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daytura · 1 year

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Open Sight — Appendix B

Return home: Open sight — A proposed addition to the Archbishop Leucoryx’s Chaotic Scripture

Perhaps the most daunting challenge of the Sanctuary today lies far beyond the Sanctuary and within the Realm itself. The Realm as it was recorded by the Chaotic Scripture no longer aligns with the Overseer Gemsbok's generous data on the Realm today.

According to the Chaotic Scripture, the Realm has been in a relative state of perpetual normalcy under Oryx’s command. The Nexus inhabitants attack us and we fight back, but we always resurrect. The land and structures of the Realm have remained mostly unchanged, except for some minor variations. The Realm is also remarkably durable and resistant to permanent alterations by either us or the Nexus inhabitants. However, this does not mean that the Realm is static or predictable. Rather, the Realm has its own abiotic desire to change, from the weather to the flow of time itself. Our administrative control over the Realm amounts to a kind of “living stasis”, which keeps the Realm from deviating too far from a given base state. The Nexus inhabitants have never been able to build anything lasting; it is almost as if the Realm is “reset” periodically to its original form.

Now, our control is weakening. In the mythohistorical gap from the Chaotic Scripture to Overseer Gemsbok's data, the Realm has dramatically changed.

For example, General Stheno's temple has disappeared outright. This would not be so worrisome if it were not for the fact that we have not been able to maintain a single new temple for Stheno, and that Stheno herself has not been attending our gatherings as frequently. Conversely, the infamous Agaric Guild of the Nexus has been maintaining their quartz temple for well over 4 months in the forests of the Realm.

Additionally, long-term casted spells and curses have become unstable and defy even our most specific magical theories. The dominant trend is that spells simply lose potency over time and fade completely. However, we are seeing in more and more instances that spells gain potency. The immediate implication is that Oryx's permadeath curse will one day fade. However, I have it in good faith (well, research from Dammah's wing and the Oracle) that Oryx's specific kind of magic lies outside these changes. It is everything else that we have to worry about. For instance, many anonymous reports of the Cursed Atheneum and the Sulfuric Woods claim the curses laid down by the Paramount Lord Ruthven have become more aggressive and effacious. On one hand, this is quite advantageous to us in fending off the Nexus inhabitants. On the other hand, the "fermentation" of these curses also seem to dissolve their sense of loyalty. The scant few expeditions from Dammah's wing in the past five years have shown that these curses seem to be more aligned to themselves than to us. And, of course, if the Nexus inhabitants were to know their own spells will ferment with time they may be tempted to cast their own against us.

I am also disturbed by the Void's manifestations in the Realm. In addition to natural springs and rivers, many forests have been blighted by Pure Evil. Hectacres upon hectacres have been decimated, and the population of our Ent Ancients has been cut in half since the beginning of the century. (The historical trend was that our Ent Ancient population was actually increasing by a small margin, decade by decade.) To make matters worse, we still have no good way of detecting these manifestations of the Void's insidious corruption besides literal on-the-ground observations. Most of Dammah's wing plainly refuses to acknowledge the Void and its magic, so even the widest-ranging surveillance spells we have gloss over the Void. Additionally, Overseer Gemsbok's theory of the streams is nowhere near complete enough to monitor the Realm. We are losing our supervision.

The changes to the Realm are not even limited to the landmass. The naval periphery of the Realm, the ocean, are becoming more volatile also. Bilgewater is dead. The infernal jellyfish has swelled beyond measure. Thessal's queendom of corals and animals -- the crown jewel of the Realm's ocean -- is bleaching and drying out by the day. Legions of vermillion fish and icefish are dying. Numerous internal and anonymous sources have reported that Queen Thessal herself has experienced a severe progression in age. Given her uneasiness with the Lord Oryx, she now runs the risk of a permanent death. (Queen Thessal has other roles outside dominion over the sea monsters, so her loss will be a long-term catastrophe for the marine environment.) We risk a very real danger of losing the only physical stability we have in the Realm's oceans.

Here are some excerpts from the oracle about this.

Lily: Oracle, how will the Realm change in the future?

Oracle: Sick mansions of ice / dreaming in the dark tree / hapless head to cracked hand mirror / dwarf-lens unfluted / the carpets like writings of a madman

[Interpretation: Frigid weather will become more common. Continued Ent Ancient loss. More bewildering changes, less insight.]

Lily: Oracle, what is the cause of all this?

Oracle: Wide broil of waters / the dead in their sandy tombs / the people looking upon the stones

[Interpretation: Ocean acidification and higher marine temperatures. The Tomb of the Ancients will open permanently; Bes, Nut, and Geb may awaken. Nexus inhabitants encouraging changes in the Realm.]

Lily: What should we protect in the short-term?

Oracle: Sea beast of the blue-lidded daughter / with deep malicious eye / from a far country / the eye became great / saying in a voice: death

[Interpretation: Thessal denotes the ocean. If she falls, all of the Realm's oceans will be flooded by liquid Pure Evil. It will make the Shattered Kingdom's corrupted moat look like a teacup.]

Lily: Where are all of these changes coming from?

Oracle: Bells of the canals, / ringing in the realm / of the dead king / and the new born

[Interpretation: The Realm is changing itself on its own. Without intervention, it will become your prison.]

Lily: How should we prepare?

Oracle: Blank water at the window / fork and spoon hung in your fingers like crossed swords / bookshelves toppling over / the flying trees / of the vesperbells / like an axe cutting the air / three gates creaking open /

[Interpretation: The world will be remade. Re-trace the Realm's past for insight. Grow and adapt with the Realm, not away from it. Be prepared to abandon the Realm.]

Lily: That is all. Goodbye, oracle.

Oracle: infinite / light / goodbye, lily

My opinions are scrupulously mixed. The Realm clearly diverges from our documentation in the Chaotic Scripture, so we have to admit we have lost some degree of control over the Realm. Overseer Gemsbok's theory of the streams and my research only account for a handful of the abiotic changes. Otherwise, the Realm is unpredictable in its defiance.

But fatalism will not save us. There are a number of actions that could be taken to resolve these eroding problems, enumerated as such:

Completely rework the Realm itself. Magically intractable.

Revert the Realm back to its pre-Oryx form. Heretical.

Stabilize Oryx's magic so that it may not change. Unnecessary.

Have Oryx rewrite the Realm. Heretical.

Stabilize the Realm ourselves. Feasible.

#5 is our best option independent of Oryx. The Realm has been rewritten before, but each rewriting makes it increasingly volatile. (Additionally, it's mass psychological effects are unknown; the Holy Archbishop Leucoryx, our resident demigod of mind, does not have a clear answer.) Stabilizing the Realm ourselves is well within our magical capabilities. The only barrier is organization and coordination of resources.

Whatever the true cause of these changes are, here is the reality of the Realm today: the Realm's magical and physical mechanisms of change have exceeded our administrative control. Without reintroduction of our rightful control, the Realm risks spiraling into darkness, chaos, and utter damnation. (Let me remind us that we as Oryx's Sanctuary are still a part of the Realm, and are subject to these risks.)

I will be attending the mid-May central administrative conference and will defend this appendix there. Please attend! For further inquiry in the interim, please forward your messages to Leucoryx's wing. Thank you.

— Lily Caberne. April 28th, 2532

#postrox #writing #fanfiction #fiction #Open sight -- Appendix B #realm of the mad god #Open sight -- a proposed addition to the Archbishop Leucoryx's Chaotic Scripture

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kijosakka · 1 year

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been exhausted today + my knee has been absolutely wrecking me

#kijorambles #rahhhhhhhhhh #m so TIRED #its a mix of sleepy tired and fatigue tired #and my knee and my hip r shot today #ibuprofen and tylenol didnt help #had a small scare #where i was rlly short of breath and having some kinda hotflash #+ nasty below-breastbone-slightly-left pains #earlier was having lower rightside pain #thought my appendix was fucking up for a second tbh #anyways im going to bed early i have 2 b up tmrw #hoping tomorrow w ill b better

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lassieposting · 7 months

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So anyway I think it would be funny if Garrus kept getting a bit distracted during his extensive research into human biology

Like obviously he reads the pamphlets (helpfully provided by Mordin) and watches the porn (gleefully provided by Joker) but he also does a bunch of his own extranet deep-diving because he's Like That, he's got Detective Brain, and he doesn't half-ass anything

But he knows the Normandy extranet hub is not private: Cerberus is probably spying on all of them, EDI has unrestricted systems access and a tendency to share anything she finds interesting with Joker, Legion can hack into anything, Tali likes to gossip. So, to a) avoid putting Shepard in an awkward position with the Illusive Man and b) keep his sex life private, he uses vague search terms. Human biology. Human organs. Evolution of humanity. Human reproductive cycle. Interesting facts about humans. Interspecies workplace communication.

And then he gets sidetracked. 50 Weird Facts About Humans leads him to 10 Reasons Humans Are Scary which leads him to an article about humans as persistence predators. An Overview Of Human Body Parts leads him to 5 Body Parts Humans Don't Actually Need which leads him to articles on wisdom teeth and tonsils and the appendix, which can apparently explode at random. He gets clickbaited.

And now he has all this new knowledge he finds fascinating and wants to share! So he starts doing things like telling Kelly how many bones she has, or explaining Why Humans Evolved Eyelashes at the dinner table and then asking Jack why she evolved eye hairs, but not head hairs. Or asking Jacob how tall he is, and then thoughtfully musing about how that's short for his species.

And, in Shepard's cabin, when he nervously mentions having done some research, she slinks over to get all up in his personal space in her bathtowel and asks him what he learned. At which point he panics, all the sexy one liners about sensitive spots evacuate his brain immediately, and he blurts out that according to the extranet, the anus is the first part of an infant human to develop in the womb, so, you know, when Saren said humans were a bunch of assholes he was not technically wrong

(Shepard looks at him for a minute. Like, a really long minute. Just blinking. He's fairly sure he's about to be booted into the elevator and she'll keep the wine, to get over this disastrous encounter. And then she explodes with laughter, tells him he's ridiculous, and shuts him up by kissing him, because at least someone here has her head in the game)

#mass effect #shakarian #mass effect headcanons #garrus vakarian

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dear-bunnyboo · 6 months

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I am in love with your fics 💕

Can I please request a Joe Burrow one shot where it’s about his calf early in the season, the reader constantly worries about Joe and tells him to sit each game out but Joe is stubborn so he doesn’t listen and Joe snaps at one point and it hurts the reader. Then it moves to one day where the reader doesn’t even bother worrying about him because the reader knows Joe won’t listen. Can it be angsty but end on a good note.

first Joey B one-shot angst!!! Love this request so much and it kinda lowkey reminded me of my other Joe Burrow one-shot— IDGAF 🤍

I never intended this one-shot to be too perfect for our current situation but it is what it is. This is for all my loves who are all lowkey freaking out because of the game, hope this makes you feel better even more just a moment 🤍

𝐒𝐀𝐘 𝐘𝐄𝐒 || 𝐉𝐎𝐄 𝐁𝐔𝐑𝐑𝐎𝐖

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: Joe Burrow x Reader

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: You just want Joe to listen to you and say yes for once.

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: angst, cursing, mentions of injuries, shouting, frustrated!Joe, arguments, crying, fluff in the end

𝐌𝐢𝐬𝐜. 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 || 𝐌𝐚𝐢𝐧 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

You thought that this season would start different for your boyfriend Joe but it seems like it’s simply rotten luck on his part— you could say that Joe is a lucky guy; from being gifted with insane talent, skill, looks, personality, and the likes. However, he seems to have a knack on starting his football season either injured or sick.

It started with his knee injury during his rookie year— tearing left ACL and MCL during one of his games. Then him rupturing his appendix the year after, earning him another trip to the surgery table.

You honestly thought that this year was gonna be different for the quarterback. He has always been vocal about his disappointment in missing the beginning of each season— one of Joe’s many goals every year to to start the season healthy and end it healthy.

You and Joe thought that this year would be finally be the year he starts off strong and healthy— you were both wrong.

After getting a call from the Bengals’ coach Zach Taylor about your boyfriend being carted off the practice field for straining his calf; you were pretty sure you were close to crying. Joe’s calf injury surprisingly is the least serious out of all the injuries he had sustained but seeing your boyfriend so depleted once he got home from that practice hurt you.

Joe loves football. He loves what he does and it hurts you to see him so defeated.

However, Joe is not one to give up that easily. Once he got the clearance to continue with practice, he went straight for it and he was adamant on playing their first game of the season. You, however, you didn’t think it was a good idea for him to do so. Most of the people around him want him to sit the first few weeks out— you especially; scared that he might aggravate his injury even further.

But Joe was a lot of things and stubborn was one of those things.

He simply brushed your concerns off with a smile, “I feel good to play, baby. I need to play.” Joe reassured you before slightly limping over to his office to do his film study.

“You really don’t need to. It’s the first week, Joe.” You tried again before he could even leave your sights.

Joe turns to face you, and gave you another reassuring smile, “I’m fine. Alright? I’ll be okay.”

He was proven very wrong when week 1 rolled in and they loss to Cleveland— a terrible start for the season, you love Joe and are pretty bias towards the Bengals but you’d be lying if you said they didn’t play like ass that day.

Joe clearly wasn’t playing like himself. Everyone with two working eyes could see that his injury was holding him back—every tackle, every run, every movement he made made you gnaw on your lips.

You knew that he was blaming himself, yet you also knew that this would only push Joe to try even harder when the one thing he should be doing is rest.

“Joe, seriously. I don’t think you should play next week.” You tried reasoning out to your hard-headed boyfriend who seemed like he had his mind already made.

“That was a terrible game we just had. Which why I need to play next week so we can start strong— get our footing back.” Joe sighed as he ran his hands over his face in frustration as he remembered his awful performance.

“You are injured— you’re calf isn’t fully healed yet, people understand.” You said standing in front of the quarterback, trying to console the inconsolable.

“That’s not an excuse.”

“It is—”

“I’m playing next week— that’s final. Now, can we please talk about something else?” Joe cuts you off.

You blinked a couple times at your boyfriend before sighing, succumbing to his request you turned to move to the kitchen.

“What do you want to eat?”

You succeeded in changing the subject to your surprise earning a appreciative smile from Joe. As you made your dinner, you conversed with your boyfriend while you thought about the next game against the Ravens.

…

0-2

Week 2, different team, same predicament.

The Bengals lost, again. Which honestly didn’t come as a surprise for you— it was a better game at least, compared to the shit show that was week 1.

Joe did however, re-tweak his calf. Seeing him limp off the field after the game broke your heart. You could practically feel the frustration come out of Joe from a mile away— hopefully, this time he says yes to you and rest.

However, when Joe got home, you knew right away that his injury wouldn’t him from playing.

When you opened the door to greet your boyfriend, you immediately noticed the way he was leaning all his weight on his good leg. His brows were furrowed and his lips were pressed into a tight line— you had an inkling that you were not going to like whatever he was about to say.

And you were right.

“Before you even say anything— I’m fine. I only re-tweaked it and yes, I will be playing next week.” Joe hobbled inside the house, heading towards the kitchen to fix himself a drink.

“Joe you’re not okay.” You said firmly finally putting your foot down causing Joe to turn to look at you.

“You just strained your calf, you only re-tweaked it, what the hell is next, Joe?” You said trying to keep you voice calm, however, your furious eyes staring into Joe’s was betraying what you truly felt.

Your boyfriend threw his head back with a deep sigh in frustration. You two have seem to have the same conversation over and over again every week— and Joe didn’t understand why you can’t grasp the fact that he will be present every game. While you didn’t understand that Joe can’t grasp the fact that he needed to sit his ass down before he hurts himself even more.

In all honesty, you were scared— terrified even. You knew what you signed up for the second you accepted to be Joe’s girlfriend. You understood how dangerous it’s gonna be, you understood how hard it’s going to be for the both of you. But after tearing his ACL and MCL you were just living on the edge; constantly in fear that something even terrible was going to happen.

Getting that call from Zach, shook you to your core. You remembered dreading that it was gonna be career ending, luckily it wasn’t— just a strained calf, but on the rate Joe is going, you’ll never know.

“How many times am I going to tell you that I’m fine?” Joe was finally angry… angry at you. Listening to his tone made your heart drop, yet you can’t blame him. You know how much pressure he’s in; the amount of times people called him names just because of his bad performances; especially after signing a $275 million deal.

“All I’m asking is one game, Joe. Just one. Just sit one out— if you listened to me and didn’t play week 1 we wouldn’t be in this predicament.” You said defeatedly.

“And if you listened to me you’d actually know that I’m fine.” The quarterback retaliated.

The two of you were now face to face in the kitchen, both trying not to let anger get the best of you two and scream.

“Stop saying that when you are clearly in pain, Joe!” You threw your hands up in frustration as you watched your boyfriend eye you up and down.

“I don’t understand why you’re so worked up about this— it’s my health, my job, my life!” Joe grunts moving to walk away to hole himself back into his office.

His health. His job. His life. While his girlfriend is losing her goddamn mind.

“I’m concerned, Joe. It’s my job to worry about yo–”

“Then fucking don’t!” Joe snaps at you making you step back in shock.

Joe has never yelled at you, not once.

“And again, I’m playing next week whether you like it or not.” Joe’s tone finally calmed down, his blue eyes eyeing your still figure as you stared at him as if you didn’t know who he was.

Just then did Joe realized what he said to you— and moreover, how he said it. His eyes soften under the realization, his tall figure walking towards you to gather you in his arms and apologize.

But before he could do so, something snapped inside of you.

“Baby, I’m so so–”

“No. You’re right. I’m sorry.” You shook your head as if snapping yourself out of a trance before looking up at your now concerned boyfriend who was watching you closely.

His health. His job. His life.

“What do you want for dinner?” You smiled at him, the fakest one you could muster— Joe noticed, he wasn’t stupid… maybe he was a little.

“Do you want pasta? I’ll make you pasta.”

…

Thankfully week 3 was successful.

The Bengals’ first win of the season. The game wasn’t up to par with their usual standards of playing but a win is a win— and you were grateful for that win, for your sake and Joe’s.

The days leading up to the game against the Titans were fast approaching and Joe was frustrated. During practice he took notice how he still wasn’t 100% healthy and that bothered the quarterback; it affected his mobility and his speed mostly which throws his game off.

They won their first game of the season and Joe knows not to be complacent. Yet, he can’t help but hear that nagging voice inside his head that was telling him that you were right— hell, everyone was right. You weren’t the only one who wants him to skip a few games. Ever since his calf injury, his teammates, his coach, his parents, and the fans were all adamant for him to rest.

Obviously, Joe didn’t listen which only caused his calf to take longer to heal which you warned him would happen. As he hobbled up inside his house after practice, he was greeted by the sound of the living room TV— there you were snuggled up on the couch fully immersed as you watched your favorite show.

“Hey.” Joe announced his arrival causing you to turn the TV off and turn to him with a reserved smile.

“Hey, how was practice?” You asked before walking up to the quarterback placing a kiss on his awaiting lips.

“It was tiring as usual.” Joe stated as he wrapped his arms around your waist before continuing, “My calf is sore too.” He confessed guilt filled his face as he awaited for your reaction.

“I’ll prepare an ice compress. Sit down and elevate your leg up the couch.” You pulled away from him before pushing him down the couch lightly. You placed a few pillows at the end of the couch and carefully helped Joe place his injured leg on it.

You quietly moved to get his ice compress not saying another word which was unusual for you— shocking Joe. He was so sure the you were gonna scold him again.

But you didn’t.

You placed the ice compress on his injured calf, placed a kiss on his lips, before turning to him and saying, “I need to shower. Just yell if you need anything.”

Then you left.

No scolding, no questions, no expressing of concern— nothing.

Clearly what Joe said the other day is still bothering you. You still cared and loved the man, obviously. You still took care of him. But your opinions— as much as you’re concerned are not needed, so you kept quiet and kept them to yourself.

Joe didn’t like it at all. He knew he messed up the second he said what he said. The look on your face pained him, he hated himself for talking to you in such way and making you feel like you were in the wrong.

And now you’ve shut down.

While Joe was thankful for the ice compress, he can only hope that the next one he gets from you would be accompanied by the same smile that always greets him whenever he gets home from a long day of practice.

…

2-2

It was the last week of September and the Bengals were still winning. However, Joe wasn't winning.

The quarterback knew that you were still angry with him. He knew that ever since the moment he got home. It's been weeks since he had a proper conversation with you— it was as if the both of you were living separate lives, and it killed him.

Every morning he would wake up with his breakfast and medicine ready and every night, dinner would be on the table with your plate untouched and the leftovers covered and put away inside the fridge.

Joe had never been in this position before. You have never been mad at him, never. Not once. Sure, the two of you have fought over trivial things here and there but never had the two of you had a fight as big as this one.

Joe knows how much he fucked up, yet he's not sure if you were ready to forgive him or if he even deserved it.

And it seems like, the universe is testing his patience.

Joe was frustrated, so damn frustrated. This season wasn't going as well as he wanted it to go and with his calf injury, his mobility was greatly affected and the pain was also hindering him from playing to his fullest capacity.

And it was getting harder and harder to hide it from his girlfriend.

You were starting to catch on, and you were starting to suspect that something was going on with him. But being the stubborn and proud man he was, he refused to let it affect his performance, or the relationship with his girlfriend.

After an excruciating practice, the quarterback was greeted by the sight of his beautiful girlfriend, who was already in the kitchen cooking for dinner.

"Hey." Joe greeted.

"Hi." You simply greeted back without even looking up from the vegetables you were cutting.

"Smells good." He tried, wanting to engage a conversation with you.

"Thank you." You smiled before throwing the vegetables in the pan, "Dinner will be ready in a bit. Can you wash up?"

Joe stared at your back for a few moments before nodding his head, "Alright."

You heard the bathroom door close and that's when you decided to let the tears fall from your eyes.

You missed your boyfriend. You wanted your boyfriend back.

This whole thing was draining you. You hated having to keep yourself together and act as if everything was alright. It was eating you inside.

You weren't the type to hold grudges, especially to Joe. You always understood his point of view, and even if he was wrong, you'd always forgive him. But the way he talked to you last time, the way he treated you, made your heart ache.

"Fuck." You muttered as you wiped the tears from your eyes and proceeded to cook dinner.

You can't remember how long it had been since you've properly talked to Joe. The both of you have been tiptoeing around each other, not wanting to push the other's buttons.

And you were sick of it.

"How was practice?" You asked once the two of you had sat down at the dining table to eat.

Joe looked up from his food and gave you a small smile, "It was good."

You nodded your head and proceeded to eat.

"How was your day?" Joe asked after a few minutes of silence.

"It was fine."

Joe sighed before looking up at you, "Please don't do that."

"What?" You feigned innocence.

"Pretend."

"What are you talking about?" You said defensively.

"Baby, come on. You know exactly what I'm talking about." Joe said.

You rolled your eyes before scoffing, "I'm not pretending."

"You've barely said a word to me in the past three weeks. Do you honestly expect me to believe that?"

"Oh, because you didn't say a word to me either. And you were the one who told me to not worry. So, I'm not worrying." You fired back.

"You're being stubborn."

"Oh, now I'm the stubborn one?" You chuckled sarcastically.

"Yeah. You are." Joe nodded his head.

"So, what? Are we just not going to talk until we die?"

"Well, clearly that's the option that you're leaning on."

"I can't talk to you when you're acting like a dick!" You exclaimed, clearly tired of him putting the blame on you.

"Because you're the picture perfect definition of maturity and rationality."

"You're such a fucking asshole." You muttered, pushing your plate away from you before standing up.

"Where are you going?"

“Away from you.” You moved to walk towards the bedroom.

Joe let out a frustrated groan before standing up to catch your hand in his.

“Can we please talk about this? Properly like adults?” Joe was practically begging at this point.

You stared at him, contemplating if you should actually have a civil conversation or just brush him off.

However, Joe didn't give you the time to think.

He leaned in and pressed his lips against yours. The kiss was slow and sweet and everything you needed to finally snap. You pulled away and looked at him, his blue eyes gazing into yours.

"Joe..."

"I'm so sorry."

Joe didn't know where it came from. One moment he was pleading for you to listen to him, and then the next thing he knows is that his mouth was already moving, "I'm sorry, baby. I'm sorry for not listening to you, and I'm sorry for taking it all out on you. I'm sorry for hurting you, baby. I didn't mean what I said, and I regretted it the second it came out of my mouth. I'm so, so sorry."

He kissed your forehead before cupping your face in his hands.

"I'm not asking for your forgiveness. I'm not even gonna ask if I'm forgiven because I probably don't deserve it. But, I need you to know that I'm sorry."

You looked up at him before nodding your head, "I'm not mad at you anymore, Joe. I was, and I was hurt. But I wasn't mad."

"I was hurt sure but I knew how frustrated you were and how much pressure you are in— so i understand.” You sighed. “ I hate seeing you hurt and I know how much you love your job but what if it’s also the reason you lose it?” You finally confessed as your eyes filled with a light mist.

“I just want you to rest. For a day at least— cause that is never gonna get better if you didn’t and you know it.” You pointed at his injured calf as you explained.

“Yes, baby. I know and I will.” Joe promised.

And he kept that promise— leading on after their bye week, they have been winning games after games. Joe’s performance drastically changed from how he started. Everyone could see that their quarterback was back, which you couldn’t take credit for— cause Joe was a lot of things; stubborn, hard-headed, but he is also hard working.

And you couldn’t be more proud.

dividers: @cafekitsune

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velvet4510 · 7 months

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Is it just me, or do y’all also sorta wish that Jackson had filmed Appendix B as the actual ending of ROTK? Clearly, as you’ll see, I have relatively normal feelings about this.

I understand and appreciate the movie having the same ending as the actual book. But the STORY itself doesn’t end with the last chapter; it ends with Appendix B.

Imagine a 2-minute montage, fading in after Sam comes home from the Grey Havens:

An unfamiliar female voice narrates over these images:

Sam & Rosie raising their children at Bag End; Sam reading the Red Book aloud to the children.

Sam making a speech as Mayor.

Sam sitting in Bag End’s study, reading a letter signed ‘Frodo,’ which Frodo clearly left for him.

Pippin & Diamond’s wedding.

Merry & Estella’s wedding.

Aragorn & Arwen with their children in Minas Tirith.

Aragorn dedicating and unveiling a tall statue of Frodo & Sam in Minas Tirith.

Legolas restoring the destroyed forests.

Gimli bringing the dwarves to Helm’s Deep.

Faramir & Éowyn with their children in Ithilien.

Teenage Elanor reading the Red Book by herself and reading a letter or poem that Frodo wrote for her before he sailed away (because, come on, he was a 2nd dad to her. he literally named her. he adored her, so of course he left something for her since she was too young to actually remember him).

Aragorn & Arwen visiting Sam, Merry, Pippin and their wives & children at the Brandywine Bridge.

The Gardner, Took & Brandybuck families all celebrating Yule together.

Time passing … the Travellers aging … the children growing up.

Teenage Elanor introducing Fastred to her parents.

Faramir Took and Goldilocks Gardner dancing at a party, transitioning to a dance at their wedding.

Sam and his son Frodo teaching Frodo’s own young son how to work in the garden.

The seasons in the Shire changing as more years go by…

Elderly Sam and his now-adult children gathered around elderly Rosie’s deathbed.

Elderly Sam sitting alone in Bag End’s beautiful, flourishing garden with a faraway look on his face, pulling Frodo’s now-wrinkled letter out of his pocket and reading it again.

Elderly Sam, Merry & Pippin sharing one last drink at the Green Dragon, followed by a tearful group embrace.

(I know the following messes up the book’s timeline, but for dramatic effect, I think this order of events would work better as a close for the film):

Elderly Merry & elderly Pippin hugging their adult sons goodbye and riding out of the Shire together.

Merry & Pippin shaking hands with elderly Éomer in Rohan.

Merry & Pippin’s gravestones in Gondor, with a statue of them standing above their tomb.

Aragorn’s tomb now beside theirs, years later.

Arwen hugging Eldarion goodbye in his throne room, with Eldarion now wearing the king’s crown.

Arwen entering Lothlórien alone.

Legolas hopping into a small sailboat and helping an aged Gimli onboard before they drift off into the sunset.

Sam placing the Red Book in adult Elanor’s hands and embracing her tightly.

A ship pulling away from the Grey Havens.

Elanor standing on the quayside and tearfully waving as the ship disappears into the horizon. She composes herself and her narration says “And that day, my dear Sam-dad passed over the Sea … the last of the Ring-bearers.”

Her words lead into the very last shot, fading from her face into a flash of white, and then fade-in to a distant view of an island, with greenery on one side and a sparkling beach on the other. Two hobbits, their backs to us, are strolling along the coastline, hand-in-hand.

THE END.

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filthy-lil-bugger · 8 months

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tolkien was literally so insane motherfucker wrote the most tragic, heart-wrenching ending for a frodo ever that was such a novel way of showing how trauma changes you in irreparable ways only to hide the silly goofy lil detail that like 70 years after this happened his gayass husband gets to go hang out with him in elf land forever and ever in the middle of fucking appendix b and its still such a uniquely melancholy way of ending things. god bles

#lotr #lord of the rings #samfro

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petaltexturedskies · 5 months

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J.R.R. Tolkien, from The Lord of the Rings: Appendix B

#j.r.r. tolkien #the lord of the rings #arwen undomiel #arwen #typography #winter #stars

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imakemywings · 5 months

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They took Dol Guldur, and Galadriel threw down its walls and laid bare its pits, and the forest was cleansed.

-- The destruction of Dol Guldur, Lord of the Rings (Appendix B)

Fuck 👏 yeah 👏

#galadriel #lord of the rings #lotr #tolkien #tolkien tag #it's about time

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wetslug · 2 years

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I ATTEND MY FIRST AUTOPSY TOMORROW

#idk why im excited its probably gonna b dumb boring cuz im not supposed to do much im just watching #and maybe paperwork #but still eeeeeeeee #better than today all i did was practice on tiny mucosal biopsies and one appendix

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tiffanys-aus-and-headcanons · 18 days

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Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

#queued post #the scrambled timeline #I tinkered around with the ordering of these entries so much that I guess this is a scrambled post for the scrambled timeline #credit to hieronymous-botch for the Alex Hirsch's Sunnydale idea #credit to Lorelei for the Orson Scott Card's Steel Gear idea

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