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#but i do feel they all respond to specific aspects of them
catgirl-kaiju · 2 months
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something worth pointing out in the case of Tumblr CEO @photomatt 's statement regarding predstrogen is the very clear side stepping of the conversation being had. the ask he chose to respond to as part of his statement was asking about tumblr's transmisogyny problem, and what he is commenting on is tumblr's transphobia problem.
transmisogyny is certainly related to transphobia, but the two are not the same. i've seen plenty of trans folks who are guilty of transmisogyny and have even been harassed by such individuals on this very website. he repeatedly refers to transphobia and accusations of tumblr staff being transphobes throughout the statement, but never once brings up transmisogyny. perhaps he is unfamiliar with the term, but he could look it up and read up on it before responding to a question directly asking about it. he is very clearly not doing his due diligence in addressing these concerns.
he mentions tumblr having "LGBT+ including trans people on staff," but this is not especially helpful in assessing tumblr's transmisogyny problem. based on this we don't know how many trans people, whether or not there any transfem or TMA folks (who might understand the nature of transmisogyny better than TME people) on staff, what positions these queer people hold in the company, or whether or not any of tumblr's queer employees are on the moderation team. and it's understandable why some of these specifics are left out; you don't want to put any staff members in danger of being doxxed or harassed, especially if they're vulnerable marginalized people. however, it seems to me a gross oversight to not mention if there are any trans folks working on the moderation team.
i think it's also a huge misstep to focus on predstrogen so singularly when the conversation about her account being nuked is part of a larger conversation about transmisogyny. what this reveals, too, is transmisogyny playing an active role in the decision to ban her for life. one of the aspects of transmisogyny is viewing transfem folks as especially and uniquely dangerous. i'd like @photomatt to ask himself if he would have taken "threats" like the one cited as seriously if they came from a cis person or a TME trans person. really reflect on that, Matt. i also put "threat" in scare quotes here because, frankly, it's pretty clear that said comment is a cartoonish and outlandish example of violence used to demonstrate that the intent to harm is not literal. i do this all the time both on here and in real life. telling a friend i'm going to "maul them to death" over a minor annoyance is a comedic way of expressing frustration in a way that communicates it's not actually a big deal. saying something like "i want them to explode after falling down the stairs when trying to evade a falling piano full of knives" about a public figure or someone who is negatively affecting your life works as a way of demonstrating the intensity of your feelings while not veering into territory where it sounds like you're literally planning an assassination attempt. if you're reading this, Matt, i hope you can begin to understand the difference between something like:
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and a real actual harassment, like:
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y'know, all actual comments and posts i've received on this website, and reported with detailed explanations for why i'm reporting them but never heard back from the moderation team about the situation. i have no idea if anything was ever done about any of these people sending me bigoted violent messages because no one ever does follow-up. the only time i've ever received follow-up on a report was when i reported an account for promoting self-harm in the form of anorexia. that's it. one time in the over a decade i've been on this website.
how does all of this sit with you, Matt?
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zeldasnotes · 1 year
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PLUTO NOTES
MOON NOTES VENUS NOTES MARS NOTES NEPTUNE NOTES
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Plutonians and 8th housers can have a hard time with people being behind them. Also in the classroom, the bus or wherever they are they want to be in the back. They need their face facing the door so that they can see who walks in.
People with Pluto/Moon see stuff that other people just dont get to see. This is both good and bad. They get to experience intense and wonderful sexual relationships with others because they merge with others on a completely different level but they also recieve intense hatred from others too.
Dont ever mess with a Sun Square Pluto persons image or disrespect them infront of others, just dont.
Ive never met a person with Sun or Mercury Square Pluto who wasnt extremely strategic and calculating. They know when its time to leave the party.
If you have Venus/Pluto or Venus 8th house dont ever share to others who you are in love with. Just dont.
If you have Venus/Pluto or Venus 8th house and you notice people being completely taken by you, complimenting you bla bla for your beauty dont get all friendly and start trusting these people. Just wait and you will see that admiration turn to bitterness. A friend in my old class in High School got Venus Square Pluto and we had to watch another girl in our class try to BECOME her. Like she would buy the same clothes as her, talk like her, freaking SIT like her, cut her hair like her. We laughed at this bc the copycat was a nice and funny girl in general but it was creepy.
Most people with harsh Pluto aspects went through a time in their life where they shut down their feelings completely and became cold. These peoples minds can take them to dark places when they have been through trauma. Their first response to trauma might be to get cold. And this can make them very problematic until they heal. But when they heal they are the kindest, because they know pain.
When I hear the quote ”I didnt want to be strong I wanted to be happy.” I think of Pluto dominant people. Yes plutonians are strong but they were forced to, there was no other choice. Telling Plutonians ”But it made you stronger in the end” does not help because being strong was not their goal.
Ive seen Ceres(1) Square Pluto in a lot of charts of people who are obsessed with fitness and nutrition. Like people who weight their food, only eat a specific amount of calories etc.
Pluto/Moon people go through periods of extreme emotional turmoil. Especially the Square and Conjunction.
People with Sun or Moon Square Pluto always get what they want but they also get what they fear. Their feelings and thoughts are so strong. These people have experienced their worst fears happen to them. The kind of people to think for themselves ”I wouldnt be able to handle losing my bestfriend” and the next day their bestie leaves them for no reason. Its almost like there is some kind of test from life like ”Hmmm lets see how much this person can take😈”
Pluto conjunct a planet can in some cases make you suppress that placement or be afraid of that energy. I know a lot of people with Pluto Square Mars whos seriously afraid of conflict. Some people respond to trauma by becoming passive instead of being angered by it.
Pluto conjunct Ascendant in the Solar Return Chart makes you come across as more dominant and powerful. You wont think before you act because you are not as afraid this year.
Mars conjunct Pluto people are much more goal oriented than they even realize themselves. Constantly pushing themselves to become better and better. The kind of person to have the whole package like good job, fit, the best hair stylist, the latest clothes, the latest everything etc. Being the best is something they just do because they dont know anything else. They need structure and perfection. Nobody better look down on them. And Mars conjunct Pluto makes them driven enough to become ”perfect”. Others stare in awe because they could never have that drive. Others might be like ”You doing too much”. They dont realize this is what Mars/Pluto likes and needs.
Pluto in the 10th house makes someone have A LOT of haters and secret admirers. These people are constantly under intense scrutiny. Every word they say is made to be something bad or manipulative. The kind of person to say ”Oh what a beautiful dress!” And people will think they are being sarcastic when they are not. They got Regina George energy no matter how nice they are inside.
Pluto in the 3rd house really know what to say to make you hate yourself. If afflicted they can have a horrible mouth.
People with Mercury conjunct Pluto read into everything. Constantly finding flaws. Might see the worst in you because they project their own fears and insecurities onto others. The kind of person to hate people who snitch and gossip because they do it themselves.
People with a Plutonian Moon will recognize eachother at first sight.
Pluto conjunct Lust(4386) can make someone VERY sexual.
Pluto/Moon can mean your mom went to prison and Pluto/Sun can mean your dad went to prison.
With strong Pluto energy always remember this quote: ”Be nice to the people you meet on your way up, because you will need them on your way down.” Life can go from heaven to hell in a night for these people.
If you got Mercury Square Pluto please shut that cakehole when angry bc that mouth freaky as hell.
©️ 2023 Zeldas Notes
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courtofterrasen · 7 days
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Alright, clearly some of you guys are just not getting it. So no more emotion from me; I am simply going to write in factual terms.
It takes a VAST amount of work to go into creating a series like Bad Batch. You have to go through writing, scene painting, 3D modeling, rigging, lighting, SFX, voice lines, editing, final production, etc; just to name a few. It takes hours upon hours upon hours of work for those animators to create all of the nuances in a scene, let alone in Bad Batch where there is an extremely high level of attention to detail. It’s not like anime where a character and background are mostly stationary while they talk. There’s constantly stuff happening in the background and they intentionally make choices that provide extremely little to the overall story and, in all honesty, take up a significant amount of their time and can be argued that they’re wasting their time and money and effort (I don’t think so, but I’m sure people could argue it if they thought that effort should be allocated elsewhere). But they do it because it provides a deeper sense of realism to the story as a whole and make it feel like a living, breathing world. For example, when a character trips a little bit or they animated them doing something slightly harder than it would have been otherwise or eyes darting around and studying someone. These are all very little things that take them hundreds of hours to get perfect. And those are the kinds of things that go unnoticed by the vast majority of people watching the show. Either because they don’t noticed the little detail that was put in at all, or they don’t understand the level of work that goes into creating little minute decisions like that. And all of those decisions that they make, both big and tiny, are given to them in specific instructions by the directors. When you think about the insane amount of work that goes into creating a show like Bad Batch, you realize that every single little detail that they choose to add in is intentional and was given to them via specific instruction. It’s not like in live-action shows where the actor can choose to make a subtle decision on the fly. There are hundreds of thousands of hours of work that go into this and every choice that they make is intentional. The lighting dept. has even confirmed this for us, saying that all of the lighting that they did was done very carefully and intentionally and to pay attention to what’s happening in the scene. Because there’s an extremely high level of detail that’s put into the show, based off of very detailed instructions that were presented to them.
Now. Taken all of these points into account, it’s critical to look at all of the little choices that were made when it comes to her character and the way that both she interacts with the world and the people around her, as well as how they, in turn, respond to her. Because, like the lighting dept. has already made very clear to us, every design choice they has been made in the creation of the show is 100% intentional. Even if that’s not something that they had said or wasn’t something you were aware of, when you focus on the aspect of animation, it’s sometimes hard to get a clear grasp on just how long it takes them to do these things. And that every little choice that they made was carried out under specific instruction. And that’s not even getting into the nuances of voice acting and understanding the subtle distinctions in the way someone talks and being able to discern the meaning behind their words based on dialect and the instructions they were given. And for someone who just casually watches the show, absolutely none of these are important. They’re watching it to watch it and no further thought is put into it. And there’s nothing wrong with that. People are allowed to watch things at a surface level and get enjoyment out of it.
For every character, they can be broken up into various parts:
•Their visual appearance
•Their behavior
•Their interactions with others and the world
•How others respond to their character
•Their small, subtle behaviors (such as a particular twitch or repetitive body movement that can be used to convey a deeper meaning)
•And their internal motives
In that order from the least to most complex. And these topics can also be used to understand the complexity of a character. For someone like Cid, all of these topics are touched on in a variety of ways.
•She’s different from them
•She’s gruff and money hungry
•She speaks to the Batch like they’re a bunch of kids and she knows better than them
•They never fully bring themselves to trust her and, at times, they see her has a burden
•Towards the end of their time together, she gets snappier, and whenever she’s around them her movements slow ever so slightly and she furrows her brows slightly a lot more than in the past
•And in the end, she betrays them
And that’s putting her character into a single sentence for every bullet point, which, for well written characters like Cid or Hemlock or Rampart or Nala Se, cuts a lot of things out.
When it comes to the way that Phee is written and what she contributes as a whole to the show, she is not a very complex character. I’m not going to go into every single scene with her, but I am going to touch on a few. And if I need to continue the discussion further to cover more scenes, then I will. On multiple instances, she puts the Batch into very dangerous situations, and overall appears to care very little for them as people unless it gets her something that she wants. This is made very evident when, for example, she gets Omega, a child, excited about a big grand adventure and Omega then convinced the Batch to go along with it. Even though they were very adamant about not doing it. This is said with both their words and their tense body language. They don’t want Omega to get hurt and they know it’s a bad idea; but in the end she’s able to convince them. Then, when they get to the site, she shows clear lack for them or their safety and proceeds to put them in a very dangerous situation where someone could have gotten seriously hurt or killed. And she shows no remorse for it. Her language, both verbal and bodily, are very loose and nonchalant, assuring them that she had everything under control and that they were able to handle it, despite their very clear frustration. This type of behavior is shown again and again and again as they continue to interact with her. Her actions relay to the viewer that she does not respect their boundaries, or arguably, them as people. Her words are designed to be rocks with a pretty bow on them. And again, this is not personal opinion or speculation. Every single word and action was carefully designed by the team. All the tensed muscles were created by a team of people working very hard to convey that to the audience. Every thinly veiled word was guided by a director when the VA came in to record the sessions. Every single choice was intentional for a very specific reason.
Tech likes things in a very specific way. He likes his ship to be in a particular order and takes very good care of its maintenance and upkeep. He prides himself on being able to maintain a good ship. He spends a lot of time on his data pad. It’s how he was designed on Kamino. That’s his link to his role in the group. He can do everything he needs to from there and, in certain scenarios throughout the show, you can see it provides him with a sense of comfort and stability. You can see this, not only in his subtle body language, but also in his fairly obvious body language with how he hunches over it. It’s reminiscent of a child hunching over a toy to bring it closer to them and protect it. It comforts him. You can also see, when he interacts with the rest of the Batch, his aversion to touch. It’s not significantly often that you see it, given that the rest of the Batch knows him better than anyone, but there are still times when physical contact or even just very close proximity happens and he either has a reaction by tensing up slightly or leaning away from it, or sometimes he doesn’t react to it at all and almost seems to not register it; such as when he’s focused on his work. Every little reaction that he has with his brothers was scripted and orchestrated for a very specific purpose. It conveys the nuances of who he is as a unique and individual person.
Keeping that in mind, when it comes to the way she interacts with Tech specifically and the Batch, it’s very clear to understand the dynamic behind them when you look close enough. To recall a few instances, there was a time when she was recounting a story about finding a big treasure and Tech says something along the lines of “she changes this story every time she tells it”. He’s conveying to both the people in the show and us as viewers that she is a liar. She is either changing the story to make herself seem cooler, or maybe it didn’t happen at all and she’s making the entire thing up. Which, I will briefly mention again, are traits synonymous with narcissists. In another instance, Tech, Omega, and Wrecker were having a conversation where Tech is reprimanding them for bringing items back from a junkyard that they were in that they thought were cool instead of what he asked them to go find and bring back for him. I’m this conversation, Phee inserts herself and tells Tech that it’s not junk; also, in that same instance, not calling him by his name, which I will get to in a minute. Tech, in that moment, is trying to work, and his conversation with the other two was interrupted and fizzles out as Omega gets excited about the idea of a treasure map. A third is when the group is on Pabu and Phee is trying to get Tech to converse with her. His body language is hunched, tense, and he averts eye contact with her. When she prods him further, he is unsure how to engage in the conversation. And when he doesn’t respond in the way that she’s wanting him to, she talks about him to the rest of the Batch as he stands there around him and says to them how he “doesn’t know how to have fun”. And then they proceed to laugh at him. And again, you can see in his body language that he is confused as to why they’re laughing at him as well as uncomfortable being in that situation. And going off of that for another small fourth instance, there is another moment when they are getting ready to leave Pabu and she approaches Tech, who is working alone and trying to avoid contact with anyone, and says to him “So you’re just going to leave without saying goodbye?” His body language immediately tenses, he hunches further in on himself around his datapad, and his words make it clear he is both unsure and unwanting of the conversation. And when he does not respond in the way that she wants him to, she moves the datapad away from him to make him focus on her. She removes the item that brings him the most security to force him into engaging in a conversation he is uncomfortable with having. And again, these are all very intentional choices. They are not left up for interpretation. They are there to tell us what the character is feeling in that moment. They are trying to convey to us that he is uncomfortable. Not that he’s shy around a girl he thinks is pretty. And given on other scenarios that have happened throughout the show, it’s very clear that interpersonal relationships with anyone outside of Omega and the Batch is not something that he’s interested in. If they wanted to convey that he found her attractive, there are routes they could have taken to ensure that that comes across correctly to the audience, such as a faint little blush or rubbing a hand through his hair. But they didn’t do that, and instead chose for him to shy away and hide from certain situations or tense up and keep his head down in others. They are conveying to us that he does not like being around her. Because every single action they made him carry out took hundreds of hours of work to execute, and they would not go through all that trouble for no reason.
Branching off of that, we reach the topic of Tech’s name. When you watch the series as a whole, you can count on one hand the number of times that Phee refers to Tech by his actual name, while she refers to the others as their actual names. This is different from Cid in the way that Cid made that intentional choice to call them different things as a way to maintain distance from them. It’s clear from both her body language and her words that she did not want to get close to them. And really, wanted nothing to do with them unless they made her money. These are intentional choices. Phee’s character is designed to be flighty and unbothered. And she wants what she wants when she wants it. The choice to call Tech names and refer to everyone else by their names is an intentional choice. Him not understanding why she does that is an intentional choice. She does not respect him, which is why she does this. She can see that he doesn’t know what to do about it, so she keeps doing it. Like when a person presses on a bruise. These are all intentional choices made by the directors.
There was also a comment that said she behaves exactly like Crosshair does. And there are a few things I think did not entirely process when they made that comment. The first being that Crosshair was written to be one of the main antagonists for the first two season. I know they appeared in Clone Wars as well, but I’m talking specifically about Bad Batch. He was designed to be a bad guy that goes through a redemption arc; just like Zuko did in ATLA, for those who enjoy it. They both started out as antagonists, had horrible things happen to them, realized along their journey that maybe they were wrong, and are able to redeem themselves in the end and side with, or in Cross’ case, return to, the protagonists. In the beginning Cross was very sharp and defensive and thought he knew what was best. But he grew over time and learned how to care for people and share his weaknesses instead of putting on a facade all the time. And that’s the difference. We are reaching the end of the series and Phee has never had character growth to the level that Crosshair has and softens and opens up to the rest of the group. She hasn’t had any character growth at all. She is still the same exact person she was when we met her. There have been characters who have appeared for significantly less time that her, and if you pay attention to them, they have had significantly more growth than her as well.
The problem that I have begun to notice with people who are so quick to defend her actions is that they seem to be focusing more on her than on anything else. When you focus on just her, I can see how someone could mistake these interactions for being positive. Because all they’re focusing on is someone who’s having fun, and of course that would translate to something positive for him. But for the people who focus on Tech, it becomes very evident that these interactions are not positive. When you watch Tech, and I mean actually pay attention to him and not just watch him, you see all the subtle signs that you would otherwise miss. Him being annoyed and uncomfortable and confused and tired and generally not enjoying being around her. And this, unfortunately, happens a lot in real life too. People don’t take the time to absorb both sides of what’s happening. And since we as humans are quicker to pick up on people who are happy as opposed to people who are not, it’s so easy to miss the signals and just assume that what you’re watching is a happy interaction and put forth no further effort into making sure that’s actually what’s happening.
There is no other way to say that these things are all intentional. They wrote, designed, and sent out something that they have spent the past few years creating. When you understand the level of work that was put into it all, there are a lot of things that become very clear. And sure, headcanons exist and people can speculate what happens between the episodes. But headcanons can only go so far before it becomes ridiculous. We cannot confirm that Echo didn’t run off to go have a quiet life with Cid, but that doesn’t automatically mean that it’s true. Inferring things that are not within the realm of possibility is not conducive. Assuming that Phee spent a lot of time talking about her adventures that she may or may not have had with the Batch between the episodes? That’s conducive and we have clear evidence that would support that. Assuming that her and Tech had a very close relationship and she always listens to what he had to say between episodes? As much as some people want it to be true, it’s just not. There is no evidence that supports that line of thinking, and, in fact, there is a vast amount of evidence that would actually conform the opposite; such as Phee talking over everyone and commanding the conversation, not respecting things that Tech says, etc.
I’m going to wrap this up by talking a bit more personally now. There are plenty of people assuming that I’m a racist or a misogynist or that my literacy skills are lacking or whatever, but because you’re upset that someone is calling out the awful behavior of someone you like doesn’t make it any less true. And that applies to both this type of situation and in real life. I know who I am and what I stand for, and you trying to tell me that I’m otherwise changes nothing. And defaulting to assumptions like that shows that either you do not watch the show with a more attentive eye, or that’s all that you see Phee for. A black woman. Both of which are issues.
People are allowed to not like black characters, even if they are black.
People are allowed to not like Asian characters, even if they are Asian.
People are allowed to not like female characters, even if they’re women (or AFAB people).
People are allowed to not like LGBTQ characters, even if they are queer.
People are allowed to not like neurodivergent characters, even if they are neurodivergent.
People are allowed to not like characters that display particular traits or thought processes, even if they share those same traits or thought processes.
People are allowed to not like characters if they think that the character is bad.
Also, for the people saying I’m using my autism as a shield clearly don’t understand how autism works? I don’t say that to be an excuse. I say that to provide context and reasoning behind the things that I say. Like many other neurodivergent people do. You all are getting pressed about the wrong things. If you want to debate the time and study I’ve put into the show because I genuinely enjoy it, then be my guest. But don’t throw out petty insults and waste everyone’s time. At least put forth some more critical thinking behind it and try to figure out why someone could be saying the things that they’re saying
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sixty-nine more questions for your ttrpg characters!
(i originally made one of these on a defunct sideblog; i thought it was about time i made a new one! send an oc’s name and a number, go wild!)
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1. what drives them? what’s their ultimate goal?
2. what was your original concept for this character? how did playing them change that concept?
3. can they accept failure?
4. what one person, place, or thing do they love more than anything else?
5. is there something they want to be known for?
6. how have they changed in the last year? how about the last five years?
7. there’s a magic item (or technological innovation, or special resource) made just for them—what is it?
8. what songs remind you of them? if there are specific lyrics or movements, list ‘em!
9. when in their life were they most scared?
10. what inspired this character’s creation?
11. if they have a pet or animal companion, how do they spend time with them? if they don’t have one, what sort of animal would they be interested in raising, if any?
12. how have they altered their body? piercings, tattoos, biohacks, or other modifications—anything. why (or why not) did they (or someone else) make those changes?
13. what are some motifs you associate with them? did you intentionally bring in those motifs, or did it happen over time?
14. what keeps them up at night?
15. is there something that never fails to make them laugh?
16. do they value their appearance?
17. they’re crying—what did it take to make them cry?
18. what dish brings back the best memories for them?
19. what sparks genuine, unadulterated rage in them?
20. what attracts them to someone—platonically and/or romantically, anything counts.
21. do they have an idea about how they’ll die? do you?
22. how would they decorate their living space, if they had a chance?
23. in what moment did they consider themselves to be “grown up”?
24. are they close to any family members?
25. who is their best friend?
26. what type of person pisses them off?
27. how do they usually dress? why do they dress the way they do?
28. do they collect anything?
29. what feelings do they internalize?
30. how do they handle confrontation?
31. do they respond well to praise? how about criticism?
32. which of your decisions led to their voice being the way it is?
33. what artistic medium are they most drawn to?
34. what languages do they speak? how did they learn them?
35. when did they feel loneliest?
36. how do they fidget?
37. if they’ve had one, what was their first kiss like?
38. do they see themselves as an important part of their party?
39. are they insecure about their appearance? how about their personality? what aspects specifically worry them?
40. if you had to remake this character right now, how would you change them?’
41. how do you keep notes for this character, if at all?
42. can they dance?
43. how much do they know about the world they live in?
44. what lies do they tell others?
45. what lies do they tell themselves?
46. have they taught themselves any skills just for fun?
47. what could they talk about for hours on end?
48. do they relate to anyone in their group? conversely, which person do they relate to the least?
49. how often do they cut their hair, if at all?
50. do they have a go-to beverage, alcoholic or nonalcoholic?
51. what element of their backstory are you proudest of?
52. how would they dress themselves up for a formal event?
53. do they keep their plans close to their chest?
54. how important is money in their life? do they save up for ages, or spend quickly?
55. they’re seeing their greatest wish come true—what’s happening?
56. who would they trust with their life, unequivocally?
57. do they see value in the laws of where they live?
58. how often do they swear? do they mind when others swear?
59. what’s an element of their philosophy that you disagree with?
60. what do they have faith in? what keeps them believing?
61. is there an in-game moment of theirs you think about and just laugh?
62. do they believe in good and evil?
63. what’s a meme or tiktok or vine (or whatever) that you associate with them?
64. how would a party member describe them?
65. what would their go-to karaoke song be?
66. which fruit do they like most?
67. do they consider themselves to be special?
68. where’s their home?
69. what’s one secret they don’t want getting out?
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copperbadge · 3 months
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More on mindfulness and meditation
I feel like perhaps I came across as anti-meditation in that last post I did on it, and there were some folks who were a bit vocal about not liking meditation in the notes, but the notes also had some great and interesting discussion of what can count as mindfulness that isn't traditional meditation and what some alternatives might be, so I wanted to do a follow-up. Especially since I don't think I'm going to get to respond to everyone individually.
The post was not meant to be anti-meditation, but to express frustration with the way meditation frequently is, or rather fails to be, taught. I can understand why people would struggle with "mindfulness" (vastly overused term) and meditation, so I'm not here to argue with or shame anyone, and I really appreciate the alternative suggestions. But because mindfulness can mean so many things, and people can meditate for many different reasons, I wanted to talk a little about why I'm being asked to do it.
It's easy to lose track of why one might try meditation for mental health, because the cause and effect are so temporally dislocated from each other. I try to keep in mind that my specific goal is emotional regulation deriving from increased present-moment attention. Some of the stuff that was suggested is great for a goal other than this, like puzzle games that allow people to empty their racing minds or activity that brings someone back into their body when dissociating -- both extremely laudable functions! -- but that's not why I'm here. Meditation is meant, for me, to be a maintenance medication, not a rescue inhaler.
There is science that suggest that mindfulness practice, under a specific definition of the term, can help to manage emotional dysregulation, ameliorate Rejection Sensitive Dysphoria, and reduce depression and anxiety. I discuss the science in a slideshow here but essentially this specific form trains the attention into the present moment, which improves executive function -- and as we know, emotional regulation is a facet of executive function, so this leads to better emotional regulation.
There is not a lot of science on it yet so there is room here for yoursamplesizeissmall.jpg, but it's all we've got so I'm running with it. There is one foundational practice and three practices that build on it which effected this change in subjects of the study:
Breathing Meditation doesn't really confer any benefit the others don't, but the others all employ it as a basic practice. We know this can calm the parasympathetic nervous system, although to be honest I have not found that to be the case personally. As soon as I stop the deep breathing I'm right back where I was, likely because my issue is ruminational, not situational. But everything else wants you to breathe first, so I still have to do it.
Body Scan focuses attention on the body and as others have pointed out is good for people prone to dissociation. As I said in the other post, I live here; paying extra attention to my body isn't something I need. I was asked to try it anyway as part of a practice in keeping an open mind about stuff I think is dumb, and clearly I do need practice in that. Still, it's likely I'll be able to let this one go pretty soon.
Loving-Kindness asks you to think positively about others, expanding compassion from a single point outward to the world. I've encountered this before in reading Pema Chodron; I don't do it as meditation, but I do try to practice it in life because I am not naturally a patient or compassionate person, and that has been helpful in the sense that it keeps me from getting punched in the face a bunch. For me there's no real "train the attention to be in the present" aspect on account of that, however.
Observing-Thought is where you just sit with your thoughts, let them arise, sometimes label them in some way, and let them go. I was most interested in this purely because it's the only one I hadn't already encountered. I haven't found it useful so far, but I don't have enough data about it to be definitive, and if it is training executive function I would expect that to take time.
Now, I know that all four of these have science backing them, so I know that we're not just dealing in new-age woo here. The problem is functional, not theoretical. The issue overall is not "meditation is boring" -> "find a way to make it interesting", although I do appreciate that it may be an issue for others and I like that people were offering solutions. The issue for me is that the boredom derives from the fact that the meditation isn't being taught. There's no progressional learning -- there's no step-progress-reward-step-progress-reward like with most difficult skills.
Any task is boring if you aren't deriving any reward from it or you are being expected to execute it without skills or training, and in this case I'm facing down both. Long silences from a meditation leader are fine if you're there to engage with a practice you already have familiarity with, but if you're trying to learn, they are the opposite of helpful, and they are actively punishing to someone with ADHD.
I don't want to be entertained (I mean, generally I do, but in this case I don't expect it). What I want is a pedagogical approach that steps up to the practice rather than beginning with it, so that I know I'm doing it right, I experience rewards along the way similar to how I currently do learning Italian, and I have more confidence that what seems dull and fruitless actually will produce results.
Uh, so yeah thanks for coming to my TEDtalk; the fact that a practice that's especially hard for people with ADHD helps with almost every problem ADHD presents really sucks, and I wish we approached teaching meditation as if it were something you actually did have to learn rather than something you're supposed to Do Until You Get It. In the meantime I guess bumping the speed on the recording isn't the worst thing I could be doing.
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shivasdarknight · 9 months
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OTW reprimands & punishes volunteer of color for speaking out against racist practices
If you at all care about the working conditions of OTW volunteers, then you must be made aware of what OTW just did to one of their volunteers of color.
You can view the entire piece here - which I highly encourage you to - as it's the letter sent to volunteer, Dhobi Ki Kutti, as apart of the first steps of Constructive Corrective Action Procedure (CCAP). In effect, it is OTW punishing Kutti for speaking out against the racist practices of OTW towards their own volunteers.
Please read the full letter if you can for the full context. I'll post a few excerpts from the letter + Kutti's response. It should go without saying, but what OTW has sent to Kutti is deeply inappropriate given that Kutti has been speaking out against the racist treatment of their volunteers of color. To reprimand and punish Kutti for speaking out against this is extremely telling of where OTW stands in regards to anti-racist practices, and have shown that they are willing to maintain a space that is hostile towards their volunteers of color for the sake of their white volunteers' and board members' comfort.
For the letter itself, key highlights include:
-Accusing Kutti of publishing confidential internal documents:
Several volunteers have also reached out to us with concerns that you have shared the contents of internal communications publicly in violation of the Wrangling Communication Policy. As you agreed when joining the Tag Wrangling team,  [Link to How_to_talk_about_wrangling_in_public redacted] specifically prohibits the posting of internal communications externally which have not been made available to the public. "Broad topic discussion is acceptable, but giving specific details or copy/pasting quotes from mailing list e-mails or Slack rooms to public spaces is not. Doing so may be subject to CCAP or immediate dismissal.” This includes quoting internal conversations or emails directly. It seems that you've been in violation of this policy a number of times over the last month or so in posts where you have made a point of referencing and posting internal communications or quoting conversations externally. The specific incident cited to us in several reports is in regards to the comment you made on this post: https://www.transformativeworks.org/the-otws-commitment-to-safety-responding-to-recent-concerns-about-ao3/ The concerns that have been relayed to us include the way that particular violation of policy has impacted the volunteers' well-being. Your willingness to share internal details publicly has made them feel disconcerted and unsafe. Some have also said that they feel their privacy has been invaded.
-Made volunteers "uncomfortable" for discussing "tense topics" (it's clear that they mean racism)
Additionally, while this is not a policy violation, a number of volunteers have informed us they feel that the way you have repeatedly brought up tense discussions in public rooms has made the work environment unpleasant. While we agree that the issues you’ve highlighted are important, many are things that can’t be addressed quickly, and will require a lot of time and effort from the org. We don’t want you to feel that conversations about change are unwelcome, but we would ask that you be more understanding of the fact that not everyone wants to participate in them. We also want you to understand that the changes you’re asking for require an immense amount of work from volunteers who already have an existing workload. All in all, these aspects of your behavior of late have generally made other volunteers feel unsafe, stressed, and uncomfortable. It has also made Slack a considerably less pleasant environment for those who have reached out to us, making it more difficult for your fellow volunteers to communicate on the platform, and impacting both their mental well-being and their desire to actively volunteer with the OTW while it continues.
-Actions against Kutti:
Actions:
- Due to an abundance of caution, cease linking to social media posts which may, however unintentionally, link the fannish and real identities of volunteers within the OTW together. - Do not quote or cut and paste sections of documents, email communications, or internal conversations into external conversations or public forums. - Do not summarize internal communications for external spaces. Internal communications are not, and should not be, considered material that can be shared elsewhere (even in summary form) if they have not been released publicly by the OTW. The fact that this is something you have been doing consistently over the past month or so is a large part of what is contributing to some of your fellow volunteers feeling unsafe. - If you wish to ask a question about a particular social media post or comment on a post, and feel it is necessary to link the post or comment for reference, email committee chairs rather than posting in the Slack public rooms. - Be more cautious about how you link things, and consider whether links to other posts are really necessary when asking your questions. You will not be welcome to continue to volunteer with the tag wrangling committee if you cannot be considerate and respectful of the needs of your fellow volunteers. We hope you will take the concerns of your fellow volunteers seriously and adjust your approach going forward to take those concerns and their well-being into account. We also hope you will strive to be respectful of your fellow volunteers’ time and boundaries.
Kutti's response:
-Permission to repost and quote:
I am waiving my right to confidentiality and posting the entirety of the CCAP text below this, so that other volunteers can decide for themselves whether your actions are warranted or not. I also give permission for anyone to share this text and my response to it here, along with my org handle, in any public internet location they wish to disseminate it to.
-Response to the actions taken against them:
For my part, I had not expected the organisation would provide me such a blatant example of racist retaliation, but clearly, I had not set the bar low enough. I reject the authority of white people in positions of structural power in this organisation to punish me—a volunteer of colour trying to hold you accountable for your structural racism—by intimidating me and placing restrictions regarding my participation in OTW communication channels.
-Regarding the accusations of breaking the confidentiality policy:
I reject a cultist confidentiality policy that denies volunteers any opportunity to provide citations to back up claims of abusive organisational practises. The only quotes I have publicly posted are from official statements made by the Board and Chairs to all volunteers, and I shared them in response to a post where the official organisation statement was denying an accusation of insufficiently protecting its volunteer base. As a member of said volunteer base, I have the right to provide proof of my own experience. You have accused me of violating the confidentiality policy a number of times, without providing any other citations. Because I have been entirely focussed on demanding accountability within the organisation, it is very easy for me to enumerate any public comments I have made (copies of which I have recorded here: https://dhobikikutti.dreamwidth.org/). If you consider me citing my own words, voiced in internal channels, to be violating my own confidentiality then... you have overstepped, because I gave myself permission to ‘violate’ my own privacy.
-Regarding OTW referring to Kutti's discussions of racism as a "threat" to volunteers:
I reject your framing of my actions as a threat to individual volunteers. Anyone who will look at the history of my comments will understand immediately where the false accusation of me ‘outing’ a volunteer comes from, and can also find the evidence of the volunteer themselves linking the identity in question. I can say much more about the racialised double standards that this accusation is a part of, but it is obvious that you don’t actually think I outed anyone. Because, as the CCAP makes a point to reiterate, this is cumulative action being taken for everything I have said over the past month. That my comments have made the atmosphere ‘tense’ and ‘unpleasant’. That I have made multiple volunteers feel ‘stressed,’‘disconcerted and unsafe’, to the extent that I have affected their mental well-being. I am not ‘considerate and respectful’ enough to be welcome as a volunteer.
-Regarding Kutti's actions going forward:
I will make no statement of victim impact regarding what my experience as a hypervisible person of colour speaking out against racism in this organisation has been, because I know that you do not care. For the record, I have filed no complaint against any individual volunteer because my focus has always been calling out the institutional patterns of racialised inequity and hostility. I will continue to document this organisation’s racism till you suspend me, and afterwards. I will always be open to hearing from current and former volunteers of colour, and I will continue to maintain the confidences of people who trusted me.
-Important final words:
The Organisation for Transformative Works has been weaponising its incompetence since its inception to argue that it is not racist, merely hapless. This CCAP is evidence that despite all the issues that plague the official machinery— when it feels a sense of urgency and desperation to lash out at someone, it is, in fact, right up there with the best of liberal white institutions at performing racism masked in policing.
Again: please see the full letter & response.
This is deeply inappropriate behavior on the part of OTW. To the people insisting that if fans of color should volunteer if they want to see/make any substantial change: this is what happens when volunteers of color try to make substantial change to the organization. Their volunteers are already at risk because they don't do a good job of ensuring their safety in a general sense, but their VOCs are at an increased risk of racist harassment within the organization from white volunteers, attacks from people outside of the organization, and apparently from the organization itself!
OTW has made its stance known that it will not support its more vulnerable volunteers, and will side with white volunteers who report VOCs because they feel "threatened" by discussions of racism. Telling FOCs to just volunteer is asking them to be subjected to the same reprimanding and punishment that Kutti has just experienced.
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awritessomething · 3 months
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Hey I saw your requests are open
If you want to can you write a Derek Morgan x Spencer's sister where Spencer finds out their dating. Can it be very angsty but full of fluff at the end ( sorry if ive worded it weird ive never requested a fic before)
Thank you 😁
i love angst thank you so very much
𝐑𝐞𝐯𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬 | derek morgan x fem!reader
requests
𝘀𝘂𝗺𝗺𝗮𝗿𝘆 | Derek Morgan and Y/N Reid had been hiding their relationship from everyone on the face of the Earth for a year. An unexpected interruption one night ruins everything.
𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 | angst, reid!reader, angry spencer, arguing, crying, swearing, protective!spencer.
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Y/N Reid and Derek Morgan, the two people least likely to be in a relationship, were. Y/N was Spencer Reid’s twin sister. Surprisingly, she also shared that same intelligence that Spencer did. That was most likely how they managed to keep everything hidden for so long.
Derek and Y/N had always been so careful. They were so careful with hiding their relationship from the public, from their friends, and especially from their family. Specifically Y/Ns family. Neither of them wanted to keep it a secret, of course they wanted to be able to be all public and lovey-dove, but that wasn't possible. Spencer was a supportive brother when it came to academics and almost every aspect of Y/Ns life, but not when it came to relationships.
With every boyfriend that Y/N had ever had, Spencer was always there, telling the man something to make him feel so stupid until the man just could not handle it anymore. He loved his twin sister and didn't want her to get hurt and for some reason, he believed that any and all men would hurt her.
Once Y/N told Derek this at the very beginning of their relationship, he had tried to convince her that it would be fine or that he could handle Spencer's criticism. She knew better. That was what her past boyfriend had said and just as she had predicted, he could not handle it. He ended up breaking up with her only a short while after meeting Spencer.
To respect Y/Ns wishes, Derek agreed to keep it secret. They kept it secret surprisingly well. Derek still acted like he was into other women when he was out in public, Y/N still went to parties when she could. Of course neither of them ever cheated on each other, everything that they said about other people were just lies. Somehow, Spencer never caught onto Derek's lying and Y/Ns disinterest in bringing home another man.
Everything was going so smoothly. It had gone perfectly for a whole year. On Derek and Y/Ns one year anniversary, things started to go wrong. After getting some dinner delivered to Y/Ns house from a fancy restaurant, they were laying in bed together, watching one of their shared favorite movies.
"Y/N, I know you don't want me to keep pestering you about this but when do you think we should tell Reid about us?" Derek asked as he was running soft circles on the skin of her arm. She looked down at his hand and then sighed.
"Soon, Derek. You know I don't like hiding it either, but we have to." She responded, looking up at her boyfriend now with a soft smile. He couldn't even try to be frustrated with her.
"We've been together for a year now, are you sure he wont be a bit understanding?"
"I know my brother. Spencer will not approve." She shook her head. Derek gave up on the subject. About halfway through the movie, the wine got to Derek and he fell asleep, his head now resting on her as he snored. With his weight on top of her, Y/N ended up falling asleep as well. The movie was still playing quite loudly in the background, it muffled any other background noise quite well.
It wasn't really like the couple would be thanking the movie for what happened next though. In fact, they were more mad about it than anything. Spencer and Y/N had been hanging out the day before. She left her sweater at his place. In her opinion, he kept his place too warm. He only noticed her sweater hung up on the coat-rack a few hours after she left. He decided to drive it over to her house.
In her house, Y/N had her arms around Derek who had his head resting on her chest. Spencer had a key to her house, she had a key to his. They had these just in case they needed something or in case one forgot their key. They lived quite close.
Spencer hadn't noticed Derek's car since it was parked about two blocks away and around a corner. He fiddled with his keychain and then opened the door. He could hear the movie playing.
"Y/N?" He called out. The movie was too loud though and she didn't respond. She had a thing where she always put her shoes in the closet beside the front door. One of her coats had fallen down and covered Derek's shoes. Spencer put his shoes in the closet and then walked through the hall. Before he got to her door, he knocked on the door. "Y/N, are you awake?" He called out again. This time, both she and Derek heard his voice. She didn't respond though, in too much shock to even think of the most basic word in the English language.
He turned the doorknob and opened the bedroom door just as Derek was trying to scramble out the window. He froze in the doorway. Derek froze in the window.
"What the fuck." That was all Spencer could even imagine saying as he saw his best friend and his sister together. Derek turned his head slowly and looked at Spencer. "Get back here, Morgan."
Derek dropped back down into the room as if he was being yelled at by an angry parent. Y/N was completely silent, just looking between the two men. "I swear, we can explain." Derek was about to try and start defending his and Y/Ns relationship. Spencer lifted a hand and Derek shut his mouth. He had never been so scared of a scrawny nerdy man before.
"Spence, please. I love him." Y/N crawled out of the bed and walked over to her brother. He looked down at her, an unimpressed look in his eyes.
"You said this about the last guy too. What about the one before him?" He brought up her past boyfriends and she looked down for a second, her cheeks reddening. Derek was a bit too nervous to speak up, so he just stayed quiet. He planned on only speaking if he was spoken to.
"I'm serious about Derek."
"Then why didn't you tell me?" His voice cracked. Y/N tilted her head, a little bit confused now. "How long?"
"We've been together for a year."
"A year? You've been together for a year but you didn't tell me?"
"I didn't want you to be mad at us."
"You're my sister. Derek is my best friend. You thought that dating him and not telling me would be better than just telling me?" Spencer raised his voice a bit. Y/N flinched. Derek stepped forward now. "It was your idea, wasn't it?" Spencer directed his attention to Derek now.
"No, Spence, he wanted to tell you. I told him not to." Y/N tried to defend Derek. He looked at her, furrowing his brows in concern. Spencer scoffed and then gave her the sweater that he was still holding in his hands. She glanced down at it and then back up at her brother.
"Whatever. You know what, I don't know why I'm surprised." Spencer ran a hand through his hair. "You're always sleeping around with women, I should have expected that one day you would manage to get my sister too." He pointed an angry finger at Derek.
"Woah, woah. No. Listen, at first, I didn't even think that she was your sister, ok?" Derek decided to speak up now. Spencer rolled his eyes. "I know it sounds dumb, but its true. I met her when she was coming to the BAU to talk to you about some case, but we talked for a few minutes and I only found out that she is your sister when I saw her walk over to you."
"You still thought that it would be fine to make a move on her?" Spencer asked, still holding that same angry look in his eyes. It was one that Derek didn't think he had ever seen.
"Yeah. I thought maybe my best friend would understand that I found a girl who I really liked and that I wanted to see if she would give me a chance. She did."
"Bullshit." He grumbled. Derek glanced down at Y/N and then back at Spencer, a bit confused as to what he was saying now.
"Which part?"
"You thought I would be fine with this?" Spencer crossed his arms.
"Yeah, I thought you were mature enough."
"Don't do that." Y/N whispered to Derek. It was a bit too late though. Spencer ran another hand through his hair.
"Fine. I hope you're happy with him for whatever time you have left." Spencer spat and then walked out of the bedroom and house. Y/N and Spencer stood there, just silently thinking.
"What if he's right? Should we even be together?" Y/N asked, looking up at Derek. Her eyes were glossed over with tears. Derek felt his heart squeezing at both her words and the sad look in her eyes.
"Come on, of course he's not right." Derek held her hand, bringing it to his lips to press a soft kiss to it.
"Derek, I don't remember the last time he was wrong." She frowned as Derek continued to press soft kisses along the back of her hand and knuckles.
"I know. This is a first though, ok? Don't listen to him."
"I need some time, Derek. Can you give me that?" She requested. He frowned.
"No, I can't." He used his grip on her hand to pull him into her arms. She broke down, tears streaming down her cheeks. Having her boyfriend rejected by Spencer was nothing new, but it still hurt. Her fingers dug into his shirt, clinging to him as she sobbed. He put his chin on top of her head and just held her, letting her cry.
"He'll come around eventually, ok? I'm not going anywhere." He stroked her hair gently and she nodded, pulling out of his arms and looking up at him. He wiped away her tears.
They spent the rest of their night just talking and thinking about their future. Over the next couple of weeks, they got used to being more public. They told their non-Spencer-related friends and then Derek's family. Everyone was super supportive and honestly just happy that they had each other.
Y/N walked into the BAU one day, her purse on her arm as she walked through the space. Spencer looked at her from his desk, confused as to why she was there. Emily whispered something to J.J. and then kept watching. Derek was leaning against a wall, talking to Penelope about something. She walked up beside him.
"Oh- hi! You're Reid's sister, right?"
"Yeah. I'm Y/N." She stuck out her hand and shook Penelope's hand who gave her a welcoming smile. She tried her best not to say anything too crazy for now. Derek glanced down at Y/N, who was now reaching into her purse.
"You forgot this at my place." She pulled out something and handed it to him. He slipped the object into his pocket.
"Thanks." He smiled and then leaned down and kissed her. Penelope let out a sharp gasp, obviously completely flabbergasted at what she was seeing. Y/N smiled against Derek's lips and then pulled away.
"I'll see you tonight?" She asked, running a hand down his chest.
"Always." Derek reassured her. Y/N turned and left with a little wave. Everyone had seen. Even Rossi and Hotch. Everyone kind of looked around at each other and then immediately started bombarding Derek with questions on his not so new girlfriend.
When Spencer heard how Derek talked about her as if she was some sort of angel, he started to rethink his opinion on their relationship. Penelope and Y/N got along great and so she was then friends with the girls at the BAU. They all heard about their relationship, but they also heard about the problems with Spencer.
It took a few more months before Spencer ended up warming up to their relationship and stopped trying to destroy or show his disapproval of their love. With his approval, everything just managed to get better. That was all either could ask for.
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rewritingcanon · 26 days
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What would you say are your more controversial opinions about the hp characters?
ohhhh okayyy. i feel like my opinions on a lot of the characters aren’t controversial because i dont feel super strongly towards anyone in any negative light but here are some i could think of at the top of my head:
i’m glad the malfoys faced more extreme backlash after the second wizarding war. a lot of people in the fandom seem to be very sympathetic towards draco and scorpius for getting dogpiled with the brunt of it (which yeah, it sucks, especially for scorpius) but the prejudice makes complete make sense to me. if i was someone who didn’t know scorpius’ character, and had someone from my family get killed in the second war due to death eaters or something— seeing the malfoys still be wealthy and walk around freely without any jailtime, i would be bitter too. they’re hated on but they’re still one of the richest families ever, so they’ll live LOL
another anon has asked about this and i haven’t responded to them yet but when i do i will link it here for my reasons. basically: the best character in the cursed child is harry potter. i think the way they wrote his character and ptsd carried the play. it was def his story, not albus’.
i do think dumbledore has some aspects of him that may be considered morally gray, but mostly i dont think he is. he does everything for the good of the world, and his complete selflessness leads him to sacrifice anything for it— even himself and the people he loves, when necessary. i completely understand why people wouldn’t agree with his methods though.
james potter isn’t a sunshine character he’s a dickhead. fans of him made him a golden retriever character to be more palatable for modern times. i like him the way he is: an asshole and then less of an asshole 👍 this is what true stanning looks like
pansy parkinson is racist and out of all the female side characters, developing HER is so questionable from fandom
harry had questionable descriptions about a lot of male characters to make people think he could be a little 🏳️‍🌈 there was bill, there was sirius, there was cedric. but draco is not a part of that list. harry was not feeling draco whatsoever throughout the series but drarry shippers cling to that one ‘obsessed’ line
furthermore, harry rejecting draco’s offer of friendship wasn’t a sad or a ‘what if’ scene. draco was being a classist piece of shit and harry didnt want to fuck with that, there isnt any way in any timeline he wouldve accepted draco’s friendship.
slytherin sucks just generally lol. people want so bad to pluck anti-heroes out of a series that was written specifically with the mind to make all the characters suck.
hermione and ron’s drama isn’t as toxic as people make it out to be. yes, this includes the time hermione sent birds after him. people act like its the end of the world but she was tackling puberty and the end of society soooo i give her a pass to tweak out.
mostly every harry potter character has horrific names. like literally mostly everyone. even the name harry potter 🙁
movie romione wasn’t that bad LOL
severus snape’s ‘redemption’ or whatever was so ass. he bullies kids for five years and then everything is chill because… true love? on harry’s mum? are you kidding me 💀
weasley family angst goes hard but people (especially percy stans and some ron&ginny stans) acting like they’re the most toxic family to walk the earth make me want to rip my hair out and eat it. molly loves her kids guys shes not evil. jesus.
genuinely trying to think of more but i can’t right now…. maybe i will reblog and add to it. i feel like most of my opinions aren’t that controversial though 😭
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nanamimizz · 10 months
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𝐀𝐃𝐃𝐈𝐓𝚶𝐍𝐀𝐋 𝐓𝐈𝐌𝚬: 𝐓𝐀𝐍𝐆𝐇𝐔𝐋𝐔 𝐏𝐓 𝚶𝐍𝚬 + 𝐉𝐈𝐍𝐆 𝐘𝐔𝐀𝐍
tags: wc: 1.3k, sfw, gn reader, reader is a part of the astral express crew, jing yuan is flirtatious as fuck LMAO, no warnings, reader is a foodie, reader is referred to as sweetheart.
synopsis: you know all about different types of food and when caught looking for a certain treat, a certain general can't help but take the chance to you what you want and more.
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You came to the Xianzhou Luofu with the rest of the Astral Express - you were hesitant to leave Dan Heng, Pom-Pom, and Himeko alone but at the behest of March 7th you had joined their quest. As the events transpired you often felt a tug at your eyes and nose. Each time March 7th would be talking your ear off about new spots she wanted to visit for photos your eyes would wander on a specific sugar-glazed treat you have always wanted to try, 
Not many would know this but you were passionate about cooking, it was often you and Pom-Pom who made the meals for the rest of the crew save for Himeko’s coffee that is. You were always looking for new inspiration, new recipes from different planets to enjoy and make. It just so happens that the Xianzhou is home to the snack you’ve most wanted to try - tanghulu.
Any fruit can be used to make Tanghulu, the most trending fruit would be strawberries but grapes and mangos are popular too. But the one you want to try most is the traditional variant - red hawthorn berries. Information of the candy pours out of your mouth subconsciously, you are muttering to yourself so much so that March 7th just giggles behind her hand as a gold eye watches you from behind - lazy in its amusement and keen in its desire.
“I never would have assumed that the Nameless had such culinary knowledge of the cuisine of the Xianzhou Luofu.”
You freeze, and something like dread pools in your stomach.
Turning your head you see the smiling general - the most legendary of warriors this ship has to offer in its long legacy and the most important man on the ship. General Jing Yuan stands before you in the flesh. While you had seen his visage in the form of a blue hologram now you can see the flush in his complex and the shine of his hair - General Jing Yan is incredibly handsome it is known and you can’t find any escape from the truth. He smiles at your surprised expression, laughing quietly to himself as he turns his attention to March 7th, who was still laughing at your deer-in-headlights look.
“Do you mind if I cut in? I can never stop myself from treating a guest to delicacies we of The Luofu offer when given the chance.” March 7th is quick to grin and even quicker to play matchmaker and responds with all sorts of giddiness in her voice.
“Oh be my guest General, just don’t keep them out too long! We still have work to do!” She calls as she whips out her phone, you whine as you feel a strong hand come to rest at your waist. March 7th would hesitate to tell Stelle and the others about you being whisked away by the General of all people on what she would call a date.
“I heard you muttering about tanghulu, is that what you were looking to try?” He asks you, tone light and cordial as you stutter over your words.
“Y-yes I follow a lot of content about gastronomy and I’ve seen a lot of people talk about it. It’s been a food I’ve always wanted to try.” You confess, keeping your eyes in front of you as you follow his steps, fingers fiddling with the buttons of your shirt. 
“Hm, how curious considering it’s a sweet for children, but then again it’s not the most common of foods that catch the public’s eyes is it?” He asks and you laugh, thinking about other trending foods of different planets that all come from all sorts of circumstances.
“Yes you are right in that aspect - anything can be whipped up by the fame that people attribute to food, even something as a seasonal children’s sweet.” You agree, eyes flickering to him as you laugh under your breath. The white hair general returns your smile and only tears his eyes off of you to speak to a stallman that sells tanghulu. Once again your eyes are captured by the shine of the vibrant colors of fruit and the starlight shine of sugar - the Xianzhou natives can only chuckle at your starry-eyed expression.
“Here, let me treat you to it since you have come all this way - it wouldn’t do for you to go without it.” Jing Yuan says with a smile despite the way you wave your arms, telling him he won’t have to do such a thing.
“What's the most popular fruit right now for the tanghulu?” Jing Yuan asks, blissfully ignoring your stammer as the stallman laughs at your interaction, resting an elbow on the counter and looking over his wares.
“Most young people have been asking for strawberries these days.” Jing Yuan nods and takes the appropriate amount of credits out to pay for the treat, however before the stallman takes it you enter back into the conversation.
“Um, is it okay if I ask for hawthorn instead? That’s the more traditional option right?” You ask, looking back and forth between the two men. The stallman laughs boisterously, finding more amusement in this situation than you ever will.
“General - keep your money, this one clearly knows how to eat real food,” The stallman winks at you, “I’ll throw in another one just cuz I like the way you think sweetheart.” From next to you Jing Yuan chuckles, tucking away the money, and looks at you from his taller position.
“You certainly struck a deal, didn’t you? Getting two free tanghulu is quite the steal.” He comments, crossing his arms across his chest. You look at him - you find him somehow more handsome with each passing moment, your eyes caught on the length of his lashes and the charm of his mole.
“I didn’t think that would happen, I just wanted to taste the real thing before trying anything newer.” You confess, going back to fiddling with the button of your levee and Jing Yuan hums at your answer.
“Are you the type of person that is fond of antiquities?” He asked suddenly and by the shining flush on your face, he grins broadly at your unspoken admittance. Acutely, he turns to collect the two tanghulu and hands one to you while thanking the stallman.
“How did you guess?” You mutter embarrassed and Jing Yuan chuckles at your fluster.
“Call it the intuition of an old man.” He speaks lightly but you get the feeling that he is smug in his victorious assessment. A gold eye looks at you warmly and he urges you to try the tanghulu that you stare at wantingly. You flush under the weight of his stare and go in for the first bite. He watches in utter fascination at how your face brightens, smiling at the crisp sugar and sweet sourness of the hawthorn berry. Jing Yuan was sure that if you had a tail it would wag behind you merrily.
“I take you like it?” He asks, chuckling at how you finish the first berry and are about to move on to the second before he hands you the second skewer along with a note - “Where did he find the time to write on the note?” you wonder.
“Here, give this one to your friend as an apology for taking you away from her,” he says smiling as he knows she didn’t mind, “The note contains my personal phone number. Feel free when there is any sort of Xianzhou cuisine you want to try out - traditional or popular.”
There’s a flirtatious edge to his smile as he repeats himself.
“And I really do mean anything. I have to take my leave now, I hope to see you soon.” He says confidently and makes his way in the direction of the building you and March had exited from, where the Helm Master Yukong was awaiting him. You stand there, two tanghulu in hand, the general’s number on a note, and just as you are trying to process what just happened your own phone dings. 
A message from March, pestering smug as it reads - “Soooo how did your date go?” followed by a smirking sticker.
Then it hits you, you just went on a date with the general of the Luofu, and from behind you, the stallman laughs again.
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wellofdean · 26 days
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I read your post about Supernatural being queer somehow from season 1 and I have two questions.
1. Don't you think it straight-appropriates the word "queer" to say it just means "not normal"? That argument seems disingenuous to me, and a lot of us want representation, and to see that word applied to explicit depiction of queer sexuality, and it's a cheat that they don't. Queer studies did start as the study of queer sexualities and the experience of queer people.
2. Are you saying that the makers of Supernatural intended for it to be "flesh on queer bones"? Do you think they intentionally sat down to tell a queer story?
Those are good questions my anonymous friend. Thank you for asking. Here are my thoughts:
To answer your first question: no, I don't think it appropriates anything. Here's why: firstly, if we're talking about sexuality and gender, it's queer 101 that no one owes anyone a justification of their queerness, and not everyone who is queer is interested in labeling it or making it legible to you, and they have no obligation to do so, and not doing so doesn't make them any less queer. Furthermore, some people who are queer are not interested in sex, so what about them?
All of that together is why, for me, the entire queer project is much more deeply about non-compliance with hegemony, and specifically with hegemony around gender roles, sexuality and to put it under a big umbrella, patriarchy, than it is about who you fuck. Those things extend into so many other aspects of life that I think you can easily talk about "queering" a very wide range of topics, and possibly? ANY TOPIC.
You are responding to this post, I think, and in it, I made a choice to talk about family and hunting, and our heroes roles and characterizations in that, and did not talk about gender shenanigans or sexuality, because my point was that even before we get to anything to do with it, Sam and Dean are immersed in a queered world in a fundamental, structural way. That said, I assure you that if you go back into season 1 of Supernatural, you will find LOADS that could be said about gender and sexuality, too. As well as other things, and a particularly important area, as @ironworked pointed out in the tags, is blue collar/white collar class issues.
As I said, the depth of queerness in Supernatural is actually dizzying just in terms of the story's BONES to say nothing of how they flesh it out. Queerness is about deviation from the norm. It's about rebellion and disobedience against hegemonic systems for the sake of personal authenticity and love.
Think about Cas for a minute. Cas's whole story is that he rejects his role in a hegemonic heaven. He rebels for love, and that is pretty explicit as early as season 4 when he tells Dean "We're making it up as we go". Fellas, that is THE QUEEREST SHIT EVER even if he didn't do it for Dean, and like... HE DID IT FOR DEAN. Cas did not have to tell Dean he loved him for me to know it, and for Cas to be a deeply queered character. When he DID say it, I wasn't the least bit surprised he was in love with Dean, because seriously, we been knew. I was only surprised I got to have the immense pleasure of hearing him say it and looking at Dean's face while he took it in. Jesus. I will NEVER RECOVER.
This is my perspective on representation in Supernatural: It's excellent, and I relate to, and feel seen by it as a queer person. Nobody needs to get fucked on the maps table for me to do the math that this is a queer story. It is very, very, very thoroughgoingly canonically queer in so many ways, and not all of them are to do with sex. I think some fans will only allow it to be called queer if dudes make out in it. I am not one of those fans.
As to your second question, I think there is a wealth of evidence in the filmic oeuvre of Eric Kripke to suggest that as an artist and a writer, he is concerned or maybe even preoccupied with masculinity issues and issues around family, and around the way patriarchy fucks men up. So, yes. I think he knew what he was doing and he knew that queerness was part of the mix. For fucks sake, it's a family of men who hunt monsters. That is very fucking on the nose. Do I think he kicked off Supernatural in 2005 planning a 15 year operatic queer romance between Cas and Dean? No. I don't think anyone planned for it to go as long as it did, and it's a matter of record that some things were influenced by fan response, actors' chemistry, different writers and showrunners' preferences and etc. What I will say is that when they had a choice to "straighten shit out" or lean into the queerness, they fucking leaned in, nearly EVERY TIME. Like, it's pretty amazing how consistently they lean the fuck in.
I'll admit -- I wasn't watching it with those eyes the first time, and I didn't give it much real estate in my mind when I watched it as it aired from 2006 to the end, but the last three episodes reshaped it for me and made me angry, and also made me need to watch it all again, this time with an explicitly queer lens, and BOY HOWDY let me tell you this: the Supernatch rewatch journey is a wild and wonderful trip to Queertown. It is legit more difficult to argue that Dean is straight than it is to argue that he is queer. There is a full on CORNUCOPIA of story evidence to support that read and relatively little that convincingly counters it on the straight side, and that starts right at the beginning, when they bend pretty baby Dean over a police car in episode one, and he smirks insouciantly in his lip gloss. Do I think everyone involved knew how that looked? Sexy, submissive and a bit gay?
YES I DO.
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amusingmusie · 1 month
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Hi
I'm not going to be updating this week. I'm overwhelmed right now and need a quick break. This isn't a hiatus. The update will be soon, but when I'm ready. I know you guys want an update and I'm flattered people are invested in this, but blowing up my inbox on anon (there are many examples of this I have not responded to because I didn't want to engage with them) isn't going to make me write faster. I work and have a life. If you are that desperate to demand I post a new chapter, you can pay me real US dollars for it. Writing isn't easy, especially when my chapters are landing between 6k-9k words nowadays and I have to edit.
There have also been comments popping up on ao3 complaining about aspects of my fic that are clearly tagged. I get it, it's not everyone's cup of tea. It's got a lot of moving parts, it has other characters besides Al and Reader, I've got an insert with race/gender descriptors (which I would not be using if my fic didn't take place in Jim Crow era NOLA with heavy sexism in the mix, race is a big factor of my story, I chose to explore a mixed race relationship, it will have an actual impact on the plot, I didn't throw it in there because I'm an asshole).
That being said, if I have something specifically tagged and you don't like it, don't click on my work. If you don't like my fic then don't read it. I'm going to begin blocking people at this point. I'm not above criticism. I am above people feeling entitled to complain about something they were warned about then turning it on me.
I'm not saying this for anyone to come kiss my butt, I don't want or need that. I'm only being honest about why I need a few days away. I do this for free and because I enjoy doing this. I shouldn't be crying because I'm so stressed over a fanfic. So, before I fizzle out again, I'm stepping away. I may upload other pieces I've been working on or I may go silent. I've got a Huskerdust piece I'm having a lot of fun with. Either way, I'm gonna do what makes me happy and I'll be back with an update later in the month.
If this sounds like I'm yelling at you, that's not my intention. I am just so tired and done with not saying anything. To the pookers that are very kind and supportive, thank you so much. To the asks in my inbox, I promise I will be getting to you guys when I'm back and thank you for engaging with me. I don't want to act like I don't have awesome people in my circle or it's all doom and gloom. This has been boiling and finally reached a head tonight. I will be okay. I just need a minute.
See you soon,
-Muse
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evaglass · 2 months
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Speculation about Mizu's parents pt. 1
I don't like usually posting much online, but I do enjoy this series very much, and I would like to discuss possible directions it could go
I think about this moment a lot
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A decent amount, actually
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Mizu has had to hide her entire life of being a mixed-race girl for her safety, but there's an implication that it's not just because of that reason alone
There's a big assumption that one of the four white men put the bounty on Mizu, and as terrible as they are, there's reasons they probably aren't the ones that placed the bounty on Mizu. I don't think the four white men really care about any bastards they could have produced; I will explain.
Yes, Fowler neglected his offsprings to the point of starvation, but I don't think he was actively hunting them down, and here are the reasons why:
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Fowler doesn't really seem to care to put too much effort into caring if the children he profduced in Japan lived or not. It just seemed more like he didn't want to be bothered with any children he had fathered.
If Fowler really cared about having all his children dead, he wouldn't have let Heiji Shindo give Mizu the option to be a Lord in order to leave Fowler alone in exchange
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He just really didn't seem too bothered to deal with the situation. He didn't understand why Mizu went through all the effort to killing him (probably because he's not responsible for the bounty).
Also, Violet is already very much dead. I assume Routley and Skeffington have been away from Japan for a few years now, so why would they still keep the bounty up? It feels like it would be a bit counterproductive.
So why is there a bounty specifically for Mizu?
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Is it for the "selling the unwanted daughters of Japan" aspect that Fowler pointed towards Routley and Skeffington of being responsible for? Do they want to sell Mizu abroad for profit? No, I don't think that's the reason.
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When Mizu asked the bounty hunters, "Which white devil do you work for?" They respond by saying she's the only white devil they see, and then call to kill her.
When Mizu asked who told them where she was, they responded with "the bounty is a sum few could resist."
This says a lot:
The bounty is for sure specifically for her (a mixed-raced girl with blue eyes)
They're looking to only kill Mizu, as if to erase her from existence
The bounty is a high bounty
And the bounty hunters are probably not being sent by any of the four white men
So, who is responsible for putting a bounty on Mizu's head? Well, I want to dive into Mizu's parentage for this because I don't think any of the four white men are Mizu's father. I don't think her father was white at all.
I think there might be subtle evidence to suggest the contrary; that Mizu's mother was European, while her father was Japanese.
I'll dive into this. Remember the play about the Ronin and the Bride in episode 5?
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Remember how people pointed out how both the Ronin and Bride represent Mizu, which I agree with. However, I think they're also supposed to represent her parents, and the child is also supposed to represent Mizu.
Before I keep talking about the Ronin and the Bride, I want to talk about the show's influences. I promise this has a point.
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Two of the biggest influences are Kill Bill and Yentl. I'm not gonna get into Yentl too much, I have never seen it. I'm just gonna loosely retell a synopsis I found; Yentl is about a woman who dresses as a male in order to study religious scripture forbidden to women to learn. You can see some of the connections there.
I want to focus on Kill Bill more. Specifically more in pt. 2 as tumblr is only letting me use ten pictures per post.
Part 1/Part 2/Part 3/Part 4/Part 5/Part 6
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kuzcos-poision · 3 days
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Just my thoughts and stuff on the watcher situation. And update. Ramblings.
Watcher did something bad. all three of them made the decision. They have now dealt with and responded to the backlash regarding this decision.
The backlash was justified. People aren’t saying they shouldn’t be paid. We all believe they should be paid fairly. They should also learn how to run a business and spend wisely especially in this time where money is sparse.
It wasn’t bullying as people have said. Sure there was some but the majority of the things said about this was genuinely criticism regarding their decision and regarding how people felt like they weren’t valued as fans in any capacity because this was done without consultation and consideration for the fans.
The backlash was also valid in that they hyped it up and announced new hires and a new show displaying expensive food and frivolous spending on food that a majority of their audience isn’t able to afford in the first place. This is where I believe people brought up that they don’t want to just pay for Steven to eat “$1000 burgers” is because that was the last thing they had posted about doing which doesn’t appeal to a majority of the audience.
They are definitely more disconnected from their audience then we had previously believed which is now very apparent. While I believe they should be able to create what they desire on their own platform I think they also need to take in consideration what their audience wants.
I think this was also a bad decision because they lost a considerable amount of viewers when they went to watcher in the first place they thought putting up a paywall would be good way to make their audience larger and happy.
The update they provided was good in that they addressed most of the concerns the audience was expressing however people feel betrayed over this and some won’t gain that trust back with them.
As for the Steven lim hate. I think he was/is just not as connected to the audience as Ryan and Shane were within the content created. A good example of this is the live shows. It’s Ryan and Shane and Steven isn’t a big part of it. The banter between the three of them is fun however a lot of people are after the bfu banter. It’s like the Ryan and shane show with a side of Steven. Which is a big reason as to him getting a lot of blame through this. As well as the public display of what appeared to be the morals that shane specifically abided by which are very different then what was shown with the making and execution of this decision. The opposing morals are what I believe made people weary in blaming all three of them in this. However it was a decision made by all of them. And now dealt with by all of them.
They ALL deserved the criticism and backlash for this decision and I’m glad they have addressed this and made the changes to their decision. They have lost trust and still need to reevaluate spending within production costs but I’m glad they dealt with the content distribution aspect of this issue.
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sokkastyles · 1 month
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I hope you don’t mind me sending in asks every so often, because I really love your blog and I like reading your opinions/analyses of ATLA’s story and characters. What I want to talk about is this one trope in fiction that I’ve always liked and wanted to see more of, which is “Person A sees characteristics of Person B’s personality or abilities that are kind of morally dubious or complicated and possibly less than desirable (depends on what the ability or personality trait is) and even though Person B has complicated feelings about what they saw, they never flinch or look away from who Person A is.” Because I’m obsessing over Zutara again, this made me think of the scene where Zuko sees Katara bloodbend for the first time and while he is momentarily surprised, his facial expression goes back to normal quickly. Something similar happens when he sees her waterbend while confronting Yon Rha. I really wish we had gotten a scene where Zuko and Katara actually talk about her blood bending abilities, though the main reason I wanted this isn’t only because of the potential for another Zutara moment. I also really wish the narrative had utilized bloodbending more and that we had gotten to see more of Katara’s complicated, ambiguous feelings about bloodbending (and yes I know she didn’t like bloodbending in canon, but I wish we got to see her be a bit curious about it or not knowing how to feel about it before she decided that). What are your thoughts about this? Is there anything about Katara’s bloodbending that you wanted to see explored in the narrative as well?
First of all, I love getting your asks! They are always very well thought out and insightful! I think you sent me another one that I didn't get a chance to respond to yet because I have been very busy, but I'm not tired of getting asks from you at all!
And I do think an underrated aspect of Zuko witnessing Katara bloodbend is that it's validating to him as an abuse survivor, as a fellow child of war who also lost his mother, as someone who deals with anger issues, to see Katara bloodbend and be able to control her bloodbendinng in that moment.
I do not think that Zuko was intentionally living his revenge fantasies through Katara or encouraging her to commit violence. We've actually seen both Jet and Hama try to do that to Katara and there are some distinct differences. If you recall the way Jet and Hama talk about their actions, and the way they try to get Katara to also do those things, they appeal to her with specific language. They appeal to her anger, specifically, telling her to think about what happened to her mother. They take joy in assuming that she is just like them and has sunk to their level.
When Zuko talks with Katara about Kya, he does not focus on her anger and loss and the need for revenge. Instead, he tells her that Kya was brave. When he sees himself in Katara, he doesn't see negative. He sees someone who is angry, yes, but also someone who isn't controlled by that anger.
Part of the problem with the way antis talk about this episode and Zuko or Katara specifically is this pathologizing around whatever "fantasy" they think Zuko or Katara might be engaging in. And let's be real for a second. It is actually incredibly common for abused children to have revenge fantasies about their abusers. Like, incredibly common. But it's something that is not talked about very often because we don't like to think about it. When it is talked about, it is usually in terms of the person becoming violent themselves.
I do think that Zuko wanted for Katara the same thing he got with his father, the chance to confront him and to walk away, to not be goaded into violence or sink to that level. But that doesn't mean it isn't also incredibly validating for Zuko to not only watch Katara have power over this man, but to be able to exert enough control over that power to be able to walk away.
Which is similar to what Zuko does with his father. Zuko doesn't want to be angry anymore, but that doesn't mean he suddenly becomes a doormat. And when he faced his father, he was prepared to fight if he had to. He brought his swords, he redirected lightning right at Ozai's feet. He made it clear that he could have hurt Ozai if he had wanted to. But he has enough control over that anger not to. Directionless anger is ultimately similar to intrusive thoughts of revenge, because both make the person feel helpless and out of control.
Also my piping hot take is that Aang was afraid of Katara's anger because he himself never learned to control the Avatar state, whoops.
Anyway, I love that Zuko has that moment when he maybe sees a bit of his old self, the part of himself that was angry and wanted to hurt people because he was hurt, in Katara, and it surprises him. But now he's wise enough to have compassion for himself, and for her by extension, and understands now that that anger comes from grief.
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Referring to how Leona is an actually good leader, it's still very funny to think about how annoyed Vil must be when Epel idolized Leona while fighting for his life struggling under Vil's tutelage. Like "how could you prefer that good-for-nothing-except-his-face over ME?" kinda thing. (Yes I love all of them but I love to see them suffer more <3)
[Referencing this post!]
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Leona definitely projects very different images depending on the circumstances! His club and dorm members all look up to him because, to them, he come off as a role model. He's strong, cunning, and exudes confidence. To everyone else (people he doesn't actively lead, or people he stands on par with in terms of power and influence), he's seen as lazy and rude because Leona does not care for putting on airs and finds social grace tiring to deal with.
Nowhere is this dichotomy better exemplified than in Epel's Birthday Jacket vignettes. In them, Epel, a first year and a Magift Club member, describes Leona as someone who is good at looking out for others like him. This confuses his interviewer, Floyd, who responds that it "doesn't sound like" the Sea Lion-senpai he's familiar with. Epel then confesses to not really seeing Leona much outside of club, so he doesn't actually know about what Leona is like most of the time. This just goes to show that Leona naturally shines and is at his best when he's in a scenario where he has to lead others.
Now, regarding Vil and his feelings on Leona... 🤔 It's true that Vil dislikes Leona (and, more specifically, his attitude) and may be disapproving of Epel idolizing the guy, but I get the sense that those feelings stem in part from disappointment, not just blind hatred or not liking how Leona dresses/speaks. Vil's someone who has exceedingly high standards for himself and for the people he surrounds himself with. He despises it when people don't give a task their all, or don't live up to their full potential. That is exactly the case with Leona. Vil has a VERY keen and discerning eye; I suspect that he noticed a long time ago that Leona's not putting forth all of his effort and just doing the bare minimum to scrape by, and that's what further stokes Vil's frustrations with him. An example of this is the very superficial aspect of Leona's looks. Vil admits that Leona has a handsome face, but doesn't dress the part at all. The same goes for his other traits and abilities, and even his grades (which are low due to poor attendance even though Leona himself is insanely smart). That's the thing: Leona could be great, but instead he's wasting it all and choosing to not be "his best" at all times--an ideology which exists in blatant opposition to Vil. Here we have two powerful, intelligent, talented individuals who worked hard to get to where they are now (even though they were already born into affluent families). They didn't choose to just coast by life on their family's names alone. One of them literally makes a living off of showing the world how perfect he is, and all the effort he puts in to achieving that perfection. But the other has gone the other route, not willing to put forth that effort to anything that he doesn't find useful or interesting. They've both become disillusioned with the world, which has provided them nothing in spite of all the times they tried to prove themselves. They weren't rewarded with a heroic role, nor the coveted crown., but they've got the charisma that inspires others to follow them and to show them respect. They can recognize others' strengths and are in positions where they can guide others towards those strengths. They're so alike, and I think that only feeds their dislike of one another. To Leona, Vil's a try-hard that always changes his personality to look good for the public. To Vil, Leona's callous and carelessly tossing away his own potential. It makes them a worthy rival of the other.
DBKHILdsbiDIvqfosd1436g17b Okay, I kind of strayed a bit from the initial ask, but yeah!! Vil would probably be annoyed with Epel looking up to Leona because Leona isn't at 100% all of the time (whereas Vil tries to be). The two have very different ideas of how their energy is best spent, and with Vil being Epel's dorm leader and all, he feels like it's his responsibility to lead Epel the "Pomefiore" way, not Leona's way.
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vriskerfic8ion · 1 month
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Script for my speech (it pro8a8ly won't turn out nearly as long)
Nongender transIDs are a valid form of identity, and their existence does not inherently harm minorities that may be the subject of the identity in question. 
To even discuss this topic, we must first answer the question: what is a transID? As a prominent individual in the transID community, I would generally define them as good-faith identities analogous in experience to transgender with varying causes and intensities. In other words, these are identities in the same category as transgender that deal with things other than gender. Under this school of thought, one can theoretically identify as and/or feel dysphoria about any aspect that they themselves do not have in body or mind. Some examples that have commonly cropped up in internet discourse in recent times have been transrace, transability, and transharmful.
Upon hearing those terms, you may have a knee-jerk reaction. “Transabled, isn’t that offensive? Isn’t that ableist? Why would you want to have a disability?” And I ask you in turn; why are disabilities a bad thing? Should someone be ashamed of their disability? Is disability inherently undesirable to you? What’s more ableist: someone genuinely feeling as if they should have a disability, or what you just thought in your mind upon being introduced to that prospect? 
But, is it actually offensive? Surely to have authority over a facet of oppression such as disability or race a community must have members of those groups right?
To answer this question, I ran a survey. I asked the community what marginalized groups they fall into in terms of gender, sexuality, race, disability, and humanity. Out of the 227 responses - which while small still accounts for a decent chunk of the active community - these were the results. 
Only 34 respondents identified as cisgender. 78.2% said they have experienced discrimination on the basis of their gender.
Only 5.3% of respondents identified as heterosexual, with 68.6% saying they’ve experienced sexuality-based discrimination. 
Only 58.2% identify as genetically white, 45% as physically disabled, and 68.6% as mentally disabled.
I find it safe to say that by demographics alone, transID cannot be offensive when so many members of the community are a part of marginalized groups. Minorities aren’t a monolith, no community is. We all have differing opinions on matters like this. What truly matters is that the struggles we as transID folk experience are cripplingly real, both in terms of dysphoria and internet harassment. 
Take me, for example. 
My primary transID identity is transcharacter, where you feel you should be a fictional character. When I first discovered that I'm Vriska Serket, I was overcome by the worst dysphoria I've ever felt in my life. Worse than my gender dysphoria has ever been. And that feeling, that negativity toward the fundamental structure of my being, has never abated. I dare you to tell me that’s not real. I dare you to tell me that my lived experience is silly, stupid, or fake when I only resist hurting myself because I know that seeing the color of my blood, and seeing that it’s not cobalt blue, would make me feel worse. 
But what’s almost as big a threat to our lives as our own emotions is the harassment we face online. Given that the biggest gathering of transID individuals is on Tumblr, a social media platform famous for its discourse, there is a lot of hate directed at us. I will not be showing you specific screenshots out of respect for privacy, but I will give you some anecdotes from me and my close friends.
One of my friends had to be sent to the mental hospital after antis traumadumped in their inbox in an attempt to trigger them.
I’ve been threatened with having my eyes gouged out because I’m trans’half’blind.
There have been multiple accounts on Tumblr dedicated to having us burned and drowned and otherwise violently killed.
Me and several people I know have been told that they would be beaten to death if someone found out that they were transID.
One of my friends got an anonymous message describing, in detail, how they were going to rape them to death and desecrate their corpse. 
Just last week, someone I’m in a Discord server with got their name and address doxxed.
We’ve been called predatory racist ableist transphobes because we identify in ways they don’t like. 
We’ve been told to go burn in hell, jump in front of a train, shoot ourselves in the head, blind ourselves, drown ourselves, I could go on. 
Right now, as I stand here, I am afraid for my life. I am afraid that one or more of you is one of the violent individuals I’ve faced online, and that I’m going to die the moment class ends. That one of you is going to kill me because I had the gall to express feelings I have toward my body!
That is the sort of shit we have to deal with on a weekly basis. Just for daring to describe ourselves in a way they don’t like. But why don’t they like it? Let’s deconstruct some of their most common arguments.
TransIDs are transphobic.
They usually say this because we share some of our terminology with the transgender community. Why would we do this? It’s because a whopping 85% of us are Not Cis. We’re already familiar with both the terminology and the experience, so we use words that, mind you, are already in the dictionary with definitions not inherently tied to the transgender community, to describe our experiences. 
If you’re going to bar someone from using the prefix of “trans,” you have to agree that discussing transformation is offensive. Transaction? Oh hell to that! Transportation sure as hell isn’t safe, you’d better rename that to “crossportation” right fucking now. Or, perhaps… arissoportation? Make it not so offensive, yeah? 
No, that’s obviously stupid. When I searched the online Oxford dictionary for “trans-” the earliest use I could find was 1574. In comparison, according to an article from The Conversation, the prefix used in terms of gender has only been used since 1910.
TransIDs are made up to gain oppression points.
This is among the most common arguments I hear. “You’re just an attention seeker and/or you just want to be oppressed.” And that’s an interesting take, because attention seeking is a good sign that someone is emotionally neglected. We, as biological primates, crave community. And I have seen folkel identify as transID because of this, to some extent - my most common sighting is transracial folkel who are POC feeling as if they’re “not dark enough.” So, it’s never just because they want to be oppressed. They feel like they SHOULD be oppressed. 
Another argument that goes with this one is that we as transID folkel are “stealing resources.” And yeah, if you’re, say, buying thick water because you’re transabled, that’s a dick move. But I never see that. What I see instead is folkel doing simple things to help relieve dysphoria. Me wearing this eyepatch isn’t me stealing resources from the blind. I made this myself out of fabric, string, and prayers. It’s not a medical-grade eyepatch. No transID individual is going up to folkel and ripping off their bandages, or pulling their wheelchair out from under them, or anything like that. We work with what we have. 
All transID individuals were groomed into it/the transID community is a cult.
Another common argument I see is that we - and the wider radqueer community - are a cult. Now, for something to be considered a cult, it must fit the BITE model. BITE is a pneumonic for behavior control, information control, thought control, and emotional control. Let’s assess the transID community using this model. 
Behavior control - given that by pro-transID ideology you can theoretically identify as anything, we’re very pro-autonomy. If anything, we do the opposite of behavior control. We encourage freedom of expression to any extent. 
Information control - On a surface level, it might look like there’s some information control going on in the transID community. There’s not a lot of resources validating our experiences, and a lot explaining why we’re all horrible pedophiles and shit like that. The reason why we don’t encourage listening to that information is because it tends to circle back to the same five arguments that can be easily debunked, like we’re doing now. These sources of information are made from a place of hatred and used for shock value… think the litter box argument that conservatives make against therians. It’s that same sort of fallacy. 
Thought control - One could say there is some small degree of thought control in the transID community, because we heavily discourage negativity toward identities you don’t understand. Simply put, you’re not pro transID if you’re not pro all transIDs. The community can be quite reactionary in this regard, and this is the only point I’ll agree on. It can be quite toxic. But “toxic” isn’t the same as brainwashing others into cult doctrine. 
The same kind of goes for emotional control - we can get defensive, but ultimately? We’re a small group on the internet. We’re not organized enough to control anyone to the degree that cults do. In fact, throwing such a word around is very offensive to cult survivors! 
TransID individuals are all kids.
The last argument I tend to see is that we’re all kids under the age of 16-18. Simple statistics disproves that one, according to my survey we as a community are majorly (49.6%) over the age of 18. There’s not many folkel 30+ in the community, but that makes sense since older generations tend towards exclusionism and conservative thinking. 
But even though we’ve debunked their arguments time and time again, antis will still keep coming back. They still want us dead, they still want us to rot in hell because they find us personally offensive. This shows that they haven’t developed a theory of mind around the subject. Theory of Mind is the process behind understanding that the thoughts and emotions of others aren't the same as your own, and accepting that. This usually happens around the ages of 4-5. In other words, if you go after us for identifying in a way you don’t like, you are quite literally acting like a child. 
So what’s the solution here? In a word? Education. If these identities were more widespread and expressed in meatspace more often, there would be more questions and thus more answers. Folkel wouldn’t have to go undercover into our safe spaces and make assumptions. We love answering questions! I love answering questions! Which is why I’m opening it up to you. If you have questions about my experience as Vriska or about transIDs in general, I’m going to direct you to my Tumblr account. My URL is vriskerfic8ion, which is on the board now. 
If we educate others on the transID experience and have folkel stop being suspicious of us, we may be more free to express ourselves. There might even be procedures created for folkel to modify their bodies, so for example I could get my eye removed. 
Sure, we might offend some individuals. I’m not going to ignore that. I’m not going to ignore the feelings of those who are against us, who genuinely feel like we’re a threat to their existence. And I’m here to tell you: we are not the enemy. We are not out to invalidate your experiences with trauma, and racism, and ableism. We experience those things too. We have our own traumas, and a lot of us use transID labels to cope with that. We have reasons, real reasons, to identify as we do. It’s not to be quirky, and it’s not to be transphobic. We are merely putting words to experiences, and if you don’t like that? Block us. Refuse to interact with us.
But that’s only a temporary solution, because we’re everywhere. We’re in your schools, your workplaces. The folken serving your food could be transID. The folken teaching your classes could be transID. The folken sitting next to you could be transID. Why are you wasting energy hating us when we’re not going to change our beliefs? Like it or not, I’m still Vriska. I’m still looking to physically transition. I’m still going to remove my eye, and pierce my skin, and bleed for the futures of those shat on by groups who are supposed to understand our plight. 
Your thoughts change nothing.
So the next time you meet someone who’s transID? Be kind. Be opening, welcoming. Ask questions. Suspend your disbelief. Accept them for who they really are, and kill the cop inside your head. Because at the end of the day?
We all just want to be our true selves.
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