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#bbc Merlin crack headcanons
threemoonwatchers · 1 year
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This was on my last account but
Aithusa leaving muddy talonprints a la Blue’s Clues on everything that has any remote relation to Merlin whenever Morgana goes on a rant about tryna find Emrys
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emrys-the-wild · 13 days
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Obsessed with the idea of sorcerer's eyes turning gold as means of scaring off predators, similar to how poisonous frogs are generally brightly colored to warn away birds, or how certain butterflies use startle coloration to temporarily shock their predators with a sudden color change. The golden eyes act, essentially, as a glaring warning to the opposition that a sorcerer's insides are far more threatening than they may appear on the outside. Or, at the very least, as a means of temporarily startling the enemy while the sorcerer makes a quick escape.
Also consider - frog/butterfly coded!Merlin. This man is pure amphibian/insect just look at him! Truly a creature.
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hoarder-of-dragons · 1 year
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Lancelot: Hey I'm new in town
Merlin: Hey my bed is free
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I’m headcanoning that Arthur and Gwaine are both the type of petty arsehole to do shit they just know will piss Merlin off after an argument if it isn’t really a proper argument. Like debating over the best pjo character again and one of them clearly being wrong.
It’s all not particularly important, but it definitely matters.
He’ll boil water in the microwave for tea despite there being a kettle right there or he’ll put milk and sugar in with the teabag before the water.
Y’know. Like a madman.
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themerlinrewrite · 10 months
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imagine if, at some point, merlin and mordred had to work on something magic-related together
arthur: where have you been?
merlin: i needed to pee
(later)
arthur: where were you? mordred, not knowing merlin used the same excuse: i needed to pee
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fluffypotatey · 2 years
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Rewatched "The Sword in the Stone" and God, Tristan and Isolde are just so.....
Aside from the rare display of balls from BBC, to completely do away with their tragic love story and make them both bicons and full criminals, damn, it's so rare for a TV het couple to be so Valid, and yet. Them. Crime-married, running a smuggling op, they get swept up into a Clusterfuck by the very king they are stealing from, and Tristan still brings the bae flowers just 'cause and straight-up says he don't give even half a fuck that he lost cargo as long as Isolde is safe. Like. Damn. Respect.
Also, Isolde is just fine, she passed out from pain, Gaius and Merlin fixed her right up, and now her and Tristan are running a Vaguely Legal Business in which now they just smuggle stuff from other kingdoms, which Arthur politely ignores in exchange for nitty-gritty details on the state of trade, like the strangest, most well-meant form of political corruption ever.
Arthur: Tristan, Isolde, good to see you both again, I trust you're staying out of trouble......and not illegally transporting those three crates of Mercian spices I see in your wagon.
Tristan: *pulls an oilcloth over the crates* Spices? I don't see any spices here, do you, Isolde?
Isolde: *holds up a sheaf of trade details from Mercia, Essetir, and Gwynedd* No, Tristan, I certainly don't.
Arthur: .........
Arthur: *takes the papers* You have got to stop doing this.
Tristan and Isolde: Doing what?
Arthur: *leaves*
(Also, no, I'm not having Crime Ring AU thoughts, pfft, no way.)
*sighs* *cracks knuckles* how dare you somehow know all of my weaknesses when it comes to headcanons
listen,
Tristan and Isolde are Arthur's unofficial spies. they created the camelot spy network. they weaved those webs like Arachne herself. the trade papers? just the beginning.
sure, sure, Tristan always tells Isolde that their business with camelot is a short one, that they'll only stay here for a little bit then get back to what they do best, that he only agreed to another month because Arthur turns a blind eye to their dirty money.
Isolde only rolls her eyes because she knows better. this is her husband we're talking about, someone she knows inside and out. Isolde has memorized his mannerisms until she could see them without even looking at him. Isolde could time how long her husband will deny ever caring about the "foolish king" and admit that he had grown fond of the young man.
Tristan as he is arranging a bouquet for his wife: "All I'm saying is that the kid needs a better system for information. He relies on us too much despite our stay being temporary."
Isolde mapping out Essetir's new trade details: "Maybe he enjoys the company."
Tristan: "He's a blue blood, darling. I highly doubt that we would be someone he'd loved to hang out with. Now, daffodils or lillies?"
also: Tristan called Arthur son once, and Arthur just about cried on the spot ("it's the DUST!"). Tristan begins to realize that he has basically adopted Arthur and realizes that he quite likes parenting the kid.
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Dark Forest voices
Here comes another interesting headcanon! What if everyone in the Dark Forest had their own, deeply disturbing sound when they talked?
Alderstar--his regular voice, mixed with the fading-echo like sound cats hear when their life drains away and the world around them becomes blurred.
Bonus: his voice claim is Arthur from BBC’s Merlin (newer seasons for older--aka current--age).
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Angelpaw--his normal voice (a monotone and unexpectedly deep voice), underlaid with the yowls and hisses of his now dead father.
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Avery--his regular voice, with the dull clang of a live-trap door closing.
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Batear--his regular voice, along with the screech of bars in the night.
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Birchflight--their voice + the sound of a BMX bike's wheels scraping on gravel.
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Bluedaisy--regular voice along with the rushing sound of air as you fall.
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Claudrat--his regular voice, overlaid with soft whispers that give the feeling of different messages, to not trust him, to follow him, and rarely, of how much fun they will have.
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Darkbrush--their regular voice (an annoying British-tinged voice), the squawk of fresh-kill travels beside it.
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Emberdawn--Her regular voice, with the rush of a river during a heavy, dangerous storm.
Bonus: Her voice claim is Effy (is that how you spell it?) from Murdoch Mysteries (newer seasons for older--aka current--age).
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Fallenfire--her regular voice, mixed with the hoarse rasp of a dying cat.
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Ferndoe--her regular voice, mixed with the tune of a low, painful wail.
Bonus: her voice claim is Olivia from Haunting of Hill House.
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Foxfire-- his normal voice mixed with the bubbling of water streaming into a sewer.
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Froglight--his voice mixed with a growling squeak.
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Gorseheart--his regular voice along with the sound of skin ripping in the heat of battle.
Bonus: his voice claim is George from Murdoch Mysteries (newer seasons for older--aka current--age).
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Grousemane--his normal voice. That’s it, because he came from Starclan.
Bonus: his voice claim is Gwaine from BBC’s Merlin (newer seasons for older--aka current--age).
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Hootpetal--her normal voice, with a touch of splintering teeth, the cracking bone along with the trinkling blood of the nerve.
Bonus: her voice claim is Gwen from BBC’s Merlin (newer seasons for older--aka current--age).
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Jackdawfoot--his normal voice, mixed with the thump of a Twoleg on a small Thunderpath (sidewalk).
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Kindlepaw--regular voice, mixed with the crackling of flames too close.
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Loonfur--her regular voice, mixed with the sound of blood roaring in your ears when your heart races and you feel afraid.
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Milkdud--their regular voice (higher pitched but demanding tone), the drips of blood upon leaves lurks beneath it
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Myrtlewing--his normal voice, mixed with the disorienting sounds when caught between wakefulness and sleep, nightmares spilling into real life.
Bonus: his voice claim is Merlin from BBC’s Merlin (newer seasons for older--aka current--age).
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Perchclaw-- his normal voice, with the warning hiss of an adder about to strike.
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Pigeonfang--his normal voice in addition to the growling of a stomach that hasn't felt food in many moons.
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Poppyhill--her regular voice mixed with the sound of a low whistle on the moor during a cold, windy night.
Bonus: her voice claim is Poppy Hill from Haunting of Hill House.
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Riverrush--his regular voice (a playful and upbeat tone), mixed with the sound of a dangerous river, rushing water certain to drown an unfortunate soul.
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Rosefrost--her regular voice, mixed with the ominous shattering of ice just before a cat falls into icy water.
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Sharkstar--his regular voice, mixed with the rumbling thunder of a storm that would make kits wail.
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Skullmoon--their regular voice, along with the crackling of mouse bones under one’s foot.
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Snailstar--regular voice + the sound of sand trickling out of an open paw
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Snipvoice--their regular voice, along with the sound of footsteps crunching along the snow, alternating between walking and running.
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Snowwing--his regular voice, with the sound of a paws following in the undergrowth, heard but unseen.
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Stickpaw--regular voice, only strained and tired, along with a screeching when loud noises are made.
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Stonefern--his normal voice, mixed with the distant barking of angry dogs.
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Treatpaw--her regular voice (a small yet friendly voice that can quickly turn horrifying), tainted by her sister’s dying yowls
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Trickpaw--her regular voice (a large and boisterous voice that can be sweet as catmint), the dying sobs and cries of her sister can be heard alongside it.
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Webstripe--his normal voice mixed with the sound of waves getting stirred up by a boat.
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Whispkit--their regular voice (whispery and quiet voice, everchanging), the wails of other kits speak beneath it, speaking of debts unpaid.
======================
In addition, it’s possible that the longer one is a resident for, the more their voice resembles the sounds over how they actually sounded in life. It’s very gradual, so much so that it is very hard to notice.
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It’s something the Dark Forest cast would become used to, but would absolutely frighten anyone else. The fading echo of Alder’s voice might even disorient them!
Btw Jackdaw killed kittypets, which is why his voice resembles that.
Myrtle’s was inspired by a time I was having a nightmare while half-awake, which made it feel more real and WAY more frightening than a normal nightmare. I of course had to give it to my favourite boy.
More TBA, feel free to add yours!
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HELLO
ok cool now that THAT is done, hi :) I'm Sara/Sera. Aro. Lesbian. Genderqueer (she/they/he). Libra. 20. Art college. INFP. etc.
This is a blog where I'll do whatever the fuck i want with the fandoms I like, even the ones i have blogs dedicated to. Just because.
My og posts are all tagged "hey look i posted a thing" so. yh.
I'll put here some fandoms that I DEFINITELY will be at least talking about:
both Top Gun movies
Merlin BBC
Sherlock BBC (yh ik sue me the show was fun)
Warrior Nun
The Magnus Archives
Outer Range
Our Flag Means Death
Six of Crows and Crooked Kingdom (ONLY the books. That show sucked, I'm sorry not really)
Treasure Planet (most underrated movie EVER, yep)
Rise of The Guardians
all Kung Fu Panda movies
Nope
Everything Everywhere All At Once
Wednesday
The Haunting of Hill House and The Haunting of Bly Manor
The Untamed
Anne with and E
Teen Wolf (i have a weakness for this show yall, idk)
Arcane
First Kill
The Witcher (only the show, sorry)
The Sandman
Girl From Nowhere
Abbot Elementary
Suits (i have not finished season 5 cuz i know its gonna get shitty so apologies)
Black Sails
The Falcon and the Winter Soldier
both Venom movies
Like Minds
Moon Knight (TV show)
Sharp Objects
Suspiria 2018
Whiplash
Jennifer's Body
The Pirate (1948)
Derry Girls
Criminal Minds
Cocaine Bear
Knives Out + Glass Onion
Into the Spider-Verse movies
TMNT 2012
Reservation Dogs
The Bear
Marble Hornets
Creepypasta
Stardew Valley
8 Women (2002)
Nimona
The New Girlfriend (2014)
Teenage Mutant Ninja Turtles: Mutant Mayhem
Harlan Coben's Shelter
Malevolent (podcast)
ATLA
Blue Eye Samurai
Kubo and the two strings
Midnight Burger
After School Lessons for Unripe Apples
CURRENT HYPER-FIXATION: Blue Eye Samurai, Malevolent
Theres a TON more, I'll add them as I remember them and as I also consume them. From this list tho, pls send ur thoughts!! Just know im more active in some fandoms than others. This list is not on a particular order, so yh!!
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dragonlord-emrys · 4 years
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What if Merlin constantly used the Horn of Cathbhadh to bring Arthur back, not to have deep emotional conversations, but for completely trivial matters. 
Merlin: Hey Arthur, say, where did you put the Golden Trident? It’s not in the vaults. We can’t find it.
Arthur: Seriously??? You brought me all the way back for that??? For that?????
Merlin: Well, yes! It’s urgent.
Arthur: Why? What’s going on?
Merlin: We’re doing inventory of the vaults.
Arthur: *sigh* It is in the vaults. There is a secret compartment behind the tapestry.
Merlin: Thanks, gotta go bye.
or
Arthur: What is it now?
Merlin: *clearly in a mood, arms crossed, impatiently tapping his foot* What happened with the gold for the reconstruction of the south tower?
Arthur: How would I know???
Merlin: Couldn’t keep better track of your finances, could you??
Arthur: Jeez I’m dead, stop yelling at me!
Merlin: *pinching the bridge of his nose* I’m trying to help Gwen rebuild your kingdom. Do you have any idea how hard that is when most of the financial records are completely incomprehensible????
I don’t know, the idea of Merlin constantly disturbing Arthur’s peace just to ask him questions and to bitch at him about the state of Camelot is wildly funny to me.
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threemoonwatchers · 1 year
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Modern!Gwaine would wear those shoes with wheels on the bottom to PE on the day of the pacer test in this essay I will-
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oswinsdolma · 3 years
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Proving all the Knights of the Round Table have magic part 3: Elyan
I've seen quite a few people headcanon Elyan with magic before, and it's definitely one of the more popular magic!knights hcs, so I apologise if I accidentally hijack anyone else's points xx
The most obvious indicator of this is the fact that Elyan leaves Camelot a year before Merlin arrives. This is about the same age Morgana's magic shows itself, so it would be natural to assume he left because he began showing signs of being a warlock, Camelot's laws being what they are.
It is also implied that Elyan left fairly abruptly, with Gwen having no idea where he went. He may have left in a hurry because somebody might have noticed him, and not told Gwen or Tom for fear of putting them in danger.
Perhaps in a darker note, he didn't say where he was going because he was ashamed of his magic and didn't think his family would accept him.
Gwen says that "[Elyan] always seems to be in the wrong place at the wrong time". Maybe accidents happen around him because he had trouble controlling his magic and found it increasingly difficult to cover for. This could be another indicator as to why he left.
Elyan didn't return to Camelot even for his father's funeral, and while he expresses his guilt, he doesn't give sufficient reason why: the reason? He may not be able to tell Gwen because he was still scared to return with magic.
When Gwen reveals her relationship with Arthur, Elyan is skeptical, and maybe even a little panicked. After all, would your sister falling in love with someone with the power to set you ablaze not be a terrifying concept to anyone with magic? But when Arthur comes to rescue them and proves himself to be slightly less of a prat than he may think, he tentatively agrees to return home, though I suspect this is mainly for Gwen's sake.
When the immortal army invades Camelot, Elyan manages to stay hidden and fight off some soldiers. Note that he is the only one of the group within Camelot with no Knights' training, which begs the question: how did he manage to escape? The answer could very well lie with magic.
Again, in The Darkest Hour, he is one of two knights that survived the meeting with Morgana. He is one of the more inexperienced knights as well, which suggests that he may have aided himself magically in the fight.
When faced with a seemingly unbeatable threat, Elyan says to Arthur: "tomorrow, we fight in your name, sure. For freedom and justice in this land." Now there is a lot to unpack here, but if we break it down, firstly there is the fact that Elyan places is emphasis on "your" when addressing Arthur. He has previously made a statement about the Pendragon crest, but in this moment, it seems that he cares more about Arthur than this. This is clearly indicative of the fierce bond between Arthur and the core knights, but it could be more than that: the emphasis of "your" is specific to Arthur, but perhaps more importantly, it is an exclusion of Uther. In his time, Arthur has made mistakes, but he has generally been more sympathetic towards magic than his father, and this may be Elyan's subtle way of acknowledging that.
In addition, the words: "for freedom and justice in this land" could just be in reference for Arthur's abilities as king, but this is a deep speech and one would assume it has a deeper meaning. Freedom and justice are two things that have not been afforded to those with magic for a long time. Uther's twisted "justice" involved executing anyone who disagreed with him and anyone who could be vaguely affiliated with sorcery. As for freedom, Arthur has created a fairer kingdom than his father, but magic users still live in fear. Combined with the earlier stress of "your", this is indicative that Elyan too believes that Arthur may one day come to bring peace to anyone who is born with magic.
This last point also has the implications that Elyan knows of the Once and Future King and surrounding prophecies. Though he is described as a troublemaker by Gwen before he comes to Camelot, he keeps his head relatively low upon arrival. Perhaps in the time he spent travelling, he sought help from magical communities, e.g. the druids, who helped him control his powers. This would also explain his vagueness about his whereabouts and lack of contact during the years he was missing.
I could go on about this quote but we'll leave it there for now.
Before he is overtaken by the power of the Lamia, Elyan is vocal in standing up for Merlin. This could be because he knows what it is like to be shunned by society. Magic could be a reason for that. (Also I fully believe that the only reason the Lamia didn't try and take over Merlin was because she was scared of the extent of his magic, not just because he had magic.)(and the merthur reasons when I'm in the mood)
Then Elyan falls sick, before the others begin to show symptoms. Maybe the Lamia sensed some magic and decided he was more trouble than he was worth.
Elyan was not raised by druids, and does not have the same powers as Merlin so wouldn't have sensed the power of the shrine, at least not too strongly. When he first sees the spirit though, he is genuinely sympathetic, even before the murderous intent takes hold.
In the Dark Tower, Elyan is consumed by his need to find Gwen, convinced that he is to blame for her capture. This could be survivor's guilt (and to an extent, probably is), but it is equally probable that Elyan believes that he should have used his magic to protect her.
Going off on a slight tangent here, the theme of "I have magic so it must have a purpose" within warlocks/sorcerers in the show is a) not a healthy mindset and b) uncomfortably common. Elyan may have latched onto the idea that he must use his magic to protect Gwen to convince himself to stay in Camelot, and with that conprmino, he began to fall apart. His behaviour is almost identical to Merlin's fervour regarding Arthur at this point, and it's fairly disturbing that these characters adopt this mindset that is Not Good For Their Mental Heath, Please Get Some Therapy.
Elyan dies. It's heartbreaking, and he does so trying to save his sister. But what is interesting is his funeral. When most main characters die, they are given a funeral in Camelot, e.g. Uther, Lancelot (the first time). But then Freya and Shade!Lanceot (and later Arthur) are set to rest in the Lake of Avalon. The difference between the two is that the lake funerals were arranged by Merlin, and those laid to rest there can somehow be affiliated with magic.
Now I'm not saying that Merlin knew about Elyan's magic, because sometimes he can be really not very perceptive about that (though it's always fun when fics cheerily toss that out the window because it's fun goddamnit-), but I don't believe he was entirely oblivious. Think about it: there are two of Arthur's closest friends canonically hiding magic from him and it's fairly probable that they'll pick up on Elyan's magic at some point. Even if it's just little things like his sympathies with magic or gentle arguments about the way mages are treated. There are so many avenues to explore with this it's overwhelming-
I also think Elyan may have picked up on Merlin's magic later in the series: the point of realisation was probably when Merlin rescued him during his time being possessed by the drowned druid boy, upon which he says: "you know, Merlin, you're much braver than you look." This is the first time Merlin has revealed his more BAMF side to Elyan, and in this moment, something unspoken passes between them. If not mutual understanding, it is at least Elyan realising what Merlin does beneath his carefree exterior, and despite the possession, I think he acquires a lot of new respect for his friend.
(also are we going to ignore that the lake funeral implies that it was arranged by Merlin. How close were they and what stuff did we miss out on behind the scenes for him to be trusted with this?? I need to know)
Elyan and Mordred have a friendship in series 5. If the earlier headcanon about Elyan learning to control his magic with druids is true, perhaps he may have recognised Mordred from his time there. They probably didn't acknowledge it much, but it created a bond between them.
And now for the mythological context!!
Of all the Knights of the Round Table, Elyan's backstory is perhaps the most estranged from the original legend (of course all of them are fairly disconnected *flashbacks to pope-gwaine* but Elyan's is w a c k y)
As a consequence, there is little to draw on for behind-the-scenes evidence of magic.
Elyan, or Helayn, was another Knight whose origins stem from France (the Vulgate Cycle, I think, though he could have surfaced earlier). He is said to have joined Lancelot in exile after his affair of 'courtly love' with Guinevere (go and look up this concept- it gets convoluted in the myths but is really interesting in terms of both origin and content). Anyway, his exile here could represent the time he spent out of Camelot before his appearance in s3, and relates to hiding from harsh laws, particularly if we regard Lancelot and Guinevere's relationship in the same way as we do in the Vulgate Cycle (basically keep the context with the appropriate work and it sort of makes sense)
I appreciate this seems a little like grasping at straws but that's literature I suppose ¯\_(ツ)_/¯
In the legends, Elyan is nephew to another of Arthur's knights, Sir Sagramore. This knight is less famous than some, but at one point, he embarks on a quest to find the fay. The fay are closely linked with the she, and perhaps also live on Avalon, somewhere mortals are only supposed to see moments before death. Perhaps Elyan can be associated with this magic?
In reality, there is little written of Elyan and no prose or poetry dedicated to him so it's quite hard to find stuff about him.
Also legend!Elyan is heir to the throne of Constantinople, which just goes to prove how widespread and deeply convoluted the mythos is.
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psychicpiss · 3 years
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concept: uther determined to be the best ally to his gay son even though he’s still a massive dick
okay so ive finally decided to start posting these weird ass headcanons my girlfriend @beetletooth69 and i come up with in our conversations. this one is practically all her though so if you want someone to blame don’t look at me.
so, imagine: modern au, merlin is straight (unlikely ik) and is in a committed relationship with gwen.
but uther just,,,, assumes he gay.
he keeps bringing it up. everyone else was sort of on the rocks about it, but with uther backing merlin gay rumours no one believes this man is straight. they all just think he’s in denial.
gwen is in the army, for extra spice, so she’s practically never home.
despite being a dick in all other aspects (a+ parenting lads), when arthur comes out as gay uther is determined to be the best ally to him even though yaknow. he sucks. 
his allyship is a lil bit performative but arthur’s just glad he isn’t a raging homophobe
arthur took advantage of this by taking uther to pride and sticking him in a ‘free dad hugs’ top. uther hated the whole day but took home many pamphlets about the gays so.
he’s the first to notice arthur’s crush on merlin, and he drops so many hints. but they’re like. not hints. they’re cement blocks on a china plate.
subtlety is dead and yet,,,, merlin continues to be oblivious.
eventually though, someone (probably morgana) is straight up just like JESUS CHRIST merlin buddy why won’t you just admit your gay and merlin just.
looks at her really strangely.
and tells her he’s bi.
after that, he eventually find out about arthur’s killer crush, but because they are Super Bros and arthur is still his favourite human being he sets him up with gwaine.
him and arthur admittedly just click, completely forgetting merlin is at the table with them, and when they finally zone back in merlin’s just next to them demolishing a burger the size of his head.
anyway, the ways this shit concludes.
is at a formal dinner with uther, arthur, gwaine, gwen and merlin.
and arthur’s like okay,,,, what’s your type in guys anyway merlin since you didn’t want all of this, gesturing to himself.
and merlin turns bright red and looks down whilst gwen chokes on the win she was drinking before, absolutely losing it with laughter.
she just keeps laughing and laughing and merlin’s sinking in his seat whilst everyone is getting increasingly more uncomfortable, glancing at each other.
and when she finally composes herself, she just takes a deep breath
and points at uther
bonus!! if you’re wondering how gwen found this out, she met merlin when they were chatting up the same guy because they’re both, generally, into Older Men. that man was gaius.
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toocool2btrue · 4 years
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Merlin is a story of an immigrant who leaves his old village (country?!) because his life is in danger only to find out that the new place he seeked refuge in isn't safe either and now the only hope he has is to serve a person of power so one day that person might change the laws for the betterment of the minorities living there. Also he has to do like two minimum wage jobs to ensure his survival. Nothing is changed much in 1500 years
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robiax · 4 years
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Hear me out
Master and Servant
Arthur and Merlin
Frodo and Sam
BOOM
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fandom-hoarder · 2 years
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Not a tinhat, but tinhat adjacent. I rb j2 tinhat stuff regularly. Tags to block: #j2 tinhat #j2 tinhat adjacent
I post crit sometimes, but it's out of love. 💕💔 Tags to block: #spn writers critical #canon crit #dean critical #misha critical #castiel critical #mary critical (I think that's mostly it???)
I also use #john winchester’s A+ parenting  --however it’s not always negative, and often discussing canon or headcanons
(Actually there's more now) Walker tags to block: #cordri neg #cordri squick #geri neg #geri critical
I started SPN in 2013 as a bibro that shipped destiel. The thing that finally brought me to the fandom was the podfic of Two Boys From Kansas in King Uther’s Court (a BBC Merlin/SPN gen crossover), and I binge-watched s1-7 a couple times with my baby bro until new episodes started coming out and watched those as they aired until s10. Came back to fandom in 2020 and couldn't enjoy much destiel content. The culture of heller fandom and my preference for a canon-adjacent aroace relationship that doesn't sideline Sam or change Dean's character has made my enjoyment of most deancas content a thing of the past. (Also I'm like 200% more obsessed with SamDean since the finale.)
On the very rare occasion I rb something destiel related, I will tag it so people can blacklist.
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~Discord~ IF WE'RE ALREADY MUTUALS/FANDOM FRIENDS: (Since a lot of mutuals have been shadowbanned lately and can't use messaging) My discord: fandom-hoarder #6220 (or fandom_hoarder since the stupid username update?)
No random friend requests, please. I honestly don't really DM on discord except for one-offs of things that can't go in a server discussion. If we don't already interact or exist in overlapping interest circles/servers... I'm pretty much already at capacity for conversation about real life.
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I swear I have normal Narnia headcanons. However, none of them are featured in this post.
So! If you've been following my series of posts about my Inhuman Narnia AU and the couple of oneshots I posted on ao3 under ASkyOfKai, you've probably noticed that in this little universe I've created, Narnia is sort of...sentient. And I've just realized that I've only actually gone into depth about this on Discord with my friends who are probably very tired of hearing about it. So I'm making y'all suffer through it instead. Welcome to Inhuman Narnia 101, please take your seats because this is going to take a while.
Warning for religious themes, theological discussion, and some dark fantasy/inhuman/body horror concepts that involve blood and physical changes.
BEFORE I SAY ANYTHING: Please keep in mind that an AU is meant to be an alternate universe that may not follow canon information. If anything in this post contradicts canon on the creation of Narnia (it undoubtedly will), pay it no mind, this is an AU. It doesn't have to follow canon.
First off, a little explanation of the Inhuman Narnia AU in general. Basically I came up with this AU after seeing some other people on tumblr post about the Pevensies being not quite human after their time in Narnia. Just eerie, cryptid, a bit of dark fantasy kinda stuff. And I was like, "I'm in love, sign me up, I have ideas." I did not sit down and develop this all at once. The worldbuilding I've done for it has come slowly over the past few weeks through posts, fanfics, and discord rambles. The idea of Narnia being a sentient earth deity of sorts is a recent one and there is already so much to it. (Also I call her Narnia because it's convenient, she has other names but I haven't bothered to like, actually make any up so Narnia is what she's called.)
The most important thing to note starting off is that Narnia is not supposed to be a replacement for Aslan, nor is she necessarily "the hero to his villain". Aslan and I have an interesting relationship, as he is literally God/Jesus/The Holy Spirit/etc and I no longer really identify as Christian. While there are times that Aslan definitely takes a more antagonistic route in my writings, I don't actually see him as a bad guy, nor as a good guy. As God, he literally removed from our concepts of good and evil (in my opinion). The same goes for Narnia being an earth deity. I am a Christian-raised pagan, and I definitely subscribe to the idea that gods and deities are not subject to humanity and our rules. Narnia is not a good goddess, she is not a bad goddess, she simply is a goddess. Plain and simple. The dichotomy that exists between Narnia and Aslan in my writing is generally that of opposing deities, but this isn't a hard and fast rule. There were and still are times when they're friends, working towards the same goals. There are times when Narnia's power is stronger than Aslan's and times when Aslan's power is stronger than hers. There is no simple 1:1 comparison between them.
So, getting into motivations and why Narnia as a deity even exists. Essentially, I asked the question, "How do the Pevensies become inhuman?" and voila earth deity Narnia was born. Now, the basic in-universe mythology I've worked out is that Narnia and Aslan are two deities from separate dimensions that came together to create a new world, the world of Narnia. Aslan is the one who oversees things, he's the one who comes up with the ideas, and he's a little less attached to the world as a whole because he's a Creator, not an earth deity. Narnia is, however, and she literally makes up the world, she sort of runs the entire thing on a physical level, and she is much more attached to it. So she's always kinda taken on this role of making the things in her world the way she wants them. For the most part, she and Aslan designed everything together and they're both happy with it blah blah blah. Well, Aslan then decides to bring a few humans from this other world he's created to Narnia. And she affects them a bit (I've got headcanons about Digory and Polly that I haven't posted anywhere yet but I might soon), but it isn't until Aslan brings the Pevensies over that she really gets to experiment. See, there are other deities in the world that kinda rule over the various lands on a surface level (patron gods for Telmar, the Archenlands, etc, they just have less power than Narnia and Aslan) so she has a little less power over the people in those places, but the country of Narnia is both her land and her so when the Pevensies become the Kings and Queens and live there for 15 years, she's very connected to them. And it's through this connection that she starts to affect them. Honestly, I'm not sure if Narnia even knows what she's doing when she starts stripping away their humanity. I think it's that she can feel they're not from her world and she doesn't like that. She wants them to be a part of her, she wants them to belong in her world just the same as everyone else. (Side note—I know Telmar and some other lands in canon are based on people finding portals and coming through and I'd like to say that she does affect them a bit, takes away a bit of their humanity, but it's not to the same extent as the Kings and Queens of her lands).
"So Kai," you might say, "You keep empathizing that she is literally the land and the land is her. What the hell do you mean by that?" Well, essentially, she is...the...land. Basically if you've read Percy Jackson Heroes of Olympus, there's this idea that Gaia and Tartarus are both physically their domains and able to take on a smaller, human shaped physical form because they're gods and not restricted by human ideas of only having one body. Narnia is the same. Her physical form is both the entire world and whatever smaller shape she might appear in to people. However, we have to acknowledge that their world is differently structurally from ours. There's magic, there's talking animals, and in my Inhuman AU, there is a literal Heart of Narnia at the center. Like a physical, beating, human-shaped heart. Except it's a lot bigger than a regular human heart. Also it's golden. And many many many miles underground. So anyways this is where she's centered. It's basically where her soul is. Probably under Cair Paravel because I just came up with that idea and I love it. And radiating out from it are veins of magic and blood, and these stretch all across the world. Now here is where we get into blood magic and some of those fun terrifying concepts I've come up with.
Narnia has her own blood, of course, but also whenever one of her Kings or Queens bleeds in battle, she kinda pulls it down through the earth into her own heart and veins. It doesn't really do anything to her or them in particular, it's just a fun side effect of them having a patron pagan god. Yes this includes Caspian after he becomes King. Also Peter's blood turns golden because he's the High King, and then later Caspian's does too because I just really like imagery of Ben Barnes bleeding gold. (Side note—when Peter returns to England, his blood goes back to red, but it does remain a brighter red than blood generally is).
Diverting for half a second here. Now, in both my regular Narnia writings and my Inhuman AU, Lucy is very very connected to magic. In my regular Narnia fanfic, she studies with the druids, who are sort of like BBC Merlin's druids. They're just like, chill dudes who run around in camps doing magic and making prophecies and shit. However, in the Inhuman AU, they are a lot darker. One of my favorite ideas with the Inhuman druids and Lucy is that they are so connected to Narnia's magic and her Heart that their hands become stained with blood. Is it their blood, is it Narnia's blood, is it someone else's blood? Idk, don't ask questions. But yea, their hands are permanently stained reddish-brown to almost black. In my regular Narnia stuff, I still like the idea of Lucy's hands being stained and go with just earth magic, dirt stuff for the reason why. But yea no, in the Inhuman AU her hands are stained with blood because of blood magic.
So getting a bit more into how Narnia affects the Pevensies now because I love talking about this lol. She doesn't consciously chose how to change them, though she does call them her creations. Generally the way her magic affects them is by connecting them to to the land in some way and bringing out certain traits they have. So for Peter it's his eyes flickering between regular blue and the amber of a lion's, feathers appearing on his back that grow into wings, having a strength greater than that of a giant's. His blood is golden and on clear nights, the Aurora Borealis in the sky is reflected across his skin. For Susan, her skin glints like glass in the sun and she can briefly glimpse the future. Her wounds are sewn shut with golden rays of light, her eyes are cracked but clear, and she seems to glow faintly in the night, a bit of the sun's radiance shining through her. Edmund has a bit of a star's power lodged in his throat, and can manipulate words, uses them to influence people and their actions. His skin is frostbitten in places, a side effect of ruling the Woods where the White Witch once held so much power, and in some spots his bones shine under the ice that spreads across his skin. Lucy has the stained skin from her stronger connection to magic, and when she speaks words from the Old Language (the one Aslan and Narnia used to shape the world itself), her voice echoes and rasps. Her teeth are too sharp, her smile too wide, and when she disappears underwater, she can stay for hours without surfacing. I want to get into Eustace and Caspian now too but this post is already extremely long and I've still got a bit to cover, so we're just sticking with the Pevensies for now. So yea, Narnia doesn't pick what she does to the Pevensies, she just connects herself to them and through that connection, they change. The magic that she is made of, that Narnia the world operates on, that's what changes them. However, as I stated already, she does call them her creations and feels extremely responsible for them.
Wrapping back around up to the beginning, this is the biggest source of conflict between her and Aslan as of the canon timeline. I like to believe that the lamppost incident was an accident, that Aslan didn't actually mean to send them back at the end of LWW and it was pure coincidence, wrong place wrong time stuff. That being said, it did happen and Narnia really didn't like it happening. The Pevensies did return to their (mostly) human selves in this AU in England, so when they came back in Prince Caspian, she felt disconnected from them again. She reacted to this by digging into them even harder on a spiritual level and essentially speedran them back to being inhuman throughout the timeline of PC, which generally takes place over a few months in my mind. I don't remember how long it was in the book, it's been quite a while since I read them, but it's only like a week in the movie and like eff that, overthrowing a kingdom takes a bit longer in my opinion. Now there are a few divergences here. 1. They all stay at the end of PC and yea that's it, they go back to being Kings and Queens and it's like a second Golden Age but with Caspian there as well. 2. Susan and Peter stay, Lucy and Edmund go back and it's a repeat of the human/inhumanity cycle for them + Eustace in VOTDT and then they stay. 3. Everything happens exactly as it does in canon and it's a constant cycle of humanity/inhumanity with the character's various trips and finally ends at The Last Battle. I like all versions and I tend to leave things a little open to the reader on what exactly happens, or I would if I could actually finish some of my drafts and post them. As you can imagine, Narnia likes 1 the best and 3 the least. She really wants her Kings and Queens to stay and rule her lands and like be awesome and stuff. However, Aslan prefers 3 the best and 1 the least. So again, neither of them is really good nor evil, they just have differing opinions on how the world should be run and what the Pevensie's fates should be. I do tend to side with Narnia, I really like exploring these concepts of inhumanity, but I also really like the concept of a cycle. That's very common in mythology.
So anyways, that's a bit of an overview on earth deity Narnia and her role in my Inhuman AU. If you made it this far, congratulations, and I give you explicit permission to use any of my ideas in your own writing/fanart/whatever, as long as you tag either my tumblr or my ao3 (lord-of-christmas-lights and ASkyOfKai) because I need more Narnia+Inhumanity content in my life. Thanks for reading all this and I'll probably be back very soon with elaboration on Eustace and Caspian's inhumanity!
- Kai
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