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#bodies are inherently non-sexual. they just Are a Fact of Life. this game being NORMAL about nudity from the character creation screen
lunarharp · 3 months
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wip thing...
of my bg3 avatar hellebore. i also did some casual nude studies of my 3 characters which i'll put under a cut... rather unlike me after all. (so WARNING for abrupt non-sexual full Artistic nudity lol...,,,,) (< won't be making a habit of this)
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they mean the world to me
#bg3 spoilers#?? idk. gith look so..Emaciated. And long. i guess we don't eat on the astral plane :) anyway..well..too much to say.....#it is very very very depressing having to live in the Real World after that final playthrough meant so very much to me.#i normally feel Hope & suchlike after finishing a highly immersive emotional game..but it's too hard this time and it hurtsssss lol yippee#i appreciate bg3 very much for being a place where i could access the concept of nudity & such like in a way that finally felt comfortable.#bodies are inherently non-sexual. they just Are a Fact of Life. this game being NORMAL about nudity from the character creation screen#makes it possible for someone like me to actually have a chance at accessing sensuality in a way that feels comfortable from there.#dont feel like putting it into words further. im ace. just very grateful to this game. even despite the horrors i will never ever forget it#augoh..gugf.. want to go back. my friends & love are in there.....i'm supposed to just move on? in the real world??? THIS place???? UHH????#my characters canonically look like that too!! i see them as intersex and not so much trans. They just look that way.#Diversity win!!! the people who enacted horrors upon you and are trying to kill you again respect your pronouns!!!! <3#I FAILED HONOUR MODE IN THE STUPIDEST WAY POSSIBLE..ACCIDENTALLY TOUCHED AN ITEM. MY LOVER TOUCHED SOME BLOOD-TOUCHED RAG ITEM @ THE CRECHE#AND MY PEOPLE MASSACRED US... YOU BELOVED PRAT. OF COURSE IT WOULD BE YOU AND IN THIS WAY#grateful for love triangle chaos...INTENSE EX DRAMA... IT HAD MAJOR REPURCUSSIONS THIS TIME...ohh so very much happened ohh my dear#truly don't know how to face the Real World now for real. I Don't Know. something has snapped. ive realised twt just makes me feel sad lol#if something in my spare time isn't at least half as fun as bg3....like.. it's not good enough. god we only have one wild and precious life#being Online makes me feel a loneliness so wretched and painful and horrible i really don't think this is the answer.#Why did you even start drawing in the first place? Why did you start this?#For real..the need to work this out and decide what on earth i'm going to do now has presented itself. Why try to get better..why be online#someone who has an imagination that can keep them so happy and fulfilled...has no business also feeling a loneliness as profound as this.#why was someone THIS introverted and withdrawn and anxious also cursed with such a restlessness?#What are you going to DO now? because hellebore and their lover are fine....... So what about you...?#hellebore..😭😭 AUUGHH!! I JUST WANT TO GO TO MY BED IN THE INN...PLAY ON MY VIOLIN THAT'S WHAT I'D DO!!!! i'd drink some ALE DAMNIT!!!!!#i was rereading My Lesbian Experience With Loneliness- the only time i've seen this level of emotional isolation depicted-and was grateful.#but then i read her latest book and now she has a debilitating substance abuse situation and it's upsetting.#I hope she finds what she was looking for. I hope we all make it. kind of wild that i dont do such major self-sabotage at this point myself#I truly think anyone who manages to find dear friends and achieve fulfillment and happiness with others outside themselves are amazing.#I see it happen from my tower. i hope we all make it. I hope we can make it through everything to come.#Why did i say all this on drawings of my characters naked. ah who even cares any more......
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bisluthq · 3 years
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Hey! I'm fairly new here and I have a pretty uncommon take on Kaylor. But I just wanna start off by saying I try my best to be as supportive of LGBT people as possible and if they're both bisexual, then I would be 100% okay with that! I'm not trying to "defend their heterosexuality" or anything, I think that's really weird
Okay, so my personal theory is that Kaylor did happen, but that Taylor and Karlie are both straight. I know that might sound contradictory, but I say this based on my own personal experiences based on how I am with my best friend. I think Karlie and Taylor's relationship might have been similar in some ways to ours
Right, so I'm straight and I'm not into women in the gay kind of way (but it's completely cool that some girls are), and I have this roommate who's gorgeous. Really gorgeous, she's like a 10/10 "I would sell my kidney to look like you" kind of girl. She's very attractive, she has like tan skin and long legs and gorgeous brown hair and pretty eyes and nice lips and just like… she's just very good looking. I'm definitely jealous of her body, I won't even pretend I'm not 😪 I lowkey hate her because of it (jk)
We've been living together since not long before COVID started, and we're very good friends. There were three of us before, but our other roommate went back home to stay with her parents until in person classes are back on and we agreed to it and worked something out because she has really bad anxiety so we understood her reasoning for it
Anyway so it's just been us two and because we've been at home a lot during this time instead of out for most of the day like before, we've gotten to know each other a lot better and have become a lot closer. We were already friends from before, but now we're like super close besties, we've been hanging out a lot together and playing board games, watching movies, helping each other with essays, just having long conversations about anything and everything, etc
Like it's been so nice having a best friend that I can be this close to now because I haven't had a best friend since I was a kid
So my friend and I were having like a conversation last year about how hard it's been in quarantine not being able to go on dates and how we miss kissing people, and so we decided to just like, make out for fun you know. I mean, there's not really anything that's inherently romantic or sexual about making out, that's just society that says that. But tbh I think making out with your friends if you want to should be normalized, it's fun and it can even be emotional sometimes. It's not that different from hugging people
After a couple of weeks or so, I think we got bored of just making out with each other and decided to like, fully hook up. It started off because we were modelling lingerie for each other for banter and were pretending we were each other's runway judges and then I think we just decided to hook up with each other as like part of the whole "game". I can't remember who initiated it now, I think it might have been me as a joke lol
Like just in a platonic way for fun, as a kind of substitute until we can go back into society
And tbh I always expected hooking up with a woman to be like mediocre and boring and awkward, but although it was a bit hard to get the hang of at first and there was a learning curve, it's actually very enjoyable. Like I was very surprised actually at how hot it can be, I think I can maybe see why bisexual women and lesbians like doing it
Anyway we both liked it and we just carried on hooking up on the regular and it's been like 8 months now and tbh I just think it's very sweet and heartwarming, like it actually makes me feel a little emotional how we're close enough and care about each other enough that we can even help each other out with the physical intimacy side of things so that we don't get sexually frustrated while we're stuck in lockdown
I just think it's really cool and we even sleep in the same bed most of the time now because tbh what's the point in sleeping alone when you can sleep in the same bed as someone else? It's nicer, like you can cuddle and stuff
Anyway, I think that maybe Kaylor's relationship might have been similar. I think they're both straight but they became really close friends in a short space of time, and that their friendship was so intense that it became physical but in a platonic way
I think lesbians and bisexual women are amazing and I have so much respect for you guys for accepting yourselves in a society that tries to erase you, and I think there definitely needs to be more wlw representation on TV and in movies
But at the same time, I would also like there to be more close female friendships like the one that me and my friend have where you can just talk about everything together and do things that society usually reserves for romantic partners, but in a platonic way. Because female friendship is really important and beautiful, whether that's between straight women like me and my friend who I think is probably straight too, or between queer women because one thing I've learnt during my short time on this blog is how queer women can have very close platonic friendships with other queer women too
I think society just has overly strict ideas of "straight" and "gay". Like for some people, they would hear about two women sleeping together and think "Oh that's gay", but not necessarily because straight women can enjoy sleeping with other women too, like it's normal 🤷‍♀️
I think it's just a result of women being a lot more physically beautiful than men are, like straight women really got the short end of the stick tbh compared to straight men
I also think it's because women are so oversexualized in the media, and obviously straight girls see that too and so we sort of internalize that attraction to women because we're so used to seeing women being presented in a sexual way? Except it's not real attraction with us like how it is for queer girls
Like I'm very much "attracted" to my friend, she's genuinely stunning and just very hot tbh. But I still identify as straight because it's just a case of what I mentioned above, it's a "fake" attraction. And also because men are afraid to compliment other men because it's seen as "gay", but women can be fully confident in their sexuality and still recognize other women's beauty and sex appeal. You see it all the time in instagram comments, and I really love how we're all so supportive of each other like that
Like I can be fully confident in my sexuality and yet still say that some women like my friend are gorgeous as hell and also 100 times better looking than most men I've seen. I'm very much obsessed with some women's appearances but in a platonic way
And I just love the concept of "girl crushes" and I think that from a feminism viewpoint, it's beautiful that we're focusing on other girls and showing love towards other girls too, instead of just to men who, let's be real, don't even fully appreciate it half of the time
I am going to be sad when we all have to return to life as usual and my friend and I won't be able to spend as much time together anymore. I'm dreading it tbh, I don't want it to end yet. And it really sucks that the physical side of our friendship will probably have to stop too once our other roommate comes back because I think she'd definitely misunderstand the situation and think it's something different than it actually is if she ever saw us kissing or something. I really am going to miss it a lot though, I really like how things currently are and it's just really really nice and I don't want it to change :/
Btw I'm sorry if I sounded fetishistic or offensive with any of this, I just get a bit jealous sometimes that you guys get to date girls and we're just stuck with men. Honestly if it wasn't for all of the homophobia and the struggles that you all have to face and the fact that it would feel disrespectful to the LGBT community, I would probably really wish I could change my sexuality to be bisexual or gay instead because I just think women are better. Sometimes I really do wish I was into women in that way because dating girls just sounds so much more appealing to me (in a non fetishizing weird way) but unfortunately I'm stuck with dating men 🤦‍♀️ But I also know I'm lucky and privileged to be straight even though most men are mediocre and kinda gross and I don't mean to be disrespectful because I know you all have to face homophobia and other LGBT difficulties and it really sucks, people are awful. There's nothing wrong with women dating women or men dating men at all, society is just ugly and bigoted
Anyway, does anybody else have a similar sort of take on Kaylor where they think they could have both been straight and just had a very close friendship with a physical side to it? I think it would explain a lot. But like I said, this is just a theory of mine based on my own situation, and I'm also open to the idea that it was an actual relationship and that they're both into women for real, not just fake "into women" like I am.
Also pls feel free to call me out if I accidentally said anything offensive towards LGBT people, I tried my best but if I made a mistake anywhere pls let me know and I'll avoid it next time!
You’re not offensive. Please stop apologizing. And we’re gonna come back to the Kaylor stuff another time because... Honey. You and I need to have a conversation for a bit.
So firstly, I’m not trying to like “diagnose” you and at the end of the day it’s your choice what you want to call yourself but... tbh you might not be straight. Sexuality is fluid not static and exists on a spectrum not in absolutes. It’s not like it’s straight, 50/50 bi, gay and you’re born knowing and there’s no room for anything else. That’s not true. There’s a lot of room in between all of these and labels can change over time. We’re people, not cereal brands, and sometimes we don’t even KNOW the word for what we might be. I’m tagging a tag for you from when we asked people to share their label journeys for you to see. It’s not simple or easy and it’s not just because of external stuff - it’s because figuring this out internally is HARD. If you found yourself having such an intense friendship it became physical, repeatedly, you liked it a lot, you still sleep in the same bed and continue to share all your thoughts and you don’t want any of that to end... I’m not sure you’re Kinsey 0. And I think you might lowkey have a girlfriend dude. 
You can obviously prefer men but like... hun I reaaallly don’t think you’re completely straight.
Also: it’s okay to say “I see myself winding up with a man and this is a situationship for right now!” but that doesn’t make you straight because again, sexuality is a spectrum and you can manifest a particular kind of endgame while experiencing other things along the way.
But here’s where you really got me: “most men are mediocre and kinda gross” and “women being a lot more physically beautiful than men are, like straight women really got the short end of the stick tbh compared to straight men” because that’s the kind of thing I used to say in my Bi 1.0 era before I ID’d as a lesbian for a bit and before Harry Styles (KING 🥺) made me bi for real. Hun, no. Straight women like men. Tbh BI women like men. I genuinely, unironically, find Harry and Timmy and Matt Smith to be sexy beasts and I would do dirty things to the former two but maybe not the latter irl in 2021 but yes also him if I could be on that Spain trip with him and Karen where they got sloshed and which I think of often. These men are genuinely fucking beautiful to me in the same way Taylor is and Di Silvers is (okay she’s prettier than all of them but like same ~vibe) and like Megan Thee Stallion is and Indira Varma in everything but especially GOT and Gillian Anderson and Keira Knightley. Like those women are HOT to me and SO. ARE. THE. MEN. 
Straight women find SO MANY DUDES hot. So many. Starting from objectively pretty options I just cannot personally understand like Chris Evans all the way through to bitches who are outchea simping for wrestlers and Cole Sprouse. Do I understand? No. But like... that’s straight girl culture and ours is not to judge. 
If you’re struggling to find men hot then... you might be gay.
Also, I’m not sure what you mean by “fake attraction”. Like queer women - especially femme women which I assume you very much are - experience the same kinds of feelings straight girls do. We have women we want to be like and look like and find enviable (me and Oenone Forbat) and women we find aesthetically gorgeous (me and Anya Taylor Joy) and we have extremely close female friends who we can spend hours on end spilling our guts to - as you say female friendships are truly special - and without going into personal people that you don’t know, that’s me and Cam and Sim right? I literally talk to them for hours. Like those are not gay feelings. And yes we can chat about those kinds of feelings with straight girls and call them “girl crushes” and not immediately get “caught out” because they experience this exact shit too.
But here’s the thing. They never do and I don’t want in the cases above to fuck these women. It’s not sexual.
The moment I can actually imagine fucking the women in question that’s... gay. 
Like it’s not “fake attraction” it’s literally just gay. That’s how we desire women. We want to fuck them. Not all women. Not always. But sometimes we want to get under or on top of one and just really truly fucking make each other moan with pleasure.
I have no idea if Karlie or Taylor are into women. They could both literally be straight. I have no idea.
But I have a better idea about you.
Hun, you’re fucking your roommate/best friend and don’t want to stop.
You’re not “into women”.
You’re into this woman.
And possibly into women more generally.
So I know it’s weird to have to be the one to tell you this, and if you want to keep chatting via anon or in my DMs or if you want me to try collate resources for you from around the web but...
Like.
Dude.
You’re a whole ass part of the rainbow.
Welcome to the community you thought you weren’t a part of earlier today 🌈 ❤️
It’s nice here, sure there’s homophobia, but at least we get to fuck girls and man is it good.
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lilmajorshawty · 5 years
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Lilith Through The Houses : The Fallen
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(Carpenter Brut - TURBO KILLER)
Lilith In The First House : The Demon you can see
Lilith in the first house is about more than just the dark aura or the seemingly endless gazing eyes and petrified reactions from outsiders, rather it’s a accumulation of the natives energy focused so tensely in the area of the “self” that they seem like some powerfully dark entity. the face can have a darkness to it be it in color or in it’s appearance. the hair is often dark and depending on how close to the ascendant Lilith truly is it can even overwhelm any lightening affects of planets like Jupiter or Venus here. the eyes are often stunning, and a very harsh quality lies behind the gaze. the demeanor can seem quite detached and intense even if they are standing in an idle position. the natives also carry a strong energy, one that can seem a bit repugnant or erotic. these natives often can be completely opposite of the energy they’re expressing but it can be so atmospheric that they can be accused of “seducing” or “corrupting” their siblings, co-workers, step parents, friends lovers and so on. They have a mysterious nature to them that creates a sort of fearful nature in others, as many often ponder on if they are secretly moving or plotting in silence. These natives are POWERFUL and the scary aspect about them is their ability to dominate a room, a crowd or any relationship by sheer force of will and by existing. to many they are a threat, a bully, a sharlton, a whore, or some wicked vile beast of temptation. early life can be hard especially if Lilith is afflicted from this house and sadly these natives can receive quite a bit of sexual objectification as people often worship and lust after them as if they were a demon of sexual appetite. Lilith here is dangerous as she projects the inner animal in all of us onto the native making the native a target of primal behavior in others. People can act downright like wild animals towards these natives, snarling, kicking, biting, spitting, roaring, and so on just to strike them down and make them feel as small as the native makes them feel just by existing. once mature these natives are physically astonishing, as Lilith’s dark energy courses through the body’s constitution. staying fit is usually fairly easy here. and the mental and emotional faculties are very highly attuned making them incredible readers of character and intent. as these natives age they walk into their Lithuanian image and become truly intense and immovable objects, the men can seem like the devil, like some sly creature, some harmonious gale that weights you down with a simple glare. The women are fierce, and silent, passionately observing the world like a emperor of their bloodied kingdom. she is dangerous and cold, her intentions are far from emotional and her reactions are everything but sympathetic. this can be the coldest and unnerving of individuals to meet.
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(Carpenter Brut - DIVISION RUINE)
Lilith In The Second House : The Blackest of Sheep
For Lilith in The second house natives self worth can be a guessing game, sort of like a constant pendulum swing. hatred of the purest and most carnal form can be exhibited towards ones body, whilst at another moment worship and unforeseen pleasure and joy can be derived from ones own body, their sense of self and place in this grand shit show called life. as you can imagine their appetite for the finer things is unmatched, but in many cases these natives love the ruined parts of beauty. This can be the ripped jeans, the broken stilettos. the old and cracked rusty crimson lipstick or the runny eyeliner, the spiked belt or the bareness of skin pale and lifeless after a cold shower. These natives are cold to the touch and tend to have quite the intense relationship with intimacy and touch. in many ways they loathe closeness and lingering intimacy, seeking to keep a mighty far distance from close ties or entanglements that last longer than they should. the other side of this is that once they do let someone in they can be so drawn to touch and sexuality, its sensuous and amorous nature that they become a gluttonous demon for it, eating their lovers alive. they can wear plenty of silly pretend tones, and soothe anyone into a manipulative tactic and make it seem like it was all a misunderstanding. These are the robbers and thieves willing to take and bleed everything and anyone dry if it brings them closer to their obsession “having what they cannot.” These natives are magnetic and their earthy bare beauty lies in the fact that Lilith here is reflecting on her time with Adam, the sex they had, his touch and the stranious and rather euphoric state she enjoyed until she was cast out and betrayed, thus as she lay nude and bare flying in rage in an unknown sky she dammed the world, the world she believed she had once had, now telling her she could no longer own it. these natives don’t value money or materialistic objects rather they value what is not their’s, what has been created, what is so fondly gazed upon by others, they seek to tear down it’s beautiful glow and to in-turn be made beautiful in it’s downfall. These natives by nature are sacrificial and have a almost godly relationship with the plants of the earth, many are gardeners in their pare time or actively partaking in medicinal herbs and many are even inherently nomadic easily reading climate patterns and environmental signs. these natives are also amazing in the field of medicine for their ability to scope out bodily dysfunctions and emotional imbalances. that being said these natives also have the most dangerous singing voices one could ever here do to it’s magnetic and often eerily moving tone. a rejection of the sensuality or body is common with this placement by the self or by others.
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(Carpenter Brut - MANIAC cover)
Lilith In The Third House : The Rumors Of Shepard
Lilith in the third is a very subtle yet remorseless position, here Lilith has a free tongue and is delighted at the intricate yet magnified level of mental mind games and manipulation plausible in human nature. These natives may have had a parent or an early influence who was a pathological liar, a schemer or in some ways a com, and false prophet. the children often were fascinated and found novelty in the weakness of the brain and sought later in life to play into this more weakened aspect. Lilith sees weakness in the expression of sympathy and compassion and often preys into these aspects via communication or even things as subtle as certain movements/mannerisms, speech patterns and eye movements to throw off their desired target. Sometimes the lies are harmless while other times they are dangerous and toxic although none of this really matters to the native. These natives aren’t heartless per say but their is an inherent disconnect in the manner that the mind and the heart interact; they don’t. you see Lilith places an almost tar like cable separating the two so she can have her fun, as emotions would interrupt her spiritual mingle so to speak. These natives enjoy vocal banter and sparring as they get to test out their new tactics(subtly of course) on others and test the efficiency. These natives are brilliant writers and can often easily decorate a paper with words and diction that would make a literary scholar and professor of 99 years drop to his knees in astonishment and awe. they can color their words in such a way that can both woo you and terrify you with it’s effect. Many with this placement have seductive voices and can easily charm your clothes off in such a way you could even feel taken advantage of. both sexes are dangerous in this regard because although they can create a pretty little portrait for you, they are secretly knitting you in their twisted and often thoroughly planned web. these natives aren’t plutonion the sense that they actively seek to control their conversations or interactions, rather they do so in such a quiet and sincerely relaxed way that it’s as if it’s instinct to naturally swirl a mass into a a joyed get together, a fight into a compliment fest, or a tragedy into a miracle. They are intellectually 100 steps and 100 lifetimes ahead of you which is what makes being in their presence such a sincerely scary thing as they tend to be alphas in any interaction with everyone around them taking the place of common folk, in the presence of a lord. A rejection of ones thoughts and ideas and even knowledge by the world is common. the arms tend to either be hairless or sporting some dark moles, and scars here and there that seemingly seem to curve into a moon like shape. Lilith working positive here awakens premonition and cerebral awareness that far exceeds the normal person.
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(New Order - Elegia)
Lilith In The Fourth House : The Nomadic Evil
Two things should be mentioned be for we carry on, This is Lilith And what we are speaking on is how her presence can effect that particular area of your life by infusing it with her darker scheme but make no mistake where she lay is often the area of life that needs her power the most as to protect the native from being dogmatically bulldozed over by the treachery of the world, she is both a blessing and a great evil. In the case of the fourth house Lilith can make the home life practically non-existent. It can create detachment or loose ties with ones heritage or familial upbringing. In both men and women this aspect can show that the families history is often dark and full of lose of power and regaining of it in darker ways through sexual and emotional expression and this can involve much of the female side of the family. their can be an innate disdain for other women or MEN especially with this but it’s more common to have a disdain for the conventional Mother and  Father dynamic if anything. This can make the native feel rejected when home, or as if they don’t really belong, or in some cases like home is not a real conceptual desire. the family itself can seem almost alienated and far, and much of the early interactions may have been tense, overwhelming or the women in the family could've been survivors of dark acts such as rape, murder, abuse, violence, and or anything that would’ve likely been the result of a man or society failing to give them aid. When Lilith rest here positively the above is still true but the connection to the divine feminine and women in general is passionate and endearing and instills a lot of inner will power and drive in the native. the chest can be very boney and rather tight with the way the nerves and organs coil together. so sharp chest pain, and chest compression is common due to anxiety or strong emotions. the heart can also suffer from palpation and sloppy rhythm yet miraculously the heart is in amazing condition and seems to do well enough on it’s own to fix any potentially fatal issues(still go to the doctor if any symptoms get worse though!) the native tends to express emotions in a cold and rather aloof manner and can have a very hard time flowing into their more nurturing qualities mainly because they were never really exposed to nurturing in the same sense most people are, they attribute caring and compassion to being sturdy, independent and steadfast anything other than that is useless and unnecessary. overly emotional or overly clingy types and unfortunately even children can be a very hard battle for these natives as it clashes with their essence. these natives despise intimacy and tend to prefer being alone as opposed to having to connect and get intimate with others. that being said these natives are emotional, and deeply so but this is hidden behind a wall of trauma and a very well created mask. the thing is though the mask isn’t to protect them or anything rather it’s an instinctual action to create distance and to raise themselves above those who would try to dig past their facade. They are rather powerful in nature and have almost demonic/fallen angel like emotions, often feeling wrath rather than rage, feeling pride instead  of courage and feeling lust instead of love, these natives emotionally exist on a darker emotional plane than anyone would ever be able to fathom. They are by no means fiction and i tell you this because these natives are genuinely so hard to understand, like a complex myriad of fluttered wings and bloodshed, navigating their pain, and their hardships is nearly impossible and this only worsens the older they get as they periodically build more and more mazes. the mind set is often attentive but far away, they can seem like passerby’s and have a extremely closed of nature making things such as friends or lovers seem a bit difficult. they are caring but rarely ever feel as if anyone is worth the expression, they are warm, but very rarely are they willing to create a sun. these natives are mysterious but not for the “look” of it, mainly because they live in their darkness so much so that it is who they are, and if anything thats the beauty of this placement they are an innocent angel with the whitest glowing wings dancing in the dark all alone, in peace far away from the commitments of the world.
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(Big Black Delta - Huggin & Kissin )
Lilith In The Fifth House : The Volcanic sin 
Lilith in this house is a vortex of madness, she swarms and dances in the highways and the swamps, in search of god. She’s so angry and filled like a wine glass with sorrow and lament shouting endlessly for him to hear her pleads. She’s grieving constantly, for what seems never ending. always, constantly in pain, constantly burning her wings and re-birthing over and over each time becoming something else, something more, something darker than before. These natives are seemingly passive and bothered by the world around them, critiques of art, disgusted by the things humans passionately wave their fist in the air for, they always seem disappointed or lacking in amusement at the creations of man. these natives can brim with an almost colony of souls the moment they see that desired star power, that human pitfall where all seems lost and someone surpasses their own abilities and broken bones, and armless and all rises even still. these natives value fearlessness in the face of ones own demise and destruction, rising above adversary without wasting a moment to dwell in the sadness of the situation, art littered in pain or trauma and it’s massive weight or the intensity of someone being able to vocalize that pain and it’s darkening wave excites them. they adore man at it’s weakest moments and the fight it takes to come above those heavy waters once more. These natives can be almost demonically cold to weakness in others, turning a blind eye to someone crying or complaints of a hard life, they tend to ice out people with sob stories and even more so they tend to find complete disgust at those who sell their sob story to the masses and are worshiped for their own self pity. these natives are true seekers of sorrow and strength and it’s often why Lilith in this position is almost at the same strength as the Descendant in deciding whom these natives marry. The lover often is a cold one, dark, intense and one whom has witnessed their fair share of sorrows hence their more stoic and serious nature. the love life of these natives can be pure hell, as the romantic partners especially when younger may be attracted and even obsessed with the natives but upon the natives seeking to consummate or initiate the bond past the courting stage the lover can reject the native, coldly as if they were dirt and openly choose another, or avoid the native all together and in some extreme cases the lover could be abusive or monstrous all due to the fear and powerful emotions the native drudges up in the lover. much pain will be felt but many re-births will be the result, the natives get far more cold, far more intense and even more selective as they age. much of the rejection is due to the native unconsciously turning a blind eye to what Lilith is trying to show them within themselves. Lilith seeks to help these natives process their own pain, and to love from within rather than seek it through another person which is often why up until that is learned these natives are given nothing but hate, mis-treatment, and sorrow. The relationship with children can be healing surprisingly, Children often are afraid of these natives (at first) but as time progresses and these natives get older and harness their inner love children naturally gravitate towards them, seeing them as a source of fun and excitement, children are often very protective and fond of Lilith in the fifth house natives often showering them with love and support. the deeper alignment here is that the natives are constantly carrying an energy of sadness and are often disconnected with the world around them due to their incredibly high standards of what counts as passion, they don’t just want love they want to feel it like a raging fire in their souls until it leaves nothing but ash. they want to feel sadness like a suffocating and deafening tsunami on a deadly storm in the sea. they want to love heir children with the force of all mother united, to feel sex like a turbulent storm of water and fire crashing into the earth like molten rock and icy cool. Sexually keeping up with these natives is impossible, they move like a wrathful archangel and can be practically insatiable. Often times these natives tend to find their suitable lover sometimes between their early 20′s or mid 30′s in most cases it’s early 20′s during college or ladder adolescence as the sun is progressed into the incoming sign and its often mid 30′s following the Saturn return due to the fact that these two will be in a close interaction. the back can have moles, beauty marks or freckles or even just sport a few scars and a more darker skin tone than the rest of the body. the Body of these natives is AMAZING. these natives can seem to have model figures or have very naturally erotic bodies that can make even the most innocent person look like a sultry, she- witch the second the clothes come off. Dancing and writing tend to be past times for these natives and they can be some of the most erotic, and talented dances you could ever have the blessing of seeing. Singing and physical activities are also past times and these natives are very obsessed with the body and tend to gravitate towards more physical and martial art like sports, due to their inherent flexibility and natural stamina and vitality. the overall health is deviously good and these natives tend to have impeccable recovering abilities often mentally dealing with sicknesses. These natives can seem like they are constantly bored or unamused which can make them seem intimidating or hard to please which is often why people feel so uncomfortable or as if they must be on their best behavior around them, this includes people above them and children. many people may seem stiff or cautious around these natives due to how stoic and carnal their eyes can seem in disapproval. these natives internally feel a endless state of heartbreak and can suffer from drastic bouts of depression to episodes of euphoric highs only to come crashing down with the speed of a collapsing wave. things don’t necessarily improve rather these natives learn to take these up and down pitfalls and rise and even stronger version, a darker one than before.These natives are not easy to connect to and can be very hard to gain the time of but assuming you have what it takes they are extremely loyal and deeply sown to the ones they give their hearts too. Be careful how or what you say or do to their family, husband or kids they will annihilate you with the scorn of a trillion dead and their are no lengths they fear crossing. 
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(New Order - Blue Monday)
Lilith In The Sixth House : The Burning Lambs 
This Position of Lilith can seem like a backdoor or a darkened curtain off to the side in the natives personality. They can demand an almost unrealistic and un-sympathetic tone to the less then polished things in the world around them. These natives crave perfection and this isn’t something that’s a simple as the clean room, and perfectly tucked shirt, or carefully honed smile, these natives need and desire perfection at it’s core in a almost spotless representation of themselves to the point of which they would rather annihilate all around them that fails to meet this high expectation. these natives condemn the more instinctual sides of man, preferring to use the mind as their highest calling. many find it difficult to work with others, preferring not only to go in alone but they enjoy the weight of taking on a duty even if it leaves them in shambles. These natives have a furious tenacity that makes them bloodthirsty for positions at work, and trying to compete with them will be a fruitless effort as much of their being and dark intellect come into the matter. in many ways they are beautiful, innocent and contrasting as much of their allure lay in their seemingly angelic and pure nature. these natives have a strong level of discipline and self restriction only second to their Lilith in Capricorn and 10th house brethren. These natives can have billions of fires and storms raging within yet present the polished car, sleek black dress and rose-marry scented smile in the phase of an entire gathering as if they weren’t impaled in the deepest of depressions moments before. a certain level of seriousness and intensity cloud these natives as more often then not they make it a point to remain objective, detached and eerily focused on the objective at hand. ignorance is blasphemy to the natives and often a source of immediate disapproval and disgusts. These natives are very intolerant of many things especially those whom are overly dependent on instinct rather than logic. These natives are incredibly sensual and pleasures can be multi-faced much like their minds. they tend to be their most sexually powerful in sexual situations of inequality. They may prefer more dominant or submissive sexual partners and have a strong need for their darkness to be expressed through sex on a constant basis otherwise frustration and mental agitation is the result. the problem here is that this can cause the underdeveloped types to get into relationships mainly for the sexual outlet rather than the emotional growth. They are immensely loyal, but very rarely ever do they commit to someone as many prefer to be alone. the masturbating tends to be aggressive and volcanic in nature and often times these natives have such an earthy and tense sexuality their co-workers and even people in their everyday lives may feel uncomfortable or sexually aroused around the person due to the power of projection. The stomach can have scars, or moles upon it in some cases or may be the source of frequent emotional upsets. the health can fluctuate and reach moments of life or death both figuratively and in reality. feeling reborn after fighting a illness is common even if it’s something as small as a cold. the animals that the native deals with can be Lilithian in nature and have darker more dangerous attributes. the animals will have powerful personalities and will be treated as an equal by the Lilith person. Hunting animals for sport or having a more grudgingly relationship with animals is common here. These natives are incredibly resilient and steady but have a very inner ward pestilence that causes them to despise reliance or support of any kind.
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(Hozier - Dinner & Diatribes ) 
Lilith In The Seventh House : The God In we, The Devil In Me 
This position of all Lilith in the Houses is One of the most paradoxical and the most devastating. These natives are like a violent wheel of chance, filled with endless possibilities of both malefic and benevolent inclination. These natives can be the sweetest drop of honey, the warmest embrace and the lover of your fantasies dressed as human. They can be your wickedest nightmare, deepest wound and most prolific demon inhabiting your body and mind. They have a level of control on their environment that would put Scorpio to shame, a level of cunning that would silence Virgo and Gemini and an almost biblical like understanding of the human brain and it’s reactions, it’s fears, it’s pitfalls, and it’s quiet longings in such a way that Sagittarius and Capricorn would fall prey. the manipulation can be quiet and a bit hidden in it’s expression but it happens, sometimes unconsciously, other times in the light of day. these natives no matter how lighthearted their chart or how many grand trines and castle of Davids will have a very unbalanced inner world, fluctuating from nun to sinner. to many outsiders these natives are adorably understanding and patient, arguably the most giving and sacrificing person you’d ever meet but behind the sweetness these natives are deeply self invested and in many ways this isn’t a bad thing but it’s also a means of self preservation at the expense of others. These natives seem closer and more intimate then they actually intend and are one of the most difficult people to get to open up or trust you as they prefer to keep much of their interactions superficial and easy. Deeper connections are usually saved for potential love interest or marriage partners but they more than most people get to meet an entirely different beast. these natives can attract heavily Lilith aspected lovers whom are dark, tantric, intense and downright possessive and sexually demanding like hungry animals. The native themselves can project their own shadow side onto the people they interact with platonically or romantically which can create a hypocritical “why are you acting like that” mentality when the truth is that they themselves are the source of the heavy seated Lilith energy. This house is most dangerous as the natives tend to get that much more intense and dark when married, expressing their “real” self, the sinner, Persephone, the black witch, the fallen angel free of shackled purity. They can end up with marriage partners or lovers who seem completely opposite of them or rather a complete 360. the lover may have tattoos, work in a taboo field of work or the music industry  funeral homes, a rock-star/musician, porn,martial arts, or drug trafficking and money laundering, running a prostitution rink, selling drugs, or things like hunting, poaching, lucrative work, government work, FBI, Military and so on. The partner is often serious and Intense but LOYAL. The native can be co-dependent and attract co-dependent relationships which are more dangerous here because of the Lilith like theme. The natives can be seductive and so sexually provocative that many people who may not even be that sexual are actively aroused or turned on by the Lilith in the 7th person, often caught up in their sultry atmosphere to the point where many may be in fear, or disdain of the natives effect on them. The other lot, married, committed or otherwise who cannot help themselves develop strong obsessions with these natives. Love is death for these natives and it needs to be littered with obsession, paranoia, possession, hate, love, intensity, pain, loss, rebirth and struggle for them to truly value it, although they may intentionally reject this and seek more peaceful unions, deep down in their heart of hearts they need that chaos to mend the woes and trios of faces and inhibitions tied to love and romance for them. The buttocks and back can be incredible. the natives may have birthmarks on the butt or darker skin on the area, men may have a hairy buttocks while both sexes may have a mole or scar of some sort here. the waist and hips flow like water and can make these natives excellent at riding or rather make cowgirl-reverse-cowgirl positions their favorites.  these natives are dangerously seductive and can set a whole room of men and women in under their spell as this is a gender less sexuality expressed here often sucking up any unlucky fool who dares to gaze their way. the tell tale of these natives is their deep stare, it can feel like god is looking upon you, as if the devil is entrancing you, they seem like a taboo decision that will change your life and leave it in tethers. 
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( Allan Rayman - Crush)
Lilith In The Eighth House : The Way we speak to the fallen
Lilith is happy here, she resonates with Hades and Pluto, she understands their loss and contempt, their lament and dutiful weight. These natives can seem magnetic without much effort. much of their movement and reaction is stalled and cautious, yet never in a way that brings to much attention to them or their actions. They are observant and still much like a spider knitting it’s web and patiently waiting for that one impulsive mistake or haphazardly movement. They are cunning researchers of human nature, often playing fortuneteller when it comes to mingling with others. Their sexuality can feel like a heavy wave devouring you in a atmospheric way. they can be around you, next to you and above you all in one instant without moving an inch. Their personality is deep but mysterious as much of their real feelings and sexual desires are hidden behind screen doors and cleverly manipulated traps set to seduce or adhere those around them. These natives prefer the -nonchalant and rather un-bothered  mode of emotional expression as much of their darker or more wild nature is focused and centered only on sex.Lilith here grants these natives the ability to use their darker more traumatic experiences as an  battery for their rebirth. The worst in life slides of these natives like tar and from the tar rises a new silky smooth pair of wings with an even tougher exo-skeleton. the ability to heal the pain in themselves and in others is one of their best qualities as they are strongly sympathetic and patient with the darkness and pain in others. Lilith in the 8th house more than most people are deeply aware how trauma and pain can make us lash out or self destruct as a means of regaining control and as a result these natives are the least reactive to emotional displays or darker manipulation or coercive tactics by others. In all honesty these natives feel pity for such people and do what they can to rise above them. These natives aren’t as manipulative or as power hungry as Lilith in Scorpio and tend to prefer love unions built on respect and equality, they just prefer to have control in the bedroom, but have a very open and ardent nature to the sexual ventures in general. sex is VERY important to these natives but they don’t mind waiting years or decades if it means they could find the right person who satisfies their inner sexual need of being respected and recognized as a sexual being and “loved” for it. Here we see Lilith desire to be seen and recognized for her sexuality rather than cast out for her pride in it. these natives are very sensitive towards sexual partners and tend to have deep marriages as they work very hard to maintain the sexual chemistry and love in the union all the while force-ably putting the relationship through upheavals and moments of spiritual and emotional rebirth. These natives are mainly gifted with matters of inheritance and joint business dealings but can still attract money in rather taboo or off the script like fashions. The sexual partner may be the only person these natives share their money or savings with and the family may come second or not at all depending on the relationship with the mother. Many outsiders can be obsessed with the energy of these natives often acting like fan-girls/boys at the acknowledgement of the native which typically puts them off and rather disgust them. These natives fall for the unassuming or the lighthearted free spirits who see the light in everything. the ones with Lilith towards the end of this house prefer more stoic and intense lovers. The genitalia is FIRE! quite literally, men and women with this position have sexual organs that can bring the crazy out of a mountain. They can be very passionate and deep sexually, and will be one of the most biblical experiences you’ve ever had. 
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( Das Rocs - Maybe, I)
Lilith in The Ninth House : The God You Did Not Believe In
Lilith in the 9th is as massive as the solar system, seeking to spread her wings over all the neatly tucked books, and scriptures, digging her nails in the spoken word and rearranging it’s tones and vibrations to her sense of grandeur. Lilith here is the grand passion and the mighty mind of man. she sees fun and joy in the merriment of dancing in the knowledge and origin of the world and very rarely will you ever catch these natives poorly informed about any subject matter as they do much work to ensure that they know the where,why, how and when of the worlds history. They can seem arrogant or entranced in their own knowledge to the point of stepping on the ideas and thoughts of others. They can have an air of supremacy and carry an air of resistance or loathing of universities or higher schooling in general deeming it as a barrier to delving deeper into knowledge. others tend to dive head first into higher schooling to an almost obsessive quality, treating it like some insatiable candy they cannot get enough of, often returning to get multiple certifications and degrees just because they know they can. these natives have a strong dislike of strings attached or chains of obligations which makes them very unreliable and rather arms length in many of their interactions. to them sex and romance, life and death, love and hate should be experienced like an expansive adventure, a gift from the demons gods of hell to live as you please and grow beyond measure. The emotions can fly UP and DOWN, HERE and THERE but they are never consistent as these natives are always heading to the next spiritual obsession. Lilith here is free, SO endlessly free and she hates being all cooped up in a boring, stagnate environment which is often why these natives can seem like birds, and many share a strong understanding or compassion of winged creatures. The thighs can be darker than other parts of the body, have scars or moles or in many cases the thighs are often plump and thick depending on how deep Lilith sits in this house. the sexual arousal can be VERY fast for these natives, especially the men. they are turned on by the uncharted and many men with  this placement love sex so much that they fuck men and women, anyone that has that sexy air of inhibition is everything they’ve been begging for. the foreign travels can be to darker lands, and might involve danger, death or turbulence of some kind so its advised to be safe, and very aware of yourself and others when ever you head out of the country. Lilith is VERY bubbly here so it’s no surprise that this Lilith is one of the hardest to spot. 
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(New Order - Vanishing Point)
Lilith In The Tenth House : The Suited Black Paint
Lilith here is operating in the cold black visor, the feathers loose and sparingly dancing cross the corporate office like jet black paint. These natives can Seem like a cold shower, or some devastatingly subtle but violent train crash with a almost quiet disharmonious backdrop. The ambitious nature of these natives is their strong suite but also one of their most dangerous past times. these natives seek the top and can often use their black wings to blow away the competition, sometimes through charm, manipulation, scandals, black- mail, sexual liaisons or downright intimidation. These natives prefer to be in charge and don’t stay in the passenger seat of any corporation, business, activity for very long as their natural desire to sit on top triumphs above all else. Their careers can be of Lilith like nature or just be drenched in Lilith like themes, such as sexual objectification which is especially the case with women or, emotional black-mail, power plays and power trips or downright psycho-analytics. These natives are often seen as a threat by their colleagues and in true Lilith story line fashion the workers can act as god and attempt to cats him or her out of the workplace, in some ways out of fear and in others out of jealousy. Many times over the bosses or corporate peers can be perverted, dubious and false in their intent. The natives tend to have a ridiculously thick skin and easily create emotional block aids and emotional barriers as a means of alienating their issues and problems as opposes to facing them. this is not done out of a fear of what they feel, rather to them the time necessary to deal with their emotional issues is time that could be used getting ahead. these natives can be filthy in the means that they go about rising in the ranks and can be even more cold and aloof to lovers whom fail to showcase ambition or a grounded and realistic outlook on their future. These aren’t the types to marry dreamers or people who spend more time talking about their future than creating it. These natives bare Lilith disdain for the lord and because of this they tend not to place things in the hand of chance or prayer, rather they believe in actively going out to create the destiny and circumstance they desire. These natives often have a hard relationship with the father or one that is strained in some way, this can even be a step father or male relative of some kind.  their is an inability to submit to the darker expression of their sexuality emotionally rather, they remain objective and steady sexually even when it’s something that should be expressed in a relaxed and calm way. Due to this their sexuality can be very BDSM and Power play friendly, they like to feel in control or be completely controlled by their sexual partners and this can sometimes be in such a way that the natives need to feel emasculated or pain in order to feel ‘alive” though this behavior is only in extreme versions. Much of the darker energy of Lilith is projected towards racing to the top, a insurmountable hill that never seems to end. these natives don’t realize that Lilith is trying to overcompensate for her perceived short comings and is on an endless tirade to prove(god) of her worthiness and power but in reflection to the natives this symbolizes a inner feeling of being inadequate or lacking in worth via their environment and their familial upbringing that is to be addressed before the native becomes engulfed in Lilith Dogma. these natives are as harsh as granite and can often struggle with the softer expression of sex and intimacy as they naturally detach and shut down emotionally from these things out of an instinctual need. That said the relationship with the children unlike their fourth house counterpart is not nearly as strained and is actually very close knit and loving. These natives give their children the world almost to compensate for what the native lacked as they themselves grew up. the kids come first in their lives, before the marriage partner and this can often cause a ripple in their marriages and one they don’t typically care to fix. these natives tend to have sharp peaks and ridges in the bone and can have rather great bone structure. under eye bags or just tightly clenched resting faces is common, beautiful smiles but these natives usually try not to smile in public.
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(New Order - Leave Me Alone)
Lilith In The Eleventh House : The Millions of Lost Souls 
Lilith here is Many but also few. Here Lilith understands the human psyche, she understands its’s pains because she understand the worlds pain, she sees it’s cycle. These natives are Em-paths and have a very difficult time separating their woes from the woes of others. These natives can feel the emotions of others in such an intense way that it often feels like a shock or jolt that can energize or deplete them. These natives have a keen ability of harmonizing with whatever environment you place them in but can also create chaos there by crowding up the energies. Lilith here is like a battery constantly debilitating and then re-vitalizing the area around her postivley or negativity afflicting her environment. These natives tend to attract Lilith like friends whom are often, serious, sultry, provocative, reckless, anarchist, aggressive, shady, mysterious or downright evil. These natives are not naive, and tend to be very aware of their energy and how it manifest as a great many with this placement take on a very nomadic and free spirit. Many like to wear chakra stones, and jewelry that furthers their individualistic expression. The ankles and calves of the native tend to be darker then the rest of the body or remarkably sturdy. they may still have scars or just a abnormality to them. These natives make excellent runners and many gravitate towards the sport whilst others may pick up singing or artistic expression. Lilith here is more passive than she is a troublemaker, choosing more so to lay low and experiment with her own individual self then that of others. these natives can express themselves in ways that can turn society upside down, or greatly challenge the status quo. Gender normalties are lost on these natives as they don’t really identify themselves as anything in particular, rather they are energy, constantly shifting through the cosmos. These natives have a sharp tongue that can quickly turn poisonous yet they don’t actively rely on it. Due to Lilith being so self invested in this house very rarely will the dark side of this native produce any dangerous or malefic habits, rather they will seem calm and vulnerable to the world around them. sexually they can be very quirky and new-ons. they see intimacy as a gate way to exploring their raw and darker angel and transverse sexuality in stride. that being said these natives are very odd and perplexing in matters of romance and sex and can easily fly back and forth between wants and needs sexually as Lilith is really just testing the waters. the mind is deep but depressive and these natives can suffer mighty highs and strange lows from nowhere but never anything that debilitates them. these natives are very kind and balance self centered and people centered quite naturally through the help of Lilith.
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(New Order - Guilty Partner)
Lilith In The Twelfth House : The Clouds where she Scram A Mighty Scream
Lilith in this house is chaos, the reasoning being that Lilith in this house is grappling with the idea of undoing and self manifested characterization. Lilith doesn’t face her actions she seeks to free herself from them and in karmic fashion the evil in her is sent spiraling back at her. These natives are sensual, calm, intimate, healing, clairvoyant, em-paths, spiritualist, pacifist, slaves of justice and human weakness yet they also manifest as unstable, counter-productive, stagnate, false, and stuck in their escapism. These natives are so afraid of themselves that it becomes an unconscious struggle between their Lilith and them as a person. this aspect plays out like a Demonic possession. The person can feel entangled, low energy, or bouts of hedonism, sexual obscurity, impulsive action, and substance abuse that are all out of character. The thing here is that Lilith in her attempt to commit a grand escape has a chain caught on the native causing her woes and anguishes to be randomly transferred to the native. in many ways this can create an alter ego for the native as the native gets hit with personality shifts that progressively deepen as they get older. the dreams can be very LILITH like and the mind itself and it’s inner psyche can feel like hovering voices, paranoia and dreams of sharing or not being in control of ones on desires and feelings or even actions. This aspect can create a person who can seem moody and unpredictable, especially when the urge to detach and disengage pops in, it can be impossible to stop these natives. the sexuality falls on a spectrum like with all humans but with Lilith's inhabitants their can be an unconscious desire to stay celibate or an association of trauma with sex. Men and women here could've been sexually abused or taken advantage of and their can be issues surrounding the “yes” or “no, i don’t want to” in sex that can make it a very blurred area for the native. Lilith may want aggression, passion and complete domination but the person may not truly resonate or desire that and may feel appalled or fear if the personalities switch during sex. these natives NEED a sensitive and compassionate lover who will guide them and nurture them, lovers who are chosen during the Lilith persona tend to worsen and deepen the wounds of this person causing a higher frequency of escapism. I CANNOT stress enough that parents who have kids with this placement, please ensure your child is well aware of the dangers of sex and try to keep them somewhat grounded in the area as some of the emotional trauma can start very early and these natives do sadly attract the worse of the worse mainly due to how violent and angry Lilith is to be resting in this house.  the natives can be seductive but its never intended, they can be provocative but it’s never something they are aware of. these natives are a mirror of the person who views them and can be a dream or nightmare but that is the power of Lilith here, even in her escape she creates a shadow in the clouds that can be anything the heart fears or wishes.  these natives can sleep for LONG hours and have a hard time waking up. The nightmares tend to be hard for them to awake from and can make the natives fear going to sleep all together. Insomnia is another manifestation later in life but is not the norm. the brain is powerful but repressed. the natives can be highly sensitive to hospitals or jails and usually attributes jails to danger and naturally stay away from them and out of trouble. these natives have a natural distrust of hospitals and vice versa as in many cases things go array or seem shadier than they should. that being said later in life hospitals are crucial for the native and therapy in it’s own way is very healing for the native. the desire to use sex as a coping mechanism is a dangerous possibility here and one that should be avoided at all costs. these natives are lovers not fighters and that is their loveliest quality but also their biggest weakness. unlike the other houses whom are fusions between the natives and Lilith this house is the only house besides the 11th house in which 11th and the native are separate and because of the natives emotional nature, Lilith readily devours them. These natives must learn to fight otherwise they will fall victim to Lilith's heavy presence. through their battle with Lilith these natives become remarkably strong, often powerful spiritualist and even stronger at protecting themselves from dark energy in their later years.
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Dear goodness please don’t make me make a dni list. I.. usually don’t much care who interacts with me but I’m seeing some weird shit in my notes!!!
Ugh. Okay whatever I’m cool on most things but here’s some stuff:
-Im a non-binary lesbian. I use they/she. I’m probably somewhere on a weird grey/asexuality spectrum I haven’t figured out yet
-kinnies are valid. It’s all fun and cool man
-I’m queer, and I respect you if you don’t want to use that word or be called it, and won’t call you it without your permission, but it’s still our word. Some of us use it. and if you think people reclaiming it is bad then I’m sorry bro. I’m out here living my best life lovin myself and I don’t wanna make u uncomfy
-I support mogai and people calling themselves whatever sexualities and shit they want. Labels are labels and they’re just for personal comfort and you gotta love yourself. Literally what is wrong with calling yourself anything as long as ur not hurting anyone? As long as it makes u feel good that’s what matters.
-Ace, pan, and trans pals, you’re welcome here. If you don’t support ace, pan and trans people I’m sorry you have a stick up ur ass u should get it checked out (obv I don’t include like. Pedophiles and shit. Incest isn’t a sexuality eugh). Pan isn’t inherently transphobic tf are some of you on about?? Literally one of my best friends is pan and trans wh
-I post GORE and BODY HORROR. YEs I tag things. Yeah I enjoy a lot of other fandoms that aren’t perfect, cus I can consume media critically? When did SU become problematic. Yeah it has its flaws but. It’s a good cartoon for kids w leabians I can enjoy???
(That said, if you dislike certain media for trauma reasons that’s valid and I’ll make sure to tag any other fandom that might work it’s way in here but like. Please. If you think you can’t consume media unless it’s perfect then I’m sorry bro it don’t work like that. Cancel culture is toxic. Enjoy that kinda shitty video game as long as you’re aware of the bad parts. Love urself n have fun)
-I’ve never read homestuck but a bunch of my trusted friends like it so (???). I don’t have any disc horse on that bro I’m neutral. Don’t worry I’ll tag any that might be referenced here It’s valid if u don’t like it ig?? Ya
-dear GOD I hate trump and everything he says. Acab and so is he. No I will not discuss this I thought we were all on the same page here??? Christ
-basically I’m a normal decent human being. I try to be polite and read DNI’s before interacting and holy hell some of y’all........... please........ quarantine really be getting to ya huh
-if u have any questions feel free to shoot an ask I don’t bite
Anyway I’m saying this cus I use tag crawler on my art (sending love to everyone who leaves nice tags), and I usually follow people that way but. Whew.
If any of this makes you’re uncomfortable, you’re welcome to block me if so! In fact, I encourage it, if I in any way make you uncomfortable. I try to be accommodating for everyone but sometimes people just got fundamentally different beliefs yo. Also don’t worry, I really hate drama and shit like this so posts like this will NOT become a regular thing. I just... had to say SOMETHING ykno.
It’s 7:30 am and I haven’t slept so I’m sorry if this is rambly but hot damn y’all. Anyway. back to the regular schedule
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Murder is Bad Manners/Most Unladylike* by Robin Stevens
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*The publishers are being cute again and changing the titles for oversea audiences...
Tea Recommendation: English Breakfast, with milk and sugar - this is a middle grade boarding school murder mystery! If you would like to read this and you are not a) 13 or b) in need of the anti-shock properties of milk and sugar-laced tea, forego it, and just make yourself a cup of nice plain black tea. It is also immensely important to acquire cookies for your bunbreak. Hazel likes chocolate and gingernut best, but I think I’d go with shortbread because, again, I am not thirteen. 
I apologize in advance for the length - if you’re not interested in a lot of meta, skip to the end!
The year is 1934. Hazel, from Hong Kong, age thirteen and one year into her boarding school experience in England, loves learning, sweets, and her best friend, Daisy. Together, they form the Detective Society. It’s been all fun and games so far, with cases such as The Case of Lavinia’s Missing Tie, but then Hazel stumbles across the body of a teacher in the gym - and before she can show anyone else, the body disappears. Everyone thinks that Miss Bell has simply run away, but Hazel and Daisy know better, and are determined to solve the mystery and find the killer.
First off, I would like to thank @mirrormasque for recommending these books as the perfect antidote to the exhausting and stressful end of the school year. They are - sweet, well-written, charming, yet still complex enough to be interesting to readers above the intended age group. If you’re a fan of murder mysteries but struggle to find ones in the sweet spot between bleak and cloying, these ones land there pretty much perfectly.
What makes me love this book - and the ones that follow - so much is the way Stevens utilizes voice. Hazel, as a narrator, is perfect - she’s clever, observant, empathetic. But she’s also thirteen. What she sees, she often doesn’t understand, or doesn’t fully interpret, in ways that readers her age or younger will identify with. 
Because of this, Stevens can be inclusive in natural, non-didactic ways. This book is replete with representation - Hazel is Chinese, there are lesbian and bisexual teachers, and there are students in lesbian relationships. In later books, and in this book to some extent, there are students with learning disabilities and students struggling with mental illness. While such inclusivity is a goal for many authors, it’s not easy to do smoothly, and that Stevens achieves it in a completely natural and unobtrusive fashion is impressive. That she manages to work in period-appropriate prejudices and simultaneously make it clear that being from another country or being interested in the same sex is also completely unexceptionable is astonishing.
As an example, when discussing the arrival of The One (the dashing new art teacher), Hazel writes in her case book, “You see, before this semester, the whole school knew that Miss Bell (our science teacher) and Miss Parker (our math teacher) had a secret. They lived together in Miss Parker’s little apartment in town, which had a spare room in it. The spare room was the secret. I did not understand when Daisy first told me about the spare room; now that we are in the eighth grade, though, of course I see exactly what it must mean.” Hazel still doesn’t truly understand, though she pretends she does, in the way of teenagers everywhere. 
However, what her discussion of the labyrinthine relationships between the teachers reveals is this: as far as the school is concerned, this secret is no more astonishing than The One’s subsequent clandestine relationships with Miss Bell and Miss Hopkins, the athletics instructor. Any two teachers in a relationship is a bit of juicy gossip. Yet the adult world and the student world are inherently distinct; everything that happens in the adult world is exotic, but other standards apply amongst the students. There’s a clear distinction made between girls who have “pashes” on each other and girls who are genuinely in love - the first is accepted as part of normal boarding school behavior, and the second is a secret that can damage the reputations of the students involved - and both Hazel and Daisy are explicitly confused about what the difference is. Their lack of understanding and experience with regard to sexuality allow them to identify the hypocrisies inherent in the standards presented to them in a way that feels very natural and observational, rather than didactic.
This does lead to Hazel coming off as pretty immature, however. Hazel reads as a couple of years younger than her canonical age, and I’m on the fence about it. It’s necessary for Hazel and Daisy to be a little older than the target demographic because they are literally solving murders. However, Hazel’s voice is appropriate for the 10-12 age range, which is where the book is aimed. From an audience perspective, it makes sense, but as an older reader, it can be jarring. Her immaturity can be rationalized away - she’s a very sheltered kid, and it was a different time - but since the book also spends a certain amount of time working with the uneasy intersection between the adult and child worlds, it can seem a little counterproductive. However, it may also be key to Daisy and Hazel’s characterization, and to the game the book is based around.
It’s clear from the beginning that initially, the Detective Society is imaginative play. The year before, they had the Pacifism Society and the Spiritualism Society, and this year, since Daisy’s gotten into detective fiction, they’re playing at being detectives. Imaginative play is a huge part of childhood, but it’s also something that starts phasing out around middle school (and certainly high school) as adult life starts both intruding more and becoming more desirable. However, unlike the previous societies, the Detective Society is secret - only Daisy and Hazel are engaged in this game. It’s suggested that it’s because they’re best friends and they don’t want anyone else in on it, but there’s an implication, as well, that the other girls might not take it seriously. When, later in the series, some of the other girls do participate, it becomes clear that it wasn’t much of a secret - and that they weren’t especially interested in it. Their later participation is contingent upon the initial success of the Detective Society, and the later necessity (there’s another murder, of course) of participation (here, it recontextualizes the murder as a game for the other girls, and so makes it safe, as well as controlled).
That Daisy and Hazel are so invested in it is a sign of their immaturity; that Daisy is, as always, the instigator, is a key insight into their dynamics at the beginning of the series. The inequality of their relationship is obvious from the first - although there are only two members of the Detective Society, Daisy has declared herself the president - and Hazel the secretary. There’s no reason at all that Hazel couldn’t be co-president or vice-president of this two-person team, but Daisy does not even admit this as a possibility. Initially, I felt like this should rankle more with Hazel, but it becomes evident fairly quickly that the need for control is integral to Daisy’s character and Hazel is friend enough to let her have it unless the stakes are high enough to warrant protest.
That does not mean that their friendship is unproblematic. From the beginning, Hazel refers to Daisy as “perfect.” Not the perfect English schoolgirl - she’s careful to point out that though Daisy pretends to be the game-for-everything girl that everyone at school wants to be and, failing that, wants to be friends with, she is not, in fact, what she pretends to be. She is wearing a mask to fit in - but whether she’s wearing the mask or not, she still puts herself in a place of power over Hazel. 
Storybook-schoolgirl Daisy is cream-and-roses pretty, old money, funny (but not too funny), always up for a prank and a midnight feast, and infinitely popular. In contrast, Hazel is the new girl, and even worse, she’s foreign. Real Daisy is sharply intelligent, impatient, secretive, and controlling. She calls herself Holmes and Hazel, Watson - and the comparison, as far as she’s concerned, is very apt. Take Sherlock Holmes and transform him into a British schoolgirl in the 1930s, and you get Daisy Wells. Why, at least in this first book, is unclear - we simply see that this is how Daisy is, and that Hazel accepts her for who she is, even when it means letting Daisy diminish her.
Hazel, as chronicler, is on the surface much like canonical Watson. Loyal, empathetic, and cautious, she’s as intelligent as Daisy, but less assertive. Part of that is because she knows that her acceptance at the school has been contingent upon her friendship with Daisy. Hazel is very aware that she is different from the other girls, and while she doesn’t dwell on it, it does inform many of her behaviors. She learns to don a mask from Daisy, to pretend that she is not as intelligent as she is, not as different. For her, being Daisy’s friend, instead of Daisy being hers, is a form of protective camouflage. 
However clear-eyed Hazel is about Daisy, and about their relationship, Daisy’s consistent diminishment of her combines with her own uncertainty about her appearance and leaves Hazel feeling inferior to Daisy much of the time. Hazel was raised in an extraordinarily Anglophilic environment, and has grown up seeing girls like Daisy as the ideal of what a girl should be. Being Daisy’s friend puts her in constant comparison with Daisy - she is quiet, she is not athletic, she is not popular, and most of all, she is not thin and blonde and blue-eyed. While she is confident in her own intellectual capacity and perfectly happy contradicting Daisy when she feels Daisy has, once again, jumped to a conclusion, she is not confident in her body. I blame her dad for that, personally - he’s very sure that Hazel is the smartest, most logical, most morally upright child around, but oh boy does he love him some British everything. It’ll be interesting to see what Stevens does with Hazel’s self-image as she grows up more - in the last book I read, it’s starting to become more of a problem as romantic interests start popping up, and I imagine that in the other three books that are out that are NOT AVAILABLE IN THE US WTF, we get to see even more of that.
The relationship between the two girls is the most interesting part of the book for me, but the other characters are well-drawn, and the plot is solid. So far, I’ve always been able to identify the murderer before the girls do, but in my book, that’s a good thing - I’m thirty, and it means that Stevens is acting in good faith and putting in all the clues. A proper mystery has to be solvable by the reader - if the author holds back the one clue you need to solve the case, it’s cheating! The framing of the story - that it’s a case book - is cute, if not at all convincing, and the ways in which it is a case book will be appealing to young readers, though I find the interruption of the suspect lists to be a little annoying, since we’ve usually just discussed why we’re ruling a suspect out right before we get the list... explaining why we’ve ruled the suspect out.
In that the book is deeply respectful of its readers’ intelligence, it reminds me of Diana Wynne Jones, which makes sense, because Stevens mentions her as one of her favorite authors. According to Jones, writing for young readers is much harder than writing for adults, because kids are so deeply immersed in texts that they pick up on everything, whereas adults need things said two or three times to get it. That ethos is evident in this book is well - it does not condescend to its reader, and because of that, it is enjoyable for all readers, not just for the target demographic.
The last thing I want to mention, since I'm not going to do this for all the books in the series, is that the same thoughtfulness and subtlety about prejudices inherent in the time period (and today...) is also present with regard to historical events and movements in later books, especially the rise of the Nazi party and the remnants of imperialism. It’s pretty great!
tl;dr - a cute murder mystery with complex character relationships, a solvable but satisfyingly complex plot, and diverse characters! Highly recommend. Trigger warnings for murder, blood, unhealthy friendship, but honestly, it’s all appropriate for middle-grade readers.
Amazon - free to read with Kindle Unlimited!
Goodreads
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goron-king-darunia · 5 years
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Annon-Guy: How do you feel about the official pairings in Symphonia? LloydXColette, EmilXMarta, SheenaXZelos and AliceXDecus. P.S. While these are not official, what do you think of the GenisXPresea and RegalXRaine ships?
I didn’t realize SheenaXZelos was considered an official pairing by most, actually! As a concept, I think they could be cute, but as things are right now with the canon where it is and with the interactions they’ve had, I don’t think they’re a very healthy relationship. Zelos basically sexually harassed her and she had very little recourse other than to punch him. I think if they showed Zelos learned NOT to do that and to flirt in a way she’s actually RECEPTIVE of, then it would be a cute dynamic. Zelos being goofy with her and her being sort of dismissive would be FINE if his goofiness didn’t involve groping and other things she clearly doesn’t like. If she actually liked what Zelos was doing, it’d be a little sleazy but it’d be fine. (The sleazy thing is mostly because, like, as fictional characters they’re MADE to act that way and a fictional girl being receptive to groping sends a broader message that it’s okay to grope girls which it generally isn’t.) But if Zelos could improve a bit beyond what we see in the games (and he improved GREATLY in DotNW. He harasses Sheena less but it’s still there to a degree.) and they fleshed out the relationship a bit more for some tenderness, yeah, they’d be cute. AliceXDecus is a little toxic, just by virtue of them both being written as bad guys. In some alternate universe where Alice’s lust for power is directed more toward a protective impulse and Decus’s devotion to her isn’t fully out of her manipulating his feelings for her until she’s vulnerable and starts giving back (which she basically only seems to do at the very end of the game unless you do her sidequest and learn a bit more) then they’d be pretty cute. A terrifying power couple with the woman in charge and her man behind her 100% would be a rad thing to see.  LloydXColette is really cute, even though I think Lloyd is a terminal dumbass and Colette could do better. XD They really care about each other though and they have a really cute dynamic and the games fully flesh out their interactions so that even if you don’t read them as romantically interested, you can tell they have a very strong bond. ColetteXall the Dogs is a good ship too though. Let her adopt all puppers. EmilXMarta has potential, though I oppose it on the grounds that I prefer Emil and Richter together, but I think even at the end of the game, both ships would have toxic elements. Richter is clearly not fully over Aster’s death and is bad at articulating emotions and Marta is still working toward treating Emil as his own person and not as her knight. In each ship, Richter and Marta would need to work on themselves a lot more in order to actually address how their behavior impacts Emil. Emil has basically already completed his arc and has improved in the ways he needed to in order to be “someone deserving of their love.” Like, clearly Richter and Marta both love late game Emil basically exactly as he is. They both wanted him braver and he did that. He improved to the point that he’s able to tell them when he thinks their wrong which is healthier for him and for potential relationships. But Richter, even at the end of the game, fails at communicating with Emil at almost every turn. Communication breaks down when Emil tries to decipher vague statements Richter makes because Richter is still too afraid of being fully honest (though to be fair, during the late game he has committed to disengaging from attachments with Emil because he plans on one of them killing the other.) Richter’s growth from the sidequests basically disappears late game. During the first two quests, he opens up a lot, but once he realizes Emil is 99.999% probably Ratatosk, he abandons that growth because he can’t afford not to kill Emil if he wants all his effort to pay off. Marta, meanwhile, does make strides toward learning to tell Ratatosk and Emil apart, but it’s also very clear that she’s still not seeing them fully. When Ratatosk pretends to be Emil, she can tell that it’s Ratatosk. But when Emil pretends to be Ratatosk at the end, she’s completely fooled, even though Emil clearly refers to himself as Lord Ratatosk, which we NEVER hear Ratatosk do to refer to himself. Furthermore, she’s fooled by the idea that Ratatosk “can’t be controlled” and that’s why he’s breaking whatever Verius did. Marta sees Ratatosk as inherently violent and dangerous during the endgame which completely undoes all the growth she supposedly did during the middle of the game where she defends his actions to everyone because she “knows Ratatosk is a good person.” That, coupled with the fact that even while she dials things back, she never stops flirting even though it’s clear Emil wants to take it slow, shows that she definitely needs more time learning about Emil/Ratatosk so that she’s CAPABLE of treating Emil/Ratatosk like a PERSON and not as an idealized caricature of her “perfect man.” I think if you gave both Richter and Marta 2 years to just... no pressure date Emil, just hang out and do platonic things like board games and such, I think if they both did that? Just hung out with him in a calm environment and talked like normal people without being forced into battle constantly to cooperate, then I think both relationships could definitely blossom into something really nice. But overall, I think Richter has a better shot because he already treated Emil like a full person. He didn’t want Emil to be braver in order to fit some idea in his head of what Emil should be. He wanted Emil to be braver because he SAW EMIL STRUGGLING and wanted Emil to be able to defend himself. He didn’t demand Emil do anything like Marta had. He told Emil what he thought he should do and then asked Emil to TRY. 90% of Richter’s complaints to Emil were “don’t do this just because you think I want you to.” “Don’t try to like herbs just because you think I want you to. If you want to try to like herbs, do it because it’s something you want to do to broaden your horizons.” (I’m reading between the lines of course, but still.) Marta was definitely LEARNING to do that and that was REALLY nice to see. She eventually did start giving Emil advice because she wanted him to improve for his own sake, not to fit her definition of an ideal man. But Richter was doing that in the beginning. Which is why I think he’s a better match. All of Richters work to deserve Emil has to do with exclusively personal work. He needs to learn to feel his feelings. He already treated Emil right. Marta’s work needs to happen interpersonally. She needs to learn more about who Emil really is and work on treating him the way he wants to be treated. Richter and Marta are foils like that. She already feels her feelings and can communicate her own needs with Emil, but she hasn’t quite met the threshold of treating Emil as his own person. Richter has always seen Emil as his own person, even though he had EVERY REASON to project Aster onto him. What Richter needs to learn is to feel his feelings and communicate his desires. So yeah, long but this is my game of expertise since I played ToS a long time ago and I obsess over Richter and Emil, so... definitely a dearth of knowledge on the ToS part compared to all the hyperfocusing I do on DotNW. AS FOR NON-CANON SHIPS: GenisXPresea is really cute. The “age gap” is the only real issue, but when it comes to fictional characters, the age doesn’t matter as much as their role in the narrative and how they interact with each other. Genis and Presea both behave in similar ways, both have similar levels of power. Presea has been alive longer, sure, but their levels of experience in the world are roughly the same. Also, given how long elves and half-elves live, the age gap becomes less important as limiting the relations to only people in their own age range becomes difficult a gap of 100 years between half-elves is basically a gap of 10 years by our standards. So the number is less important than the dynamic and power level. Neither is inherently more privileged than the other, they have a good camaraderie, they share some interests and take an interest in each others’ hobbies, they seem to enjoy each other’s company, and the only one with any objection to it is Presea, who mostly objects on the principle that she wants to live life for herself for a while because she was trapped in her own body for years without any agency. RegalXRaine is an iffy one. They get along well, but there doesn’t seem to be much chemistry. They respect each other and get along well, but they have very different interests and Regal still loves Alicia very much and seems more committed to helping Presea reintegrate with society than getting back in the dating pool. I think they’d make a cute couple, sure, but a lot needs to happen before that stuff happens. 
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scooperkin · 5 years
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I've seen someone draw the puppet with muscles (I have the picture on my phone)
Sorry I got a bit carried away with my insight on this and the fnaf characters, style and designs in the form of horror media so it’s long and under readmore
Forgive me for any writing errors, this was written on impulse and I probably won’t look into fleshing it out:
I don’t think there’s anything inherently wrong with art or portrayals of the Puppet with more human-based anatomy features but it’s tiring to see this non-stereotypical gendered entity/child’s toy that isn’t supposed to be presented as anything near human both for the in-universe creative of the children’s imaginations, but also as a horror character that is importantly keep vague because a as a horror character, the unknown of what it could be and it’s odd undefined behavior coupled with this vague humanoid but, UNhuman frame makes it scary to in-universe adults, as well as real fans.
So seeing it so commonly characterized as a shapely-human just ruins the original intent and just takes away my interest in whatever story or fanart is being presented to me. And while this is a personal opinion and really doesn’t matter in what content people should do as if it disinterests me I’ll move on but those who enjoy it will still enjoy it. And there also fan content I’ll still occasionally remain interested that present not just the Puppet but other fnaf characters in campier and, stylistic content; any more serious, spooky, horror or more faithful fan media that has both the Puppet and other FNAF characters portrayed more comfortably artistic light, such as the Puppet having a “motherly” body shape (most likely thanks to Living Tombstone’s FNAF 2 song), as well as Toy Chica’s already feminine body pushed further with more defined features about her body (*ahem* boobies). And notice again how a lot of this is more aimed at the more “feminine” of the cast.
Circus Baby, along with Ballora, are the only animatronics that ends up being drawn straight up as organic entities even when in the presence of their fellow Funtimes, still depicted as their more horrific, robot designs. It’s fine if they’re drawn as regular furries and Baby and Ballora as human women (or little girl), its a chosen style someone chose, and again this isn’t wrong just because I don’t find it interesting enough, it’s not my cup of tea and I move on. But, several times I’ve come to accounter, more organically designed characters often are reduced to basic human features in their design. The Puppet gets curvy, Ballora and Baby get real hair that fluffies and moves organically, Baby herself often made into a tiny cute friendly young girl. The (fixed) Mangle, and Funtime Foxy getting more curves and floof. And don’t even get me started on people who sexualize these characters to the point they’re just human bodies with cartoon heads to just be more comfortable with consuming not safe for work content of them, proving as well these character’s designs, in the long run, don’t matter in this nsfw work, but that’s a different subject on a different type of content for a different day. (And notice how all these characters are feminine? While Scrap Baby can be portrayed as a cute girl in fan content but Molten Freddy is still what he is in the game in his fan content.)
Circus Baby is highlighted by the fact she is a massive robot towering over even the tallest of men, a single eye of her’s can fit two if not four pairs of human eyes in it’s size. Her fingers, thicker than most children’s arms. Is TERRIFYING. And she’s supposed to be. She’s a horror game character. Her scale towers over adults, their parents, the protectors of their children. Her movements are jerky and uncanny, her stare to an older audience member or child can give them the creeps. But ultimately her design–safe, safe for children to run up to, and safe for a child to trust. While her existence and design as a whole in-universe and above the surface is so supposed to be a large child, an older sister, still young enough to play with you but old enough to trust to be alone with. But behind the stage, back underground, that’s not who she really is. I’ve never seen Circus Baby as a giant child as she is seen to the outside world, no because underground, in the darkness she’s kept, we’re shown the real her, the true her. She isn’t some dumb playful child, she is a discerning actor. And her “real” mental age can be debated and discussed among fans, but it’s clear she isn’t an arrogant child. And more specifically for me, I see her depicted as an actress. An actress who’s been conformed to take on this child role both on and off stage. She purposely has a voice higher, she purposely choices her innocent-word structuring. She’s acting, she’s Pretending for the sake of her own safety against this Location she’s in. When even being off character for a moment such as taking a rest off your stage gives you a painful shock. It’s not too unusual as several stars and actors, usually young and more impressionable ones are told to act a certain way even with off-screen. A good example of this is several child stars on the work of Disney Channel original series. They tell their actresses to dress a certain way, to speak in a higher voice, don’t be serious, always smile. Because it earns the trust and love from children viewers better than just, Bella Thorne or Miley Cyrus being her honest self off set to their younger fans. Too risky, keep your voice pitched up. And even though you’re 19 please, please don’t act like it, act younger, the kids won’t ever relate to you if you sound too old, if you act to old. So while Baby and the other Funtimes’ situation is a very exaggerated version of this (no don’t worry no disney stars are getting shocked when they don’t act hard enough) to the point that it’s a horror genre story about it makes sense why this is unsettling as a player and in the Funtimes’ shoes.
So while Baby does everything to keep pretending, this is something Ballora can’t do. Ballora can’t pretend, she refuses. She refuses to pretend when under the surface away from the crowds and people, where she’s alone and can be herself. But she doesn’t get that, she gets shocked and ends up being scooped to “fix” her. Too much free will. Foxy isn’t explored as much but I feel goes through the same trouble as Ballora. And the only one who is seemingly left unpunished is Funtime Freddy, not even getting his own room, just stored somewhere until it’s time for a show. It’s implied he’s either the least sentient out of the cast or the one who acts closest to his original programmed personality. But either reason leaves him unpunished, not locked away for safety and disobedience. He’s unpunished but left alone in a single storage room. But whoops maybe having him follow his programming better than the others wasn’t the best idea. As he gets confused to when he’s on or off stage, when he should be sleeping, forgetting this hug is too tight for a child, or that said child is actually an employee that happened to go into the Breaker Room and is in fact not a birthday boy.
So Baby is unsettling both by design, in context, as well as her history, being created by the infamous William Afton making her again, do things she didn’t want to. So when I see her turned down into cutesy little teen girl or small child, and portrayed as such, I can’t help but again lose interest. And once again this is more of a personal preference, that isn’t how I understood Baby to be, or that she needed to be fixed from a large scary robot to cutesy bab. But it’s how others want it and I step away.
And I know this sounds like I’m going everywhere with this, and barely has to do with your ask, but I fear my post may have been mistaken as I feel this ask is talking about a way people shouldn’t draw or portray the Puppet when I wasn’t trying to say and I’m sorry if it came across that way.
As it stands a muscular portrayal of the Puppet is harmless, and a rarity in re-contributing fan media when compared to the more favored “curvy” puppet design trend. And of course these portrayals are no big deals in the end, and it’s just a preference but, I see more and more young artists following these trends because they seem more normalized. And no it’s not the original artists, of the young artist’s lack of understanding but, the fact that a lot of the fnaf fandom doesn’t treat fnaf like the horror media it is. Which is fine on it’s own, but when it’s brought up, I can’t help but look at a large side of fans like I’m looking at a Happy Tree Friends AMV with a song like this. Yeah Happy Tree Friends is a disturbing creation on it’s own but it’s not because it’s done in seriousness and the fact it’s cutesy IS what makes it disturbing, not any relevance it has to a subject or stories its trying to tell. So paired with a song as intestine and serious in tone as this one just seems…. silly. The editor wanted it to be horrific and scary but with the content at hand… it’s nearly impossible to do and takes a lot of figuring out to make work and only a few horror media can pull it off. And once again maybe this is just a me problem and how I intake content, for me FNAF is a horror story, a tragedy, it keeps you up at night not because the fiction itself is scary, but the contents implied and the contents hinted. Freddy Krueger was a sadistic child murderer in life because it was the evilest and scariest human conduct he could think of. And it’s why it’s so disturbing in FNAF that this ominous purple figure for the first few games was clouded in mystery and terrifying because while Krueger he killed innocent children, the purple figure was scarier over the fact he worked with these children, and he might still have worked with said children and he was Never caught and we didn’t even know his name back then. But we, the player saw him. Then we’re given just his vague actions of not only killing innocent children for no rhyme or reason (and any reasons at the time being just as horrifying )he then“Stuffed the victims in the animatronics” makes you think about how utterly disturbing that is. How did he even manage to do that, how did they not find him, that’s so horrible? And if the Puppet did that, why? The Puppet is vaguely sympathetic or is it? Because why would it do something so disturbing and as horrible as stuffing children into metal suits to the point their blood and organs leaked out, even in the name of “saving” them. It’s still horrible! It’s still tragic!
So when I see attempts at acknowledging in the horror in FNAF I want to give reminders that despite everything, Baby was HORRIFYINGLY big, looked had a cuteness that leaves people with the uncanny feeling of a porcelain doll’s stare. (as well as Ballora’s horrific treats being based off that).
That the Puppet despite everything it’s not a human, and has never been shown to bend in the same way a human can, and when it does move its arms and legs are still stretched out in space as it jumps in to kill you.
And to keep aspects like this when creating fan horror content or original horror content. The simplest of choices are usually the best ones, the feeling of being unable to move while your vague unknown attacker's inch closer and closer, to walk blindly in the dark with dangerous creatures. And in the end of this scary tragedy, or wanting things to be happy again, trying to solve the mystery, trying to make the horrible less horrible, only death awaited. For all of us.
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bryyo-data · 6 years
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Okay I'm pretty sure I swore off discourse when I started planet-bryyo but hey, it's Christmas!
With regards to the Samus-out-of-her-suit discussion, it seems to be a pretty subjective matter. I keep trying to put my opinions into words, and I think I've narrowed down the issues I have. So this is JUST my personal take on the entire thing: what I like from Samus, what I think works well and doesn't work well. Feel free to disagree and even drop a comment in the replies, I'm open to a change of opinion!
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(FYI I stole all my images off Wikitroid to break up the text)
Seeing Samus outside her suit is a neat reward. In the original Metroid, it lead to the very significant reveal that Samus was a girl. A lot of games tease the woman-behind-the-suit with stuff like reflections in her visor, or a view of her eyes and expression during a cutscene, so the game culminating with her completely out of her suit can be very rewarding and awesome if done well.
While I have a bit of a preference for stuff like badass suit shots or Fusion's lore endings (which I think were Japanese exclusive so I've only ever see them via the wiki) it can be really fun to see Samus just chilling in her spare time. Zero Mission does this pretty well; she dons regular outfits, goes back to civilisation, and does normal stuff like drink at bars. It's nice to see her get some down time, and hint at what her life is like beyond her missions.
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On the other hand, blatant this-scene-only-exists-to-show-off-her-boobs scenes aren’t my thing. Y'know, I’m willing to say a bit of sexiness probably doesn't do much harm. I'd argue that some of the scenes we see in the likes of Zero Mission and Fusion endings (like the above) are acceptably, as youtuber ShayMay puts it, "sexy not sexualised" and detract far less, if anything, from Samus' portrayal. Samus is pretty without it being obnoxiously sexualized. And hey, we're all human, loads of us like a bit of boob. They aren't of much interest to me but plenty of people love 'em. In Metroid, though, it just feels a bit excessive and unnecessary at times, and I think it can impact how Samus and certain scenes come across.
The zero suit segment of Metroid: Zero Mission was a really interesting part of the game, with that stealth mission being challenging and fun to play. That's just about the only thing I ever liked regarding the zero suit, because almost every other instance of its appearance (including cutscenes in Zero Mission itself) is used to scream "HEY LOOK GUYS, SEXY BUTT." Personally, I just don't think those shots mesh well with what Samus is generally portrayed like. There's better ways to go about showing her suitless, like the variety of civilian outfits she's been presented in, or even simply taking off the helmet as in Prime. She can look very beautiful in these shots, without it looking blatantly sexualised and a bit ridiculous. Compare the above bar scene to this thing which always really bugged me because it's literally just butt and sideboob and the way it's posed looks really weird.
I find it a bit jarring when we go from the imposing figure of the power suit to the zero suit, which tends to be used to scream boob and not much else. For the most part, suited Samus carries this gravitas that makes her very impactful as a character. Unfortunately, that gravitas pretty much instantly evaporates when she's put in a blatantly sexy shot on screen, no matter what she's saying or doing. Note that there IS a difference between "blatantly sexy shot" and "shot where Samus is not in her suit" and the latter would be no issue. We see that in the likes of Other M's ending, where she's in civilian clothing and can look nice without the camera lingering on her rear end too long and killing the impact. I have my issues with how Other M did things, but at least IIRC it didn't derail that ending moment with Anthony by making it weirdly sexy, unlike a few other parts of the game which I'll come to in a bit.
I don't think sexiness is automatically bad- see Bayonetta for what I guess is an example of sexiness done in a good, not-disempowering or disrespectful way? I guess? I haven't played those games. But sexiness in Metroid is put in places where it feels out of place. Zero Mission and Other M are bad offenders; the latter two Primes only have like one scene of it, so it's odd but can be more easily passed over if you aren't into the uncanny valley robot tiddy look from Prime 2 that haunts me to this day.
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Hunters did the out-of-suit thing quite nicely too. Hunters stands as evidence that even the zero suit doesn't have to be inherently bad (though let's be real, it was designed for tiddy and it will probably be used for tiddy until the end of its days). Hunters was actually my intro to the franchise and the first time I personally saw the face of Samus Aran. If you beat Hunters before developing carpal tunnel syndrome, and if you access the hidden ending by fulfilling the Alimbic prophecy, the monster Gorea is destroyed in its final form and the Alimbic spirits telepathically contact Samus to thank her for what she has done. There's a lack of obnoxious proportions or questionable camera angles, so the scene comes across as meaningful as it's supposed to.
Prime did well in combining the thrill of "IT'S HER, IT'S THE PROTAGONISTS FACE" with the badassery of suited Samus, giving the scene quite a good impact. People remember that scene with fondness. It's a shame that so few scenes with non-suited Samus have managed to capture the same thing- like, imagine Samus standing on a hill in a long coat or some other awesome piece of apparel, gazing over a futuristic city like a watchful guardian. That would be sweet.
I personally liked the more realistic look they went for in Prime, despite technical limitations on the face model; it suited the tone of the game and the personality of Samus better than the weird anime kinda thing in Prime 3. You can get away with that look in the 2D games where everything has that art style, but all the other humans in Prime 3 were more realistic so it just looked out of place (we don't talk about Echoes...) but that's verging on a different issue entirely.
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Zero Mission is one of my favourite games, possibly my favourite 2D game on par with Samus Returns at the minute. It did really well in a lot of stuff, but it also has a degree of booty with bad timing. The moment after Samus crashes and is left with nothing should be a fairly serious one- the situation is bleak, the task up ahead is daunting. The only hope you have is Samus' confidence and skill- and your skill as a player, which, if you're anything like me, you're starting to question in a moment of utter oh shit. This is also one of the few moments where Samus actually has some dialogue, which is all pretty straightforward with a hint of her good humour and personality.
That entire scene is framed over a very blatant butt shot. Maybe it's just me and I ought to care less, but I find it a bit harder to take the scene seriously because of it. Sexiness isn't inherently bad, there's a time and place for it, but is this serious scene really the time and place? I'm not even gonna pull up big words like objectification and such, I don't really know enough to say about those things, I just think it looks really silly there. If it needs to be included, couldn't it stay as the under-five-hours reward as per usual?
I could just be really bitter about that one, though.
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Buff Samus is another related issue. I've seen loads of people saying "Samus looks good as she is!" and there's nothing wrong with that. I just thought I'd try and justify my own reasons for being a bit let down with Samus' current out-of-suit design. It's not so much the design in itself, nor the fact that she's not what the fandom fantasizes her being like. It's more related to the design's history and trends of change.
Personally, I'm just a little bitter that they felt the need to change Samus from the design they gave her in Super, because of WHY they changed it. In Super Metroids manual- and visibly in-game- Samus is toned and tall. These days, the media is gracing us with more tall and buff lady characters (Zarya from Overwatch, Brienne of Tarth from GOT, etc.) but when I was a kid I don't think I could name a single muscular lady outside of joke cartoon characters. Maybe sportswomen, but even then I can't think of any popular ones whose names I haven't learned in just the last few years. Doesn't mean there weren't any, just that I never came across any widespread ones, and I'm inclined to believe there weren't many around in popular media. Which made a taller, buffer Samus a little bit more of a revolutionary concept, important for the sake of seeing varied body types and such. It's important for people with those body types as much as it is for everyone else SEEING people with those body types and lifestyles.
Basically, as far as I can tell, Nintendo decided that "sex sells" and their major lady protag wasn't good enough without the sex appeal that comes with being skinny and shapely. They decided buff wasn't attractive, so they had to do things like cut her height down, slim her waist, bring out her chest, and make her ass stick out half the width of Zebes. Everything she was allowed to be before was stripped away and swapped out for your standard sexy woman's frame so people could titillate over her.
This only increased over time. Going from Zero Mission to Other M and the Smash Bros franchise, you can see this increasing trend of Samus getting promoted in-game and in pre-release material as sexier, up to Smash Bros 4 where so many Zero Suit promotional screenshots had her bent around like the token sexygirl in a forgettable Hollywood movie poster, posed for good view of her assets, or even put in freaking bunny ears which have their own set of connotations. Then there's the whole heels debate, which I'm not even gonna get into.
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Her boobs are orbs.
If I'll say one positive- Samus Returns didn't do badly. Actually, big kudos to Samus Returns. All of its ending poses were all nods to other stuff for fans to recognise and they took time to make three different out-of-suit Samus outfits. Samus genuinely looks pretty cool in each of them. I really dig it!
I think some people in the fandom have the misconception that me- and others who share my opinion- don't like the idea of sexy women, or feminine women, being badass heroines. And that's simply not the case. People bring up Bayonetta as an example of "you can have sexy/pretty heroines" and while I can't really say a lot about her, as far as I can tell, her game really works well with it and is designed around her having the appearance and personality she has. Metroid is designed around a different sort of protagonist, in a different sort of atmosphere, and the sexualisation is kind of jarringly different from the surrounding material.
If Samus had always been a shortish, big-breasted woman with a strong personality and whose ass and boobs were never/scarcely highlighted in a sexy way, indicating that they exist just because she is a shapely person rather than because people won't survive the game without a boner, that would be sweet. In fact, I could really get behind that because I'm short as hell myself. It's secretly every short person's dream to have a cyborg suit which makes you tall enough to reach the top shelves and fight off everyone you're otherwise too small and weak to handle.
(Had Samus always been a sexy Bayonetta-esque character, I think the franchise would be very different in general. If that was part of the design, it would’ve worked, I guess.)
It's not Samus' size, shape, and proportions in themselves that have the effect of changing the scenes and character portrayal; it's the blatant fanservice and the way they're framing of these features to obviously have a very sexual appeal, and to me that doesn't sit well alongside the rest. When serious scenes are played over what looks like a SFW alt version of a porn pic you glance over while scrolling down the Metroid tag, it’s hard to see any of the impact that Samus had one scene earlier in her power suit. (Okay, I'm exaggerating a little for effect, but the point still stands.)
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This peaks in games like Other M (disclaimer: I'm not a fan, apologies to fans of the game) where tragic and meaningful scenes are played over shots of Samus’ butt… like, it’s obvious what they were going for here. I’ve never been a straight male member of the obvious target audience for this so I can’t attest to whether the dual boner-and-tears method works at making a scene memorable, but for the most part it just looks silly from my point of view.
When Samus loses her suit in Other M- e.g. when Adam dies- and all the subsequent shots focus in on her rear end, it really doesn't feel like just about any suited shot in any Metroid game ever, and not in a good way. Like I think I said before, it strips Samus of a degree of gravitas that is integral to her character. Then it tries to play the moment off with a degree of seriousness and dignity that framing her ass like that just doesn't quite have.
(Then again, Other M Samus' lack of gravitas comes across even in the scenes where she's in her suit; this time it's nothing to do with sexualisation or anything, just that her postures and movements don't display any confidence in what she's doing, which is weirdly different from her normal presentation but persists throughout the entire game. Some people like it, I don't think it works, each to their own.)
I've sorta lost track of where I was going so I'm gonna round off here. I'll emphasise that this is all my opinion and interpretation, I don't expect everyone to agree and I completely respect that. I think it's absolutely fair to love Samus while being critical of how her designers portray her and the wider impacts of those choices- at the end of the day, she is fictional and doesn't make these choices for herself. As the audience, we are the ones who feel those choices, for better or worse depending on your own view.
I'm a bit salty about how Samus is portrayed outside of her suit and wish the Samus on the inside was allowed to carry the weight that Samus in the suit does. That doesn't mean she can't be beautiful, but the active increase in her sexy traits and highlighting of those traits over the years is a little bit infuriating, especially considering what they were willing to do with her design early on in the timeline.
Feel free to drop comments, I'm going to try and steer clear of my own salt for the rest of the holidays but I'm keen to know what other people think!
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oh-to-be-a-seeker · 3 years
Text
Iefan Min-Llewellyn Profile
IDENTITY
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Name: Iefan Gruffydd Min-Llewellyn
Gender: Male
Age: Variable on content
Birth Date: 2 January 1973
Species: Part-vampire
Blood Status: Half-blood
Sexuality: Heterosexual
Alignment: Chaotic good
Ethnicity: Welsh, Korean, Russian, Romanian, and Swedish
Nationality: Welsh
Residence: Drisdey Manor, a few miles outside of Cardiff, Wales, as well as a residence in Seoul, South Korea
Myer Briggs Personality Type: ESFJ-A - “The Consul”
~~~~~
THE MAGE
1st Wand: Black walnut wood, phoenix feather core, 11 and ⅖ inches and swishy
2nd Wand: N/A
Animagus: N/A
Misc Magical Abilities: N/A
Boggart Form: Luuk van Lynden, with has wand leveled directly over Iefan’s heart
Riddikulus Form: Van Lynden is transformed into a comical spoof of a typical cartoonish vampire, such as the likes of the Muggle-beloved version of Count Dracula
Amortentia (what he smells like): Iron, water lilies, and stagnant cold air from deep underground
Amortentia (what he smells): Black currants, the forest right before the dew begins to settle in the morning, and clean-cut wood
Patronus: Abraxan winged horse
Patronus Memory: A family evening set at home, prior to his brother’s murder, where they all could just enjoy each others’ company and live without fear as normal families do
Mirror of Erised: His brother standing among their family, set in a world where they aren’t hunted or hated
Specialized/Favourite Spells:
Revelio
Obliviate
Finite Incantatem
~~~~~
APPEARANCE
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Faceclaim: Hansol Vernon Chwe
Voiceclaim: Hansol Vernon Chwe
Game Appearance: HPHM
Height: 5′10″
Weight: 140 lbs
Physique: Athletic
Eye Colour: Brown
Hair Colour: Dark brown
Skin Tone: Tawny
Body Modifications: N/A
Scarring: Despite his rather reckless nature, Iefan never managed to acquire any scars of particular note, aside from the kind people just find on their bodies sometimes with no actual inkling as to where they came from. It’s an odd theme among his family, the lack of scarring between them.
Inventory:
his wand
sunscreen, all the time--he considers it to be on of the most important things to carry on him, as he burns extremely quickly in the sun
class textbooks and notes
a very small knife; this was not his idea, but his mother’s, who thought it prudent to have something on him to keep him safe (Iefan would often try to remind her that they were a magical family and could use, much more effectively, wands to protect themselves, but mothers will be mothers, and Iefan was unable to rid himself of the knife)
his brother’s diary detailing his knowledge of Luuk van Lynden
Fashion: Iefan’s entire family is quite fashion-oriented, but, to keep in line with their vampiric heritage, it is primarily gothic-inspired and Iefan is no exception to this. He toned it down once he began attending Hogwarts to attract less attention, but it never vanished entirely.
~~~~~
ALLEGIANCES
Hogwarts House: Gryffindor
Ilvermorny House: Wampus
Affiliations/Organizations: The Min family; the Llewellyn family; Hogwarts School of Witchcraft and Wizardry; Gryffindor House; the Circle of Khanna
Professions: Hogwarts student (11-17), Auror (18-)
~~~~~
HOGWARTS INFORMATION
Class Proficiencies:
Astronomy: ◆◆◆◆◆◆◇◇◇◇
Charms: ◆◆◆◆◇◇◇◇◇◇
DADA: ◆◆◆◆◆◆◆◇◇◇
Flying: ◆◆◆◆◆◆◆◆◆◇
Herbology: ◆◆◆◆◆◆◆◆◇◇
History of Magic: ◆◆◆◆◆◆◆◇◇◇
Potions: ◆◆◆◆◆◆◆◆◆◆
Transfiguration: ◆◆◆◆◆◆◆◆◆◇
Electives:
Care of Magical Creatures
Divination
Quidditch: Seeker
Extra Curricular: N/A
~~~~~
RELATIONSHIPS
Arawn Min-Llewellyn: Iefan’s brother. The Min-Llewellyns had always been particularly close-knit, and the two sons were no exception. Arawn was the eldest of the three siblings, and always took a protective role over his younger brother and sister. Iefan looked up to him, and wanted to be just like him--Arawn always had complete confidence in his identity and who he was, something Iefan coveted and aspired to have in himself. Furthermore, Arawn often returned from Hogwarts with outlandish (and probably exaggerated) tales of his exploits to entertain his little brother, stories Iefan often anticipated for months; Arawn was nine years older than Iefan, who, consequently, was only two when his older brother started attending Hogwarts. It was when Iefan was seven that tragedy struck; the vampire hunter, Luuk van Lynden, found and killed Arawn during a trip to Hogsmeade, and unfortunately got away.
Alys Min-Llewellyn: Iefan’s sister. He and Alys were much closer in age than him and Arawn, and consequently spent a majority of their childhoods together. Also unlike Iefan’s relationship with Arawn, the proximity that the two experienced with each other for a majority of their lives resulted in a slightly more tumultuous relationship. Alys often teased or pranked Iefan, who was three years her junior, though she never exhibited anything more than typical antagonistic older sister behavior. After Arawn’s death, the two became much closer, each developing extreme protectiveness over the other, so much so that when she turned eleven, Alys begged her parents not to make her attend Hogwarts, as she was worried about leaving her little brother by himself. She wasn’t successful, but she visited for every holiday, and once Iefan did begin attending Hogwarts, the two made sure to see each other every day, despite being in different Houses (unlike Arawn and Iefan, Alys was a Slytherin.).
Min Joo-won: Iefan’s mother. It is from Joo-won that he inherited his vampiric traits, because of, as one may be able to deduce, Joo-won’s nature as a vampire. Iefan always had a close relationship with his mother, as she spent a lot of his developmental years trying to make sure that he didn’t have any shame about his heritage. She was also fairly strict, especially once the family garnered the attention of Luuk van Lynden, restricting how much Iefan played outside or left the house. She also often took Iefan on trips back to Seoul, although they rarely stayed very long, as the entire reason she moved away was the overabundance of garlic in Korean cuisine, so really none of the family ate there much, which garnered shorter visits. After Arawn’s murder, Joo-won became even stricter, to an extent that Iefan was somewhat relieved to finally get to Hogwarts and have some semblance of freedom. Still, though, he knew the protectiveness came from a place of love.
Osian Min-Llewellyn: Iefan’s father. He is the only member of the family that has absolutely zero vampire blood, and also sticks out like a sore thumb because of it, but he loves his family with his whole heart. Osian was always the more openly affectionate, playful one of the two parents, and started teaching his children Quidditch as soon as they could fly on brooms. Iefan loved this shared quality time. His father was the kind to lift him up and carry him on his shoulders in public when Iefan’s legs grew too tired or he was too short to see something, and Iefan was never more bummed out than the day he realized he had grown too much for his father to do such a thing anymore. To Iefan’s relief, his father didn’t change so much when Arawn died; if he hugged Iefan and Alys a little tighter at bedtime or followed them a little closer in public, he tried not to let them notice, so they could at least lead somewhat normal lives.
Luuk van Lynden: Iefan’s greatest enemy. A Dutch wizard, he spent many years hunting the vampires of the Netherlands to near extinction, and once that task was over, he moved to Great Britain to repeat the process. Because of the Guidelines for the Treatment of Non-Wizard Part-humans, hunting down vampires in such a fashion was highly illegal, and van Lynden was already a wanted criminal by the time he set his sights on the Min-Llewellyn family. It wasn’t until their eldest son’s sixth year in Hogwarts that he managed to exact his first kill--van Lynden tracked down and murdered Arawn Min-Llewellyn in Hogsmeade, and, horribly, was not caught. Several years later, he found and almost managed to kill the second child, Alys, before the arrival of her mother, one of the strongest vampires in Britain. He escaped capture until he attacked Iefan in his seventh year at Hogwarts, where he was defeated.
Barnaby Lee: Iefan’s best friend. The combination of their shared himbo energy and the fact that Barnaby had absolutely no concept of what a part-vampire could possibly be made them extremely fast friends, even despite the Gryffindor-Slytherin House rivalry. Iefan wasn’t quite as dense as his friend, just obtuse, and people became extremely familiar with their antics. Barnaby was the first friend Iefan had ever had with absolutely no opinion or care about his vampiric heritage, and the two remained close for the entirety of their time at Hogwarts.
Jae Kim: Iefan’s friend. Despite being Gryffindors in the same year, the two didn’t meet until their fifth year at Hogwarts, but hit it off immediately, and became fast friends. Jae started cooking little dishes for Iefan entirely devoid of garlic, and the immense appreciation Iefan had for the little gesture established them as friends for life. Jae was the first of his friends to come to Drisdey Manor for holiday and meet Iefan’s family, and although they hadn’t known each other as long as Iefan as Barnaby, they quickly became just as close.
Ben Copper: Iefan’s friend. The two met in their first year, as a result of both being Sorted into Gryffindor House, and became friends relatively quickly. It proceeded as a normal friendship would until midway through their third year, when it started going around school that Iefan was part-vampire, and Ben grew terrified of him. Although Iefan never did anything to harm him, of course, Ben’s inherent fear of vampires began to overtake their friendship, and it wasn’t until their fifth year that things began to go back to the way they were.
Rival: TBA
Enemy: Luuk van Lynden; R; Patricia Rakepick
Dormmates: TBA
Pets: N/A
Closest Canon Friends: Barnaby Lee and Jae Kim
Closest MC Friends: TBA
~~~~~
BACKGROUND/HISTORY
Pre-Hogwarts: Iefan was born and grew up in Drisdey Manor, to Osian Min-Llewellyn and Min Joo-won, with two older siblings. The eldest child was his brother Arawn, and the middle his sister Alys. Their family, though odd, was extremely tight-knit and close, and Iefan had never known them not to be. When he was about five, his family started to have to deal with being stalked by the vampire hunter Luuk van Lynden, but it wasn’t until he was seven that the sixteen-year-old Arawn was murdered by van Lynden and the true hunt began. He and Alys grew very close, and the three years where she was attending Hogwarts and he was not were very difficult for the both of them, especially because of his mother’s growing restrictions of where or with who he could hang out.
1st Year: Iefan began attending Hogwarts, and was sorted into Gryffindor House alongside his new friend, Ben Copper. He also meets and befriends Barnaby Lee, a Slytherin, and manages to keep it mostly secret that he is a part-vampire. He makes contact with his sister, Alys, every day.
2nd Year: He joins the Gryffindor Quidditch team as their Seeker, the position he had been playing with his father for years. Luuk van Lynden is spotted in Hogsmeade, but nothing comes of the sighting, and he never makes it to the Hogwarts campus. Again, he manages to keep it on the down-low that he is a part-vampire, and marvels at how Alys has managed to do it for all this time.
3rd Year: Either Alys or Iefan finally messes up--neither is sure exactly what happened, but it is this year that the cat comes out of the bag and the rumor mill spreads around Hogwarts that the Min-Llewellyn siblings are both part-vampire, and such was the reason for Arawn Min-Llewellyn’s death. Iefan’s friendship with Ben begins to deteriorate as a result of this, due to Ben’s inability to conquer his fear of vampires.
4th Year: Most of the student body stops caring about whatever runs through Iefan’s veins, which is convenient for him, as the practical jokes involving garlic were getting to be a bit too much. Iefan is a victim of the sleepwalking curse that plagues the school this year, and wakes up after who knows how long in the Forbidden Forest face-to-face with Luuk van Lynden. Fortunately, it is at this exact moment that Hagrid locates him, and van Lynden vanished.
5th Year: Luuk van Lynden manages to find and attack Iefan’s sister Alys, almost managing to kill her before Joo-won arrived and fought him off, though he also escaped this encounter. Hearing about Alys’s attack, Ben and Iefan finally began to mend their broken friendship. Iefan also meets and befriends Jae Kim, and the two become very close very fast.
6th Year: For the first time, van Lyden attempts an attack on Joo-won, back home at Drisdey Manor. He is unsuccessful. For some reason, the fact that Iefan is part-vampire becomes relevant again, though this time is more of a popularity factor for reasons he cannot fathom.
7th Year: Luuk van Lynden infiltrates the Hogwarts grounds and tracks down Iefan to kill him. The two duel, and Iefan emerges victorious--van Lynden is killed with his own Killing Curse.
After Hogwarts: TBA
~~~~~
PERSONALITY
Oblivious: Iefan isn’t stupid, but he also isn’t smart. Really, he is just incredibly bad at noticing things and making connections between things, which means he learns better if things are explained to him in-depth. However, once it is all lined up for him, he has no problem understanding--he just needs help getting there.
Inquisitive: Because of his inability to form many mental connections, Iefan has a very inquisitive nature, and tends to ask a lot of questions that many people would refer to as ‘dumb.’ For him, they’re simply clarifying things, and significantly help his thought process.
Courageous: Iefan is brave almost to a debilitating point--he regularly walks the thin line between ‘brave’ and ‘stupid.’ His oblivious nature makes it so that he doesn’t think about actions in terms of their consequences, and therefore, is known to be up to jump right into pretty much anything. It’s almost something of a joke among his peers, who will often try to trick him into doing something dumb by taking advantage of his total lack of understanding of actions and consequences.
Protective: He picked up this trait from both his parents and his siblings, but it magnified significantly after his brother’s death. Living most of his life as someone who was being actively hunted and who had lost someone to such a thing already, Iefan was never the type to take chances, and if he could dissuade someone he loved from doing something dangerous, he would certainly try, and if he failed, and he would do everything he could to ensure their safety.
Joker: Iefan, for all his seriousness, found a lot of solace in jokes and remarks--and, stemming from his childhood under a tyrannical Alys, pranks. It was something he picked up from his father, the fun-loving parent, and his way of trying to make everything not quite so dark.
~~~~~
MISC
sunscreen is one of Iefan’s most prized possessions, and he always has some on him. He burns ridiculously easily, as he is hypersensitive to sunlight, which is the reason for his long sleeves in summer and his constant use of sunglasses outside
the Min-Llewellyns rarely eat any Korean cuisine despite being half-Korean, as Korean food makes substantial use of garlic, and they’re all severely averse to it (aside from Osian, who avoids it in solidarity)
Iefan has amazing vision, even in the dark, which is one of the reasons he is such a good Seeker
almost no one at Hogwarts correctly pronounces Iefan upon first reading the name--some students and teachers just outright refer to him as John, as it is the English version of his name
the John thing annoys Iefan a lot but it doesn’t really stop until around his sixth year when everyone is familiar with him and they have been going to school together for a while
Alys has the same issue with people referring to her as “Alice,” and takes immense joy in the fact that Iefan has the same issue
in school, Iefan and Jae will often mutter private conversations in Korean. Iefan also does this with Alys
he doesn’t drink blood, but he likes to trick younger students at Hogwarts into thinking he does
Alys does not appreciate this
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