#You go Tim. Find your true villain self out there

[tev-the-random]

He expected to bolt upright immediately, like the rash man he was. Instead, Jimmy opened his eyes and sat up slowly — very slowly, at the pace of someone who couldn’t quite grasp their bearings. Like he needed time to process something as simple as the universal joke that he just experienced. Truth is, Jimmy had had a lifetime to understand that.

He should have known better. He should have learned not to be so naive by now, not to feed false hopes like they were a starving dog.

But he hadn’t learned. Maybe he never would.

And that was, perhaps, what hurt the most: that he allowed them in. That he wanted them by his side. That every time, without fail, he hoped for things to change. Just this once! Just this once they would get it, they would drop the blade instead of using it against him!

But it always ended the same way. So maybe he was just stupid.

What did he expect, really? For his friends to be happy for him? To somehow justify the trust he put on them? To finally tell him he’s worthy?

What a joke. Everything in his life was a joke.

He sighed. Although he deeply wished to bury his face in his hat and scream for all eternity, the best he could do was pinch the bridge of his nose and sigh. They had the hat, and it’s not like they would hand it back so easily. No, no, they didn’t respect him enough for that.

What even is respect, anyway? When Jimmy arrived at the mesa, he envisioned it as power: to be respected is to have authority, to dictate the rules. But as time went on, his expectations started to lower. In fact, some would say his bar had hit the floor.

To be respected is to be taken seriously.

To be respected is to be listened to.

To be respected is to not be antagonised and humiliated.

To be respected is to be seen as a person.

With the sensation that he would fall apart if he didn’t hold onto something, Jimmy grasped his bedsheets.

He wasn’t even a person to them, was he?

The ones he so innocently, so desperately called “friends” had clearly latched onto the idea that he was, for the lack of a better term, a plaything. Look at the tiny Sheriff and his tiny empire! Watch him get mad! Watch him try and fail to defend himself! Point and laugh at this pathetic thing!

Within only a few minutes, he had already embraced the idea that having someone else — someone as important as a real sheriff — tell him that he deserved legitimacy would be enough to earn him some dignity. All he really hoped for was a place amongst his peers, who only looked down on him, both literally and metaphorically.

But it was worthless, in the end.

His vision blurred at about the same time his lungs decided they were too upset to take in air properly. It took him a second to realise why: Jimmy had gotten used to the fact that, as a living doll, he just couldn’t function the same as he had before; surely, amongst other things, he had become incapable of shedding tears?

But here he was: breathlessly, shakily, undeniably crying. And now that it had started, it was hard to stop.

It was a well-known fact that Jimmy got angry much easier than he got sad. Screaming matches, hand hasty to the blade, petty plots that he would never manage to fulfil; it all helped push down his sense of self-awareness, this powerlessness clawing at his gut.

Right now, he felt as if a wave had crashed down on him.

He hated this fake body he was trapped in. Hated that he was smaller and more fragile than a child, that nothing felt real anymore, that he didn’t even have it in himself to bleed.

Breathing is such a basic task, why can’t he do it? Is it that he doesn’t actually have lungs or that he isn’t supposed to breathe in the first place?

He hated his own incompetence. No matter how hard he tried, he would always fall behind, crash and burn into the most pathetic of explosions. He had nothing to offer and he couldn’t take, no wonder he wasn’t allowed to have anything.

His entire body hurts. He hasn’t even done anything today, why does it hurt?

He hated that he could be so arrogant and selfish and that no one ever hesitated to point it out.

Heck, maybe they had a reason to bash him all the time after all! Maybe he missed all the shots he had. Maybe he deserved it, that had to be it!

He hated the way he always made a fool of himself and couldn’t even cover it up half-decently.

Oh, he hated this empty town, hated the mighty empires, hated his friends, those toys, the gunpowder, the bandits, the stupid Law and even stupider Lore! He hated and hated until he crumbled and there was nothing left of him.

And there really was nothing left. No one to fight for him or see the mess he’d made of himself. Not even Tango or Scar would stay by his side in the end, and the Old Sheriff was bound to follow, wasn’t he?

He was alone.

Jimmy cried until he couldn’t breathe anymore. He screamed into his hands until his voice was gone and clung to himself as a sorry excuse for comfort. And then he just laid there, drained and numb.

The sun was setting outside, its orange light peeking through his window lazily. He could just stay here, not get up; it’s not like he had anything important to do. But as much as he would like to disappear under his covers until his bones turned to dust, the idea only made him feel worse. Then again, someone once told him that it was good to breathe some fresh air when you’re upset, so maybe he should do that instead.

Dragging his feet, Jimmy left his bed and stepped outside, where a warm breeze awaited him. It wasn’t particularly refreshing; the sight of the blue walls surrounding Tumble Town gave him an ill feeling. Thankfully, it didn’t last long. It was replaced by confusion, for the horrible melody of a disjointed piano ringed across the valley.

“What in the world—”

Oh. Right.

If only for a moment, the thought of having a tavern bustling with people made him feel... less terrible. And although he knew that it wasn’t the case, that his town currently only had one citizen apart from himself, that was enough to pull him from his melancholic haze and towards the saloon.

He walked into the establishment to find the Old Sheriff predictably sat at the piano in the corner. His hat rested on top of the instrument, like the dear damsel to whom he was dedicating a song.

“Oh, there you are.” The old cowboy stopped his cacophony once he noticed the small figure by the door. “I was starting to wonder when you were coming back. Did you...” He eyed Jimmy up and down, “wrestle with your friends or something?”

All the tiny man could do, once again, was sigh. His face was probably still puffy from crying, and he guessed his wrinkled shirt and ruffled hair didn’t help giving off the most pristine of impressions.

“Or something,” he half-answered.

Without bothering to elaborate, he walked around the bar and opened one of the cabinets underneath. Behind a dozen or so empty bottles, there was still one with about three quarters of liquid left. Jimmy wasn’t one to drink often; he’d been keeping this last one around for special occasions, but he supposed it didn’t matter anymore.

The bottle was nearly as tall as he was. He dragged it all the way to one of the tables, which he climbed on top of before fighting to pour himself a shot glass. A few instants later, a larger cup tentatively appeared in front of him.

“Care to share?” The Old Sheriff asked, leaning against his table.

He nodded.

The two men drank next to each other without exchanging a word. The silence held a thin mental thread Jimmy was struggling not to snap. He didn’t know whether or not he was thankful when the Old Sheriff interrupted it:

“Your piano is out of tune.”

“What, is that supposed to be some kind of metaphor?” Jimmy’s intonation was flat, too tired to sort out any emotion to put into it. He tried not to think of a voice box. “Is there a second T in ‘respect’ now? For ‘tune’?”

“No, I mean literally. The piano’s out of tune.” The man gestured towards the instrument he had been playing.

“Oh.” The young sheriff awkwardly cleared his throat at that. “Um... I don’t really know how to tune it.”

“That’s fair enough, I don’t really know how to play it.”

With a shrug, the old man downed the rest of his drink, and was already pouring a new dose by the time Jimmy realised the corner of his mouth had raised the smallest amount. But that mild amusement quickly vanished, giving way to quietness once more. This one felt a bit too uncomfortable, staring at him as his mind continued to reel.

“It didn’t work out,” he murmured.

“Hm?”

“Your tips, the whole respect thing? Actually, I think they might respect me less now!” The tiny sheriff huffed, resting his head against the window behind him. Not that he thought it was possible for people to degrade him any more than they already did, but here they are.

“Huh. I dunno, maybe you just did it wrong. The R.E.S.P.E.C.T tactic has never failed me.” The Old Sheriff chuckled.

Jimmy couldn’t help but sigh yet again. He didn’t shout, didn’t splutter, didn’t even try to defend himself. You see, he wasn’t exactly angry. No, he had mellowed out for today. Staring down at his distorted reflection on the amber drink, he searched for a word that could describe this numbness; this burning sensation in his chest that made him look at the world around him with such disgust.

Hopelessness? Exhaustion?

“They killed me, you know?” He commented, then quietly added, “And they took my hat again.”

“Well, now that’s just rude!”

With a disappointed click of the tongue, his senior refilled Jimmy’s glass, despite it still being half full. He was already on this third cup himself; the bottle was significantly emptier.

Was that it? Disappointment? Disbelief?

“It’s not the first time, either.” Tim ran his hands through his hair in what could maybe be called exasperation. That still wasn’t it, though. “I’m really starting to think that I should... I don’t know, cut ties with them or— or maybe I should just leave. Find somewhere new to live. I can’t take this anymore, man.”

All he received in response was a soft hum. The past Sheriff stared at the wall somewhere above Jimmy, who wondered if he was even listening anymore.

“Tell you what,” the old man started a few moments later. “Why don’t you show me around them empires? I wanna see what’s changed. And if we happen to stumble upon any of those ‘friends’ of yours, we can show them what for, yeah?”

He blinked. Then he blinked again. And then he laughed, incredulous. His chest untightened the slightest amount.

“I— You— I mean, that— that sounds great, yeah! Sure!”

For the rest of the evening, Jimmy managed to push down the fog of that strange feeling by ranting to someone who would finally listen to him — more or less; he wasn’t sure the Old Sheriff was completely conscious by the time the moon was up. Something at the back of his mind told him not to get used to this by the time he went back home. It could always be a trick, a lie even. The irony of hoping that he could hope wasn’t lost on him.

And irony, much like everything else, would pull the rug from under him.

From the moment Fwhip saw the Old Sheriff and opened that cunning smile of his, he knew that the best of his bravado wouldn’t be enough. He would always fall back to bickering with his ex-deputy, whose verbal traps never failed to demean him. Oh, he tried so hard not to, but could he help it? Fwhip had the ease of pulling people in that Jimmy and his frantic arguments never would.

So maybe he should have listened to that thing at the back of his mind. At least he wouldn’t be surprised when his new partner got so quickly dissuaded from following him; wouldn’t bother going to Gobland or reminding them of his stance with Fwhip. It would certainly have spared him some heartache.

On the way to the goblin empire, the same jokes that had begun to cut so deep were laughed at. At the Drip, his inevitable boiling annoyance was taken advantage of. The slander went undefended and his call for assistance in the ensuing fight, unanswered. His possessions were teased out of his reach and given to a “real sheriff”. In the middle of all of this, his last ally, captured by Fwhip’s determination to take everything he could away from him, rubbed elbows with his enemies without giving him so much as a reassuring look. That’s when Jimmy finally realised what the feeling was.

Bitterness. Unrelenting, cold resentment.

Maybe he wasn’t perfect. He wasn’t commanding or assertive, nor was he easy to live with. Yes, Jimmy had a lot to learn, and he would. But he couldn’t fathom what could possibly made anyone deserving of such a world-shattering emotion. It was all so clear now, he didn’t have to put up with any of this! They don't get to do this to him over and over again!

This is bullshit.

And he’s done.

He didn’t even bother going back for his stuff when Fwhip killed him the second time. His armour, his tools, all of it was tainted with weakness and ridicule — he didn’t even have a badge or a hat to hand in anymore. In the end, there were very little items he cared to take with him.

The very same caravan he arrived in Tumble Town with was loaded by the time night had fallen. Norman had already leaped into the back without Jimmy needing to call him, and Bullseye was harnessed and ready to go. He briefly considered waiting for the Old Sheriff to return, but he didn’t think he could bear looking at the man at this point. By far, the biggest lesson he learned was that it wasn’t worth it getting attached.

Without anyone to say goodbye to, he left the empty silence of Tumble Town behind. He wasn’t sure where he was going, but the sheriff dream was gone — and so was Jimmy.

#Set right after walmart WRA killed Jimmy on the bridge #I like desperation #You go Tim. Find your true villain self out there #I have So Many Thoughts aaaaaa #(meant to post this days ago but I forgot oops-) #Red Light Bandit AU #Empires SMP #Empires season 2 #Solidarity Gaming #RLBAU #Don't Mind Me I'm Writing My Blorbos

[franki-lew-yo]

The Romantic (2009, R, Gothic Fantasy/Horror), aka the most forgotten animated film in the world

What if I told you there was a movie under serious threat of becoming lost media with no clear reason as to WHY it's been lost other than no one has apparently watched it besides me and a few people on Reddit? What if I told you that movie wasn't half bad and would no doubt have some interest peeked if anyone DID know about it?

The name of that movie is The Romantic.

It was released in 2009 and it's Rated R for nudity and sex scenes [insert Robbie Rotten meme here], though none of it too graphic. It was a pet project created by animator Michael P. Heneghan, originally starting as a flash project for his animation class before he expanded it into a feature film. The film was inspired by movies such as The Dark Crystal and Labyrinth, but what I see every time I look at it is a touch of Jhonen Vasquez, Tim Burton, and Roman Dirge- the guy behind Lenore the Cute Little Dead Girl. It's flash animation especially remind me of the puppet-rigged toons of the 2000s (again like Salad Fingers or Lenore). It's not bad, it's just not inherently 'feature film' quality flash, nor is it exceptionally artistic like Sita Sings the Blues in it's simplicity. Like, really, if you happen to find this thing it's not the worst animated project at all it's just amateur for a professional production. I've seen worse flash movies. Heck, if The Romantic were released in separate parts on youtube or Newgrounds as a series (ala Homestuck) I'm sure it would have been really successful and totally in it's element. But it wasn't.

Because next to no one has seen it and I'm lucky to have not only ever seen it when it was available for free but have also found it recently (hush hush, I ain't telling you how) I'm going to actually give you all a plot synopsis under the cut. There will be some details I leave out and I think I've spelled some characters names wrong. It's a bit of a surrealist film as well, so you might need some things explained.

Spoilers ahead:

The Romantic is set in an autumnal, surrealist world inhabited by humans and monsters and ruled by three gods; Po the goddess of love; Pik the god of Hate; and Pjorrc the god of time though Pjorrc was made to live inside a pumpkin moon as everything he touched rabidly aged and died.

((Tapestry art featuring the main three gods of the film.))

A young man (called “Romance” or “The Romantic” by the other characters) performs a bull sacrifice in order to summon Abbledepopa, the unseen creator of the other gods and ‘storyteller’ of the world. The sacrifice does not conjure Abbledepopa but, when Romance spares a monster that was ready to eat him, the monster tells him of a profit named Patience. Patience is a foul-mouthed dwarf living alone with an army of babies who points Romance in the direction of Po.

((Romance outside of Patience's house.))

Romance wants the god’s help because he has fallen out of love with his girlfriend. Po grants him his desire and restores his love only for Romance to return home and find his girlfriend with another man. Blinded by heartache and rage, Romance kills her. He then swears vengeance on the gods for ‘making’ him do it. In the midst of this vow, a corrupt prophet called Fat Daddy kills the queen of Vauxhaul (Romance's home) and her guards, and forges a new body for his newborn son with their bodies. Fat Daddy rallies the townsfolk behind him in supposedly finding the Queen’s murder into follow a new religion called "The Poetic End".

((Romance (right) besides the monster he spared at the beginning of the movie.))

Patience accompanies Romance on his quest and tells him to take Po’s mask, which hides her true face, once he kills her. Romance buys Po’s trust by weaving her a tapestry that tells her story: in the dawn of time Po and Pjorrc were in love. However, Pjorrc gradually became distant and Po became resentful when their daughter, Love, earned Po's original title as the god of romance and love.

In the present day, Romance sleeps with Po for over a year before finally killing her and taking her mask. He and Patience return to his home of Vauxhul only to be chased out by Fat Daddy’s personal army. They flee to Marshallton, the town nearest to the god Pik.

((Romance's hometown of Vauxhul. ))

The king of Marshallton, King Crookie, tells Romance of a prophecy he, Patience, Fat Daddy and all the gods are a part of and that the world is soon to change. Romance then fights and successfully kills Pik when he shows the god of hate his reflection in a mirror King Crookie gave him, but not before losing his hand to Pik.

When Romance comes down the mountain he learns from Patience that nine years have passed since his fight with Pik began. Patience reveals to Romance what Pik saw in the mirror that allowed Romance to take the killing blow; after Love had grown up and married, Po asked Pik to tell her where her husband was always running off to. Pik reluctantly revealed Pjorrc was disguising himself as a human and married a mortal woman. Po found Pjorrc and his pregnant second wife, forcing Pjorrc to leave his human family behind, but not before asking his wife to name their son “Patience”. In retaliation for his treachery, Po proceeded to sleep with fifty men and produce the fifty bastard children in Patience’s house.

((Fat Daddy, the main villain.))

Marshallton and the entire rest of the world has fallen to the rule of Fat Daddy, who captures Romance and Patience. Fat Daddy tortures Patience into telling him how to get to Pjorrc but is unable to convince Romance to take part in his ‘new world’ or give him Po’s mask. Romance and Patience escape and leave the village to be torn apart by the fifty babies Po had, now transformed into veracious monsters after Patience didn’t feed them for the past ten years. Romance confronts Patience when he realizes the latter is Pjorrc’s son. Patience calls Romance out on his mantra of vengeance and points out that all his decisions are his own, not the gods, and instructs him to seek Love herself in Po’s basement. Patience then attempts to confront Pjorrc but is cornered and killed by Fat Daddy before he can do so.

In Po’s basement, Romance finds Love nailed to a wall, her face torn off and half eaten by her deformed husband. Love tells Romance that Po ripped off her daughter’s face in rage over Pjorrc’s infidelity and Pjorrc did not intervene fast enough. Po then threw Love into her basement, turned Love’s husband into a monster, and wore her daughter’s face as a mask - which Romance had broken into pieces moments ago after Patience had shown him his face in King Crookie’s mirror. Romance then finds Pjorrc hanging himself. As he dies, Pjorrc tells Romance to take the hand Fat Daddy had cut off and sew it onto himself, which will in turn help Romance defeat Abbledepopa.

Romance traverses the wasteland and does not find Abbledepopa, but instead a golden loom. Having seen all the destruction he and others had caused, Romance sits upon the loom and accepts his fate as the new ‘storyteller’ of the world, as he begins weaving a new one...

---

I mentioned before the animation quality of the film and why maybe that caused people to overlook it. The only other thing I could complain about on a technical level with The Romantic is it's sound design. Some of the voices and music is a little too quiet and so all these key details I had to go through the film a few times to really piece together. But that leads me to the thing I like about this movie and I'm sure others would to: the lore.

It's very hard to create a new fantasy world w it's own customs, religions, history and rules out of the blue as any YA Harry Potter/Hunger Games ripoff book could tell you. The Romantic is so unique in how it handles the pantheon and culture of these three gods and their kin; really only four or five characters throughout the entire story aren't connected to the gods or prophecy in some way, as there's the main three gods, Abbeldepappa, and the prophets Patience, Love and Fat Daddy, who make up your main cast besides Romance. There's a lot that's intentionally left unexplained and other info that must be explained, like Pjorrc and Po's marriage and Romance's feelings towards the gods, if we want to understand the former. The movie is paced pretty well and knows when to follow up on what, it's just that again some of those animation and editting shortcomings might make it hard to understand...but I don't think THAT hard. Look, if someone can enjoy Starchaser: The Legend of Orin or even better surrealist world-building films ((Fantastic Planet comes to mind)), then I say there's no reason The Romantic wouldn't have a following. There's no other way I can articulate why and what doesn't work about the story except just to recommend you watch it yourselves, but before I get into that I want to talk themes...because I love the themes and tone of The Romantic.

I revisited The Romantic a week before I made myself watch Centaurworld and The Owl House for the first time...and what a week that was~! The Romantic has the vibe of those kinds of shows along with Adventure Time and Infinity Train ((so I hear, I haven't watched the latter)). It's surreal and you'll only marvel at 'woooah wut an acid trip' for so long before you get into the vibe of the universe. It also reminded me substantially of the Broadway musical Hadestown and not just because this movie is also a self-contained, somewhat self aware fable about the relationships between humans and gods - it's very raw in how the characters talk. It's very emotional and blunt in how kind and how cruel they can be, and it doesn't make excuses or really worships any one of them. Romance himself is the world's most likable Incel: he murders a woman he thought he needed to love and blames his emotions on the gods of those passions...except the gods AREN'T the manifestations of love, time, and hate - they simply dictate and oversee it in the lives of men. It's a dynamic I really like in religious works where Gods are powerful but not all knowing or puppet masters to everyone's design- they have morality too and there is only so much you can blame and get from them.

"You made your gods into excuses and your excuses into gods!"

-Patience. This here is a cool quote. I like this quote.

No matter what, The Romantic is not gonna be a film for everyone. We all have our tastes - I think I'm drawn to it and accepting because I've come to love these kind of worlds that used to keep me up at night - these trippy 70s inspired fantasy landscapes given a whole Avatar: The Last Airbender degree of worldbuilding and character worth. It also doesn't feel exploitive in it's violence, it's sexuality, it's grimmness - it doesn't feel like it's trying to hard or going over the top because it happens to be an adult animated film, something that I love in movies like 9 or Hair High but really turns me off in stuff like Sausage Party or Wizards. Whatever go watch The Romantic...

if you can.

-----

When I first saw this film in 2016 it was actually very accessible and was even uploaded to youtube by the creator himself. I don't know WHAT happened to Michael P. Heneghan, but simply put, the man's disappeared...like...REALLY disappeared.

Lookit his IMDB. He has The Romantic and a wapping two other projects to his name. His Twitter isn't very helpful either. He last updated in early 2020 and he says next to nothing about The Romantic. It's so odd that he would one day be happy with the film enough to host it on Vimeo and Youtube but then just cop out.

According to a Reddit user: "On Valentines Day 2011, Heneghan released the film for free online through all kinds of platforms including direct download, bittorrent, Vimeo, and even directly through Archive.org. He even joked about releasing a 300 gig uncompressed version.

I know I watched it on Vimeo probably as recently as 2016. Now I can't find it anywhere. The website is dead, the Vimeo video went private, even the archive.org version has been taken down. It really looks like he wanted to wipe it off the face of the internet. His newer website mentions it, but again, the Vimeo link is dead and even that website is closed for business."

It's weeeird. What happened Michael?

And yes, obviously, other people worked on the movie.

No - I can't find out anything about them either.

I'm betting on three theories at the moment: 1) this film is an SCP or some Candle Cove weirdness with only me and a handful of people ANYWHERE remembering it, 2) something weird is going on w Michael Heneghan and it involves too something about this film. It was a scam or a scheme or a hidden agenda weirdness, 3) Heneghan's doing okay he just doesn't like this film anymore and wants it hidden while he takes a break.

Look, I get it Michael! What was once our life's worth can become cringe as you improve as an artist - you're not the person making the stuff you were ten years ago...but you should still have the film kept alive somehow. Someway.

I'm seriously the only person to have ever made fan art of this movie on the internet. That just doesn't happen, and I don't think I like being in a fandom of one. The Romantic is a testament to the power of design and storytelling > animation quality itself. Too often I see people equate good animation with smooth animation, with a budget with squash and stretch. These animations are good but art is diverse and there's so many kinds of films out there, the value of the medium can't just be in one style/form. There's a lot of honestly wonderful pieces of art out there if you know where to look and you're willing to see where it leads you.

Don't let The Romantic be the most forgotten movie of all time. Reblog this post. Show it to your friends. PM the animation community reviewer people like Saberspark and someone who isn't Saberspark and smuggle them a copy.

Keep telling the story...

#Franki's Features #The Romantic #The Romantic Michael Heneghan #The Romantic 2009 #animation #animation community #underrated animation #lost media #horror animation

[doctoranon]

Jay-Bird Rock.

50′s Jasonette. Or at least a tease of it. This might have turned into a two shot.

Giggling arm in arm with one of her best friends, Marinette swayed into the popular Juke Joint ‘Bat Burger’ on the corner of Gotham’s main street. The music was blaring from the jook in the corner and she couldn’t help but bop along with the rhythm towards their destination, coordination be damned.

Madame Bourgeois had been invited to the Wayne Gala, of course, and when Chloe had learned her father would be declining his invitation (It was election season of course and he couldn't be away from Paris for even a week!) she had decreed she wouldn’t be attending without Marinette. As such, the two girls would soon be in attendance that night, but before that had wanted to enjoy themselves by getting a bite to eat and enjoy the different scenery the American city offered.

Looking over the menu and trying to figure out what sounded good, Marinette would swear she could feel eyes on her, but taking a swift look around, there was no one staring that she could notice. Bringing one hand up to fiddle nervously with one of her ladybug earrings, she figured it was just paranoia from the thought that the Joker gang was known for attacking in broad daylight.

While not something she wasn’t unused to, she was used to being able to fight back as Ladybug. But Ladybug was a magical Heroine from Paris, who dealt with an actual magical villain, not a street brawler or vicious gang in Gotham. 

Feeling the presence of someone by the table, the two girls looked up from their menus, expecting to see a waitress ready to take their order, but had to refrain from rolling their eyes at the duo of boys that had crowded them instead.

“Well ain't you birds a knockout.” the first one schmoozed, leaning his arm over the back of the girls seat, putting him clearly into Mari’s space. Unappreciative of the intrusion, Mari leaned away closer to Chloe, raising a questioning brow at the audacity. Is this what Americans considered etiquette? Sharing a look with Chloe she knew she had had the same thought, though probably a little more vicious in execution.

“Beat feet, Chuckle-head.” Chloe snapped, not having the patience for her afternoon to be interrupted, least of all by a couple of Dunderheads. “We’re no back seat bingo girl’s and thoroughly not interested.” she sniffed, the tried and tested daughter of the Mayor act masking her face.

“Aww, come on sweet cheeks, don’t be like that.” The second one chimed in, leering at Chloe with a smirk. “That’s not what’s happening here. We’re just two upstanding gentlemen looking to invite two hot mamas to cut a rug with us.”

The first of the unwelcome disturbances had taken to leaning in closer to Marinette, not leaving her with much room at all, a frown etched deeply on her face. “Whatcha say, gonna hang with us?” he asked moving his free hand to move a stray hair from her face.

Before she could even move her own hand to stop him, another hand grabbed his wrist, stopping it firmly in place. Following the hand up past the leather clad arm, she was met wit the sight of the dreamiest guy she’d ever seen, his black hair styled like a greaser, and his figure cutting an impressive figure. Meeting his eyes, her breath caught and a blush bloomed on her cheeks.

“Hey Doll, these boys bothering you?” he asked, as she melted. His voice was the richest baritone she’d heard and she wouldn’t lie to herself, she wanted to hear him call her Doll again.

“As a matter of fact-” Chloe started before being cut off by the second annoyance.

“Hey man, these are our birds, go find your own.” Well if that wasn’t the wrong thing to say. Marinette watched as the man’s blue eyes turned to ice as he looked at the boys harassing them.

Pushing the one he had a hold of back and into his friend, the black haired dreamboat scoffed, pulling a smoke from behind his ear and placing the tip between his lips. She had no idea how a man could make that so damn sexy to watch, but this one succeeded. Watching him light it up and take a drag, Mari felt herself flush, and reached behind her to grasp Chloe’s hand to keep herself grounded.

Even her crush on Adrian hadn’t been this fast and hard, but the man in front of her was something else entirely. From the way he held himself, brimming with confidence, to the way he expelled the smoke he’d inhaled, he had her craving his name and wanting his presence.

~~~~

Demolishing the Burger in front of him, Jason Todd savoured the flavour of real food. Tonight was the Wayne Gala, and he knew from experience it would be posh finger food and no amount of pleading would change that. 

He’d even brought Tim with him on his pilgrimage to Bat Burger. Knowing his sleep deprived brother, he could use the pick me up before the masses of pretentious gasbags shmoozed with them, trying to gain B’s favour. Not that it had ever worked for any of them.

His attention was caught by a swish of pink and a lyrical giggle as a couple of girls passed them by, and his eyes followed, head tilted in interest as he watched the swaying hips and bobbing head of the prettiest girl he had ever seen head towards an open booth.

A nudge from his left brought his awareness back to the fact he was gawking with his burger hovering in front of his face. Taking a large bite he cut his eyes to his brother to be greeted with a knowing smirk. “Ya dont have the time Jay-bird.” Tim told him, taking a bite of his own burger and gesturing with it towards the two girls. “We’ve got about enough time for this before B sicks Alfred or Dick on our tail to get ready.

Jason scoffed as he ran his hand over his quiffed hair, eyes moving back to the girl as she looked at her menu. Pity, she really was a knockout if ever he did see one, but he knew what his brother said was true, they were on borrowed time right now and could probably expect Dick to saunter through the doors at any time to collect them. “Killjoy.” he grumbled back, finishing his burger off in one bite, and wiping his hands on a napkin.

Pushing back from the counter, he reached over to swat the back of Tim’s head. “Come on then, Timmers let's hit the road.” he sighed, twirling his ride’s keys around his finger. He chanced one last look back at the girls before freezing. Two of the Joker gang wannabes were crowding them into the booth, a no good look on their faces.

Protective instincts flaring, Jason gripped his brothers shoulder to divert his attention to the situation, meeting his eyes as they held a silent conversation. Really it was none of their business, but they had the self respect to know a couple of uninterested girls when they saw them, and he was sure Alfred would rake him over the coals if he just let them be harassed, personal interest put aside.

Making his way over, his anger got the best of him as he saw the one guy crowding and reaching to touch the girl who had caught his attention. His arm was already grasping the offending appendage before he could stop himself. “Hey Doll, these boys bothering you?” he asked, meeting the bluest eyes he had ever had the privilege of looking into.

When her friend was cut off, he scoffed, pushing the miserable little snob into his equally miserable pal. Taking his smoke from behind his ear, he put it to his lips and lit it, taking a drag and blowing it in their direction.

“I don’t seem to remember asking your opinion on the matter.” he cut back, feeling his brother take up a position at his back. “But I know you weren't about to continue harassing these lovely ladies, were you, ‘cos you’d be just aching for a breaking if you were.” he warned, speaking through the cigarette before taking another drag and taking it in hand.

He watched as the two boys sized him and Tim up before scoffing themselves and scurrying off, tails between their legs. Smirking he took another drag of his cigarette before turning to the two girls.

“You okay now, Kitten?” he asked, eyes firmly on the black haired beauty, before flickering towards the blond as she started to speak.

“We had it handled” she snapped at him, and he raised a brow, grinning at her attitude before looking back into the blue eyes that had caught his attention.

“I don’t doubt it, but I see two knuckleheads harassing a couple of pretty ladies, I ain't gonna leave them to it. Not how i was brought up.” he said, finishing his cigarette and putting it out on the tray on the table, having to lean over his girl slightly, coming close enough to make out the cute speckling of freckles across her nose.

“Thank you.” the girl murmured, her eyes having not left his since he made eye contact. Jason smirked about to answer back when he felt a hand on his shoulder, and he turned annoyed as hell at the intrusion.

“Jay, come on, we’ve gotta beat feet.” Tim warned, though Jason noticed Tims own eyes sliding past him towards the blonde in the booth.

“Fine, whatever.” he snapped, pulling a comb out of his leather jacket to make sure his hair still fell as he liked it. Looking back at the girl he hesitated, he felt such a connection to the girl for having only shared a few words with her, biting his bottom lip he sighed.

“Guess I’ll see you around, Doll.” he told her, winking. He spared a glance at the blond to see her smirking at him, a calculating look in her eyes. Raising a challenging brow at her, he slapped his arm around Tims shoulders, pushing him from the table and following slowly.

#jasonette #maribat #maribat fanfic #maribat fandom

[iamanartichoke]

[please blacklist spoiler tags: #loki tv series spoilers, #loki series spoilers, #loki spoilers]

Yes, I did just watch episode 2 at 5:30 in the morning.

No, I am not sorry. Not at the moment, although when I inevitably crash later this afternoon, I will be.

Just some very, very quick - and scattered and messy - thoughts: That is a straight up lie; they’re definitely scattered and messy but not very quick at all.

Under the cut for spoilers and length.

I’m going to start with Loki’s characterization. My honest opinion is that Loki’s overall characterization feels like a fic characterization. He definitely is not Avengers Loki, like, at all. I don't know if Tom just, like, forgot how to play that Loki or ...?? That, or Loki was so much more mind-controlled than we realized and getting hulk-smashed just completely reset him back to zero but also fucked him up a little bit and affected his personality, kind of like how some people completely develop weird new personality quirks after a traumatic brain injury.

… yeah, I think that’s where I’m gonna land for now. TV series!Loki feels like a more-or-less canon version of Loki, but if that Loki got hit in the head really hard and now he’s just a little bit fucked up but overall no worse for the wear. Which - it may be that it’s so early in the morning, but that’s actually really fucking funny to me, lmao. God, I kill me. It’s not funny.

No, but, that’s pretty much how I feel. He’s ooc but he’s also ic, and the reason I’m not particularly bothered by the inconsistency, for lack of a better word, is because that’s what pretty much every fic Loki already feels like to me? (Including my own, so I’m not, like, saying that in a derogatory way.) Which is why I say Loki feels like a fic!Loki and to try to explain it better - there is always, for me, a little suspension of disbelief that I employ when I read fic. The reason for that is because the context, the plot, and the dynamics of the fic are usually pretty different than what we ever get in canon, so it becomes a matter of taking film!Loki and, like, bending him a bit in order to fit him into the perimeters of the fic.

The result ends up being that I don’t see the exact Avengers!Loki or TDW!Loki, and thus by definition the portrayal is ooc, but the version that I do see feels like a genuine extension of the canon version, possessing enough of Loki’s overall traits and characteristics that he feels authentic, albeit a bit pretzeled for the new context.

I honestly think that’s something that’s unavoidable, just due to the fact that in fic - and now, in this series - there are a lot more variables at play than there are in the films, wherein Loki is not just a supporting character but also the villain/antagonist and is therefore very limited in what he does/what the narrative allows him to do. When those limitations are taken away, what are we going to see? Probably a lot of different things, and yeah, a lot of them are going to feel a little ooc. And, like in fic, even if the characterization mostly lands, there are definitely bits and pieces (some fics more than others lean this way) where the author didn’t stick the landing or got carried away or otherwise probably forgot for a while that they were writing Loki, not their own OC.

That’s the point where it strays into cringe territory for me (and where the ‘heh, he’s Loki but with a brain injury’ aspect comes in), but while I had to consciously decide to just ignore those moments, overall the tone in this episode felt a bit more balanced between the new, the old, and the cringe, and less whiplash-y from the beginning of the episode to the end.

… I have no idea if that makes sense, but what I’m basically saying is that while I am enjoying this version of Loki, I do recognize all of the ways he’s ooc but, unlike how I feel about Ragnarok!Loki, the ooc-ness feels genuine and unavoidable rather than just a fundamental and careless misunderstanding of the character altogether. In other words, I feel like any ooc-ness here is happening despite the writers taking care to do their best, and isn’t just a result of Loki being lazily written by a person or persons who just doesn’t want to bother with him at all.

Again, I don’t know if that makes sense, but fuck it, there we are and I’m moving on.

I liked all of the little details, including again, things that felt straight out of fic, like Loki asking Mobius why he has the jetski magazine. (Also, if any of my thorki friends read this, was I the only one who noticed that when we see Loki reading the magazine, it just happens to be open to a page with a picture featuring a jet skier who looks like Thor? l.m.a.o.)

Loki interrupting things to explain the difference between illusions vs the other power (I can’t remember which one, off hand, and if I stop writing to go look it up I will lose my train of thought and not finish this) was great, but his overall input and contributions to the missions inspired very mixed feelings for me. On the one hand, I loved that the narrative, via Loki, is reminding us of all these things that he’s capable of that the films generally left out or brushed aside or ignored - but, every time he spoke, he was met with eye rolls and sighs and just a general feeling of “someone please shut this guy up” and I didn’t like the narrative treating him that way.

But also, it’s understandable bc none of the people on his team are actually on his team. None of them want him there (story of Loki’s fucking life), none of them trust him, and none of them are particularly interested in hearing what he has to say. So it’s like, I understand why they reacted the way they did, and I don’t think their reactions are meant to support an overall narrative undermining of Loki’s skills and input - but, the tone is hard to read for me bc I am very defensive and protective of Loki. I can’t quite determine the line between the TVA agents being unreliable narrators (ie, they’re annoyed by Loki bc of who he is to them, but that doesn’t mean the audience is supposed to feel the same) and the TVA agents validating that Loki is just being a nuisance (and, thus, the audience is supposed to feel the same).

That is, I know how I am consuming the narrative (that they’re unreliable narrators), but I’m not sure if that’s how tptb are intending for me to consume the narrative - and I guess it doesn’t really matter, but it’s worth mentioning.

In general, I really liked, again, Loki existing in his own space and watching the way he carried himself. I especially found it interesting that his hands were almost always in his pockets - for one thing it's a stance I tend to imagine him taking often in fic, but also it’s kind of a weird choice bc pockets don’t seem to be a thing in Asgardian clothing. It makes me feel like Loki is the kind of person who never knows what to do with his hands but is always conscious of them, as is common among anxious and self-conscious people, and I just find that relatable on a weird level.

I am really kinda torn on Mobius in this episode; when not interrogating Loki, he’s much less antagonistic toward Loki and therefore I’m more inclined to take-him-or-leave-him but I’ll go ahead and take him I guess. Yet at the same time, bc he’s not interrogating Loki he’s also not trying to put on a show for Loki and when you take that away, he really doesn’t seem to like Loki at all. It supports that Mobius only wants what Loki can do for him and doesn’t actually particularly care about him as a person, which is fine and more or less what I figured, but it contributes to me not really being able to decide how I feel about him in general. Idk, though, I kinda like their dynamic? Like I want them to end up friends?

Regardless, Tom and Owen have amazing chemistry and it’s really funny to me bc (not to be a jerk) I honestly didn’t know Owen Wilson could act. Like, I’ve never seen him in a role where he wasn’t just playing Owen Wilson. So for him to not only be playing Mobius so well but also having such chemistry and a sense of holding-his-own against Tom Hiddleston is like, color me surprised but pleasantly so.

I like B-15 a lot, even though she obviously hates Loki, so idk why I like her but I do. I like Renslayer less, but meh. (Side note - when I was in undergrad in Syracuse, I took the Amtrak from Syracuse to Boston and back more than a few times, for reasons that aren’t relevant, and that route always had a layover at Albany-Rensselaer and every single time I see Renslayer’s name, I want to call her Rensselaer instead.) Shout out to the guest appearance by Casey, sorry Loki stole your juice lmfao.

The moments from the trailer that were very cringe were less so in context (though still kinda cringe, tbh). I think we’ve seen most of the content from the trailers in the first two episodes now, though, which means going forward, it’s going to be like 95% previously unseen material (aside from the brief apocalyptic shots and so forth).

One thing I fucking loved was how Loki, reading about Ragnarok, was visibly affected and even teared up a bit, and you could tell he was in his feels about it, but then later when Mobius expresses sympathy, Loki is just like, “Uh huh, very sad, but anyway.” It was a subtle (well maybe not that subtle) but effective way to remind us that what Loki presents to other people is more often than not a mask and he keeps his true feelings close to the chest. It makes last week’s breakdown have even more of an impact, I think, bc clearly Loki was at the end of his rope to allow himself to show that much raw emotion and vulnerability, but also - for me - there’s a niggling little doubt there that wasn’t there before, in that there was probably more performance in it than I thought.

By which I mean, I think his reaction to the film of his life when he was alone was genuine but, while I previously thought his admission to Mobius later was also genuine, I now think was probably half genuine and half performative. I know others already figured that out, but I’m a little slow and, also, I don’t mind changing my opinion and interpretation from week to week.

Along the same lines, I wasn’t exactly surprised to see that Loki is “undercover” in the TVA, but it was nice to see it acknowledged fairly quickly. Not sure I buy that Loki wants to overthrow and rule the TVA - it’s still a little too “Loki only wants a throne” for me, but again, just because that’s what he told the variant doesn’t mean that’s actually what he’s after.

And, finally, I like the variant, I love Loki’s reaction to seeing her, and while I realize that the show has acknowledged Loki’s gender fluidity and we’re meant to assume that Lady Loki (I guess? Not sure if we’re going with that or not here) is Loki, I saw a theory somewhere about how this is actually not Loki-Loki, but - I wanna say her name Sophie but that’s the actress, again I can’t go look it up bc I will lose my train of thought - but it’s a character who is similar to Amora and who was created by Loki and models herself as Loki but she’s actually someone else.

Ugh I can’t remember the details of the theory, but I am kinda going with it bc I don’t think that Loki would look so - not surprised but just kind of “oh, well, I wasn’t expecting that” if he were seeing the female version of himself. Like, he doesn’t seem to recognize her the way I assume he would recognize himself, male or female. Not only does that make me feel like she’s actually someone else, but also not recognizing her as the female version of himself doesn’t necessarily mean Loki doesn’t recognize her at all. He may very well recognize her as this other Amora-similar character and, if so, I really want to see how that character fits with MCU Loki (as I think she’s a comic book character but, again, I’d have to go back and find that theory).

Edit: I found a version of it here.

Overall score, B-. Mostly solid, but needs moar Loki breakdowns and tears. (That's just me, don't fucking judge me.) Also, I really hate that we have to wait a week between episodes. I wish they were following Netflix’s method of dropping the entire season at once but, then again, if they did that, I’m not sure any of us would survive.

I gotta get ready for work and I deleted and rewrote so much of this and it still seems nonsensical to me, lmfao fml. Anyway feel free to interact/send me asks/whatever, it’s going to be a long fucking day with all of this on my mind. I’ll be working my way through my dash as best as I can.

Oh, also! Loki is so fucking pretty in this episode! The TVA suit is ugly, but he makes it work, and his hair's combed nicely and he looks like he finally got an opportunity to sleep and shower and eat something and, yknow, it's working for him.

#loki tv series spoilers #loki series spoilers #loki spoilers #loki pokey artichokey #also thought it was interesting that as soon as mobius gave him the jacket #loki barely took it off and didn't go anywhere without it #lending even more credence to the fact that he likes to be as covered up as possible at all times

[scraregenrecs]

SC Tropefest Fest Rareships/Gen Roundup!

There were so many rare and gen fics in @sctropefest – 26 to be exact, or 31.91% of the total works! We've compiled them here for your reading pleasure, and also spotlighted some honorable mentions at the very end that were primarily David/Patrick, but featured rare sideplots. Happy reading!

A Whole Lot To Gain by yourbuttervoicedbeau, Ted/Alexis, Alexis & David, Patrick & Alexis (background David/Patrick), G, 1,721 words

A story about identity, gender, and coming out.

and my task’s but begun by treepyful, Twyla & her mother, T, 16,109 words

Twyla was seven years old and missing a front tooth when her father left.

A look into Twyla's stories.

Budd is a dud! Vote Sands. by samwhambam, Stevie/Twyla, T, 7,718 words

Her and Twyla are friends. Not great friends. But friends who get high together at parties and have known each other for a long time. And up until right now, she thought they were better friends than a shitty, mean campaign slogan.

The enemies to lovers fic where Stevie and Twyla are both running for the same seat on town council.

(but if baby, i'm the bottom) you're the top by doingthemost, Alexis/Twyla, E, 3,681 words

Alexis knows what people assume about them.

They see Twyla's bright café smile at work, and listen to how readily she agrees to whatever her customers want. They watch how Twyla hangs back during get-togethers, freeing up room for Alexis to take the spotlight and captivate the crowd. They notice how Alexis towers over Twyla in her heels, and how she's always one step ahead of her steady, cautious girlfriend.

But they don't know what it's like when they're together.

OR: Five times Twyla tops Alexis, and one time she lets Alexis top her.

Captive on the carousel of time by designatedgrape, Stevie/Twyla, Gwen & Twyla (background David/Patrick), T, 11,156 words

The predictability of Schitt’s Creek and the routines of the people who live here have always been a comfort to Twyla. In a life that has been full of uncertainty, she appreciates that there are things she can always count on. So when Jocelyn walks in at 3:07, it isn’t a surprise. At least, not at first.

“What can I get for you, Jocelyn?”

“Oh, I think I’m going to need an extra-large coffee to get through the rest of the day, Twyla. I’m headed right back over to the school to set up for tonight.”

Twyla nods and turns to start making Jocelyn’s coffee. “What’s tonight?”

“Graduation.”

Twyla pauses and looks back at Jocelyn. “Um, I think you might be a little confused. Graduation was last night.”

come home to my heart by davidbrewer, Ted/Alexis, G, 1,822 words

“Oh, my god — Ted?”

Her own voice echoes in her ears and she’s suddenly standing, dumbfounded, outside Cafe Tropical almost seven years ago. Watching Ted step into the bistro felt eerily similar to watching him step off that motorcycle for the first time. It’s the kind of shock that makes the sparkling restaurant tile quake under her Louboutins.

Except, this time, the feelings bubbling to her chest are now far more nuanced than she knows how to process — no amount of personal growth or number of self-care retreats with Oprah could’ve prepared her to suddenly come face-to-face with the first person she ever loved more than herself.

OR: Alexis has a blind date. It's not what she EX-pected.

Deadpool Strikes Back! How One Merc For Hire Sticks It to an Army of Goons, One Annoying Narrator, and The Worst Villain of All: Self-Doubt by doingthemost, Stevie/Ruth, T, 1,340 words

WAZZUP!?@ 🤯 If you're reading this, you're probably thinking, "What the hell? Stevie's Deadpool?!"

The answer's YES! 🤗 And she's pissed, and not just 'cause a bunch of goons hijacked her girlfriend. 🤬 No: the worst thing of all is the narrator she has to deal with all along the way. 🤡 Buckle up, buckos, it's a bumpy ride!

AND DON'T FORGET TO LISTEN TO THE PODFIC!! AND OOH, DID I MENTION THERE'S ART?!

didn’t ask for this--you freely gave it (so now i watch your mouth for both of us) by Yellow_Bird_On_Richland, Alexis/Twyla, T, 6,371 words

Alexis chops her name down to three letters like it's nothing.

Twyla thinks about it a lot.

everyday the hold is getting tighter (and it troubles me so) by budd, Stevie/Ruth, M, 1,228 words

Stevie and Ruth end up sharing the last bed at the newest addition to Rosebud Motel Group.

Gonna Watch You Shine by yourbuttervoicedbeau, Johnny & Stevie, G, 1,127 words

Found Family Feelings: The Johnny & Stevie edition.

heaven is a place not too far away by doingthemost, Alexis/Twyla, Ted/Alexis (Previous), Alexis/Mutt (Previous), Alexis & David, Alexis & Moira (background David/Patrick), T, 8,267 words

"Oh, but soulmate marks are real." Her mother's expression softens. "Always one-sided, unfortunately. So difficult to know when you've truly met your soulmate without a matching indicator on the part of the other person, or other persons, if you're following." Her mother winks, and Alexis makes a face. "Your father was the exact same way. The poor little lamb couldn't carry a tune until he met me!"

"So you and Dad..." Alexis' head is spinning. "You guys are, like, actual soulmates."

"Very much so." Her mother appraises her carefully. "And you must have met yours, too."

"Yeah." Alexis blinks, stunned to find that she's short of breath. "I guess so."

OR: Alexis' soulmate mark – the ability to sing – triggers when she moves to Schitt's Creek.

i always felt i must look better in the rear view by davidbrewer, Alexis & David, Alexis/Twyla, David/Patrick, Alexis & David & Johnny & Moira, T, 13,152 words

“I have everything I need right here,” Twyla says, and something very fond stirs in Alexis’s chest. “I don’t need to wish for anything else. But you… You have big dreams, Alexis, and… If anyone deserves to have their wishes come true, it’s you. I want you to have it.”

OR: When her family's past stands in the way of a career opportunity, Alexis makes a wish that completely upends their lives all over again... but is it really what she wants?

If Hell Had a Creek by High-Seas-Swan, sonlali, sunlightsymphony, Gen, T, 9,139 words

After losing everything, the Roses are forced to move to their only remaining asset, the town of Schitt's Creek. Also, the town is on the Hellmouth, and Alexis is the Slayer.

If You Could See The Other Side Of Me by yourbuttervoicedbeau, Stevie/Alexis, Stevie & David (background David/Patrick) T, 3,473 words

Stevie has a teeny, tiny little celebrity crush.

It doesn't mean anything.

In The Running by floosilver8, Stevie/Twyla, M, 3,587 words

Stevie and Twyla run against each other for Town Council.

No Dress Rehearsals by kindofspecificstore, Patrick & Ted, Patrick/Rachel, Miguel/Ted, Patrick/David, G, 3,770 words

Life Happens to Ted and Patrick, and music is one of the things that helps them through it. Discovering a mutual love for the Tragically Hip forges a kind of friendship neither of them had before.

Or, just two boys talking about their feelings in a Tim Horton's parking lot.

putting roots in my dreamland by lilythesilly, Alexis/Twyla, G, 4,078 words

“Are roses your favorite flower?” Twyla asks, setting it down.

“Mm, no, but they’re kind of my brand?” she says, picking it up to snap a picture on her phone. “And as cute as it would be to have a peony in my logo, my company isn’t named ‘Alexis Peony Communications.”

“So, Alexis...Rose?” Twyla puts together, the name sounding vaguely familiar. Alexis nods, taking a photo at a different angle. “Well, I’m Twyla. It’s nice to meet you.”

“Twyla,” Alexis says slowly. Twyla loves the sound of her name in Alexis’s voice. “Nice to meet you.”

--

a twylexis flowershop au

Rollin’ With the Homies by doingthemost, Alexis/Twyla, Stevie/Ruth, Ted/Miguel (background David/Patrick), T, 9,917 words

So I know it seems like I live in this, like, super privileged world. Or maybe, like, a rip-off of The O.C. – or even worse, Laguna Beach, ugh! But I swear, I have a totally normal life!

Alexis Rose is just your totally average 16 year old with two annoying older siblings, David and Stevie, and a totally normal crush on her best friend, Twyla Sands. It's completely chill. She isn't, like, totally buggin'.

AKA: the Clueless AU.

Taste of a Poison Paradise by lilythesilly, Alexis/Twyla, M, 15,107 words

“Where have you been?” Stevie yells, kicking someone in the face and sending them over the railing.

“Stealing fireworks,” Rachel grunts, grabbing a stray piece of pipe off of the floor and bringing another one of them to their knees before delivering a swift roundhouse kick to their face.

“Oooh, these are fireworks?” Alexis grins with a small shimmy. “Love that for us.”

Green vines encircle the railings and Twyla jumps over it a second later. “I got the cane plus some other stuff,” she says, tossing it and another bag to Alexis and wrapping one of the ones around a guy trying to climb the railing to get up to them, dropping him onto the floor. “Let’s go.”

--

Be gay, do crimes but make it a Harley Quinn AU

The Blouse Barn Divorce Ranch by Amanita_Fierce, dairaliz, danieljradcliffe, DelilahMcMuffin, doingthemost, fairmanor, fishyspots, foxtails, GodOfLaundryBaskets, hagface, High-Seas-Swan (FangLang), hullomoon, Januarium, KiwianaPods (kiwiana), middyblue (daisyblaine), nontoxic, RhetoricalQuestions, roguebaby, schittposting, ships_to_sail, singsongsung, SparklesMagicLightLove, sunlightsymphony, thetomkatwholived, yourbuttervoicedbeau (kiwiana), Alexis/Twyla, Jake/Rachel, Ted/Miguel, Stevie/Ruth, David/Patrick, M, 26,226 words

Hello, I am Wendy Kurtz, proprietor of the Blouse Barn Divorce Ranch, the world’s premier spot for couples looking to get a speedy divorce and connect with other soon-to-be divorcees.

I’d like to highlight the stories of five couples, who rearranged into five other couples, from some past summer. These ten people came to the Blouse Barn Divorce Ranch with the intention of ending a marriage, and got that and so much more.

I could recount their journeys with 100% accuracy, but where’s the fun in that? Let’s let them tell us themselves.

OR: One crazy summer in Las Vegas brings the heat and then some.

The Devil’s Work is Never Done by doingthemost and schittposting, Alexis or Stevie or Twyla/Reader, Gen, 68 words

If you were faced with temptation, what would you do?

The Guestbook of David and Patrick Rose-Brewer, by sonlali, Gen, T, 900 words

“A home isn't always the house we live in. It's also the people we choose to surround ourselves with.” — The House in the Cerulean Sea

A look through the entries in David and Patrick's wedding guestbook

Through Someone Else’s Eyes by yourbuttervoicedbeau, Alexis & David, T, 1,351 words

It's all Mr Hockley's fault.

The tea was supposed to get him high, not make him wake up in his sister's body.

To the end of the reckoning by dinnfameron, Patrick & Ronnie, T, 1,308 words

He should get David a coffee. He could deliver it to the motel, see how he’s doing. His arm is raised halfway to flag Twyla down when he catches himself. David doesn’t want to see him right now. He may never want to see Patrick ever again. The thought makes him sick.

“Brewer.” Patrick turns at the sound of his name. There aren’t many people in this town who call him that, and sure enough, there’s Ronnie Lee at a table near the front. He’d missed her, somehow.

“You look like shit,” she says.

[art] you know what they say: better late than never by budd, Alexis/Twyla, G, 274 words

While unpacking her boxes to move into Alexis' apartment in New York City, Twyla finds a stash of her old business cards from when she wrote a column for young members of the LGBTQIA+ community in The Advocate.

You’d be the love of my life by doingthemost and sonlali, Alexis/Twyla, M, 6,650 words

Alexis needs a date to a last-minute Interflix party on Valentine's Day so she can make Zac Efron jealous. Naturally, she asks her best friend and crush, Twyla, to pretend to be her girlfriend for the event. What could possibly go wrong?

BONUS CONTENT:

We wanted to also highlight some fics that are David/Patrick centric, but also include a rarepair side plot! These could be a great place to start for those who haven’t dipped their toe into rarepairs yet, but are intrigued by the idea.

I Waited My Whole Life by agoodperson, David/Patrick and Stevie/Twyla, T, 23,402 words

David is just going to have to come up with something, because there is just no way that he can let Patrick Brewer catch him going to another of the town's many weddings on his own.

Wheel of Fortune: New York Edition! by middyblue, David/Patrick and Alexis/Twyla, T, 10,521 words

Patrick spends his evenings with his new roommate Stevie watching NY1's Wheel of Fortune spin-off hosted by Johnny and David Rose, until one day he accidentally bumps into David Rose himself on the train and starts to fill in some of the blank spaces in his life.

You Happened by lilythesilly, David/Patrick and Stevie/Twyla, T, 54,271 words

David Rose is many things: talented, creative, fashion-forward, well read—the list can go on, but at the very top of that list is Extremely Rich. So he doesn’t understand why his father is making him work at Rose Video—or why Patrick Brewer, a boy he's had virtually no interaction with since they were twelve, is suddenly always around.

An enemies-to-coworkers-to-friends-to-lovers high school au.

You Look Like a Movie, You Sound Like a Song by fishyspots, E, David/Patrick and Stevie/Twyla, 18,683 words

David has often wished, at first seriously and then more cynically as he grew older, that his life was a rom com. It takes longer than he'd like, frankly, but the universe calls his bluff.

You’re the star at the top of my tree by schittposting, T, David/Patrick and Alexis/Twyla, 10,392 words

Patrick Brewer comes to Schitt's Creek with a goal: drive Rose Apothecary out of business so Christmas World can take over its space. He's not counting on falling for its owner.

Happy reading friends! x

#schitt's creek #sc tropefest #sctropefest #sc fanworks #sc fanfic #sc fic #sc fanfiction #schitt's creek fanfiction #schitt's creek fanfic #schitt's creek fic #alexis rose #twyla sands #stevie budd #ruth clancy #ronnie lee #patrick brewer #david rose #ted mullens #jake #rachel #miguel #jake x rachel #rachel x jake #ted x miguel #miguel x ted #ted x alexis #alexis x ted #tedlexis #alexis x twyla #twyla x alexis

[imonthinice]

are you taking requests? if so can you pls use the line "is there a problem here, gentlemen?" in a story?

BONUS STORY! 2ND UPLOAD OF THE DAY?? CRAZY. (if there is a second upload it’ll be at 6pm EST)

Author's Note: You fucking bet your bottom dollar that I'm going to do that.

Y/N - Your name

Batfam + batsis story. Y/N is the newest daughter of Bruce Wayne and is following in everyone’s footsteps as the youngest, in years of service, vigilante of the crew. They hold a gala with villains.

Word Count: 1.9k

Warnings: LMAo Angst whoops, no spoilers but injury and description of injury, Swearing, no beta bitch we die like Jason Todd amen

One-Shot. Not in the Criminal Psychology Majors Continuity.

Y/N packed up her knives into her thigh holsters, apparently, Bruce thought it was a good idea to hold a gala with the known villains of the world. And the kids had to handle it if it got out of hand, Why the fuck are we doing this, She thought, This is a stupid idea.

"Kids, I know you all think this is stupid-" Bruce tried to say before he was cut off.

"You could fucking say that again." Jason snapped at him.

"Kids, I know you all think this is stupid." Y/N mocked Bruce.

"Okay, okay, I get it. It’s a dumb idea.”

“Again, no fucking shit, Sherlock Holmes,” Tim said.

“You guys really don’t need to gang up on me like this,” Bruce tried to say.

“Gang up on you?! You’re the one all like ‘Hey kids! We’re going to do a gala with villains hehe! I hope u don’t mind xoxo.’ Shut the fuck up, Bruce,” Y/N snapped.

“Do you even want to go with that attitude?”

“No! I think that’s pretty fucking obvious!” she snapped again as she went to go grab one of her guns, but Bruce grabbed her arms.

“No. Guns,” he said, trying to be stern with her.

“No. Villains. In. The. House. Oh wait. You’re an idiot, I forgot, silly me,” she mocked before struggling out of his grasp and grabbed her guns and holstered them, one on each side, ambidextrous shooter because she had learned from Jason, quick with knifes and throwing them as well.

“Y/N, there’s no need to be so violent with me,” Bruce tried to say to get her to calm down.

“You just better hope none of those villains make a fucking move, Bruce.”

--------------------------------------

At the party, she wore combat boots and a cat suit under her dress, just so she could slip it off and go into action just as quickly. Her vigilante name was Syndicate, because when she named herself she thought she had the same values as Bruce and his kids. After time progressed, she realized that she was a lot more like Jason than she cared to admit.

They both carried guns into that party like no one was watching and telling them not to. They didn’t trust the villains in their house in any capacity, and that was obvious from both of their outbursts earlier in the day. They were the outliers in the batfam. The ones who did agree with some of what they were shown, but guns and death were necessary sometimes. She and Jason were the true Syndicate.

It was a masquerade ball, so everyone’s faces were hidden, but Jason had his white hair streak, so she knew where to go to talk about the gala and what they would do if the villains attacked the rest of them, and she did so.

Walking over to Jason, she could feel the eyes of many men around her, not everyone recognized her as the newest daughter of Bruce Wayne, so eyes were hungry and they wanted to dance the night away with the temptress. She thought that dating was idiotic, though. And especially if it was a villain trying to sweep her off of her feet.

“May I have this dance, milady?” Jason asked.

“Yes,” she said while accepting his outstretched hand and they went to twirl around the dance floor when she leaned into his ear, “I don’t trust these fucks, Jason,” she whispered.

“Who the fuck does trust it,” he whispered back.

“We need to be on our toes.”

“You’re already on your toes, dancing with me,” he joked.

“You’re the worst, Jason. I mean it.”

“When do you not. But I’m your favourite brother and you know it,” he said as he dipped her.

“While that may be true,” she stopped when she caught some of the people leaving to the backdoor, “We have an issue,” she whispered and pointed towards the people leaving.

“Son of a bitch.” 

And they were off as fast as they could without drawing suspicion.

----------------------------

“Is there a problem here, Gentlemen?” Jason asked when they met up with the people trying to snoop, they assumed.

“Yes, there is,” one of the mystery men said as he pulled a gun and pointed it at Jason, “And it’s you, son.”

“Cute! He even brought his little girlfriend with him!” one of the other men exclaimed as he snooped closer towards Y/N and pulled a gun on her too.

“Festive, truly, you three are,” she said, staring down the barrel of the gun.

“Shut it, girl,” the second man commanded.

“No thanks,” she said as she grabbed the barrel of the gun and struggled it out of her face, it misfired and hit a few different areas of the wall behind her, at the same time, Jason had managed to get the gun out of his attacker’s hands and was pointing it back at him.

She continued to one-hand hold the gun while she tried to find the handle of one of her knives. She managed to grab it and fling it into the shoulder of the third, not speaking, man’s shirt and pin him to the wall. The struggle for the gun was still on though, but she was able to get her other hand onto the gun when it fired off.

 Jason was busy attacking the other two men to notice that Y/N had been shot in the shoulder, and too busy to realize that the party had been evacuated and Bruce was up his ass in texts asking where he and Y/N were.

Y/N slumped to the ground, clutching her wound when the man turned his gun on Jason, she used her boots to her advantage and kicked the man to the floor as hard as she could. Jason ended up being able to tie the three men to each other within 10 minutes, while Y/N was bleeding out on the floor, he didn’t notice she was shot till she was clutching on for her life.

“Shit, shit, shit, shit,” he whispered as he tried to lug her off the ground and run to the front entrance, where he could hear the ambulances going off. When she whispered to him, “I’m...” she breathed, “Sorry...” she breathed again, “Jay,” she didn’t breathe again.

He sat there in shock,, clutching his dead sister’s body in his arms and making no noise when the paramedics rushed in and saw the damage. The called in for the coroner, and went to get Jason off of her.

---------------------------------

In the police station, they told Jason that they just needed him to explain his story, even though they had the footage. Bruce was pressing charges against the men, later to be Harvey Dent and two of his accomplices, for the death of his daughter.

Bruce had not seen his son since the incident, but things were moving quickly and he would get to see him again when the police finished their interviews. But Jason was struggling to get his words out, so they let Bruce go see his son and try to comfort him.

“Jay?” Bruce asked, trying to see if Jason would even look at him, he didn’t, so Bruce went and just hugged his son while he cried into his dad’s shoulder, “I know, son. You did your best.”

---------------------------------------

The funeral for Y/N involved a lot of crying from every batfam member. Even Damien, who struggled to show Y/N a lot of love, cried like no one was watching at his big sister’s grave. He actually laid beside her grave once she was buried for a while as everyone was telling stories about her. Dick found him and picked him up to take him inside. 

No one held resentment for Jason and him not noticing, they all saw the tapes, she didn’t make a damn noise until she was dying in his arms. Stubborn bitch, Jason had joked and everyone had laughed. They could at least remember Y/N for who she was before she died.

------------------------------

The trial was long and winded. Harvey, thank god, confessed in his interigation so he pled guilty to being an accessory to murder. However, both of his accomplices, even the man who shot her, pled not guilty to all charges. So the trial was hard.

Jason testified in court about how he thought she’d be okay, she could carry her own, but the gun shots were so loud and he very easily shot her. Then his lawyer started saying it was self defense.

The rest of the trial started to blur for all of them. But all of them were found guilty for the murder.

The victim’s statement to determined the death penalty was said by Bruce.

“Your Honor, these men took away my daughter. And I honestly don’t want them to get the death penalty. I want them to rot away in a prison. The poor girl was only 19, I want them to spend at least 20 years behind bars, sitting there, knowing they killed my baby girl,” he paused to wipe a tear, “I wish we weren’t here and she got to grow up and have kids. She’ll never know her nieces and nephews, the people her siblings marry, or even get married,” he paused again.

“I want my daughter back, but we’ll never get that. So, Your Honor, I ask for you to not give mercy for these men, Your Honor. Thank you.”

The men got life in prison without the possibility of parole.

----------------------------

Damien actually took his partner to meet his big sister first, before explaining the story to them. He still finds it hard to talk about how she died.

Tim goes to her grave a lot and tells her stories about his life and how he’s doing without her. He always leaves telling her that he loves her.

Barbara visits often as well. Just to talk to her. She says a lot about the missions they go on without her and how the team isn’t complete anymore, and how she worries Jason will never recover from this event.

Cassie doesn’t go often, the memories of Y/N are enough for her most of the time, but she goes every holiday and on Y/N’s birthday just to greet her and say that she loves her.

Steph seems to still have trouble accepting the fact that Y/N is gone. Maybe it's because they fought the night before and it would have been resolved so easily had she not died. It hurts everyone to see Steph talk about it.

Dick will sit at her grave for hours, he’s the one to clean her grave when it gets dirty. He doesn’t always talk to her, but when he does he asks her if she’s met his parents and if they’re proud of him. He’ll probably never know the answer to it, but he likes to think the wind that hits him after that is Y/N saying that she loves him and that his parents ar proud of him.

Jason doesn’t go to her grave on the day she died. He refuses to admit that she died in his arms, so he doesn’t go on the anniversary of her death. He bottles himself up in his room and cries. He has nightmares about her death.

Bruce wishes he could have done more, but when the trial ended he went to her grave and told her about it. He actually laid her to rest by his parents so that she could be near her grandparents. 

Alfred misses her but knows that he couldn’t have done anything, but he leaves nothing in front of the doors and windows so she can enter if ghosts are real.

#dceu #dcu #dc #jason todd #red hood #dick grayson #nightwing #robin #red robin #damien wayne #tim drake #bruce wayne #batman #stephanie brown #batgirl #oracle #barbara gordon #cassandra wayne #cassandra cain #alfred pennyworth #batfam #batfamily #batbros #batfam angst #batsis #batsis angst

[awhitehead17]

Whumptober 2020: Day 23 - What’s a whumpee gotta do to get some sleep around here?

Prompt: Sleep deprivation

Summary: When Tim gets hit with Poison Ivy’s new toxin, he’s forced to stay awake until an antidote is created. Normally it would be easy however since he’s already pulled two all-nighters prior to being affected, it becomes a whole lot more difficult.

Enjoy! :D 

“Okay, so, don’t be mad, but something’s happened.”

It takes all of Bruce’s self-restraint to not let the sigh slip past his lips upon hearing his eldest son’s words. He knew the night had been going too smooth to be true, nothing has happened up until Dick called him through the comms.

“B? You still there?” Dick’s concerned voice travels into his ear.

“Yes, Nightwing, I’m still here.” Bruce answers evenly, waiting for his son to get to the point.

Nothing good ever follows the words ‘something’s happened’. 

“In simple terms, Red Robin’s been hit by Ivy’s new toxin. He’s fine, except not if you know what I mean.”

Unfortunately Bruce does know what he means. Tim is fine physically and not injured however he has a poisonous toxin running through his veins.

“Red’s on his way back in the Batmobile with Robin, not the smartest move I know but Robin was there when Red got hit.”

Bruce finally gives in and lets out that sigh. He wish he could have been out in the field helping to find Poison Ivy, however he’s stuck in the cave behind the computer because of a damaged hip he acquired 3 nights ago, he was in no shape to go out and fight villains.

Ivy has recently conjured up a new toxin one of which takes affects when the body is asleep. When the body is relaxed the toxin begins to shut down the organs, eventually killing the affected in their sleep.

This new toxin appeared two nights ago and has been a headache since. Bruce has had to split the family up into two, one half going out on patrol to find Ivy herself and the other half is mixed between working on an antidote (since it’s new they have not yet got one) and working out what Ivy’s other motives are as there’s reason to believe this toxin is simply a distraction for something bigger.

The fact Tim has now been hit with the toxin brings a new urgency to creating an antidote.

Bruce is disrupted from his thoughts when a familiar engine could be heard echoing throughout the cave. He waits patiently and observes as the batmobile pulls to a stop and two doors open up. The bickering could instantly be heard and Bruce takes a deep breath in order to help prepare himself to be deal with his two youngest.

His sons immediately head over to him at the computer and stand a couple feet away. Damian was scowling, he had his hood up and arms crossed over his chest. Tim had his cowl down and Bruce could see the way his eyes were dilated and how sweat was coating his skin.

“Father,” Damian demands his attention after a moment, “Drake has once again proven that he is incompetent in the field.”

Next to him Tim grits his teeth and Bruce could see how the boy was holding himself back from making the retort he desperately wants to.

“Damian, you’re finished for the night, go get changed and head for bed.”

“But father-”

Bruce’s glare stops his youngest from voicing the rest of his protest. Once Damian is heading for the changing rooms, he turns to Tim. “Tim, I want you to go to the medical bay, let Alfred take a blood sample and then get yourself washed and changed. Once you’re done, we’ll talk.”

Tim wordlessly nods and heads for the medical bay where Alfred was waiting for him. While he waits for Tim to sort himself out he turns his attention back onto his other family members still out in the field. He updates them with the situation and gets reports back in return. By the time he was all caught up Tim had retuned to the computer.

“How are you feeling?”

Tim sighs and runs a hand through his damp hair. “I’m fine, I don’t feel like I’ve been poisoned or anything. Nothing is hurt, well maybe except my pride. It was a stupid mistake and I messed up.”

Bruce leans forward as much as he can in the chair and pins Tim with a firm look. “You do understand the seriousness of this situation don’t you Tim? You may not feel anything right now but under no circumstances, as much as I hate to say it, you cannot go to sleep. We’ll be having a conversation on your performance once we know you’re safe and toxin free.”

Tim rolls his eyes in that typical defiant fashion that teenagers seem to have. “I know Bruce, I’m not stupid. I can help create the antidote. Also, I’m pretty experienced of working without sleep, I’ll be fine.”

“That's great except you’ve already pulled nearly two all-nighters prior to tonight.” A new voice joins their conversation. The two of them look over to see Dick walking towards them, glaring at Tim as he does so.

Upon hearing this Bruce rubs his forehead. So it’s going to be much harder to keep Tim awake than he thought because his son was already sleep deprived as it was. Keeping him awake for another 24 hours or so was going to be difficult.

Tim glares at his brother. “I’ve handled worse. I’ll be fine.” With that he storms off and heads towards the stairs in order to go up to the manor.

Bruce shares a look with Dick. “We’ll rotate people to keep an eye on him at all times. He can’t be allowed to sleep until we can clear the toxin from his body. It’s nearly done now anyway, another day then it should be complete, hopefully.”

Dick nods slowly. “Yeah, like I said he’s already running on fumes so it’s not going to be long until he crashes for good. If you and Alfred focus on the antidote then the rest of us will keep Tim awake. Please finish it soon.”

------

The day that follows is interesting for everyone. Much to his annoyance Tim was being watched like a hawk, anytime he even closes his eyes for more than two seconds someone was there either calling his name or physically shaking him.

This of course leads Tim to being snappy with anyone who was around him at the time, his tiredness was quickly coming through and it was clear he wanted to rest but could not do so.

Dick watches as Tim floats about the manor, going between the kitchen, library, bathroom and his bedroom. They’ve banned him from any form of training, saying that the exercise will tire him out quicker. In result Tim is working on WE reports and case files to fill up the time while the antidote gets made.

Dick joins Tim in the library and silently works on his own files while keeping an eye on his brother. It doesn’t go unnoticed on how Tim sometimes pauses as if he’s forgotten what he’s writing, or the way he stares at the page for a good five minutes before carrying on with the task.

Dick was getting worried because the sleep deprivation was clearly getting to Tim now and it’s only a matter of time before he crashes.

The two of them work in companionable silence until Tim groans and stands up to stretch. He looks over at Dick, “I’m going to get some food, want anything?”

Dick shakes his head. “No thanks.” He watches as Tim nods and begins to head for the door. He’s glad he had been watching Tim because after a couple steps Tim swayed on his feet and without even thinking about it, Dick jumps out of his seat and lunges for his brother. He reaches Tim just in time to catch him before he hits the ground.

Dick lowers them both to the ground and checks Tim over. “Tim, you okay? What’s wrong?”

Tim blinks at him owlishly for a moment and frowns, “I uh, I don’t… God the room just spun like crazy then and I lost my balance I guess.”

“That's the sleep deprivation, it’s really hitting you now. You just need to stay awake a little longer bud. Bruce is nearly done with the antidote.” God he hopes he is. Without any other words, Dick picks Tim up and takes him to the couch, putting him down gently.

Tim slumps into the cushions behind him and Dick feels terrible because he looks so wiped out and awful. He wants his brother to be healthy again. When Tim’s eyes close, Dick reaches out and roughly pats his cheeks. “Hey, none of that, not yet Tim okay.”

Tim noncommittedly hums as he pulls himself into an upright position and leans over his work again. Dick studies him for a moment before deciding to return to his own workstation. As he settles into the seat he sends Tim a look. “I’ll text Jay and see if he can bring in some food for us, perhaps a drink as well.”

When Tim doesn’t respond Dick shrugs it off and sends Jason the message. After that he cracks back on with his own work.

Time goes by and Dick soon realises he hadn’t checked on Tim for a while. He looks over to where the teenager was sat only to feel his heart stop inside of his chest. For a second time, Dick is lunging across the room to get to his brother, who was lying down on the couch with his face pressed into the cushions.

With one hand Dick reaches out to check for a pulse and with the other he scrambles to get his phone out of his pocket. Thankfully there’s still a steady beat underneath two of his fingers but he has no idea how long Tim had fallen asleep for. This was Dick’s fault, he should have been paying closer attention to his brother.

“Dick?” A voice calls for him through his phones speaker.

Dick frantically shouts into the phone while desperately trying to shake Tim awake. “Bruce please tell me you have the antidote ready! Tim’s fallen asleep and I have no idea how long he’s been like it!”

“Yes, it’s just been finished, we’re prepping a needle now. Where are you?”

“We’re in the library. Bruce hurry!”  

“Alfred is on his way. There are precautions however because it hasn’t been tested-”

“Fuck the precautions Bruce! Tim is dying we need to save him!”

Bruce continues to speak on the phone but Dick wasn’t listening. He was too focused on his sleeping brother, worrying about how his body is going to shut down if he doesn’t wake up. Tim wasn’t waking up no matter what Dick tries.

“Master Dick, please allow me.” Dick looks up and is relieved to find Alfred approaching them. Dick shuffles to the side to make room for the butler and watches with an intense stare as Alfred takes Tim’s arm and injects him with the antidote. As soon as it’s administered Dick is asking questions.

“How long until it takes affect? Will it work? What if it doesn’t Alfred?”

A gentle hand on his arm stops him from rambling. “Master Dick, unfortunately all we can do is wait and see. Master Bruce is still in the lab triple checking it over but an estimation will be a few hours or so, especially considering how exhausted the lad is.”

Dick nods his head and takes a few deep breaths, willing himself to calm down and trust Alfred’s words.

The next few hours were awful. Dick could feel all of the anxiety, the anticipation and worry storming inside of him as he paces around the library waiting for Tim to wake up. In that time, Bruce had now joined them in the room along with Alfred and even Jason.

A small gasp soon gets his attention and Dick abruptly stops walking to stare at the couch where Tim was lying. Sparks of hope travel through him as he watches Tim stir and joy explodes in him when Tim’s eyes open up. Before anyone else could react, Dick was moving, making his way to the couch and pulling Tim into a fierce hug.

“God I was so worried! Never do that to me again baby bird.”

Tim’s only response is to loosely hug Dick back while he tries to wrap his head around what happened. Dick ignores it all, loving the feeling of having his brother back and mostly out of danger, they can deal with everything else soon enough.

#Whumptober2020 #day twenty three #sleep deprivation #Tim Drake #dick grayson #bruce wayne #Alfred Pennyworth #Damian Wayne #big brother dick #worry #bit angsty #poisonous toxin #panic #fanfiction #batfamily #sorry for the terrible summary

[disneytva]

August 2020 Synopsis Highlights

Saturday, Aug. 1

Original Series – Episode Premiere on Disney Channel

Big City Greens “Friend Con/Flimflammed”

(8:00-8:22 P.M. EDT)

“Friend Con” – When the Greens attend Farm Con, Bill and Chip Whistler become friends.

*Darin De Paul (“Overwatch”) guest stars as Good Ol’ Joe, and Paul Scheer (“The League”) and Cheri Oteri (“Saturday Night Live”) return as Chip Whistler and Gwendolyn Zapp, respectively.

“Flimflammed” – Cricket stumbles into $100 and is persuaded to invest it.

TV-Y7

Original Series – Season Two Premiere on Disney Channel

Amphibia “Quarreler’s Pass/Toadcatcher”

(8:22-8:44 P.M. EDT)

“Quarreler’s Pass” – Hop Pop drops Sprig and Polly off at an obstacle-filled mountain trail designed to help them get along.

“Toadcatcher” – Sasha and Grime must reconcile their differences to escape Newtopia’s most skilled warrior, General Yunnan.

*Zehra Fazal (“Voltron: Legendary Defender”) guest stars as General Yunnan. Anna Akana (“Youth & Consequences”) returns as Sasha, Matt Jones (“Breaking Bad”) returns as Percy, and Troy Baker (“Young Justice”) returns as Grime.

TV-Y7

Original Series – Episode Premiere on Disney Channel

The Owl House “Really Small Problems”

(8:44-9:06 P.M. EDT)

King confides in a carnival fortuneteller who makes his dream come true, but it comes at a cost.

*Parvesh Cheena (“Outsourced”) returns as Tibbles.

TV-Y7 FV

Original Series – Episode Premiere on Disney Channel

Saturday August 8

The Owl House “Understanding Willow”

(9:06-9:28 P.M. EDT)

Luz, Willow and Amity take a trip down memory lane.

*Rachael MacFarlane (“American Dad!”) guest stars as Mrs. Blight, Amity’s mom.

Original Series – Episode Premiere on Disney Channel

Big City Greens “Greens’ Acres/Dolled Up”

(8:00-8:22 P.M. EDT)

“Greens’ Acres” – Young Bill will do whatever it takes to keep the family farm in business.

*Andre Robinson (“The Loud House”) guest stars as Young Bill, Candace Kozak (Disney Channel’s “Just Roll with It”) guest stars as Young Nancy, and Jason Maybaum (Disney Channel’s “Raven’s Home”) guest stars as Young Keys.

“Dolled Up” – When Tilly and Nancy celebrate Saxon’s birthday at a fancy doll store, they set their sights on a seat next to Cantaloupe Sinclair, the tea party’s posh VIP.

*Melissa Fumero (“Brooklyn Nine-Nine”) guest stars as Cantaloupe Sinclair. Wendi McLendon-Covey (“The Goldbergs”) returns as Nancy Green.

TV-Y7

Amphibia “Swamp and Sensibility/Wax Museum”

(8:22-8:44 P.M. EDT)

“Swamp and Sensibility” – When Anne discovers an old friend who has been living a double life, she becomes fixated on helping him be his true self.

*Kermit the Frog guest stars as Crumpet the Frog and Hugh Bonneville (“Downton Abbey”) guest stars as Wigbert.

“Wax Museum” – The family visits a mysterious roadside oddities museum where every treasure comes with a price.

*Alex Hirsch (Disney’s “Gravity Falls”) guest stars as The Curator and Frog Soos.

TV-Y7

Friday, Aug. 14

Original Series – Episode Premiere on Disney Channel

Puppy Dog Pals “Pups in the Apple/Won’t You Be My Puppy”

(9:30-10:00 A.M. EDT)

“Pups in the Apple” – On the morning of the Playcare bake sale, Bob is devastated when he can’t make his “Big Apple” pie because he’s out of apples.

“Won’t You Be My Puppy” – Bingo and Rolly go on a mission to find their favorite television host’s special sweater in time for his show.

*Malcolm-Jamal Warner (“The Resident”) guest stars as Floyd, a dog, and Chi McBride (“Hawaii Five-0”) returns as Mr. Kimble, a television host.

TV-Y

Saturday August 15

Original Series – Episode Premiere on Disney Channel

The Owl House “Enchanting Grom Fright”

(8:44-9:06 P.M. EDT)

Luz experiences Grom, Hexside’s version of Prom, and it’s not what she expects.

TV-Y7 FV

Original Series – Episode Premiere on Disney Channel

Big City Greens “Gabriella’s Fella/Cheap Show”

(8:00-8:22 P.M. EDT)

“Gabriella’s Fella” – When Cricket’s crush, Gabriella, returns, Remy seizes the opportunity to help push Cricket out of his comfort zone.

*Jenna Ortega (“You”) and Betsy Sodaro (“Duncanville”) return as Gabriella and Community Sue, respectively.

“Cheap Show” – The family wants to visit a street fair, but Bill wants to stay home to save money.

TV-Y7

Original Series – Episode Premiere on Disney Channel

Amphibia “Marcy at the Gates”

(8:22-8:44 P.M. EDT)

The family must defeat an entire ant army before they enter Newtopia.

*Haley Tju (“Bella and the Bulldogs”) guest stars as Marcy, Michelle Dockery (“Downton Abbey”) guest stars as Lady Olivia, and Keith David (“The Princess and the Frog”) guest stars as King Andrias.

TV-Y7

Original Series – Episode Premiere on Disney Channel

Saturday August 22

The Owl House “Wing it Like Witches”

(8:44-9:06 P.M. EDT)

Not your average underdog story.

Original Series – Episode Premiere on Disney Channel

Big City Greens “Green Mirror/Cricket’s Tickets”

(8:00-8:22 P.M. EDT)

“Green Mirror” – When the Greens visit BigTech, Tilly jumps at the chance to test Gwendolyn Zapp’s new technology, which promises to make them the “perfect family.”

“Cricket’s Tickets” – Cricket wins tickets to a show and must decide whether to bring Tilly or Remy.

*Lucy Lawless (“Xena: Warrior Princess”) and Tim Robinson (“Saturday Night Live”) guest star as Mimi O’Malley and Gregly, respectively.

TV-Y7

Original Series – Season Two Premiere on Disney Channel

Amphibia “Scavenger Hunt/The Plantars Check In”

(8:22-8:44 P.M. EDT)

“Scavenger Hunt” – Anne, Sprig and Marcy receive a mysterious message from the king of Newtopia that sends them on a puzzle-solving mission.

*Nicole Byer (“Loosely Exactly Nicole”) guest stars as Gertie. Haley Tju (“Bella and the Bulldogs”) returns as Marcy.

“The Plantars Check In” – Anne finally meets with King Andrias and tries to enlist his help in getting back home.

*Kristen Schaal (“Disney’s “Gravity Falls”) guest stars as Bella the Bellhop. Keith David (“The Princess and the Frog”) returns as King Andrias.

TV-Y7

Saturday August 29

Original Series – Episode Premiere on Disney Channel

The Owl House “Agony of a Witch”

(8:44-9:06 P.M. EDT)

On a school field trip to the mysterious Emperor’s Castle, Luz strays from the group and into danger.

Original Series – 

The Owl House “Young Blood, Old Souls”  Season One Finale on Disney Channel

(8:44-9:06 P.M. EDT)

Luz’s skills as a witch are put to the test when she attempts the impossible.

*Matthew Rhys (“The Americans”) guest stars as Emperor Belos alongside series cast members Wendie Malick (“Just Shoot Me!”), Sarah-Nicole Robles (“Star Darlings”) and Alex Hirsh (“Gravity Falls”) as Eda, Luz and King, respectively.  Season One Finale on Disney Channel

TV-Y7 FV

Big City Greens “Times Circle/Super Gramma”

(8:00-8:22 P.M. EDT)

“Times Circle” – Tilly and Remy put on a sidewalk play while Cricket and Bill meet their favorite costumed superheroes.

“Super Gramma” – Cricket and Tilly try to keep Gramma at home while she recovers from eye surgery.

*Sandy Martin (“Ray Donovan”) guest stars as Gertie.

TV-Y7

Original Series – Season Two Premiere on Disney Channel

Amphibia “Lost in Newtopia/Sprig Gets Schooled”

(8:22-8:44 P.M. EDT)

“Lost in Newtopia” – Anne and Polly vow to experience the city like locals but end up on a wild ride through the streets of Newtopia.

“Sprig Gets Schooled” – Sprig is offered a spot at Newtopia University.

Sunday, Aug. 30

Original Series – Episode Premiere on Disney Junior

Fancy Nancy “Trois Cheers for Mrs. Devine/Escar-No!”

(12:00–12:30 P.M. EDT)

“Trois Cheers for Mrs. Devine” – When Mrs. Devine gets the blues, Nancy becomes determined to cheer her up.

*Christine Baranski (“The Good Fight”) returns as Ms. Devine.

“Escar-No! ” – Nancy questions her love of all things French when she encounters French food for the first time

Friday, Aug. 28

Original Series – Episode Premiere on Disney Channel

Mira, Royal Detective “The Mystery of the Secret Room/The Mystery of the Magnificent Musicians”

(8:30-9:00 A.M. EDT)

“The Mystery of the Secret Room” – When Mira and her friends get stuck in a hidden room in the palace, it’s up to her to find a way out.

“The Mystery of the Magnificent Musicians” – When some of the townspeople’s musical instruments go missing before a big music jam, Mira must find out what happened.

*Danny Pudi (“DuckTales”), Parvesh Cheena (“Outsourced”) and Sonal Shah (“Scrubs”) return as Sanjeev, Manish and Poonam, respectively.

TV-Y

Sunday, Aug. 23

Original Series – Episode Premiere on Disney Junior

Elena of Avalor “Coronation Day”

(7:00-8:30 P.M. EDT)

As plans for Elena’s coronation are underway, Esteban’s team of villains unleash legendary spirit misfits, the Four Shades of Awesome. In order to save her kingdom, her family and her friends, Elena must journey to the Spirit World and back and face the ultimate test of her courage and character before becoming queen.

*Jenny Slate (“Muppet Babies”), Mark Hamill (“Star Wars” franchise), Fred Armisen (“Saturday Night Live”) and Andy Garcia (“Ocean’s Eleven”) guest star as the Four Shades of Awesome, and Patrick Warburton (“The Tick”) voices Grand Macaw, ruler of the dark side of the Spirit World.

TV-Y

#Amphibia #The Owl House #Owl House #Big City Greens #BCG #Puppy Dog Pals #Puppy Dog Tails #Elena Of Avalor #Mira Royal Detective #Fancy Nancy #Disney's Fancy Nancy #Disney Channel #Disney Junior #Disney Jr

[thecanadianowl]

Batman: Death in the Family Review (SPOILERS)

 This is going to be long.

I originally had no interest in watching this mainly because it's based off a story where its only significance is Jason's death. The thing that won me over was the "choose your adventure" type which is an interesting style to do for this particular event. The three main selections are Jason cheats death, Robin dies and Batman saves Robin. Of those 3, only 1 of them was the most interesting. But before I do that, let me go over why the other 2 were disappointing.

 Robin dies choice is basically a rehash of the Under the Red Hood animated movie only its shortened and narrated by Bruce as he is speaking to Clark Kent at a diner. All it is a repeat of shit we knew. Bruce blames himself for the path he set Jason on and Clark giving a hopeful message of finding Jason. All this choice does is add an extended ending.

Robin cheats death one puts Jason having gone through surgery, having his skin grafted and stitched up from the explosion. The trauma and pain has Jason resent Bruce for the life he been put into and basically becomes Hush. He goes after criminals (btw decapitating Nygma, waay too much) which gets the attention of of Talia Al Ghul where she proposes an alliance with Jason while also taking in baby Damian under his tutelage. The problem isnt the story itself bit that it had so much potential. Seriously it could have been Batman:Hush as well as seeing where this conflict between Bruce and Jason will end now that Talia and Damian are in the equation. Btw Talia fans, this is probably the only ending with the character you are gonna like.

Batman saves Robin okay this is the one with multiple choices involved and goes down interesting paths for some of them. So Batman saves Robin but in doing so, he dies and Robin lives, and Nightwing becomes Batman (cool I guess, too bad they never gave him any dialogue). The first choice given is whether Jason chases/arrests the Joker or Kills him.

Kill Joker option where Jason is at a Diner and talks with this stranger who is revealed to be Joker who is now given up being the Joker because “his” Batman is gone. He recites the ‘2 inmates escape an asylum’ joke that he said in the Killing Joke allowing for Jason to put it together and kill him right there in front of 2 cops who are also in the diner.Immediately after you are given the choice to turn yourself in or run. The run option is the one that matters because Jason becomes Red Robin and begins his killing spree. Which Btw is just recycled footage they used in the Robin cheats death option just with the Red Robin edited over Hush. Really? Was budget that low? But what makes this ending good is that RR is later pinned down by Two Face and given the clean/scratched coin option, Jason is saved by Tim Drake (with a taser) and is reminded of Batman’s code and its importance not only to himself but to the people of Gotham. In doing so Jason stops killing and takes Tim in as a sidekick: BatKid. Seriously, that is the name you chose? Why not have Jason be Nightwing (which he was for short while, albeit to ruin Dick’s reputation) and Tim be Robin? Batkid :Great name for a kid’s Make-A -Wish dream, not so great if you want to use it in more serious context . This is one of the better endings as Jason becomes a better person in the end and the type of hero Bruce would have wanted but at the same time shows that Jason’s past habits were hard to get rid of especially with his father gone.

Arrest Joker has Jason become Redhood to lure Joker out in public. When he does that and unveils his true identity to him, the Joker brags about how he created him and how his rage has lead him down a murderous path, reinforcing the jokers belief of "one bad day". The next decision to be made is whether Jason should kill Joker or not. This decision ultimately has no impact as both decision lead to the same concluding decision set. I chose to kill him because let's be honestly this the path set by Jason really compliments the 2 choice options you have to make in the final one. Where Jason is confronted by Talia with a resurrected Batman who only says “Zur-en-arrh” trying to get Jason to join them but later results in a fight.

Okay there is a lot to unpack here. First: Did Grant Morrison write this? I’m asking because of how he has written Talia during his run on Batman (and how it upsets a lot of fans). You would think Talia knowing first hand what the effects of the Lazarus pit are, would she actually risk it turning the man she loves into a husk of his former self? Yes she would want Bruce to join her on their crusade against the corruption of the modern world but not if it meant Bruce wasn’t in a rational state of mind. Secondly, of all the possible Batman personas/iterations why this one?

I know they give some sort of reason near the end, but it just seemed so out of nowhere. Maybe I am looking too much into this, but if they were going to go this route, I feel like it would have been cooler to see Bruce in the Knightfall suit or have him wear a similar Batsuit that Damian wore in Batman 666.

And thirdly, you would think a fight between Jason and Bruce (where the roles are reversed, sorta) would be the most epic shit ever, but it doesn’t even last a minute it ends with either Bruce getting stabbed or knocked out (depending on which you choose). Before I go with why I think letting Bruce live is the better ending, I would like to say that when Jason kills him, Bruce sets off a bomb killing all three of them and the final shot  of Jason’s corpse is very reminiscence of that comic cover of Jason caught in the explosion. I thought it was cool.

Now the reason why, I liked the save ending (and find it to be the definitive ending for this movie)   is that Jason gives up being Redhood and works with Babs, Dick and Alfred in helping Bruce gain back his sanity.  This  ending encompasses all that was needed for Jason’s arc from becoming Redhood, to killing Joker, to his realization how wrong his methods were to being part of the Batfamily again and finally to save his father. It encompasses the idea that being Batman is more than just pain and suffering, its about hope and being able to become a better person, that your pain/anger doesn’t define who you are/can be.

Overall, I feel that this movie is a disappointing as both a prequel/sequel to Under the Red Hood. Unless you are a huge fan of Jason Todd, wait for a sale or when they release this in a collection with their other movies. The letdown for me is that certain choices have better writing than others and supporting characters aren’t used to their full potential. That being said, the idea of having different choices and giving the audience the chance to explore each of them. I hope they do this with other pivotal moments in DC’s history.

Also do the writers hate Black Mask? I get he isn’t the most popular Bat-villain but damn Sionis gets the short end of the stick in every timeline especially in the first ending of Robin Cheating death, it was so ridiculous that it is borderline hilarious

#dc comics #batman #batman a death in the family #jason todd #joker #dc animated movie universe #dc animated movies

[herstarburststories]

Batfam Headcanon: Pregnancy

✾ Request: Can I request a batfam headcanon? Batboys reactions when Kory says she’s pregnant of Mar’i. Btw love you page💕

✾ A/N: You teased me about dickkory, now you got a bible. That’s how it goes. Also, added Babs, Alfred and Bruce as bonus. And I’m glad you enjoy my work! Ps: I barely know Duke, tha’s why he doesn’t show up here.

✾ Disclaimer: Main relationship is Dick Grayson x Koriand’r. Mentions of Tim x Steph and Tim x Kon (kind of?). Check my Fandoms’ liist to see which Ships I’ll write for.

                                                  ━─┈ ✧

Dick Grayson

I'm gonna use unpublished Nightwing #30 here: he and Kory had sex when he was getting ready for the agente stuff.

Once Agent 37 is off the deal, they end up finding each other again. A bit before Dick gets shoot.

And then, as usually it is between the acrobat and the alien princess, they do it again. 

Over and over again.

She gets pregnant and finds out by the time Dick is amnesic.

Don't @ me DC would do that.

Kory flies towards Bludhaven & talks to him. It's not exactly successful. As he had said to Babs before, he didn't want his memories back. Ric was happy without Dick's conscience.

But Starfire isn't asking for her; it's about him, of course. He should be himself, he worked very hard through years to become who he truly was. But mostly, she begged him to come back because of a new addition to their lives.

Pregnant alien!!

At first, Ric Grayson doesn't believe it. Actually, part of him is aware that's true, he can feel it in the change inside his heart when he saw her; something similar to shame and adoration and excitement at once. Kory moved, talked, and seemed like someone he could love, be completely crazy about.

But he wasn't a father!

Koriand'r leaves, and Grayson is by himself again. Without his Gotham or Titans affiliates.

And, for the first time, there is no comfort in that.

He could tell she wasn't lying. Even though a part of his treacherous new mind tried to convince him otherwise.

Grayson's mind didn't know any gorgeous alien, let alone a pregnant with his child alien.

Yet, Dick felt like he had her in his veins. Just like he did with Bruce, Damian, Barbara, Donna, and the others. Tickles behind his skin, a red alarm for a memory that was long lost. But the sensation of keeping it somewhere remained inside him.

Although, when it came to the redhead princess, the warmth inside him was more intense.

Dick was going to be a father. He didn't even know his whole self and would be needed to take care of someone else. Someone small, part of him, and the legacy of the Flying Grayson's. Besides, he didn't even actually remember the mother of his kid.

didn't even remember making the kid.

He calls Bruce. Telling him to bring the antidote that Barbara was keeping if he wanted his memories back.

Not for him, not because it was the right thing, not because of everyone who claimed to love him cried for Dick to do that. Not even because of familiar senses holding into him every time he interacted with someone from his past.

But because he was going to be a father.

This decision was for his child.

When Bruce, Babs, and Damian ask why, he doesn't answer.

He remembers now, and he needs to find Kory.

It's scary, exciting, and the biggest surprise she ever gave to him-- even more scandalous than the day she fell on earth and kissed him.

A dad! He would be a dad!

Jason Todd

It all started off as an unusual ordinary day; 

Roy got himself in trouble, Jason went to help him and the little problem became a bigger situation. Roy called Kory and a few minutes later, the situation was replaced by dust and fire smell. No one died, but it was enough to make the villains leave.

In the middle of ''What the fuck they wanted?" & "Who were they?" wonders, the original Outlaws heard a familiar motorcycle's noise which made Jason huff, Roy arch eyebrows and Kory confused. 

Dick Grayson was there.

He was hysterical, blue eyes flaming with worry and relief towards Kory. Between their couple discussion and the others attempt to understand what was going on 

Were they back together? Did dick know about the outlaws' way and was sticking his nose where it didn't belong? Did the titans need kory urgently? 

Until 'pregnant' left Dick's lips, being followed by Kory's chaotic scream of "Just because I am pregnant, it does not mean I can not fight!"

Roy just had to get closer to them and explain that it would make no good to go through stressful situations, especially if he got it right. 

A deep breath would be taken, and then Dick would apologize to Kory, saying he was just really scared for both of them. She'd look at her Outlaw friends and curve the corner of her lips-- that Kory smile that translate into 'I've seen hell and chose to use its flames to warm up the cold places of my heart.'

‘’Jason, Roy. . . I am expecting a baby.’’

Meanwhile, Jason was taking off his helmet and glaring at his friends with a perplexed look on his face. Also, a slightly desire of punching Dick. Last time he had heard of their relationship, it was about both of them avoiding each other, his older brother telling him to take care of Kory and Jason calling Dick an idiot. Yeah, he had to have a chat with him later.

For now, Roy was pulling him and Kory into a group hug.

Almost felt like their old times together.

Roy: Outlaw baby!!  /  Dick: Excuse me?

Tim Drake

Okay, okay. First of all, he wasn't planning on seeing any member of his family for a quite while. Not that Tim didn't want to, he was just really running out of time. Being Young Justice's leader was a full time job, and he wanted to be excellent at it.

But things don't always pass by as they were settle to. Therefore, when a disaster happens and Conner, of all people, gets hurt, Tim is in a delicate state of mind.

Drake is smart. He knows it isn't just about Conner. It's all the small things he's been keeping since Gotham.

Not enough sleep, but a certain amount of coffee to make his hands shake when it's late enough for the sun to come out weakly. His relationship with Steph is growing with disagreements from both lives; heroic and urban. His best friend is hurt because he analyzed too much a situation instead of telling his team what to do, so they made their independent choices. A dumb mistake, the kind that Batman would be disappointed of. Tim himself was biting his own neck about it. How could he be a leader? He should be better than that.

And then, he made a call. Because of all things he might be and might not be, he wasn't Batman.

Tim had friends, and a brother that would know what he was going through.

And he knew how to ask for help sometimes.

Dick comes by as fast as possible. They go to the roof and talk it out.

"Remember that they aren't just your team, Tim," He would say, a tranquil smile on his face. It's so similar to how he explained his relationship with the Titans when Drake was still Robin years ago. "They are your family. It's impossible for you not to be affected when they get hurt or something goes wrong. But they are alive. They still trust you. They believe, and need you. You need to give yourself some credit, and do your best for them."

OF COURSE Tim is stubborn about that because Dick is Dick and he basically grew with the Titans, it wasn't the same thing. He didn't have his older brother's skills to command, communicate, etc.

It was scary.

"Yet, Tim, a lot of things are scary. But you have to keep going. For who needs saving. For yourself. For the people you love."

His tone is too sentimental, even for Dick's big brother moments.

"You need to find something to fight for. That's how you keep going, even when you make mistakes. Good news, you already have it. "

Tim: Yeah, I think so. . . You came back to the Titans? I still have access to the computers.

Dick: Yeah, no. Kind if. It's complicated.

Tim: "Complicated? Like. . . Alien kind of complication?"

Dick: "You should know about that, huh?"

BLUSHING, STUTTERING TIM. Cutting it because I already mentioned Steph, but I couldn't miss this opportunity ok.

Dick just laughs about it.

"Starfire isn't complicated, but yeah. We are still deciding if we will keep in the Titans or if we are going to Bludhaven for now."

"It sounds serious, even permanent."

"As permanent as a baby can be."

HHSHHSUSJJSIUSIE

BABY?

IS SHE PREGNANT??

Yeah, Tim was pretty wake, and shaking, and his brain felt like burning right now.

OH MY-- DICK

He was going to be a FATHER.

"YOU ARE GONNA BE A PARENT!"

But then, Dick was the older one and the best with kids.

"WAIT, SHE WILL BE HALF ALIEN. An hybrid. In nature, two different but similar species can procreate, but their kid can't have kids. Do you think--"

"Tim, calm down. Can you at least give me congratulations before talking about my unborn child's probable infertility?"

Damian Wayne

He knew Kory and Dick had been seeing each other again.

Therefore, making one of them notice his presence before showing up was necessary.

He didn't want to accidentally see profanity between his brother figure and his team's current leader, thank you.

After an obvious noise, he got in Dick's apartment.

As expected, Starfire was there.

She was standing up, and Grayson and looking at her tearful, while holding her belly.

It wasn't possible.

Grayson wouldn't be that irresponsible, would he?

Of course he would.

" So, I supposed Starfire either has a deadly bellyache, or you two are procreating. "

He is mildly fearing that Dick won't have much time for him, but that's a matter for another time.

BONUS!

Bruce Wayne and Alfred Pennyworth

Dick visits the manor with Kory someday.

He had to give the news or Batman would end up knowing anyway.

Honestly, it wasn't about that. He actually wanted to tell Bruce about his baby.

Alfred was there when they exchanged greetings, politely as usual.

‘'We are having a baby.'’

Listen, Bruce knows how to keep his emotions under his skin, but his eldest son being a father?

This must be the most real expression he has showed in years, and it's full of emotions; he is content, and surprised, and worried.

Some would say that Alfred was tearfully, but kept his posture. Master Bruce really made it. Obstacles, of course, even more than necessary at times. Yet, he was going to be a grandfather, and master Dick was becoming a father.

Gotham had a sunny day for once.

Barbara Gordon 

If it's not Kory and Babs' baby, she will be aunt Babs

Something happens, help becomes needed.

Nightwing shows up in the middle of the combat, he was in Gotham to talk to Bruce & Alfred & Damian, anyway.

Batman dispersed him, though.

And Batgirl was confused by Batman's choice, especially after listening to his explanation:

"Nightwing, this is more dangerous than our usual job. I will take Robin and Batgirl. You have more urgent thinks to be taken care of. "

The dynamic duo leaves and there is just two long time friends. 

It doesn't take a half second for Barbara to notice Dick hiding something.

Sigh, sigh, sigh.

"All right, Dick Grayson. What did you do?"

"Apparently, a baby."

????????????

"He has been ditching me since he learned about Kory's pregnancy."

"KORY'S WHAT!?"

"You didn't even tell me you two were back together!"

"You lost your virginity to an attractive alien and now she is pregnant with your child. That is. . . Surprising."

"I am really happy for you, Dick."

"Thank you, Babs. . . You know what? Maybe it's time to actually introduce you to Kory."

Communicator ringing.

"After I take care of something. Go home, dad."

#dickkory #dickkory imagine #dickkory headcanons #dickkory headcanon #robstar #robstar headcanon #robstar headcanons #dickkory family #mar'i grayson #dick grayson headcanon #dick grayson headcanons #dick grayson #kory anders #koriand'r #starfire #dick grayson x kory anders #batfamily #batfam #Batfamily Headcanon #batfam headcanons #batfamily headcanons #batfam headcanon #batboys headcanons #batboys headcanon #batboys imagines #batboys #jason todd #barbara gordon #jason todd headcanon #kory anders headcanon

[bigskydreaming]

Part of the reason I lean so hard into the juvie origin for Dick in particular, as well as why his cop storyline pisses me off so much in light of that (given they were both the work of the same writer and wtf, why would a kid who got screwed so massively by the system ever grow up wanting to become PART of it? even to ‘fix it’ given that would require still working in service to it at least part of the time, in order to move up the ladder to positions of power within it in the first place? BUT I DIGRESS).

Where was I? Oh yeah. So part of the reason for that is because I view each of the Batkids as having their own specific metaphorical niche, based on their origins.

What I mean by that is like: the true villain of Jason’s origin and backstory is poverty as a whole. The impoverished status of his parents and his surrounding community are definitive stressors that lead directly into all the most critical elements of Jason’s origin: his father working as a henchman for various crime lords, which pretty directly loops back and into his alcoholism and abuse of his wife and son....his mother’s spiral into addiction after turning to drugs as a means of self-medicating for all the stress and shit in her own life which she needed an escape from....Jason’s own lack of options as a child seeking to support himself on the street and with petty crimes, as well as his unwillingness to put his faith in foster care or any adults in general, given how they as a whole tended to look at him, specifically due to his impoverished background and thus making assumptions about his intellect, potential, and overall ‘value’ to society.....

Jason is who he is as a character for a variety of reasons, but none moreso or more directly than the poverty that acts as a direct anthropomorphized antagonist for him....and thus, is the focal point of where Jason directs his attention and his own antagonism as an adult. When Jason seeks to take control of crime in Gotham, when he targets drug dealers, etc....its really the deliberately inflicted and perpetuated impoverished state of Gotham’s lower class that he’s combating. And that works perfectly for Jason as a metaphor and a character direction, and gives him a clearly defined niche in the Batfamily.

Then we have Tim, who I would argue has an origin and backstory defined by the apathy of the upper class as an antagonist, and thus, the perfect metaphor for him and his character direction. The self-centered tendencies of his parents, his history of neglect and the necessitated self-reliance and independence it instilled in him from a very early age - which could have very easily turned him into a copy of his parents, with that self-sufficiency turning into a mirror of their self-centeredness and repeating the cycle if he hadn’t actively broken the mold with his actions by seeking out Batman and picking him as someone, ANYONE to try and help, rather than focus entirely on himself and his own needs....and in near adulthood, Tim has become someone whose chosen focus tends to be on trying to repurpose his wealth and resources for the good of all of Gotham...essentially, the very people that for so long his parents and fellow upper class ignored and exploited.

Of course, Tim is still a product of his background as much as he’s aware of the flaws in it, much like Bruce himself, so similar to Bruce, Tim will always look at his wealth/resources in terms of the good he feels he can do with it, which he sees as more than any good that would come from just directly giving it away. In contrast to Jason and Dick, who come from entirely different backgrounds and have always prioritized their own more modest or otherwise-gained means of income or resources, even when investing in projects intended to help others - they look at things in terms of the good they feel they can do WITHOUT needing money, or as much money. Its the result of coming into resources from entirely different directions....which are sustained even as they then continue their trajectories in those opposite directions but now with added resources under their belts.

Cass and Damian are the two Batkids I would love to see explored more in juxtaposition and contrast to each other, because I feel they occupy very similar but opposite niches, the same as Jason and Tim represent the stresses of poverty vs the apathy of excess. Because Cass and Damian represent the two flip sides of parental expectations....BUT in their case, they start out on the same page. What I mean by that is the metaphorical antagonist of both of their origins and backstories IS the bogeyman of parental expectations taken to the absolute extreme. They both exist in at least one of their parents’ eyes to essentially be what their parent wants or expects them to be. An end result of carefully planned and executed molding of a next generation, with no real consideration for what that next generation wants for themselves.

They simply diverge in how they both break free of those expectations and the limitations built into them, and where they go from there. Damian finds his niche (or comes closest to it IMO, since I feel a lot of writers, at least lately, have regressed him from the considerable progress he made in this regard, and where and when he was his most fully...DAMIAN).....essentially, Damian is most fundamentally Damian, I feel, when he’s able to put aside what he thinks Talia and Bruce want or expect him to be...and instead simply prioritizes figuring out what HE wants to be and what that looks like, even if it ends up having no connection to the League or even Batman at all. Or at least not in the ways he always expected those connections to look like, as a result of the expectations that were drilled into him from an early age. Damian’s metaphor is pushing back against selfish parental expectations by saying I no longer care what your expectations are, they have nothing to do with me.

In contrast, Cassandra finds her niche in the fulfillment of not the expectations precisely, but the HOPES of a NEW parental figure, aka Bruce. Cassandra, out of all the Batkids, most fully CHOSE Bruce and everything he represented and offered, as much as Bruce chose her. She was the oldest of all the Batkids - except for perhaps Duke - when she met Bruce in the various continuities, and she had the maturity and life experiences to at least be able to recognize the different life path Bruce stood for and offered, as a contrast to the one David Cain had laid out for her and forced upon her from birth. So Cassandra differs from Damian in that while Damian grows the more he breaks away from the mold of Batman, Cassandra finds herself the closer she gets to what Bruce has always wanted Batman TO be, in the example he puts forth and holds up to show her that there’s more to life, to her, to what she can be, than simply what David told her existed.

Its no coincidence that she’s so often cited both in universe and out of it as one of the, if not the, ideal successor to the cowl.....not just because of how much she embodies the specific ideals and yes, expectations, that the cowl holds....but because she CHOSE that, with INTENT. Unlike even Dick, who Bruce has at times said is what he always wanted Batman to be....Cass is this as well, but Cass is this deliberately, because Bruce found her, and then he held up these ideals and convictions and said ‘this is what I prioritize, this is what I think is important’ and Cass looked at those and said yes, good, I like those, I like what they stand for, I want to BE those.....and she found fulfillment in fulfilling Bruce’s hopes for a next generation even without either of them FORCING that fulfillment on her, unlike what David did or tried to do. And that’s what makes all the difference in the world in Cassandra’s situation and in her and Bruce’s dynamic....and is a large part of the reason, IMO, that they have one of the strongest and healthiest dynamics of any that exist between Bruce and one of his kids.

Duke is a very unique niche as well. In short, the true villain of Duke’s origin is an ACTUAL supervillain....which coincides thematically with the direction of Duke’s character as a meta with superpowers himself, something that historically is pretty unprecedented within the Bat franchise, at least as far as Batman’s allies and direct family go. Bruce’s distrust of meta’s, or at least discomfort with them, is well established and longterm, so Duke represents an extreme break in tradition for Bruce, as well as having hallmarks to the sphere of thought that Batman and other vigilantes, by their very existence, bring about the existence of supervillains like the Joker and the Riddler. I’m still working out the kinks in this metaphor, tbh, in part because of how relatively new Duke is, he doesn’t have even the decade worth of content and story direction that Damian has by this point, to point to how some directions serve a character better than others....but overall, I see the most potential in Duke as a metaphor and niche in the Batfamily as like....as the Signal, he’s the embodiment of potential, once allowed to be REALIZED, rather than shied away from because of pre-existing beliefs or perspectives. Of course, the fact that Duke is black can’t be disconnected from this, which is part of things here as well....I’m not at all the best person to explore this particular metaphor to its fullest, so anyone who wants to take it and run with it more thoroughly if they see any validity in it at all, I’d very much like to see your thoughts if you ever write them out.

Which brings me back to Dick’s metaphor and niche in the Batfamily and franchise, and why the juvie origin works best for him IMO.....because the specter of Dick’s origin and backstory, the true villain even moreso than Tony Zucco himself, is the system as a whole. The way it is built and structured to exploit less advantaged members of society to the benefit of the upper class...such as the Court of Owls. Everything about Dick’s individual character direction falls pretty neatly into this chain of thinking, IMO....Tony Zucco murdered Dick’s parents, yes, but it was the system that took Dick away from his extended family, his planned life direction as an entertainer, everything he was familiar and comfortable with...and said it was for his own good, they knew best, he was better off this way. It was the system that ‘lost’ him in juvie when it was just more convenient than figuring out what to do with him, or just plain didn’t care, or due to the actions of a single racist case worker perhaps, or maybe even done at the behest of the Court of Owls in an attempt to wear away at the morality and resistance their future Talon might have to their plans for him. Bottom line is, everything about how Dick ended up where he was and on the course he ended up taking through life, is a direct result of the system’s manipulations of him in service not to HIM and what was best for him, as a member of society himself, but entirely at the whims or discretion of others.

Which is why Dick’s choice to become a cop both works and doesn’t work....I can see how at eighteen he might have briefly entertained the idea of trying to change the system from the inside...BUT it only works if the stories that result from that make no attempt to glorify or romanticize the work or character of any of his colleagues, and instead simply make him realize that he can’t change the system by becoming a cog in its flawed machinery, no matter his intentions...and that’s why he’s best served operating outside of it, as a vigilante. Bruce is a vigilante because he feels he exists to pick up the slack where the system fails, or is broken, because Bruce is someone who the system actually is meant to work FOR, and thus the times it doesn’t work that way, such as with the deaths of his parents....IS a result of a failure on the system’s part. In contrast, Dick, for all the superficial similarities in their origins, is someone who the system was never meant to work for, and IMO, Dick is best served as a character at the times and points when he’s allowed to RECOGNIZE this....and thus Dick is a vigilante for the sole reason that he’s someone who puts his faith in individuals rather than institutions. He’d much rather trust in the morality of singular people that he KNOWS and VALUES, rather than the morality of an uncaring system of bureaucracies and red tape.

And again, IMO Dick works best as both a metaphor and a character with a clearly defined niche and purpose when he targets the system directly with his actions. Whether its fighting their embodiment as the Court of Owls and their attempts to exploit him, or pouring his own time, energy and resources into trying to buy and renovate the former entertainment district of Gotham and turn it into a sanctuary for impoverished Gothamites to visit cheaply as a break from their stressors (I’ve talked a lot about how similar I view Jason and Dick being, at their core, so its no surprise that I see their metaphors and niches as being so closely linked, even if not entirely the same). And of course, even if you hate Dick as a cop as much as I do, his focus there still fits what I’m laying out here, for the same reasons, its just the actuality of it that doesn’t work as intended, for the reasons I already mentioned.

So yeah. That’s my post. That was a post. This post is concluded. Man I suck at denoument.

[fyeahbatcat]

Just finished Batman: Hush the animated movie. What are your thoughts on it?

Alright, everyone. Here we go:

Batman: Hush Movie Full review

To begin, as I’ve stated here previously, Batman: Hush is a very important story to me. It was the first Batman comic that I ever read many years ago. In the sixteen years since its original publication it has undergone at least nine different editions and is still one of the most recommended and critically praised Batman stories of the modern era. It was the starting point for many people in the Batman fandom, and I still believe that it is the most pinnacle story regarding Batman and Catwoman’s relationship. The fact that it’s still so influential, nearly twenty years later, in indicative of its importance and merit.

When DC Comics announced last summer that they were officially making Hush into an animated movie I was happy, but I cannot say that I was excited. This was due to unrelated factors that were happening simultaneous to its announcement that obliterated my faith in DC Comics as a whole. You can imagine my dismay when I learned that instead of creating a direct adaptation, in the same vein as Frank Miller’s The Dark Knight Returns and Year One, they would be changing the story to fit in with their current New 52 inspired animated universe.

As anyone whose been following me for a while may have observed; I’m highly critical. I can usually find the good and bad in something and when I’m giving my take on things from my perspective it’s pretty fair and balanced. I was fully aware that the Hush movie made changes to the story and knew going in that I would have to temper my expectations, but I still gave it a chance.

Many will say that the film should be viewed on its own merit, and I generally tend to agree. If not held up to the book the movie is watchable and very easy to enjoy. But it’s an adaptation. An adaptation of one of the best and most popular Batman stories of all time. An ambitious and operatic year long event from Jeph Loeb, and one that I personally hold in the highest regards. Completely divorcing the movie from its source material is unfeasible.

With that said; as I review this movie I will be critiquing as loosely inspiredimagination of the Batman: Hush comic, and only making comparisons to demonstrate potential compromises of the story or the characters.

***Obvious spoilers ahead***

THE GOOD AND THE BAD

After many years of begging, pleading, rumors, and teasing the Batman: Hush animated film was finally released during SDCC weekend. The basic plot remained intact: a mysterious new villain named Hush targets Batman’s crime fighting career as well as his personal life, which is further complicated by his burgeoning romance with Catwoman. While making concessions that range from minor to pivotal the movie manages to be different while maintaining a degree of familiarity. All the most iconic scenes are there in one aspect or another, with only one notable exception; the Jason Todd graveyard scene.

There’s not much to say about the general plot. It for the most part, stays true to the essence of the story, while being different in execution. Most changes were traversable, while others were pointless and baffling. The first questionable change occurs early in the movie, when Catwoman delivers the stolen money to Poison Ivy; Ivy kisses Catwoman, which she does not reciprocate. In the original script for the book, I believe, that Ivy did kiss Catwoman, but Jeph Loeb was told by editorial to remove it, because it was “too much.”

It was clear in the comic book that Ivy was using her powers to mind-control Catwoman. In that context kissing her would have made more sense. In the movie the extent of her influence over Catwoman is unclear. It appears that she is blackmailing Catwoman. Catwoman’s coldness and irritation afterwards implies that she has maintained some degree of self-awareness. Her use of coercion rather than force renders the kiss pointless, and its intention to merely be salacious.

Other needless changes involve swapping out characters. Bane, for some reason, has taken the place of Killer Croc. Damian Wayne has taken the place of Tim Drake, and Amanda Waller makes a token appearance, but both proceed to only have one scene.

As Rick Austin from FortressofSolitude put it:

Some changes to the original story are surface-level questionable, making you wonder why they changed them at all – like substituting Killer Croc for Bane, for instance. Presumably it was done for recognition and name value, and barely has any relevance to the story. Huntress is replaced by Batgirl, probably for the similar reasons, but that’s more important and naturally means Oracle’s role in the story is gone. Slowly but surely, the small tweaks begin to have a big knock-on effect. Important lines of dialogue have been jettisoned, some elements have been removed and some characters replace others just to make this fit with other recent DC animated films.

The movie takes a more action/adventure route rather than a character driven mystery, chugging along at breakneck pace making several plot concessions along the way. What it does manage to improve from the book, as far as a Batman and Catwoman shipper can see, is it beefs up Batman and Catwoman’s ill-fated romance, by way of a montage depicting adorable, if at times out-of-character, domesticity that even involves matching his and hers robes. Its inclusion was more fan-servicey than plot driven, but the ship isn’t doing well right now so I’m not about to complain about that.

What I will complain about isn’t what was added to the romance, but what was excluded from it. The film cuts out all the most important scenes that demonstrate why the dynamics of Batman and Catwoman’s relationship works for them. Yes, we get the rooftop kiss that has graced a thousand screensavers and Batman ultimately making the decision to reveal his identity to Catwoman, but everything in service of Catwoman’s perspective are removed entirely.

The scene from the book when Catwoman admonishes Batman for saving her instead of going after the Joker after she is shot at the opera, is changed to Catwoman merely telling Batman to go after Harley Quinn.

If you ever choose to rescue…me again over catching the bad guy…I swear I’ll scratch your eyes out. I’m not some kid you took in and trained.

This scene is important because this is where Catwoman affirms how she sees herself in this relationship: she is Batman’s equal and she expects– demands– that he treat her as such. These changes seem benign at first, until it becomes clear later why they were made. More on that in a bit.

The original script for Hush also included a tasteful post-coital scene that was ultimately cut by editorial. The scene makes its way back into the movie in lieu of some of the more emotionally intimate moments, like Selina dialoguing with Alfred in the bat-cave. The dialogue also fails to compensate for this. Batman and Catwoman’s pillow talk topic include how Batman used to think Catwoman was a kleptomaniac.

“You were beautiful, intelligent, and brilliant,” he tells her. “I assumed if you were stealing it was because you couldn’t control it.” I see this come up in fandom every now and again, and Catwoman cannot be a kleptomaniac because kleptomania is an impulse control disorder. Catwoman steals for profit and executes elaborate premeditated heists. I can see why other people would make that mistake, but the world’s greatest detective should have more cognizance.

Most of the changes to film are surface-level and trivial, but where the movie majorly fails is when they attempt to fix things that weren’t broken to begin with.

The most major change doesn’t occur until the final act of the movie when it is revealed that Hush is actually the Riddler. At first, I thought this was a misdirect, but no. The Riddler is really Hush and Tommy Elliot was just a plot device, and he is really dead. Like in the book, Riddler gained knowledge of Batman’s identity while in the Lazarus Pit, and decides to take revenge by going after Bruce Wayne’s friends and loved ones.

This change is nonsensical and renders Tommy Elliot’s role in the movie essential meaningless. He is a mere plot device, a shamefully underdeveloped plot device, intended to provide Batman with angst. Villains targeting Batman’s loved ones is all too familiar occurrence, but audiences barely get to know Tommy long enough understand the depths of Batman’s grief and mourning.

As I’m sure all of you are aware at this point that in the book it is revealed that Hush is Tommy Elliot. Substituting Tommy for Riddler diminishes the impact of the reveal and Hush’s motivations. Tommy, Bruce’s close childhood friend, has a personal vendetta against Bruce. He uses his friendship, familiarity, and access to Bruce Wayne to attack him both personally and as Batman. It also complicates Batman’s relationship with Hush as a villain. The Riddler being Hush is just a theatrical Gotham villain pretending to be a different theatrical Gotham villain for no reason whatsoever.  

Towards the end of the movie Riddler kidnaps Catwoman and tries to kill her in an elaborate trap. Since Bruce was damseled early in the movie, I didn’t so much mind that they did the same to Catwoman. I like that Batman and Catwoman can depend on each other, and it demonstrates a degree of equality in their relationship. However, while Batman was only incidentally damseled for maybe 60 seconds, Catwoman was subtly threatened with rape for intervening on his behalf and later got the full-on woman-tied-to-railroad-tracks-treatment. Predictably Batman shows up and saves the day.

THE UGLY

Batman: Hush made several missteps that I was willing to overlook, and almost got through its entire 82-minute run time before doing the only thing that I considered truly egregious.

After the ensuing fight the building begins to collapse and Catwoman leaves Riddler to die, after Batman attempts to save him. Batman argues that they could’ve saved Riddler instead of letting him die. Catwoman becomes angry. “You’re crazy! You’re absolutely insane,” she exclaims melodramatically. Batman and Catwoman decide that their moral differences are too stark and break up, but leave the door open for the future.

This is where the movie took an unexpected turn for the worse. This is where the reason why so many changes to Catwoman’s character becomes clear.

Batman goes out as the voice of morality and looks like the hero, and Catwoman is completely thrown under the bus to make it happen.

Early in the movie during the famous battle of Metropolis when Superman is under the influence of Poison Ivy, Catwoman throws Lois Lane off a building to snap him out of the spell. Later when Superman is out of earshot Batman tells Catwoman that throwing Lois off the building was not part of the plan and that he did not approve of her methods. In the book it was Batman’s idea to throw Lois from the building. This moment frequently makes appearances on Worst-Things-Batman-Has-Ever-Done lists on comic sites.

During the opera scene Catwoman attempting to stop Batman from killing the Joker in a fit of rage was also cut. Here it was Batman who was acting morally questionable, and Catwoman was the reasonable and morally righteous one, so to speak.

These, along with Catwoman allowing Riddler to die, are intended to make Catwoman seem like she has a cursory attitude towards killing, when that couldn’t be further from the truth. All of this inevitably shifts all the blame for the relationship not working out on Catwoman. Catwoman’s flaws are irreconcilable while Batman is the blameless voice of reason. This is abominable at best, and sexist at worst.  

The book ends similarly and yet profoundly different. Upon the announcement of the film some people were hoping for the ending to be changed to something presumably happier for Bruce and Selina. In the book Batman and Catwoman break up, but under much different circumstances.

I personally feel that the ending to the original was appropriate for the story. Batman sabotages their relationship pushes Catwoman away because he realized was not ready for the vulnerability required in that type of relationship, It ends  on a bittersweet note. Batman and Catwoman can have a relationship “someday.” All they need is a little more time, and it’s Batman who need to be a little bit different.

Even as things end Loeb simply and perfectly sums up why Batman and Catwoman work:

We are who we are. That’s why this works.

The film makes fundamental differences, that can only be remedied by Catwoman changing herself, are the root of Batman and Catwoman’s relationship dysfunction.

The changes to Catwoman’s character occur only to justify the ending. The filmmakers went to great lengths to villainize Catwoman to make it seem like it was all her personal shortcomings that ended things instead of Batman’s to make him seem more heroic. It relegates Batman and Catwoman’s relationship  to a tool to demonstrate Batman’s inflexible moral code.

To add insult to injury, as Batman and Catwoman’s relationship comes to an end, Selina tells Bruce bitterly that she changed herself to be with him and was willing to continue changing. This robs Selina the agency of having reformed on her own, in a film that has already diminished much of her voice and independence.

It’s almost laughable that Selina once told Huntress that reforming was worthwhile, “as long as you’re doing it for yourself, and not for what someone else thinks of you,” in the same book the movie was based on.

Some dude (and it’s a dude; I checked) read the book, saw this panel, then decided to have her say literally the opposite. I wish I was making this up.

On its own the Batman: Hush movie is watchable. The casual viewer and batcat shippers alike can easily find something to enjoy. But watchable is a low bar to pass when based on one of the most popular Batman stories of our era. What should have been an exceptionally easy recipe for success did not exceed the bare minimum. It’s drab, bland, and dark animation style does not hold up to Jim Lee’s iconic penciling or Scott Williams’ colorful fills. The changes to the story are generally acceptable, until the final act of the movie when things go off the rails.

Ultimately the movie exceptionally fails at capturing the dynamics of Batman and Catwoman’s relationship, trading in much of the depth and intimacy for shower sex and pet names. On its own Batman: Hush stands as a mindlessly entertaining adaptation, loosely inspired by a Batman story of mystery and intrigue. Held up to the source material, it’s a pale and grotesque imitation.  

#ask #blackbatpurplecat #batcat #Batman #Catwoman #Bruce Wayne #Selina Kyle #personal note #review #long post #batman hush spoilers

[acefrogmonarch]

Oh

Okay so it's A/B/O dynamics with Daminette.

Doing a poll on twitter, if you can’t join that’s fine!!

https://twitter.com/segajr15/status/1189974150766563328?s=20

You can say it on here if you prefer. Doesn’t have to be smut, can just be the dynamics and stuff.

Beta Mari turned Omega. Alpha Damian.

Mari and Dami have been dating for years. No unexpected heats, no fated pairs. Everything was turning out great. Except for the occasional villain running amok. Everything was bliss. Almost everything.

Mari had gotten heat one evening. The rest of the alphas reacted to it in the house and Damian was out on Robin business. Alfred kept the boys in check as Marinette shut her self in Damian's room. The rest of the boys went to the Batcave or left altogether.

Mari was family, she always was. It frightened them how easily they could of- Jason and Tim left. They were keeping Mari safe by staying away. Instead of worrying about their baby sister, they suited up as their alter-egos and went on Patrol.

'This was for the best.'

Back at the Manor, Bruce went to the Batcave and the cage. Alfred called Damian to let him know about the situation. Alfred was the only beta in the family, but even he was struggling to not get lost in the pheromones. 

Alpha Mari, secret Omega Damian.

Damian prided on himself on being an Alpha. He grew up understanding that he was superior to everyone around him. On patrol, no less. He found his other pair. Just not in the way that he imagined it.

When that small petite French woman made him fall to his knees. He truly understood his position in the world. At the bottom of the barrel, the bottom of every shoe. Damian hated that more than anything more in this mortal realm. He could live his life as an Omega, that was fine.

But the expectation around him would go down. They would think he was w e a k. That was what he hated. He wasn't weak, fragile. He wasn't a regular omega. Lost in thought, Damian didn't notice the girl that helped him. An alpha, helping him.

"Let go!" Trashing away from her hold, Damian landed on the floor. Struggling to breathe, he groans at the heat that comes off him. "You have your heat, please let me help." Glaring up at the woman next to him, Damian growled. "I don't need your help, Alpha."

The woman held out her arm and bite into it, the crunch from her arm echoed in the Alley. "I'm not going to do anything. If I can still command my body, then I can still help." Damian shakily stood up, holding himself up on the wall. "Just go away."

True Alpha Dami. True Omega Mari.

Marinette didn't let her Omega side of her stop her. She never did, not when was Ladybug, not when it was used against her. Rather it was her heat or her secondary gender in the workforce.

She paired with Adrien, finally bonded with him after all these years. No drama, no other girls. Just the two of them in a relationship. That didn't last long, Marinette's unwilling drive to get pups clashed against Adrien's desire to have some.

He was, unfortunately, an Alpha. But that didn't stop Marinette's mood. After learning of the recent Achievements in the Medical Industry, she could chemically break the bond with him.

Granted it cost a lot and it was very painful, and her heats would come back. It was better than the alternative of staying with Adrien, that kept forcing her heat and 'punishing' her out of-

Definitely better than right now.

Alpha Mari, Alpha Damian. 

Marinette didn't like her Alpha part of her. The controlling, animal side of her. After graduating from Dupont, Marinette continued her dream of being a fashion designer. Getting a job as a rookie designer was, a dream come true!

But Marinette's parents didn't seem to think so and signed her with a marriage agency. Marinette didn't find out until she was given a portfolio of an Omega.

"No." Marinette slams the portfolio on the coffee table where her mother was sitting, sipping some tea and having a midday snack. "Marinette. You're a young alpha that needs a pair."

Marinette was fuming, she worked so hard to get her job. To get past her old shitty classmates. "I'll decide when I want a pair. When I want pups!" Marinette let out a snarl and notice her Maman quiver in fear.

Letting out a sigh, Marinette calmed down and hugged her mom. "I have my own life, one that doesn't revolve around a Family right now." Marinette's Papa raced up the stairs at the sign of his distressed wife.

"Is everything alright!?" Slamming the door open, Marinette turned to her father. "Yes, Papa. We were just talking about marriages.I'm not going to get a Partner." Tom stared and then knelled down.

"How about this. You take an alpha."Marinette stared at him. "But I don't want a Pair." Tom shook his head. "You're an independent woman Marinette. One that doesn't need something to depend on them and an Alpha would work best." Marinette opened her mouth to protest but it came out as coherent sounds.

"Just one, just one date with an Alpha." Marinette grimaced at the thought. "Fine. Just one! No more and no less." Tom smiled and patted Marinette's back. "Just one."

Across the world.

Damian couldn't believe his rotten luck. He's tried agencies all around the world and all they ever game him were weak Omegas and useless Betas. Maybe he should try his luck at an Alpha.

Thanks from someone on the discord for pointing out that I forgot A/A.

#a/b/o dynamics #Sorry #Maribat #Iregertnothing #I know i spelled that wrong #Marinette x damian #Damian x marinette #daminette #maridami

[yourdailykitsch]

Taylor Kitsch on '21 Bridges' and Taking Pride in 'John Carter'

The actor, who has experienced ups and downs, notes his high-profile Disney flop has had a "mini-resurgence" in recent years: "People stop me all the time for that."

[This story contains spoilers for 21 Bridges]

Taylor Kitsch takes everything in stride — including his career. The 21 Bridges star became an overnight sensation in 2006 via NBC’s critically lauded TV series Friday Night Lights, whose devout following refused to let the football drama die after each underviewed season. Because of his breakout role as fullback/running back Tim Riggins, Hollywood quickly created movie star expectations for Kitsch, but once his first two blockbusters, John Carter and Battleship, vastly underperformed at the box office, Hollywood quickly threw the baby out with the bathwater. Fortunately for Kitsch, he soon found his footing with a string of well-reviewed performances including HBO’s The Normal Heart, Lone Survivor and True Detective.

While Kitsch couldn’t control the expectations placed on him, he appreciates the ups and downs as well as the continued opportunities to jump back and forth between leading man and character actor. In his latest movie, 21 Bridges, Kitsch plays a supporting role as Ray Jackson, a war veteran and small-time criminal who’s being hunted by veteran police detective Andre Davis (Chadwick Boseman). Soon, Kitsch will return as the lead in Neill Blomkamp’s Inferno.

  “I could honestly give a fuck if I’m fifteenth on the call sheet or first,” Kitsch tells The Hollywood Reporter. “I see myself as a character actor first, and it really boils down to that. I love coming in and playing a flashy guy like Ray and supporting Chadwick… So, I have no problem doing one scene if it’s something worthy or something that makes me uncomfortable.”

Oddly enough, Kitsch has noticed a recent resurgence for Disney’s John Carter, one of the films that didn’t meet box office expectations.

“I think it got another life when it went on Netflix not long ago… People stop me all the time for that, especially in Europe,” Kitsch says. “Maybe, at the time, it was more of a knee-jerk reaction of ‘let’s see how we can bury this and everyone that has a part in it.’ Over time, I think you take a breath and understand that it is what it is... I guess people who watch it now for the first time can take a lot more away from it than people did at first… I learned a ton on that movie. I honestly don’t see it as a failure.”

 In a recent conversation with THR, Kitsch also discusses his upcoming lead role in Neill Blomkamp’s Inferno, his memories from the series finale of Friday Night Lights and his experience on True Detective season two.

 My favorite part of movie robberies is the mask choices, and in 21 Bridges, your character, Ray, wears a skull bandana of sorts. If you ever performed your own make-believe robbery, what would be your go-to mask?

 Ooh. It’s funny because I do it in Savages as well. There was a long debate — and no one knows this — but we were going to wear old man masks. We screen-tested it, and I was just hoping that [Oliver] Stone would go for it. But, they went away from that, obviously. I would probably do something more enveloping — more like a full head thing. The old man mask — I was dying laughing in it. It’s a little more self-deprecating, and maybe a fuck you to whomever is coming after you. I’d probably go in that kind of direction. Point Break had all those President masks, and that was a lot of fun because you’re along for the ride.

 It seems like there’s less and less crime drama these days — at least on the big screen. Do you also get that sense within the industry?

Without a doubt. I notice it with scripts to be honest. It’s the stuff that I grew up on. This is kind of an ode to those thrillers: the Heats, the Serpicos, the Dog Day Afternoons, the Mean Streets. Obviously, I’m not comparing it to those classics, but I think we all know the game has changed with the studios and their direction. I think I’m doctoring up the stat, but I think 21 of the last 22 number-one movies have been superhero, or sequel, or prequel, or something like that. Original content from major studios is getting rarer and rarer to hit theaters. Hopefully, this does well, and we can keep making these types of movies.

There's the cliche that villains or antagonists think they're the heroes of their own story. Actors are also taught to not judge their characters. With that in mind, did you find a way to humanize Ray Jackson even though he’s one of your most ruthless characters?

I think you have to. You have to erase your own judgements like you said. It’s imperative to go in with a clean slate as much as you can. That loyalty with Stephan James’ character, Michael, is a beautifully tragic thing for Ray, and that was my hook into it all. He is a stone-cold killer, but for me, personally, he’s willing to literally die out of loyalty to Michael and the guilt over losing Michael’s brother overseas. There is humanity, and it is gray. You’ve gotta tip the hat to Brian Kirk, our director, as he really gave me the reins and that responsibility to go there with him. We reworked it a bit to infuse that. If Kirk called me and said, “Your character just kill cops,” literally anybody could go do that role. You always want to make it as deep as you can. That’s why we do this.

Ray also reveals he’s in recovery at a certain point in the film. Besides loyalty and guilt, was that character detail another major draw for you since it gave you something else to play?

It was everything. It starts with this stone-cold guy that you don’t think is gonna crack, and to see that, to understand that and to relapse because of the circumstance, that is everything. The scene at the vault was a pivotal scene — to see him start to unravel. He also mentions the loss of Michael’s brother in this moment. This guy is human, and you have to show that.

My screening was so loud that I couldn’t hear Ray’s final line, but it seems like he died trying to take all the blame off of Michael. Before giving your thoughts on his death scene, do you remember the final line?

Of course. It’s “Michael, he’s not like me.” That was two takes. It was one of the last scenes and my only scene with Chadwick (Boseman). That’s literally his last breath. Thankfully, we shot that later in the shooting schedule. Kirk and I really worked on that in the script: what would he say, how do we want to end him and make this an earned beat in the film, especially for Ray. We really didn’t rehearse, but we talked about that moment when I signed on and then we reworked it to that. There was a little bit of luck with Chadwick’s character in that moment, which really grounds it. I think he was gonna lose that gunfight if that innocent guy doesn’t come around the corner. Ray was just trained on those steps. And, just as important, the moment where he lets go of the woman. He’s dying, and he knows it. Ray dragged his hand across a handrail and wall so that Chadwick would follow his blood, giving Michael more time. That’s why Ray told Michael they had to split up; Ray didn’t want to tell him he was gonna die.

You've handled weapons in plenty of past projects. Did you have to do weapons training again, or have you maintained those skills over the years?

You always want to press the refresh button. A lot of these weapons are different as well. It’s repetition, repetition, repetition. I feel I have a good base for it. I feel very comfortable with it, but I don’t really handle weapons unless I’m working or the job calls for it. I don’t do a whole lot of that when I’m at home. I just practice those reloads, learn how to unjam and all those kind of things. You want to be comfortable, and you want it to be a part of you so you don’t even think about it while you’re working and in character. It’s a great tool to have.

Do you ever try to avoid using the same style or moves as Lone Survivor’s Michael Murphy or True Detective’s Paul Woodrugh?

To be honest, I’m not that conscious of it. The characters are just so different. I had the same Navy SEAL teach me the handgun stuff and the M4 stuff — from Lone to True. They just say, “Slow is smooth and smooth is fast. Take your time. You’re in no rush. Make sure you have the target before you shoot.” I think it’s more what’s behind the eyes in that sense. The movements are usually pretty similar if you really train with a gun. Certain people may have their own movement, but SEALS or police officers know the second you pick up a gun if you know what you’re doing or not.

  Is 21 Bridges the most night shoots you’ve ever done?

I did a series [Shadowplay] in Europe right after this, and we did a crazy amount of night shoots on that. I don’t wish it on anybody. You literally kind of lose your mind. When you’re a month in, your off-days are messed up because you don’t want to screw up that pattern. You’re doing these scenes at 4 or 5 in the morning. You go to bed at 9 a.m. and you’re up at 2 p.m. or 2:30 p.m., hopefully you can work out first. Then, you’re on set rehearsing the scene during the daylight, and the second it gets dark, you’re shooting it. It’s tough on the crew; it’s tough on everybody. It’s obviously a huge part of this movie since it takes place in five allotted hours. So, you know what you’re signing up for.

When it comes to shooting on location, do you prefer shooting all over a major city, or are you most partial to remote locations around the world?

Whatever suits the script. I will take locations any day of the week over a fucking studio. I’m not a huge fan of studios, but I understand you have to use them. 21 Bridges was all on location, and I love that. It just puts you in the moment, and you’ve got all these factors that you probably wouldn’t have to deal with in a controlled environment.

You're an actor who can be a leading man and a character actor as needed. When making choices at this point, are you less concerned with the type of role as long as the writing, cast and filmmaker are compelling?

Obviously, I’ve had great lows, great highs and this and that. I’ve worked with some amazing people. That’s always been the target — just be scared, be uncomfortable and take risks. My next one with is with (Neill) Blomkamp, and it is the lead. My character is basically in every scene of this movie, but the character and the tone of this is what draws me. I could honestly give a fuck if I’m fifteenth on the call sheet or first. I see myself as a character actor first, and it really boils down to that. While kind of impossible, if David Koresh was seventh on the call sheet, I still would’ve done Waco. I love coming in and playing a flashy guy like Ray and supporting Chadwick, a guy who’s been doing great work and is an even better guy. So, I have no problem doing one scene if it’s something worthy or something that makes me uncomfortable.

Jumping back a bit, I’ve heard a surprising number of people celebrate John Carter in recent years and how it deserved a much better fate. Have you noticed how well Carter has aged?

 I think it got another life when it went on Netflix not long ago, maybe a year ago or something, but, yes, to be blunt. People stop me all the time for that, especially in Europe. It’s had a little mini-resurgence. Maybe, at the time, it was more of a knee-jerk reaction of “let’s see how we can bury this and everyone that has a part in it.” Over time, I think you take a breath and understand that it is what it is... I guess people who watch it now for the first time can take a lot more away from it than people did at first. It’s always flattering, and I learned a ton on that movie. I honestly don’t see it as a failure. I have great memories from it, and I still talk to a bunch of the cast. It is what it is, right?

True Detective has helped fill the big screen’s crime drama void, and I actually enjoyed your season from an actor and character standpoint. Was that a great experience regardless of how it was received?

Yeah, it was. I still check in with Nic once in a while to see how he’s doing. Selfishly, probably, because I’d love for him to write me something. (Laughs.) Going back to that first beat, these noir movies or shows aren’t really getting made much, and Pizzolatto is a beast. I’d work with him again in a heartbeat. I loved his process. I watched True Detective Season One, and I remember saying, “This is the kind of stuff I want to be a part of.” Obviously, it worked out, and I’d do it again. But, yeah, I’m a huge fan of Pizzo, and we got along incredibly well. I’m still grateful for that opportunity.

I’m not gonna ask you about a Friday Night Lights reunion or revival since you’ve been pretty consistent about not being interested.

Right. Thank you.

Since the finale is where you’d prefer to leave things, what do you remember most about those final couple scenes of yours with Adrianne (Palicki) and Derek (Phillips)?

 It was sombering — metaphorically, literally. Doing that sunset scene on this house they were trying to build is such a metaphor. I like that they left it open, and that’s very FNL. We made the audience work for everything, and I love that process. I try to keep that with me in everything I do. It was just a beautiful moment, and you’ve gotta tip your hat to [showrunner] Jason Katims. He was really receptive to our ideas and applied a few of them. I’m still best friends with Derek Phillips, who was obviously Billy Riggins for five years. He actually came to Prague and visited on my last gig. I’m a big supporter of his, too. We laughed a lot, but it was just sombering, not just with that scene, but because it was over. It was a 5-year run against all odds. I don’t remember a day where we weren’t being told it was going to be canceled. I think we ended up on 25 networks, on 16 different days and at 12 different times. (Laughs.) That allowed me to just enjoy the process because it can be taken away from you in a minute.  

Is there a Friday Night Lights cast group text?

No, we’ve moved forward. I'm still in touch with (Kyle) Chandler, Connie (Britton), Derek (Phillips) and (Jesse) Plemons. I wish everyone all the best, and it all ended on great terms.

You touched on it already, but how did Shadowplay go?

Well, I think. I’ve seen a baby teaser of it, and it’s beautiful. I love that period piece. Nina Hoss is one of the best actors I’ve ever worked with. The cast is great including Mike C. Hall. It was a long shoot; we were all just exhausted, but I can’t wait to see how it turned out.

What else can you say about Neill Blomkamp’s Inferno?

It’s about a guy who loses everything and will do anything to get it back. There’s some beautiful undertones with addiction and immigration. It’s something that I can’t wait to dive into. It’ll be very challenging; it’s emotionally raw.

#taylor kitsch #21 bridges #Shadowplay #infero #friday night lights #True Detective

[badlydrawndrawnings]

That’s it I QUIT -Third Semester Round Up Edition

With Third Semester Info finally out due to Tim Barry deciding to come back from his power sleep

We got lots of spoilers

And I’m going to be FREE after this post.

No more posting spoilers myself. I’m just gonna enjoy the sweet ride to the new ending and see what people have to say because I accidentally ruined my own sleep schedule and got tired of the chat lol. These are just brief translation that are probably off (all done by translators in the stream btw)

We got endgame spoilers, so go with caution if you want to know them. 

12/24

So Sae is about to send Joker’s ass to jail when 

Surprised Mother F*cker! Goro is alive! It seems Tim Barry’s back tracking did good after all! Joker asks if Goro is real, and Goro is all, “yeah I’m real’. And Goro roughly says he’s going to accept that Shido’s sins are his and he’s going to jail in Joker’s place

It also seems you can’t please all the haters bc they think he’s still better off dead (bruh if he’s dead how you think we even got joker playable in third semester).

12/25

So there’s a Christmas Party, and Morgana comes back in his cat form. It’s pretty much like canon

12/30 and 12/31

Akechi is in jail (for what crimes I don’t know), and because of his testimony against Shido, the woman who Joker saved comes forward (I think). Joker is now free of his false crime. Kasumi is there.

So on the night of the 12/31, Joker has a dream about Shujin. It’s very Persona 1 like. The school is dark and empty. There’s a blue butterly, and Joker follows it around. Voices of the PT members can be heard talking about their wishes

1/1

New animated cutscene with Kasumi. The Gang celebrates the New Year.

By the way, Human!Morgana’s looks isn’t what curse. It’s his voice.

IT’S STILL THE SAME VA AND LEAVES A JARRING AFFECT.

We also get to meet Kasumi’s dad and there’s something off about him

To where she sense it as well

1/2

Wakaba is at LeBlanc eating with Futaba and Human Mona is there.

Surprise Mother F8cker! 

Goro walks in. He takes in his surrounding, and he and Joker speak in private. Turns out Goro suddenly got release from jail for no reason, and that tipped him off lol. So they talk about the dream world, and Kasumi calls Joker, and the two head of to meet her at the construction sight.

After three damn years, Goro -since Kasumi is confuse why he’s there- tells her he is not a Phantom Thief. But he is helping them. Kasumi called Joker because she realize that yeah, something is off and think there’s a Palace there.

The trio enter the Research Facility Palace and Goro is in Black Mask mode. Kasumi ask why, and he tells her he doesn’t feel the need to be the detective prince. As a result, we must press F for Robin Hood (for the time being. Who knows if he’ll show up again).

So they investigate and fight Shadow. Tim Barry was able to get an All out Attack with Goro. I decide the truth is in fact, real.

As a humorous moment, because Goro is now allowing himself become more feral, Kasumi ask if he’s like this. The chat made Tim Barry pick option 2: This is his true self.

Anyway, they run into a screen that shows Kasumi’s father talking to his dead daughter, aka, Kasumi’s twin. Something is said, but I have no idea what is translated.

Kasumi starts to feel off herself, and

Oh hey we see Kasumi on some stand? Why is your hair kind of brown? Why do you have a beauty mark on your face? Serious did you-

Who the hell is Sumire (I think that’s the spelling)? Isn’t that the dead twin?

(Where did Harumi came from?)

The trio continue to go further into the Palace and-

OH HELL NO!

In the strangest twist, the Paalce Owner is in fact, Takuto Maruki.

But it’s not his Shadow Self. IT’S THE REAL TAKUTO MARUKI. HE HAS ENTER THE METAVERSE HIMSELF AND CREATED A NEW REALITY AND PALACE FOR HIMSELF.

My god. I’m getting Persona 1 and Kandori flashbacks. Anyway, Takuto had no idea he even made a Palace until Goro tells him. So it turns out Takuto is something of a well extreme villain antagonist. The reason he’s been playing GOD is to keep Kasumi’s happy and free from pain of reality.

BECAUSE THAT AIN’t KASUMI THAT’S SUMIRE PRETENDING TO BE KASUMI.

It turns out, Kasumi was the oldest of the twins. She’s pretty much the cheerful girl we see from Sumire- as Kasumi. The real Kasumi was so much better than Sumire in gymnastics, and it create a lot of self inferiority complex on Sumire. It got to where Sumire wanted to be Kasumi, and somehow Sumire decided to run into traffic while it was raining.

The real Kasumi saved Sumire and died as a result. 

Upon remembering, ‘Kasumi’ de-transforms, and appears as her frumpy self. Talks happens, and I don’t know what was said for much of this because the chat was spamming too much. Apparently Sumire was an experiment of sorts (YOU’RE A MAKI AND MANGA!BOY WITH EARRING/NAOYA CLONE FUSION) and her own cognition/mask of herself was change for this ‘switch’ to happen. 

Goro finds everything about Takuto’s research and plan terrible and hates it. Takuto feels sad Goro feels that way (well maybe if Takuto got Goro’s damn dream he would be on board with it lol). 

So Sumire, wanting to still be Kasumi, agrees to go with Takuto. Takuto says Sumire won’t be harm (because again, he actually does care for her), but Joker doesn’t agree with it. So a boss fight happens, and we get Joker and Black Mask Crow’s showtime.

It’s in the rain and on a city rooftop. Goro is just on a blood spree and Joker shoots with a gun.

So they get expell (?) from the Palace and Goro is all like ‘well we can’t talk down the guy with just the two of us we need more help’. This is the part of Goro’s trailer where he’s all ‘you can hang out in dream world if you want’ in that disgusting tone.

And then I left the stream because I got sick and tired of the chat lol. Last thing I saw was Joker visiting his friends and their ‘dream that became reality’.

#persona 5 royal spoilers #persona 5 the royal spoilers #p5r spoilers #spoilers #goro akechi #kasumi yoshizawa #endgame spoilers #this is a text post

[letterboxd]

Divas.

“You have to know what you’re willing to fight for or die for.” Angelina Jolie goes head-to-head with Michelle Pfeiffer in the Maleficent sequel, Mistress of Evil. The megastars talk to Letterboxd about their new Disney blockbuster, their favorite villains, and learning to let go of your children.

We haven’t done specific data on this, but it’s no secret that, from Tinkerbell and Wendy to Mother Gothel and Rapunzel, Disney in particular excels at pitting women against each other and messing with concepts of motherhood. Times change, however, and in 2014, with Angelina Jolie in the title role, the studio’s live-action blockbuster Maleficent revisited the Sleeping Beauty fairy tale, taking a refreshing spin on the villain from Disney’s 1959 animated classic Sleeping Beauty.

It worked: Maleficent became Jolie’s highest-grossing film, and holds a particular kind of appeal for the Letterboxd members who love it. For Rookie Bear, it is “…a journey from girlhood to motherhood and maturity, and in many respects, is exactly the film I would have liked Sleeping Beauty to be.” Aly C agrees: “I love that so many distinctly feminine themes are layered into this story, from non-traditional motherhood to recovering from sexual assault. It’s so smart; [writer] Linda Woolverton is a genius, and that must be part of why Angelina was so enthusiastically behind this project (besides looking absolutely iconic). I hope the sequel stays on this same path.”

Pedro Paixão is a little more succinct: “I have a weakness for bad bitches in leather.” He’s gonna love the follow-up, which sees dark fairy Maleficent (Jolie) drawn out of the moors, a verdant land in which fantasy creatures flourish, by the impending nuptials between surrogate daughter Princess Aurora (Sleeping Beauty herself, played by Elle Fanning) and her beloved Prince Phillip (Harris Dickinson, replacing the original’s Brenton Thwaites).

But this is Disney. With Maleficent and Aurora happy in their non-traditional family unit, the sequel needs a new bad bitch. Cue Michelle Pfeiffer, the ideal grande dame to go head-to-head with Jolie in lavish new sequel Maleficent: Mistress of Evil.

Pfeiffer plays Aurora’s mother-in-law to be, Queen Ingrith; outwardly welcoming of Maleficent, but secretly plotting against her, setting the stage for an epic showdown in which expensive special effects are entirely outshone by two of Hollywood’s most legendary actors throwing down. It’s misunderstood-villain versus actual-villain, and the star power on display is truly something to behold.

Jolie and Pfeiffer recently joined press in Beverly Hills to talk about the film, and we took the opportunity to ask them for any iconic movie villain performances that they may have taken inspiration from.

Angelina Jolie immediately named the performance given by her co-star in Tim Burton’s Batman Returns: “I like Michelle as Catwoman,” she told us.

Pfeiffer brought up a different Batman film, Christopher Nolan’s The Dark Knight, in her response: “I think the first thing that came to mind was Heath Ledger as the Joker. I didn’t take that as inspiration, but that’s my favorite villain.”

Read on for highlights from the rest of the conversation.

On being associated with the character of Maleficent: Angelina Jolie: The strange thing as an actor, you’re kind of always figuring out who you are, how people see you. Now with social media, everybody has an opinion. As an actor, it’s strange, you put yourself forward [for a role] and somebody says: “Oh, that’s very you.” And you think: ‘Really, is it?’ When I got a call and they said: “We thought you’re the only person who could play Maleficent. It was so obvious.” I was like: “What was so obvious?” I’m never quite sure how I’m supposed to take that.

And yet, I love her. So maybe I just need to fully embrace it at this time in my life. Maybe when I first did it I thought I needed to find the other aspects of her; she’s a bit wild and full-on and a bit much. Now I have different things in my life and I’m just so happy to feel strong again and have some fun. I adore being her.

On whether or not she was channeling screen legend Bette Davis in her performance: AJ: When I was little, I saw the animated film. Clearly she was drawn with that inspiration, and the original voice, and the original way she was, and I was so drawn to it. All of those women. There’s so much to learn from them. Any comparison I’m very grateful for.

On how the film plays with notions of good and evil: Michelle Pfeiffer: It’s a very unusual fairy tale, which I also loved about the first film, it was so surprising. What I loved is that it played in this grey area and it talked about good-versus-evil, and how all of us have a little bit of everything in us. I think in terms of strength, and how that manifests itself, it’s different in everyone. One of the things we loved about Aurora is that in many ways she is ultimately the strongest and wisest of all of us. My character is really brilliant and diabolical, but I wouldn’t consider her terribly wise.

I mean, everybody has vulnerability, and I think, [Queen Ingrith is] damaged. Nobody behaves that way unless they’re incredibly damaged on some level. She just doesn’t wear it on her sleeve, I guess. And it some ways, what she resorts to is really, truly out of a very deep fear. On the central themes of the film: AJ: It is about family. Aurora and Maleficent were brought together and they became a family and they weren’t really expecting it. Maleficent was harmed in her life and she lost herself and lost her ability to, I think, be soft and feel love. Being a mother brought out something in me that really transformed me. But we’re different creatures in the film. There are metaphors in the film, not to be heavy about it, but always I think a good film for young people has these messages, and I think there’s real questions in the film: [Aurora and Maleficent] get pulled apart, people tell us, because we’re not the same. “Because you’re not exactly like her, you’re not gonna love her.” That certainly strikes a chord with me. I think Maleficent does wonder if she’s good enough to be a mother.

Then there’s a real push to say “this is not how it should be, and this is not how to live”. Diversity makes us stronger. There must be a better way forward, and we have to come together. We do that in the film with the humans and the creatures and moor-folk coming together. We do that as a family, we come together and we fight against this separation. We unite and we say “this is the world we choose to live in”. I think that that is a really important message.

On Aurora and Maleficent’s relationship: AJ: I see her exactly as she is, and I don’t want her to be any different than she is. And she sees me as I am, and she accepts me as I am. It is to say to everybody: “Be yourself, be your true self. You don’t live forever.” Say to children: “No matter how people see you and how they say you should be, you’ll suffocate. Be your true nature, whatever that may be, and you’ll find acceptance, because you have to.”

On the film’s elaborate dinner scene, when Maleficent and Ingrith first encounter each other: MP: Tension-wise, nobody wanted to be the one to wreck the take, because it was so long. Every angle, every shot was a master. The tension is really good, you’re kind of just being there for each other.

AJ: I was just happy we were sitting. I felt like I was having dinner with friends for a week. I thought it was great. On the challenge of performing inside such gargantuan costumes: AJ: You get so supported in these roles with the magic, everybody working towards this idea of [bringing together] costumes, visual effects and make-up to help bring you into a creature. It’s a big team. Some of my costumes were half there, and we had to be flying with rigs and things. The trick with Maleficent sometimes is that I need to look stronger on the ground, but then I have to float when I’m up in the air.

On what the film has to say about self-sacrifice: AJ: When you talk about love, we spoke about knowing your true self, but really I think the core of is: we’re not here just to exist. You have to know what you stand for. You have to know what you’re willing to fight for or die for. If you live that way, then whatever pain comes with it and whatever sacrifice comes with it, you embrace it and it actually fills you with purpose. That’s hopefully represented in the film.

On whether or not she was trying to top her previous villain performances: MP: I didn’t actually look at it that way. I certainly enjoyed playing this, I was really delighted and surprised when I read the script. I was excited just by the notion of working with [Angelina Jolie and Elle Fanning].

You approach them all differently. I had a lot of fun doing this. I felt like I had a lot of freedom to try and bring some other colors, you know, try to play the humanity. It may not appear at first blush that Ingrith is willing to sacrifice anything, but she’s willing obviously to sacrifice her son. I think that doesn’t mean she doesn’t love him. (Laughs.) It’s complicated.

On relating to Maleficent having to let go of Aurora, given that she just sent her oldest son off to college: AJ: To be very honest, Maddox was so ready and he’s doing so well. He spent these days with me as I thought I was preparing him to go. You work so hard as a mother, you think: ‘I’m really helping him.’ And then at the airport, he could’ve left but he stayed with me a bit longer, I kept thinking: ‘He wants to be with me a little longer.’ And then at some point he looked at me and said: “Are you okay?” and I said “Yeah I’m fine” and I realized the entire week was all for me. He was just making sure I was okay. And he gave me a really big hug because he knew that I needed it, and I knew that he was okay because he was the kind of man who knew what I needed and he gave it to me in a loving way. So I left feeling really proud. I did cry a few times.

There’s a part of this movie where I have to let [Aurora] go. It wasn’t in the script, but I didn’t quite let her go. And Diaval (Sam Riley) has to come in and say: “Let her go.” And that got me every time. Because I would think of… all of the kids. That moment of having to let them go. But it’s also exciting.

Related content

Everything on Disney+: a list of all the films that will feature on the studio’s new streaming service, launching in the US on November 12.

Rara’s list of films with both female heroes and female villains.

Mommie Dearest: the Letterboxd Showdown of misunderstood movie matriarchs.

‘Maleficent: Mistress of Evil’ is in cinemas from October 18. Comments have been edited for length and clarity.

#maleficent #angelina jolie #michelle pfeiffer #sleeping beauty #elle fanning #disney #fairy tale wedding #blockbuster #letterboxd