, sniffling.

You shake your head to hush him up and move on to his lips. His sweet, soft lips connect with yours. He opens his mouth to deepen the kiss. Both of your tongues fight for dominance making you hold your breath to stifle your groan. This is wrong. He has a girlfriend. You kissing him would make you a hypocrite, so you break away the kiss though you don’t want to.

You sigh, lifting his head up again. Those brown eyes stare back up at you full of tears and sadness. Yet you can’t be fooled by your own mind. “ Jimin go back to Isabel. She’s probably waiting for you.”

You take his arm and lead him towards the door. He slips his shoes on without taking his eyes off of you. It hurt. It hurts a lot seeing him leave out the door each time he comes over. But you still need to face the fact that this isn’t your man anymore, he’s someone elses.

“ What if I don’t want to go back.”

You unlock the door for him and hold it open. ‘’ You can’t love two people at once.’’

“ Baby, just one last time..’’ He says, referring to the kiss you’ve shared earlier.

You shake your head no. Another kiss would surely lead to something more of a messy situation. “ When you make up your mind, you know my apartment well enough.”

And with that you shut the door behind him as your back slides down the door. You bring your hands to your hair and slip them in.

Maybe, just maybe, there could be a one last time with him.

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kingofthewilderwest · 3 years

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I know you aren’t keen on getting a bunch of asks recommending media, but is there anything you’ve gotten into lately that you’re during to pitch to people?

Let's see. ^.^ I'm currently watching Adventure Time. This is my first time watching every episode sequentially (circa 2013 or 2014 or so, I watched a spattering of episodes out of order but never finished the show). Currently in S6. I absolutely love how the world grows in Adventure Time. You can tell the early seasons were written with little in mind, simply going out, being wild, being spontaneous, and creating a wacky, trippy world. But that turned into a world with great depth, heart, and expansion as the series continues (especially once you enter Season 5). The worldbuilding is awesomely done.

I feel like lots of shows, when they transition from "early spontaneity" to "long-term comfort," they lose something. I think of Futurama. The early seasons of Futurama are incredible because it's not formulaic to the viewer; events are unexpected; new characters are introduced rather than repeated, expected, predictable recurrences. Futurama is still a HELL of a show in its middling seasons, etc. and a fave of mine. The Office (USA) also has that challenge/loss. But damn, Adventure Time managed the transition INCREDIBLY smoothly and well, I love how you settle into the world. How you get into the depth. How you get worldbuilding. How you get into deeper story messages. And how even in the midst of all that, you still maintain that spark, that spontaneity, that uniqueness, that vibe that made me get interested in the show in the first place.

Adventure Time straddles the line between two types of off-kilter: the positive, quirky-bright off-kilter, and the slight-off-slightly-dark-off-kilter. It's great. I've also heavily appreciated the cast of characters, how there's a ton of women characters, and how they're all very interesting, in-depth, and not standard/stereotypes.

But uhhhhhh. Really my current hyperfixation is. Uh. Bluegrass. [laughter] Seriously. Bluegrass. Especially first generation bluegrass circa 1940s-1960s. I made a fuckin' sideblog intentionally to avoid folks unwantedly suffering juxtaposition of fictional fandom and music history obsessing. Heh. Hilariously, I've been timid to show the true depths of my screeching passion. Rn I'm trying to do blog clean-up and a mini-restart (halfway through retagging my posts! and planning to change how I write my posts so they're shorter, etc.), and trying to get more outgoing... because let's be real, it's going to be more entertaining if I'm gungho crying screeching infodumping unrestrained about the subject, whatever your background is on the subject. I know I enjoy reading posts on any topic if the writer is sufficiently excited, so I need to uh, channel the excitement! SO THAT'S WHAT I AM PLANNING TO DO.

And seriously that's where all my excitement in life is right now!!! It's changed my life and I'm not even joking (not gonna go into here rn why but yeah it has). Like holy shit I can't get enough of reading about these dudes from the 1950s. I can't get enough listening to them, watching videos, learning the little nothings, the stupid humorous stories, the Drama(tm) between competing bands, the development of the music, me learning how to play banjo and fiddle, writing creative stories (fics????) inspired by the topic, everything!!! I can listen to a recording and tell you which fiddler is playing in this band or which mandolin picker or which tenor is singing and probably estimate what year it was recorded because like, holy shit man, I have found my CALLING. I've started collecting 100 year old records! I'm heading to a bluegrass festival this weekend for three solid days of internal (and probably external) fanboying. Gah it's like, fucking, there's all those K-Pop fans out there and they have each other to scream with, and i'm all here by my lonesome on this fucking genre. BUT YOU KNOW WHAT IT HAS CHANGED MY LIFE FOR THE BETTER so I cannot be happier at where my mind has headed.

So if you want to uhhhh read..... THAT??!?!?!?!?! uh? I mean, I don't expect you to be interested. BUT YOU ARE WELCOME TO COME ABOARD AND POKE ME and see what the stupid fucking shit I've somehow managed to get myself into. Okay but seriously it's so coool like all the different banjo playing styles??? How many people innovated their own style and taught themselves to play? ALL THE DIFFERENT INFLUENCES THAT GO INTO BLUEGRASS MUSIC??? How it's simultaneously a hella progressively innovative music style from its inception to today while also considered USA American traditional music? How many of these songs are several hundred years old and originated as English, Scottish, and the like folk tunes? How you might find out a bluegrass song actually originated as an obscure broadway tune that got coopted, or a Jamaican folk song, or big band jazz, or...? I mean holy cow dude, music is awesome and i'm so glad that it's a major part of my life again.

a;eogiaje;roigaje;roiagjerioj I have no idea if this is anything you wanted, but that's my answer I guess! Full of incoherence. Have a great one and stay awesome.

#long post #blabbing Haddock #ask #ask me #thatbanjobusiness #that banjo business #music #Adventure Time #AT #non-dragons #awesome anonymous friend #anonymous

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talesofafangirlwithadvr · 3 years

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Jan/Feb 2021 Picks

HELLO! It’s been a while, but I’M BACK!! Life has gotten a lot busier as I started Grad School this January. So, I feel it may be tough being on time with future Monthly Wraps like I’ve done in the past with working on my MFA, and my job. I’m going to probably do more seasonal wrap ups when I get the time. I also think I’ll be posting more individual posts as I watch an episode. Because even with a busier schedule, there is always time for TV and there’s so much I want to talk about!

You know the drill. Spoilers are coming.....

You’ve been warned :)

WANDAVISION

I want to start off by mentioning that I have not watched this week’s episode yet. So the last one I saw was EPISODE 6 with Halloween in the late 90s/early 2000s.

THIS SHOW! OMG.

I didn’t know what I was signing up for when I watched the first episode and I have been blown away. It is such a cool concept and I love the fact that everyone who watches it is confused. There have been so many interesting theories out there and I am so curious what is going to wind up being true. I love all the nods to old sitcoms and TV shows as well as all the MCU Easter Eggs. (I mean they got X-men’s Quicksilver-like WOW.) It feels really Black Mirror at times with the breaking of the fourth wall. I will never be able to shake the feeling I got in Episode 3, when Vision reversed. (And then I saw a bunch of videos with him looking at the camera as Wanda looks at the TV. Eww I don’t like it, but it’s such a good move on their point.) I love the outside plot as well and the characters who were previously side characters in other MARVEL movies. The love for Jimmy Woo is astounding and I’m here for it. I’m glad it’s Friday, so I can watch the next episode. I’m just upset that we’re so close to the show ending. The next Disney Plus Marvel shows better be just as good. Wandavision set the bar high.

NANCY DREW

If you’ve visited this page recently, you know I have a very strong love for this show. It is the only one I am still watching religiously on the CW and I am tuning in the night it airs. (That is HUGE for me.) IT IS JUST SO GOOD AND I DON’T KNOW WHERE TO START....

2x05 just aired, which would have been the season 1 finale before COVID and I have it saved on my DVR to watch again. There’s just so much I want to relive and catch that I missed the first watch through. It would have been SUCH A GOOD FINALE, but I’m happy that we can continue with new episodes starting next week. And with the way it ended...there’s so much I need to know!! I’m just curious how fast they’re going to develop certain plots. I love the Drew Crew and how they are a family. Each character is so well developed and their chemistry is great. I love learning more about each of them and watching them develop. My favorite character is definitely Ace. I love all his witty lines and how he is opening up more to the group as well as to us, the audience, as we get more of a look into his personal life. I enjoy all of his scenes with his dad and specifically liked when they were celebrating Shabbat. (I am also here for the Nancy and Ace content. I gush more about this on my other blog: lydia-whogowith-stiles. Check it out if you want to hear more.)

THE WATCH

When I watched the Christmas special (or was it New Years? and why does that feel so long ago) of Doctor Who, BBC America kept advertising a new show called the Watch. Due to the extensive amount of commercials, I decided to tape the first two episodes (which premiered back to back) to see what it was all about. I was unaware that this series is based on the book series created by Terry Pratchett. When I came to see if people were talking about it on Tumblr, I saw that a lot of people didn’t like it because of how drastically different it was. As I was unfamiliar with the original, I can’t compare. The TV show was eight episodes and I just watched the last one that aired this past Sunday. I definitely liked the first half of the season more (I noticed my mind start to drift as I watched later ones), but thought the finale was good. I really enjoyed how they incorporated the theme song. I didn’t realize the connection earlier and now can’t stop humming it. (I don’t know if there will be another season or not.) I enjoyed the characters and how it was like nothing I’ve seen on TV before. It got me thinking a lot about blending genres. I would still recommend checking it out.

ZOEY’S EXTRORDINARY PLAYLIST

I was VERY excited for this show to come back. I loved the first season so much. It’s just such a heartfelt show and it helped me survive the early parts of quarantine. So far, this season I am noticing how detailed the musical performances are. Mandy Moore is doing an AMAZING job. The choreography is *chefs kiss* I also feel like the song choices have been great and not always the ones I think that would be picked. We are getting to learn more about each character and watch Zoey and her family as they continue life after losing Mitch. I am here for Mo and Max’s restaurant. I think the concept would be so cool in real life. Who knows maybe we’ll see one now. (Max’s rendition of ‘Numb’ was amazing. I’ve never heard the song like that and I think it might be one of my favorites of the season so far.) I hope Max and Zoey get back together by the end of the season. It did feel fast, so I do understand why they had to break up, but it still makes me sad that we watched them get together and then it was taken away from us. The last episode before the break was so powerful and I think the show did an amazing job applying real world issues into their plot. It did not feel forced at all and brought so much awareness. Upset we have to wait so long for a new episode.

SECRETS OF SULPHUR SPRINGS

Are you looking for a good mystery, but don’t think Disney Channel can provide it? Think again. I have to say, when I started watching I was not expecting this show to be a part of my monthly picks. It pleasantly surprised me. The show involves the mystery of a young girl, Savannah, who went mysteriously missing at camp back in the 90s. Apparently, her ghost still haunts the hotel that was on the camp grounds to this day. Then Griffin and his family buy the hotel with intent of fixing it up and reopening it after all these years. The people in the town think they’re crazy because of its past. But there’s something more going on with Griffin’s dad as well as some of the other adults in the town. They know something about Savannah’s disappearance, but aren’t saying anything about it. While this is a kid’s show (and only half hour episodes) it has been interesting to see where the story will go. I’m sure I am imagining much more intense things for her disappearance than what actually happened. It’s also not super cheesy or have bad acting, which is refreshing. (I really feel Disney Channel has gone down.) Either way, I don’t know how many episodes are left to air, but I think we’re pretty close to the end. If you’re looking for a quick, entertaining mystery I would highly recommend.

MISS SCARLET AND THE DUKE

And here come my period pieces (ironically both from Masterpiece/PBS this time). I know last year I felt like I watched a lot of historical watches at the beginning of the year. We’ll see if that continues to happen this year too. It does serve as a nice escape. Plus, these are some really good stories.

Miss Scarlet and the Duke is a part of Masterpiece Mystery on PBS, although it aired on a different network in the UK. It is (another) mystery series (shocking I know with that title!) It follows Eliza Scarlet who has a nose for mystery, but as a woman living in the Victorian era does not have any rights except for being a wife and mother (two things she would rather not be). When her father dies (apparently from a heart attack...emphasis on apparently), she takes over his Private Investigator business. Much to the dismay of long time family friend William “The Duke” who is a Detective Inspector for Scotland Yard. Eliza is often in his office as she gets arrested for being places she shouldn’t or trying to get information out of him. This element of Eliza having to work in a very male dominated Victorian society is one that I feel I haven’t really seen on a TV show. I really like her dynamic with William. There’s always that feeling of “will they won’t they,” but I don’t feel the show just focuses on that. The mystery is the heart of it all. This last week’s episode was REALLY GOOD. As we got to find out more regarding her father’s death. I hear a lot of people want a season 2 and I am right there with them. This show deserves it.

ALL CREATURES GREAT AND SMALL

Another PBS Masterpiece watch. I love this show, so much more than I was anticipating. It is so heartfelt and makes me so happy and in a good mood after watching it. It follows James Herriot who has recently graduated from veterinary school, but is struggling finding a job. Then he gets a call from Siegfried Farnon’s veterinary practice in Yorkshire. Siegfried is known for having a harsh demeanor and temper, so the assistants he hires don’t often last long. Spoiler alert, that should be pretty obvious, James does. The cast of characters are so lovely and I like all their relationships with one another. The show takes places in the 1930s and I realized I don’t often watch things in this era, so that has been fun to explore. The sets and locations are BEAUTIFUL. In the episodes, we often get these amazing shots that sweep over the exterior and I want to travel to Yorkshire like tomorrow. (See more escapism, it’s great.) The main plot follows everyone interact in the town and watching James become a more confident and experienced veterinarian (which I decided I could never do after watching). I heard that it has been renewed for a second season so that is so fantastic.

FATE: THE WINX SAGA

The first things I heard about this show was how disappointed everyone was in how they decided to adapt the Winx Club show from their childhood. On this I can agree, but I decided to watch the show anyway. I pretended that it was something new entirely and I have to say I enjoyed it. Of course, there were parts that bothered me and then I had to remember it was a teen show, so angst would be annoying. I think overall it was too short (and should have at least 8 or 10 episodes), but I’m happy that they were able to conclude the main plot well. (Although we did get that cliffhanger, but it is exciting that it was released the show just got renewed for a second season the other day.) I really liked Silva-mainly because it was great seeing Thomas from Downton Abbey in something else. I also enjoyed seeing Jacob Duchman in more things. It was a surprise to see him in Medici and I am just happy he is adding more to his IMDB.

Quick and addicting watch. Add it to your queue. Just forget it’s supposed to be based on something else.

BLOWN AWAY SEASON 2

Continuing with the Netflix picks, one of my FAVORITE picks from 2020 got a season 2 and it is already on Netflix! That’s right Blown Away season 2 is now available. I seriously loved the first season of this show SO MUCH! Glass blowing is such a magical process and I am mesmerized every time I watch it. It felt weird starting this show with all new contestants, but then Alex came back as a guest judge and I was so happy. It is just as addicting and I cannot wait to see who wins this season. I am just trying not to rush the episodes.

VIOLETTA SEASON 3 UPDATE

I know you were all dying to know...

After taking a hiatus from watching during the holidays, I have gotten back into watching the Disney Channel telenovela on Disney Plus. I am now on episode 68. Things are really starting to happen and I am finding myself getting sucked in again, which makes me happy. Episode 60 (pictured above) had A LOT happen and really was a turning point for the second half of the show. Can’t wait to keep watching. Some really awesome songs from these last set of episodes.

AND NOW FOR MY NOT LOVING IT PICK:

LEGACIES

This third season has really disappointed me so far. As I’ve previously discussed on this page, it feels like they are just reusing previous plots from the last two seasons when there is so much more they can do. There was so much promise for this show and I loved the Vampire Diaries and Originals so much, that it’s sad to see Legacies miss the mark. I wish they gave Hope more storylines that didn’t revolve around Landon. She is such a strong character and is SO POWERFUL. This is something we rarely see and it shouldn’t only be shown to save a guy (multiple times). Their couple plot is continually doing the same thing. I want to see a lot more development with this show over this season to keep me watching. I am actually happy that there isn’t a new episode until March 11th. (That’s saying something...)

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radramblog · 3 years

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Album Discussion- Floral Shoppe

Haha why do y’all let me do this.

It’s been almost a decade since Macintosh Plus (aka Vektroid, aka Ramona Xavier) popularised and codified vapourwave as a genre with its first actually popular release in Floral Shoppe. Since then this sub-sub-genre has developed its own subgenres and become its own flourishing marvel of internet music culture. But Floral Shoppe itself is worth examining- not to see where it all began (I haven’t even listened to Chuck Person’s Eccojams or Far Side Virtual yet), but where most people got into the genre. The lifting off point, as it were.

So grab your Arizona ice tea (don’t, it’s fucking awful) and lets dive in.

The first track, ブート(Boot), opens with a buttery smooth cymbal and saxophone line, obviously slowed down, but evoking a level of chill few songs manage to get to for their whole duration, in a total of approximately a minute. It’s a genuinely masterful piece of music. As the vocals come in, you hear them get twisted and chopped, distorted and looped, almost jolting you out of that trance, until it’s clear that the lyrics aren’t lyrics but another instrument, you get used to the nonsense, and you’re back in the zone. The looping with some of the instrumentation makes parts of it feel almost clockwork-like, in a very satisfying manner- especially as the majority of it gets muffled and you realise that opening bass/sax line has been running through the entire time. While the next track on this album tends to get most of the attention, I genuinely think Boot deserves just as much praise.

リサフランク420 / 現代のコンピュー (Lisa Frank 420/Modern Computing) is another one of those tracks where it’s just like, what could I possibly say about this that hasn’t been said. If you’re reading this, there’s basically no way you haven’t heard this song, so you know what I’m on about. It’s the quintessential vapourwave track, even if it’s showing its age a bit. It’s just so perfect. When I decided to write about Floral Shoppe, I didn’t really want to spend too much time here- me saying “hey I like this song everyone knows” isn’t the most interesting thing on the planet, I guess. I will say, it’s one of the few vapourwave songs you can actually sing along to, and that’s fun as heck.

Also, the lyric is “it’s all in your hands”, not “it’s all in your head”. To be fair, though, the distortion doesn’t help.

The album’s next track is 花の専門店 (Floral Shoppe, hey I didn’t know this album had a title song), a track that heavily relies on this really panned synth (you can’t even hear that on the left ear) and a lot of looping the same bit over and over again. Honestly, the first minute of this song gets a little grating, but it really picks up after that. It’s really fun and jazzy for a solid minute there, a lovely instrumental you can just groove to in your head. The fade out on this piece lasts wayyy too long for my liking, though- a full half minute of outro feels a little indulgent for this one.

Track four, ライブラリ (Library) is lowkey one of my favourites on the album- The slowed vocals work really well, and the instrumentation feels extremely deliberate and methodical. I think my biggest complaint with this song is just that it’s too short, considering Lisa Frank 420 is literally triple it’s length. But I suppose part of this project is how variable the track lengths are- it seems Vektroid was keen to work with these until she was out of ideas, and no longer, and I can’t help but respect that.

地理 (Geography) sounds substantially darker than the previous tracks, with incredibly low drones and a main line that… I mean I dunno how low it is but that shit is definitely in a minor key, you know. It’s also the sparsest track so far, with much more restraint in layering than anything else I can think of on the album. The atmosphere of this is heavy- I don’t know why, but it reminds me of that really creepy loading screen on the fuckin Magic School Bus goes inside the body Edutainment game. That’s probably a bit of a weird connection, but if you played that shit, you know how fucking eerie it’s soundtrack was, and that’s a bit of the vibe I’m getting from this track.

Our next track is a direct nod to Floral Shoppe’s predecessors in ECCOと悪寒ダイビング (Chill diving with ECCO), a reference to the aforementioned Chuck Person’s Eccojams Vol. 1 (itself a reference to the Sega Genesis/Mega Drive game Ecco the Dolphin), and Chill is absolutely right. While many vapour/synthwave pieces are more about entering an aesthetic or a vibe than actually listening to the music, as far as Floral Shoppe goes, that’s most true with this track. It’s also the third longest track here (behind Lisa Frank 420 and the next song), and while it doesn’t develop as much as one would hope based on that (or much at all), spending so long vibing out in a track like this is completely appropriate.

I’m going to be honest, I don’t care too much for the next track, 数学 (Mathematics). It might just be because it comes on the heels of ECCO, but the meandering in this doesn’t hit the same chord as that does. While I enjoy the saxophone on this song, all the shit going on in the background just kinda gets my anxiety going eventually. And by eventually, I mean about halfway through this near 7-minute monster. You’ve got these very chill elements that slowly get drowned out by the steadily rising and accelerating chaotic parts of the instrumentation that just take over eventually, and while it does chill back down again, that’s still a long time focussed on the worst parts of the song. This also really didn’t need to be as long as it is, considering the second half of the track is just, like, the same thing again…

We’re at track 8, and at this point I started looking at the Wikipedia page for the name translation and realising that I have no idea which song this is supposed to be. Like, the track lengths on the bandcamp suggest that this is the 2011 release and therefore this is 待機 (Standby), but it has the name of track 8 from the 2017 release, 外ギン Aviation (Foreign Banks Aviation)? This is confusing as fuck, but since this is the only track here with that issue, I’m assuming it’s actually Standby and someone fucked up somewhere. Oh right, the song itself. Well it’s fucking short, barely past a minute long, and doesn’t have too much going on. I’d call it short but sweet, it doesn’t overstay its welcome. Jazzy, loungy, kinda chill. I dunno.

て(Te) feels almost out of place on this album. I mean, the vibe is similar, but the birdsongs really come out of left field. This sounds like the track you’d hear in a video game after you’re finally out of a cave you spent hours in. If the build in this weren’t so intense, I think it’d fit right in on the Minecraft OST. That’s a compliment, for what it’s worth. It’s also worth noting this light at the end of the tunnel bit was absolutely intentional, because this used to be the final track of the album. However, there’s two more here, added in a 2012 reissue (originally they were unnamed bonus tracks), so we might as well check them out.

…under no circumstances should you check out track 10, 月 (Moon). I don’t know what vocal sample that is, but it is loud, and grating, and obnoxious, and the instrumentation is not doing enough to carry the repetition through. Holy shit, this is 6 minutes long. I’m going to be honest, I skimmed through this one, and it never changes what it’s doing. This is… a bold play, I’ll give her that, but it absolutely does not pay off. This has gotta be one of the worst songs I’ve heard in a very long time. What the fuck, Ramona?

Finally, 海底 (Seabed). This… is just like Moon, in that it’s a fucked up vocal sample that is looped over and over with little changing instrumental. The key difference is this one is less bad- the vocals aren’t as jilting, the instrumentation is chiller, and it is mercifully only 2 and a bit minutes. It’s far from good, but it’s not as immediately awful. Okay, it is pretty bad. These should probably have stayed as extras- and seeing as they apparently weren’t on the physical versions of the album (in fact a bunch of these songs changed for that), Vektroid appears to agree.

So that’s Floral Shoppe, and it’s really one of those albums that kinda drags on at the end. Frontloaded with the good shit, I suppose. Moon and Seabed aside, it’s not like anything is completely awful, but after 25 or so minutes you’ve kinda gotten the point. With that said, the album is as influential as it is for good reason- the first couple tracks are phenomenal, and once you’re drawn in by those, you’re probably going to appreciate the rest of it at least a little.

Modern vapourwave basically sounds nothing like Lisa Frank 420/Modern Computing, or Floral Shoppe at all- the genre has moved past plunderphonics almost entirely at this point, and the aesthetic has shifted to a more consistent, less memeable tone. Even Macintosh Plus is going new directions- the single released in December 2019 as a teaser for Vektroid’s next project under the name sounds nothing like this album, though it is completely fucking awesome (and completely fucking batshit). While it seems like the genre itself has moved past Floral Shoppe, though, it’s still the touchstone the majority of people, especially those unfamiliar with the genre, recognize as the herald of Vapourwave. I’m pretty sure this was the first album to do the whole pink aesthetic, marble bust, computer graphics style, and clearly that’s the style everyone thinks of when they make bad vapourwave art. That’s the aesthetic this album inspired. Long may it reign.

(Ok seriously though guys go listen to VAPERROR or George Clanton or something)

#ramble #music #vaporwave #vapourwave #america stop being afraid of the letter u

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delta-magnetic · 3 years

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so the pendulum has once again swung over to "its my blog i'll do what i want" so like i said in my reblog gushing about death magnetic, im gonna talk about my sort of personal metallica roadmap ! plus some reflection at the end lol

don't worry i shall put it under a read more because while i have the guts to babble about whatever in this moment, i don't have the balls to force you to look at it assuming/hoping the read more works lmao, here's to hoping!

so when i was in elementary school, and my uncle was of the four relatives i was regularly in a vehicle with, and "his" music was metal/hard rock. specifically he'd always be like "yoooo metallica!" and it would not be a truck ride with him w/o hearing master of puppets

...nono not the whole album! just the title track. might listen to battery sometimes, but he would play it just for the title track

but god damn if we didn't get hype as shit when it was on. i used to always think it was two different songs because of the slower part in the middle (which was admittedly my favorite part besides the intro)

and hearing just this, battery, and seek and destroy sometimes (either through the radio or maybe he had some sort of "best of" or even a burned CD? idk) from my uncle, i always imagined a slightly intimidating, very angry middle aged dude. think 2003/2004 james (didn't really imagine/think about the fact it was a whole band, i was so young and was only putting a face to the vocals), since that was about how old my uncle was, that's why i imagined a very intense, older guy singing master of puppets (this tangent will be relevant to the end lol)

now flash forward many a years. i even wanna say 2020? mom's usual radio station flips over to all christmas music in mid november and stays that way til christmas is over, so she goes to a different one. she tells me how this one plays a LOT of metallica, to her slight dismay

and i heard enter sandman on there while i was in the car with her one day and was like "wait, this is metallica?" i'd love to say i'd surely heard the song at some point in my life before then and knew it was by them, but i really can't! (or who knows maybe i had and just somehow didn't pay it any mind) because if i had i'm sure i would've gotten curious

which i eventually did! but not through "oo i wanna check out more!" i actually have youtube recommended to thank. out of nowhere, i was suggested "members of metallica being idiots". so of course i'm like lol wtf and click on it, and once again am saying "wait this is metallica?" but much more intensely lmao. like wait a second that dude shouting from my uncles radio and his bandmates are just big ol dorks?

and so the rabbit hole begun. i watched more compilations, googled names, and eventually gave in to listening to some songs. i phrase that last part like that because i almost didn't want to get into metallica? like it felt too "different" compared to me. i wasn't a metal person! i couldn't be a metal person! it just didn't fit me and i didn't fit it!

i know some of the first things i heard were two st anger songs (the unnamed feeling and invisible kid. former of which i still absolutely love. i wouldn't say love at first listen, but very liked at first listen) and the black album. there were definitely songs off tba that stood the hell out and i immediately loved, but i think a mix of tiredness on first listen, my own weird intrapersonal skepticism, and unsavory associations tied to dtom prevented it from being my major launch into the band

that would be death magnetic, which i of course gushed about on jinn's post lol, so there's a little bit of space saved

buuuut yep there it is lmao. i've certainly rambled about certain aspects of this before, like my uncle only playing master of puppets, or how i don't feel like i "fit". it took me a while to overcome that tbh, and i even still occasionally struggle with that, because i knew how fans could and would get over "fake" fans, which felt 10x more intense coming from a band of this magnitude and genre (that being said i'm super lucky and glad i've found the people i have on here uwu). and admittedly i'm not a metal person! i just like metallica :3, this could change but i am more than content with just these guys and of course all the other bands i like but you know what i mean!

another thing i've surely said a bunch, but i find it a CRIME my uncle never played me the black album! i know i said that it didn't sucker punch me as hard, but i bet it really would've if i had heard it as a little kid! or hell even just the rest of master of puppets, YOU DEPRIVED ME, SIR!!

it's also just so wild how much my perception of them has changed?? this is another thing i've definitely babbled about before, but going from thinking there was some grumpy man in his mid-40s behind master of puppets vocals, to knowing it was a kind of shy dork who's barely older than i am now?? and putting faces to the rest of the band?? i find it weirdly cool tbh

#wpbosting #i *know* this coulda been condensed #but like i said *somebody* got me feelin rambly!#i mean that in a good way btw <3 #anyone who bothers to read this deserves a medal tbh #maybe now that ive scrawled this down in one post i'll stop bringing it up so much pffft #also i started this like 6 hours ago but then watched a movie with friends #and now its 3 in the morning lmao #was GONNA finish and post this tonight tho dammit!#though with that being said it is time for me to motherfuckin SLEEB

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fieldsofplay · 3 years

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Favorite Albums of 2020

25. Dehd – Flower of Devotion

Rather than look back on the shit year that was 2020, lets keep our eye on the hope of the horizon. Speaking of which, Dehd herald much of what’s to come on this here list. While as previously mentioned a shit year for most everything besides presidential politics, 2020 proved to be a great year for good old fashioned guitar music. Could I be accused of curling up with my version of musical comfort food? Perhaps. But starting off with Dehd, we have a type of band that used to be everywhere and now seems to be almost nowhere. Jangly lo-fi guitars, perky drums, and straightforward unadorned singing. About five years ago you couldn’t throw a rock in Brooklyn without hitting a band like this, but now that that fad is long gone. I’m glad that Chicago’s Dehd are still carrying the torch.

24. Perfume Genius – Set My Heart on Fire Immediately

I’ve always liked Perfume Genius, but for whatever reason Set My Heart on Fire Immediately is the album that took him out of the realm of casual background musical encounter to something I sought out. Chamber pop has never really been my thing (except for those couple summers where Grizzly Bear was totally my jam), but here the torch songs catch fire by the compressed force of Michael Hadreas’ longing. This record also pulls off the impressive feat of each song gradually morphing just a bit from what proceeds it, so that the whole record sounds similar and yet each song carves out its own little generic niche, the whole thing united by the quivering power of that pleading voice.

23. 2nd Grade – Hit to Hit

If you ever found yourself wondering what Guided by Voices would sound like if they wanted to be Big Star instead of punk rock Kinks, we now have the answer, and it’s Phily’s 2nd Grade. In the noble tradition of Bee Thousand and Alien Lanes, Hit to Hit’s 24 tracks breeze by in a mere 41 minutes and 8 seconds. An earworm sunny melody, a quick guitar hook, a second verse (maybe), and poof, each song is gone before you could ever miss it. You would think variation would be difficult working within such tight musical corners, but while each song clearly shares common DNA, there is actually a lot of variance here, from weepy country ditties (“Bye Bye Texas”) to overdriven stompers (“Baby’s First Word”) though they all tend to orbit the same (big) star.

22. Tame Impala – The Slow Rush

I’ll be the first to admit that The Slow Rush isn’t my favorite Tame Impala record, not by a long shot. Having said that, this album still feels like it got short shrift this year (not that anyone can really complain about that in these here times). If we never knew that Lonerism or Innerspeaker or Currents existed, I wonder how much people would be head over heels for this album. “One More Year” “Is It True” and “Posthumous Forgiveness” are all top notch Impala jams. Seems like this album is the soundtrack for the chilled out summer hangs that we never got to have, and thus it’s fitting that it seems condemned for the ash-heap of history rather than the late-night come downs we never got up to.

21. Against All Logic – 2017 – 2019

Ah, speaking of complicated musical relationships, I can never seem to chart a clear course with Nicolas Jaar. The music he puts out under his own name never seems to do much for me, but I dug his collaboration with Dave Harrington as Darkside, and I really love most everything he’s put out as Against All Logic. While admittedly not a great year for house music—normally a liberating genre of communal interconnectivity, now a cruel reminder that we all live in Footloose—a banger remains a banger, and 2017-2019 is full to the brim with them. While I honestly can’t remember the last time I went dancing, I’ll still crank up “Fantasy” and bop around my living room, literally dancing by myself (lets be honest, something I would have done pandemic or no).

20. Fiona Apple – Fetch the Bolt Cutters

Fetch the Bolt Cutters has had a lot of great things said about it this year, so I don’t really have to add that much. What I will say is this is perhaps the most interesting percussion I’ve ever heard on a record. There is percussion all over the place, but almost none of it in the form of full-kit drumming. Fiona always used the left hand on the piano as the rhythmic center of her songs, but here there is drilling, tapping, rapping, patting. The phrase DIY gets tossed around all the time (and almost never applied to big money, big label Fiona) but to me the most impressive thing about this record is how it always sounds like she is sitting at a rickety upright piano in the corner of a living room, while everyone congregating around keeps the beat by tapping on pots and pans, the walls, whatever is at hand. I’ve truly never heard anything like it.

19. Advertisement – American Advertisement

Godbless Seattle’s Advertisement. So long as there is cheap beer, old shitty cars driving with the windows down, and the U-SofA, there’ll be bands like Advertisement. Straight out of the vein of Cheap Trick and the more recent White Reaper, Advertisement play power pop with the emphasis on the power. Sometimes this type of music gets called sleazy, but honestly I don’t get it. I think its probably because you can imagine it playing while Wooderson drives around Austin looking for redheads. While we rightfully cancelled the song of summer this year, “Upstream Boogie” would have gotten my vote, perfect for backyard bbqs and cannonballing into creeks.

18. Nation of Language – Introduction, Presence

I didn’t set it up this way, but if Advertisement has a diametric opposite, its probably Nation of Language. Where Advertisement is all frayed edges and foam, Nation of Language is as buttoned up as those terrible sports jackets people wore in the early ‘90s. While its not as good as my beloved Black Marble, those bands share enough DNA to make me a big fan of this synth pop gem. It’s not as dark as the cold-wave Black Marble, but it does share that bands fondness for stark baselines and crisp arpeggios. If you’ve ever envisioned your life as a scene from a John Hughes movie, Nation of Language could easily be playing in the background.

17. The Soft Pink Truth – Shall we Go on Sinning so that Grace May Increase?

Indulge me in a moment of naval gazing. Every year as I put these things together I reach a point where I’m lack “damn, this album is this low on the list?” And the point at which that thought enters my head is usually indicative of how good a year for music it was. Now 2020 wasn’t a good year for anything, and I probably spent the least time of any year listening to music, new, old, whatever. For the most part I just listened to the Grateful Dead and ambient albums. However, for my idiosyncratic tastes, 2020 was actually a pretty fucking incredible year for new music, as evinced by the fact that this album is all the way down at 17.

Earlier on in 2020 as I was bombarding my poor local music text thread with yet more of my inane musings, I think I declared this a top 3 album of the year. And I wasn’t lying! “Pretty” is often a dirty word in aesthetic appreciation, but this is certainly the “prettiest” album of the year in the best sense of the word. From the Drew Daniel half of Matmos comes Shall we Go on Sinning so that Grace May Increase? A record that is somehow simultaneously deep house and feather light, so much so that it needs its own dumb internet music writing moniker—shallow house? wide house? vacation house? (actually kinda like that last one). With vocals from Jana Hunter, Angel Deradoorian, and Colin Self (with whom I wasn’t previously familiar) this thing will simultaneously make you want to tap your foot and drift off into the clouds. This is album is like the prayer Madonna sang about all those years ago.

16. Kurt Vile – Speed, Sound, Lonely KV

It’s not at all surprising that if Kurt Vile decided he wanted to go country western he’d be really fucking good at it. First of all, he’s an exceptional acoustic guitar picker. Secondly, his voice, while always befitting his hazed out urban rockers, has just enough twang to it that in retrospect it always sounded a little bit country. This record also gives me room to offer up an homage to the late great John Prine, for whom the EP is essentially a tribute. Vile covers two Prine songs, dueting with the man himself on “How Lucky.” Saying goodbye is never easy, but on Speed, Sound, Lonely (both the album, and the song more or less by that name) Vile manages a fitting tribute to a lost legend.

15. Lomelda – Hannah

The reviews of Hannah really did Lomelda a disservice. Sure, they were glowing, but they made it sound like this was some weepy milquetoast singer songwriter affair, when it’s actually a knotty album full off elliptical piano and fuzzed out electric guitar. Its 14 tracks hurtle by, largely due to the fact that almost all of them are under 3 and a ½ minutes. Things really get going with the second track, “Hannah Sun” with is squiggly synth effects and driving acoustic strums carrying on Hannah Read’s musings. It’s an album of relentless forward musical movement even if the vibe feels like it’s always looking back over its shoulder. Basically this album is what emo would sound like if it wasn’t made by the worst people in the universe.

14. Shabaka and the Ancestors – We are Sent here by History

Jazz! Another great year for jazz (Asher Gamedze’s Dialectic Soul and Keefe Jackson, Jim Baker, & Julian Kirshner’s So Glossy and So Thin are with a strong group that just missed the cut). In the midst of an excellent jazz renaissance (you gotta use super annoying words like “renaissance” when talking about jazz) Shebaka Hutchins remains my absolute fave of the bunch, and We are Sent here by History is probably my favorite thing he has put out so far.

13. Waxahatchee – Saint Cloud

While I really liked Waxahatchee’s low-fi emoish debut—American Weekend—I’ll readily admit I wasn’t much about the popier albums that followed, frequently jesting, honestly, that Allison was my preferred musical Crutchfield sister. All that changed for me with Saint Cloud. I’ve certainly drifted far off into country and Americana as I’ve aged, and it appears the same came be said for Katie Crutchfield. These songs have a giddyup to them but they never break out into a gallop, allowing the strength of the melodies to carry them along across the plains, with just the right hint of twilight. Saint Cloud is the sound of Patsy Cline if she played to roadside inns rather than the Grand Ol’ Opry.

12. Neil Young – Homegrown

This was the hardest album to place on the list this year. For starters, should it even count? Clearly I say yes. While some of these songs have been available for over 30 years, as an album, Homegrown was a “new” release here in 2020, even though it was originally slated to come out in ’75 between On the Beach (my personal fave Neil record) and Zuma. As a pure piece of music, is it better than most, if not all, of the records that follow? Of course yes. But what does a new Neil Young record mean in 2020? As a thought experiment its fascinating. Do we value this album within the musical context of 2020 or 1975? Fortunately, it’s an even more enjoyable listen than it is a thought experiment. From the first strums of “Separate Ways” you’re like “oh shit, this is the vintage stuff.” Gentle amber acoustic numbers (“Try”) share space with electric stompers (“Vacancy”). The best thing you can say about Homegrown is that if Neil had originally decided to release this instead of Tonight’s The Night, it would have fit right in amongst his unimpeachable run from Everybody Knows This is Nowhere up through Zuma. A classic is still a classic, no matter what year it finally sees the light of day.

11. Destroyer – Have we Met

Ah Dan Bejar, boy was I wrong about you. I kinda got into Destroyer’s Rubies, I loved his contributions to Swan Lake and The New Pornographers, but yet when Chinatown started really making waves, I just couldn’t do it. It was soft rock! I hate soft rock! I hate everything about it! This preconceived notion wasn’t helped by the fact that I saw him open for the War on Drugs in Pontiac once and he was so drunk he could barely stand up and had to read his own lyrics from a sheet. And yet, for some reason I never really gave up on it. I can’t tell you why exactly, but two summers ago Chinatown just slowly became my go-to for early morning / late afternoon strolls. I found comfort in giving myself over to its pillowy soft embrace / cheating on my own aesthetic judgments. Now that I’m card-carrying Bejarhead, I greeted Have we Met with open arms, and I was not disappointed. The synths glimmer, the guitars add just enough punch, and his lyrics remain sharp as ever. Its fitting that this was the last concert I saw before the iron curtain fell. The one thing I had always turned my back on ended up being the last memory of dionysian group enthrallment I had to carry with me out into the desert of social isolation. Come back soon Destroyer, come back soon, everyone.

10. Deeper – Auto-Pain

Ladies and gentlemen, get ready, because post punk is back! I always say my favorite genre is ‘sad songs you can dance to’ but post punk is a close second. When I was in college post punk underwent a bit of a renaissance in the form of Interpol (back when they were still good), Bloc Party (ditto), Franz Ferdinand, and a whole slew of British one hit wonders (Maximo Park, Futureheads, Art Brut, the Bravery). Fortunately, as is always the case, what’s old is new again, and stark melodic bass lines, angular guitars, and moody introspective speak-singing are back in full force. Of the three post punk bands gracing this here top ten (Deeper, Fontaines DC, and Crack Cloud) each has its own little slice of the generic pie. Fontaines have the deep gloom of Interpol/Joy Division, Crack Cloud ripple with the staccato energy of Gang of Four, and Deeper have the wiry dancieness of, well, Wire. So long as leather jackets and black and white photography remain cool, there’ll always be bands like this, and thank god for that. In a true sign o’ the times, I learned about this band from some random girl’s Tik Tok in my for-you feed. She repped five bands, two of which are in my top three, so I was like, sure I’ll give this band Deeper a go. God bless the internet. Finally, Deeper get bonus points for naming a song “This Heat,” who I’ve been spending a lot of time revisiting this year, and whose spikey guitars are all over this record.

9. The Flaming Lips – American Head

There are few things as satisfying in art as being genuinely surprised by a beloved artist you had given up as culturally dead. Since putting out their last masterpiece (2009’s Embryonic) the Lips have put out a string of good, if inconsequential, albums that befitting the ethos of the band could best be described as half baked (The Terror, Oczy Moldy, and a series of collaborative experiments). Basically, they had reached that dreaded nadir where I was no longer interested in listening to their new output (cough The National, cough cough Arcade Fire). So what made me give American Head a chance? That reader, is the point of art criticism! I can’t remember how the blurb on pitchfork read exactly, but I knew it referenced Tom Petty and a return to a preoccupation with more Earthly concerns—namely ‘70s heartland rock. Well, this sounded intriguing, and boy was I not disappointed. Sure, the Flaming Lips have already reached their sell-by date twice over (first in 1992, immediately followed by their MTV reinvention on 1993’s Transmissions from the Satellite Heart; and then again in the late ‘90s with the departure of guitarist Ronald Jones, followed by their creative pinnacle, ‘99’s symphonic masterpiece The Soft Bulletin), so it shouldn’t be all that surprising that this band could rise from the dead a third time. Only, for the most part, they didn’t. I guess I’m not surprised that American Head failed to reach a broader audience. Most people probably aren’t even aware that they are still a going concern, and after the failures of the last decade it makes sense that most weren’t interested in more tunes from the Oklahoma freaknicks. But for those willing to give the band another chance, American Head easily delivers their best album since Embryonic, if not all the way back to Yoshimi. Mixing ‘70s Americana with the star gazing of Soft Bulletin’s “Sleeping on the Roof,” the Lips deliver their best album in decades by foregoing the parlor tricks and returning to what they do best, taking trips to distant galaxies while keeping their feet firmly planted in the soil and songcraft of Oklahoma.

8. Cut Worms – Nobody Lives Here Anymore

This one is pretty easy. Do you like George Harrison’s All Things Must Pass? If yes, listen to Nobody Lives Here Anymore and revel in this double album’s upbeat acoustic rock mediations. If no, well there’s plenty of other good stuff out there. Not quite as metaphysical or orchestral as All Things Must Pass, Nobody Lives Here Anymore still manages to hit that rockabiliy-pop sweet spot that Harrison used to mine. I’m not quite sure what the definition of “troubadour” is, but it feels safe to call Cut Worms a troubadour, which is certainly better than his terrible stage name.

7. Cigarettes for Breakfast – Aphantasia

Similar to Cut Worms, Cigarettes for Breakfast also involves a simple influence equation. Do you pray at the altar of Loveless? If so, Aphantasia is just the record for you. Sure, it’s a bit of My Bloody Valentine paint by numbers (“Breathe” even features the same squally guitar noise [it’s really hard to try and describe My Bloody Valentine effects ha] as “Soft as Snow (But Warm Inside)”) but when you’re as into shoegaze as I am, that’s never really a bad thing. Plus, I’m being a bit unfair. Everyone with textured tremolo heavy wall-of-sound guitars and cooed vocals is going to inevitably be compared to MBV, and Cigarettes for Breakfast do enough to chart their own course. Perhaps most interesting is the musical journey this record charts. Its loudest moment is its opening, where pummeling guitars more reminiscent of Sonic Youth with a touch of Dinosaur Jr. rip across hardcore style drumming. From there each song becomes a little more ambient, until closer “If Someone Could Help Me, Please” more or less floats away on its shimmering sheets of beautiful noise clouds. In this sense, it bears a resemblance in structure, if not in sound, to Deerhunter’s Cryptograms, another album I spent a lot of time revisiting this year. A shutout here is owed to the fine folks at Radio K, who had me diving for my shazam as this thing ripped across their airwaves. So long as there is college radio, there’ll be a new crop of kids discovering via Kevin Shields that the electric guitar contains endless sonic possibilities.

6. Fontaines D.C. – A Hero’s Death

The second entry in our top-ten post punk trio is A Hero’s Death by Fontaines D.C. I’ll admit, on first blush it’s kind of a dumb band name (I just assumed they were some hardcore band from Washington DC chasing those Dischord Records glory days), but when you learn that the “DC” stands for Dublin City, it all clicks, as this band is sorta inescapably Irish in the way that James Joyce is. Now this fact at first was also off-putting—if I went the rest of my life without ever hearing the Dropkick Murphy’s again I’d be quite content—but eventually it becomes integral to their sound, and not just because of the brogue in Garin Chatten’s vocals. “Love is the Main Thing” is an incredible song in many ways, most notably because of the hypnotic quality of the drumming with its counterpoint between riding cymbal and staccato toms, but perhaps in the main (*wink*) for the way it manages to connote the weariness of a grey urban environment without ever being explicitly about it. Just as Turn on the Bright Lights managed to perfectly capture New York in 2001, A Hero’s Death to me is the aural equivalent of a dense urban center like Dublin, especially after nightfall.

5. Imaginary Softwoods – Annual Flowers in Color

It should come as no surprise that I listened to A LOT of ambient this year, and to me there was no better electronic record to chill the fuck out to during this insane year than Annual Flowers in Color. I absolutely loved Emeralds’ Does it Look Like I’m Here? and was devastated they never followed that gem (*wink*) up. In the immediate aftermath of the demise of Emeralds Mark McGuire’s solo albums got a lot of attention, but apparently the person I really loved in Emeralds was Imaginary Softwoods’ John Elliot. Annual Flowers in Color is like if Dead City’s, Red Seas, Lost Ghosts were waiting in the departure’s lounge of Eno’s airport. At the heart of the album lies the 10 plus minutes of “Another First/Sea Machine.” I could listen to this song forever, and on some particularly WTF 2020 lakewalks I more or less have. Chunky synths, arpeggios that drift off to infinity, ‘80s soundtrack nostalgia. I could live in these Softwoods for the rest of my sonic days.

4. Pottery – Welcome to Bobby’s Motel

In another moment of nostalgia for my college years, Pottery are a welcome return to weird ass experimental Canadian bands. They don’t sound anything like the Unicorns, but in spirit Pottery kind of remind me of them. I’ve spilled a lot of digital ink here and elsewhere bemoaning the fact that Pitchfork (or perhaps, me) isn’t cool anymore, and to me no band embodies this more than Pottery. They take a bunch of fun disparate elements—Talking Heads dance art rock, periodic weird pitch shifted vocal effects, hazy deep purple style guitars, and Queen style machismo disco—throw them into a witch’s cauldron, and come up with something off the wall that sounds like nothing else but is also instantly familiar. This is the type of thing Pitchfork would have been all over in 2007, but instead now they’re too busy chasing conde nast clout clicks. Oh well, nothing gold can last. But enough negativity, this here is a celebration of the joy of new music, and no new band embodies that unbridled joy like Pottery. Along with Fontaines DC, this is the band I wish I most could have bopped around to with a bunch of sweaty strangers in the 7th St. Entry or Turf Club. You can just imagine the call and response vocals and funky grooves getting the people moving. Oh well, hopefully we’ll soon all be rocking the vaccine, they can breeze through town, and I’ll be the first person on the dance floor embarrassingly pumping my fist a half beat behind the rhythm.

3. Pure X – Pure X

To paraphrase Same Elliott in the Big Lebowski, sometimes there’s a band, and well, sometimes there’s a band. For me this year, that band was Pure X. I absolutely loved their debut Pleasure way back in 2011, when lo-fi reverb heavy slow guitar music (ie, Galaxie 500) was all the rage. Their follow up Crawling up the Stairs was so bad I didn’t even bother listening to Angel, though perhaps that also owed a decent amount to just how terrible the art on that record is. (I’ve since remedied this mistake; turns out that record rules). Being that as it may, I can’t particularly tell you what drew me in to this year’s self-titled album, a full nine years after Pleasure first graced the stage. In one sense it’s probably because Pleasure is one those albums that just never went out of my rotation. Whenever the fahrenheit tips past 90 and the walk to the bodega is a few blocks longer than you’d like, that record always hits the spot. Maybe I just knew this was the record I needed this year. Either way, from the first bars of “Middle America” I was hooked. The guitars crash over you, but never in a threatening way. Rather, they envelop you like a weighted blanket, comforting you in their sonic embrace. Nowhere is this more true than on “Fantasy,” easily my favorite song of 2020 (especially since this was a year entirely devoid of dance floor bangers). If this album came out in 1999 rather than 2020 I would have hit the repeat button on my discman and listened to this song forever.

2. Crack Cloud – Pain Olympics

Pain Olympics is the answer to the question that no one asked: what if Arcade Fire’s (back when they were good) communal uplift was paired with Gang of Four’s stark anthem’s of industrialism’s collapse? While on first blush this might sound like your standard album of punkish fist pumping angst, from when the female vocals (sorry there are too many people in this band for me to be able to figure out whose who) come in on opener “Post Truth (Birth of a Nation)” Pain Olympics reveals itself to be a very strange animal (likely a unicorn of some sort), especially as little orchestral swirls creep into the mix, giving it an almost Judy Garland (in hell) quality. This subtle genre pastiche is given its best effect on stunner “The Next Fix.” That song starts out as an elastic spoken-word call and response addiction rumination, at the minute mark it starts to segue into a vocoded chill raver, then some horns crop up out of nowhere, then a spoken word passage, then at the two minute mark a chorus of voices come in, doing their best Broken Social Scene in the truest sense of the phrase. This is perhaps one of the strangest records I’ve ever heard, but what is strangest of all is just how beautiful it is. Crack Cloud are not for everyone, but if you really give it a chance, the returns are limitless.

1. SAULT – Untitled (Rise) / Untitled (Black Is)

You cannot tell the story of 2020 without SAULT, which is why this pair of records is here at the top, even if under the influence of sodium pentothal (lets be honest, veritaserum) I might lean more towards Pain Olympics. In June, the “anonymous” London project put out Untitled (Black Is), and then quickly followed that gem up with September’s Untitled (Rise). Perhaps more amazing still is that these two albums, released so close together, have unique personalities. Black Is is more pop/R&B whereas Rise has a dancy, electr(on)ic feel. I lean more towards the latter, but honestly, both albums are so overstuffed with amazing moments that it’s borderline unbelievable that one outfit could put out so much amazing music in such a short span. While these records would chart high even if sung in Hopelandic, there’s no escaping the social import of the lyrics. One need look no further than Black Is’s “Don’t Shoot Guns Down” for the 2020 dance party at the end of the world. As if that weren’t more than enough, it finds its analogue on Rise’s “Street Fighter,” and that’s SAULT in a nutshell: two albums in constant communication with one another, and more importantly, with the state of the world. Guns down. Don’t Shoot. Let’s dance.

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alovevigilante · 3 years

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....on trying to think of ways to create the process of getting laundry done without actually having to physically do it, and also feeling good... and writing about how to achieve feeling good, thereby creating and experiencing a great life. (Side note: Dave Chappelle yells out the word “bitches” a lot. Maybe not in this instance, but he has in the past. So I’d like you to read this gif as if Dave Chappelle was saying it. And that loving and fun “Dave Chappelle” energy is my intention though out this piece below. Clarity, is everything. 😉 Thank you, the management)

I really want to wear this certain shirt today, but it’s either buried or isn’t, in amongst 3 loads of clean laundry that I proceeded to fold, not put away, and unfold after rifling through it looking for other clothes to wear on other days. It now needs to be refolded, and put away in its proper places. Sometimes when I put laundry away, I shove it into the drawer over other clothes I have also rifled through at other times in my haste, leaving the drawer hard to navigate, cause it now consists of folded clothes shoved on top of other clothes, over unfolded, craziness. I can’t even open the drawers, they’re so chalk full of disorganized chaos. But I haven’t even gotten that far yet. I’m still at the point, where I’m laying on the bed, thinking about the shirt I was hoping to wear today, that I’m also hoping would somehow magically float into my hands from somewhere, but I dunno from where yet, because too much effort. All of me, is upended.

When you don’t keep up with your organization, it becomes harder to find your way, or, in this case, your shirt. So, what do you do, when you are wanting something that you don’t have yet, but you know it’s going to take some effort to get it? Yes. Good question. Now, let’s go back. Did my thoughts make it harder, or easier to believe that I can find my shirt in a timely manner? Ok... 3 loads of mish mosh laundry, not even sure if it’s in there... more implied mess... overstuffed, unorganized drawers, always a pleasure to recall... you feel that? Some would call it, resistance. And it is. I like to call it something way more “nail on the head”. I call it, “I don’t want to frickin do it so I think about how hard and annoying it’s gonna be to achieve it and no, don’t want to, so there, I’ll lay on my bed” syndrome. Let’s choose to call it “resistance” for short.

What some call, “the path of least resistance” is the way to more easily navigate through life, and is only accessible, truly, with your thoughts, and belief that it will be easier for you to choose, easier. So let’s do that. Ok, using my 10 days of endless laundry sitting in baskets in my room as an example, how can I get what I want, and take the “thoughts of least resistance” instead of the action. Cause let’s face it, the thoughts I was thinking, are only going to keep me not only from achieving anything, but it will also keep me stuck to this bed.

So, let’s start with how I feel about this shirt I want to find. Let’s entertain the feeling of that for a bit. This shirt, is fantastic! Why you don’t ask? I’ll tell you! It’s soft, and flowy. It’s really comfortable, and the best part is, I can get away with not wearing a bra in it! Or not, I guess it depends on the beholder. But, it’s a great choice on a Sunday morning where all I have is one errand, so i think I’ll wear it. Great! Good news. We have completed a few sentences of thought, thinking about the good feelings of the shirt. It even has a cool saying on the front, as most of my tees tend to sport. Yes. I like it. Ok. Don’t think sports cause you don’t know about sports... ok. Well, I backslid a bit. Sports, sometimes make me feel, not included with about the 82% of the world population that loves them. Crap.... ok, that’s ok. I’m aware of that. I made a conscious choice, to choose a next better thought (energy) to experience from the last one. Here it is, ready? Who gives a rip! Great! Well, wait a minute... I clearly do, if I mentioned it. Ok, oh no. I’ve gone from one thought (energy) to another about how I’m feeling inadequate. Rats! Ok, rats remind me of the Pixar movie, ratatouille. Cute. I like that. I like both Pixar, and that movie. Ok, getting better. Now, I have one of 2 ways I can go with this. I can bemoan the fact that I too, am a story teller (in my case, most of the time, a story yeller) and I’m out of work and I have no connections to cool people who write stories cause I don’t have a background in animation, OR, I can think about how the rat cooks awesome food for a human who’s trying to better himself, and put trust, in a rat. Crap! That’s not a great thought to have. It’s also, not a real scenario. Let’s choose better.

Let’s try, SHIFTING energies completely. Sometimes when you’re trying to think about what you don’t desire, it doesn’t help you. Because you can’t switch topics and expect a different result. You can, however, switch energies. How to we do that? Ok. Also a great question. Now we’re really getting somewhere, because that question, had the energy of wanting better for ourselves, and that feels better. Yes! Ok! We’re on a roll now! Yes, rolling on in... with the good energy! Evita, is my all time favorite musical. They have a song, called, “rolling on in” or not, cause I’m not good at knowing lyrics, or names of songs. Eh. I used to sing professionally, and now, I’m trying to find myself another completely different career. One that I’d appreciate more, and feel like I belonged in. Well, these thoughts, are ass, and just make me want to continue laying on the bed, cause although I love the people who love them and perform in them, I’m not generally a big fan, of the genre of musical theater. There. Now I feel worse, by that admission, and worse, then when I started discussing my shirt in my clean laundry pile.

My point, however long winded, is this: it’s never about the laundry. It’s about your resistant feelings. So, thinking your way out of things, won’t work unless you can hold a different, slightly better feeling for a certain amount of time. Let’s say, a few seconds. Again, how to we shift the energy deliberately, and stay with it long enough to create a new, slightly better energy we can maintain? Ok, let’s try this: think about the word, BLANK for 15 seconds. Go! I’ll time you...

Did you think about the word blank, and only the word blank? If you thought about other things, don’t worry. Try it again. I’ll wait. Think about the word “blank” without entertaining any other thoughts during that time. Ok? Go! Again, I’ll time it.

Did you think about how I was going to time it and tell you when to stop? Or did you think of the word blank for 15 seconds and time yourself? Either way is cool. One way, is “this Kari broad, is a serious nut ball”, and can make you laugh. Another way, you thought about blankness, for 15 seconds. Either way, you interrupted the momentum of your last energy, and created some new stuff to play with. That’s fun! Play! Yeah! How can I insert that into my daily life in this moment? I know! Just for now, I can stay in my pjs and not get dressed yet. Then, when I feel inspired to, like I’m kinda feeling now, I’ll turn on some tunes, and reorganize my mind a bit around the fact that it will feel so much better to have the laundry cleaned up once and for all til more eventually comes but I won’t think about that last part, shit!

Ok, no problem. Music is still fun. I like Aerosmith, Led Zeppelin, and Nazareth, and a whole bunch of other bands. Let’s just choose enjoy the music, and get this shit done cause my future me will be elated with the cleaned up situation. Yes, I will do that, for the future me. I will choose, better thoughts and actions for the future me. Cool.

And that’s how you take, happiness, into your own very deliberate hands. By choosing to feel better, and feeling, and choosing and subsequently doing whatever it takes, to get yourself there, minute by minute, day by day. The fact is, unless you’re a laundry fanatic, it’s not exactly what most of us want to spend our time doing. But we can deliberately choose to think our way into making the best out of any situation.

Dream on (Aerosmith), or ramble on (Led Zeppelin)? Does love hurt (Nazareth)? Or can it heal your feelings, by choosing it? Only you can decide for yourself. Recognizing and making a deliberate choice and effort to reorganize your thoughts before they get out of hand, like my laundry is, helps. 😉⚡️💕

P.S. I found my shirt! And yeah, it’s a lil wrinkled, but it’s Sunday! And I’m all about the message, and not so much the outside appearance... well... maybe a lil bit of both. And yes, I’m still in bed, cause it gives me more pleasure writing about my laundry, then actually doing it. 🙈🤷‍♀️😉💕☺️

#choose love #love matters #love manifestation #self reflection #self love #self esteem #selfworth #self care #self development #self improvement #energy report #energy work #a love vigilante

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forehead-enthusiast · 4 years

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A Buncha Tag Games (and yet not all of them)

tagged by: @eggyukhei mwah

tagging: this is a LOT of games so i’ll only tag @atinyphobe @nsheetee and @veonjun for the SECOND (2nd) game. if they or anybody wants to do any of the other games, absolutely go for it and say i tagged you <3 i’d love to see what you guys say!! (also, tk if you felt like you wanted to answer my questions from the second game i’d be interested to see!)

One:

tell me the first song that made you stan your current fave group and why did your faves attract you so much?

ok SO the song that probably got me into rv 100% (also yes ik this blog is 99% nct but rv is my forever fave no question) was probably ice cream cake!! i had been a casual listener of many groups up until that point and had never really stanned anyone, but icc was so infectious i found myself watching it over and over. i had heard happiness and be natural before but hadn’t really listened too closely, so icc was the song that captured me. after that, dumb dumb only cemented my love for them more, and the red is still one of my favorite kpop albums to date. rv attracted me primarily because of their incredible vocals and their versatility in genres and concepts. i still get so excited wondering what they’ll tackle next!! they’re just soooo unique and have one of, if not the best discographies of any group. i cannot stress enough, I. Love. RV!! also they’re funny and gay so. anyway stream monster once it drops uwu

Two:

rule: answer the ten questions and write your own!

1. what is your favorite song that’s been released during quarantine? ooooo honestly??? probably something off of Sawayama. literally every song bangs so hard i highly recommend that album to anyone!! i can’t pick a favorite off it but who’s gonna save you now is awesome and xs is just,,, chef’s kiss

2. what is your greatest mishap when you tried cooking? (or something you’ve witnessed) one time, while making soup at my late grandmother’s house on her like gas stove, i put a lid on a pot and somehow that led the pot to be engulfed in flames. IN MY DEFENSE i was like 7, and i’m great at cooking/baking now

3. what’s your go-to outfit or article of clothing? oh i love a nice dress. they can be casual or formal, and you look like you put effort into your outfit except i didn’t because i didn’t have to match anything yo!!!! also shorts have trouble fitting me cause i’m a weird body type so dresses tend to be very comfy for me

4. what is your comfort food? am i allowed to say like all food??? eating in itself is comforting,,, that sounds depressing but also i just like eating yummy food. i guess i’d say like my dad’s fried rice?? its my fave and no one makes it like him soooo

5. what singular moment in your life would you like to relive? i couldn’t tell if this meant like, a good moment you want to re-experience or go back in time and redo a moment and fix it. it’s kind of a hard question so i might cop out and go with a bit of a silly answer: i want to relive the hi touch with astro...... i wanna look at rocky’s beautiful eyes and touch moonbin’s hand ok,,,,

6. what is your favorite line and/or character from a movie, show, or book? i got a bunch but a few off the top of my head are genie lo (the epic crush of genie lo), ty lee, suki (atla), klaus, and ben (umbrella academy)

7. if you could only choose one ice cream flavor and pizza topping/style for the rest of your life, what would it be? ice cream flavor: this very specific one from a local store that is banana ice cream with strawberries and oreo mixed in. it is heaaaavenly. as for pizza topping, i love a breakfast type pizza with an egg on top and like sausage and stuff!!!

8. what is the worst injury you’ve ever had or witnessed? funny enough, i’ve actually gotten badly injured quite a few times, and always on the face!! god hates me. the worst was probably when i hit a metal bench with my face and it took a chunk out of my cheek. i still have the scar! as for “witnessed” i accidentally broke a grown man’s rib once as a child, so i guess that would count.

9. would you rather explore the unknown of space or the bottom of the ocean? oceaaaan!! i answered this in some other game, but i like how mysterious and yet close the ocean is. like proximity wise it’s so near, yet there’s an insane amount we know nothing about. that’s so frightening but so intriguing

10. if you could be any cartoon character, who would you be? my first thought was literally “kirby. eat fast” GOD my followers are gonna think i’m just a glutton and they’re not even gonna be wrong im dying. but uhh idk mulan or smth?

my questions:

what is your go-to feel good movie?

are you the type of person who’s indecisive about buying, or the type to impulse buy once you see something you like?

do you prefer chocolate-y or fruity candy?

what idol do you think is most similar to you? (not your bias necessarily)

do you have any silly dealbreakers? if so, what are they?

what do you do to unwind?

what is a small thing you like to do for people you love? (be it sending memes, remembering their favorite shows, etc)

what’s/who’s your favorite myth/mythological being?

what is a non-typical pet you would want to have?

do you say pronounce data as day-ta or dah-ta?

THREE

rule: bold the statements that apply to you, italicize your aspirations, then tag nine people.

AIR ༉⋆͙̈

i have small hands / i love the night sky / i watch animals and birds when i pass them by / i drink herbal tea / i wake to see the dawn / the smell of dust is comforting / i’m valued for being wise / i prefer books to music / i meditate / i find joy in learning new truths from the world around me

FIRE ༉⋆͙̈

i don’t have straight hair / i like to wear ripped jeans and overalls / i play an organized sport / i love dogs / i am not afraid of adventure / i love to talk to strangers / i always try new foods / i enjoy road trips / summer is my favorite season / my radio is always playing

WATER ༉⋆͙̈

i wear bracelets on my wrists / i love the bustle of the city / i have more than one set of piercings / i read poetry / i love the sound of a thunderstorm / i want to travel the world / i sleep past midday most days / i love simply lit dinners and fluorescent signs / i rewatch kids shows out of nostalgia / i see emotions in colors not words

EARTH ༉⋆͙̈

i wear glasses or contacts / i enjoy doing the laundry / i am a vegetarian or vegan / i have an excellent sense of time / my humor is very cheerful / i am a valued advisor to my friends / i believe in true love / i love this chill of mountain air / i’m always listening to music / i am highly trusted by the people in my life

AETHER ༉⋆͙̈

i go without makeup in my daily life / i make my own artwork / i keep on track of my tasks and time / i always know true north / i see beauty in everything / i can always smell flowers / i smile at everyone i pass by / i always fear history repeating itself / i have recovered from a mental disorder / i can love unconditionally

FOUR

the ultimate tag: answer whichever ones you want to because there are a lot and then tag a few blogs you’d like to get to know better!

PERSONAL

name: sarah

nickname: bells

birthday: april 17th

zodiac: aries

nationality: chinese american

languages: english, some spanish, some korean

gender: female

sexuality: baby bi bi bi~

height: 5′10

BLOG STUFF

inspiration for muse: i suppose nct since i write for them the most?? but i feel like sometimes i come up with the idea before i think of a member so sometimes the muse is just my own fantasies oops

meaning behind my url: i made it at a time where loads of idols were getting bangs and honestly i believe most of them look infinitely better without them, thus i was and still am enthusiastic about foreheads.

blog established: like winter of 2018...?? i think

followers: over 2.5k but most deactivated/left during my hiatus lol

FAVORITES

favourite animals: sharks, chickens, snakes, cats, penguins

favourite books: the epic crush of genie lo and then iron will of genie lo, PERIOD

favourite colour: pink and purple!!

favourite fictional characters: lol, again, genie lo, ty lee, suki, klaus, ben, and just a few more: richard and evelyn o’connell (the mummy), dave (dave), michael (the good place)

favourite flower: sunflower

favourite scent: baking chocolate, heating butter, blackberry, wisteria

favourite season: probably spring! i like warmth but not HEAT

RANDOM

average hours of sleep: ugh idek i sleep horribly

cats or dogs: both, but unfortunately i’ve never had either

coffee, tea or hot chocolate: tea but then hot chocolate

current time: 5:29pm

dream trip: go to paris and eat loads of pastries and enjoy the fashions and beauty of the city, and also learn to bake better maybe?

dream job: actress

hobbies: making jewelry, drawing, singing, reading comics

hogwarts house: according to the quizzes, all of them. people who have just met me think slytherin or gryffindor, people who i’m friends with think ravenclaw or hufflepuff, people who know me really well know you can’t box a person into oversimplified archetypes :’) in my assessment of myself, it varies by the day, but i think perhaps gryffindor today?

last movie watched: hot fuzz (a classic)

last song listened to: summer breeze by sf9

no. of blankets you sleep with: like 2

random fact(s): i won lego building competitions as a child, one of my dream roles is anastasia from the musical named after her, i played violin for a very short time, i bake the cakes for all my family and friends’ birthdays, i have strangely strong grip strength

SIX

10 songs i can’t stop listening to:

love me 4 me- rina sawayama

cherry- rina sawayama

in & out- red velvet

crush culture- conan gray

manic- conan gray

the king- conan gray

summer- pentagon

told you now- jeremy jordan (originally sung by sam smith)

fuck this world (interlude)- rina sawayama

someone who loves me- sara bareilles

#these were sooooooooooo fun!!#thank you for tagging me eggy #i feel like i maybe exposed myself for being a gluttonous fool tho #lmaoooo #fr tho try these games out!! so fun #sarah.tmi #tag games

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prettywordsyouleft · 5 years

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After Party

Summary: the endless parties had gotten stale for you, though the new band playing evoked a reason to look forward to the next one.

Pairing: Lee Jungshin x reader

Genre: 1920s era / fluff / romance

littlebeckybee said:

Hi lovely! Could I get a fluffy historical AU with Jungshin??? Whichever era you want! Thank you!! 💜

A/N: For my lovely B, I do hope you like this. Admittedly my instant idea was 1920s for Jungshin, but the idea was more towards angst/romance, and I’m glad I decided to change it, even if it’s been late in getting posted today. I’m probably not entirely accurate with the era with everything, but for the window of time I had to research and write this, I’m really happy with it! xxx

Word count: 1978

You were sick of the glitz and glam every weekend. The novelty had worn off; much like the overstayed welcome of several people who lingered in your home long after the music stopped playing. You were over the pretentious conversations, the gossiping of other people’s failures from those who were just as flawed.

You were done with social expectations.

As the only daughter of the biggest business conglomerate in the city, you weren’t exactly able to escape any of it. Even on the rare occasions where you feigned a terrible headache and opted to spend the night in bed, the garden party below would still go on. From the third floor of the family estate, you couldn’t avoid the buzzing of the affluent. The jazz band would play into the early morning, and you would be just as frustrated up in the confines of your own bedroom as you would if you went downstairs to join the festivities. And so you often would fold, unable to enjoy the parties but disliking the walls that entrapped you within the house equally.

It was yet another weekend and another party. The bankers were jovial, talking of how prosperous the financial year had been so far, and the current strength of Wall Street. The celebrities gushed over new silent film offers and the women all sported the short-bobbed hairstyle that had swept the nation by storm. There were a few women who flitted around from one occupation to the next, looking for someone to start the American dream with.

And then there was the band setting up for the next round of songs. With a champagne flute in one hand to look the part and steer anyone clear of offering to get a drink for you, you wandered around the party, looking for a corner to hide in. You knew that it wouldn’t be long until someone chose to spoke to you about your Daddy’s company, or sought out your time to get into business with your family. You were tired and the band had only played one set so far.

You turned your attention to the quartet, noticing that they weren’t the same band your Daddy usually hired. They were all rather tall, yet the one holding the string bass was the tallest. You watched him prepare for their next segment, expertly checking his instrument and then he looked to the drummer who took a seat and lifted his drumsticks on the ready. The pianist loudly cried for them to begin and you listened to their upbeat music, fascinated that they could create such a sound without a single woodwind instrument. They were energetic and unlike the bands that usually played at these parties, they refused to remain in the background, welcoming the clapping from those who gathered around. This spurred on their playing. You smiled, moving closer to the quartet, your gaze shifting from one member to the next. The drummer smiled often, the guitarist was throwing his head back with the rhythm and the pianist grew livelier with the increasing crowd. When you finally looked to the bassist again, you were transfixed. He wasn’t really paying attention to the party; he was lost in the music. You watched his nimble fingers pluck and flick at the strings, creating a unique sound. Soon you weren’t aware of anyone else around you either, the music transporting you to a place that made you float along in ecstasy.

And you hadn’t had a single drop of champagne yet.

When the song ended, the group that surrounded the musicians dispersed except for you. Blinking slowly away from your magical state, you blushed immediately, finding the bassist staring right at you. He smirked and then turned to his band members, promptly ignoring you. You watched his back as your frustration built and you gave him a final glare before stomping off to the garden pergola by the lake. There you sat for the remainder of the party, trying not to give the music that filtered down to where you were any mind.

Except, you were truly captivated.

You replayed the expression on his face over and over, smiling lightly at his passion. You had seen countless people play music over the years, but none seemed to be as engrossed with their art as he had. You wondered what kind of formal training he had, if any.

You hoped that he would teach you at least some.

“Don’t be foolish,” you scolded yourself outwardly, shaking your head. Your mind shifted to the way he had coldly ignored you and your grip on the skirt of your evening dress bunched up in your fist. You let go, only because the embroidered sequins dug into your palm of your hand through your gloves.

“Do you always talk to yourself?” a voice asked, and startled, you turned to see who was there. You blinked once and that smirk he had given you before now returned. “You left the party?”

“I needed fresh air.”

He shrugged and sat down, leaving some room between you both. “The party is outdoors, yet it became stuffy for you, Princess?”

“Prince- I’ll have you know, I’m nothing of the sort!” you spluttered and a chuckle vibrated its way out of him. Even the noises he made were like music to your ears. You glowered at the lake in front of you momentarily before snapping your focus to him. “Why are you here?”

“Well, I didn’t know there was a place off-limits to me.”

“Are you always this condescending?”

He smiled, his gaze amused with your flustered state. “Are you always hiding away?”

You faltered, staring at him and trying to decipher how he had come to that conclusion. He rested back on his elbows, stretching out his impossibly tall frame beside you. Finally, he glanced at your troubled expression. “I didn’t ignore you.”

“Well,” you started, opening your mouth and then closing it when no other words followed. You huffed out a breath and then looked back at the lake. “I wasn’t exactly looking to gain your attention.”

“Really?” he asked, and when you stared in his direction again, his gaze implored you to tell the truth. His infamous smirk crossed his lips again and you struggled with whether you wanted to wipe it away for good, or continue to encourage it to remain there. “Should I go, Princess?”

“Would you stop calling me that, you have no basis to call me that.”

“Aren’t you my boss’ daughter? The one who never enjoys Daddy’s parties?”

You froze, unsure how he knew such a thing. This was his first time performing here. The man grinned at you and gently reached out to finger the edge of your dress. “You’re also the best dressed here. Are you sure you’re not a Princess?”

“I may look the part but I am definitely not afraid to step out of my social status either,” you announced, hiking your chin up in defence. He laughed and you swivelled in your seated position to face him. “Why do you laugh?!”

“I should have ignored you after all. I feel you might be trouble.”

You smiled, triumphant. “And why is that?”

“Because I want to make you prove it,” he said, the humour leaving his handsome features. You stared back at him for a moment, wondering what he would expect from you. And then suddenly, before you truly grappled at the consequences of such a decision, you leaned over and pressed your lips to his.

To say he was surprised was an understatement and you blinked rapidly before yanking away, your cheeks reddening the same shade as your lipstick. For a moment neither of you made a move.

And then he laughed.

He laughed so heartily that it stunned you. But it was so infectious that you began to join in, soon clutching at your sides as they began to ache with your lively gesture. You turned to him. “Why are we laughing?!”

“Because if that’s how you plan to prove to me that you’re not just some rich man’s daughter, I don’t know what else to expect from you,” he replied, reaching out to place a hand on your shoulder so he could settle himself. Once the laughter rippling from within him dried up, he smiled at you, shaking his head incredulously. “Is that truly how you kiss a man?”

“Well, I-”

“Wait, don’t tell me that’s the first time you’ve kissed a person before,” he continued, chuckling along with his statement. You didn’t respond immediately and he hiccupped back his amusement, eyes wide as your silence answered him. “It was?”

“And you just laughed at my first kiss as well,” you grumbled, folding your gloved arms over your chest. “I’ll be forever haunted by this, you know.”

“Really?”

You nodded once.

“Wow, and you gave it to me?” He became still, processing the situation. “What is your name? You kissed someone without knowing who they were.”

“Yet you kissed me back!”

“Hardly!” he remarked, shifting closer to you. “Your name?”

“Y/N.” You looked up at him and sighed. “Surely, you knew it already since you guessed who I was. Everyone in this city knows of my family.”

“Y/N,” he repeated, his smile now genuine. “Surely you should know my name too.”

You glanced at him and then scoffed. “Very funny. I’m sorry to deflate your ego, but tonight is the first time I’ve ever seen or heard of you. I have no name to refer to you by.”

He kissed you then, languid, soft. His hand reached for the side of your neck, cupping it gently as he continued to steal your breath and your heart. You didn’t want this to end, though you began to feel dizzy with the lack of air. When he finally pulled away, he smiled, brushing your hair behind your ear. “That is how you really kiss someone.”

“Without giving a name?” you somehow managed to answer, and he let out a breathy chuckle. Standing up, you watched his steps in confusion, wondering where he would go right now. You stood up yourself, your gaze pleading for him not to leave. He groaned and returned, cupping your face again.

“You’re trouble,” he told you, pecking your swollen lips softly. “And I’m Jungshin.”

“You’ll be in trouble if you leave me here, Jungshin,” you uttered and he gave you an exasperated look. You let out a deep breath. “You can’t just kiss me like that and disappear!”

“And why not? The party’s over. Don’t you need to return to your home? I heard someone calling your name just now.”

You gasped, wondering if it was your maid that had been sent out to collect you like usual. Despite worrying about if you got caught with one of the band, you moved towards Jungshin’s side, looking up at him. “Still, you can’t just disappear.”

“I should have ignored you,” he concluded, shaking his head at himself. He then pointed down the path you both had to take to return back to the garden. “Do you know what happens when you perform well at an event, Y/N?”

“You get paid well?” you guessed and he smirked, shaking his head and taking your hand in his. “Your ego inflates from how many people clapped for you?”

He laughed. “You get asked to return and play again. So am I really disappearing for good? Even if I weren’t playing here again next weekend, I’d find a way to get back to you, don’t worry. I don’t just kiss anyone.”

You smiled, his hand that held yours letting go so he could head back before you. As you watched Jungshin move out of your view, you knew that whilst you were over how parties had previously been, you now had something to look forward to for the next one.

_________________

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luvknow · 5 years

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under the cut is all 30-ish asks LOL i’ve tagged those who didn’t go on anon!! if i missed anyone, im sorry ;;;;;

1. I think Lisa's fully thai and pretty sure Yeri (I'm assuming red velvet's) is fully korean, but I completely agree with you about Lana! I don't understand the support for a fully white person in kpop- like why??? Also I think Somi not being supported has to do more with 'oh look this popular girl was on sixteen/produce so lets just hate on her'- doesn't make sense. And your post on asian eyes is soo true!! Like got bullied over 'chinky' eyes but a white person having them is celebrated.

ahhh ok i thought lisa was half because her last name doesn’t sound thai, but i could just be ignorant! and yeri hm does she have a step parent? someone told me her dad was an actor or something but anyways!! and with somi yeah i think it could be that too :/ one time i saw a white person cosplay at this anime convention and they taped their eyes and i................ wanted to die...........LOL

2. !!! I literally sent another an to someone about this (I don't know if my asks keep getting eaten or if no one wants to respond 😞) but like she's apparently gotten surgery to look more Korean 🙄🙄 however she doesn't look Korean at all in her music video. Also yeah she can kinda sing but it's not anything special at all. Also the dancing.. apparently she's "classically" trained... when I watched her dance I was so confused because I expected more - pt.1 soz / But it didn't seem like she knew how to follow a simple routine at all. I'm classically trained and it's hard work so to me it's kinda insulting that she thinks she can lie about that??? Maybe she isn't but.. Also this song isn't catchy and the lyrics are ? V questionable. Anyways that my two cents, take it as you will. - pt.2

i hope the surgery thing isn’t true, i won’t believe it until i see evidence or something but......... thassa no.......................................... classically trained sounds like that takes yeeeaarrrss to do, i hope she didn’t lie about that cuz like what’s the point in lying skjdskjd

3. Kpop is literally for asians.. It's an Asian genre catering to Asian people... Idk why white people decided to come in and why this Lana girl feels the need to debut as an idol. Honestly, kpop for me (as an Asian) was the one place I could go to and be surrounded by other Asians, who appreciate OTHER ASIANS and their music. I'm tired of white people coming in and taking things that don't belong to them... like just go debut in Russia or America if they want to debut so badly...

I FUCKING!!!!! I’m SAYING UGH LIKE I DON’T GET WHY IT HAS TO BE K-POP OUT OF ALL GENRES?????????????? couldn’t she have like.... debuted and then worked with k-pop artists like that’s a collaborative effort on both ends rather than her appropriating ugh i just.......... it does Not make sense.

4. @miniwaves Who is this Lana and why are they letting a fully WHITE person debut in an ASIAN group??? As an Asian I feel very offended, this is something that is important to our culture and something we have that is separate from other countries... but sure go ahead and let someone not of that culture join just because it's "good publicity". Freaking heck...

i think she’s debuting as a soloist, i could be wrong, but even if it was a group i just.... don’t like it and it doesn’t make sense to me and yeah i agree i think it’s insulting to those who have a personal connection as an asian to have someone not asian take advantage of the rise in kpop like this.

5. okay i looked up lana and watched her live and it was not pretty to see or listen to... as an asian i feel weird seeing a white person in a kpop/asian industry... it's very cringy to watch too...

it’s weird, i think it’s kinda gross, and yeah i bet it’s a lil cringey lol

6. no offense to lana but i don’t think you’d wanna hear her sing,,,, there’s that one group (z-girls??) with all asians like thai, indonesian, indian, japanese, filipino, but people are mad bc they should classify as kpop bc they’re not korean. but ppl are supporting lana even tho she’s also not korean, because it gives them hope that they can also be kpop idols and be with their oppas

YES Z-GIRLS :(((( WHERE IS THERE ATTENTION?? a colorful group of beautiful ASIAN women trying to make it in an ASIAN industry but you never hear about them why???????? like none of this is fair lmao omfg your last statement Stop.... spill the tea sis...........

7. as a run-of-the-mill white person... I don’t get why anyone who is white feels the need to perform in kpop or become a kpop artist because they have their own culture/country/industry/ whatever tf that they can make music and perform in?? That’s all music is, really, an industry and I can understand wanting to be involved in some way but just singing in Korean shouldn’t be enough for you to be deemed a “kpop artist”

“run of the mill white person” omg please lol and oooo i think your last statement is very interesting because what really constitutes as a kpop artist these days, especially if the idol is asian but not korean, you know? but yes, thank you for addressing that white people have their own music industry skjdalkjds

8. YES EXACTLY like i have a Very Chinese name and i didn't start becoming cool with it until i got into exo m because yifan luhan zitao yixing!! so even though i'm into other groups too, exo will always have a special place in my heart. and same, i used to get made fun of for liking kpop but look at us now

that’s beautiful that kpop can really do that and make non-korean asians feel included in some form you know?? i love it!!

9. everybody gave that alex reid girl TONS of shit for being a black kpop idol when she was in rania, but now that lana has debuted, she gets all of the love and support and i'm just like ????? freaking flabbergasted by this whole thing :'(

i had to look her up, but that’s so unfortunate and unfair that the backlash only happened to someone who was black, but wasn’t as severe for lana like.... pick a side, you either don’t want non-asians in kpop period or you do like don’t be colorist about it.

10. Yours and that last anon's message about being asian resonated so much

i couldn’t remember which one it was LOL but i’m glad you can relate to us!!

11. i'm kinda curious why lana didn't just stay in russia and start her career there instead of coming to korea, learning korean, and having to go through the whole training process when staying in her home country would have been easier but it's like she knows how popular kpop is now worldwide and is trying to profit and get famous off the hard work of the other groups who had to struggle in order to get kpop recognized in other countries but that's just my opinion

i don’t completely agree with the first part, simply because non-korean asians did all the training and learning korean to become a kpop artist rather than staying in china/thailand/america, BUT i fully agree with that last part like so many idols outside the big 3 and other well known companies are struggling right now.......... and then she swoops in and is getting more attention that most groups like ok..

12. @hnlix i just think it's really funny how some non-asian people really just wanna talk abt how they feel abt having a full white kpop idol & how good it is .... like..... ok lol !!!!!

girl the way i eye rolled............ im pressed LMAO

13. white people wanna be oppressed so bad lmaoooo

LIKE WHY THO LMAOOO

14. i hate how asian oppression is largely ignored but once we stand up for ourselves we're making a big deal or being sensitive if you're not asian don't tell us how to feel

LMAO omg it’s cuz we’re “submissive & too sensitive” LMAO like no bitch!!!!

15. Any white kpop fan who is trying to tell an Asian how they're supposed to feel about a music genre that is meant for Asians, created by asians, and catered to ASIAN people who go right f*** off

TELL EM SIS

16. I think Lisa isn't half white just her stepfather is white I believe

AH OK!!! makes a lot of sense!

17. Lol I’m so sorry you’re getting these white Kpop fans coming here acting all oppressed and calling your opinion invalid. I also got a bunch of these yesterday when I voiced out my opinion- lost a bunch of followers but oh well. These are probably the same fans who low key also want to become idols- smh 🤦🏻‍♀️

losing followers over your feelings of oppression is just natural selection at its finest babie, we in dis together!!!!!!!!!!! that last sentence............ spill the tea sis..........

18. All ur saying is that white people dont belong in an Asian industry lmao idk what anon is getting so worked up about. You’re not even making fun of her ur just stating the facts. There’s a difference

thank you like i didn’t say white people deserve to die or that i called her ugly LOL i just don’t want her in this industry!!!!!!!!

19. @jisungs-veterinar So i know about Rania she's mixed black but not asian. She is very cute and nice and she got into the industry without any type of talent she just liked songwriting and the agency scouted her without audition but things were good and there wasnt hate from what i saw. But Lana is just a white girl who likes kpop and knows how to dance(nothing special believe me)and just barely learned to sing.Just because daddy has money she got here because she appeared in some kshows.She has no right to be here / Therefore i just wanna say i agree with you and it angers me so much that Lana is here in kpop ALLOWED to be and ugh

i see, well a lot of kpop artists get their songs from other non-asian artists too. i just don’t like the idea of non-asians considered as idols, even rania, but i’m confused cuz some people are saying she got a lot of hate and some are saying she didn’t but regardless it seems like lana is getting some special treatment and it’s not right. but it’s all heresay i suppose idk kasjdlka

20. okay wow that one anon basically saying that whites are being oppressed?? no. im mixed but i’m ridiculously white passing, most people don’t believe me when i tell them that i’m half chinese but once they hear it, all of the asian jokes come out and i’m reduced to the stereotype of one of my heritages. so please anon, be quiet. also it makes total sense for someone to not be for a white person, or any person who isn’t asian that means alex (i think it’s alex) as well and i’m running out of space / im continuing lmao from that last ask. kpop/jpop/cpop are specific genres of music that originate from these countries and from the people in these countries. it’s one of the very few ways that asians get recognition and now it’s on a global scale that their effort are being seen so no imo i don’t think that non asians should be coming into the industry. if a nonasian wants to be an artist in a pop genre? please stick to just pop and if you want to show appreciation for these languages and -

one drop of blood that isn’t white and ppl reduce you to that thinking you are lower than they are but then once that drop of blood is popping and flourishing they wanna take advantage of that and it’s hurtful ugh!!! AND YES LIKE ASIANS ARE FINALLY GETTING SOME FORM OF RECOGNITION even if it is asian pop it’s a step forward imo like where else do we get recognized by the masses?

21. the thing is white people already have so much representation in western media. kpop is something uniquely asian and i feel like it would sort of ruin it if white people or other races started trying to debut as idols. i don’t know i don’t want to be exclusive or whatever you would call it, but it just doesn’t seem right in my opinion.

i agree!! it’s something that’s unique to asia/asians and by adding non-asians to the mix i feel like it reduces it’s authenticity and dilutes the pop culture to something other than kpop

22. I see where you’re coming from 100%. Like if some white person tried to enter the Mexican industry(?) I’d be like “wtf” too.

LOL thank you for agreeing jashdajh

23. *filipino/dark skinned kpop idol* KpOp iS oNlY fOr AsIaNs nOt FoR anYoNe ElsE *white asian lookin idol* hmm yea we nees the diversity y'all stop being racist 😏

LMAO PLEASE u tell em sis!!!!!!!!!!! the day a filipino makes it into kpop i will cry

24. Why did nobody back up exp edition as much as this chick?? The clowns y'all are 2day.......

LMFAO...................... it’s cuz she’s a girl and i’m sure most of these anons are girls and you know how it goes................................... lana gives them hope KLJDLKSJDSL

25. @virgolix hi mori 🐥 just wanted to join in as well. & i think i see where ur coming from. from my understanding, it has always been hard to for asians to have proper representation in western media. & that must be why a lot of people are having a hard time supporting lana. she (a non-asian) can make her debut in korea, but not it's not so easy vice versa. how many asian pop musicians do we see who are based in america? few & far between. that's why kpop is so valuable to the asian community 💞 -virgolix / also no pressure to answer that mori & if any bit sounded ignorant - please let me know. always willing to learn 🧸 - virgolix

no no you’re not ignorant at all miss neenz!!! i agree, it will be hard for her, and i hope she’s ready for all the hardships that come with being a non-asian in the kpop industry. and yes, asians don’t get many opportunities in the west for entertainment, and when they do show up it’s a great feeling and accomplishment and step forward for us!! for a long long time, kpop idols and kdrama actors were all i had to look up to, and i’m not even korean lol.

26. @jxsng people really be making discourse about this ??? it’s true though — like z girls and z boys ??? where’s the korean media about them ????? and other asian idols too — there’s a reason why there’s usually only chinese japanese and korean idols , but suddenly white people can come in and everyone fine just because ??? wasn’t there black idols who failed in the industry bc of racism in the past ?????

i didn’t know there was a zboys!!! zgirls weren’t my style, but it’s sad lie where is their attention ://// i’m not so sure about the last part? there was this one rapper who was half black half korean tho who got attention at one point but i dont think she made it big..... i cant remember her name!! :(

27. ok so im only here for that one ask talking abt black kpop idols and i might not know all black kpop idols but the one i know who is the first non asian person to debut in kpop, has said it herself that she wasnt opressed in anyway, glorified even. so idk what theyre talking abt? also i dont like lana not bc she debuted in kpop as a white person but bc its obv that she did it w koreaboo intentions? everything abt her screams koreaboo and im just speechless lol

ah that’s interesting!! idk her story tho. that’s what i think about her too, like why..... does she look like she passes for half asian.... but she isn’t.... and it rubs me the wrong way. but i just also don’t like that she’s white...

28. i honestly find it kinda stupid how ppl are treating this situation. i dont like lana but honestly other races being in kpop shouldnt be such a big issue? if a company wants to debut a nonasian person it shouldnt be our issue? i dont think its anything evil. i just dont like lana because she seems to be trying to look and force the idea that she is asian? if a nonasian person will debut in kpop they should at least have a character of their own yk

you give a really interesting point and i think a lot of my feelings DO stem from her looking asian when she’s not, rather than her just being non asian and trying to make it into kpop, but for a very long time i only had kpop idols to really feel like it was ok to be asian and idrk where i’m going with this LOL but idk i still don’t like the idea of non-asians in kpop, etc. so idk. am i ignorant for feeling this way?

29. people will never understand that white ppl can't be oppressed and poc can't b racist towards white ppl, we can discriminate and be Rude but that's It. fans only think about this One white girl trying to make it in an industry where she doesn't rly belong, but looking at this in terms of society as a whole, it Is a problem. when poc have something that belongs to Them, white people always want in.

UGH LIKE i feel like people are thinking that i legitimately hate this one girl and that’s it like no i don’t hate her, i hate that she and everyone who is supporting her don’t understand where people who are affected by this are coming from and it’s like no one is listening.............................

30. anon is kinda stupid ngl how r u gonna say we’re being racist to white people it’s not possible 😭😭😭 u guys really want everything don’t u 😭😭😭

LMAAAAAAAOOOOOO KJFLKSFJ

31. lana is just a big kboo n all the ppl that support her are just wee little kboos in the making

KJDLKSJDSLKJSLDJ LOOOOOL

32. idk what’s going with this whole thing but, you’re totally right, i’m white and white people ARE NOT oppressed. why are people getting salty abt it?

i literally don’t know LMAO LIKE I’M BEING RACIST FOR DEFENDING SOMETHING THAT WHITE PEOPLE ARE TRYNA DIP THEIR FEET IN WHERE I THINK THEY DON’T BELONG????????? ok

33. either way lana is a whole ass kboo and can’t even perform soo

omg i have never watched her but ajksldjalksdjnasdnasnd

#sorry if this subject brought something negative to your dash #but thanks to those who sent in asks and had something to say!!! whether you agreed with me or not #idk i personally love discussions like this but i will admit i get carried away #discourse #ugh i feel cleansed

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dailyexo · 5 years

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[NEWS] EXO - 181227 Billboard: “EXO's 'Love Shot' Album: The Producers & Songwriters Break Down Every Song”

"The long-awaited one-two punch of EXO’s Don’t Mess Up My Tempo and subsequent Love Shot repackage provided fans with two heaping doses of polished pop. From Daft Punk’s Tron to U.K. garage, EXO checks off all the stylistic boxes on their latest works, expanding upon and further fleshing out their diverse discography.

The sonic gambles have paid off: The Love Shot repackage has already swept iTunes charts around the world from Thailand to the United States, building upon the record-breaking success of its predecessor Tempo. The members of EXO are still going strong six years into their careers, with Love Shot representing a new apex for the boy band.

We spoke with the producers behind EXO’s greatest LP thus far for the stories behind the songs.

“Love Shot”

Mike Woods: Last year in January, we had a camp with Marz Music and SM. They had liked the song since January [2017] -- Korea's just very strategic when they release songs and how they brand everything around the song. It was purposely [for] the repackage album from day one -- not necessarily day one, but they were deciding between "Tempo" and "Love Shop" -- the original [title] is "Love Shop," by the way. So we kinda knew that the repackage album would have "Love Shot" being the title single.

We wanted something that was very, very performance-driven, very dance-driven -- something that would sound good loud and in an arena. We like the fact that it's kind of in a different time signature -- it's in 6/8, so that's not like a generic pop song. With Korea, we like to do things that push the boundaries, not super generic, because they're very musical. Things like that translate a lot better than they do in America. We really like the anthemic [sound] -- even [with] "Oasis," that's what we strive for. We like to do things that just sound big -- I feel like that's our niche with me, Kevin [White], and Bazzi. It's fun, big, and loud. We saved it for the last day 'cause we knew we wanted to end the camp with a bang, and in our heads, we knew what song we wanted to make. We had voice notes of it from the first or second day we got there, but we wanted to save it for the end 'cause we knew it would be a big song for them.

“Tempo”

Leven Kali: Two years ago I went to Seoul for the first time for a writing camp with SM, and we started “Tempo” during that trip. It took a few sessions after that back in the states with the rest of the writers [Tay Jasper and Adrian McKinnon] to finish it up, and then Digi, the main producer, brought it home with the final touches. We didn't know where the song would end up, but I'm grateful that it ended up with EXO because they always execute the records at a unique and high-quality level. I'm really happy [with] how it turned out and blessed to be a part of their story.

The song is inspired by a lot of different genres and artists, like Teddy Riley, OutKast, and Take 6. Adrian is one of the most talented singers and musicians I’ve ever met, and he really brought that doo-wop flair to the track. In K-pop they really encourage experimental arrangements, so we got to be creative with this one.

“Tempo” was so fun to make because the energy during the entire trip was on fire. We were working so fast, coming up with tons of good songs, and definitely dabbling in the Seoul nightlife. Digi and Adrian had started the song on one of those crazy nights, and when we got back to the studio, it was a party making the record. Gotta give a big shout out to the blue soju. Also, fun fact: The original spelling of the song is “Ttempo,” with two Ts.

Digi Chammas: “Tempo” was a huge group effort with the writers and they absolutely killed it. I feel like you can tell it was a group of us having the most fun making that song. The constant switch ups and harmonizing is how we like to work. When we do that, there is a lot of back and forth for months with fine tuning, especially the a cappella section because it’s so special. Adrian [McKinnon] is a genius with his harmony. It’s one of my favorite songs I’ve produced, and EXO just crushed it. Crushed it! Having a single with them is what I’ve always wanted, and to be a part of such an exciting release is unreal.

"Tempo" is an amalgam of R&B, funk, disco, EDM, and '90s house. It all goes together without trying too hard. The pieces just fit. Doing edits on the demo wasn’t annoying or daunting because it just never got annoying to listen to.

I wanted to bring a bright energy to their music while still letting it still be serious without being too serious. Also, bed squeaks. They just work.

“Trauma”

Keynon “KC” Moore: Since [co-producer] DaBenchwarma and I are both managed by 3Sixty Music Group we collaborate on many different songs. Danny [Smith, KC’s manager] is telling me he had a plug for 5 Seconds of Summer. And I know they wanted to kinda go [in] a crossover, kind of urban [direction], but still keep it pop. So DaBenchwarma sent me over a few tracks for that and I wrote to four or five of them. And “Trauma,” as it is now, was one of them. It was actually called "A Little Bit" originally. I wrote to that -- usually what I do is I'm a night owl. I'll write really late, like 3 a.m., and then I'll toy with the melodies in my head. If I can remember the melody the next day when I get ready to record, it usually works out. The next day I went in and recorded it, so when I sent it over to DaBenchwarma, that was one of the tracks he really liked. Danny sent the records over to the A&R for DNCE and Ryan [Jhun], but Ryan hit us back first and was like, “We really like this track -- I’m going to send [it] to SM Entertainment, but let’s make some changes before I pitch it.” We made all those changes, [and] Ryan hit us back [and] said, “They want this for EXO.” A special shout out Ryan’s team Marcan Entertainment because none of this would be possible without them.

Maroon 5's last album was very [influential] -- I have a friend that wrote on it and she's one of my biggest inspirations. I wanted to keep things simple -- I'm still working on really simplifying what we call "pop music," trying to strip things down enough to where it's still very much intelligent but easy for a two-year-old to catch onto. Maroon 5, definitely, I feel like I utilized some of their simplicity and took my own take on it from there.

To me, it's a progressively pop song in which it's simple, but it definitely has a lot to it if you really strip it down and listen -- there's so much going on.

Cedric “DaBenchwarma” Smith: When I started working on that particular track, I was working on some stuff for DNCE at the time, and KC was writing some stuff for them as well. One of the songs that we'd written to, Danny had just gotten a pitch from SM again. At the time I was doing a lot of urban music, and so… it took me a day or two, because I had to readjust myself, just kinda reset and get in a different zone for the type of track it is. 'Cause it's uptempo, guitar-driven pop, a lot of energy. And I had to readjust and reset to get it how I wanted it, and once I sent it over to Keynon, we just started vibing out to it. We were like, "Man, I think we got something here." And so we sent it over to Ryan Jhun; he and his team loved it but wanted to make a couple of adjustments to make it fit for EXO. After making the adjustments, Ryan sent it to SM Entertainment. They loved it but ask[ed] for some changes and edits in additional to the changes Ryan’s team requested, plus a rap verse was requested since it wasn’t in the original pitch. We made numerous adjustments so it could be more energetic so that EXO could showcase their dancing. They're just a very multi-talented group; we wanted the music and the track to reflect who they were.

I was listening to so much at [that] time. I don't like to listen to one thing too long -- I kinda get influences from a little bit of everywhere. A little bit of DNCE, Maroon 5 -- guitar-driven melodic tracks that just keep you moving rhythmically from top to bottom. For me, I was looking for records that have that strong guitar influence in 'em at the time. I think that's one of the things that caught [SM’s] attention, 'cause it gets your attention right from the front of the melody of the guitar, and it drives the song right on home.

Last time we did an urban R&B mid-tempo style [track]. But this time around, we just wanted to do something more upbeat. Like I said, they have so many talents, with their dance and the stage presence and the energy they give. We were doing a track, we heard the energy to it, we [were] like, "Hey, this'll be a little different than what we did, but I think it'll be perfect for them because of how versatile they are." One day they may do the R&B, mid-tempo [sound], then next they come out with [a] high-energy dance track, and they can kill it all.

“Wait”

Andreas Öberg: This is kind of an interesting story, because it's an older song. We did this back in 2014, so the name "Wait" is very appropriate. I've done many camps, over ten camps together with [SM] in Seoul, but this was in my own camp -- it was arranged by a publisher in Korea called Iconic Sounds. So we were doing a week of sessions, and we had one day off. We were gonna go somewhere, but for some reason we didn't. We were indecisive [about] what we were gonna do that day, so Jimmy [Burney] and I were talking and we had done a bunch of songs based on tracks, more full-on kind of productions. We said, "Oh, we have this afternoon off, why don't we just go to the studio, do something just you and I, acoustic guitar and vocals?"

Back then, EXO were already doing winter albums, so we were aiming at that. Shortly after the camp, [SM] said, "Oh, this is perfect for EXO's winter album." So we got it confirmed as a placement. It was supposed to, I think, be on one of those Christmas releases. But then for some reason, they said, "Oh, sorry, no, we decided to use it at a later stage." Through the years, at different times, they told me, "Yeah, it's about to come out." So we didn't pitch it elsewhere because we thought it was coming out, but it always got pushed. And now, finally, four and a half years later -- I think it was autumn of 2014 that we created this song. We were kind of joking about it, "Wait" being an appropriate title, but it ended up where we kinda intended it to end up. We're really happy with the results, how it sounds with EXO's vocals.

I had to re-record the guitar a month ago because they changed the key slightly. It's basically two channels of guitar, one [with] basic chords, a little bit of lower bass mid-range chords, and then there's one other channel where I lay out some of the chords in the higher register just to get a little bit more glitter. We wanted to create something emotional for the winter season. Not necessarily a plain Christmas song, but this is, I would say, a winter season song. I think in Korea, in my experience, the releases from the labels are very season-based. People and fans are expecting specific colors, chords, styles of music.

Jimmy Burney: Four years ago I was in Seoul, Korea at SM doing some sessions with my friends from Iconic Sounds, a very talented music production crew. I went to breakfast one morning with Tesung [Kim], who is the head guy at Iconic, and he asked me who else I had been writing with in the K-pop market at the time. I told him about my buddy Andreas Öberg who does really well in the K-pop scene, so they ended up flying him out as well. Andreas is a genius on the guitar. So after a few sessions of writing to fully produced tracks, I suggested maybe doing something a little more stripped down. He started playing this beautiful progression and the record just came together like magic. A year after that, we were told that EXO would be cutting it and releasing it. That ended up not happening that year; we had to wait a little longer... so long to the point I almost forgotten they even recorded it. It was a nice surprise to wake up and see that the repackaged album it’s on had went No. 1 in 60 countries [on iTunes]. So I guess it was well worth the wait.

I really wanted to do a record that captured raw emotion, and the best way I felt it would stand out was to write a song that was opposite of what we had been writing the whole trip. Don’t get me wrong -- I think uptempos, drums, 808s, synths, and other fun sounds are amazing, but there is nothing like the feeling of a real instrument, like guitar, piano. It was really fun to arrange this with Andreas who has a great ear for structure and harmony. When I recorded my vocals on the demo, I wanted to make sure that it captured the essence of raw emotion so that whoever ended up cutting it would feel it immediately.

Andreas and I started creating this song in the evening -- I was extremely jet lagged. We ended up taking a break and my friend Siwon Choi from Super Junior came and picked us up and took us to dinner and a night out on the town showing us Seoul. We got back to the studio after midnight and finished writing and recording “Wait.”

I had another song with EXO years ago called "Love Love Love.” I’m honored to be a part of another album, I think EXO are amazingly talented. Since “Love Love Love” had more rap elements, it was really nice to give them a record that was more vocal driven this time around.

“Sign”

Patrick "J. Que" Smith: We called it originally "Body Don't Lie," but I think it might've been a little too spicy, so they made some flips to it. But the process of writing it was super, super easy. I remember we got over there and HM -- Harvey [Mason, Jr.] -- brought the track to the table. This trip, in four or five days, we maybe wrote fifteen or sixteen songs. So we've written one or two songs, and Harvey comes in the room excited -- "I got one! I got it! I know I got it!" And he plays the track, and immediately everybody's hype. We sit down and we start writing and we start vibing off of each other. We blew through the song fast, cut it, dressed it up, played it for the crew, and they were like, "Yo, we love this one, we definitely think we wanna use this one." We got the call when we knew they were gonna cut it. The guys ended up recording it, and I remember being back in L.A. at this time, getting a call from Harvey saying, "Hey, it's going really well, they wanna know if you can write a rap for 'em." We sat down, banged out a rap really fast, and sent it back.

Before we started writing, that [concert aspect] comes up now. You have to picture it on stage. If you can't hear it being sung, if you can't see it being performed in a stadium, then it's not the record it needs to be. We've met them, and they're all amazingly sweet guys, but seeing them perform was just wild. It's like watching Clark Kent turn to Superman. They're so amazing and mild-mannered and good natured and super polite, and then when they step on stage, they just become these superheroes. When we sit down to write, you just understand that you can't write this song for Clark Kent. We knew that we had to write the song for Superman. If Superman can't sing this song, we're not doing our job.

“Ooh La La La”

Digi Chammas: “Ooh La La La” came together so smooth. Bazzi is an animal with the pen. One of the A&Rs said something a little Latin would be amazing for EXO. Bazzi and I sat in the studio listening to this bossa guitar loop I had made with Justin Lucas right before I had gone out to Seoul. Honestly, [Bazzi] probably had half of song done within 5-10 minutes while I did the drums, haha. Then I just touched up the arrangement later that week before I left for L.A.. [Bazzi] knows how to write the catchiest shit ever. All I had to do was make it slap.

“Ooh La” is a Latin bop. It has low end and it moves. The inspiration for that was just EXO. When you have them as [the] goal, it’s easy to get inspired because you can almost already see them bodying it. You just know what direction to go.

Justin Lucas: The guitars throughout is me. It's got a bossa nova-inspired kind of groove. Me and Digi [Chammas] were messing around with the sort of bossa nova-inspired feel on the guitar, and then he sort of flipped that to more of the K-pop feel. We got together and played around with ideas, and while we were there writing, they sent some ideas. They said, "Hey, we're finishing the track, here's the bridge chords, can you do the bossa nova-style guitar over this section?" Once we started writing to the initial idea, it [took] about two days and it was done.

“Gravity”

Greg Bonnick, LDN NOISE: Whenever we start to work on records for EXO, we usually start by creating tracks freely and try to be as experimental as possible. Being fortunate enough to have worked on past records, we are quite connected to their journey, so therefore [we] have a feeling of what we would like to hear them do next as listeners and fans.

For “Gravity,” we started with a simple beat like Michael Jackson’s “Billie Jean,” and then played a funky bassline. As we layered more sounds, it became more like a disco/funk hybrid and gave us a futuristic feel. We visualized the movie Tron and the soundtrack by Daft Punk for the mood of the song and added the lead sound from “Power.” The lyrics added to the theme, and then Chanyeol helped with translation.

“With You”

Mikey Akin, Sons of Sonix: We basically had the writing session for another artist by the name of Aston Merrygold who's based back home in London, and it was a writing session that we had with him. It was us, Varren Wade, and Aston. I felt like [Aston] loved the song, but he was still deciding his sound for his project, so the record was still open. And then Varren had a meeting with one of the representatives at SM, someone that was looking after EXO, and played the record to them in the meeting, and they loved the record. SM was like, "Yo, we would love to take this for our project." ["With You"] was [created in] May 2016, and it found a home eventually. [SM], they must have heard it top of this year or later.

Myself and Mo [Samuels], our whole production is based in fusion, a lot of fusion [from] our background, us being British and Nigerian. Being from southeast London, you grow up listening to so much garage, so much jungle, so much grime, so what we tend to do is we fuse elements of each genre that makes our foundations in our productions. So even though the record is an R&B pop record, you have the elements of U.K. garage in there. I guess that's kinda one of the reasons why the record must have stood out, because it's something new, but something they could relate to. We just added a different spin to it with the U.K. element. It's kinda like cooking, when you make [something] a certain particular way and you [add] extra ingredients, and you go, "Oh, this is new, I didn't know you could do that!" But you're not scared to enjoy the meal.

[Chanyeol's involvement] was more of a direction kind of basis, making it fit into EXO's vision for the song. Because you gotta understand, if someone presents to you a whole complete record, there's still things you might wanna change. When we were finishing off the record and doing post-production on the record, he did have his input in terms of if we could try this and move this section of the rhythm there and have a drop out here. It was a collaboration back and forth to get the best out of the record.

“24/7”

The Wavyz: The initial idea for “24/7” came together almost a year before it got released. Our team is constantly working on new stuff for K-pop artists, and this is one of the ideas that we felt super strongly about.

Funny enough, it actually was meant for NCT 127 originally. We didn't find out that EXO was interested in it until around March, which is when we started to rework some of the parts.

We were going back and forth with [SM Entertainment] about different options for the intro of the song. We felt like we hit a wall and were stuck until the engineers we work with -- Aaron Berton, Andrew Hey -- walked by whistling the melody from the chorus. That’s when we knew it had to be the intro!

Our goal for this song was always to make it sound effortless while still keeping a high, driving energy going throughout. We wanted it to stand out from the other records on the album.

“Bad Dream”

Bianca Atterberry: It was [titled] "Stranger" when we initially wrote it. Me and Deez and Mike Daley and Mitch, they played the track. Deez will have a track listening when we come in and then we'll sit down and listen to the tracks that they've created. We started with melody -- that's how I normally start in general. I'll hear it and then we'll come up with the melody, and [Deez]'s so good at hearing harmonies and backgrounds and little ambiances. His ears are crazy. Deez is a very hard worker, so he was like, "We gotta get it done." That's all harmonies, all backgrounds, all lyrics -- we [got] it done that day. I feel like songs that are made in the moment are best.

It almost sounds like a '90s R&B song [in] the intro, and then it just hits with this energetic drive to it. It has a whole 'nother drive, almost like a poppy drive to it. But I felt like the melodic pocket needed to be a little bit more open because the beat was moving a lot, so I didn't want the melody to be too fast. I wanted it to be something you could still sing to and vibe to, so I was just going through melodies. I just sang, girl, I don't know where it comes from! I freestyle [the] majority of the songs that I write -- I'll just come up with the melody and sometimes I'll have the concept within whatever I just came up with. I'm not saying anything, I'm just [mumble-sings], you know what I mean? Just hearing what naturally feels good in that pocket.

Of course [the inspiration] would be a '90s male group, of course. It's New Kids on the Block, *NSYNC, Backstreet Boys. Because I know that they have these supergroups and they're still in that '90s vibe but then they have these pop elements to them as well. They also dance like Backstreet Boys and *NSYNC, and it's like they all had a baby, basically. That's what the vision normally is for EXO and groups like that.

Deez: “Bad Dream” was written during a song camp hosted by SM Entertainment. Normally in SM camps, producers bring their tracks, and the songwriters choose one of them to work on based on the discussion between the writers, and also with the A&Rs. When I’m in those song camps, I usually get involved in the track and vocal producing and toplining. For this song “Bad Dream,” I worked as a vocal producer and topliner. This was my first collaboration with the co-topliner “Blush” [Bianca.] She has [a] classical voice, but at the same time, it’s very trendy -- you don’t see that very often. Right after I listened to her voice, I could easily come up with melody of the song. She’s absolutely one of the best U.S. songwriters I’ve met. Blush and I worked on the track in very extemporary way, as we both like that type of work.

In song camps, I normally create one song per a day, but the chemistry with Blush made us to do two songs on that day, and “Bad Dream” was the first song of the day. It took 6-7 hours for the toplining and the vocal production. [It] was a very satisfying session. I normally do not follow any leads, but for this one, I was exactly targeting EXO, as Blush’s voice gave me the inspiration.

When we were going through Mike Daley’s tracks, it was hard for me and Blush to choose, as most of Mike’s tracks were used during the previous sessions. While we were struggling, Mike played a track that I heard while I was in L.A. last year. Mike let me listen to the track at that time, and I kept that one since I really liked it. I was thinking of TVXQ. Mike didn’t remember the fact that he gave it to me already, and played to us. Blush and I agreed with working on the track, and result was more than great.

Mike Daley: Usually when I go out [to Korea], I try to have a couple tracks ready from my camp just to be able to start the first couple of days off, and then start making new stuff when I'm out there. But that was a track I worked on with a producer I work with a lot, Mitchell Owens. So we started working on a couple of songs and if you hear two different beats -- it started off as a guitar-R&B vibe [track], and then I just started messing with some of the chords and different sounds and got a whole different vibe in the verses. [I] tried to make it sound a lot different than the intro, 'cause I know that's the stuff Deez likes writing to.

I think their sound, it can't be anything regular, down the middle. It's gotta be a little left of center, just something that's engaging, because their performances are so crazy. That's what I'm thinking about with the track, trying to make something that performance-wise will be cool.

Some of the new EDM pop elements, I got some inspiration from that. But then still, the real feel-good R&B, boy band vibe, which is what I came up in with The Underdogs -- that's always a part of what I'm doing.

“Damage”

Greg Bonnick, LDN Noise: For “Damage,” we really wanted a bouncy hip-hop record but with [an] anthemic chant feel to the chorus, so even though the verses were laid back, the crowd could really engage with the hook. We started with a piano riff and clap and built the song around that, adding in different elements as it progressed. It was a lot of fun and something different for EXO, one of our favorites.

Deez: “Damage” was created during the same camp that “Gravity” was made. The work flow with LDN Noise was pretty similar, but I wanted to stress [the] bridge part of the song. As you can hear, the chord progression, the melody, [and the] harmonies of the background vocals in the bridge part are quite dramatic. Since the initial track was [a] very strong hip-hop track, I wanted to give some turn around through the bridge part, and it was very satisfying, as listeners could have more [of a] spectacle when they get to the final chorus, with the bridge.

Adrian and I [are] always obsessed with new topline[s] and fresh harmonies, and this song was particularly a challenge for us. I think we were just trying to make the topline of the chorus part with obvious counterpoint. We took a break to think out of the box, and boom, all the rhythm and notes of the chorus hit my head. Based on them, we worked on the catchy rhythm.

“Smile On My Face”

Iain James: “Smile On My Face” came together in Los Angeles at Brian Kennedy’s studio with myself and Sam Hook. Sam is very close friends with the artist Trey Songz, and the song originally started out as an idea for him. It didn’t take long to be produced, mainly because Brian already had a lot of the track in place, especially the chord structure. So it was really just a case of myself and Sam coming up with the concept, defining the lyric[s], and then creating the melody, which I remember being a lot of fun as we’re both singers.

In terms of inspiration for the song, I think it was clear from the start that we wanted it to be an intimate love song, something for a singer to really connect with, and have a catchy chorus -- which I think it really does.

The song I did for EXO-CBX was probably a bit more fun and upbeat, so I’m glad we could do something a bit more heartfelt this time for EXO. Something their fans could really connect with, and something that would really show off their vocal abilities.

“Oasis”

Mike Woods: The original title is "Running," and the chorus [was] "I'm on the run/Baby I'm running."

Kevin White: I think the first or second thing [Bazzi] did [was] the "Running" [part]. I think at first it was kind of a mumble, and then he transformed it into words. We work real close with Bazzi -- we have a really good rapport and really good working relationship. I think this is one of the earlier songs we did in the camp. I remember Mike playing the stabbing chords, and then that kinda hit in the verses, and I remember we were saying, "It'd be crazy if the drums hit with that and then cut out." So it's doing a lot of things that come naturally to us.

Mike Woods: With us and Bazzi working together, I think we always try to do something that hasn't necessarily been done before or the way that we've done it. That's a really big thing for us anytime we work collectively, it's always about "How can we push the boundaries?"

Kevin White: The big choral stack... we just knew it had to go there because I think we were really searching for that big anthemic chorus that everybody's gonna sing in a stadium -- that's always the goal."

Credit: Billboard.

#EXO #EXO K #EXO M #181227 #t:news #fs:billboard #comeback:Tempo #followup:Shot #album:love shot

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bookenders · 5 years

Text

11/11/11 Tag Game: 16/17/18?

Back again to spill the tea about myself for all you lovely people.Thanks @cataclysmic-writer, @maybeillwriteit and @aurisadventure for the tags!

My answers are under the cut. 😊

Rules: Answer the 11 questions of the person who tagged you, make up 11 questions, then tag 11 people to answer them.

Bilbo Taggins: @brittanyisart, @quilloftheclouds, @brittanyisart, @brynwrites, @creatvrae, @elisabethrosewrites, @elizabethsyson, @ren-c-leyn, @yetmorestories, @pinespittinink, @timefire25

My Questions:

What are your thoughts on throw pillows?

Do you have any podcast recommendations? How about TV shows?

What month would you be on a calendar, and what would the picture be?

What is one book that you absolutely love, no matter what anyone else has to say about it?

What’s your favorite kind of scented candle?

What’s your favorite urban legend?

Would you ever go on an arctic expedition?

What’s the furthest from home you’ve ever been?

What is the best snack?

How purple do you allow your prose to be/get? What’s your purple limit? Is there one?

What’s one word/line/scene/character that you want to put in a story, but you haven’t found the right place for yet?

@cataclysmic-writer‘s questions:

What do you eat or drink while writing? It varies depending on how I’m feelin’. Usually a big giant glass of water. I used to have coffee and/or tea, but it always got cold because I forgot about it. That’s actually how I used to measure my progress, by how cold the drink was. And coffee got me too jazzed to sit still, so I stopped drinking while writing. Good for academic papers, though.

Best piece of advice you ever received? Like... ever? Okay. People are more interested in themselves/absorbed with themselves to really care what you’re doing. Very empowering for someone with real bad social anxiety (like myself heyooo).

Which book inspired you to write the most? I’ve talked about Laurie Halse Anderson’s Wintergirls before, and I’m gonna mention it again. And that I went to a signing for her new book Shout and I got to thank her and my life has been enriched a thousand-fold.

Which author do you try to emulate when you write? Oh, man, I do not do this at all. Okay, well, not at all, because I find it to be a valuable writing exercise to practice with. But I super don’t. I’ve done projects where I’ve emulated Walt Whitman, Philip Levine, Tolkien, Dostoevsky, Poe (eugh), and Anne Valente. Those were super fun. I like imitating styles and I’ve gotten pretty darn good at it. Sometimes I tell myself to put a Gaiman-like twist on a section, though, or describe something like another author if it fits the tone for funsies. But I like writing like me!

Where did you get the idea for your current wip? I’ve already talked about Heart to Heart, so I’ll talk about “Fish Food!” This one happened when I was pondering superheroes, James Bond, tropes, evil monologues, and the like. I had the image of a hero tied up and dangling over a pit of piranhas while the villain detailed his evil plan. But the hero didn’t follow the script. And then, like every one of my short stories, it spun way out of control. I started to think of what heroes would inhabit this world that erupted from the fertile soil of my brain and suddenly I had a big complicated story that I was excited about. And it was funny, which is a change for me.

Do you have a go-to beta reader/writing buddy you bounce ideas off of? I do! One of my goodest friends is a fellow writer and she’s my spaghetti wall if I need assistance. We went through the same creative writing program one year apart and had different teachers, so we offer each other pretty different advice, and it’s great. She’s super into fae lore, too, which is ridiculously helpful for me, a nerd who is writing a light fantasy story with fae in it. We operate in different styles and genres, though, so sometimes idea-bouncing is a little tricky.

Which of your WIPs is your favorite? Of the ones I’m working on right now? Probably “Incarnate.” Partly because it’s closer to my usual writing fare, partly because it’s weird and disturbing in my favorite ways, partly because the ending is really cool and surprising in a way that hits you long after you finish it. I also like it because it’s hard for me to write. Yay, challenges!

Tea, coffee, or soda? Tea for chillin’, coffee for workin’, soda for pizza times.

If you could have any fantasy creature as a pet, which would you have? A brownie to clean my house, or a domovoi to act as a weird home security system would be neat. For non-practical purposes, I’d also say a pegasus. I can ride pretty well and it’d be so convenient to just fly everywhere on my awesome horse buddy.

Do you like creepy/scary movies? NOPE. I am a big chicken shit when it comes to spooky things. As a kid, I was terrified of E.T. That’s how bad it was.

What genre do you have yet to write in, but want to write soon? Hm. Maybe historical fiction? I already play with it a little bit without actually going into the history part of it too deeply. Maybe I’ll give it a shot in the future. I’ve always wanted to give magical realism a good try, though. It’s always been hard for me to write.

________________________________________

@aurisadventure‘s questions:

1. Who is your favorite oc? Why?

Right now, it’s Lithium from “Fish Food.” She’s just so fun. I also just figured out a big part of Jill’s character that I’m excited to add to H2H!

2. What is your favorite thing to do when you’re not writing?

I got into cooking a while ago, and that’s pretty fun. I do yoga sometimes. I read a bunch. I also like putting things together. Honestly, I’m a big giant nerd who likes learning in their spare time.

3. What is your least favoured genre?

Hard sci-fi is really hard for me to get into. And some contemporary stuff, but it’s not as bad as hard sci-fi.

4. Top three favorite video games? (Any console)

DRAGON AGE: ORIGINS (with Awakening DLC, obvs) (except for the goddamn Mage Circle Fade part I hate it and it deserves to burn in hell)

Ori and the Blind Forest (I’m stuck on the last stupid fire volcano level and I’m so mad because it’s hard but this game is beautiful)

To The Moon (so many tears, such good story)

Honorable mention to Assassin’s Creed 2.

(I love RPGs.)

5. What’s the craziest thing you’ve done for inspiration?

Hm. I don’t really go out and seek inspiration like this. I just consume a whole lot of art in varying mediums.

I went to a poetry slam one time. Does that count?

6. Buggy or Cart?

Horses, buggy. Oxen, cart. As much as I’d like to be Gandalf...

7. Have you finished any of your wips?

I am so goddamn close to finishing “When Your Song is Over and Done” I can taste it. I’m hoping to write that last stupid scene this week. It’s been the one WIP that’s been kicking my ass lately. How rude.

I’m a short story writer, so I finish a lot of my WIPs. It’s kinda nice. That’s also why longer projects scare me.

8. But like… can I read it?

😉

In the meantime, you can read these!

9. What is your favorite animal? Why?

Highland Cows! Just look at them.

I’m sure I have a more interesting answer for this, but honestly, cows are all I can think of. I love cows.

10. Name one place you want to visit more than anything.

Norway! Not sure why. Seems like a really cool place to be.

(I lied I love space and want to go to the observatories.)

11. What is your most cherished childhood memory?

Saturday mornings curled up in my grandfather’s armchair watching TV and eating Burger King before we go visit the animals at the farm.

________________________________________

@maybeillwriteit‘s questions:

1. Which oc would you most like to go for a drink with?

I don’t drink, but I think Treena would be an excellent conversation partner.

2. Where do you like to write? Bed? Desk? Cafe? etc etc

I have a desk in my room. Not that I usually write at it. I’m good anywhere I can sit up straight and rest my arms.

3. Which of your ocs do you think people are most likely to make fanart for?

Eventually, I hope Mel. I love her character design. Or the superheroes and villains from “Fish Food.” They all have really distinct appearances and cool costumes/uniforms.

4. Favourite piece of writing advice you’ve received?

Probably the time my mentor also admitted he hated writing dialogue, but that sometimes you just gotta.

5. Which place in your stories would you like to live? (i’ve read this sentence ten times and i ain’t convinced it’s grammatically correct lol)

(maybe: In which place/where in your stories would you most like to live? I dunno this one’s freaking my brain.)

Linsay would be the best place to live, I think. A very chill small town that has everything you need, very supportive soon-to-be friends, an apothecary on stand-by, and lovely weather. Its residents are fiercely protective and are very willing to look the other way where the law is concerned if it helps someone.

6. Do any authors/books influence your writing? Which ones?

Oh, tons. Jim Butcher, Laurie Halse Anderson, George Saunders, Anne Valente, Tolkien, Gaiman, Matt Bell, Aimee Bender, and a whole bunch more authors. And, if you wanna get all heartfelt about it, every single book I’ve read has influenced my writing, whether it’s learning how to do something, learning how not to do something, or finding a new technique that jives with my style.

7. Pick one song that represents your wip.

I’ve done a bunch of song stuff with H2H, so this is for “Fish Food:”

Honestly, my first instinct is “Superboy and the Invisible Girl” from Next to Normal. But it’s not quite right.

I also wanna say “Super Friends” from Holy Musical B@man.

But in my heart, I know the true answer is “Under Pressure.” How could it not be?

8. Favourite thing about being a writer?

The feels! I love writing things and getting my own feels out, then making other people feel things. It’s so satisfying.

9. Characters or plot, what came first?

Characters! Oh my God, always characters. And before characters, concept and theme(s). Sometimes a scene just pops into my head and I have to figure out who these people are and why they’re there.

10. Do you like writing prompts?

I do indeedy. They’re pretty helpful when I’m stuck. I only write for the ones that instantly spark an idea in my brain, though. All the ones I’m getting for my 800 followers celebration are insanely good.

11. Part of your wip that you’re most excited to write?

Oh, man! So many!

H2H: The climax! Well, one of them. The one of the magic incidents and Mel and Gemma’s relationship, to be specific.

Fish Food: When my main two dudes meet Lithium! And figure out what’s going on with her. Or anything about Lithium’s real life. Her story is wild.

WYSiOaD: The goddamn rooftop scene that’s been kicking my ass for a month. It’s gonna be so emotional and poignant and great and I can’t wait for it to be over.

#writeblr #amwriting #about me #tag game #writer tag #11/11/11 tag game #my process #my writing process #tunes

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