March 8th - Gandalf & Pippin ride towards Minas Tirith and notice the Beacons of Gondor have been lit
'What is that?' cried Pippin suddenly, clutching at Gandalf's cloak. 'Look! Fire, red fire! Are there dragons in this land? Look, there is another!'
For answer Gandalf cried aloud to his horse. 'On, Shadowfax! We must hasten. Time is short. See! The beacons of Gondor are alight, calling for aid. War is kindled.'
YOU KNOW THE VEGGIETALES ESTHER MOVIE???? DUDE when I was a kid I used to watch that on vhs, usually in the morning before school, it’s one of my favorites!!! Absolute nostalgia 💕
YES!!! IT WAS MY FAVOURITE OUT OF ALL OF THEM!! The story and the song and everything was just perfect ❤ I must have watched it a thousand times.
ADMIN: “Just a few things. Yes, the attacks are still happening so site availability will be spotty at best. This is NOT an attack on the actual content. All stories, user data, etc are safe. DDOS attacks basically overwhelm the servers with requests to the point they cannot handle the load and failover. DDOS attacks last until one of two things happens, either the person/group gets bored and moves on to a new target. Or the site owner finds a way to fortify the servers against the attack. That means this could last for a while. With that in mind, let's all try to keep the panic, humorous or otherwise to a minimum. It's annoying and frustrating, certainly, but it's not the end of the world. The site will eventually be back, it's just going to take time and patience.”
In short:
- Our content is safe.
- Our user data, stories etc are safe.
- It’s a DDOS attack meaning it’s basically an attempt at overwhelming the servers, meaning:
- DON’T KEEP REFRESHING THE AO3 PAGE!!!
- It will last for a while, but there is no need to panic.
Copied from one of the reblogs:
“To simplify:A DoS or DDoS attack is analogous to a group of people crowding the entry door of a shop, making it hard for legitimate customers to enter, thus disrupting trade and losing the business money.”
Also, YES, KEEP REBLOGGING to let people know! The less of us trying to reload the page the better!
In the meantime, this is basically me:
Edit again, because this little post got a life of its own and now I feel like Pippin lighting the beacon of Minas Tirith :D
I feel like the lighting of the beacons scene is kind of a microcosm of my issues with the LOTR films as a whole, in that:
Cinematically, it's absolutely gorgeous and stirring
The visuals are lifted even further by the score
It's a reference to a thing that is actually in the book, just highly re-contextualized (the beacons exist in the book and have already been lit, but serve a different function; it is the Red Arrow that is used to ask for Théoden's aid, with the specific remark that Denethor is asking for aid and not demanding it; the messenger who brought the arrow is caught and decapitated on his way back to Minas Tirith and so Denethor can't know if the message got out without using the palantír)
The lighting of the beacons in the films is tied into the story they're telling, in which basically all the NPCs other characters are much more self-doubting and self-sabotaging and it's up to Our Heroes to get them to do the right thing or the heroes just do it themselves (see Treebeard, see Théoden, see Faramir...)
Specifically, the necessity of lighting the beacons in the films is a direct byproduct of making film Denethor malicious and incredibly incompetent
The quiet, almost incidental tragedy of the messenger's death in war—not in a big battle, not in any glorious way at all, just this random guy being casually chased down and killed—is lost in favor of something dramatic and show-stopping and cool.
It is dramatic and show-stopping and cool! But sacrifices were definitely made in order to work it into the story at all and I think those sacrifices were very representative of the films' adaptational approach.
Gave her thicker limbs and more realistic proportions; fixed up her costume so it doesn’t look painted on; gave her some actual shoes instead of whatever footie-pajama thing she had going on (campbell does that often); and tried to make her facial expression slightly more serious and not so cookie-cutter.
i saw the LotR films before ever reading the books and i love both. i turn now more to the books than the movies for enjoyment.
but i also feel like the three movies just. fucken. cracked it out of the park with some important things and i had NO idea how good i had it as a little nerd delving into the extended edition dvd extras. if i were a fan in the gritty-obsessed 90's hearing rumors of these movies, i would have expected at best stuff like: B-list acting that occasionally broke through with honest emotions. some skilled costuming and weaponry popping up in important scenes but mostly just knock-off viking opera aesthetic. homebrew DND imagery that made it painfully obvious by contrast which scenes they actually spent money on the set design and dressing.
and WETA and New Line and everyone on this!!! they did NOT accept lower standards cause it was fantasy! everyone else would have. This was genre filmmaking, this would have been perceived at the time as more like How the Grinch Stole Christmas than a Cecil B Demille-level epic movie. And the costuming department, composer, propsmaster and set designer all said "NO" and put their whole pussies behind it!
Jesus Christ the quality in those movies! Ian McKellan has undershirts like Gandalf the White might have! Bernard Hill has realistic quilted padding underlayers all made in the style a Rohirrim tailor and armorer would have made! Minas Tirith has a rat catcher because someone took a doodle and decided that would make sense in the lived reality of a massive city! Movie makers do not usually do this. It is NEVER about what isnt seen or necessary for the shot. You are judged professionally not by if you can cut corners in order to help production and still seem good, but by HOW MUCH.
I cannot blame anyone who worked on the Amazon series in the hands-on creative roles because the results are what they have been trained to do. Blame executives. Blame executives! Of course chainmail is going to be, i dunno, plastic or sewn into the edges of costumes if you dont have the money or time for real chain mail! And because it cannot be overstated how unusual the LotR trilogy filmmaking process must have been. It's like being given an average lower middle class family grocery budget and told to make a fancy Christmas dinner for 20 all by yourself with no help versus having a trained staff, a blank check, and Martha Stewart on retainer. That's not an exaggeration. That's the rhetorical gulf that someone (Valar BLESS them) in the bureaucracy had to wade across to convince execs to buy into the details. The Lord of the Rings movies are WEIRD.
And it shows. Bookfans bitch about the story changes, the balrog wings, the characterization differences. (Denethor was a reasonable person and even outsider Pippin could see he was very admirable to the people of Gondor, which made it sooooo much creepier when he suddenly snapped but i digress) but NEVER about the music. the filming locations. the set designs. the costumes. the props. the things that i really think count the most to help invest people in a different world!
No one ever complains about taking out the scene where Rohan is summoned to Gondor's aid with the Red Arrow, because yeah they could have made it work, they made the importance of other props like Anduríl and, oh yeah, the One Ring very clear, but they had a better idea.
The beacons.
The beacons were not in the book.
Not in the same way, really, because while incredible to think about the narrative style was close third person, and you cannot follow beacons to rhapsodize about them when you're a tired hobbit getting saddle sore crossing national borders with a grumpy old wizard. Pippin sees the Beacons of Gondor at a distance when he's falling asleep and Gandalf tells him they're a mustering signal within Gondor. Which makes sense, really, they require some upkeep and would be awkward for two nations to negotiate how to handle - nevermind. That's it. That's all the beacons are in the text.
Someone adapting the script saw a moment that was ho-hum in the book but realized ! 💡⚡️That would look really great on camera! And it is now routinely listed as one of the most important cinematic moments of anything, ever.
There are so many things I still want to ask Peter Jackson, "Why???" but the original trilogy movies overall? Work. They work and they do more than work, they helped elevate an entire artform that I don't honestly know that much about and oh god i usually dont ramble about them like this im embarassed is this already acknowledged in tumblr tolkien circles? or are we just split into different little fandoms in order to keep the peace?
I would like to point out that Merry and Pippin spanned the gap between Rohan and Gondor long before Aragorn even returned to the White City. Pippin became a close friend to Faramir and lit the beacon of Minas Tirith, while Merry rode with Eowyn to defend the ancient alliance. Theoden, King of Rohan, was slain on the soil of Gondor to uphold the honor of their allegiance; and Eowyn, dearer than daughter, slew the most ancient foe of Rohan to avenge him.
We all saw the interview with Sean Bean and other people about how he didn’t want to fly with a helicopter. So here I propose you:
Boromir is afraid of heights. Not just afraid, terrified. And I am not talking like hiking the mountains high, that’s okay, it contains constant contact with the ground. Cliffs are worse. And he does not like being close to the edge.
Faramir knows, they climbed all over the citadel together as children, and Boromir always refused to go to the certain parts of it. Faramir had to manipulate him to get him to go with him to the highest tower, because he always had something more important to do.
F: You are just afraid!
B: No I’m not!
F: yes you are!
B: I could do it right now!
F: than do!
So Boromir went and hated every moment of it. And at first Faramir was making fun of him but than he had to help him get down. And Boromir was constantly saying that he is not afraid and he will kill Faramir if he would ever tell anyone.
So Faramir didn’t tell anyone. Aragorn figured it out himself. He never made it obvious that he knew. At first he was amused and thought that Boromir is just stubborn bastard as always, but with time he realised the man is just too proud to admit it.
So he started making excuses for them both when anyone proposed some activity that had anything to do with heights. Suddenly Boromir is very needed somewhere else, or suddenly Aragorn wants to do something else and he doesn’t want to do it alone. Or simply just has a better idea of activity he might need his boyfriend for.
Faramir knows that Aragorn knows. And Aragorn knows that Faramir knows. Boromir is still acting like nothing is wrong and he is absolutely fearless. But he was holding Aragorn’s hand when they went to check the new Minas Tirith beacon.