When Cal wakes up in a psychiatric ward after a suicide attempt, his life appears to he over in every way but literally. His youngest brother hates him now, and everyone else in his family keeps him at emotional arms’ length, afraid he’ll explode.
After he’s finally released, he has to work on putting his life back together, but with the rumors at school and the cruelty of new and numbered bullies, his parents pull him out and sign him up for internet classes.
At first his medication makes it impossible to function, but as his doctor adjusts them, things start to seem like they’ll get better.
Then Cal meets Craig, and everything goes upside down. But this time, in the best possible way.
the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
There is a type of plot that is prevalent in YA books and starting to get into general lit that I do not like. It is a similar trope to the MacGuffin, but instead of the plot being driven by an object, it is driven by the characters being in some sort of situation with formally fixed stakes.
Just as a MacGuffin is an object with no specific properties that affect its importance to the story, the identifying characteristic of this plot is that exact nature of the situation is irrelevant or at least not very important.
A very common example is when characters are involved in some sort of game or competition—for example, the first Throne of Glass book involves the protagonist competing to become the king's assassin, but the plot of the book would need to change very little if the competition was a beauty pageant.
"Gamified" plot lines like this often also include MacGuffins (to drive the "game"), confirming the tropes' similarity in my head.
The other common example is the "magic/superhero/assassin school" plot. The "school" is often just a device that brings the characters together and keeps them on a predetermined track, but there's nothing about what the characters are learning or even the school's specific identity as an educational institution that affects the plot.
Tiktok sensation LightLark is the final boss of bad fantasy YA— a failure built on aesthetic boards and tropes, unable to pretend it has a heart
Tiktok sensation LightLark is the final boss of bad fantasy YA— a failure built on aesthetic boards and tropes, unable to pretend it has a heart
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A full summary with spoilers, analysis, quotes- and so much more on the subject of a book you should never read. This is a long piece. Like ‘Youtube Video Essay’ long.
Lightlark is joyless, a husk beyond parody, a checklist of every Island of Blood and Bone and Glass and Hearts that has come out in the last five years, built and sold on tropes and aesthetic boards. This is a book written by an author who is not a writer. It would fit in on the dregs of an amateur writing site with eerie perfection.
But Lightlark is more than that. You see, Lightlark is… a TikTok book.
EDIT:
Thanks :')
There's now a video version. I heard Tumblr likes video essay long watches on obscure very specific content... may I introduce you to:
youtube
I'm not making a dime on this, I have no horses, only like 70 hours of work looking at this mess of a book and I just want to make sure everyone knows how bad it is. Let's be bitter at this multimillionaires flop together.
If you love sword lesbians two queens in love you should preorder mine and Anna Kopp's graphic novel releasing in March!
-> The Marble Queen Preorder
and if you preorder you can pick up some extra goodies
Summary: A sapphic YA graphic novel with sword fighting, political intrigue, and magic where the princess needs a marriage alliance for the welfare of her kingdom, but she unknowingly accepts a proposal from a mysterious country, having come not from the prince, but his sister.
Made by Jacoby Salcedo, Julio Anta, and Francesco Segala, releasing October 2024
Blue Beetle's YA graphic novel debut, will tackle contemporary issues well-known to the Latino community. Immigration and perceptions of border life and issues will be addressed, framing current events in a DC context. Contrary to the recent film, which takes place in Palmera City, Jaime will be operating in his hometown of El Paso, Texas, in a retelling of his origin story.
Something I love about Jude is, that when she witnesses how Balekin treats Cardan, she isn't like every other YA main character "oh no, that's why he's so mean. I should help him!", but more like "oh no, Cardan has the potential to be even worse, I gotta stop him!"
Some quick Jude and Cardan character drawings for funnies in between paintings.
I found that listening to audiobooks is the best way to keep my mind from wandering when painting and The Folk of the Air series was such a treat to revisit. I’ve yet to read Oak’s story, I’m debating waiting for the last book and then devouring them all in one go rather than piece by piece 🤔
just a reminder that no book/movie series will ever be on the level that the hunger games was. the hunger games was THE blueprint. it paved the way for the entire genre of teen dystopian novels/series. every other YA dystopian series wishes it was what the hunger games was. i could go into heavy detail about this. i can recite the entire movie series and the books from memory.