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#become adults who can kill
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It’s almost like the fandom infantilisation of Connor has something to do with the way autistic people are viewed in real life… if you view him as a "little baby that needs help", especially if you see him as Hank's son and not an equal in a friendship then I suggest looking at yourself and asking why
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latinokaeya-moving · 2 years
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mutuals that don’t want to see me get unnecessarily angry over plot points in a dumb gacha game look away neow
anyways i think the point that frustrates me the most wrt the whole kaeya diluc situation is how often i’ve seen ppl be like “oh they both are equally to blame for their falling out/strained relationship now” or whatever which is like sooo crazy 2 me bc only one of them tried to kill the other in a fit of rage n grief and then proceeded to leave them out in the middle of a storm and then fucked off out of the country for like 4 years without warning but ofc NOT before literally selling their childhood home and leaving the other essentially homeless and with no further support systems. and then when they finally came back to take over the family business they just… never spoke abt that again. lol. like only one of them did all that stuff. but whatever. yeah. kaeya is totally the unreasonable and petty one
#x#kaeya is petty but like come on. [waves hand at his entire Thing] like maybe it’s bc he’s got tiniest bit more stressful things to worry abt#LIKE COME ONNNNN#was he most likely halfway to a death wish that day n so ridden w guilt abt his past that he was perhaps deliberately provoking diluc#knowing they were Both not in the most mentally wel of states seeing as their fucking DAD died. YES. Yes He Was#diluc still tried to kill him. and probsbly would’ve if kaeya didn’t get his vision in that exact moment#n then he sold their house… THEIR CHILDHOOD HOME…#and it’s unknown whether diluc deliberately had him disowned from the family name or if kaeya took that upon himself afterwards but like#either way… like who did kaeya have left after that other than like. his friendship w jean at the time or something#diluc had the righteous fury over the death of his father and the whole KoF corruption thing to fuel him and his conviction to become public#fatui enemy number one which. great for him but kaeya had to completely rebuild his life in mond… AGAINNNNN AUGHHHHH#and he would’ve been STILL a teen/barely a young adult at the time …#IDK IDC i’m a hater i don’t like diluc i don’t like the excuses made for him i don’t care abt ppl that use his tragic backstory as a crux#for his actions he’s so lame and still treats kaeya kinda awfully in canon even tho kaeya has multiple times expressed desire (even vaguely)#to be on better terms w him…. like whatever diluc can get over his victim complex thanks xx#LMAOOOO this is long sorry i’m soooo mad abt this but i’m totally normal now i promise. definitely.#gi posting#< for bl if u guys want
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aroaessidhe · 1 year
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2023 reads // twitter thread    
The Battle Drum
sequel to The Final Strife, a queer Ghanian/Arabian high fantasy world where people are divided by blood colour
the nightly hurricanes are getting more deadly, and Sylah travels to unknown lands to discover the truth and find help
meanwhile Anoor is trying to manage her new political position while framed for a murder she didn’t commit
#The Battle Drum#aroaessidhe 2023 reads#okay I do feel similarly about this as I did the first one...really love a lot of what’s going on I just feel like some of the structure/plo#plot focus could b better#like the first one fell back on the generic competition framework which I felt was meh....this one does that a bit with murder mystery#it had a cool  in-universe summary of book 1#something about the politics/past/worldbuiling feels…I wanted some more connection or complexity or something?#or maybe i just expect more from adult fantasy#anoor's naivety got a little frustrating at time#like the murderer was pretty obvious#I love: cool new cities! glass city! MUSHROOM CITY#when sylah sees a camel and describes it in the most 'weird unknown fantasy creature' kind of way#I still find zines weirdly anachronistic.......when magazines don't exist in the world...#but I can give that a pass I guess#there's also an aroace side character (has some POV) who I have......mixed feelings about?#an interesting complex character but also. is SA'd for years before she finally decides t kill her husband#then becomes an antagonistic cult leader#I don't think that's INHERENTLY a bad thing; but idk; why was that a choice? maybe she'll be redeemed (for lack of a better word) next book#anyway all of these critiques are very much like. this has the potential to be in my favourite kind of books ever and doesn't QUITE reach my#expectations..........so like it is very good. I just ahhhhh want slightly more/different things#oh also jond and kitten was good. I still hate him for being the perpertrator of my Least Favourite Trope but. he has a baby kitten....#wait i should also mention the plot twist of who the person is is pretty good#didn't figure that one out#but going back through highlight notes i was like oh...there was clues...
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ringneckedpheasant · 2 years
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I used to go through pretty bad cycles of idolizing people & putting them on pedestals—both people I knew irl and celebrities—and then getting worked up and hating them when they didn’t live up to my expectations, so I sometimes find myself hesitant to learn things about musicians or actors whose work I get into because I don’t want them or their work to be ruined for me. I don’t want to be disappointed. I put off reading Johnny Cash’s autobiography for weeks for that reason, and while my perception of him Has changed, the fact that he did a lot of terrible things has only made me like him more. He was so Complicated and I’ve just been rotating him in my mind and rereading sections of his autobiography because I can’t stop thinking about them/him. I feel like I can’t think about anything else but I’ve never articulated anything coherent in my entire life so I’ve been deleting most of my drafts about him skfjwkdksjdjd
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tree-vents · 2 years
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Hm. Think it's time for america to have another civil war
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fionnaskyborn · 8 months
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I'm just thinking about something that has been poisoning my thoughts when writing. This thing is the concept of characters only doing something for another character for their own personal benefit, out of their own, selfish desires. As in, say, they aren't being kind for the sake of being kind to that particular character and having a positive relationship with them, but rather because of their personal need to compensate for something. Ultimately viewing the other as nothing but an object to help them along their healing journey, instead of a person. And... It's horrible. I do not know where this stemmed from. Too much exposure to the fanbase of [REDACTED] is likely to blame. They all believe in such things. Is the idea of kindness lost on these people? Do they not know that you can be kinder to people in the present than you were to other people in the past not because you're trying to get a good grade in having a redemption arc and nothing more, but because you're genuinely just trying to treat people better? To be kinder to them? Have they forgotten about the concept of learning from one's mistakes? How has the idea of growth beyond who you used to be become so foreign?
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fuckingrecipes · 30 days
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Wait, which animals raise livestock?
Several species of ants will 'herd' aphids around (a type of plant lice)- even picking them up and putting them back with the group if they wander off. The ants will attack anything that approaches their aphid herds, defending them. The aphids produce a sugary excretion called honeydew, which the ants harvest and eat.
Some ants will even 'milk' the aphids, stroking the aphids with their antennae, to stimulate them to release honeydew. Some aphids have become 'domesticated' by the ants, and depend entirely on their caretaker ants to milk them.
When the host plant is depleted of resources and dies, the ants will pick up their herd of aphids and carry them to a new plant to feed on - a new 'pasture' if you will.
Some ants continue to care for aphids overwinter, when otherwise they'd die. The ants carry aphid eggs into their own nests, and will even go out of their way to destroy the eggs of aphid-predators, like ladybugs.
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Microhylids – or narrow-mouthed frogs - have an interesting symbiosis with Tarantulas.
While the spiders could very easily kill and eat the much-tinier frogs, and DO normally prey on small frogs, young spiders instead will use their mouthparts to pick up the microhylid frogs, bring them back to their burrow, and release them unharmed.
The frog benefits from hanging out in/around the burrow of the tarantula, because the tarantula can scare away or eat predators that normally prey on tiny frogs, like snakes, geckos, and mantids. The tarantula gets a babysitter.
Microhylid frogs specialize in eating ants, and ants are one of the major predators of spider eggs. By eating ants, the frogs protect the spider's eggs. The frogs can also lay their eggs in the burrow, and won't be eaten by the spider.
So it's less 'livestock' and more like a housepet - a dog or a cat. You stop coyotes/eagles from hurting your little dog/cat, and in return the dog/cat keeps rats away from your baby.
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Damselfish grow algae on rocks and corals. They defend these gardens ferociously, and will attack anything that comes too close - even humans. They spend much of their time weeding the gardens, removing unwanted algaes that might overtake their crop.
The species of algae that they cultivate is weak and and sensitive to growing conditions, and can easily be overgrazed by other herbivores. That particular algae tends to grow poorly in areas where damselfish aren't around to protect and farm it.
Damselfish will ALSO actively protect Mysidium integrum (little shrimp-like crustacians) in their reef farms, despite eating other similarly sized invertebrates. The mysids are filter feeders, who feed on zooplankton and free-floating algae, and their waste fertilizes the algae farms. Many types of zooplankton can feed on the algae crop, and the mysids prevent that.
While Mysids can be found around the world, the only place you'll find swarms of Musidium integrum is on the algae farms that Damselfish cultivate.
Damselfish treat the little mysids like some homesteaders treat ducks. Ducks eat snails and other insect pests on our crops, and their poop fertilizes the land. The ducks can be eaten, but aren't often, since they're more useful for their services than their meat.
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There are SEVERAL species of insect and animal which actively farm. They perform fungiculture and horticulture: deliberately growing and harvesting fungus and plants at a large-scale to feed their population.
Leaf-cutter ants and Termites both chew up plant material and then seed it with a specific type of fungus. The fungus grows, and the termites/ants harvest the mushroom as a food source.
Ambrosia beetles burrow into decaying trees, hollow out little farming rooms, and introduce a specific fungii (the ambrosia fungi), which both adults and larval beetles feed on.
Marsh Periwinkles (a type of snail) cultivates fungus on cordgrass. They wound the plant with their scraping tongue, then defecate into the wound so their preferred fungus will infect it and grow there. They let the fungus grow in the wound a bit, and come back later to eat.
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tabootasaur · 11 months
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#im really just ranting so pleasr ignore this post it really isnt that serious i just need to vomit it all out before i crash#i wish i knew who i was i wish i knew who i was going to be who i would havr been before everythong went to shit#before my parents beat my soul into submission before i retreated into myself so hard im killing myself just trying to come out again#i dont know who i am or what i want or even how to begin ttying any of that#my therapist started saying all the same things my dad would say abiut me and about my qork and about my life#id been with her for over 5 years so maybe she is right maybe my dad was right maybe my parents were right maybe i do deserve nothing#i hate my body but my partner says its beautiful i can barely face the day but my partner is happy when i do#they say my parents were wrong in so many ways but why is it taking me so long to prove it#ive been bad my whole life o was a bad kid a bad friend a bad adult but i wanna be goood so bad ii might puke#i know i can be good but why cant i prove it why is it stopping me why cant i push my my brain why cant i hit the override and just LIVE#its hard being 25 when i didnt think id make it to 15#its hard living when all you want to do is give up i want to give up i wish i could and maybe a few years ago i would have#but now for the first time in my life i want to live i want to do good but my brain body and soul have no idea how#i think im autistic and the worst part is realizing how much of me that is how much i should havr been cared for#i have to learn how to live in the world but the world is so scary and it hurts and my therapist talkrd a lot about getting used to it#she wanted me to dive in and didnt understand no matter how many qays i tried to explain to her how much it painrd me to try it her way#i wish i could just do it that i could grin and bear it but i cant anymore i cant just do it#i wish i could just become who i was supposed to be someone without the pain and the torture and the constant berating#someone who can have a job and cook dinner and still feel whole after it all#i jist want to live i want to be good i want to get better and i feel like peeling my skin off my body i feel like ripping out my teeth#it makes me feel awful every time i cant do sometbing because i was getting better i couod feel it and now im in hell this is worse#i feel like im experiencing depression for the first time all over again ivw never been so violently thrown bacj into the pit#please i want out i want to hear creaks without thinking someone is 8n my home i want to clean like someone isnt watching me#i want to move around my home like i dont expect to be graded i want to be able to sleep at night and not have tomorrow ruined by flashback#im so so tired and for the first time in my life o dont wanna give up i wanna be better but i dont know how#every time i try to get help something goes wrong and i run out of insurance soon so im probably just fucked#my antidepressants arent doing shit and my birth control makes everything harder and i jist wish i could take medication and live#im tired im tired but ive been crying in the bathroom for over an hour because sometbing so stupid triggered me#and now im a child again and i have work tomorrow and i cant scream and cry into my partner cause they have work#they work so hard for us and i can barely do a day im so fucking pathetic and yet they stay with me
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Nobody is making anyone go into scriptwriting. No one is born in a Netflix company town where their dad takes them into the script mines at age 12. Fuck writers who want to get paid more than once for the same job. They should only get residuals AFTER all the people who do REAL WORK, like construction, grips, costume, makeup & animators etc. Most of them are much better at their jobs than writers especially for streaming services, and they are what screenwriters can lean on & novelists can't.
People need to realize that the unions for white collar people like WGA or SIEU or NEA (public sector unions are why cops who kill the people they were supposed to serve & protect remain employed get pensions) is not the AFL-CIO or any other historical union fighting for the lives of the people who built the country's industry and made it run, any more than the NRA are the Minutemen of 1775 New England.
First, go fuck yourself, you fucking scab. No, seriously - you don't come to my blog and spout off about what workers deserve unions and decent pay and what ones don't, like it's your fucking decision. The intellectual labor that writers perform is just as real as any other work done on a film set - "all who labor by hand or brain" is the inherent logic of industrial unionism for a reason.
Second, writers aren't asking to get paid more than once: residuals are deferred pay, you absolute moron. In Hollywood, whether it's writers or actors or voice talent or whatever, you get a small fraction up front - it's usually an ok check, depending on the union's day rates and so forth, but you can't make a living off stitching these together - and then most of your pay comes from monthly royalty checks that provide you with the income you need to live off when you're between jobs.
The problem is that, historically in Hollywood, residuals have been structured with a very long "tail" - the payments start out relatively low and then get more generous over time as the show has more seasons and (presumably) goes into syndication. This doesn't work with streaming's new business model, where increasingly shows are getting 2-3 seasons max and streaming services have become increasingly quick to not just cancel shows but yank them off their servers in order to avoid paying residuals.
So what WGA writers are fighting for is a system that ensures writers (but also actors and other creative workers, because the unions pattern bargain) get a fair share of the show's revenue, even if the show is only given 2-3 seasons.
Third, the U.S labor movement would not exist today if it wasn't for white collar workers and public sector workers. About half of the U.S labor movement - 7 million workers - is public sector, and those workers are overwhelmingly women of color, mostly working as either teachers or postal workers. Likewise, about half the U.S labor movement is made up of white collar workers, and we're graduate students and adjuncts and lab researchers, teachers and social workers, administrators and IT departments.
I'm both public sector and white collar, and I'm a member of an NEA union. I'm an adjunct professor who earns $6,000 a course and it's my job to get working adults with jobs and families who've never gone to college or who've been out of higher ed for a decade to graduate with a bachelor's or a master's. If you don't think that's real work, you're free to research and write all the lectures and powerpoints, deliver those in an entertaining and educational fashion, answer a flood of questions from students who need help navigating academia, and then grade all the midterms and finals and research papers.
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nellasbookplanet · 3 months
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Book recs: black science fiction
As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.
Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!
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For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!
If you want more book recs, check out my masterpost of rec lists!
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Lagoon by Nnedi Okorafor
Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.
Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes
Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.
The Scourge Between Stars by Ness Brown
Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.
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Dawn (Xenogenesis trilogy) by Octavia E. Butler*
After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.
Midnight Robber by Nalo Hopkinson*
Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.
Rosewater (The Wormwood trilogy) by Tade Thompson
In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.
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Do You Dream of Terra-Two? by Temi Oh
Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.
The Best of All Possible Worlds by Karen Lord
After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.
Mirage (Mirage duology) by Somaiya Daud
Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.
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An Unkindness of Ghosts by Rivers Solomon
Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.
Where It Rains in Color by Denise Crittendon
The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.
Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden
Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!
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Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*
In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.
Parable of the Sower (Earthseed duology) by Octavia E. Butler*
In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.
Binti (Binti trilogy) by Nnedi Okorafor
Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.
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War Girls (War Girls duology) by Tochi Onyebuchi
In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.
The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson
Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!
The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*
In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.
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The Women Could Fly by Megan Giddings*
In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!
The Prey of Gods by Nicky Drayden
South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.
The Summer Prince by Alaya Dawn Johnson*
Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.
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The Blood Trials (The Blood Gifted duology) by N.E. Davenport
After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.
Babel-17 by Samuel R. Delany
1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.
Pet (Pet duology) by Akwaeke Emezi
Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.
Bonus AKA I haven’t read these yet but they seem really cool
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Lion's Blood by Steven Barnes
Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.
The Sound of Stars by Alechia Dow
Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.
Womb City by Tlotlo Tsamaase
Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.
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Orleans by Sherri L. Smith
Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.
Everfair by Nisi Shawl
A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.
The Splinter in the Sky by Kemi Ashing-Giwa
Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.
Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole
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bogleech · 8 months
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Anyway while we're on the subject of public misconception towards living things (which is completely understandable because have you SEEN living things? There's like dozens of them!) here's a fresh rundown of some common mistakes about bugs!
Arachnids aren't just spiders! They're also scorpions, mites, ticks and some real weirdos out there
Insects with wings are always finished growing! Wings are the last new thing they ever develop! There can never be a "baby bee" that's just a smaller bee flying around.
That said, not all insects have larvae! Many older insect groups do look like little versions of adults....but the wings rule still applies.
Insects do have brains! Lobes and everything!
Only the Hymenoptera (bees, ants and wasps) have stingers like that.
Not all bees and wasps live in colonies with queens
The only non-hymenoptera with queens are termites, which is convergent evolution, because termites are a type of cockroach!
There are still other insects with colonial lifestyles to various degrees which can include special reproductive castes, just not the whole "queen" setup.
Even ants still deviate from that; there are multi-queen ant species, some species where the whole colony is just females who clone themselves and other outliers
There is no "hive mind;" social insects coordinate no differently from schools of fish, flocks of birds, or for that matter crowds of humans! They're just following the same signals together and communicating to each other!
Not all mosquito species carry disease, and not all of them bite people
Mosquitoes ARE ecologically very important and nobody in science ever actually said otherwise
The bite of a black widow is so rarely deadly that the United States doesn't bother stocking antivenin despite hundreds of reported bites per year. It just feels really really bad and they give you painkillers.
Recluse venom does damage skin, but only in the tiny area surrounding the bite. More serious cases are due to this dead skin inviting bacterial infection, and in fact our hospitals don't carry recluse antivenin either; they just prescribe powerful antibiotics, which has been fully effective at treating confirmed bites.
Bed bugs are real actual specific insects
"Cooties" basically are, too; it's old slang for lice
Crane flies aren't "mosquito hawks;" they actually don't eat at all!
Hobo spiders aren't really found to have a dangerous bite, leaving only widows and recluses as North America's "medically significant" spiders
Domestic honeybees actually kill far more people than hornets, including everywhere the giant "murder" hornet naturally occurs.
Wasps are only "less efficient" pollinators in that less pollen sticks to them per wasp. They are still absolutely critical pollinators and many flowers are pollinated by wasps exclusively.
Flies are also as important or more important to pollination than bees.
For "per insect" pollination efficiency it's now believed that moths also beat bees
Honeybees are non-native to most of the world and not great for the local ecosystem, they're just essential to us and our food industry
Getting a botfly is unpleasant and can become painful, but they aren't actually dangerous and they don't eat your flesh; they essentially push the flesh out of the way to create a chamber and they feed on fluids your immune system keeps making in response to the intrusion. They also keep this chamber free of bacterial infection because that would harm them too!
Botflies also exist in most parts of the world, but only one species specializes partially in humans (and primates in general, but can make do with a few other hosts)
"Kissing bugs" are a group of a couple unusual species of assassin bug. Only the kissing bugs evolved to feed on blood; other assassin bugs just eat other insects.
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rithmeres · 9 months
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i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.
aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.
and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.
despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.
and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.
the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.
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dathen · 10 months
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We’re so used to the sexual reading of the entire book of Dracula, which takes the sensuality of the early chapters and jams everything that follows it into the same metaphor no matter how poorly it fits, but I feel the segment we’re approaching works much better with a lens of chronic illness and disease.
Vampire legends are inextricably intertwined with disease. Many of them are said to have been birthed by burying victims of disease too soon, who later seem to rise from the dead. But what’s more is that Stoker and his family have deep-seated trauma over disease: his mother had to flee her hometown at the age of 14 because of a horrific cholera epidemic, and Stoker himself was bedridden as a child from an illness that no one could identify.
Found this quote from Irish Historian Mary McGarry:
Bram as an adult asked his mother to write down her memories of the epidemic for him, and he supplemented this using his own historic research of Sligo’s epidemic. Scratching beneath the surface (of this essay), I found parallels with Dracula. [For instance,] Charlotte says cholera enters port towns having traveled by ship, and can travel overland as a mist—just like Dracula, who infects people with his unknown contagion.
I bring this up because a lot of academic analysis insists that Lucy sleepwalking is proof of her being the Slutty Woman archetype that needs to be punished. This suggested symbolism is hilarious when put next to the text saying she inherited it from her father, but I’d like to suggest a different angle from the lens of disease suggested earlier:
Lucy’s sleepwalking is a condition that predates Dracula but makes her an easy target for him to prey on. Through the lens of disease symbolism, she now is someone with chronic illness or disability who is especially vulnerable to infectious disease. This becomes a cross-section of Stoker’s trauma regarding disease: his own mystery illness and his mother fleeing a plague.
To wind down my rambles with a bit of a soapbox, I feel this adds a very poignant layer to the struggle to keep Lucy alive. The COVID pandemic showed a horrifying level of casual ableism vs disabled and immunodeficient individuals, shrugging off their vulnerability and even their deaths with “well COVID only kills them.” There’s something deeply gratifying at seeing the way everyone around Lucy fights to the bitter end to protect her and refuses to just give her up to Dracula, whether it’s Mina physically chasing him away or the suitor squad pouring their blood into her veins or Van Helsing desperately searching for cures. The vulnerable deserve no less than this. They’re not acceptable casualties.
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phoenixkaptain · 1 year
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I love it when pre Original Trilogy era shows how much effort went into making the Death Star. It took decades, literal decades, and it took so much money and so many people and it was such a secretive thing and it’s staffed by millions because it’s the size of a small moon.
I cannot express how much all of the added information makes it so much funnier that Luke blew it up.
Luke destroys literally everything Palpatine built. He blows up the Death Star, which was referenced in universe as early as the second movie. He blew up the weapon of mass destruction twenty years in the making. And he blew it up pretty much directly after it’s first and only successful attack. It was operational for fifteen minutes, fifteen minutes that Palpatine had the thing he’d been building for longer than Luke has been alive, and Luke blows it up. First day retirement, but first hour retirement.
Luke convinces Darth Vader to turn back to the light side, a feat thought literally impossible by literally everybody. Sidious clearly doesn’t see Vader’s betrayal coming. Vader’s betrayal was not in his plans, nor was it something he was prepared for. Sidious is a powerful Force user with all four limbs while Vader is a man in the tin can Palpatine put him in. If Palpatine had seen Vader turning coming, he would not have allowed it to happen.
Luke literally should not even be alive. Palpatine almost definitely got Padme out of the way on purpose, and he almost certainly was trying for her unborn child as well (there was way too big of a risk that a cute liddol bebe would bring some humanity back to Anakin, and Palpatine did not want Anakin to have any humanity) Luke living is literally the first step in Palpatine’s ultimate downfall, especially once Vader finds out that Luke is his son. His very alive son. His son that is not dead, despite Palpatine claiming Anakin killed Padme. Implying that Anakin killed Padme and she posthumously gave birth. But, she didn’t give birth on Mustafar, which was the last place Anakin interacted with her. And once the mother dies, you have to get those fuckers out fast or they die too.
I imagine Darth Vader piecing all of this together is that meme with all the math floating around his head, because how could Padme have died by his hand and then given birth like two hours later?
Luke killing Palpatine is what ultimately leads to the dissolution of the Empire as an omnipotent entity. Luke killed the Empire. Luke spends a good amount of his adult life killing Empire remnants. We see that in the Mandalorian, since he’s so recognizable that Gideon immediately knows he’s fucked just by seeing an X-wing. We read it in Legends’ continuity, where Luke terrifies Imperials because he can walk into their changing room and stand in their for a minute and they don’t even notice.
Luke destroyed Palpatine’s life’s work. Everything Palpatine spent his whole life working towards, and Luke kills all of it. He blows up not one, but two Death Stars (he may not have pulled the trigger on the second Death Star, but without him, it never would have been destroyed). He convinces not one, but multiple Sith and Dark Jedi to return from the Dark Side. He is the only reason that Obi-Wan Kenobi, the biggest pain in Palpatine’s ass ever born, lives long enough to make it to the Death Star.
Palpatine went through so much effort. And just when he had finally won, when he finally had a weapon capable of destroying entire planets with a single blast, making it impossible for any planets or peoples to go against him, Luke shows up nineteen years late to the Jedi party with space Starbucks and a droid twice his age and almost singlehandedly destroys everything Palpatine ever had a hand in creating.
Luke manages to become even worse than Obi-Wan Kenobi, the ultimate thorn in the side of politicians, and Luke doesn’t even understand any politics. He wasn’t trained in diplomacy like Obi-Wan and Leia, no, he’s a farmboy who left home for the first time in his entire life, just this morning. And he is the one to destroy the Empire.
If they rewrote Star Wars and had it entirely from Palpatine’s perspective, Luke Skywalker would be his greatest foe. Luke Skywalker would be the final boss. Luke Skywalker is the antithesis of everything Palpatine believes in and he is the one character that Palpatine cannot predict. He isn’t as moldable as Anakin, he doesn’t respond to threats very well, he’s apparently impossible to kill via Force lightning (still the funniest scene of all times, the progression of Palpatine’s face falling and him looking like “what the fuck??? Is this kid rubber??? I’ve electrocuted him eight times???”), his unwavering faith in his father’s goodness makes Darth Vader want to be a better person, Luke Skywalker is the big bad of Palpatine’s story and—
There is nothing in this world that is funnier than someone’s biggest antagonist being Luke fucking Skywalker. Luke Skywalker, who saved the galaxy with the power of love and who shouldn’t exist, by Jedi rules and by Palpatine’s own attempts, and whose best friends are literally droids, which Palpatine canonically hates!
Everything about this is hilarious, this is the funniest thing in all of media, Palpatine loses absolutely everything to some backwater farmboy who fucking likes droids.
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vulturetime · 1 year
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ngl im thinking of aita posts with the dimension ocs and it’s so like. hilariously bad.
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chr0llossexygf · 6 months
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IN RUINS 2
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PAIRING: spencer reid x fem reader
SUMMARY: spencer reid has always had something against you. during a particular case, spencer snaps and says something he shouldn’t have said leaving you in ruins. but what happens when your in danger and he still hasn’t explained why he reacted the way he did. will he have the time?
IMPORTANT COMMENT!!!!: hi my pumpkin cupcake stinky wonky pookie bears. IM SO SORRY IVE BEEN A FRAUD! 💔💔 jokes but I’m rlly sorry I haven’t been writing for the past months ive been to the hospital multiple times and also had someone close to me pull a ‘I’m dead’ card on me and then I was oh! BUT I think I’m okay I think I’m better and I’ll start posting more I have a lot of ideas but tbh this one was a draft before allat happened so it’s shit but and I wanted to get rid of it cus it js reminded me of everything that happened before 😭 BUT I’m rlly rlly sorry ITS SO LATE
" why is your mom calling you she hasn't called you in 7 months " scott anderson says rubbing his face repeatedly his fingers shaking, his other hand is in a fist digging his nails in the palm of his hand. he walks away from jj who's tied up on the floor with her feet and hands wrapped in rope. the grip on your phone tightens.
" she's calling me because it was my aunts birthday scott." you say looking at scott in the eyes. he stands up biting his nails. " your lying to me." he says walking to you, his eyes dark. you wish his eyes at-least looked like they had nothing behind them, but his eyes definitely have something behind them.
his eyes look determined. they looked commited. and he’s looking at you. your eyes widen. your hands become sweaty. you take a step back. “ i’m not lying to you scott.” you respond back gently shaking your head. you raise your eyebrows softly smiling at him. “ i wouldn’t lie to you scott.” you say the grip on your hand tightening to the point where your hand is shaking.
his gaze softens for a second, his eyes aren't so dark now. his eyebrows soften. " you wouldn't lie to me y/ n?" he whispers gently walking up to you. you nod gulping, " ¡ wouldn't lie to you scotty" you whisper smiling. he smiles. taking another step towards you. you take a deep breath in.
"y-your doing a great job y/n" spencer's shaky voice speaks into the phone. it's the only thing keeping you sane right now. he sounds nervous. you can hear him gulp repeatedly. he's stuttering a lot right now. he's probably blinking a lot. a habit he has when he's nervous. a habit you've absorbed from afar. " your doing a really really great job y/n. i'm so proud of you." no he shouldn't have said that. he should not have said that. he shouldn't have said that. you tear up. why are you tearing up? you can't tear up right now. not right now. please not right now.
your throat feels heavy. your heart feels heavy. a part of you feels funny. your ears feel funny, never having heard those words before. your brain is trying to process the words. it can't process them. it's funny though. no matter how much insane messed up stuff you've heard on the job none of it really ever seemed to take a toll on you. but hearing those 5 words. it's taking a toll on you. and it's not the right time. why are they so triggering. what are they triggering? the inner child inside of you who never got to hear those words? the teen inside of you who never got to hear those words? or is it adult you who still hadn't heard those words up until now? it's too much. why are you tearing up?
“ why are you crying.” scott says. something in his eyes has changed. oh god. his eyes darken. his eyebrows tighten. he’s shaking his head smiling. “ what is your mom saying? why is she making you cry? do you want me to kill her?” he says with pleading eyes smiling. he’s taking a step towards you. “ or are you not talking to your mom right now…” he mumbles. your eyes widen. you shake your head. “ or…your not calling your mom you bitch!” he shouts taking another step towards you. you don’t have time to react. he grabs you by the neck slamming you against the wall. his hand tightens around your neck.
you choke on your words. the tears that gathered up finally start to fall. your free hand wraps around scott's arm thats choking you. you repeatedly hit his arm. " please stop." you plead shaking your head. his grip tightens on your neck. " your a liar. your just like him." he spits his gaze darkening. he grabs your phone throwing it across the room. it knocks over a glass vase.
"¡'m not like him." you choke out shaking your head. " shut up! yes you are!" he shouts in your voice, spit getting on your face.
" let her go!" ji shouts from the floor. her voice cracks mid sentence. probably due to fear. watching you struggle is affecting her. just watching you struggle makes her feel as though she is the one struggling.
scott turns his head around. " what did you just say?" he says slowly releasing you. you take a deep breath in. you look at scott. another wave of fear hits you. what's he gonna say to jj? what's he gonna do to jj? she shouldn't have said anything. she should've kept quiet. he can't hurt her. you have to do something.
" i said let her go. you can't hurt her. she's what you want right? you can't hurt her. why would you hurt someone you love?" jj says her eyes darting between you and scott. to scott she looks desperate, to you. you know what jj's trying to say with her eyes.' we will be fine. seeing ji look at you like that. a rush of adrenaline hit you. you have got to do something. why are your hands so weak. why do you feel as though you don't have control of your body. why do you feel as though you can't control anything. damn it.
" you show love by hurting the ones you love." he whispers. you slowly reach for the gun in your pocket, trying not to alert him. and god is it hard " y/ n would know." he says chuckling. your so close to the gun. " isn't that right y/n?" he turns around to look at you. he sees your hand. he sees the hand thats reaching for the gun. he grabs your gun. your hand immediately forms into a fist, you punch him in the jaw. he falls back. holding his jaw. " you bitch!" he shouts.
you run to jj. you drop down to your knees. your shaky hands immediately start to undo the knots of the rope. "jj you need to get out." you say out of breathe. your trembling hands making it harder to undo the rope quickly. " no- what. y/n dont. i'm not leaving without you. the team is coming t-they're on their way y/n. ji says shaking her head in denial. her hands are untied. " god jj! i always follow your orders! just follow mine! just this once." you snap back moving onto her legs. you untie her. " get out of here now jj! he wont hurt me jj. hes obsessed with me he wont. trust me." you say nodding.
jj hasn't been a profiler for a long time. anyone else on the team would've called you out for your bullshit right now. if he wanted to hurt you. he definitely would. he would do anything to get you to be obedient. he could probably kill you if he wanted to. but jj doesn't know that. she thinks he's just a stalker who's obsessed with you and probably wouldn't seriously harm you. but you know unsubs like him all too well.
ji stands up running to the door. she opens the door. she turns to look at you again. you look at her and smile. " just go." you mouth. she quickly nods running out and closing the door. a wave of relief washes over you. jj is fine. jj is okay. jj is safe. he can't hurt jj anymore.
your not fine. your not okay. your not safe. he can keep hurting you. you turn around. he's standing right behind you. he's looking down at you. he's standing tall. his eyes are on you. his expression is dark. his eyes are empty. not a single thought behind his eyes. you were wrong. his eyes without a single thought behind them is scarier. because now you know, there's nothing really stopping him. there's no determination. there's no commitment. there's absolutely nothing behind those eyes. those eyes that are just about to do you harm.
“ me looking down on you…does this remind you of anything?” he says tilting his head to the side smiling. you shake your head. but oh boy do you know exactly what he’s talking about. your dad. “ oh right sorry. let me do something that will surely make you remember.” he says chuckling. he crouches down. he punches you right in the eye, your left eye. the one with the healed over stitches. you stiffen at his touch. not just because your scared of him. yeah of course your scared of him. but also because you’ve never had someone touch you in such an intimate place. you’ve never had someone grab your cheek and gently caress your scars.
he starts laughing. " oh my god let me see that" he gently grabs your cheek. tilting your head up towards him. he runs his finger on the scar. " he did that didnt he?" he whispers gently rubbing the scar. " he gave you this scar didnt he? i read it.. in one of your hospital records. he gave you this 2 weeks before he left right?" he whispers gently caressing the scar. your shaky hands reaches for his cheek.
he stiffens at your touch. he's just like you. " he gave this to you..right?" you whisper, gently caressing the cut on his lips. scott nods. " you and me.we are the same y/n. we both grew up in the same households. we both put up the same abuse. we..we are meant for each other y/n. your meant for me. and i'm meant for you." he whispers caressing your cheek gently. you nod.
" yeah.yeah we belong together." you mumble nodding gently.
i thought so too..until i saw a picture of you and your co worker spencer reid together." he whispers softly still smiling. your eyes widen. " w-what." you mumble. he chuckles, " yeah.i saw a picture of you two together. it was when you and your team were working that case in chicago." he whispers tightening his grip on your cheek. you shake your head.
" s-spencer? spencer reid? he-he means absolutely nothing to me." you say gently reaching for his hand. " don't lie to me." he whispers tearing up. " i'm not lying to you scott." you whisper rubbing your thumb gently against his arm. " your lying to
me. all you do is lie. your just like him." he whispers tears rolling down his cheeks. " i'm not like him scott." you whisper shaking your head, trying to calm him.
" your just like him.you lying bitch." he shakes his head standing up, forcefully pulling you up with him. his fingers dig deeply into your cheeks, surely 100% going to leave a mark. but who cares at this point.
" scott just listen to me-' he cuts your desperate cries with a punch to the mouth. you fall down to the floor, on purpose however. you want him to think your weak. your worn out. he can easily control you. he can easily throw you around like a rag doll. so he can feel some sense of confidence and have a sense of control. something he probably never experienced.
"i'm not listening to you. now you listen to me. you... you listen to me y/n. we are both the same person. we deserve absolutely nothing. we deserve everything our fathers did to us-"
" you know that's not true scott." someone speaks up from behind scott. their voice is strong and stern. it brings you comfort. never would you have thought, laying on the floor with blood dripping down your chin that the sound of someone's voice would bring you comfort. your heart feels warm. you can feel the familiarity of having control over your body come back. you smile. how could you be smiling at a time like this? your smiling. really hard while looking down at the floor. you refused to look up at scott. you refuse to do so.
because deep down you know you would be staring at the version of yourself that's buried deep inside you. that part inside you that keeps you wondering everyday, if you didn't take the path you took would you be like that. would you have done the same thing he had done? what makes him so different from you. just because you carry an id that gives you power over any normal civilian and a gun that's supposed to protect you and others. that doesn't make you any different though. because even though you have those things, you still think like scott. what if you truly don't deserve anyone in this world that would treat you with respect? what if you truly deserve someone as messed up as fucked up ad you are? because then they wouldn't understand right? they wouldn't understand how your mind works. but..like scott said. you probably deserve someone like scott, someone so sick and twisted-
why are you like this. why are you taking his words to heart. are you really that desperate and pathetic that you start taking an unsubs words to heart just because he shared an intimate moment with you. why? is it because you never in your life had experienced something like that and now you yearn for it? you start to believe every word he's said. your so naive. and your so vain. how can you be so gullible. why are you the way that you are. none of what scott said is true. none of it, absolutely none of it.
your too preoccupied with your brain breaking you down too notice two people coming over to you. your zoning out. your thinking hard. really hard. something like this requires a lot of thinking. but it shouldn't though. your supposed to just shrug off his words. not pay any mind to them. he's a mentally ill unsub who's murdered 5 women. nothing he says should make you reason with his thinking. there's nothing to reason with. he's insane. your not insane. your not insane. your just a girl who's seen some insane things.
" hey. your okay. i got you." morgan says gently grabbing you by the arms. "i got you y/n." he whispers picking you up gently. you stand up looking at the wall infront of you still zoned out. " hey y/n." emily pats your shoulder gently tilting her head to the side looking at you with such pain. you shake your head and look at both of them. " hi emily." you respond looking at emily blinking repeatedly. " hey you." she says smiling. " we've gotta get you to the ambulance come on y/n." morgan says wrapping his arms around you, pushing you into him.
" j-i don't need medical care morgan." you say trying to push your heavy head away but finding it way too hard. he feels too comfortable. too comforting. he feels too nice. his cologne smells masculine. really masculine. why is it comforting? why does it bring you comfort? you close your tired eyes for a second. " hey hey don't close your eyes on me I/n." morgan says tilting his head around to take a look at you, you shake your head softly. " i'm not dying morgan." you groan.
emily chuckles. " morgan's probably enjoying this." emily says wrapping up arm around her shoulder helping you walk, " cant have derek enjoying himself too much we all know how cocky he'll get and how high his ego will sky rocket." emily adds on looking at you smiling. her words make you chuckle. a painful chuckle. when your lips curve to let out a laugh a wave of pain washes over your face. "ow ow." you chuckle closing your eyes. morgan shakes his head,
"yeah you wish you can have a bit of this ego." morgan replies.
rossi opens the house door. his eyes immediately look to you. " it's alright i've got her." he says running to you. " derek go take care of reid he's in the ambulance." rossi says putting his gun away. morgan slowly and gently lets you go. rossi quickly replaces morgan. your head immediately shoots up. that hurt. you didn't even know you could do that. why did your head shoot up so quickly? just a second ago you were leaning into morgan for support because you couldn't bare to hold your head up and now suddenly you have all the energy in the world to shoot your head up.
"w-wait whys reid in the ambulance?" you ask your eyes wide, your pretty sure your eyes are half closed though. you can't bare to hold them open. you can already feel your left eye bruising. you can taste blood in your mouth. and you know there's blood dripping down from your eyebrows, from the healed over stitch. rossi and emily push you forward helping you walk. why aren't they answering you? what happened to reid? whys he in an ambulance? is he injured? what's wrong with spencer? what happened to spence? " i think that's a question he should answer." rossi says. what does that mean?
your quickly brought out of the house, thank god. you feel like if you spent another second in there you would go ballistic and break down crying. your heads down, your too tired. you see a pair of shoes infront of you. who's shoes are those? who is that? and why did they stop right infront of you? it's not spencer. spence would never wear those shoes. he was wearing converse earlier. dark blue converse. why do you remember all of this? don't you have some sort of concussion? how do you remember what pair of shoes spencer wore? god...
you feel emily and rossi's grip weaken around you. the unfamiliar person infront of you reaches forward and takes you. they lead you away from rossi and emily. your too tired to even care. they lean you against them. " where's...what's wrong with dr spencer reid?" you mumble stumbling in their hood barely having the energy to hold yourself up. " it's alright i°ve got you. here." they sit you down on something. there's bright red lights flashing around you. an ambulance.
" ma'am i'm gonna get an IV bag started is that alright with you?" the medic asks opening a cabinet. you nod your head hazily. you lean your head against the walls of the ambulance. he takes your arm rolling your sleeve up. you feel the soft pinch. your thankful for it though. it's stopping you from dissociating and falling asleep. you don't wanna fall asleep until someone tells you why spencer is in an ambulance. why do you care for him? why do you care for him after everything's he said- oh right. after what he's said. why do you care for him after he just publicly embarrassed you? that's so stupid. why are you so pathetic and desperate. did he publicly embarrass you? half of the team probably already knew. it's not that hard to figure out. it’s probably why you are the way that you are. they’re profilers. of course they would figure that out. what he said was true. they all probably agree. oh god..
" let me go! let me go! i don't need medical attention she needs it more than me! let me see her!" you hear a voice shout from the distance, you recognise it. your heartbeat quickens. not like earlier though. not in the way your heartbeat quickened earlier. that was in fear. no. this. this is in relief. your stomach starts to stir. in nervousness. your still leaning your head against the wall, but your looking down. your hair covering your face. you stop hearing his voice.
" ma'am i need you to lift your head up." the medic says gently placing a tray next to you, a tray your guessing is full of medical supplies and alcohol. you softly nod your head sitting up. the medic grabs one of the medical instrument opening the wrapping. he moves to the side to quickly put on gloves.
“ oh my god y/n..” you hear him say your name, in so so much pain. he sounds so upset. is he in pain? why does he sound so upset. what happened to him. is he okay. you look up. you see him. you look into his eyes. and suddenly all the words he’s said earlier rush buck into your clouded messy mind. but they don’t hurt as much. your so used to men blurting out hurtful words to you and you having to get over them, what else do you do? ask them to apologise? expect them to apologise?
no. they don’t do that. they’ve never done that. best thing to do is just get over it, because you probably deserve it right? that’s what you were taught.
he looks tired. his eye bags look darker than what they usually would look like. his hair is messier then usual. the two buttons on his dark blue vest are unbuttoned. he’s wearing his fbi vest. his dark blue pants have wet stains on the side of them. your guessing because he would repeatedly wipe his sweaty hands on them. a habit he has when he’s nervous.
he looks into your eyes. he sees the bruise that's already forming in your eye. the trail of blood rolling down your eyebrow from what he can see, that scar you have. you have blood rolling down the side of your face. your neck is red. an imprint of a hand already appearing. his heart hurts. it hurts so much. seeing you like this. but how dare he right?
how dare he feel pain in his heart? the pain your feeling physically and mentally is probably 10x worse than what he’s feeling. he wishes he was feeling it though, he wishes that right in this second all your pain would be transferred to him. add it on to his pain. he feels so guilty. you don’t deserve this. this is his fault. this is his fault. this is all his fault. your never gonna look him in the eye again. whenever you do your gonna remember this day. and how much pain he put you through. he hates it. he hates it so much. he hates himself so much.
"y-y/n." he's out of breath. he doesn't know where to start. he didn't have time to think of an apology, spending the entire car ride panicking nervous about you and wether you were safe or not. but now he can't think of anything.
he can't think of anything when looking into your eyes, the only thing he's thinking of is how badly he wishes he can go back in time and prevent all of this from happening. or make all of this happen but only put himself in your shoes. make him go through all this pain instead of you. You don't deserve this. you don't deserve him. you don't deserve his stupid apology that's about to come, that is if he can even muster up an apology right now. you deserve so much better than him.
"y/n i'm so sorry." spencer starts shaking his head his eyes wide. he can't think of anything. his iq of 187 has suddenly dropped down to 20. spencer who seemed to never stop his rambling suddenly can't think of a single thing to ramble on. you just made him stupid. and not in the way it's supposed to be. you make him stupid when you smile at him. not like this. he can't think of anything. he doesn't know where to start. he shakes his head.
" god can't you do your job!" spencer snaps grabbing a medical wipe and pouring saline solution on it. he stands infront of you. his angry demeanour quickly vanishes once his infront of you. something just hit him. he freezes infront of you. it's like all the color, the little color he already had in his face has drained.
you look at him in confusion. all though your upset at him it doesn't stop you from caring and growing concerned. " w-what?" you say blinking repeatedly looking at him. hes still looking at you. his lips part. he blinks repeatedly. he shakes his head.
"i-i'm just..i got scared." he stutters his voice cracking. " why?" you ask tilting your head to the side. " i'm scared your gonna flinch once i touch you." he replies quickly. really quickly. any normal person wouldn't catch it. but you did. vou've learnt to keep up with spencer's quick rambling. oh. oh. whys he so considerate? y/n stop. you can think that. you look down at your thighs. unable to think of anything to say. if he did touch you. would you have flinched? would you have reacted? you don't know. but spencer's not him. right?
" i'm not gonna flinch spencer." you say looking up at him. he nods his head gulping, "a-alright." he says. he lifts his shaky hand up. he gently dabs the medical wipe on your cut. disinfecting it. ouch it burns. your nails dig into the palm of your hand. his eyes are stuck on the cut. the scar. he knows where it's from. he might've been with garcia when she did her usual background snooping on new members of the team 2 years ago. he remembers how guilty he felt after it. finding out about such a dark part of your life without your knowledge or permission.
but that guilt doesn't compare to the guilt he's feeling right now. he feels tremendously guilty, he caused the scar to re open. all because of his foolishness. if he just shut his mouth earlier and wasn't such a smart ass. if he maybe was the one to go with you to scott anderson's house and not jj he would've been able to protect you. he probably would've shot scott anderson the second he would've laid his hands on vou.
he doesn't trust himself aorund vou. atleast not from the harm of unsubs and has the need to shoot any of them if they ever did you harm. he would probably lose his job. if he was there he probably would've lost his job. but he doesn't care. for your safety. he doesn't care.
" i'm so sorry y/n-" you can feel the medical wipe shake on your eyebrow, from spencer's shaky hands.
" it's fine spencer." you mumble looking into his eyes. is it fine though? is it really fine? whys he apologising? he's not supposed to be apologising right? this is new. this is so very new. they never apologise after hurting you. this is so unfamiliar? how are you supposed to react? do you tell them how you really feel? do you immediately accept their apology? they never apologised to you when they hurt you. whys spencers apologising? what do you say?
" it's not fine y/n. i-i hurt you. i c-caused this." he says spitting his words out in a shaky manner. what do you say or do? you've never made it this far whenever something similar to this happened in the past.
" spencer it's fine. i shouldn't have egged you on earlier anyways-" why are you taking the blame. y/ n stop. it's not your fault. it never is your fault when something like this happens. y/n please. it's not your fault. stop taking the blame. his heart aches even more. his throat feels heavy. who hurt you like this? who broke your heart like this? who messed up your image of love like this? who hurt you this bad. he hates them. he hates them for making you like this.
" y/n i know you have the personal need to justify everything i've said but y/n stop, just stop. i hurt you okay. and even though saying that out loud and accepting the fact that i said that it thr worst thing i've ever done in my entire life it's nothing compared to what you felt when i said that. i don't wanna be like him y/n. i don't wanna be him. i don't want you to think i can be him. i don't want you to see him everytime you see me y/n. because that would kill me even more. y-you don't have to talk to me anymore y/n i just don't want you to flinch or have this horrible feeling of rememberence whenever you see me. please just.. just don't take the blame for this because it's my fault. this entire thing was my fault and i put you through this y/n. you don't deserve this. i'm really sorry.”
spencer rambles. trying to push the heavy feeling in his throat away. he can't cry. he doesn't deserve to cry right now. he's nervous though. he's nervous about what your gonna say. he doesn’t have the right to feel nervous though. he should accept whatever it is. he did this to himself. whatever the outcome is. he just hopes you don’t have a sense of fear wash over you whenever you look at him and get memories of this day. that is if you ever look at him after this day.
no one's ever said that to you. you feel your tired eyes tear up. your about to cry. oh no. spencer panics. does he comfort you? do you even want his comfort? he doesn't deserve to touch you, he thinks. he drops the medical wipe.
" n-no please don't cry. ill go call
over emily or jj or morgan or hotch just p-please dont cry. i'll go-" it physically aches him to leave you like this. but he has to. he doesn't want you to feel uncomfortable. he just made you cry. you must really hate him. he understands though. he just wishes you understand how sorry he is. but you probably will never know. because you probably don't expect him to feel sorry, you probably think he's faking it. he just needs you to understand that he's not him. he's not your dad. spencer actually feels sorry. he feels so so sorry for everything he's done and said. but you had to put up with years of your dad taking apologises you probably don't believe his. he hates himself.
you stand up. you barely have room to think clearly before a tear rolls down your cheek. spencer immediately removes his fbi vest, you bury your head against spencer's chest. you wrap your hands against his chest. he doesn't wrap his hands around you though. he's scared to touch you. your not sobbing. your too tired to sob. you just let tears slowly roll down your cheeks. " your not him spencer." you say out loud. spencer's heart skips a beat. he slowly wraps his hands around you. " i'm still mad at you. you shouldn't have said that earlier. b-but i forgive you spence." you mumble against his chest. he shakes his head, " you shouldn't forgive me y/n. your supposed to be mad at me. your supposed to be yelling at me. or-or hitting me." he says.
" i am mad at you spencer." you say pulling your head away wiping the tears.
"alright. good." he says
looking down at you. " oh god- im sorry that was stupid i shouldn't have hugged you-" you immediately start apologising shaking your head. you immediately sit back down. oh god your so stupid. why did you just hug him? your so embarrasing oh god. did you feel the need to hug spencer because you just needed to make sure that spencer wasn't him.
not that you would know what your dads embrace would feel like. but you just needed to make sure.
" no please don't apologise. d-do you mind if i sit next to you?" spencer asks pointing at the space next to you. you look at him and slowly nod your heart. he sits next to you. " once ive healed i'm yelling at you spencer." you say looking down at your legs, your tired eyes aching. " alright." spencer says nodding. you should yell at him. and you will. he had no right. but your too tired right now. you just hope. you really really hope that spencer doesn't spiral once your back in quantico and probably will forcefully be taken into the hospital by emily and jj. you really hope he doesn't drown himself in guilt and spiral. why are you so caring? does spencer care about you the way you care about him? that's foolish right? he wouldn't right? does he feel his heart quicken when he sees you? does he care the way you care? that's stupid god y/n you probably have a concussion just shut up.
yeah how stupid y/n. because if you knew the way spencer cared about you or the way his heart quickens when he sees you. you wouldn't believe it. it will take time though. it will take time for you to believe it. he's willing to work hard during that time. he just hopes you know even the slightest bit. but he wont say anything right now. you've already been through enough. he wont say anything for a while. though when the time is right. maybe you'll finally know how much he cares about you. for now, he'll settle for this just for now. until he can gain your trust back and make his feelings known. he'll settle for this. because just being next to you makes him happy.
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