Thinking abt body horror as romantic. Body horror as intimate recognition of the self and the other and the other as the self. Body horror as an encounter with the divine.
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Haven't gotten that far in Dunmeshi yet, have only seen clips and screenshots, but it sure is an experience to see all of transfem tumblr either wanting Chimera Falin or wanting to be her
Meanwhile my mind is seeing the concept of someone being forced into a body that isn't truly theirs and flashing back to everything that disgusted me about male puberty, every terrifying thought I've had about losing all my progress and being forced to live as a man again.
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Sometimes i remember a comics moment i randomly came across somewhere, where Sam Wilson mentiones a musical and Steve Rodgers says he doesn't like musicals, to whitch Sam goes "Guess that means you really are straight" and even tho i don't care about Cap America or the Avengers, the moment stuck in me for that quote by Sam. And like....Sci, any ideas if straight men actually don't like musicals or is that bullshit?
actually i think i know more gay men who hate musicals than i know straight men who hate musicals. i've had a drag queen stop me point blank when i was about to sing a barbra streisand song, and i know so many gays who pointedly hate abba. so based on my experience i think the inverse is true. most of the straight men i know are kind of impartial about musicals, but gay men? hate.
my theory is that a lot of gay men don't want to fall into stereotypes, maybe. but thaaaaat's just a theory! a gay theory.
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I feel like trans people and disabled/chronically ill people and neurodivergent people should be natural allies. Our struggles are so tied together. It's about bodily autonomy, the right to access healthcare, the intense stigma and villainization set against infantilism. The way people make fun of our existence and our activism. We are hand in hand against the social norms of what bodies, identities, and minds "should" look like. And that's just really sexy of us and we should stand together.
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wip thing...
of my bg3 avatar hellebore. i also did some casual nude studies of my 3 characters which i'll put under a cut... rather unlike me after all. (so WARNING for abrupt non-sexual full Artistic nudity lol...,,,,) (< won't be making a habit of this)
they mean the world to me
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From the flesh of a girl it was created,
Flesh cannibalised by itself and everyone it met
It rose and formed from the organs, bones and flesh,
Scarred, stretched skin covering muscle
Same blood, same bones yet reborn after the world consumed it,
The cannibal boy
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chsc and willingly surrendering bodily autonomy… both of them exhibit forms of self harm through becoming monstrous. foul legacy being difficult to maintain, (parts literally peeling away in that last fontaine cutscene?? falling to pieces..) + sc tearing himself up physically from shouki no kami? (immediately giving up and going limp upon the strings snapping?) both so against the concept of weakness it manifests physically… thinkge.
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rebooted sige (featuring raphael)
[image ID: two digital drawings featuring sige (any pronouns), a thin person, in various outfits. the first image is a character sheet, showing a full body drawing of sige in a hoodie with the hood up, a flannel, grey pants with a carabiner and keys attached, boots, and white full-face mask covered in stickers. beside the full body is a two by two grid of busts showing: 1) sige in an orange and yellow wig and their mask; 2) sige in just their mask without the wig, revealing it is also wearing a bright beige ski mask underneath the white mask; 3) sige in just the beige ski mask with a black and white section over the eyes; and 4) sige with nothing covering their head or face but with a white heart shaped censor imposed over most of its face, showing its grey buzzcut and several scars. below the grid is a chest-up drawing of sige only wearing his mask as he stretches his arms up behind his head, showing that dark veins and heavy scarring extend down his body, including a prominent Y-shaped autopsy scar on its chest. the second drawing shows sige in both masks, their wig, and an outfit with a rainbow sweater standing casually next to and looking at raphael, a tall shadowy shapeshifting monster with large goat-like legs long arms, a short tail, shaggy hair, and short antlers. raphael is twisted at the torso to lean over and look at sige, saying, "hello brother." end ID]
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On that note, what were your thoughts on Coraline? Specially on that scene where the beldam counts down from 3 as she transforms into her true form.
Because to me, it made me realize that I love horror movies and their concepts, and what I didn't like of other specific transformation scenes was that they were... too real to me? Like they made me think about "if people could really be turned into animals how horrible would it be to leave every single thing you know about life behind and never get to do the human things you like and nobody knowing that something unnatural happened to you, they'd just see a weird dog or cow or chicken" and that was too terrifying of a thought to me
that specific scene didn’t really bother me the same way! i thought it was scary, sure, but that’s just because the beldam looks scary. a monster turning into a monster because they’ve always been one didn’t make me queasy the way other stuff did. she’s choosing to change shapes, no one else is making her, and it’s one she seems to like!
like you said, a part of it for me was being so upset at the idea of losing your original life and not being able to go back, being separated from people or just not being recognized at all. i really didn’t like the idea that it might be painful, or embarrassing, or that you could have absolutely no control over what was happening. the loss of control was HUGE for me.
in a weird way that’s probably what drew little kid me to werewolves though. because they do have to go through all of that, but in the end they can change back. and they don’t have to be alone because of it, you know, wolves are such social animals, it doesn’t have to be completely isolating. and also wolves are just fucking cool!!! so it was a way to explore all of that discomfort without it being so horribly overwhelming. it was cathartic!
and now i’m just Like This. so. haha. oops?
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Is being trans and going through the wrong puberty technically body horror? It’s a transformation of the body in a terrifying way that’s really distressing for the person inside of it
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oooh don't wanna jinx it but i think i've got a little wip maybe. need to think about it more but i've got sooo many themes i love in this babey and i think i am very excited about it. me when i can have all the elements i love from dracula and castlevania and edgar allen poe all in one place and ALSO have awesome characters for it. can't wait for one of them to turn themselves into essentially a half-demon in pursuit of transness it's gonna be fucking awesome
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The thing about armchair diagnosing cis people as trans is that if you accept that everyone's understanding of gender is deeply personal and that you shouldn't tell someone they're not trans or not trans in the right way, you should also accept that you can't tell someone they are trans or that they're not cis in the right way. Or that they have to either identify as trans or cis.
These are all just words and there's never any excuse to argue with someone over who they are.
I don't think most people are genuinely trying to overrule the 'cis in a gnc way' perspective but even being flippant about it is not helpful. Also I think cis people talking about gender in complex and fun ways is very cool.
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sometimes struggling to write is a good thing. If you're trying to finish a piece you started in a really bad frame of mind that is all about how miserable you felt at that moment, how hopeless and dire things seemed like they would always be. If you take a break from that and come back a few months later and find you cant occupy that space anymore, that might be a good thing
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