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#William Barton
retroscifiart · 1 year
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Final & prelim art by Dean Ellis for A Plague of All Cowards by William Barton (Ace, 1976)
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lizabethstucker · 6 months
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The Mammoth Book of the End of the World edited by Mike Ashley
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3.5 out of 5
A collection of twenty-four short stories and novellas exploring the destruction of civilization and/or the planet. The authors range from Golden Age giants to more modern ones. While the majority of the stories are reprints, there are a few original to this collection.
I've taken my time reading this chunky book which is reflected in the time taken from start to finish. I find collections like this work better for me when I dip in when I want something different from what else that I've been reading. However the stories are different enough to read through with no interruptions.
One of the better collections of this trope that I've read in many years. Only one story came in rated at less than 3 stars, an unusual situations with such a narrow focus and large number of stories. A few of my favorites include "When Sysadmins Ruled the World" by Cory Doctorow; "The Last Sunset" by Geoffrey A. Landis, particularly heart wrenching; and "And the Deep Blue Sea" by Elizabeth Bear.
If you love well written stories, consider picking this up. It is well worth your time.
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the-briny-bulletin · 11 months
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Cryptid fish that has only been seen once and never again that may or may not exist but well never know my beloved
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incorrectquotesmcu · 3 months
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Kate: Clint won’t let me go.
Cassie: Yeah, no offense Kate, but Clint is horrible.
Kate: How could I be offended by that?
Riri: Can we just try to figure something out?
Y/N: What if Clint had a little... accident?
Kate: What?
Y/N, smirking: I have an uncle who...
Peter: We’re not paying your uncle to hurt Clint.
Y/N: Well, he’s not gonna do it for free!
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klutzyghost13 · 7 days
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Good Afternoon, hope everyone is taking care of themselves.
Been a bit busy working on alot of projects recently.
But not to busy to find some memes for you all.
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aintinacage · 8 months
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Doors open from both sides.
William Shakespeare’s Avengers (Part 12/?)
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brw · 5 months
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WEST COAST BEST COAST 💪💪💪 coloured in this kevin maguire piece (lineart down below) and had a good time, i also included the flats + my attempt at giving it a classic comic look :D
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filmbook21 · 9 months
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wwprice1 · 1 year
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This is so great! Awesome work by Mark Brooks!
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drizzledrawings · 9 months
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All of my comfort characters have daddy issues and saviour complexes
I wonder what that says about me
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Observation: There is a significant lack of Jeremy Renner characters spicy fics. I need more. 🥰💜
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watchingwisteria · 1 year
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as a fictional archer enjoyer i find this video very interesting
EDIT HE’S ON TUMBLR 🤩
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joezy27 · 6 months
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HAWKEYE - Clint Barton & The West Coast Avengers
The Amazing Spider-Man (2018) #794 Variant cover by Todd Nauck & Rachelle Rosenberg
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randomfandomblabdom · 11 months
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I love original scores, so you bet I listened to the Survivor score. Also because Stephen Barton is one of the composers and he worked on my favorite tv series of all time, so I had to lol and I thought I'd share some thoughts:
Mild Disclaimer: I do have some musical training though not much but I've always had an ear for themes and their uses, so that's what I usually focus on.
First of all, Cal's theme might be one of the most versatile themes I've heard in the last couple of years. It is played SO often in both the Fallen Order and Survivor scores but it never gets annoying because it's played in so many different ways. Sometimes it's played so subtly that you don't even know you're hearing it. For those who don't know it, this is one of the clearest instances of his theme in the Survivor score (1:05-1:46). One of the very first things you hear in the game is a variation of part of his theme in a very dark and sinister minor key (0:15-1:45). It's played the second you see him which immediately sets a clear distinction between the Cal shown in Survivor and the Cal from five years prior in Fallen Order where it's typically played in a more heroic yet innocently somber type way but as far as I remember (correct me if I'm wrong), it's never played in a minor key in that score but holy shit, it's minor and darker ALL OVER Survivor and in a way that just gives you that "mom, I'm scared, I wanna go home" type of feeling. Fallen Order Cal's theme has a very naive youthfulness to it whereas Survivor Cal's theme just feels... drained. There's a heavy weight to it that wasn't there before. My man Stephen Barton understood the assignment here.
Just to point it out, the theme that's widely considered to be the main theme of Fallen Order is actually Cordova's theme (1:10) which is an interesting artistic choice in and of itself and yes, it does play when he's introduced in Survivor (0:13-0:35).
Merrin has a theme (1:00-1:20) which I somehow completely missed during my first listen to Fallen Order. Shame on me, I know (yes, this track is from the first game but it's a really clear version of it) and you'd think it'd be some mystical sounding shit but it's actually this really interestingly almost hard and strong melody (1:13-2:04) that can be incredibly soft when it needs to be. It's what plays during her and Cal's first kiss. It's only the first few notes (5:40) but that's sure as hell what it is - those notes are the entire reason I even found her theme cause I was like... Barton sir, what the fuck is playing there??
Also, her theme works as the basis for the action cue that plays during the portal jumping scene right after said-kiss which makes perfect sense considering it's her powers being used and it gets a kickass action rendition as a result (2:08-2:19 and 2:50-3:10).
Cal and Merrin do have a love theme and yes, it's exactly what you think it is. You know that weird-ass Fields of Dusk - Orchestral Version on the soundtrack (actual theme starts at 0:45)? Yeah, that melody does function as a love theme. You hear bits of it throughout the rest of the score as well, most noticeably during the campfire scene (2:35-2:50) and during their second kiss on Jedha (2:30-2:55) where it just pulls out all the damn stops.
I really hope Stephen Barton and Gordy Haab get a chance to compose for other Star Wars projects because they truly have done some great things with these two scores. This might be a hot take but I also think it's the closest a not-John-Williams composer has gotten to a John Williams sound.
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incorrectquotesmcu · 1 month
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[Y/N, Kate, Yelena, Cassie and Riri walk by and they’re all covered in glitter and slime and feathers and holding water guns]
Clint: I would ask what’s going on, but then you’d tell me, and why would I want that?
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klutzyghost13 · 15 days
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Sorry I haven't posted all day. I've been dealing with a cat emergency. But I have some time now.
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